Take Me Home: The John Denver Story (2000) - full transcript
John Denver achieved fame, fortune, and acclaim for his iconic country-pop music, but his sunny personality masked private pain and dark secrets that his celebrity could never heal.
♪ Well life on the farm
is kinda laid back ♪
♪ Ain't much an old country
boy like me can't hack ♪
♪ It's early to rise,
early in the sack ♪
♪ Thank God I'm a country boy
♪ Well a simple kinda life
never did me no harm ♪
♪ A raisin' me a family
and workin' on a farm ♪
♪ My days are all filled
with an easy country charm ♪
♪ Thank God I'm a country boy
♪ Well I got me a fine wife
I got me an ole fiddle ♪
♪ When the sun's comin' up
I got cakes on the griddle ♪
♪ Life ain't nothin' but
a funny funny riddle ♪
♪ Thank God I'm a country boy
♪ Yes sir
♪ Well, my fiddle was my
daddy's till the day he died ♪
♪ And he took me by the hand
and held me close to his side ♪
♪ Said, "Live a good life and
play the fiddle with pride ♪
♪ And thank God
you're a country boy ♪
♪ My daddy taught me young how
to hunt and how to whittle ♪
♪ Taught me how to work and
play a tune on the fiddle ♪
♪ Taught me how to love and
how to give just a little ♪
♪ Whew, thank God I'm
a country boy, yeah ♪
(applause)
(jet engines roar)
- [John] Hello, sir.
Welcome to sunny California.
- Might as well pack your bags,
you're going back to college.
- Dad, just, just hear me out.
Dad, I'm not, I'm not
going back to Texas.
I'm staying here.
I've got a job.
- Doing what, picking fruit?
Washing dishes?
- I'm the opening act for
The Back Porch Majority.
- A what?
- Well, they're
like a farm team for
The New Christy Minstrels.
Dad, just come, come hear me.
- You want me to go to
some beatnik club with ya?
- Unless you're afraid
of beatnik's, dad.
- I want to introduce
a young man, a great
new talent, his
name is John Denver.
- Denver?
- Hello, hello.
Thank you all for
showing up tonight.
The first song I
would like to do
is a song I've written
called, This Old Guitar.
♪ This old guitar taught
me to sing a love song ♪
♪ It showed me how to
laugh and how to cry ♪
♪ It introduced me to
some friends of mine ♪
♪ And brightened up some days
♪ It helped me make it
through some lonely nights ♪
♪ Oh, what a friend to have
on a cold and lonely night ♪
♪ This old guitar gave
me my lovely lady ♪
♪ It opened up her
eyes and ears to me ♪
♪ It brought us close together
♪ And I guess it
broke her heart ♪
Dad?
Dad?
Dad, listen, huh?
I'm real sorry about
the name thing.
- You want to throw away
a college education,
that's fine, that's
your business.
But when you throw away the name
that you came into
the world with--
- I'm not throwing it away.
It's just that
Deutschendorf won't even
fit on a record label.
Look, Dad.
Lots of famous people start out
with different names.
- Famous?
Let me give you
some advice, son.
Famous is not such a big deal.
Howdy Doody is famous.
- This is my dream, dad.
It has been ever since
I was a little kid.
- Well, you're not a
little kid anymore.
Little kids dream
about being famous,
but a man...
A man wants to be respected.
A man wants to
stand for something.
Now when you think
things through,
you get on a bus and
come on back home.
We'll be glad to see ya.
Goodbye, son.
- Has it ever occurred to you
that you might be
wrong about something?
♪ When next payday came around
♪ Jim Goff a dollar
short was found ♪
♪ When he asked what
for, came this reply ♪
♪ You'll be docked
for the time ♪
♪ You was up in the sky
♪ And drill ye tarriers drill
♪ Drill ye tarriers drill
- So what do you think?
- I don't know, Milt,
you're the Producer,
what do you think?
- His tape sounded better.
♪ Tarriers drill
♪ And blast, and fire
♪ Drill ye tarriers drill
I'll be with ya in
a second, fellas.
(sighs)
- So you wanna be the
next Chad Mitchell, huh?
- I've flown all the way in
from Los Angeles for this.
- Is this your first audition?
- No, try about a
hundred and first.
- All right guys, let's try that
one more time, all right?
- I'm sorry about
that part, Mr. Okun,
I was a little bit
flat there and I guess
I'm just not use to
singing in a studio.
- It's all right, John.
Don't be nervous.
Just sing out, get
with the blend.
- Okay, Mr. Okun.
- It's Milt.
- Milt.
- [Man] Thanks, David.
You guys are great.
- [John] I blew the
audition, Frank.
- Why don't you jam
with Cosby and me?
- No, nah, not in the mood.
- You didn't really want to join
the Mitchell train, did ya?
They're way too wholesome.
(scoffs)
- Too wholesome?
- Well yeah, if you want people
to take you
seriously, you've got
to be dark and brooding, man.
Like Dylan.
- Well thanks, Frank.
I'll keep that in mind.
(laughs)
- [Frank] I just got a
message from the house
tellin' ya to call
a guy named Milt.
♪ And when it came
my time to serve ♪
♪ I knew "better
dead than red" ♪
♪ But when I got to
my old draft board ♪
♪ Buddy, this is what I said
♪ Sarge, I'm only eighteen,
I got a ruptured spleen ♪
♪ And I always carry a purse
♪ I got eyes like a
bat, my feet are flat ♪
♪ And my asthma's
getting worse ♪
♪ Oh I think of my career,
my sweetheart dear, ♪
♪ And my poor old invalid aunt
♪ Besides, I ain't no
fool, I'm goin' to school ♪
♪ And I'm working
in a defense plant ♪
(crowd cheers)
♪ I got a dislocated disc
and a wracked up back ♪
♪ And I'm allergic
to flowers and bugs ♪
♪ And when a bombshells
hit, I get epileptic fits ♪
♪ And I'm addicted
to a thousand drugs ♪
♪ I got the weakness woes,
I can't touch my toes ♪
♪ I can hardly touch my knees
♪ And if the enemy
came close to me ♪
♪ Why I'd probably
start to sneeze ♪
♪ Sarge, I'm only eighteen,
I got a ruptured spleen ♪
♪ And I always carry a purse
♪ I got eyes like a
bat, my feet are flat ♪
♪ And my asthma's
getting worse ♪
- John, I'm taking off.
We gotta get back to New York.
- Oh okay.
- I'll drop in later
on in the dorm.
- Okay, Hal, thanks a lot.
- You guys were
terrific tonight.
- Thank you.
- And who are you looking for?
- I, I don't know.
- Take it easy.
- Yeah, take care, Hal.
- Hey, John, you don't
have a beer, man.
- Oh no, that's all right.
- Let me get you one.
- Oh no.
That's all right.
- John, hey John, listen, man.
Listen, bud, it's time to go.
- No, it's okay.
I'll catch up with
you all later, okay?
Take care.
Hi.
- Hi.
- So--
- Hey.
Hey John, here ya go.
This is for you.
- Okay, thank you, thank you.
_ So hey, how about
one more song?
- Well, no, I--
- Come on.
- It's late and I
have got to get up--
- One more song.
If you don't sing
a song, I'm gonna
have to start singing
a song and nobody
wants that, you
know what I mean?
Yeah.
Hey, turn the stereo off.
John is gonna sing
us another song.
(applause)
Yeah.
Come on, come on.
There we go.
(audience cheers)
♪ I'll walk in the
rain by your side ♪
♪ Cling to the
warmth of your hand ♪
♪ Do anything to
keep you satisfied ♪
♪ I'll love you more
than anybody can ♪
♪ And I'll sing you the
songs of the rainbow ♪
- We've got to go.
♪ Joy that is mine
♪ Leaves will bow down
when you walk by ♪
♪ And morning bells will chime
♪ And the wind will
whisper your name to me ♪
♪ Little birds will
sing along in time ♪
♪ Leaves will bow down
when you walk by ♪
♪ And morning bells
♪ Will chime
(applause)
- He looks (mumbles).
- He does a little bit.
- $44,000.
- Look, the fact is,
right not there's
a limited audience
for folk music.
Expenses keep piling up, fellas.
The debts only gonna get bigger.
- [Mike] So what happens now?
- Well, we have
10 more bookings.
One or two open dates
after that, then...
Well, that's it.
Fold our tent.
- Just like that?
- Look, we've had a
good run with the trio.
Now it's time to look
for other opportunities.
(scoffs)
- Yeah, well, when this
tour is over, I think
I'll look for my
opportunity someplace
other than the music business.
- Yeah.
- [Joe] Let's go pack.
- [Mike] Well, at
least we've got
a few gigs left.
- [Hal] Chin up, guys.
- Hal, if I told
you that I wanted
to go out on my own,
would you help me?
Would you still be
my business manager?
- Well, you know, I think
the world of you, John,
but well...
I'm not gonna lie to ya.
It's hard to sustain
a solo career
without a record deal.
- But what about Milt?
Could he help me get a contract?
- Milt's a great producer.
But you can't count
on anything right now.
I mean, by this time next year,
the whole folk
thing may be dead.
Even Dylan's gone
electric, John.
- I'm just asking for
somebody to believe in me.
- I believe in you, John.
Count me in.
- And Hal, that $44,000.
I'm gonna pay it back.
- Excuse me?
- Well, I want
people to know that,
well that they can trust me.
What?
- Well, John, I think
I'm just witnessing
one of these once in
a lifetime moments.
A musician demanding
to pay his debts back.
(raps on glass)
- And Hal, those open dates,
do you think we can
get back to Minnesota?
- [Female Student] Hey, Annie.
- Hi.
Hi, I'm John...
Denver.
We had a talk after,
well after that concert
a few months back.
- A talk?
- Uh, yes, yes, I said hi and...
You said hi back.
That's kinda like a talk, right?
(chuckles)
I got your address
from one of the guys
at the frat house.
And listen, we're
playing again tonight,
over in St. Cloud and
I was just wondering
if you'd like to come hear us?
- St. Cloud, that's
a hundred miles away.
- Well, I know, I've
just come from there.
It didn't take all that long.
82 minutes to be exact.
(laughs)
- You drove a hundred
miles to ask me out?
You could've called.
Um, I have a psych
test tomorrow.
(gentle piano music)
And, I have a curfew.
- Oh.
- And I don't even know you.
- Well, that's three
good reasons not to come.
Are there any others?
- I have to change.
(gentle piano music)
The last time I heard
you sing that song,
I didn't realize
that you wrote it.
- Yeah, the last time
I sang that song,
I seem to remember
you walked out.
- I had to get back to
the dorm for curfew.
(laughs)
- You follow the rules, huh?
- I suppose.
- Yeah, so do I.
- I thought musicians
weren't supposed to
follow the rules.
- Oh well we're not,
we're supposed to be
dark and brooding
but, (chuckles),
I guess it's just not in me.
My dad's in the Air Force.
He's one of the best
pilots in the country.
- You must be proud of him.
- Sure I am.
- I bet he's proud of you.
- Hey, come here.
(Annie laughs)
Come on.
- [Annie] What are you doing?
- [John] Come on.
Come on.
(grunts)
Look at this.
Wow.
When I was growing
up, we had a place
like this where I
used to go and just
get away from it all.
I'd just look up at
the sky and I'd dream.
When I was there, I felt
like I could do anything.
I even convinced myself
to run away from home
once, there.
Did you ever run away from home?
- It never occurred to me.
- Never?
- No, why would it?
Home was everything,
I loved my home.
- Mitchell Trio's breaking up.
- No.
- Yeah, the guys,
they're getting out
of the business.
But Annie, I'm going to
try and get a solo career.
- Well, you better.
I mean, you have a gift.
People tonight, they
couldn't take their eyes
off of you.
- I couldn't take
my eyes off of you.
(gentle piano music)
When I met you, I wanted
to ask you to dance.
- I would've said yes.
(laughs)
(slow romantic music)
- I'm going to be
traveling a lot.
Maybe you can come
and see me again.
- Where?
- I don't know, we'll see.
Somewhere, would ya?
- Yeah, maybe.
(slow romantic music)
Probably.
(applause)
- [MC] Once again,
ladies and gentleman,
let's hear it for
Bill and Cathy Dannon
and the Back City Band.
(applause)
- [John] Annie.
- Do your hands always
tremble like that?
- You're here.
- Mm hmm.
- [MC] Now let's give
a nice warm welcome
for a young new
talent, John Denver.
(applause)
- Thank you very much.
Thanks.
Thanks folks.
It's lot better than
where I usually stay.
Most of the time when
I play in colleges,
they just put me up in
somebody's dorm room.
How was the, how
was the bus ride?
- Long.
- Well, I'll make it up to ya.
- You don't have to
make it up to me.
The way your voice
filled that room tonight,
it was amazing.
(sighs)
- I still need to get
a record contract.
- But you will, you will.
I know you will.
- The first time I saw you...
I just wanted to sing for you.
You were so beautiful
and familiar.
- Familiar?
- Yes, like I had
known you all my life.
Like I was gonna
know you all my life.
I can't explain it, I just...
I looked at you and the
feeling that I had was...
There she is.
(slow romantic music)
- Isn't it almost
Spring break for you?
- [Annie] Yeah.
- [John] Well then you
could come and see me again.
You could come on tour with me.
- I already have plans
for Spring break.
I'm going to Aspen
with the ski club.
- Well, what if you
meet somebody there?
(Annie laughs)
- I don't wanna meet somebody.
- Hey, what do you
say we get married?
(Annie laughs)
- What do you say we
have breakfast first?
(thunder rolls)
I don't wanna leave you.
- I'm gonna marry you, Annie.
- Stop saying that,
just don't say
crazy things to me right now.
- No, it's not crazy.
It's not.
It's like, when
I'm writing a song,
I hear a phrase, I
hear a piece of music
in my head, you can't
just let that drift away.
That's what I'm talking about.
I'm talking about
writing a song, Annie.
I'm talking about
writing a song with you.
- No.
- Why not?
(Annie sighs)
- Because I hardly
know you and...
It's just, it's a dumb idea.
It's a beautiful, dumb idea.
(gentle romantic music)
(thunder rolls)
- Not raw enough?
Well what does that mean?
- It means you're not
the Rolling Stones.
It means you're
not Jimi Hendrix.
It means you're you, John.
- Well, Hal, I'm
not going to change
who I am because some
record executive--
- John, I'm not saying
that you should,
I'm just saying not
to put all your hopes
on a record contract now.
(sighs)
- But without a record
deal, I'm nothing.
- It's been a month
now, this Annie thing
eating you up.
Why don't you do
something about it?
- I asked her to marry me, Hal.
She said no.
- So what?
No is nothing, John.
No is just a word that people
use when they're not quite sure
they wanna say yes.
If you're gonna be a success,
you gotta learn how
to make 'em sure.
(gentle guitar music)
♪ Lady, my sweet lady
♪ I just can't
believe it's true ♪
♪ And it's like I've never
♪ Ever loved before
♪ Close your eyes and
rest your weary mind ♪
♪ I wish that you could know
♪ How much I love you
♪ Lady, are you happy
♪ Do you feel the way I do
- You know that
beautiful, dumb idea?
- [Annie] John?
- It's not so dumb.
People get married all the time.
Look, I know that I
don't have much now,
just a guitar and
a beat up old car
and a bunch of songs
that I haven't even
written yet but,
Annie, I love you.
- I love you too, but...
We're so different.
- No, no, we're not.
- But we are.
You're used to moving
around, I'm not.
I need a home.
How can we be sure we
want the same things?
- Because we want each other.
At least, I know
that I want you.
- I want you, too.
(laughs)
♪ Lady, my sweet lady
♪ I'm as close as I can be
♪ And I swear to you
♪ Our time has just begun
(glass clinking)
- I um, I would just
like to propose a toast
to the bride and groom and
to wish them happiness.
John, you found yourself
a wonderful girl
who seems to have
hr head on straight.
And I'm sure that she
will be a big part
of your success in whatever
field you finally choose.
(background chatter)
- [John] I wish that just
once, my dad could say
that he was proud of me.
You know, and if
he doesn't say it
on my wedding day--
- [Annie] I'm proud of you.
(laughs)
- Columbia said no.
I didn't want to tell
ya before the wedding.
- Oh, honey, I'm sorry.
I know that's a disappointment.
But there are other
record labels.
- Yeah, 16 of them have
already turned me down, Annie.
RCA's about the only one
that Milt hasn't tried.
And I mean, why
would they take me
when everybody else
has already passed?
- Well, you can
still go out and play
music for people.
- Yeah, but being on
the road is expensive
and I don't know how much longer
we can afford to do it.
- I'll get a job.
- No, what about school?
- I'll finish school eventually.
- No, no, Annie.
- Yes, it'll be fine.
We'll make it work.
(sighs)
♪ All my bags are packed
♪ I'm ready to go
♪ I'm standing here
♪ Outside your door
♪ I hate to wake you up
♪ To say goodbye
♪ Now the time has
come to leave you ♪
♪ One more time,
let me kiss you ♪
♪ And close your eyes
♪ I'll be on my way
- [John] Airport.
♪ Oh kiss me and smile for me
- [Baby's Mother] It's so cute.
♪ Tell me that
you'll wait for me ♪
♪ And hold me like
you'll never let me go ♪
♪ Cause I'm leavin'
on a jet plane ♪
♪ Don't know when
I'll be back again ♪
♪ Oh babe, I hate to go
♪ I'm leavin' on a jet plane
♪ Don't know when
I'll be back again ♪
♪ Oh baby
♪ I hate to go
(applause)
- John, John.
- Hey.
What are you doing here?
- Hi.
- [John] Welcome to
the John Denver tour.
(laughs)
- [Annie] We'll have a poster
of you in here someday.
- That would be far out.
I'm really glad the
store can live without ya
for a few days.
- Me too.
- You know, someday,
we're gonna be
buying baby clothes.
- And would you like that?
Cause I would.
I really would.
Cause it's hard not to
think about it, you know?
All day I'm just staring
at those cute little
onesies and rompers
and pajamas with
teddy bears on them.
- You would look so cute
in teddy bear pajamas.
(laughs)
I'm going to definitely
want a soundcheck.
Is that on a dimmer?
- I'll take care of it.
- Ya, see I need a
chance to go over
my song list.
- Honey, this is so exciting.
- It's a start.
- [Stagehand] It's
for you, Mr. Denver.
- Oh.
Thank you.
Hello.
Hey, Milt.
Well, what did they say?
You're kidding?
Yes, I'm still breathing.
I think.
- John, what is it?
- Yeah, Milt.
Thanks a lot, bye.
- [Annie] What?
What?
- RCA just gave me a
four album contract.
$20,000.
(Annie yells)
Woodstock.
Wow, look at that.
That would've been so far out
to play before a
crowd like that.
Wow, Crosby's there, of course.
I guess, I don't know.
Maybe if my albums had
sold then, I don't know.
- Hmm, it'll happen.
You still have
another album to go
on your contract,
so let's just relax
and have a popsicle.
- How can you be so sure?
- Because I'm always right.
So let's just forget
about Woodstock.
- Ah.
- Is that something new?
- Oh yeah, I was just
jammin' with Bill
and Taffy last week
after the show.
It's a little something
I've been working on.
- Sing it for me.
- Oh no, no, no,
it's still too rough
and, there are a couple
of changes I can't get
and the lyrics, I haven't
figured them out yet, so--
- Sing it.
- Well, okay.
♪ Almost heaven
♪ West Virginia
♪ Blur Ridge Mountains
♪ Shenandoah River
♪ Life is old there
♪ Older than the trees
♪ Younger than the mountains
♪ Growing like a breeze
♪ Country roads
♪ Take me home
♪ To the place
♪ I belong
♪ West Virginia
♪ Mountain mama
♪ Take me home
♪ Country roads
♪ All my memories
gather round her ♪
♪ Miner's lady
♪ Stranger to blue water
♪ Dark and dusty
♪ Painted on the sky
♪ Misty taste of moonshine
♪ Teardrops in my eyes
♪ Country roads
♪ Take me home
♪ To the place
♪ Where I belong
♪ West Virginia
Great show everybody.
Make sure you don't
make any plans,
I'm taking everybody
out to dinner.
Hey, where's Annie?
Hey, how are you doing?
Hey, Hal.
You think they liked us?
- What, are you kidding me?
- I don't know, I think
I sound a little flat.
- Nah, John, it was terrific.
- Yeah, you don't
think I lost a little
momentum there when I--
- It was terrific, all right?
Give yourself a break.
(crowd chatters)
- Thank you.
Thank you.
Hey.
There ya go.
(crowd chatter)
Hey,
- Hey.
- There ya are.
I was looking for you.
Mm, so sorry things
gout out of hand
out there.
- Don't be sorry.
It's the goal isn't it, to make
all those people love you?
Isn't that what we've
both been working for?
It's just, kinda weird.
Suddenly to be sharing you
with thousands of people.
- You're not sharing
me with anybody.
You got me all to yourself.
Hey, let's go somewhere.
Just the two of us.
- Where?
- I don't know.
Some place, some place amazing.
♪ He was born in the summer
♪ Of his 27th year
♪ Coming home to a place
♪ He'd never been before
♪ Left yesterday behind him
♪ You might say he
was born again ♪
♪ Might say he found
a key for every door ♪
♪ When he first came
to the mountains ♪
♪ His life was far away
This is far out.
♪ But the string's
already broken ♪
♪ And he doesn't really care
♪ It keeps changing fast,
it don't last for long ♪
♪ But the Colorado
rocky mountain high ♪
♪ I've seen it rainin'
fire in the sky ♪
♪ The shadow from
the starlight ♪
♪ Is softer than a lullabye
♪ Rocky mountain high
♪ It's a Colorado
Rocky mountain high ♪
♪ I've seen it rainin'
fire in the sky ♪
♪ Friends around the campfire
♪ And everybody's high
♪ Rocky mountain high
♪ Rocky mountain high
♪ Rocky mountain high
♪ Rocky mountain high
♪ Believe me
I still can't believe
we built this.
It's everything we dreamed of.
Those are our trees now.
- Do you think you
can stay awhile?
It'd be nice to finish
the house together.
- Sure, I don't
have ant concerts
on the calendar for
at least a month.
(sighs)
It is gonna be so
great here, Annie.
- Maybe you could
call Dr. Danzer.
You know, our fertility doctor.
He's already done all the
tests he can do on me.
- Sure, I'll call him tomorrow.
- Mm.
(phone rings)
(sighs)
- Hello.
Hey, Hal.
How's it goin'?
Oh yeah, we're, it's
a, we're settlin'
in here, it's comin' along.
Yeah so, what's goin' on?
Far out.
Well, yeah, yeah.
Listen, hey, count me in.
Okay, I'll talk to ya soon then.
Bye.
(chuckles)
- Is Hal going to come
over and see the house?
- Uh, no, um actually,
Hal just spoke with
the network.
It seems they want
me to put together
another TV special.
So we've gotta scoot off to LA.
- But who's gonna
unpack all the boxes?
- Well, there'll
be time for that
when we get back, Annie.
This is gonna be fun.
(sighs)
- Maybe we should put
Doris Day in the scene.
- That's a good idea, Mr. Crumb.
Oh, well we wanna
end the chicken skit
with him laying an egg.
- Come on, Daniel.
Watch the cords.
Come on, guys.
- [John] All right, Susan.
Thank you very much.
- We got the (mumbles)
notes on the rehearsal.
Yeah, they're a
little worried that
you're saying far out too much.
- Mm hmm, all right.
- You said it during
the opening sketch
and once again to
Kermit the Frog
and after Doris Day sang,
so that's three times
in one show, okay?
- Okay.
(chuckles)
Okay.
Hal, do I say far out too much?
- No comment.
- Hey, Annie?
- Yeah?
- Listen, do I say
far out too much?
- Hmm, yes.
(John growls playfully)
(Annie squeals)
John.
(laughs)
What?
- God comes down to earth, okay?
And everywhere he
looks, he sees war
and pollution and
people being unkind
to each other.
And he's got to find
somebody he trusts.
Somebody to speak for him.
So he...
So he picks me.
It's a movie, Annie.
They want me to be in a movie.
- Really?
- Yeah, and guess who plays God.
George Burns.
Is not that not far out?
- That's great.
- I start working
with the director
the week after next.
- But...
You have an appointment
with Dr. Danzer
the week after next.
- I don't think I can make it.
- John, we're talking
about an hour.
Don't tell me you can't make it.
We're supposed to be
starting a family.
I thought that's
what you wanted.
- Well, yeas, but
I have obligations.
Annie, it's not
like the old days.
- No, it's worse
than the old days.
You're moving at a
thousand different
directions, it's just...
Not how I thought it would be.
- Well, what do
you want me to do?
Do you want me to
stop playing my music?
- No, no, I'm not saying that.
It just seems like lately,
all that matters
to you is listening
to all those people applaud.
- Well, well that's not fair.
- Fair?
You're off on tour.
You're making TV specials.
You're making movies.
What about us?
- Okay, I will
make an appointment
with a doctor, all right?
But Annie, first
I'm gonna fulfill
my obligations, okay?
I'm gonna do the movie.
And I'm gonna take
my band to Europe.
Now, it would make me very happy
if you would come with me.
- I'm not gonna do that.
Not this time.
- Fine, then you stay in Aspen.
(sighs)
- I will.
♪ It's by far the hardest
thing I've ever done ♪
♪ To be so in love with you
♪ And so alone
♪ Follow me where I go
♪ What I do and who I know
(fans chatter)
♪ Make it part of you
to be a part of me ♪
Why, thank you, Mr. Burns.
♪ All the way and all around
♪ Take my hand and
say you'll follow me ♪
♪ It's long been on my mind
♪ You know it's been
a long, long time ♪
♪ I've tried to find the way
♪ That I can make
you understand ♪
♪ The way I feel about you
♪ And just how much I need you
♪ To be there where
I can talk to you ♪
♪ When there's no
one else around ♪
♪ Follow me where I go
♪ What I do and who I know
(camera shutter clicks)
(laughs)
♪ Make it part of you
to be a part of me ♪
♪ Follow me where I go
♪ What I do and who I know
♪ Make it part of you
to be a part of me ♪
♪ Follow me up and down
♪ All the way
♪ Take my hand and
say you'll follow me ♪
(gentle guitar music)
Uh, just so stressed out.
Trying to have a baby thing.
- It sounds fun to me.
(laughs)
- See, the thing
is, I don't know
how good a father I'd be.
I don't know how
good a husband I am.
- Well, John, maybe
you should spend
a little more time up here.
You know, slow
things down a bit.
You've earned it.
- Well, I know.
You're right, I,
I really want to.
(sighs)
You know, I've
got all this money
and success.
But I want to give
something back, Hal.
You know, I don't know,
maybe we can create
an environmental think tank.
- A think tank?
- Yeah, you know, we
could fly people here
to Aspen, you know,
real experts like...
Like Bucky Fuller or
David Brower or...
Maybe even Jacque Cousteau.
Oh, you know, it's
like my father
always said, you gotta
stand for somethin'.
I mean, look at this, Hal.
This is my inspiration.
I want to stand for this.
I want to stand for that eagle.
- [Hal] Well, John, you
know I'll support you
in any way that I can.
- [John] Wow.
It's so far out to soar
above it all like that.
(sighs)
Hal.
You wanna take flying
lessons with me?
(laughs)
- I thought we were talking
about taking it easy, John.
(applause)
- [Male Attendee] There he is.
A movie star.
- Hi.
There you are.
- Oh, I'm so proud of you.
- Oh, thanks, ma.
- Oh, I'm having such
a wonderful time.
I met George Burns.
- Yeah.
(laughs)
Hey, where's dad?
- He's at the bar.
- Go ahead, go on.
- Excuse me.
- Hey, there he is,
man of the hour.
Give me another one of these.
That was a good movie, son.
And you were just fine in it.
There you go, congratulations.
- Thank you.
What's going on, dad?
- Nothing.
- Come on, dad, something,
something's bothering you.
- Oh.
Some of my superiors
thought that we ought to cut
back on training for the
new pilots and want me to
go along with it.
I told them that
if they cut back,
they'd have a bunch of
dead pilots on their hands.
Anyhow, the talk
got a little hot,
and I told them they can go
to hell, and walked away.
- You what?
- I quit.
- Dad, the Air Force, I
mean, that's your life.
- Forget about it, son.
Come on, let's go
back to the party.
- No, listen, I don't have to go
back to my party.
I want to talk about this.
- Some other time, okay?
- Dad, there is not
gonna be another time,
and you know it.
You have never talked
to me, you never have.
You act like you're
embarrassed by me or something.
- What are you talking
about, overreacting.
- Dad, listen, there
is this guy in Aspen,
now, he does these
workshops, he could really
help you get in touch
with your inner self.
- Oh, come on, son.
You buy that mystical
hippie garbage?
- Yes, dad, I do.
The world is changing
right under your feet.
- Ah, let it.
(sighs)
- Dad.
No, he's never treated
me the way a father
should treat his son.
You know, he doesn't respect me.
- He does, he just doesn't
know how to show it.
- No, if he did, he
would just level with me.
You know, he'd take me
aside, and we would go out
and we'd have a few
beers or something,
I don't know, and we'd
talk about things.
We've never done that.
So, everything
between us is a lie.
- You really believe that?
- I do.
I mean, look, Annie, if
you care about someone,
if you love someone,
you don't hold yourself
apart from them.
- You hold yourself apart
from me all the time.
- What?
Wait a minute, what is
that supposed to mean?
- Can you get this.
(sighs)
John, I've been hearing
things about you.
About when you were gone.
- What things?
(melancholy piano music)
(sighs)
I'm sorry, Annie, I'm so sorry.
You know, I suppose
I was upset with you.
You know, you
weren't there for me,
and there I was
night after night
in front of thousands
and thousands of people,
and all of them are
cheering for me, and...
I was lonely, and I
guess I didn't know it,
until after the show
one night, this woman--
- I'm going home.
- [John] Annie, you can't go
home, it's after midnight.
Let's talk about this.
- No.
I'm with your father on
this one, let's not talk.
♪ You fill up my senses
♪ Like a night in a forest
♪ Like the mountains
in springtime ♪
♪ Like a walk in the rain
♪ Like a storm in the desert
♪ Like a sleepy blue ocean
♪ You fill up my senses
♪ Come fill me again
♪ Come let me love you
♪ Let me give my life to you
♪ Let me drown in
your laughter ♪
♪ Let me die in your arms
♪ Let me lay down beside you
♪ Let me always be with you
♪ Come let me love you
♪ Come love me again
(soft piano music)
- That's our baby.
- Oh, hi, little Zach.
- He's beautiful.
We didn't care what sex or race,
we just wanted our baby
to be strongest enough
to live with us up
in the mountains.
Still can't believe it.
You know, sometimes
I wake up at night,
and I go down into
his room and I look
at him, just convince myself
I haven't dreamed all this.
It's an incredible
thing, isn't it?
- What?
- being a father.
What do you think?
- About what?
- Our new jet.
- What do you
mean, your new jet?
- Ah, well, I've been
thinking about it
for quite a while now,
and I ran the numbers,
and we decided it
makes economic sense
for me to have my own jet.
(unconvinced laughing)
- Well, she's a beauty.
A lot of power in these things.
A lot of maneuverability.
- You want to teach
me to fly it, dad?
(laughing)
- John, you don't just start off
flying a lear, you have
to have a pilot's license.
- I do.
- You do?
(jet engine roaring)
You're flying it now.
You want me to take it?
- No, sir, I got it.
(chuckles)
- [Dutch] Relax,
you did just fine.
- I did.
- Yeah, you did.
You got a natural
feel for the lear.
That kind of thing's
hard to teach.
- Well, you know what, dad?
You are pretty good at this.
- Hell yes, I'm good at it.
Who else you think
could have taught
you this fast?
This is my stage we're on now,
this is where I play my music.
Watch pitch.
- You want to come
work for me, dad?
- Work for you?
- Well, yeah.
Listen, I can fly
this plane sometimes,
but I'm gonna need a good
pilot, someone I can trust.
And you gotta admit,
she sure is fun to fly.
Come on, what do you say?
- Well, all right,
but if you think
I'm calling you boss,
you're out of your mind.
- No, I think Mr. Denver
will do just fine.
(laughs)
(soft guitar music)
And when Zoe woke
up the next morning,
she saw that her
pancake was on her plate
just like always.
And then she knew she
was really back home.
The end.
- Okay, time for bed.
- No, read it again, daddy.
- Okay.
Where did it go?
- It's behind you.
- All right, it's bedtime.
- No, no, oh, hey,
that's not fair.
It's two against one.
- It's bedtime.
- Okay, come on, let's go.
All aboard the bedtime express.
Here we go, hold on here.
(imitates horn)
Here we go.
(imitatrd horn)
(laughs)
Choo choo.
(phone rings)
Hello.
Hey, Jacques.
It's Jacques Cousteau.
- [Annie] All right, come on.
- Hey.
Well, yeah.
(speaking foreign language)
yourself, Jacques.
Listen, I've almost
finished a song.
I'm thinking about
calling it Calypso.
Isn't that far out?
Well, far out?
How do you say far
out in French, Annie?
Did you read this?
- Yeah, I read it.
- Denver's modeling wonderment.
The risk free
reverence for nature,
he repeats ad nauseum
in song after song.
His naive adoption
of every trendy cause
are all on abundant display
in his vapid new album.
I don't get it, I don't.
You know how many
people I played for
in that arena in Tokyo?
18,000.
I mean, you wouldn't believe
how big I am over there.
And then I come home
to my own country
and they're starting
to make me feel
like a has been.
- Oh, you'll never be a
has been, you know that.
Hey, come here.
I want to show you something.
- You got a new bed?
- Yeah, isn't it beautiful?
I always wanted a
headboard like this.
It reminded me of
my grandmother's.
There's this furniture
maker down in Aspen.
You don't like it.
- No, it's just,
I mean, I thought
we were gonna pick
out a bed together.
- And when were we
supposed to do that?
You were in Asia
for three months.
- Right, I'm sorry.
- And then you just had
to make a quick trip
to the Soviet Union.
- Okay, I'm sorry.
(sighs)
Mattress feels comfortable.
I'm sorry.
Come here.
I have to go to Africa.
Oh a fact-finding mission
for the hunger project.
- When?
- Next week.
- I would have said
no, but, but Annie,
it's the president
himself who suggested
we start getting involved.
There are so many starving
children over there,
I feel like I have to go.
- Well, how can I object
when you put it like that?
I mean, it would be
pretty selfish of me
to want my husband at home
if children are gonna die.
So, you just go ahead.
- Hey, I'll make it up to you.
- Don't worry about me.
I'm used to it, but
Zach and Anna Kate,
you're never gonna get
this time back with them.
I mean, they're not
gonna be young enough
to ride around on
your back forever.
- I'll be back in three weeks.
- And then in three days,
you're gonna be
off again to China
or someplace, singing about
life in the rocky mountains,
but you don't really want
to live this life, do you?
It's just something
for you to sing about.
(melancholy music)
- [Anna] Please,
daddy, don't go.
- Oh, sweetheart, I have to go.
Come here.
I love you.
- I love you too.
(engine turns and revs)
(gentle instrumental music)
- The problem is,
these tree roots
are busting up your main line.
Might be able to
reroute the pipes,
but there's no guarantee.
I mean, it's pretty solid
ground around here, right?
Might be a few weeks
without plumbing.
- So, what are you saying,
we have to cut down
the trees?
- Well, it's up
to you, but that's
what I'd recommend if you want
to solve the problem.
- I'll have to think about it.
- Sure, sure thing.
Just let me know.
- Thanks.
- You know, my
wife and I are both
big fans of your husband.
You know what song
we had them play
when we got married?
Annie's Song.
- Really?
- Yeah, it's a very
special song to us.
- It seems to be a
very special song
to a lot of people.
Tell you what, go ahead,
cut down the trees.
- Yes, ma'am.
(sighs)
- All right, Dutch, good job.
Hey.
- How was the trip?
- Well, it was very rewarding.
It's tough though, to
see all those kids.
hey, look, you
think we could maybe
push that recording
session a week or two,
give me a chance to unwind here?
What, something wrong?
- RCA dropped you, John.
- What?
- It's true.
- I've made millions
and millions
of dollars for that company.
Greatest Hits is the
best selling album
in the history of RCA.
- It's not about that, John.
Look, these new guys in charge,
they think anybody
they didn't sign
up themselves is a dinosaur.
What can I tell
you, they're idiots.
- I got all these
new songs, Hal.
Hal, I have been writing better
than I have ever written before.
I gotta get them out there.
- Milt's looking at
some smaller labels.
- Smaller labels?
- John, let's get
in the car, okay?
We'll worry about this tomorrow.
- The roots were
destroying the pipes.
Something had to be
done, I had to make
a decision.
I'm sorry I didn't
consult you, but you were
in Africa, or was it
Australia or Asia.
- Annie, I love these trees,
that's the whole reason
we built right here.
And you knew that I
loved these trees,
and that is the reason
you chopped them down.
- Oh, that is such
classic projection.
- Classic projection,
well, I'm glad
to see you're keeping
up with your studies.
- Don't belittle the one
thing I've done for myself.
(sighs)
- RCA dropped me.
- What?
They dropped you, why?
- Because I don't have big
fancy production numbers.
That's just not who I am.
Because I'm not Michael Jackson.
Because I'm John Denver.
- Honey, I'm sorry.
Just...
Come in the house.
- [Dutch] You're a
good pilot, John.
You make the airplane
do what you want it to.
I heard about that RCA thing.
(sighs)
You ask me, they're a
bunch of sons of bitches.
Wouldn't know real talent if it
crawled up their leg and
bit them on the butt.
Hell, they don't deserve
somebody like you anyway.
- Somebody like me?
- Yeah, you know, a heavyweight.
Do you remember that
time when you were
back in high school,
you took the car
and ran off to Los Angeles?
(laughs)
Me and a buddy
hopped in an F102,
we must haver flown
over every square
inch of West Texas
looking for your car.
(laughs)
- You're kidding.
- No.
- What would you have
done if you found me?
- Hell, I don't know.
I'd have probably landed
the plane on the highway
and kicked your ass.
It's a hell of a
thing for a father
to have his own son run
away from him like that.
If I had believed in
you a little bit more,
maybe you wouldn't have.
But you did fine.
You did fine.
♪ Well I guess that you
probably know by now ♪
♪ I was one who wanted to fly
♪ I wanted to ride on
that arrow of fire ♪
♪ Right up into heaven
♪ And I wanted to
go for every man ♪
♪ Every child, every
mother of children ♪
♪ I wanted to carry the dreams
- Ah, Milt, it's not here yet.
- It sounds fine to me.
- No, it's thin, you know,
it needs to be fuller.
What if, listen, what
if we were to bring
in an orchestra here.
- Sure, John, but
you gotta remember,
we're paying for this ourselves.
Not only are you
hiring a big orchestra,
but you gotta have a big studio.
- Hey, Hal.
- Your father's had
a heart attack, John.
(soft melancholic music)
- [Irma] He's gone, John.
(soft melancholic music)
- John, I'm gonna go into town
to work in the clinic.
the kids should be
home in about an hour.
- Okay.
- You know, everybody
knows how hard
it's been for you
these last two months.
- Everybody, huh,
well, everybody knows
how hard it's been for me?
Well, I wish they'd tell me,
because I am still
having a very hard
time figuring it all out.
- Grief is a process, and
what you're going through
right now is just part...
Maybe you should talk to Hal.
You need to talk to somebody,
and you're not talking to me.
- Well, maybe it's
because you keep talking
to me like you're
reading out of one of
your college textbooks.
- I don't know what to do.
You don't seem to need me.
You haven't needed
me in a long time.
I know how you're feeling.
- No!
You do not know how
I am feeling, Annie.
Would you stop saying that?
All right, your
father did not die
at the exact moment that
you were just beginning
to know him!
Your record company
did not just suddenly
decide that nobody
wanted to listen
to you anymore!
You cut down our trees.
You want to know
how I am feeling?
I will show you.
- [Annie] John.
(chainsaw buzzes)
Stop, John.
John, stop it.
John, stop, John.
(soft piano music)
(panting)
(sighs)
- I've been trying to
figure out a way, Annie...
To tell you how sorry I am.
I wrote you a song.
(sighs)
Please, just listen, Annie.
- No.
It doesn't work anymore.
I want a divorce.
(melancholic music)
- I'm not gonna need
to do that, you know,
that's what I'm saying.
(laughs)
You know.
You can't come to
Australia and not see
the great barrier reef.
- [Male Voice] Not me.
- You don't have to
worry about sharks,
sharks only eat drummers.
(laughs)
- Excuse me, I just
wanted to let you know
how much, very much, I
enjoyed your concert tonight.
- Thank you.
- Catch you later, John.
- My name's Cassandra Delaney.
- Hello, Cassandra, I'm John.
- I know.
(laughs)
- hey, have a seat.
- You know, you have
an exceptional voice.
Wonderful range.
- Thank you.
You must be a singer.
- Yeah, aspiring anyway.
- You have exceptional eyes.
(laughs)
♪ Sometimes I think
that I'm dreaming ♪
♪ Or maybe I'm going insane
♪ Or maybe it's just that
I'm falling in love again ♪
♪ Here I am standing
beside you ♪
♪ Oh life's such
a wonderful game ♪
♪ Look at me now, I'm
falling in love again ♪
- Well, it looks like
John Denver's fairy tale
marriage to Australian
Cassandra Delaney
has come crashing
back to reality.
The rocky mountain
singer is back
in Aspen after he and Cassandra
decided to call it quits.
(background chatters)
- [Female Attendee]
I'm so proud of you.
- That's so sweet.
(laughs)
- Congratulations.
- Congratulations, Dr. Denver.
- It's just a masters, John.
- Hey guys.
- Hi.
- [John] You look great.
You look, well,
you look beautiful.
- Thank you.
- So, anybody have a
desire to go to the movies
with dear old man this weekend?
- I do.
- Zach, what about you?
- Yeah, sure.
- All right.
I'll pick you guys up,
say, Saturday afternoon?
Okay.
Listen, why don't you give me
a moment here with your mama?
I want to talk to her.
All these years, Annie,
you never gave up.
I'm real proud of you.
- Thank you.
It's nice of you to come.
- Hal tells me you're gonna
start your own practice.
- Well, it's not
for sure, but maybe.
How are you doing
with everything?
- Ah, busy, busy, with Windstar,
and I've been writing
a lot of new songs.
I still can't seem to
get any major labels
to touch them, but...
You want to go to the
movies with us this weekend?
- I don't think so, John.
- I'm very proud of you.
I don't know, Jake.
Maybe I should reinvent myself,
become a rap singer.
- Now you're talking.
- [Waiter] There you are.
- Thank you, more of an edge.
Dangerous.
A little thing like
divorce wouldn't
affect me at all.
I wouldn't lose a
wink of sleep over it.
- Goodnight.
Hey, hey.
Stay dangerous, man.
♪ You fill up my senses
♪ Like a night in a forest
♪ Like the mountains
in springtime, ♪
♪ Like a walk in the rain
♪ Like a storm in the
(truck honks)
(tires screech)
- Thank again, fellas.
We appreciate your discretion.
They're gonna
charge him with DUI.
This divorce from Cassandra
is really shaken him, Annie.
I'm really worried about him.
- Okay.
Hi.
- Oh, hi.
So, do I get out of here now?
- Not until the
doctor comes back in.
(laughs)
- A little fender
bender and they make
all this fuss.
- John.
- Annie, can you
hand me my jacket?
- Oh, hey, you want
to see a new picture
of Jesse Belle?
- Sure.
- [John] Look at her.
Isn't she grown?
- She's a very
beautiful little girl.
- Yeah.
She's a miracle.
It's all been hell,
except for her.
Annie, i don't know
why I married Cassie.
I guess I was just...
Annie, do you know
what it's like to have
all of these songs,
all of this stuff
you want to say, but
no one wants to listen?
I feel like I'm drowning.
- John.
- I'm suffocating here, Annie.
(chuckles)
Hell, when this
DUI gets out, wow,
how is that gonna
look to everybody?
- I don't care how it
looks to everybody.
What about the
people in your life?
Jesse Belle needs you,
our kids need you.
You don't even seem
to know what you have.
- Yes I do, Annie, okay?
- Do you?
Do you know what could
have happened last night?
Just, try to get
yourself together.
♪ This old guitar taught
me to sing a love song ♪
♪ It showed me how to
laugh and how to cry ♪
♪ It introduced me to
some friends of mine ♪
- Hey.
♪ And brightened up some days
- [John] What are
you doing here?
- I thought you could
use some company.
Hal said you'd be here.
So, working on a new version?
- No, I'm just listening.
- You mind me being here?
I mean, you can be
alone if you need to.
- That's okay.
- You know, I always
liked this song.
You all right?
- Oh, I'm fine.
- You want to talk
about what's going?
- What do you mean?
- Come on, dad.
- What's going on is,
you know, I'm just,
I'm listening.
- The only thing, it
just seems like lately--
- Zach, I'm fine.
- Why won't you just
talk to me, dad?
- Zach, I got nothing to say.
♪ This old guitar gave
me my life, my living ♪
♪ All the things you
know I love to do ♪
♪ To serenade the
stars that shine ♪
♪ From a sunny mountainside
♪ And most of all to
sing my songs for you ♪
♪ I love to sing
my songs for you ♪
- So, we're here, you
got the fire going.
What's up?
- I wanted an
opportunity to talk
to you guys.
- I thought you
didn't want to talk.
- Well, I'm real sorry
about the other day, Zach.
That's the way my father
used to talk to me.
He'd shut me out.
I never meant to do
that to you guys.
(sighs)
First time your mom
and I camped here,
I wrote Rocky Mountain High.
It just came to
me all in a rush.
I couldn't stop it
even if I wanted to.
I thought that's
what really mattered.
I could just sit back
and let the music come,
and everything else
would just follow.
But I blew it.
- Dad.
- No, I did.
And I just wanted
to apologize to you.
- For what?
- For doing exactly
the same thing
to you that my dad did to me,
just flying away
every chance I got.
- Stop it, dad, okay.
No one's saying that
you weren't a good dad.
- Yeah, but I could have
given you guys so much more.
- Maybe you weren't
at home 24/7,
but touring and music,
it's what you did.
- I thought a song
could change the world.
- Dad, we love your music.
- Do you think we didn't
get what you were saying?
I mean, you stood for something.
Grandpa used to
say the same thing.
- I love you guys.
- [Anna] I love you too, daddy.
- [Young Female]
This is so weird.
- What do you mean?
- Didn't you used to be
married to John Denver?
- Yes, but I don't
want to talk about me,
I want to talk about you.
- No, I am talking about me.
I was 17 when I
tried to kill myself.
I stole a bottle of my
mother's sleeping pills,
then I went into my room
and I locked the door.
And I don't know why, maybe
I was just too lonely,
maybe it was just too quiet.
I turned on the radio.
And this song came on.
Poems, Prayers, and Promises.
This beautiful, simple song.
And when it was over...
I didn't want to die anymore.
(soft piano music)
♪ I have to say it now
♪ It's been a good
life all in all ♪
♪ It's really fine
♪ To have a chance
to hang around ♪
♪ And lie there by the fire
♪ And watch the evening tire
♪ While all my friends
and my old lady ♪
♪ Sit and pass the pipe around
♪ And talk of poems and
prayers and promises ♪
♪ And things that
we believe in ♪
♪ How sweet it is
to love someone ♪
♪ How right it is to care
♪ How long it's been
since yesterday ♪
♪ And what about tomorrow
- hey.
How was it?
- I think we had a
pretty good time.
- Yeah?
- Yeah.
Of course, your daughter
wanted to play sing-a-long
on the way home.
- Guess who won.
- Either I'm getting older
or she's getting better.
- Probably both.
- Hey, you want to give me
a hand with this, Anna Kate?
- Hey, sweetie.
- Hey, mom, how you doing?
- Good, good.
- See you, daddy.
- See you soon.
Don't forget about
next weekend now, okay?
- Oh yeah, sure, dad.
- Thanks, pops.
See ya.
- We didn't do so bad, did we?
With the kids?
- We did pretty
well with the kids.
(sighs)
How are you?
- I'm better.
I'm thinking about
buying a new plane.
- Really?
- Yeah, it's called Long Easy.
It's amazing.
It's not like being
in a plane at all.
Flying like an eagle.
Well.
I better go.
- John.
- Yeah?
- Have you written
any songs lately?
- A couple.
Why?
- I just want you to know
that I think you're
really good at it.
(soft guitar music)
- [Hal] Are you kidding me?
- Beautiful bird, isn't she?
- Just like an eagle.
Hey, how's it going?
- Good.
- I can't wait to get up there.
He would have loved this plane.
- He sure would have.
- Who?
- My dad, he was a pilot too.
♪ Sunshine on my shoulders
♪ Makes me happy
♪ Sunshine in my eyes
♪ Can make me cry
♪ Sunshine on the water
♪ looks so lovely
♪ Sunshine almost always
♪ Makes me high
♪ If I had a day
♪ That I could give you
♪ I'd give to you
♪ The day just like today
♪ If I had a song
♪ That I could sing for you
Far out.
♪ I'd sing a song
♪ To make you feel this way
♪ Sunshine on my shoulders
♪ Makes me happy
♪ Sunshine almost always
♪ Perhaps love is
like a resting place ♪
♪ A shelter from the storm
♪ It exists to
give you comfort ♪
♪ It is there to keep you warm
♪ And in those
times of trouble ♪
♪ When you are most alone
♪ The memory of love
will bring you home ♪
♪ Perhaps love is
like the ocean ♪
♪ Full of conflict,
full of pain ♪
♪ Like a fire when
it's cold outside ♪
♪ Or thunder when it rains
♪ If I should live forever
♪ And all my dreams come true
♪ My memories of
love will be of you ♪
is kinda laid back ♪
♪ Ain't much an old country
boy like me can't hack ♪
♪ It's early to rise,
early in the sack ♪
♪ Thank God I'm a country boy
♪ Well a simple kinda life
never did me no harm ♪
♪ A raisin' me a family
and workin' on a farm ♪
♪ My days are all filled
with an easy country charm ♪
♪ Thank God I'm a country boy
♪ Well I got me a fine wife
I got me an ole fiddle ♪
♪ When the sun's comin' up
I got cakes on the griddle ♪
♪ Life ain't nothin' but
a funny funny riddle ♪
♪ Thank God I'm a country boy
♪ Yes sir
♪ Well, my fiddle was my
daddy's till the day he died ♪
♪ And he took me by the hand
and held me close to his side ♪
♪ Said, "Live a good life and
play the fiddle with pride ♪
♪ And thank God
you're a country boy ♪
♪ My daddy taught me young how
to hunt and how to whittle ♪
♪ Taught me how to work and
play a tune on the fiddle ♪
♪ Taught me how to love and
how to give just a little ♪
♪ Whew, thank God I'm
a country boy, yeah ♪
(applause)
(jet engines roar)
- [John] Hello, sir.
Welcome to sunny California.
- Might as well pack your bags,
you're going back to college.
- Dad, just, just hear me out.
Dad, I'm not, I'm not
going back to Texas.
I'm staying here.
I've got a job.
- Doing what, picking fruit?
Washing dishes?
- I'm the opening act for
The Back Porch Majority.
- A what?
- Well, they're
like a farm team for
The New Christy Minstrels.
Dad, just come, come hear me.
- You want me to go to
some beatnik club with ya?
- Unless you're afraid
of beatnik's, dad.
- I want to introduce
a young man, a great
new talent, his
name is John Denver.
- Denver?
- Hello, hello.
Thank you all for
showing up tonight.
The first song I
would like to do
is a song I've written
called, This Old Guitar.
♪ This old guitar taught
me to sing a love song ♪
♪ It showed me how to
laugh and how to cry ♪
♪ It introduced me to
some friends of mine ♪
♪ And brightened up some days
♪ It helped me make it
through some lonely nights ♪
♪ Oh, what a friend to have
on a cold and lonely night ♪
♪ This old guitar gave
me my lovely lady ♪
♪ It opened up her
eyes and ears to me ♪
♪ It brought us close together
♪ And I guess it
broke her heart ♪
Dad?
Dad?
Dad, listen, huh?
I'm real sorry about
the name thing.
- You want to throw away
a college education,
that's fine, that's
your business.
But when you throw away the name
that you came into
the world with--
- I'm not throwing it away.
It's just that
Deutschendorf won't even
fit on a record label.
Look, Dad.
Lots of famous people start out
with different names.
- Famous?
Let me give you
some advice, son.
Famous is not such a big deal.
Howdy Doody is famous.
- This is my dream, dad.
It has been ever since
I was a little kid.
- Well, you're not a
little kid anymore.
Little kids dream
about being famous,
but a man...
A man wants to be respected.
A man wants to
stand for something.
Now when you think
things through,
you get on a bus and
come on back home.
We'll be glad to see ya.
Goodbye, son.
- Has it ever occurred to you
that you might be
wrong about something?
♪ When next payday came around
♪ Jim Goff a dollar
short was found ♪
♪ When he asked what
for, came this reply ♪
♪ You'll be docked
for the time ♪
♪ You was up in the sky
♪ And drill ye tarriers drill
♪ Drill ye tarriers drill
- So what do you think?
- I don't know, Milt,
you're the Producer,
what do you think?
- His tape sounded better.
♪ Tarriers drill
♪ And blast, and fire
♪ Drill ye tarriers drill
I'll be with ya in
a second, fellas.
(sighs)
- So you wanna be the
next Chad Mitchell, huh?
- I've flown all the way in
from Los Angeles for this.
- Is this your first audition?
- No, try about a
hundred and first.
- All right guys, let's try that
one more time, all right?
- I'm sorry about
that part, Mr. Okun,
I was a little bit
flat there and I guess
I'm just not use to
singing in a studio.
- It's all right, John.
Don't be nervous.
Just sing out, get
with the blend.
- Okay, Mr. Okun.
- It's Milt.
- Milt.
- [Man] Thanks, David.
You guys are great.
- [John] I blew the
audition, Frank.
- Why don't you jam
with Cosby and me?
- No, nah, not in the mood.
- You didn't really want to join
the Mitchell train, did ya?
They're way too wholesome.
(scoffs)
- Too wholesome?
- Well yeah, if you want people
to take you
seriously, you've got
to be dark and brooding, man.
Like Dylan.
- Well thanks, Frank.
I'll keep that in mind.
(laughs)
- [Frank] I just got a
message from the house
tellin' ya to call
a guy named Milt.
♪ And when it came
my time to serve ♪
♪ I knew "better
dead than red" ♪
♪ But when I got to
my old draft board ♪
♪ Buddy, this is what I said
♪ Sarge, I'm only eighteen,
I got a ruptured spleen ♪
♪ And I always carry a purse
♪ I got eyes like a
bat, my feet are flat ♪
♪ And my asthma's
getting worse ♪
♪ Oh I think of my career,
my sweetheart dear, ♪
♪ And my poor old invalid aunt
♪ Besides, I ain't no
fool, I'm goin' to school ♪
♪ And I'm working
in a defense plant ♪
(crowd cheers)
♪ I got a dislocated disc
and a wracked up back ♪
♪ And I'm allergic
to flowers and bugs ♪
♪ And when a bombshells
hit, I get epileptic fits ♪
♪ And I'm addicted
to a thousand drugs ♪
♪ I got the weakness woes,
I can't touch my toes ♪
♪ I can hardly touch my knees
♪ And if the enemy
came close to me ♪
♪ Why I'd probably
start to sneeze ♪
♪ Sarge, I'm only eighteen,
I got a ruptured spleen ♪
♪ And I always carry a purse
♪ I got eyes like a
bat, my feet are flat ♪
♪ And my asthma's
getting worse ♪
- John, I'm taking off.
We gotta get back to New York.
- Oh okay.
- I'll drop in later
on in the dorm.
- Okay, Hal, thanks a lot.
- You guys were
terrific tonight.
- Thank you.
- And who are you looking for?
- I, I don't know.
- Take it easy.
- Yeah, take care, Hal.
- Hey, John, you don't
have a beer, man.
- Oh no, that's all right.
- Let me get you one.
- Oh no.
That's all right.
- John, hey John, listen, man.
Listen, bud, it's time to go.
- No, it's okay.
I'll catch up with
you all later, okay?
Take care.
Hi.
- Hi.
- So--
- Hey.
Hey John, here ya go.
This is for you.
- Okay, thank you, thank you.
_ So hey, how about
one more song?
- Well, no, I--
- Come on.
- It's late and I
have got to get up--
- One more song.
If you don't sing
a song, I'm gonna
have to start singing
a song and nobody
wants that, you
know what I mean?
Yeah.
Hey, turn the stereo off.
John is gonna sing
us another song.
(applause)
Yeah.
Come on, come on.
There we go.
(audience cheers)
♪ I'll walk in the
rain by your side ♪
♪ Cling to the
warmth of your hand ♪
♪ Do anything to
keep you satisfied ♪
♪ I'll love you more
than anybody can ♪
♪ And I'll sing you the
songs of the rainbow ♪
- We've got to go.
♪ Joy that is mine
♪ Leaves will bow down
when you walk by ♪
♪ And morning bells will chime
♪ And the wind will
whisper your name to me ♪
♪ Little birds will
sing along in time ♪
♪ Leaves will bow down
when you walk by ♪
♪ And morning bells
♪ Will chime
(applause)
- He looks (mumbles).
- He does a little bit.
- $44,000.
- Look, the fact is,
right not there's
a limited audience
for folk music.
Expenses keep piling up, fellas.
The debts only gonna get bigger.
- [Mike] So what happens now?
- Well, we have
10 more bookings.
One or two open dates
after that, then...
Well, that's it.
Fold our tent.
- Just like that?
- Look, we've had a
good run with the trio.
Now it's time to look
for other opportunities.
(scoffs)
- Yeah, well, when this
tour is over, I think
I'll look for my
opportunity someplace
other than the music business.
- Yeah.
- [Joe] Let's go pack.
- [Mike] Well, at
least we've got
a few gigs left.
- [Hal] Chin up, guys.
- Hal, if I told
you that I wanted
to go out on my own,
would you help me?
Would you still be
my business manager?
- Well, you know, I think
the world of you, John,
but well...
I'm not gonna lie to ya.
It's hard to sustain
a solo career
without a record deal.
- But what about Milt?
Could he help me get a contract?
- Milt's a great producer.
But you can't count
on anything right now.
I mean, by this time next year,
the whole folk
thing may be dead.
Even Dylan's gone
electric, John.
- I'm just asking for
somebody to believe in me.
- I believe in you, John.
Count me in.
- And Hal, that $44,000.
I'm gonna pay it back.
- Excuse me?
- Well, I want
people to know that,
well that they can trust me.
What?
- Well, John, I think
I'm just witnessing
one of these once in
a lifetime moments.
A musician demanding
to pay his debts back.
(raps on glass)
- And Hal, those open dates,
do you think we can
get back to Minnesota?
- [Female Student] Hey, Annie.
- Hi.
Hi, I'm John...
Denver.
We had a talk after,
well after that concert
a few months back.
- A talk?
- Uh, yes, yes, I said hi and...
You said hi back.
That's kinda like a talk, right?
(chuckles)
I got your address
from one of the guys
at the frat house.
And listen, we're
playing again tonight,
over in St. Cloud and
I was just wondering
if you'd like to come hear us?
- St. Cloud, that's
a hundred miles away.
- Well, I know, I've
just come from there.
It didn't take all that long.
82 minutes to be exact.
(laughs)
- You drove a hundred
miles to ask me out?
You could've called.
Um, I have a psych
test tomorrow.
(gentle piano music)
And, I have a curfew.
- Oh.
- And I don't even know you.
- Well, that's three
good reasons not to come.
Are there any others?
- I have to change.
(gentle piano music)
The last time I heard
you sing that song,
I didn't realize
that you wrote it.
- Yeah, the last time
I sang that song,
I seem to remember
you walked out.
- I had to get back to
the dorm for curfew.
(laughs)
- You follow the rules, huh?
- I suppose.
- Yeah, so do I.
- I thought musicians
weren't supposed to
follow the rules.
- Oh well we're not,
we're supposed to be
dark and brooding
but, (chuckles),
I guess it's just not in me.
My dad's in the Air Force.
He's one of the best
pilots in the country.
- You must be proud of him.
- Sure I am.
- I bet he's proud of you.
- Hey, come here.
(Annie laughs)
Come on.
- [Annie] What are you doing?
- [John] Come on.
Come on.
(grunts)
Look at this.
Wow.
When I was growing
up, we had a place
like this where I
used to go and just
get away from it all.
I'd just look up at
the sky and I'd dream.
When I was there, I felt
like I could do anything.
I even convinced myself
to run away from home
once, there.
Did you ever run away from home?
- It never occurred to me.
- Never?
- No, why would it?
Home was everything,
I loved my home.
- Mitchell Trio's breaking up.
- No.
- Yeah, the guys,
they're getting out
of the business.
But Annie, I'm going to
try and get a solo career.
- Well, you better.
I mean, you have a gift.
People tonight, they
couldn't take their eyes
off of you.
- I couldn't take
my eyes off of you.
(gentle piano music)
When I met you, I wanted
to ask you to dance.
- I would've said yes.
(laughs)
(slow romantic music)
- I'm going to be
traveling a lot.
Maybe you can come
and see me again.
- Where?
- I don't know, we'll see.
Somewhere, would ya?
- Yeah, maybe.
(slow romantic music)
Probably.
(applause)
- [MC] Once again,
ladies and gentleman,
let's hear it for
Bill and Cathy Dannon
and the Back City Band.
(applause)
- [John] Annie.
- Do your hands always
tremble like that?
- You're here.
- Mm hmm.
- [MC] Now let's give
a nice warm welcome
for a young new
talent, John Denver.
(applause)
- Thank you very much.
Thanks.
Thanks folks.
It's lot better than
where I usually stay.
Most of the time when
I play in colleges,
they just put me up in
somebody's dorm room.
How was the, how
was the bus ride?
- Long.
- Well, I'll make it up to ya.
- You don't have to
make it up to me.
The way your voice
filled that room tonight,
it was amazing.
(sighs)
- I still need to get
a record contract.
- But you will, you will.
I know you will.
- The first time I saw you...
I just wanted to sing for you.
You were so beautiful
and familiar.
- Familiar?
- Yes, like I had
known you all my life.
Like I was gonna
know you all my life.
I can't explain it, I just...
I looked at you and the
feeling that I had was...
There she is.
(slow romantic music)
- Isn't it almost
Spring break for you?
- [Annie] Yeah.
- [John] Well then you
could come and see me again.
You could come on tour with me.
- I already have plans
for Spring break.
I'm going to Aspen
with the ski club.
- Well, what if you
meet somebody there?
(Annie laughs)
- I don't wanna meet somebody.
- Hey, what do you
say we get married?
(Annie laughs)
- What do you say we
have breakfast first?
(thunder rolls)
I don't wanna leave you.
- I'm gonna marry you, Annie.
- Stop saying that,
just don't say
crazy things to me right now.
- No, it's not crazy.
It's not.
It's like, when
I'm writing a song,
I hear a phrase, I
hear a piece of music
in my head, you can't
just let that drift away.
That's what I'm talking about.
I'm talking about
writing a song, Annie.
I'm talking about
writing a song with you.
- No.
- Why not?
(Annie sighs)
- Because I hardly
know you and...
It's just, it's a dumb idea.
It's a beautiful, dumb idea.
(gentle romantic music)
(thunder rolls)
- Not raw enough?
Well what does that mean?
- It means you're not
the Rolling Stones.
It means you're
not Jimi Hendrix.
It means you're you, John.
- Well, Hal, I'm
not going to change
who I am because some
record executive--
- John, I'm not saying
that you should,
I'm just saying not
to put all your hopes
on a record contract now.
(sighs)
- But without a record
deal, I'm nothing.
- It's been a month
now, this Annie thing
eating you up.
Why don't you do
something about it?
- I asked her to marry me, Hal.
She said no.
- So what?
No is nothing, John.
No is just a word that people
use when they're not quite sure
they wanna say yes.
If you're gonna be a success,
you gotta learn how
to make 'em sure.
(gentle guitar music)
♪ Lady, my sweet lady
♪ I just can't
believe it's true ♪
♪ And it's like I've never
♪ Ever loved before
♪ Close your eyes and
rest your weary mind ♪
♪ I wish that you could know
♪ How much I love you
♪ Lady, are you happy
♪ Do you feel the way I do
- You know that
beautiful, dumb idea?
- [Annie] John?
- It's not so dumb.
People get married all the time.
Look, I know that I
don't have much now,
just a guitar and
a beat up old car
and a bunch of songs
that I haven't even
written yet but,
Annie, I love you.
- I love you too, but...
We're so different.
- No, no, we're not.
- But we are.
You're used to moving
around, I'm not.
I need a home.
How can we be sure we
want the same things?
- Because we want each other.
At least, I know
that I want you.
- I want you, too.
(laughs)
♪ Lady, my sweet lady
♪ I'm as close as I can be
♪ And I swear to you
♪ Our time has just begun
(glass clinking)
- I um, I would just
like to propose a toast
to the bride and groom and
to wish them happiness.
John, you found yourself
a wonderful girl
who seems to have
hr head on straight.
And I'm sure that she
will be a big part
of your success in whatever
field you finally choose.
(background chatter)
- [John] I wish that just
once, my dad could say
that he was proud of me.
You know, and if
he doesn't say it
on my wedding day--
- [Annie] I'm proud of you.
(laughs)
- Columbia said no.
I didn't want to tell
ya before the wedding.
- Oh, honey, I'm sorry.
I know that's a disappointment.
But there are other
record labels.
- Yeah, 16 of them have
already turned me down, Annie.
RCA's about the only one
that Milt hasn't tried.
And I mean, why
would they take me
when everybody else
has already passed?
- Well, you can
still go out and play
music for people.
- Yeah, but being on
the road is expensive
and I don't know how much longer
we can afford to do it.
- I'll get a job.
- No, what about school?
- I'll finish school eventually.
- No, no, Annie.
- Yes, it'll be fine.
We'll make it work.
(sighs)
♪ All my bags are packed
♪ I'm ready to go
♪ I'm standing here
♪ Outside your door
♪ I hate to wake you up
♪ To say goodbye
♪ Now the time has
come to leave you ♪
♪ One more time,
let me kiss you ♪
♪ And close your eyes
♪ I'll be on my way
- [John] Airport.
♪ Oh kiss me and smile for me
- [Baby's Mother] It's so cute.
♪ Tell me that
you'll wait for me ♪
♪ And hold me like
you'll never let me go ♪
♪ Cause I'm leavin'
on a jet plane ♪
♪ Don't know when
I'll be back again ♪
♪ Oh babe, I hate to go
♪ I'm leavin' on a jet plane
♪ Don't know when
I'll be back again ♪
♪ Oh baby
♪ I hate to go
(applause)
- John, John.
- Hey.
What are you doing here?
- Hi.
- [John] Welcome to
the John Denver tour.
(laughs)
- [Annie] We'll have a poster
of you in here someday.
- That would be far out.
I'm really glad the
store can live without ya
for a few days.
- Me too.
- You know, someday,
we're gonna be
buying baby clothes.
- And would you like that?
Cause I would.
I really would.
Cause it's hard not to
think about it, you know?
All day I'm just staring
at those cute little
onesies and rompers
and pajamas with
teddy bears on them.
- You would look so cute
in teddy bear pajamas.
(laughs)
I'm going to definitely
want a soundcheck.
Is that on a dimmer?
- I'll take care of it.
- Ya, see I need a
chance to go over
my song list.
- Honey, this is so exciting.
- It's a start.
- [Stagehand] It's
for you, Mr. Denver.
- Oh.
Thank you.
Hello.
Hey, Milt.
Well, what did they say?
You're kidding?
Yes, I'm still breathing.
I think.
- John, what is it?
- Yeah, Milt.
Thanks a lot, bye.
- [Annie] What?
What?
- RCA just gave me a
four album contract.
$20,000.
(Annie yells)
Woodstock.
Wow, look at that.
That would've been so far out
to play before a
crowd like that.
Wow, Crosby's there, of course.
I guess, I don't know.
Maybe if my albums had
sold then, I don't know.
- Hmm, it'll happen.
You still have
another album to go
on your contract,
so let's just relax
and have a popsicle.
- How can you be so sure?
- Because I'm always right.
So let's just forget
about Woodstock.
- Ah.
- Is that something new?
- Oh yeah, I was just
jammin' with Bill
and Taffy last week
after the show.
It's a little something
I've been working on.
- Sing it for me.
- Oh no, no, no,
it's still too rough
and, there are a couple
of changes I can't get
and the lyrics, I haven't
figured them out yet, so--
- Sing it.
- Well, okay.
♪ Almost heaven
♪ West Virginia
♪ Blur Ridge Mountains
♪ Shenandoah River
♪ Life is old there
♪ Older than the trees
♪ Younger than the mountains
♪ Growing like a breeze
♪ Country roads
♪ Take me home
♪ To the place
♪ I belong
♪ West Virginia
♪ Mountain mama
♪ Take me home
♪ Country roads
♪ All my memories
gather round her ♪
♪ Miner's lady
♪ Stranger to blue water
♪ Dark and dusty
♪ Painted on the sky
♪ Misty taste of moonshine
♪ Teardrops in my eyes
♪ Country roads
♪ Take me home
♪ To the place
♪ Where I belong
♪ West Virginia
Great show everybody.
Make sure you don't
make any plans,
I'm taking everybody
out to dinner.
Hey, where's Annie?
Hey, how are you doing?
Hey, Hal.
You think they liked us?
- What, are you kidding me?
- I don't know, I think
I sound a little flat.
- Nah, John, it was terrific.
- Yeah, you don't
think I lost a little
momentum there when I--
- It was terrific, all right?
Give yourself a break.
(crowd chatters)
- Thank you.
Thank you.
Hey.
There ya go.
(crowd chatter)
Hey,
- Hey.
- There ya are.
I was looking for you.
Mm, so sorry things
gout out of hand
out there.
- Don't be sorry.
It's the goal isn't it, to make
all those people love you?
Isn't that what we've
both been working for?
It's just, kinda weird.
Suddenly to be sharing you
with thousands of people.
- You're not sharing
me with anybody.
You got me all to yourself.
Hey, let's go somewhere.
Just the two of us.
- Where?
- I don't know.
Some place, some place amazing.
♪ He was born in the summer
♪ Of his 27th year
♪ Coming home to a place
♪ He'd never been before
♪ Left yesterday behind him
♪ You might say he
was born again ♪
♪ Might say he found
a key for every door ♪
♪ When he first came
to the mountains ♪
♪ His life was far away
This is far out.
♪ But the string's
already broken ♪
♪ And he doesn't really care
♪ It keeps changing fast,
it don't last for long ♪
♪ But the Colorado
rocky mountain high ♪
♪ I've seen it rainin'
fire in the sky ♪
♪ The shadow from
the starlight ♪
♪ Is softer than a lullabye
♪ Rocky mountain high
♪ It's a Colorado
Rocky mountain high ♪
♪ I've seen it rainin'
fire in the sky ♪
♪ Friends around the campfire
♪ And everybody's high
♪ Rocky mountain high
♪ Rocky mountain high
♪ Rocky mountain high
♪ Rocky mountain high
♪ Believe me
I still can't believe
we built this.
It's everything we dreamed of.
Those are our trees now.
- Do you think you
can stay awhile?
It'd be nice to finish
the house together.
- Sure, I don't
have ant concerts
on the calendar for
at least a month.
(sighs)
It is gonna be so
great here, Annie.
- Maybe you could
call Dr. Danzer.
You know, our fertility doctor.
He's already done all the
tests he can do on me.
- Sure, I'll call him tomorrow.
- Mm.
(phone rings)
(sighs)
- Hello.
Hey, Hal.
How's it goin'?
Oh yeah, we're, it's
a, we're settlin'
in here, it's comin' along.
Yeah so, what's goin' on?
Far out.
Well, yeah, yeah.
Listen, hey, count me in.
Okay, I'll talk to ya soon then.
Bye.
(chuckles)
- Is Hal going to come
over and see the house?
- Uh, no, um actually,
Hal just spoke with
the network.
It seems they want
me to put together
another TV special.
So we've gotta scoot off to LA.
- But who's gonna
unpack all the boxes?
- Well, there'll
be time for that
when we get back, Annie.
This is gonna be fun.
(sighs)
- Maybe we should put
Doris Day in the scene.
- That's a good idea, Mr. Crumb.
Oh, well we wanna
end the chicken skit
with him laying an egg.
- Come on, Daniel.
Watch the cords.
Come on, guys.
- [John] All right, Susan.
Thank you very much.
- We got the (mumbles)
notes on the rehearsal.
Yeah, they're a
little worried that
you're saying far out too much.
- Mm hmm, all right.
- You said it during
the opening sketch
and once again to
Kermit the Frog
and after Doris Day sang,
so that's three times
in one show, okay?
- Okay.
(chuckles)
Okay.
Hal, do I say far out too much?
- No comment.
- Hey, Annie?
- Yeah?
- Listen, do I say
far out too much?
- Hmm, yes.
(John growls playfully)
(Annie squeals)
John.
(laughs)
What?
- God comes down to earth, okay?
And everywhere he
looks, he sees war
and pollution and
people being unkind
to each other.
And he's got to find
somebody he trusts.
Somebody to speak for him.
So he...
So he picks me.
It's a movie, Annie.
They want me to be in a movie.
- Really?
- Yeah, and guess who plays God.
George Burns.
Is not that not far out?
- That's great.
- I start working
with the director
the week after next.
- But...
You have an appointment
with Dr. Danzer
the week after next.
- I don't think I can make it.
- John, we're talking
about an hour.
Don't tell me you can't make it.
We're supposed to be
starting a family.
I thought that's
what you wanted.
- Well, yeas, but
I have obligations.
Annie, it's not
like the old days.
- No, it's worse
than the old days.
You're moving at a
thousand different
directions, it's just...
Not how I thought it would be.
- Well, what do
you want me to do?
Do you want me to
stop playing my music?
- No, no, I'm not saying that.
It just seems like lately,
all that matters
to you is listening
to all those people applaud.
- Well, well that's not fair.
- Fair?
You're off on tour.
You're making TV specials.
You're making movies.
What about us?
- Okay, I will
make an appointment
with a doctor, all right?
But Annie, first
I'm gonna fulfill
my obligations, okay?
I'm gonna do the movie.
And I'm gonna take
my band to Europe.
Now, it would make me very happy
if you would come with me.
- I'm not gonna do that.
Not this time.
- Fine, then you stay in Aspen.
(sighs)
- I will.
♪ It's by far the hardest
thing I've ever done ♪
♪ To be so in love with you
♪ And so alone
♪ Follow me where I go
♪ What I do and who I know
(fans chatter)
♪ Make it part of you
to be a part of me ♪
Why, thank you, Mr. Burns.
♪ All the way and all around
♪ Take my hand and
say you'll follow me ♪
♪ It's long been on my mind
♪ You know it's been
a long, long time ♪
♪ I've tried to find the way
♪ That I can make
you understand ♪
♪ The way I feel about you
♪ And just how much I need you
♪ To be there where
I can talk to you ♪
♪ When there's no
one else around ♪
♪ Follow me where I go
♪ What I do and who I know
(camera shutter clicks)
(laughs)
♪ Make it part of you
to be a part of me ♪
♪ Follow me where I go
♪ What I do and who I know
♪ Make it part of you
to be a part of me ♪
♪ Follow me up and down
♪ All the way
♪ Take my hand and
say you'll follow me ♪
(gentle guitar music)
Uh, just so stressed out.
Trying to have a baby thing.
- It sounds fun to me.
(laughs)
- See, the thing
is, I don't know
how good a father I'd be.
I don't know how
good a husband I am.
- Well, John, maybe
you should spend
a little more time up here.
You know, slow
things down a bit.
You've earned it.
- Well, I know.
You're right, I,
I really want to.
(sighs)
You know, I've
got all this money
and success.
But I want to give
something back, Hal.
You know, I don't know,
maybe we can create
an environmental think tank.
- A think tank?
- Yeah, you know, we
could fly people here
to Aspen, you know,
real experts like...
Like Bucky Fuller or
David Brower or...
Maybe even Jacque Cousteau.
Oh, you know, it's
like my father
always said, you gotta
stand for somethin'.
I mean, look at this, Hal.
This is my inspiration.
I want to stand for this.
I want to stand for that eagle.
- [Hal] Well, John, you
know I'll support you
in any way that I can.
- [John] Wow.
It's so far out to soar
above it all like that.
(sighs)
Hal.
You wanna take flying
lessons with me?
(laughs)
- I thought we were talking
about taking it easy, John.
(applause)
- [Male Attendee] There he is.
A movie star.
- Hi.
There you are.
- Oh, I'm so proud of you.
- Oh, thanks, ma.
- Oh, I'm having such
a wonderful time.
I met George Burns.
- Yeah.
(laughs)
Hey, where's dad?
- He's at the bar.
- Go ahead, go on.
- Excuse me.
- Hey, there he is,
man of the hour.
Give me another one of these.
That was a good movie, son.
And you were just fine in it.
There you go, congratulations.
- Thank you.
What's going on, dad?
- Nothing.
- Come on, dad, something,
something's bothering you.
- Oh.
Some of my superiors
thought that we ought to cut
back on training for the
new pilots and want me to
go along with it.
I told them that
if they cut back,
they'd have a bunch of
dead pilots on their hands.
Anyhow, the talk
got a little hot,
and I told them they can go
to hell, and walked away.
- You what?
- I quit.
- Dad, the Air Force, I
mean, that's your life.
- Forget about it, son.
Come on, let's go
back to the party.
- No, listen, I don't have to go
back to my party.
I want to talk about this.
- Some other time, okay?
- Dad, there is not
gonna be another time,
and you know it.
You have never talked
to me, you never have.
You act like you're
embarrassed by me or something.
- What are you talking
about, overreacting.
- Dad, listen, there
is this guy in Aspen,
now, he does these
workshops, he could really
help you get in touch
with your inner self.
- Oh, come on, son.
You buy that mystical
hippie garbage?
- Yes, dad, I do.
The world is changing
right under your feet.
- Ah, let it.
(sighs)
- Dad.
No, he's never treated
me the way a father
should treat his son.
You know, he doesn't respect me.
- He does, he just doesn't
know how to show it.
- No, if he did, he
would just level with me.
You know, he'd take me
aside, and we would go out
and we'd have a few
beers or something,
I don't know, and we'd
talk about things.
We've never done that.
So, everything
between us is a lie.
- You really believe that?
- I do.
I mean, look, Annie, if
you care about someone,
if you love someone,
you don't hold yourself
apart from them.
- You hold yourself apart
from me all the time.
- What?
Wait a minute, what is
that supposed to mean?
- Can you get this.
(sighs)
John, I've been hearing
things about you.
About when you were gone.
- What things?
(melancholy piano music)
(sighs)
I'm sorry, Annie, I'm so sorry.
You know, I suppose
I was upset with you.
You know, you
weren't there for me,
and there I was
night after night
in front of thousands
and thousands of people,
and all of them are
cheering for me, and...
I was lonely, and I
guess I didn't know it,
until after the show
one night, this woman--
- I'm going home.
- [John] Annie, you can't go
home, it's after midnight.
Let's talk about this.
- No.
I'm with your father on
this one, let's not talk.
♪ You fill up my senses
♪ Like a night in a forest
♪ Like the mountains
in springtime ♪
♪ Like a walk in the rain
♪ Like a storm in the desert
♪ Like a sleepy blue ocean
♪ You fill up my senses
♪ Come fill me again
♪ Come let me love you
♪ Let me give my life to you
♪ Let me drown in
your laughter ♪
♪ Let me die in your arms
♪ Let me lay down beside you
♪ Let me always be with you
♪ Come let me love you
♪ Come love me again
(soft piano music)
- That's our baby.
- Oh, hi, little Zach.
- He's beautiful.
We didn't care what sex or race,
we just wanted our baby
to be strongest enough
to live with us up
in the mountains.
Still can't believe it.
You know, sometimes
I wake up at night,
and I go down into
his room and I look
at him, just convince myself
I haven't dreamed all this.
It's an incredible
thing, isn't it?
- What?
- being a father.
What do you think?
- About what?
- Our new jet.
- What do you
mean, your new jet?
- Ah, well, I've been
thinking about it
for quite a while now,
and I ran the numbers,
and we decided it
makes economic sense
for me to have my own jet.
(unconvinced laughing)
- Well, she's a beauty.
A lot of power in these things.
A lot of maneuverability.
- You want to teach
me to fly it, dad?
(laughing)
- John, you don't just start off
flying a lear, you have
to have a pilot's license.
- I do.
- You do?
(jet engine roaring)
You're flying it now.
You want me to take it?
- No, sir, I got it.
(chuckles)
- [Dutch] Relax,
you did just fine.
- I did.
- Yeah, you did.
You got a natural
feel for the lear.
That kind of thing's
hard to teach.
- Well, you know what, dad?
You are pretty good at this.
- Hell yes, I'm good at it.
Who else you think
could have taught
you this fast?
This is my stage we're on now,
this is where I play my music.
Watch pitch.
- You want to come
work for me, dad?
- Work for you?
- Well, yeah.
Listen, I can fly
this plane sometimes,
but I'm gonna need a good
pilot, someone I can trust.
And you gotta admit,
she sure is fun to fly.
Come on, what do you say?
- Well, all right,
but if you think
I'm calling you boss,
you're out of your mind.
- No, I think Mr. Denver
will do just fine.
(laughs)
(soft guitar music)
And when Zoe woke
up the next morning,
she saw that her
pancake was on her plate
just like always.
And then she knew she
was really back home.
The end.
- Okay, time for bed.
- No, read it again, daddy.
- Okay.
Where did it go?
- It's behind you.
- All right, it's bedtime.
- No, no, oh, hey,
that's not fair.
It's two against one.
- It's bedtime.
- Okay, come on, let's go.
All aboard the bedtime express.
Here we go, hold on here.
(imitates horn)
Here we go.
(imitatrd horn)
(laughs)
Choo choo.
(phone rings)
Hello.
Hey, Jacques.
It's Jacques Cousteau.
- [Annie] All right, come on.
- Hey.
Well, yeah.
(speaking foreign language)
yourself, Jacques.
Listen, I've almost
finished a song.
I'm thinking about
calling it Calypso.
Isn't that far out?
Well, far out?
How do you say far
out in French, Annie?
Did you read this?
- Yeah, I read it.
- Denver's modeling wonderment.
The risk free
reverence for nature,
he repeats ad nauseum
in song after song.
His naive adoption
of every trendy cause
are all on abundant display
in his vapid new album.
I don't get it, I don't.
You know how many
people I played for
in that arena in Tokyo?
18,000.
I mean, you wouldn't believe
how big I am over there.
And then I come home
to my own country
and they're starting
to make me feel
like a has been.
- Oh, you'll never be a
has been, you know that.
Hey, come here.
I want to show you something.
- You got a new bed?
- Yeah, isn't it beautiful?
I always wanted a
headboard like this.
It reminded me of
my grandmother's.
There's this furniture
maker down in Aspen.
You don't like it.
- No, it's just,
I mean, I thought
we were gonna pick
out a bed together.
- And when were we
supposed to do that?
You were in Asia
for three months.
- Right, I'm sorry.
- And then you just had
to make a quick trip
to the Soviet Union.
- Okay, I'm sorry.
(sighs)
Mattress feels comfortable.
I'm sorry.
Come here.
I have to go to Africa.
Oh a fact-finding mission
for the hunger project.
- When?
- Next week.
- I would have said
no, but, but Annie,
it's the president
himself who suggested
we start getting involved.
There are so many starving
children over there,
I feel like I have to go.
- Well, how can I object
when you put it like that?
I mean, it would be
pretty selfish of me
to want my husband at home
if children are gonna die.
So, you just go ahead.
- Hey, I'll make it up to you.
- Don't worry about me.
I'm used to it, but
Zach and Anna Kate,
you're never gonna get
this time back with them.
I mean, they're not
gonna be young enough
to ride around on
your back forever.
- I'll be back in three weeks.
- And then in three days,
you're gonna be
off again to China
or someplace, singing about
life in the rocky mountains,
but you don't really want
to live this life, do you?
It's just something
for you to sing about.
(melancholy music)
- [Anna] Please,
daddy, don't go.
- Oh, sweetheart, I have to go.
Come here.
I love you.
- I love you too.
(engine turns and revs)
(gentle instrumental music)
- The problem is,
these tree roots
are busting up your main line.
Might be able to
reroute the pipes,
but there's no guarantee.
I mean, it's pretty solid
ground around here, right?
Might be a few weeks
without plumbing.
- So, what are you saying,
we have to cut down
the trees?
- Well, it's up
to you, but that's
what I'd recommend if you want
to solve the problem.
- I'll have to think about it.
- Sure, sure thing.
Just let me know.
- Thanks.
- You know, my
wife and I are both
big fans of your husband.
You know what song
we had them play
when we got married?
Annie's Song.
- Really?
- Yeah, it's a very
special song to us.
- It seems to be a
very special song
to a lot of people.
Tell you what, go ahead,
cut down the trees.
- Yes, ma'am.
(sighs)
- All right, Dutch, good job.
Hey.
- How was the trip?
- Well, it was very rewarding.
It's tough though, to
see all those kids.
hey, look, you
think we could maybe
push that recording
session a week or two,
give me a chance to unwind here?
What, something wrong?
- RCA dropped you, John.
- What?
- It's true.
- I've made millions
and millions
of dollars for that company.
Greatest Hits is the
best selling album
in the history of RCA.
- It's not about that, John.
Look, these new guys in charge,
they think anybody
they didn't sign
up themselves is a dinosaur.
What can I tell
you, they're idiots.
- I got all these
new songs, Hal.
Hal, I have been writing better
than I have ever written before.
I gotta get them out there.
- Milt's looking at
some smaller labels.
- Smaller labels?
- John, let's get
in the car, okay?
We'll worry about this tomorrow.
- The roots were
destroying the pipes.
Something had to be
done, I had to make
a decision.
I'm sorry I didn't
consult you, but you were
in Africa, or was it
Australia or Asia.
- Annie, I love these trees,
that's the whole reason
we built right here.
And you knew that I
loved these trees,
and that is the reason
you chopped them down.
- Oh, that is such
classic projection.
- Classic projection,
well, I'm glad
to see you're keeping
up with your studies.
- Don't belittle the one
thing I've done for myself.
(sighs)
- RCA dropped me.
- What?
They dropped you, why?
- Because I don't have big
fancy production numbers.
That's just not who I am.
Because I'm not Michael Jackson.
Because I'm John Denver.
- Honey, I'm sorry.
Just...
Come in the house.
- [Dutch] You're a
good pilot, John.
You make the airplane
do what you want it to.
I heard about that RCA thing.
(sighs)
You ask me, they're a
bunch of sons of bitches.
Wouldn't know real talent if it
crawled up their leg and
bit them on the butt.
Hell, they don't deserve
somebody like you anyway.
- Somebody like me?
- Yeah, you know, a heavyweight.
Do you remember that
time when you were
back in high school,
you took the car
and ran off to Los Angeles?
(laughs)
Me and a buddy
hopped in an F102,
we must haver flown
over every square
inch of West Texas
looking for your car.
(laughs)
- You're kidding.
- No.
- What would you have
done if you found me?
- Hell, I don't know.
I'd have probably landed
the plane on the highway
and kicked your ass.
It's a hell of a
thing for a father
to have his own son run
away from him like that.
If I had believed in
you a little bit more,
maybe you wouldn't have.
But you did fine.
You did fine.
♪ Well I guess that you
probably know by now ♪
♪ I was one who wanted to fly
♪ I wanted to ride on
that arrow of fire ♪
♪ Right up into heaven
♪ And I wanted to
go for every man ♪
♪ Every child, every
mother of children ♪
♪ I wanted to carry the dreams
- Ah, Milt, it's not here yet.
- It sounds fine to me.
- No, it's thin, you know,
it needs to be fuller.
What if, listen, what
if we were to bring
in an orchestra here.
- Sure, John, but
you gotta remember,
we're paying for this ourselves.
Not only are you
hiring a big orchestra,
but you gotta have a big studio.
- Hey, Hal.
- Your father's had
a heart attack, John.
(soft melancholic music)
- [Irma] He's gone, John.
(soft melancholic music)
- John, I'm gonna go into town
to work in the clinic.
the kids should be
home in about an hour.
- Okay.
- You know, everybody
knows how hard
it's been for you
these last two months.
- Everybody, huh,
well, everybody knows
how hard it's been for me?
Well, I wish they'd tell me,
because I am still
having a very hard
time figuring it all out.
- Grief is a process, and
what you're going through
right now is just part...
Maybe you should talk to Hal.
You need to talk to somebody,
and you're not talking to me.
- Well, maybe it's
because you keep talking
to me like you're
reading out of one of
your college textbooks.
- I don't know what to do.
You don't seem to need me.
You haven't needed
me in a long time.
I know how you're feeling.
- No!
You do not know how
I am feeling, Annie.
Would you stop saying that?
All right, your
father did not die
at the exact moment that
you were just beginning
to know him!
Your record company
did not just suddenly
decide that nobody
wanted to listen
to you anymore!
You cut down our trees.
You want to know
how I am feeling?
I will show you.
- [Annie] John.
(chainsaw buzzes)
Stop, John.
John, stop it.
John, stop, John.
(soft piano music)
(panting)
(sighs)
- I've been trying to
figure out a way, Annie...
To tell you how sorry I am.
I wrote you a song.
(sighs)
Please, just listen, Annie.
- No.
It doesn't work anymore.
I want a divorce.
(melancholic music)
- I'm not gonna need
to do that, you know,
that's what I'm saying.
(laughs)
You know.
You can't come to
Australia and not see
the great barrier reef.
- [Male Voice] Not me.
- You don't have to
worry about sharks,
sharks only eat drummers.
(laughs)
- Excuse me, I just
wanted to let you know
how much, very much, I
enjoyed your concert tonight.
- Thank you.
- Catch you later, John.
- My name's Cassandra Delaney.
- Hello, Cassandra, I'm John.
- I know.
(laughs)
- hey, have a seat.
- You know, you have
an exceptional voice.
Wonderful range.
- Thank you.
You must be a singer.
- Yeah, aspiring anyway.
- You have exceptional eyes.
(laughs)
♪ Sometimes I think
that I'm dreaming ♪
♪ Or maybe I'm going insane
♪ Or maybe it's just that
I'm falling in love again ♪
♪ Here I am standing
beside you ♪
♪ Oh life's such
a wonderful game ♪
♪ Look at me now, I'm
falling in love again ♪
- Well, it looks like
John Denver's fairy tale
marriage to Australian
Cassandra Delaney
has come crashing
back to reality.
The rocky mountain
singer is back
in Aspen after he and Cassandra
decided to call it quits.
(background chatters)
- [Female Attendee]
I'm so proud of you.
- That's so sweet.
(laughs)
- Congratulations.
- Congratulations, Dr. Denver.
- It's just a masters, John.
- Hey guys.
- Hi.
- [John] You look great.
You look, well,
you look beautiful.
- Thank you.
- So, anybody have a
desire to go to the movies
with dear old man this weekend?
- I do.
- Zach, what about you?
- Yeah, sure.
- All right.
I'll pick you guys up,
say, Saturday afternoon?
Okay.
Listen, why don't you give me
a moment here with your mama?
I want to talk to her.
All these years, Annie,
you never gave up.
I'm real proud of you.
- Thank you.
It's nice of you to come.
- Hal tells me you're gonna
start your own practice.
- Well, it's not
for sure, but maybe.
How are you doing
with everything?
- Ah, busy, busy, with Windstar,
and I've been writing
a lot of new songs.
I still can't seem to
get any major labels
to touch them, but...
You want to go to the
movies with us this weekend?
- I don't think so, John.
- I'm very proud of you.
I don't know, Jake.
Maybe I should reinvent myself,
become a rap singer.
- Now you're talking.
- [Waiter] There you are.
- Thank you, more of an edge.
Dangerous.
A little thing like
divorce wouldn't
affect me at all.
I wouldn't lose a
wink of sleep over it.
- Goodnight.
Hey, hey.
Stay dangerous, man.
♪ You fill up my senses
♪ Like a night in a forest
♪ Like the mountains
in springtime, ♪
♪ Like a walk in the rain
♪ Like a storm in the
(truck honks)
(tires screech)
- Thank again, fellas.
We appreciate your discretion.
They're gonna
charge him with DUI.
This divorce from Cassandra
is really shaken him, Annie.
I'm really worried about him.
- Okay.
Hi.
- Oh, hi.
So, do I get out of here now?
- Not until the
doctor comes back in.
(laughs)
- A little fender
bender and they make
all this fuss.
- John.
- Annie, can you
hand me my jacket?
- Oh, hey, you want
to see a new picture
of Jesse Belle?
- Sure.
- [John] Look at her.
Isn't she grown?
- She's a very
beautiful little girl.
- Yeah.
She's a miracle.
It's all been hell,
except for her.
Annie, i don't know
why I married Cassie.
I guess I was just...
Annie, do you know
what it's like to have
all of these songs,
all of this stuff
you want to say, but
no one wants to listen?
I feel like I'm drowning.
- John.
- I'm suffocating here, Annie.
(chuckles)
Hell, when this
DUI gets out, wow,
how is that gonna
look to everybody?
- I don't care how it
looks to everybody.
What about the
people in your life?
Jesse Belle needs you,
our kids need you.
You don't even seem
to know what you have.
- Yes I do, Annie, okay?
- Do you?
Do you know what could
have happened last night?
Just, try to get
yourself together.
♪ This old guitar taught
me to sing a love song ♪
♪ It showed me how to
laugh and how to cry ♪
♪ It introduced me to
some friends of mine ♪
- Hey.
♪ And brightened up some days
- [John] What are
you doing here?
- I thought you could
use some company.
Hal said you'd be here.
So, working on a new version?
- No, I'm just listening.
- You mind me being here?
I mean, you can be
alone if you need to.
- That's okay.
- You know, I always
liked this song.
You all right?
- Oh, I'm fine.
- You want to talk
about what's going?
- What do you mean?
- Come on, dad.
- What's going on is,
you know, I'm just,
I'm listening.
- The only thing, it
just seems like lately--
- Zach, I'm fine.
- Why won't you just
talk to me, dad?
- Zach, I got nothing to say.
♪ This old guitar gave
me my life, my living ♪
♪ All the things you
know I love to do ♪
♪ To serenade the
stars that shine ♪
♪ From a sunny mountainside
♪ And most of all to
sing my songs for you ♪
♪ I love to sing
my songs for you ♪
- So, we're here, you
got the fire going.
What's up?
- I wanted an
opportunity to talk
to you guys.
- I thought you
didn't want to talk.
- Well, I'm real sorry
about the other day, Zach.
That's the way my father
used to talk to me.
He'd shut me out.
I never meant to do
that to you guys.
(sighs)
First time your mom
and I camped here,
I wrote Rocky Mountain High.
It just came to
me all in a rush.
I couldn't stop it
even if I wanted to.
I thought that's
what really mattered.
I could just sit back
and let the music come,
and everything else
would just follow.
But I blew it.
- Dad.
- No, I did.
And I just wanted
to apologize to you.
- For what?
- For doing exactly
the same thing
to you that my dad did to me,
just flying away
every chance I got.
- Stop it, dad, okay.
No one's saying that
you weren't a good dad.
- Yeah, but I could have
given you guys so much more.
- Maybe you weren't
at home 24/7,
but touring and music,
it's what you did.
- I thought a song
could change the world.
- Dad, we love your music.
- Do you think we didn't
get what you were saying?
I mean, you stood for something.
Grandpa used to
say the same thing.
- I love you guys.
- [Anna] I love you too, daddy.
- [Young Female]
This is so weird.
- What do you mean?
- Didn't you used to be
married to John Denver?
- Yes, but I don't
want to talk about me,
I want to talk about you.
- No, I am talking about me.
I was 17 when I
tried to kill myself.
I stole a bottle of my
mother's sleeping pills,
then I went into my room
and I locked the door.
And I don't know why, maybe
I was just too lonely,
maybe it was just too quiet.
I turned on the radio.
And this song came on.
Poems, Prayers, and Promises.
This beautiful, simple song.
And when it was over...
I didn't want to die anymore.
(soft piano music)
♪ I have to say it now
♪ It's been a good
life all in all ♪
♪ It's really fine
♪ To have a chance
to hang around ♪
♪ And lie there by the fire
♪ And watch the evening tire
♪ While all my friends
and my old lady ♪
♪ Sit and pass the pipe around
♪ And talk of poems and
prayers and promises ♪
♪ And things that
we believe in ♪
♪ How sweet it is
to love someone ♪
♪ How right it is to care
♪ How long it's been
since yesterday ♪
♪ And what about tomorrow
- hey.
How was it?
- I think we had a
pretty good time.
- Yeah?
- Yeah.
Of course, your daughter
wanted to play sing-a-long
on the way home.
- Guess who won.
- Either I'm getting older
or she's getting better.
- Probably both.
- Hey, you want to give me
a hand with this, Anna Kate?
- Hey, sweetie.
- Hey, mom, how you doing?
- Good, good.
- See you, daddy.
- See you soon.
Don't forget about
next weekend now, okay?
- Oh yeah, sure, dad.
- Thanks, pops.
See ya.
- We didn't do so bad, did we?
With the kids?
- We did pretty
well with the kids.
(sighs)
How are you?
- I'm better.
I'm thinking about
buying a new plane.
- Really?
- Yeah, it's called Long Easy.
It's amazing.
It's not like being
in a plane at all.
Flying like an eagle.
Well.
I better go.
- John.
- Yeah?
- Have you written
any songs lately?
- A couple.
Why?
- I just want you to know
that I think you're
really good at it.
(soft guitar music)
- [Hal] Are you kidding me?
- Beautiful bird, isn't she?
- Just like an eagle.
Hey, how's it going?
- Good.
- I can't wait to get up there.
He would have loved this plane.
- He sure would have.
- Who?
- My dad, he was a pilot too.
♪ Sunshine on my shoulders
♪ Makes me happy
♪ Sunshine in my eyes
♪ Can make me cry
♪ Sunshine on the water
♪ looks so lovely
♪ Sunshine almost always
♪ Makes me high
♪ If I had a day
♪ That I could give you
♪ I'd give to you
♪ The day just like today
♪ If I had a song
♪ That I could sing for you
Far out.
♪ I'd sing a song
♪ To make you feel this way
♪ Sunshine on my shoulders
♪ Makes me happy
♪ Sunshine almost always
♪ Perhaps love is
like a resting place ♪
♪ A shelter from the storm
♪ It exists to
give you comfort ♪
♪ It is there to keep you warm
♪ And in those
times of trouble ♪
♪ When you are most alone
♪ The memory of love
will bring you home ♪
♪ Perhaps love is
like the ocean ♪
♪ Full of conflict,
full of pain ♪
♪ Like a fire when
it's cold outside ♪
♪ Or thunder when it rains
♪ If I should live forever
♪ And all my dreams come true
♪ My memories of
love will be of you ♪