Sweet Revenge (1990) - full transcript

A successful female lawyer decides to divorce her husband, a failed writer.He successfully sues for her to pay him alimony based upon an agreement written on a balloon that she would support him if he put her through law school. The only condition attached by the judge is that if he remarries then the alimony stops. She decides to have her revenge by hiring an actress to seduce him and get him to marry her.

My life is over.

I have no future.

♪ You're only 24 ♪

That's easy enough

for you to say.

You're already

in law school.

Honey,

you still don't want to

give up your inheritance

and put your old wife

through law school?

Well, your old man

had planned on giving up

on the advertising grind

and becoming a real writer.

The all-American dreams--

Hemingway in Paris.

Yeah, well, isn't that

all our dreams?

Yeah, but at this rate,

I'll be 56 before I have

enough money to put myself

through law school,

60 before we get

to the Champs-élysées.

I've got an idea.

Why don't you send Linda

to law school?

Spend Grandma's legacy.

After she's finished,

she'll be able to support you

while you write

your great American novel.

Mmm, you know,

hearing it from Frank

does put a whole different

spin on the idea.

Happy birthday.

Really? No.

Really?

Wow.

Really?

Do you mean it?

Oh...

I love you.

Oh, look, I know how much

this means to you.

And, I swear, I will

never let you down.

You can count on me.

Here, I will write it down.

Oh, come on.

No, no, no, no.

A promise is a promise.

I, Linda J. Michaels...

do solemnly--

well, not so solemnly--

swear to...

support...

John Michaels...

as a writer.

Thank you.

...sustained.

Your Honor,

to finish up with

the distribution

of property,

my client feels

justified in asking--

What are you doing here?

What's the matter?

Cat got your brain?

We're getting a divorce.

I mean, what are

you doing here

without an attorney?

I am an attorney.

Right.

It's been four years

since you've been

inside a courtroom.

Well, it's been four years

since Frank practiced law.

I think I can handle myself.

Okay, Mrs. F. Lee Bailey,

how about you give me back

some of my albums?

Could we talk

about this later, please?

You still have my, uh,

B.B. King, Billie Holiday--

The Billie Holiday is mine.

Yeah, but I

bought it for you.

Stop it.

The Copeland albums are mine.

The West Side Story

soundtrack--

Would you stop this, please?

Will you give me back

my albums?

All I've got are

your Wayne Newton

albums, okay?

Do you have

Live at Caesar's Palace?

That's it.

No more Mr. Nice Guy.

You two will get your turn!

Until then, wait outside!

If she wants hardball,

we play.

You go for it, Frank.

You get whatever you can.

Cool your jets.

Wayne Newton,

how could you?

You go take a walk.

We're not finished here.

You all right?

Sure.

I hate taking sides.

Then don't.

Sorry.

You're his best friend.

I'm your friend,

too, Linda.

Michaels v. Michaels?

Yes.

You're up.

Good luck.

John.

Looks like the two of you

traveled a long way

to get divorced.

This right?

You live in Paris?

Yes, Your Honor.

Yes, Your Honor.

You, too,

Mr. De Labrier?

Yes, Your Honor.

And you're, uh,

representing yourself

in this matter, young lady?

Well, I believe that is

my constitutional prerogative.

Never said it wasn't.

Just don't think

it's all that smart.

Anything you want

to add here, Mr. Michaels?

Yes, Your Honor, there is.

There's this matter

of some record albums--

Perhaps we should move on

to the property settlement.

Looks like we already

got there.

I see both parties have agreed

to the dispersement

of various personal property.

Yes, except the albums--

This, then, brings us

to Mr. De Labrier's motion

for spousal support.

What?

What motion?

What are you guys

trying to pull here?

Linda, this was filed

weeks ago.

Will counsel please approach?

Is this your signature?

I believe so, yes.

But I've never seen

this document. May I?

I'm prepared to rule

in De Labrier's motion

this morning.

You've got to be kidding.

Your Honor, this motion

is ridiculous.

Monsieur De Labrier

is asking for alimony

based on

an alleged agreement

between Mr. Michaels

and myself.

Alleged?

How about May 4, 1978.

How about

135 West 75th Street,

apartment 4D?

How about I got a witness?

Um, if I may explain,

Your Honor--

I was hoping someone would.

This, Your Honor,

is the 1978 agreement.

And you always criticized me

for being a pack rat.

It's a little

hard to read.

I can see that.

Your Honor,

Mr. Michaels did, in fact,

put Mrs. Michaels

through law school.

He did this, Your Honor,

based on his wife's assurance

that she would support him

when her own career

was secure.

Mrs. Michaels is now

a successful attorney

based in Paris

with a prestigious

U.S. law firm.

We, therefore, ask

that she pay alimony

to Mr. Michaels

as fulfillment

of the agreement

set forth on May 4, 1978.

Ms. Michaels,

and your response?

Your Honor, my husband

has had sufficient time

to write without distraction.

He hasn't had a job

since we moved to Paris,

unless you consider

hanging out in cafés

an undiscovered profession.

Now, I have been

his sole means of support,

and in the last four years,

all he's had is time to write.

The trouble is, he can't.

He's not motivated.

Your Honor, my husband can

barely compose a grocery list,

much less write a novel.

Now, I feel I've

more than adequately

upheld my end

of the agreement.

Our evidence points to monies

Mr. Michaels

has earned writing.

What money? He made $2500

on an article he wrote

for Esquire in 1978.

All right.

I've heard enough.

Now Mr. De Labrier,

your client seems

quite capable

of taking care of himself.

Well, Your Honor--

However,

it also seems

he came to rely

on Mrs. Michaels'

promise of future income.

He did relinquish

an inheritance,

pay for her education,

and support her while

she started her career.

In light of that,

I do grant your motion

for spousal support.

Your Honor--

Until such time

that Mr. Michaels has recouped

the sum of his losses,

which, according

to this paperwork,

looks to be about $250,000,

Mrs. Michaels

will pay him alimony.

Should, however,

Mr. Michaels marry first,

this order will be set aside.

Call the next case.

Shit.

Morning.

Things didn't go that well?

You might say that.

I lost my own divorce case,

my flight was

delayed seven hours,

and I left my keys here,

so I couldn't get in

my own apartment,

and I'm down to my last

pair of pantyhose.

So, no, things

did not go that well.

In fact, they sort of sucked.

I'm sorry. I didn't mean

to take it out on you.

Any mail?

Well, we'll attack it

bit by bit.

Phone list?

Here.

Try Mr. Harris.

Mr. Harris

doesn't answer.

Try Mr. Lerner.

I heard you had

a rough time in New York.

Mrs. Michaels' office.

Oh, Mrs. Michaels

is in a meeting.

What can I do for you?

You're doing it.

Well, this is easy.

Will I see you tonight?

I don't know.

I don't think so.

Well, we need to talk.

Oh, I just had

the worst experience

of my life in New York.

I really don't

feel like going out.

Well, after these last

two months--

Why don't you try doing

something with your wife?

You really know how

to hurt a man, don't you?

You'll get over it.

Okay.

Just don't work too hard.

That's an order

from the senior partner.

Yes, sir.

And Jim,

thanks.

It's nothing.

Ruth, who does your hair?

Alexander.

I don't like it.

Starting tomorrow,

we're leading a new life.

We'll dust off

the old Royal

because, my friend,

we are talking

serious writing time.

Forget O'Neill.

Forget James Joyce.

Forget Hemingway.

Think, instead, of Michaels.

Now, uh,

you bring up a good point.

I mean, what am I

going to write?

Yeah, well,

I thought about that

on the plane coming home.

Now, uh, maybe we could

ease into a novel.

Yeah?

A nice novel--

Dostoevsky, Turgenev.

No?

Or we try something

a little less ambitious?

Yeah?

Hey, listen. I'm not going

to write that poetry shit.

No way.

Well, we could do

a short story,

or a play,

or a dramatic monologue.

Come on, dig in.

You're not hungry.

Me neither.

Yeah, you're right.

I can't do this.

I can't take money

from her like this.

I've got to talk to her.

If you've come

for more blood,

I'm all out.

No. I just came to talk.

May I?

Look, uh,

I've been thinking.

Now, Frank does have

a point.

You did promise

to support me, but--

But, what?

I've been supporting you.

You see how you are?

You see how it's

impossible to talk to you?

You never get

the big picture.

What big picture?

We were a team!

I gave for you.

Now you could do

the same for me.

What about giving

for yourself?

You know, that's typical.

You have no faith.

You don't believe in me.

Of course,

when did you ever?

That's not true.

Look, you can't

control everything.

I'm not trying to--

I came here

with good intentions--

I don't have to deal

with your intentions.

I have to deal

with your actions.

As I said, I came here

with good intentions.

But, as always, your ice queen

personality ruined it!

This icy quality,

as you call it,

would be a respected one

in a man!

Look, you are stuck

with the alimony

until I remarry.

Well, I got news for you.

I'm not going to remarry.

I'm going to enjoy spending

every cent you owe me.

Okay?

Everyone is stuck.

You're stuck with me now.

I said, you're stuck!

Remarry.

Hear me?

Now are you satisfied,

Pickering?

Can I put it more fairly,

Mrs. Pearce?

Bundle her off

to the bathroom.

You're a great bully,

you are.

I won't stay here

if I don't like it.

I never asked to go

to Buckingham Palace,

I didn't.

If I'd known what I was

letting myself in for,

I wouldn't have come here.

I wouldn't have.

Quiet.

I shall make a duchess

of this draggle-tailed

guttersnipe.

I've never had

a bath in my life,

not what you'd

call a proper one.

Nonsense, Eliza.

Don't you want to be sweet

and clean and decent,

like a lady?

No! No! No!

Let's see who's stuck.

Mr. Brommel?

Sid, how are you?

No, no, no. It's not

about the contract.

It's more a personal matter.

You see, I'm looking

to find an actress--

an American actress.

You're from Wisconsin?

Milwaukee, yes.

When did you move to Paris?

'82.

Hated Maine, too many trees.

Who's your

favorite author?

Sylvia Plath.

Do cookbooks count?

Uh, books.

Um, what college

did you attend?

Yale.

College?

What about hobbies?

Needlepoint,

and, of course, crochet.

Mud wrestling.

What was the most

embarrassing moment

in your life.

I did Kismet in summer stock.

Embarrassing...

uh, do you mind

if we go back

to the second

question, please?

That won't be necessary.

But thank you

for coming, Miss Marks,

and good luck with whatever.

Of course.

Yes, of course.

Is it me, or what?

Three more.

Miss Williams.

Miss Williams,

take a seat.

So, I see you've done

some soap operas.

Bit parts, mostly.

Since coming here,

I've done a little theater.

But I have a lot of training.

I studied

at the Actors Studio

in New York

and the Central School

of Speech and Drama in London,

and I appeared

at the Edinburgh

Shakespeare Festival

as Beatrice--

Edinburgh.

That's a coincidence,

my husband--

My ex-husband

grew up there.

So, tell me more.

Who's your favorite author?

Uh, it's kind of like,

"What's your favorite

ice cream?", isn't it?

What's your favorite

ice cream?

Vanilla.

Raspberry sorbet.

George Eliot,

J.D. Salinger,

Edna O'Brien, Willa Cather,

not all of Hemingway,

but definitely

The Sun Also Rises.

Chocolate chip.

You're hired.

Don't you want me

to read or something?

Nope. This job is more

of an improvisation.

What kind of improvisation?

Is there nudity involved?

No, no, no, no.

You see--

Why don't we go out

onto the balcony

and get some air.

Air?

There's quite

a bit of it there.

Nice, cold air.

So, what's this part

all about?

Well, it's about a divorce,

my divorce,

and about the fact

that I have to pay

my husband alimony.

So you're doing

a play about it.

No, no. Not exactly.

You see, there's

one tiny hitch

to this alimony business.

If John remarries,

then I don't have

to pay it anymore.

Now if you were my husband,

and you got this free ride,

would you want

to get married?

I don't know.

Of course

you wouldn't.

But let's suppose

you met the perfect guy,

someone who liked

everything you liked,

who laughed

at all of your jokes,

who didn't notice that

you were getting cellulite

or that your breasts

were starting to look sad.

Would you be able

to resist him?

Wouldn't you fall

in love with him

and want to marry him?

Of course you would,

and so would John.

So--

You're John's

perfect woman.

Or, I should say,

you will be.

Me!

I don't even know the guy.

No, no, no. That's where

the acting comes in.

I'll train you.

I know his perfect woman.

I know everything he likes,

everything he dislikes,

what he reads, eats,

drinks, wears to sleep.

You already have

some stuff in common.

He was born in Edinburgh,

and you did

the Edinburgh Festival.

His favorite author

is Hemingway,

and you said you like

The Sun Also Rise

So, all you do is marry him.

Marry him!

For a day-- an hour,

a day, a week, tops.

Then you'll get divorced,

you'll be well-paid,

and it'll be the part

of a lifetime.

This is incredible.

You won't have

to sleep with him.

We'll get around that somehow.

It'll be awkward, but--

This is perfect.

This is incredible.

I can't believe

this happened to me.

Either you're kidding,

or you're crazy!

You want some time

to think it over?

Years! I'm out of here.

Take my card.

Where have you been?

The kids! We have

to help with the kids!

Kids? What kids?

That kid.

Go home.

Hurry up, hurry up.

This is Mrs. Dupre.

And this is it.

Welcome aboard.

You're late.

If I weren't so desperate,

I would fire you. Save me.

There's cake and ice cream.

Serve it before the brats

start throwing it.

Okay.

So--

Oh.

Thank you very much,

for everything.

You're welcome.

You didn't want

the job. Why?

Because it wasn't--

Can't you do something?

Give me some animal balloons--

balloons, animals, something.

Calm down.

Continuez chanter!

Philippe! Look!

Le gâteau!

You've destroyed my birthday!

We still have ice cream.

We still have ice cream.

I hate ice cream!

I can't believe

you did that.

I can't believe

he just did that.

Hi, Linda, this is Frank.

No.

Oh, Linda, Linda, listen,

about that divorce thing

that you lost...

Boring.

Boring.

Oh, maybe, romantic, you see.

Oh, uh, Linda, listen,

we've been friends

for a long time.

You want to hear

something funny?

You always thought

I moved back here

because I missed John.

Well, it was you

I missed, my honey.

Do you think that I'm cold?

I'll turn the heating on.

No, no, no.

You know, unfeeling, icy.

I think you feel just right.

What is this,

post-divorce blues?

Mmm. Maybe.

Mm-hmm.

I have some news

that might just cheer you up.

Link Palmer called

from Washington yesterday,

and it seems my name

is being batted around

as candidate for senator

from Boston.

Really?

Mm-hmm.

Oh, that's great.

Official announcement

won't be made for

a couple days yet.

But, well, it does mean

that I'm going to have to

move back

to the States soon.

Now, don't worry that

pretty little head of yours.

You know how much

you mean to me.

If this thing works out,

I'll make sure you get

lots of trip to New York.

No, that won't be

so impossible

if you replace me

as senior partner

here in Paris.

What?

Mm-hmm.

I'm putting your name before

the executive committee.

Of course, it's not

a fait accompli.

You still have to keep

your little nose clean

and suck up

to old man Chase,

but I think

you're going to get it.

I think you're

going to get it.

No. Maybe the direct approach.

I'm a man, Linda.

You're woman.

Let's eat.

Yeah. Why not?

Let's try...

Baby.

I'm not home right now,

but I'll call you back.

Next!

Thank you.

That's enough.

Don't you want me

to read or something?

Thank you.

It's enough, Karen.

Actually, it's Kate.

Um, can I ask

what's wrong?

You look too American.

"Too American"?

For Our Town?

Well, I have my vision,

you know?

You can take

your vision and...

Asshole!

So?

Why didn't I listen

to my father and

become an accountant?

You didn't

do well, huh?

What is it with me?

I don't have any career.

No money, no love life.

Yeah, but you

got spunk, kid.

Come on.

Your favorite clown

will buy you coffee.

Hmm? Come on.

Hey, Kate.

Susan. Hi.

How you doin'?

Fine. Sid sent me

on another audition,

and I got the part.

Wow. That's great.

Another commercial?

No. A play.

Wow.

Le Misanthrope.

In the Molière

Festival.

Yep. Who

is this Molière

dude, anyhow?

I gotta go.

Kate, where

are you going?

To change my life.

Taxi!

Hi.

Hello.

As usual.

Yeah.

No starch. Okay?

And shirts folded.

You got

the other shirts?

Yeah.

Thank you.

It's a nice job.

If you don't like it,

take your business

elsewhere.

Right. Uh,

I'll see you Thursday.

Yeah.

And, uh,

vive la France.

Oh...

Pardon.

Excusez-moi.

No, no, no.

It was my fault.

Bye.

Oh. Excuse me.

I think, um,

you have my ticket

by mistake.

Oh.

Oh, "no starch."

A woman after

my own heart.

Well, bye.

Bye.

Do you come here

often?

How typical, right?

Don't worry.

I'm not trying

to pick you up

or anything.

It's just,

when I heard you

speak English,

sometimes I get

so starved to speak

in my mother tongue.

Well, not tongue.

I never say "tongue."

I don't know

what's come over me.

I think I've been

in France too long.

I am sorry. I--

I must seem real dumb.

Um...

I'm outta your life.

Thanks for

the English fix.

No. No, no. Wait.

It wasn't that dumb.

Hey, look.

How about--

How about I buy you

a cup of coffee?

Speak to you some more

of your own language.

There's a little place

I know around the corner.

Sophie's?

You know it.

Go there

all the time.

Well.

Hey. Hey.

How'd you know I'm

not an ax murderer?

Ax murderers don't

have eyes like yours.

Oh. I'm--

I'm John.

Kate.

Hello.

So, after four cups

of coffee,

we have a date

on Friday.

Well, you're gonna

have to work fast, so I

brought you some stuff.

Vintage Looney Tunes.

He doesn't start

the day without it.

Gary Cooper films.

Marx Brothers.

And here's

some cookbooks

with his

favorite recipes

marked off.

Some catalogs

with some fashion

ideas.

Actual fashion itself.

Some books.

Particular

attention to Esmé

With Love and Squalor.

And some music.

Wayne Newton?

Yes. It was one

of the main contentions

of the divorce.

Oh. And here's

your first check.

And try to keep track

of your expenses.

And try to have

a good time.

You must've made

an outstanding

girl scout.

Oh.

Thanks.

Hello.

Hey.

Philippe. Huh?

No, No, No.

I haven't fallen off

the face of the earth.

Wait. Could you

hold on a second?

Hold on. Hold on.

Hello?

Hi.

No. I took a job.

A job?

What job?

You remember the audition

I had that I said I didn't

have that wasn't a job?

Is this English?

I took that job.

What are you

talking about?

Oh...look,

I really gotta go.

I'm-- I'm really late.

For what?

Um-- For--

You're not listening

to me. My job.

Right. The one

that wasn't a job.

Right. It's complicated.

Just--

Obviously. When

can I see you?

Soon.

Is that tomorrow?

Is it next week?

Soon. Soon.

I promise, okay?

I really love you.

Take care, and I'll

talk to you soon.

I promise,

I promise,

I promise.

Why can't I find

two that match?

Uhh.

You think

she'll notice?

Yeah.

She'll notice.

Hey, they match. Look.

Actually match.

Okay. Now.

I'm not

gonna be late.

So...I don't want

to come home

and find you

whoopin' it up

with all the dogs

in the neighborhood,

okay?

And as you may

or may not remember,

I always

take measurements

of the scotch

and the gin...

and the other drinks.

So I'll know

if you've been having

a little,

quiet sookeroonie.

Okay?

Right. See you later,

big boy. All right?

And so I moved

in 1985

when, uh, my wife...

...when my ex-wife

transferred.

Thank you.

Yeah, it's very nice.

Thank you.

So.

You decided

to stay.

Yeah.

For the time being.

Not that I don't

get homesick for

the good old U.S. of A.

Hey. Do you know

what I miss the most?

Breakfast.

I know what you mean.

I mean...

bacon and eggs.

Coffee.

Uh, real coffee.

I mean, not the rot gut

they serve over here.

Do you remember

that coffee shop

in Edinburgh?

Uh, Rosie's.

Oh, God, yeah.

God, I haven't thought

of that place in years.

It was the worst, right?

Oh, hi, Linda.

It's Frank. Um...

I wanted to--

to see if you were okay,

and, uh--

Well, never mind.

Just thinking

about you. Bye.

Linda? Jim.

I-- I can't make it

tonight, baby.

I got a mountain

of work to get through.

I'll see you Monday.

Big, big kiss.

So, um, what--

what's your ex-wife like?

Um...

Like an ex-wife.

And how about you?

What does Kate Williams

do for a living?

I-- I work

for a caterer.

You moved all the way to Paris

to be a waitress?

Well, not exactly. No.

When I was about 15,

I saw this movie--

Sabrina with

Audrey Hepburn.

And-- You know, the one

where she comes to Paris

to become a chef?

And goes home and

marries Humphrey Bogart.

Anyway, I-- I've--

I've always wanted to--

To marry Humphrey Bogart.

No, be Audrey Hepburn.

Oh.

The cooking

Audrey Hepburn.

Like in the film.

The chef.

So I-- I took classes

at the Cordon Bleu.

And started working

for a caterer.

Among other

things.

Thank you.

Je peux vous encaisser?

J'ai fini mon service.

Hey. You know, I bet

if you woke him up

in the middle of the night

and surprised him,

he'd talk just

like you and me.

And he's undercharged us.

Lucky us.

I'll leave the difference.

Well, you're honest.

Mm-hmm.

Me, George Washington,

and Abraham Lincoln.

Sticklers for the truth.

Oh. Thank God

you're not an actress.

You'd shoot me.

Sorry.

Well, uh,

I had fun tonight.

Me, too.

Thanks.

Oh.

Oh. Can I--

Sorry.

Oh.

Oh.

Uh...

Oh.

What?

It's later

than I thought.

Oh, yeah. Uh...

I should go.

Well, uh...

I'll see you. Okay?

All right. Bye.

Bye.

John.

Yeah?

I really did have

a good time tonight.

Thanks.

Do you like

Gary Cooper?

He's only

the greatest actor

who ever lived.

Well, they're showing

High Noon and Good Sam

up the street on Sunday.

Do you want to go?

With me, I mean.

Yeah. I'll

pick you up at 7.

Great. It's a date.

It's a date.

Have a date.

Okay.

Bye.

Bye.

Okay, bye.

You were right.

He jumped at

the Gary Cooper offer.

And?

And other than Good Sam

being kinda mediocre...

...we had a good time.

Good. I brought you

some more material.

You know,

favorite shampoo,

favorite memory,

childhood pets,

things like that.

When do you

see him again?

Today. We're

having lunch.

At the Bistro

Eustache?

You really do know him.

He's not

such a bad guy.

Ow. What

are you doing?

Futzing. Anyway,

I never said he

was Charles Manson.

You kinda like him,

don't you?

I think he's nice.

Perfect.

Hi. Uh, I need

to see Mrs. Michaels.

All right?

Yes. Sign, please.

Okay. Come on.

Hey. Mister.

Yeah.

What?

Jeez.

John's here.

What?

Out there.

Outside in the hall.

Hide!

No. I'm gonna leave.

John.

What a pleasant surprise.

Yeah. It's good

to see you, too,

Linda.

Look, um,

I'd rather not

be doing this,

but my apartment's

being painted.

I wondered if

you'd look after Max

for a couple of days.

Well, how nice of you

to share him only when

it's convenient for you.

I knew this

was a bad idea.

Come on, Max.

No, no, no. Wait.

He's my dog, too.

I'll take him.

This yours?

Oh. It's from a meeting.

A meeting.

So. Sprucing up

the old bachelor pad?

Have you

met someone?

That's none

of your business.

Well, it is when

I'm footing the bill.

I'll just say

good-bye to Max.

Uh, no. I'll--

I'll tell him

you said good-bye.

Okay. Bye, guy.

Hang tough.

I'll pick him up

Wednesday. Okay?

Ruth.

Yes?

Could you get a runner

to take Max back

to my apartment?

Here are the keys.

Okay.

Come on, boy.

Come on.

That was dignified.

Are you

all right?

Fine.

I'll call you.

Bye.

Got any

lunch plans?

Walk with me.

I had to see you.

Sometimes I get

these urges.

Did you have

a good weekend?

Oh, fine.

You know. I--

Are you upset

about Friday?

I left a message

on your machine.

I had to bail out

that associate,

that new associate--

Scott-- Francine Scott.

She was about to blow

the Mirabeau merger.

What was she merging?

Painting and sculpture?

I saw you Friday

at the art opening.

Why do you

lie to me?

I didn't want

to hurt your feelings.

I completely forgot

about that opening.

Hurt my feelings?

You spent an evening

with your wife

like you were

supposed to.

What hurts

is that you lied.

Ahh. Starting to sound

like a bad movie.

I'm sorry.

No, no, no,

no, no.

It's me who

should be apologizing.

You know how special

you are to me.

Do I?

Yeah.

You're intelligent.

You're attractive.

You're funny.

That's beautiful.

What you're saying

is very nice,

but that bracelet.

Isn't it gorgeous?

Damn it.

You beat me

to the punch.

I was wanting

to buy you a present,

and you've already

picked it out.

What? But that must

cost a fortune.

Let's go see.

Well, I suppose

it doesn't cost

anything

to try it on.

Not a franc.

Oh, yeah.

I always expect

this place to smell

like a stable.

Merci.

When I come here,

I want to get

a saddle

and boots

and stuff.

I didn't know

you could

ride horses.

Well, I can't.

Pretty good

in the saddle,

though.

Oh, quit that,

or I'll get

a riding crop.

Je peux

vous aider?

We'd like to see

that gold-and-

diamond bracelet

in the window.

Of course.

It is one of our

most beautiful pieces.

Mm-hmm.

Yeah.

Jim?

Mary.

Linda.

There you are,

darling.

Oh.

I think

we met last year

at the Dupre's

Christmas party.

You remember, darling.

He came with, uh...

Lee Cromwell.

Lee Cromwell.

Oh, of course.

Yeah.

Linda, they're wrapping

the earrings now.

Um, we're

just picking out

a birthday gift

for my sister.

Mary,

I don't think you've

met Ms. Michaels,

a rising new star

at the firm.

Linda, this

is my wife Mary.

How do you do?

Nice to meet you.

Quite a coincidence,

us running

into each other.

I'll say so.

Jim, what are

you doing here?

Uh, you're going

to ruin the surprise.

Oh.

Should we tell her,

Linda?

Oh, might as well.

Now, don't say

I didn't warn you.

When I saw Linda

here with Frank,

I kidnapped her

for a moment

to get her womanly

opinion on something.

For you.

Oh!

Superb!

Oh,

it's beautiful!

Well, thank you,

darling.

And thank you

for your help.

Don't mention it.

Linda,

we should be

going now.

It was nice

seeing you

again.

Yes. Well, I'll see you

back at the office.

Mmm.

Count on it.

We'll take it.

You owe me one,

my dear.

Frank, do me a favor.

Go fly a kite.

You got great weather

for it.

Sorry I'm-- Oh!

Sorry I'm late.

There's no problem.

You hungry?

Starved. Oh,

I lost my button.

Sh-- Damn.

Hey, look, um--

I'll get your button.

That's all right.

Ah.

Uh, may I keep it

for luck?

Look, uh,

I'd have had you

over to my apartment,

only, uh...

It's being painted?

How'd you know?

Just a lucky guess.

You're very good at that.

Sister, someone

ought to take you

to the race track.

Look, um, what are

you doing tomorrow?

Why? Want to take me

to the race track?

No. There's this,

uh, art exhibit

that, uh, I've been--

Oh, the Balthus?

What are you,

a mind reader?

No. It's

no great mystery.

It's-- There are ads for it

all over the city.

No.

No. No, it's more.

Audrey Hepburn's

got nothing on you.

I bet you say that

to all the girls.

Mm-hmm.

Except Audrey Hepburn.

So. Tell me

your new job.

Well...

I'm acting.

In what?

Well...

not exactly "in."

More "as."

As what?

Well, um,

I'm sort of--

I'm sort of

playing myself.

But not really.

Then what are

you really doing?

What am I

really doing?

I don't know!

Guess I asked

the wrong question.

Lee!

I'm making a mess

out of my life.

And that's the problem.

It's not really

my life!

It's a life

Linda created.

And that's

the funny part,

because even though

I'm her perfect woman,

it's more my life

than hers.

I think we lost

something here

in the translation.

Calm down.

Calm down.

Okay.

Okay, listen.

Why don't we start

from the beginning.

I guess it was that day

we ran into Susan Marks.

You know, the actress?

Right.

Anyway,

a few days earlier,

my agent sent me

to see this woman.

Linda Michaels.

And she has

this crazy idea

about getting back

at her ex-husband

so she wouldn't

have to pay him

alimony.

She wanted to hire

the perfect woman

so he'd fall in love,

marry her, and...

she wouldn't have to

pay him anymore.

Over the last

few weeks,

John and I have

been seeing

each other.

I think I'm

his perfect woman.

You should be

committed.

I know.

It's not funny.

It's hilarious.

It is not.

I knew you were

a good actress,

but this guy

must be an idiot.

He is not!

He is!

He's not!

Uh-huh!

The lady does

protest too much.

This is only

a job, isn't it?

Of course it's a job.

It's the best damn job

I ever had.

You're falling

in love with him.

Oh, God. At first

I didn't want

to feel anything.

I didn't like him, and--

Now I don't know

what to do.

Good luck.

Mmm.

Excuse me.

Come on in,

Linda.

Linda, this is

Francine Scott.

She been working

on the Mirabeau

merger.

Linda Michaels.

I've heard

a lot about you.

Well, I'm sure

none of the rumors

are true.

I only hope

I can live up

to your reputation.

Speaking of your

reputation,

Ms. Michaels and I

have a meeting

with Mr. Chase.

Oh.

We can finish

this later.

Sure.

Good luck.

Well, uh,

let's go beard

the lion

in his den.

You beard him.

I'll draw in

one of

those little

mustaches.

Oh, Michaels.

Yes, sir. And,

uh, may I say

after four years

with the firm,

what a

pleasure

it is--

Can it.

I've heard

it all before.

Robert, I want

to emphasize

again what an asset

Linda has been

to this firm.

Her understanding

of international law--

Are you an asset?

I'd like to think so,

sir, yes.

Aren't you sure?

Why, Jim here has been

singing your praises for weeks.

He says you've, uh,

blossomed this last year.

Isn't that so, Jim?

Have you blossomed,

Mrs. Michaels?

I work hard

and do my job well.

I don't think blossoming

is quite my style.

Oh, good.

I'm allergic to flowers.

So, uh,

you think you're qualified

to replace Jim

as a senior partner?

I do.

Yes, I am qualified.

You don't have much of a profile

of the rest of the continent.

Well, I realize

that I'll have to

put myself out there more.

As a junior partner,

that's been quite difficult.

At your age, I had more

press on me than de Gaulle.

Well, I'll do what I can, sir.

Are you married?

Oh, yes. I've heard of

the unfortunate divorce

of yours.

Planning to remarry

and have kids?

With all due respect, sir,

I fail to see what

my personal life has to do

with my professional ability.

Mmm.

You women want it all.

Mm-hmm.

You rush to get a career

and then shut down

the minute you decide

to have a kid.

It's all hurry up and wait

with you women.

Must be hormonal.

Mr. Chase, I--

Robert, I--

Oh, shut up.

I know I'm a horse's ass,

but I'm the horse's ass

running this place.

I only want you to think about

what this senior partnership

might cost you,

Mrs. Michaels.

I'd hate for you

to waste our time

climbing up

the corporate ladder

only to decide you don't

like the view up there.

I'm sorry, sir,

but I just don't think that--

Mm-hmm.

Chase. Robert Chase.

What, are you waiting

for a door prize?

What's with you?

What's with me?

How could you?

How could you compromise me

in that way?

I don't know what

you're talking about.

You told him--

God, it was sickening--

I blossomed!

I bet you and Chase

had a good laugh

talking about our-- our--

I don't know what you call it,

but it's certainly

not a relationship.

Hold on there!

Hold on right there!

First of all,

I'm not stupid enough to admit

seeing someone from the office.

And secondly,

I would never--

Jeopardize

your political career?

See how good I am

at filling in blanks?

Including the one

in your marriage.

Speaking of which,

how did Mary like her bracelet?

Uh...

I'm going to talk to you

when you're more rational.

I haven't been

this rational in months.

Linda, we've both been under

a great deal of pressure lately.

With this senate thing,

I haven't been paying you

enough attention.

This is not about

attention and pressure.

This is about

fooling ourselves.

You know how special

you are to me.

Special you are to me.

Yes, you've told me

about 100 times.

Look, I think we should

just stop this entire thing.

Oh...

Oh, come on now.

Think about what you're saying.

I have.

Linda, you're so busy running

you forget where you're going.

Ooh. Ooh, that's--

that's very beautiful.

Do you mind if I use that

when I have the time

to take up embroidery?

Why don't you

tell him...everything?

I can't.

He has this thing

about being honest.

A boy scout, huh?

And what if

he doesn't like me?

The real me?

You're so blind sometimes.

Don't you know that

beneath this whole charade

is the real Kate Williams?

That's who John

fell in love with.

With you.

I'm usually good

at soufflé.

This week we had casserole

in school,

and I must've got them

muddled or something.

Well, um, let's taste it.

Let's give it a chance.

Come on.

Ooh.

Mmm!

Gross!

Yuck! I'm sorry.

I should've made casserole.

No. Look, that would be

like doing homework, okay?

But don't panic.

We got salad.

We got bread.

We could make garlic bread.

Okay? Maybe not garlic.

Okay, look, um,

I'll do this.

You cook all day long, okay?

Consider yourself off duty.

All right?

You think it's too much?

No. The blue works for me.

Oh, yeah?

Now I know how

Jacques Cousteau feels.

Everyone's a critic, right?

Do you have

any place mats?

I'll set the counter.

Oh, yeah. They're in

one of those boxes over there.

Ow! Oh!

Oh, no. Not that one.

No. Come on.

"Bad poetry from 1973."

I was, like,

dawdling along...

"Yes, I've never seen anybody

tug and slug in a phone before."

...on a toilet seat.

What else is in here?

That's genius.

A child prodigy, huh?

What's--

A play?

"A play by Johnny White."

It's a play, yes.

A tentative step to...

Hmm.

What are you doing?

I'm taking it home.

I want to see

what you're made out of.

Okay, now,

the dinner's in the oven.

We've got 45 minutes to kill.

What do you want to do?

Read more bad poems.

Ah.

I've got another idea.

Let's listen to music.

I love music.

Why'd you do that?

Do what?

Run away. I mean...

I thought you liked me.

I do like you.

Don't you want to,

you know?

I can't.

Well, sure you can.

No.

Why?

Because I can't.

Because there's a lot of things

you don't know about me.

Like what?

Like-- Like--

Like I don't really

only just work

for a caterer.

Don't work for a caterer.

Oh, my God.

My illusions

have been shattered.

It's okay. I can live with it.

It's okay.

Oh, come on. What?

John, I'm an actress.

An actress. You're an actress.

What's my family going to say?

It's okay.

I can live with it.

Good-bye, Father.

I'm leaving forever.

Right. Now can we go to bed?

There's more.

I got it. I got it.

It wasn't Sabrina.

It was Breakfast at Tiffany's.

Right?

Hmm?

John, now listen to me.

Okay, I'm listening.

Sorry.

A few weeks ago,

my agent sent me on

this really weird audition.

Does this involve livestock?

Please.

I'm sorry. Okay.

He sent me to see this lawyer--

Linda Michaels.

Linda Michaels.

My Linda Michaels?

Yes.

My ex-wife, right?

Yes.

She had this ridiculous plan

so she wouldn't have to

pay you alimony anymore,

and she needed an actress.

Please say something.

Well, it's the perfect revenge.

And...

it's so Linda to figure out

every angle, you know?

All the right buttons to push,

how to make me fall in love.

I am that person.

No, you did good, Kate.

It is "Kate," isn't it? Yeah?

Yes.

You know, an actress of

your caliber should be a star.

I mean, you should

be on Broadway

instead of wasting your talents

in my little seedy apartment.

John...

Well, you and Linda

have done a terrific job.

Now, please, tell her that

for me, okay?

And if you don't mind,

I would like to be alone.

Now! All right?

Linda?

Linda?

It's John.

Come on.

Open the goddamn door.

Linda, I know you're there.

Come on.

Will you open this door?

Open the goddamn door!

It's a little early

for trick or treat, isn't it?

You have pulled some low,

mean...

Where are you going?

To make some coffee.

You want some?

No. I want to talk.

You have pulled some low--

Low, mean-- I know.

Let's not forget icy.

Oh, yeah. Icy, too.

You will rule the day--

"Rue."

What?

"Rue." The term is "rue."

I will rue the day.

What exactly is it

that I'll rue?

Kate.

Yeah. I know.

Uh-huh.

Your actress.

Your plan to hurt me.

Well, she's told me

everything.

How you--

How you paid her,

how you taught her to be

my perfect woman.

Obviously not perfect enough.

Then you admit it.

What about Kate?

What about me?

Well, what did you say to her?

What do you think?

I threw her out

of the apartment.

Oh, good. Perfect.

I suppose it never entered

that Neanderthal head of yours

that she might actually

have liked you?

Ohhh! Oh, no.

I can't believe

you're saying this.

I-- You hired this woman

to break me,

and then you wonder

how she feels?

You're sick!

I wanted to get back at you,

not her.

Then you got what you wanted.

You got it in spades.

John--

I take back what I said

about you being icy.

No, no. You're not icy.

You're not even human.

You're incapable

of having human feelings.

Okay?

Shit!

Hi, Kate. It's, uh--

It's Linda Michaels.

John was just here,

and he told me everything.

So, if you want to come by

and pick up your last check,

you can,

or I can mail it, or--

Or if you want to

just call and talk...

Okay?

I'm sorry.

Bye-bye.

I was just--

Shh!

Was it something I said?

No. Something I said.

I told John everything.

Didn't go well, huh?

You could say that.

He'd like to see me sometime

between never and never again.

Did you tell him how you felt?

No.

Kate!

You can hide a lot of things,

but not your feelings.

Tell him.

He doesn't want to talk

to me anymore.

Who said anything

about talk?

All you have to do

is tell him three little words:

"I love you."

Hurry up, kid.

Oh, my shoes. My shoes.

You sure?

Okay, okay. Sure.

Don't say anything, okay?

All right. I admit I never liked

Looney Tunes cartoons,

Gary Cooper can't compare

to Humphrey Bogart,

and I actually prefer

the Lakers to the Knicks.

And none of this matters.

This wasn't part of the deal.

No one taught me

how to feel this.

I feel it.

What I feel can't be taught

or paid for.

I love you, John Michaels.

What the hell is that?

Don't you think

it's time we made peace?

I didn't realize

that we were at war.

Well, I believe your exact words

outside of the jewelry store

were, "Frank, go fly a kite."

I never intended

that you should take me

quite so literally.

I want us

to be friends again.

I have work to do.

There. You're done.

Hey, you drive

a hard bargain.

It's the diplomat in me.

Come on. Let's go.

You're such a guy.

Do you think

that I'm unfeeling?

You know, cold?

Yeah. Definitely.

'Cause I think

the real Linda Michaels--

the one I once knew--

has disappeared somehow.

Really? And who was she?

Well, who was she?

Um, she was the girl, uh--

I don't know-- who--

who used to get drunk

on one glass of champagne.

Um, she was the one

who used to see...

Wuthering Heights

over and over again,

and no matter how many

times she saw it,

would still cry at the end.

But maybe mostly for me,

she was the one

who went back home

with her husband's

best friend

so he wouldn't have

to be there alone

while his father

was dying.

I forgot about that.

I never did.

Frank, I'm still that person.

Yeah. Somewhere.

But, you know,

most of the time

I see someone

who's so afraid of failing,

she'll do anything...

just to get it her way.

Gee, thanks.

Where are you going?

I'm going to get psychoanalyzed.

You put me in the mood.

For real money, though,

with a real doctor.

Whatever money I have left

after paying

your friend alimony.

Mmm.

You know what else

I'd really like to--

Other than good-looking me?

Is your play Envy.

How funny. Really?

I'm serious.

It's very good.

Thank you. Thank you.

A little immature.

A little immature.

But it was good.

But it was good.

Thank you.

Thank you very much.

And you should

still work on it.

Well, I will.

Did you notice

the typewriter as you came in?

Did you see

the paper next to it?

See the paper

inside the typewriter

with writing on it?

That is your clue.

You're writing.

I'm writing. Exactly.

Remember what I said

about feeling better?

If I felt better,

I wrote better?

Well, I'm feeling better,

so I'm writing better.

I'm actually happy.

Mmm.

See?

Huh?

There is something

to thank Linda for.

Believe me,

I'm going to thank Linda

in a very special way.

Oh, yeah?

Yeah.

What is good for the goose

is good for the gander.

And green for the valley.

And I'm going to valley her

like she has never

been valleyed

in her life.

There is a David Caribou--

Oh, no. Carroubi, yes.

From TIME magazine

to see you.

TIME magazine?

He says he's from

the Paris bureau office,

and he's doing a story

on female executives

working abroad.

Send him in.

Mr. Carroubi.

David, please.

Who gave you my name?

Sis Reynolds

at Windsor Financial.

She said you handled

the merger for them last year.

Sis Reynolds? Didn't she

move back to the States?

I've been followed.

No, she did go back.

And, actually, I was going

to center the piece on her.

But since she's not here...

Well, it's nice to know

that I'm second choice.

I don't know,

Mr. Carroubi.

David.

It would be...

great publicity.

Publicity?

For you

and your firm.

I would imagine an ambitious

woman like yourself

could use all the press

you could get,

especially in a magazine

like TIME.

Well, I suppose a little PR

couldn't do any harm.

And I won't get in your way.

You do realize, of course,

that I have to check this

with my management?

Of course.

And you do seriously promise

to stay out of my way?

Scout's honor.

She's probably telling everyone

this side of the Atlantic

about that article.

I love it.

I love it.

Can we stop now?

Not yet.

Doesn't seem played out.

I should never have

gotten you into this.

Begged me to do it

is more like it.

Well, it beats catering.

You know what

the best part of this is?

We're paying Philippe

with Linda's money.

She's actually paying

for her own revenge.

It's perfect.

Hi. How are you?

Fine, thank you.

I'd like you to meet

our photographer.

He will spend

the day with us.

Nice to meet you.

Nice to meet you.

All right. Let's go.

Okay?

Okay.

Okay, let's go.

I forgot to give you

these messages.

They came in

after lunch.

Mr. De Labrier

is very persistent.

He is, isn't he?

Anything else before I go home?

No. No, thanks.

That will be all.

Good night.

Good night.

You always work this late?

This is early.

I'm exhausted.

Are you coming tomorrow?

10:00 a.m.?

Better make it 9.

That's brutal.

That's the name

of the game around here.

Yeah?

Frank De Labrier,

pop psychologist

and alimony hound?

Whoo!

I love it when you talk dirty.

I don't know why

I should be talking at all.

Why?

Because I'm extremely charming

and, uh,

because I'll take you

to the Bernadette tomorrow

if you're very good.

Is this your way

of apologizing?

No, but it'll do in a pinch.

Tomorrow?

Yes. 1:00.

12:30.

Good evening, sir.

Masters.

Michaels. Linda Michaels.

Oh, yes. The blossom.

I hope you've been giving

the senior partnership position

more consideration.

Every waking hour.

I don't mean to brag,

but TIME magazine

is doing a feature article

on me.

Oh. Really?

It should be out next month.

Bully for you.

Good night, sir.

Good night, Linda.

Alexander.

Go back to Alexander.

It seems you're always

throwing things at me.

You're always getting

in the way.

Can't blame a guy

for trying.

Anyway, that's not why I'm here.

There's a reception Friday

at the Dupres'.

I'm announcing my candidacy.

The press will be there.

I'd like you to be there, too.

I wouldn't miss it.

Okay. My secretary

has all the details.

Jim, you got a sec?

Sure.

Uh, we're through here, right?

Absolutely through.

Bring a date.

Oh, God. A date.

Sorry I'm late.

You want to go to a party?

Hi. I've got to

ask you a favor.

Hi.

Can't we talk about it

over lunch?

That's the favor.

I have to cancel lunch.

Crisis at the firm?

I have to buy a dress.

Worse.

There's this formal thing

at the office on Friday,

and I have to wear

something with sequins.

I'm really sorry.

I love shopping.

You're kidding.

No. It comes from

having five sisters.

Oh, well, if you've got

nothing better to do.

You don't know

what you're in for.

Whoa. Let's go

right in here.

You know, for years

I've been fantasizing

about how to change

that dress-for-success,

Spiegel catalog-look--

What about this?

Well, great if you're 17

and going to the prom.

Now, this is more

like it. Look.

It's very, very lovely,

but where is the rest of it?

Give it a shot.

What have you got to lose?

In this?

Yeah.

A tremendous amount of weight.

Come on.

All right. I'll see

if they have it in my size.

Excuse me?

Excuse me!

Hello.

She'll call you back.

I'm holding your phone hostage

until you find us a size-- Size?

Six.

Six.

I don't think this is

exactly me.

And that's the point, Linda.

Break free.

Break free.

You hate it.

You look spectacular.

Doesn't she look spectacular?

I mean, really,

that dress brings out

the Audrey Hepburn in her.

Yes, it's nice.

What do you mean, "nice"?

"Nice" is for the bridesmaid's

dress she'll never wear again.

Now, this is

a fashion statement.

This-- It's just a dress.

Yeah. A dress.

Just a dress. Yeah.

Linda, you are a walking

tribute to womanhood.

Ohh, please,

don't say stuff like that.

I have arms

like blood sausages.

Yeah. Well, I happen

to like sausages, okay?

Come here.

Oh, no!

Look in that mirror.

Ready?

Ready.

What's wrong?

You ever have the feeling

of impending disaster?

Don't tell me the puffs

didn't puff.

All right.

Keep serving before you give me

another heart attack.

Everything is okay?

Yes, sir.

Mr. Harris will make

his announcement around 10:00.

Mingle.

Have a good time.

Oh, okay.

Thank you.

Hello.

Nice to meet you.

Mary Christine!

Oh, Frank!

It's been a long time.

Yes, since Christmas.

Good to see you, too.

This is my friend

John Michaels.

Hello.

How do you do?

Please, this way.

Thank you.

His friend?

Try and keep

an open mind.

Oh.

Thank you.

Thank you very much.

Shrimp toast?

No, thank you.

I'd like to toast

your shrimp.

Why did I

let you come?

Look, I'm just going

to check out

the kitchen help, okay?

Yeah. Suit yourself.

Okay.

What are you doing?

What do you think I'm doing?

Come here, come here,

come here.

Let me tell you something.

Mmm! Hang on.

Come here.

The main foyer.

The guest of honor

has arrived.

And here comes

the main attraction.

Hors d'oeuvres?

Now get out of here.

Remember what curiosity

did to the cat.

Meow.

Oh, the jewelry store,

of course.

How could I forget?

Did you enjoy the bracelet?

Very much.

Are you alone tonight?

I'm sure Jim wouldn't mind

if you mingled with us.

No!

No, I mean, no,

of course I wouldn't mind,

but I think that Miss Michaels

would be bored glad-handing

the press with us.

Actually, I'm here with a date.

He's just getting the cab.

Here he is.

David Carroubi,

these are our hosts,

Mr. and Mrs. Dupre.

David Carroubi.

David Carroubi.

Hello.

And this is

Mr. and Mrs. Harris.

Oh, please, Mary and Jim.

How do you do?

It's strange.

I have this feeling

we've met before.

David is with TIME magazine.

TIME magazine. Ah.

Why don't you go introduce Linda

to Larry Stephens over there?

It'd be good for her.

Who?

Stephens.

Well, he's with TIME magazine,

too, isn't he?

Larry.

Good old Larry. Sure.

Linda, let's get a drink.

Why didn't you tell me

this was a press scene?

Why?

What's the big deal?

I don't like mixing work

with pleasure.

I guess if it goes right,

it'll be okay for the sea

in the first place.

Hi. Good evening.

Nice to see you here.

Nice to see you here.

Thank you very much for coming.

You know, we have the exact same

percentage of salt in our blood

as exists in the ocean.

Is that right?

Hank, good work.

Caviar?

What are you doing here?

Taking tennis lessons.

What does it look like?

Look, I'm sorry

about what happened.

I'm sorry, too.

Um, I'm here with

a member of the press,

so could you...pretend

like you don't know me

or something?

Who could forget you?

Caviar, sir?

I'd recognize

that dress anywhere.

What are you doing here?

You look beautiful.

I'm glad somebody noticed.

I've always noticed.

You've just never cared.

What?

Tell John I'm leaving.

Why?

Listen, I'm a honk away

from being exposed.

I work as a clown.

Oh, no!

Yeah!

Okay. So, you're just--

Stay away from Mrs. Dupre.

Just stay away, okay?

Thank you for your help.

...clown shoes.

Here. Come on.

Yeah. See...

Catch up with you later,

all right?

Okay.

Hi there.

Oh, hi.

How do you do?

Talk to you later.

I've never seen you

like this.

I miss you.

Hey.

Having fun?

I'm not having fun.

By the way, Mary's been

getting suspicious lately.

Why should she?

I don't know.

I just thought maybe you'd like

to stay away from her tonight.

I don't know why.

We could probably have

a very interesting chat.

Don't be ridiculous.

Good evening, Mr. Chase.

Hi.

Hi.

Do you know F.S.?

Uh... All right.

Yes.

Francine Scott.

Francine Scott.

She's coming!

Damn!

Everything okay?

Absolutely fine.

If you'll excuse me

for just one second,

I'm going to go freshen up.

Oh, please, please.

Sure.

Darling, isn't that

the young man we saw with

Miss Michaels a few weeks ago?

Maybe they broke up.

He came with a man tonight.

Uh-huh.

Isn't that interesting?

Well, I think I'm going

to go ask Linda about it.

Here!

Ready?

It's almost 10.

Shouldn't we go get Mary?

Mmm, nice shade.

Thanks.

Linda, can I

ask you a question?

Mm-hmm.

It's about my husband.

Sure. Yeah.

This is very difficult

for me.

But I think he's been

having an affair.

Mrs. Harris-- Mary...

Now, I know

you two are close.

Very close.

Then I came across a receipt

for some jewelry--

jewelry he never gave me.

What jewelry?

A pin.

A monogrammed pin.

I don't know anything

about a pin.

Very expensive.

Bought a couple

of months ago.

Initials, "F.S."

Hi, Linda.

Isn't this party great?

Hi, Francine.

Francine, this is Mary.

Mary Harris, Francine Scott.

Hi. Nice to meet you.

F.S.

Francine Scott.

Yeah. That's my name.

Don't wear it out.

How long have you

been sleeping with Jim?

What are you talking about?

My husband.

Tall guy, expensive taste.

Excuse me.

Well, Mary should be here

any second now.

I can't believe that you were

sleeping with Francine Scott

the whole time

you were sleeping with me.

Would you keep

your voice down?

Sure. We don't want

to humiliate you

in front of the press.

How could I have

fallen for your line?

What line? Linda-- Linda,

you're very special to me.

Ahh! There's the line.

I'm very special.

Your wife's very special.

Francine's very special.

Can we talk about this tomorrow

when you're more rational?

You have this fantasy

that I'm going to get

more rational over time.

I have a fantasy, too,

and that's that the esteemed

members of the press

would like to hear about

your promiscuous office conduct!

I don't know about them,

but I sure as hell would.

Okay, I'm sleeping

with Francine.

Are you happy now?

Not happy, but...

I knew I was losing you.

I just needed

a fallback position.

A fallback?

Me, a fallback?

Linda, you okay?

Listen, you don't have

to put any of that stuff

in your article, do you?

And who are you?

David Carroubi

from TIME magazine.

No, he's not with TIME.

Marco the clown!

What are you talking about?

He's a reporter.

Philippe, where the hell

have you been?

Phillip?

Who are you?

He's a friend of mine.

John...

A waiter.

An actor.

John, you didn't.

I did.

I--

Oh, no, no, please.

Rocco, Philippe, David,

whoever you are.

Just forget it.

Linda, what's going on?

Oh, it's a bad time

to ask.

Mrs. Harris, could we have

a statement, please?

Before you leave...

I'd like to-- My wife and I

would like to apologize

for the rather bizarre behavior

you've all just witnessed.

Mrs. Michaels has just been

through a traumatic divorce,

and Mary and I have been

helping her through

this trying time.

We hope and pray

that she will find

the peace of mind that

she's been looking for.

Bastard!

Will you apologize to her?

Because this is terrible.

I know it's terrible.

I will. I promise.

I'll apologize.

And remember,

whatever happens,

we'll always have Paris.

You like that?

You do a terrible

Humphrey Bogart.

But I love you.

You just liked off

my top lip.

Have you removed all

sharp objects from your reach?

Don't tempt me.

Can you forgive me?

Oh, it's me

that should be sorry.

This whole mess

has been my fault.

But I've learned my lesson,

believe me.

Oh, me, too.

But, unfortunately,

a lot of people got hurt

along the way.

I mean,

you're out of a job,

Harris won't be senator,

his wife's heartbroken.

Oh, look, I think we've saved

the American voter

a huge mistake with Jim.

And as far as

his wife's concerned,

I don't think she's

exactly heartbroken.

And you?

Me?

I'm going into

private practice.

Oh, that's great.

Yeah.

I've already got

my first client--

Mary Harris.

We're taking Jim

to the cleaners.

Oh, perfect.

Oh, before I forget...

Oh.

B.B. King.

Thank you.

Your Peter Gabriel.

Thank you.

And your Billie Holiday.

No, you keep

the Billie Holiday.

It was a gift.

I should go.

You're busy, and I'm

meeting Kate in half an hour.

You're still together?

Mmm, could say that.

We're getting married next week.

Get out of here.

Yeah.

Looks like I ended up with

the perfect woman after all.

Great.

So that means--

You're out of

the alimony biz.

Well, here.

Consider it

a wedding present.

I don't want you to be

a starving artist forever.

Thank you.

But, no, thank you.

This artist hasn't done

that much starving,

so maybe it's

about time he did.

A secret admirer?

An old friend.

A new old friend.

Well, I hope

it works out.

Me, too.

Well, now I have to get

a new job and a new life.

Well, personally,

I like your old life.

It needs fine-tuning.

But, uh,

with some new tires

and a new luggage rack...

Yeah, yeah.

Very, very funny.

Hey, I'm a funny guy!

No, you're not.

You're a great guy.

I don't know what I

would've done without you

through all this.

Well, I hope

you'll never find out.