Swamp Girl (1971) - full transcript
Abandoned by her mother, teenage girl Janeen lives deep in the Okefenokee swamp. When an escaped female convict and her boyfriend try to flee through the swamps, it leads to a deadly duel for survival between Janeen and the criminals.
(upbeat music)
(slow mysterious music)
(water lapping)
(slow mysterious music)
(door closing)
(slow mysterious music)
(door closing)
- Man, Denton, I don't
know if a couple of them
ol' measly fish is worth
all these mosquito bites.
(hand slapping)
By God, that's one that
aint gonna bite no more.
- No, Fred, a few bites,
you know fish always taste
a little better if it
aint come by quite legal.
(slow mysterious music)
- What the hell's that out there?
(slow mysterious music)
- What the hell was what?
I didn't see nothing.
- I saw something disappear
into the darkness over there.
- All right, you guys are seeing things.
Probably some ol' gator on the prowl.
Come on, let's get going.
Those catfish love this light at night.
We oughta catch us a big mess of them
before that nosy swamp ranger
comes moseying around here.
Let's go.
(slow mysterious music)
Holy mackerel, what is this?
- Who is it? How'd he get here?
- Gators, huh? I told you I
saw something in that swamp.
- Look at that leg.
(crickets chirping)
- Well that's more than likely his.
- Oh, man, cottonmouths.
This guy aint got long
to go. We gotta get help.
Just stay quiet, Mister.
We gonna get help.
Hank, you go over and get help.
Jesse can stay here with me.
- Yeah.
- Right.
- There's a girl, in the swamp.
- What'd he say?
- Oh, he's out of his head,
some nonsense about
that girl who's supposed
to live in the swamp.
- It aint no nonsense. I've
heard stories like that before.
- Get going, you fool. Either
he gets help or he's dead.
(crickets chirping)
♪ Have you heard the song
the home folks sing ♪
♪ Who live near Waycross town? ♪
♪ The willow, the wisp
lives in the swamp ♪
♪ Where people die and drown ♪
♪ A girl, they say, with flaxen hair ♪
♪ With skin like golden cream ♪
♪ She floats above the slips and slews ♪
♪ In the midst of a swamp man's dream ♪
♪ Swamp Girl, Ghost
Girl, haunts the night ♪
♪ In the swamp fire gleam,
in the cypress stream ♪
♪ In the secret glow of a
moonshine whiskey still ♪
(gentle guitar music)
♪ Are you made of shadow, sun and smoke? ♪
♪ Is your song the summer wind? ♪
♪ Do you only live in the burning minds ♪
♪ Of some dying swamp madmen? ♪
♪ Or can it be that you really live ♪
♪ That the stories told are true? ♪
♪ Out in that dark and mysterious swamp ♪
♪ There's an angel such as you? ♪
♪ Swamp Girl, Swamp Girl, run away ♪
♪ But you'll not stay,
there will come a day ♪
♪ When your heart will
say it's time to go ♪
♪ When your heart will tell you so ♪
(gentle guitar music)
(frogs croaking)
- Dent, just outta curiosity,
what was you and Hank
doing wandering around out
here at that hour last night?
- Nothing, Ben.
Heck, me and Hank had just
been drinking a little beer
over to Stokely's, and we
was out getting a breath
of fresh air before calling it a night.
- Yeah, there's more of them probably
with old Harry out in the
swamps, out there poaching
and doing some moonshining.
He's the one stepped in
the trap and got snakebit.
That figures why these boys bring them in
themselves, don't it?
- Now wait a minute, Waters.
You aint got no right to talk like that.
Me and Hank might not be above catching
a few fish by lamplight
but we aint about to let
a man that's been snakebit
lay around and die just
to save a $10 fine.
- That's right, Sheriff.
Hell, that coulda been
any one of us out there.
- Yeah, and somebody said that man
was from down below Folkston.
I don't know nobody down that way.
- Well, don't let your
conscience bother you none, boys.
I checked down at Stokely's all right
last night, and you were there.
Playing pool and drinking a little beer
till about a half hour before you decided
to do a little night fishing on the side.
Now that we got a little more
light on the subject, Hank,
tell me, you say when y'all
pulled up here to the dock
last night that somebody was
pulling away as you pulled up
and you saw 'em but Dent
didn't see it, that right?
- Well, Dent went to the
truck to get some gear,
and by the time, beer,
I mean to get some beer,
and the time he come back,
we was just gonna sit around
and listen to the air,
and they'd already gone.
- Yeah, and from where we
was standing, we didn't see
that poor devil till we
was right on top of him.
- You say he was mumbling something
about a girl out in the swamp?
- That's right, Sheriff.
Hell, lotta people seen a girl in there,
and that's what they call her, Swamp Girl.
- (chuckles) Swamp Girl.
Some of the things you guys
cook up in them swamps,
it's a wonder don't see
something besides the Swamp Girl.
- It ain't funny, Waters.
You've allowed as how we mighta had
something to do with that death.
Accusing innocent men when
there's somebody in that swamp
maybe killing anybody that gets too close
to knowing too much.
- That's right.
I think we oughta get
together and go back in there
and find out what's going on.
- That's for sure.
Buncha us boys oughta get
us a buncha boats together
and go over that swamp inch by inch
and find out who's doing the killing.
- Well, Denton, now that
you've appointed yourself
as sheriff, what are you gonna do,
hold the trial right here in the swamp?
- Well I just might do that...
- All right now hold it.
Now hold it, everybody.
This place was set aside
here to preserve life
and not to take it.
If there's any manhunting going on
in there, I'm doing it.
I'm betting that if there
is somebody in there
and they're helping these poor devils out
when they get trapped in that swamp,
well, they're doing it outta kindness.
They don't feel like getting mixed up
answering a lotta fool questions.
- Well, I still wanna know
what's going on in there.
A man did die here last night, you know.
- Denton, you know I know the
swamps as well as anybody.
And if there was somebody
paddling up there last night,
which is likely that they did,
it's unlikely that they
lived here in the swamp.
May have been a moonshiner or a poacher
trying to do a good deed,
keep from getting involved.
Now I'll get my airboat, go
back in there and look for 'em.
I can cover a lotta territory with it.
If there's anybody in
there, I'm gonna find 'em,
and I'll bet you anything
it won't be no Swamp Girl.
- That's about the most sensible thing
that I've heard all day, Jim.
But you be careful out there, though.
Old Boggy's a mighty
big hunk of real estate,
and we don't wanna have to
come in there looking for you.
Now why don't y'all go
on about your business,
and we'll let you know
if anything happens?
Come on, Jim. I'll give
you a hand with your boat.
- You know, I don't care what the sheriff
or that smart aleck ranger says.
- I don't either.
- There's something mighty
fishy going on in there.
And if Waters don't find out what it is,
there's some others of
us just might could.
- Right.
- Come on.
- Look, Jim, you know as
well as I do that Dent Cole,
he's nothing but 90% hot
air, and all he's doing
is just talking up to the crowd.
- 90% hot air, I know
that, and I also know
that all of his friends are 90% hot air.
But you take all the 90% hot
air and take the 10% brains
that they've got, you add it
together, what have you got?
- You got trouble.
- Nothing but trouble.
That's what starts trouble.
- We've worked hard down in Okefenokee,
trying to make a Leif place for wildlife,
all the plants and everything
else that lives here.
Even a Leif place for sane
people to come and visit.
We can't be worried about
a buncha characters coming
out here and trying to
play Cops and Robbers.
- Now, Jim, you know that I
aint gonna let that happen.
Now I'll have my men keep an
extra eye out for a few days
till this thing kinda blows over.
We got some law here. I'm it.
- I know you are (laughs).
I'm proud of you, I'm for
you, I agree with you.
But you see anything that's gotta do
with the swamp involves me.
- Take it easy, Swamp Rat.
Call me when you get back, you hear?
(engine starting)
(upbeat dramatic music)
(engine idling)
(suspenseful music)
(Jim screaming)
(soft suspenseful music)
- Why do these men keep
coming in the swamp
when they can't even see
some ol' poacher's trap
right in the middle of the trail?
(metal clanking)
I'd throw all their
damn traps in the water,
if they wouldn't keep coming
back to look for them.
- I'll be darned. There is a Swamp Girl.
- Let me go.
- Wait a minute. I'm not gonna hurt you!
Wait a minute, calm down.
- Let me go!
- I wanna thank you for helping me.
- Now leave me be.
- I will, if you promise not to run away.
- I'm not promising you nothing,
not even to get you out
if you get caught again.
- Wait a minute.
I come in here as a friend,
because right now you need one.
- I got all the friends I
need, and that's my dad.
And if he catches you,
he aint gonna be half as kindhearted.
- Okay, I'll let you go, but
listen to what I've got to say.
- You couldn't come in
here to tell me nothing,
because nobody knows that
me and Pa live in here.
- That's what you think.
Now the people around the dock
think it's you and your daddy
killed that man you brought in last night.
- That aint true.
He stepped in a trip and
he was floundering around
trying to get back to his boat
when the moccasins got him.
Poor man. I knew it was too late.
- Look, I'll make a deal with you.
If my leg aint busted,
and I don't think it is,
if you don't wanna listen
to what I've got to say
you can run off, but sit
over there out of my reach.
I wanna talk.
- Well, I don't know about that.
- You aint got nothing to lose.
I couldn't catch you if I tried.
Probably won't even be able
to get back to the boat.
- Well, okay, but
nothing fancy, do you hear me?
- All right (groans).
If I hadn't had these
boots on, I don't know.
I wished I'd catch them son
of a guns that set them traps.
(soft music)
You know, getting caught in a bear trap
sure makes a fella hungry.
- You mean to tell me that
all them traps is illegal,
and that the men that put them there
could go to jail if they get caught?
- Sure could.
You see, this whole Okefenokee
Swamp is a park refuge,
and all the wildlife, plants, trees,
everything's protected.
- You aint gonna arrest me for catching
this little ol' duck, are you?
I mean, me and Pa, we only
kill what we have to for food.
We never figured that
was breaking any law.
- No, I aint gonna arrest you.
What'd you say your name was again?
- My name's Janeen.
- Janeen?
That's a pretty name.
I don't believe I ever heard that before.
- I asked you if you was gonna arrest me.
- No, I'm only gonna arrest the people
that comes in here and tries
to destroy the wildlife,
kill birds just to get a
feather to put in their hat.
Or, like shooting alligators
just to get them some boots
made out of them, or a purse.
Anything like that.
- Every trap I find from now on,
I'm gonna throw to the deepest,
darkest part of that swamp.
I always thought before I was
messing with private property.
You can get in lots of
trouble for doing that.
- Is that a fact?
- Well since I'm a swamp ranger,
I'll give you my permission.
Matter of fact, I'd like to have
somebody like you as a deputy.
- Dep,
deputy?
What's that word mean?
- Well in law enforcement, it means like
an assistant or a helper.
You still have the authority
to arrest somebody too.
Which brings me around to the point
I wanted to discuss with you.
- What's that?
- Well, I guess it'd be hard
to explain to you, honey,
since you haven't been outside the swamp.
But it's a rough world out there. Wicked.
And, uh, it's good if you
know somebody on the outside.
- Why? The world leaves me and
Pa alone, we leave it alone.
Sounds fair enough to me.
- Well, that's the trouble.
The world won't leave you alone.
It's gotten pretty complicated.
That's the trouble of it.
For an example, honey,
there's people on the outside
right now that thinks you
and your pa is killers.
And they'll be in here looking for you.
Now if you wanna leave
the swamps, you can.
If you don't want to,
that's your own business.
But if you do go out, you
need somebody on your side.
- Me and Pa's too happy
the way things are now.
- Well I'm not trying to force you, but,
well, you talk it over to your pa.
And you tell him what we said
and see what he has to say,
and I'll be back in tomorrow.
- You think you can even find me again?
- You aint the only swamp rat in here.
Found you this time, didn't I?
- Yeah, but you wouldn't
have, if that poor old man
hadn't torn his shirt trying
to get away from them snakes
or if I'd seen it before you had.
You'd just gone sailing right on by.
- Well maybe so, but I can find you again.
I'll be back tomorrow.
- Well, I'll talk to Pa and
see what he says about it.
- Okay. Have it your way, but
I'll still be back tomorrow.
Thanks for the dinner.
(slow mysterious music)
- It's only me, Pa.
- Who else?
(door opening)
- Don't know, Pa, but
from what I hear, pretty soon,
we aint always gonna know for sure.
- What you mean by that, honey?
From what you hear?
- Well, Pa, I aint gonna lie to you.
I had a long talk with a man today,
and I promised him I'd tell you about it.
- Honey, I thought we promised years ago
we weren't gonna talk to nobody,
because all they wanted to do
was to make trouble for us.
- I know, Pa.
Well, after that poor man
yesterday got so snakebit,
Pa, that man died.
Died.
And that fella today said
that the people outside
this here swamp think that you and me's
been doing the killing,
and that they might come
in here after us and...
Well, just talk, so.
- What else did you do, honey?
- Well, nothing much really.
I mean, I cooked us a duck and
mostly we just sat around and talked.
- Talked?
About what?
- Well, this man, his name
is Waters, Jimmy Waters.
He's what he called a, a swamp ranger.
Pa, did you know that this
whole park is a refuge?
It aint legal to kill nothing
or even to chop down the trees.
And you know what else, Pa?
Every one of them traps out there,
they aint supposed to be there.
They illegal.
We can take 'em all and throw 'em
in the deepest part of
the water if we wanted to.
Jimmy even said he'd make me a de, deputy.
- (laughs) Is that all he
come out here to the swamp for
was to make you a deputy?
- No, Pa. It's just one of
the things we talked about.
I told you.
He told me that the
people outside the swamp
think that you and me has
been doing all that killing.
And, he was talking about
how people like you and me
can't keep living no more
pretending there aint
nobody else around and
how someday we might have to leave here
and go someplace else.
We might need a friend on the outside.
Pa?
Pa, he wants to be our friend.
He wants to meet me here
tomorrow and talk on it some more
and, well, I told him
I'd ask you about it.
Pa, Pa, can he be our friend?
- Well, Janeen, I been seeing
this coming for a long time.
I just didn't know how to,
how to get started telling you.
I guess I was waiting for something.
Waiting for something to force it.
- Force what?
- Well, in the first place,
you gotta stop calling me Pa.
- Why? You're my pa, aint you?
- Honey, I love you like your
pa, I raised you like your pa
and I loved you like your ma too.
But you see, honey, it
aint the same thing.
You can't call me Pa.
You see, Black folks
don't have White babies,
no more than White folks
can have Black babies.
- But, if you aint my pa, then who is?
I mean, why aint I never seen him before
and how come I call you Pa?
- Well, get yourself set, baby.
Because we gonna go all the
way back to the beginning.
And when I'm finished,
you just aint gonna be the
same little girl no more.
Now, don't call me Pa.
Call me Nat, or Nathaniel,
if you wanna get fancy
or you're mad at me.
Nat. Nathaniel.
That's what old Doc named me
years ago before you were born.
You see, this house, this
house was always kind
of a home for fugitives.
And ol' Doc, he fixed it up.
He was a pretty good doctor,
but he had kind of a weakness for whiskey,
and then when folks come
not to trust him too much,
he started getting less worried
about the kinda operations he did.
- I, I don't understand, Pa.
Nat?
- You see, that's why it's so hard.
I mean, it's just too much
to tell you all at once.
So just let me tell you about you and me,
and then we'll fill in all
the rest of the stuff later.
Okay?
- Yeah, sure, but...
- Now, now ol' Doc, he found
me years ago when I was a kid.
In the swamp, half dead from snakebite.
And then he brought me here,
to his hospital, as he called it.
And I helped him out around the place.
So, little girls that was in trouble,
I mean, that was gonna have
babies that wasn't married,
well, they came to ol' Doc,
and he'd do the operations on them.
- [Janeen] Is that how I
come to live in the swamp?
- [Nat] Well, you was sorta different.
- When Doc did those operations,
there really wasn't no baby.
Now, honey, don't go getting
yourself in particulars,
or I won't get this story told.
Sometimes, ladies would come
that was too near having
their babies to get the operation.
And that's the way your ma was.
So they'd pay ol' Doc
to let them stay here
until the baby come.
And then they'd go away.
- [Janeen] What about the babies?
Didn't the moms take 'em with 'em.
- [Nat] Well, some did and some didn't.
Doc never did much care,
except for the boys.
He always made the mothers take the boys.
See, they could take care of themselves.
It was a batch of girls he wanted.
- [Janeen] But how
could a mama just go off
and leave her baby like that?
Even the animals in the swamp
take care of their young'uns.
- [Nat] That's true, dear,
but some mothers are just that mean.
- [Janeen] Mine was one of 'em?
- [Nat] I'm afraid so, darling.
But now listen, you gotta just
let me get this story told
so it gets told complete.
Then we'll go back when there's time
and fill in all the little holes.
- Okay, but what did the
doc do with the children
whose mamas left the sw...
Why was I the only one that
growed up here in the swamp?
- Honey, that aint easy to say.
But, he sold 'em.
- He sold 'em?
- Yeah.
- You mean, like you used to
tell me about your granddaddy?
He sold them like slaves?
- I'm afraid so.
- But you told me
yourself, that aint right.
There aint no more slavery.
- Well, honey, I wish that
were true, but it aint.
The truth is, there's still
some places in this world
where a little girl is
worth a lotta money.
Especially a little White girl.
And the doc, he had a lotta
contacts down at the Harbor,
where the ships would come
in from all over the world
to buy lumber from the swamps.
And he had a lotta friends that paid him
a lotta money for nice little girls.
And then they would sell them
back for even more money.
Where there was no trees
and there wasn't no little White girls.
- If that's true, how come
I didn't get sold too,
along with the rest of them?
- Well, honey, that gets
us to the part about why
you and me is living
alone here in this swamp.
See, you was always a special kinda girl,
and you was always my favorite.
(soft music)
And Doc took a liking too you
too. You had a way about you.
A kindness with animals, a way of smiling.
I knowed everything Doc
was doing was wrong, but
I had no other home, no place
to go, as far as I knew.
And Doc led me to believe that
the police was still looking
for me for stealing a pair of
jeans when I was a little boy.
Well anyhow, I guess I
always looked the other way
when Doc did something I knew was wrong.
But with you it was different.
I begged and I pleaded that
he wouldn't sell you away.
But ol' Doc, he was greedy.
He was always hoarding
away the money he took in
and asking for me.
He knowed someday he'd get caught,
and he wanted money to buy off the police
or the judge, or the jury.
Or to run away. But he wanted money.
One day, he give me some
money to sneak outta
the swamp and go to Leif Turner.
(soft suspenseful music)
I aint never told you about Leif Turner.
He's one of the ones on the outside
that wouldn't be your friend.
He got a snake farm on
the edge of the swamp.
Mean as any snake you ever
wanna find around here.
Leif Turner, he's one of
the ones on the outside
that brings in the girls.
And other stuff we
needed, and he still does.
Costs a lot more than
any store would charge.
But he don't ask no questions.
(soft mysterious music)
I seen Doc drunk often enough.
But there was something
funny about the way
he acted that set me thinking.
So much so that I figured I'd sneak back
just in case what I was
thinking turned out to be true.
(soft music)
- Well, I've changed my mind.
Now this little lady is
worth more than that.
I want twice the normal amount.
- (chuckles) You're drunk, Doc.
I got your normal amount right here,
so we'll take the girl.
- That's right, Doc.
You sent word you had one.
We're here to collect her.
- Listen, that's right,
but I done changed my
mind about the price.
Now I know what you gonna get for her
from one of them Arab sheiks.
Yeah, thousands.
She's young,
strong.
She's mighty, mighty pretty.
So I'll take a thousand
for her, or it's no deal.
(soft suspenseful music)
- $1,000 or no deal.
All right, Doc. No deal.
Take the girl!
(Janeen screaming)
(punches striking)
(Doc screaming)
(suspenseful music)
(Janeen wailing)
All right, come on. Let's get going.
- Wait a minute. What's your hurry?
I know Doc's got a lotta
money stashed around here.
Why don't we see if we can find it?
- Because, stupid, that
nigger may be stomping around
out there, and he just may find a shotgun.
And he just may blow you and I to hell.
Let's get outta here.
(Janeen wailing)
- You're probably right.
It's a shame to leave
all that dough behind.
- Oh, come on, will you?
(Janeen wailing)
(suspenseful music)
(Janeen wailing)
(ax striking)
(snake rattling)
(Janeen wailing)
(dramatic music)
- [Nat] Well, baby, you was bit real bad.
I really thought you were gonna die.
But I did what I seen Doc do.
I cut open the bite, and I
tried to suck out the poison.
But mostly I let you lay there
and try to fight the poison yourself.
Oh, you was a stubborn little devil,
and you just wouldn't give up.
You had a fever that would kill a horse.
But slowly, slowly, you come around.
But when you got better,
well, it was funny.
Like the fever done
something to your brain.
You didn't remember nothing
about Doc, or the two men.
So, I figured it was better that, uh,
that I left it that way.
Sorta the way nature intended it.
But see, I always knew
there was gonna come a time
when I'd have to tell you.
- Pa, Nat,
I'm so mixed up.
What am I gonna do?
I mean, should I go see
Mr. Waters tomorrow?
I kinda have to now.
He knows, knows we're here.
- Well, darling, that's a tough one.
The first thing I was
gonna say was no, don't go.
Even if it meant leaving here
and living somewhere else in the swamp.
But then I got to thinking.
If something should happen to me,
you gonna need a friend on the outside.
And this here ranger
you been talking about,
he sounds like a pretty good man.
- Think I ought to go then, huh?
- Yeah. Yeah, I think so.
(gentle music)
- You know, Jim, if there
was anybody else but you
telling me this, I wouldn't believe it.
You mean, you found a girl out there
in that swamp, a Swamp Girl?
- I really did.
- So you got yourself a
cute little girlfriend now,
and aint nobody gonna take
her away from you, huh?
- Listen, Cutler, I'm serious.
You know as well as I do that it's illegal
to live in the Okefenokee.
Because it's a wildlife refuge.
If somebody find out you're in there,
they gonna come in, move you out.
And if they move her out,
then we really have got a problem.
She aint never been on the outside.
She knows all there is to know
about cottonmouths, gators,
everything else, I guess, in the swamps.
But she don't know
anything about the outside.
She's liable to get knocked down
by the first car that passes.
- Yeah, or knocked up by
the first boy that comes by.
- Listen, I'm serious.
We've got a problem.
- Now hold it, Jim.
You know I was just joshing you
and trying to get you riled up.
It's fun to get you all riled up.
And besides, I know we got a problem.
But look at the bright side of it.
The mystery's all cleared up,
and there aint no murderer
here in the swamp.
It's just some folks out there
that like to be left alone.
Now, if you should see her tomorrow,
maybe you can talk her pa
into coming in with her,
and you and me'll give them a hand
and try to help them get settled.
We might get her a little schooling.
Things could just work out fine.
- Well I durn sure hope so.
(radio beeping)
- That's my ring. Be right back.
(soft suspenseful music)
Sheriff Cutler here, over.
(upbeat dramatic music)
- [Steve] Dammit, we're outta gas.
(upbeat dramatic music)
Uh-oh.
(siren blaring)
(upbeat dramatic music)
- See, what I tell you?
We shoulda hit that little store
back there so we'd have some gas.
But no no, not you, smarty pants.
Now we don't even have enough
to make it across the line.
And that damn cop looking for us.
- Not us, honey, you.
You're the brain that went and killed
that prison guard back there.
Oh yeah, yeah, something to
bust out of a prison camp,
but killing a guard doing it.
Man, you're something else.
Who the hell do you think
we are, Bonnie and Clyde?
All right, we're both in it together.
Now what the hell do you wanna do?
- We'll put as much distance between us
and this car as possible.
Because if they find it,
they're gonna know we been here.
Which way is the Florida state line?
- That way, through the swamp.
- Then that's the way we're
gonna go. Let's get it on.
- You're crazy. You gotta be crazy!
That's the Okefenokee Swamp in there.
They got everything in there.
They got alligators, they got snakes.
There's not one square foot
of solid ground in there.
We could drown in that damn place.
- Well that's a good place to hide.
Now I know there's people going in there
and coming out alive.
Aint you read about them
moonshiners and poachers?
Let's walk alongside the swamp.
I know there's a boat
hidden there somewhere.
There's gotta be. We might
even find us a still.
- That's the best thing
you said all day long.
- Come on, it's getting
dark and some nosy cop
might recognize that car.
Come on!
(soft suspenseful music)
- Come over here. Follow me.
(soft suspenseful music)
All right, honey, you asked for it.
(soft suspenseful music)
Damn.
(soft suspenseful music)
I told you there wasn't one
square foot of solid ground
around here, but you won't
listen to me, will you?
Well, come on. You wanted to go this way!
(soft suspenseful music)
(water splashing)
(soft suspenseful music)
(water splashing)
(soft suspenseful music)
We'll try and get across over here.
(soft suspenseful music)
No, honey, wait up.
We aint gonna make it
this way. Go over here.
(soft suspenseful music)
Honey, we're gonna have to
stop here for the night.
All we're doing is
going around in circles.
Last thing we wanna do is fall
in a pothole and get drowned.
- I hate to agree with you,
but I guess you're right.
- There's some high
ground up there. Come on.
(soft suspenseful music)
(birds calling)
- Steve?
- What?
- I'm scared silly.
- (chuckles) You'd be a damn
fool if you wasn't, honey.
(soft suspenseful music)
(wings flapping)
(soft suspenseful music)
(birds chirping)
(wind whistling)
(engine starting)
(upbeat dramatic music)
- You really think I
ought to go, huh, Nat?
I mean, still haven't found the cabin yet.
- Well, I think so.
Seeing as how he's almost
found out where we is.
- Well, oh, I don't know what to do.
Seems like everything's
just happening all at once.
- Well,
I guess that's my fault.
I shoulda been getting you
ready for this a long time ago.
- Well, I guess it don't
make no real difference now.
(soft suspenseful music)
(engine revving)
(soft suspenseful music)
- Holy mackerel, there's a house here
right in the middle of the swamp.
- Sh, might be somebody around.
Take a look inside. Maybe
there's some food to eat.
- Yeah, well, don't
you go using that thing
because you only gone one shell left.
- I know. Come on, let's get going.
(soft suspenseful music)
(metal clanging)
(soft suspenseful music)
- That you, Janeen?
(gun firing)
(Nat groaning)
(wings flapping)
(water splashing)
(wind whistling)
- Suppose somebody else comes around here?
We aint got anymore shells left, baby.
- We'll use this.
- Oh, why don't you ever
cut yourself a potato?
- Pa! Nat, Nat!
- Get up off there, right now too!
- Why did you do this (cries)?
- Okay, little girl,
you must know your way
out of this godforsaken swamp,
and you're gonna take us outta here.
I don't mean to no big town either.
I mean to some quiet road
on the way to Florida.
I could steal me a car. Do you hear?
- You killed Nat, the
only friend I ever had!
- I killed an old nigger
that got in my way, dammit!
I'll kill you too if I have
to. Now take us outta here!
- All right.
I'll take you out.
- Let's get outta here.
This whole place is giving me the creeps.
(soft suspenseful music)
- Hey, not that way!
We came in over there.
- If you come in over there,
you been walking in circles.
- All right, let's go.
- Janeen?
There's no need to
hide. I'm all by myself.
Come on out.
(soft mysterious music)
Well, I guess Cutler's
got a laugh on me now.
- I'm sorry, ma'am. The
sheriff's out in the swamp.
You'll just have to wait'll he gets back.
- Well I'm not satisfied with that.
Come on, Gif, we'll go to the swamp
and find our baby ourselves, come on!
- Right, honey.
- Pardon me. Excuse me
for butting in, folks.
But I understand your concern
and I just wanted to let you
know there's a lotta folks around here
don't think much of that sheriff
or that smart aleck deputy neither.
- Well we appreciate
your interest, Mr. Um?
- Cole, ma'am. Denton Cole.
- Pleased to meet you.
I'm Ella Martin, and this
is my husband, Gifford.
- Most people just call me Gif.
- Pleased to meet you.
They all call me Dent.
- How do you do?
- What I wanted to say is
that going into that swamp
can be dangerous iffin
you don't know your way
or have good boats.
Now, me and my friends,
Hank and Jesse here,
well, we're regular swamp rats.
Know the Okefenokee as well as any man.
More than likely better.
Now if you happen to be looking
for some guides, why...
- Well I tell you now, that
sounds interesting enough.
How much for guiding around here?
- Well, you know,
everything's gone up a sight.
Lotta folks around here aint never been
so hard put to make do.
It'll be me and the
boys, mighty experienced,
and of course the boat, right good boat.
Then there's a problem with the law.
Sheriff Cutler aint gonna take too kindly
to us messing in his business.
I expect we'd have to...
- I'll give you $500, Mr. Cole.
If you find my baby
before anybody else does.
And we'll give you 500 more
if you can happen to get her to Florida.
- That's right.
- Mr. Martin, Gif, you
just made yourself a deal.
Come on, boys, let's get ready to go.
- Okay.
- Now you wait for me at the hotel, honey.
I'll be in touch the minute we find her.
Don't you worry now.
- All right.
- Howdy, Ben.
Now don't you start needling me,
because I aint in no mood for it.
She didn't show.
- Don't worry, Jim, I won't because we got
a much bigger problem than that now.
I just hope that it's not tied into Janeen
not showing up out there in the swamp.
- Oh really, what happened?
- Well you remember when I
got the call last evening?
It seems that there was a prison break
down at the woman's
farm there in Weedville.
Some bow hunk got in
there and tried to bust
his girlfriend and, we guess that she shot
and killed a guard with a shotgun.
- Well I'll be durned.
- Yeah, and they stole a car
and came town this a-way.
We found the car down below Waycross,
and it was outta gas, and
the best that we can figure,
they gotta be out here
somewhere in the swamp.
- I wonder if that had anything to do
with Janeen not showing up.
- We don't know, Jim, but
I'll tell you one thing.
I'm gonna feel a lot better
when we get that pair
under lock and key where they belong.
- Durn, I hope she aint
got nothing to do with it.
- Just a minute, there's
a call. Be right with you.
Hello, Tom, this is
Cutler. What is it, over?
- [Tom] That Martin guy just
hired Cole along with Hank
and Jesse to guide him into the swamp.
- Well what am I supposed
to do about that?
Hell, I could probably
get him fined for guiding
without a license, but I got
too much on my mind right now.
- [Tom] I know, Ben.
I just thought you'd like to know, over.
- I'm sorry, Tom. You're right.
It's just that that Cole,
he's bad news no matter where he is.
Anything else, over?
- [Tom] That's it, over.
- Okay, but you just
stay tuned to the rangers
radio frequency because
we gonna be out there
in his airboat cruising
around, and we might need
to get back in touch
with you, over and out.
Well you were worried, so
now you got me worried.
Let's go see what we can see.
(suspenseful music)
- Well now, howdy, gentlemen.
What can I do for you?
- Leif, we got a little
proposition for you.
This here's Mr. Martin.
We think his little
girl's lost in the swamp.
(wind whistling)
(Carol shrieking)
(water splashing)
- [Carol] Snake right there.
I don't know what it is!
Wait a minute. Help me.
Help me. Please help me!
Oh God, it's there.
- Come on, get up here. Get up here.
- [Carol] It's dragging me.
- It aint dragging you
nowhere. Now get up here.
Give me that gun.
- Grab the bushes. Pull
yourself up with the bushes.
(bushes rustling)
- We been walking for hours,
and it don't look no different.
I don't want no funny
stuff from you, you hear?
- You can walk through this swamp for days
and it won't look no different.
And to get out of it,
there's gonna be times
when we gotta wade and swim.
It aint gonna look no different.
- She's right, girl. I
been watching the sun.
She's heading south toward Florida.
- Ha ha, real swamp rat, aint you?
- I've been around some, honey.
- Knock it off, you two, let's get moving.
(Steve hollering)
- Come on.
(leaves rustling)
(engine revving)
(upbeat music)
- Well, friend, looks like
you're gonna have to show me
where she lives after all, huh?
- Well that's not the problem.
I only know where I met here.
I don't know where her house is.
- Well we still have a
problem then, don't we?
I guess we better do a little
more looking, huh, Jim?
- Stick with me, Hoss.
I won't let you down.
(engine roaring)
- Well now that just don't
make much sense to me, Cole.
I mean, you want me to tell
you how to get to a house
in the swamp, which I
don't know where it is.
And, if you find this missing girl,
you gonna give me $20 (chuckles).
I don't know what you talking about.
- Okay, Leif.
Mr. Martin, I got a little
personal business here
with Mr. Turner, would you mind
waiting for us in the truck?
I think he might find it
a little easier to talk
if there wasn't no strangers around.
- Sure, I understand.
- Okay, now, Leif, I know
you know where that house is.
And if it's still there,
that Swamp Girl lives in it.
She'll be able to find them kids for us.
I think you oughta tell
us while you still can.
- You're crazy, Cole.
I don't know nothing.
- Now you listen to me.
10 years ago, I give Thelma Lacey money
to go over and see the doc.
She told me who took her. You did.
I never said nothing for obvious reasons,
but I'm a-saying it now.
- I don't know, Cole, that's
a long time ago. I forget!
- You know, old buddy, I aint got time
to play games with you.
(Leif groaning)
Give me that rope.
(dramatic music)
- [Leif] No (groans)!
Let me up!
(men chattering)
Oh no!
(men shouting)
- [Denton] Okay, boys, hoist him up there.
- No, Cole! Let me up!
(snakes rattling)
Cole!
- [Denton] Okay, boys,
lower him down till one
of two things happens, he remembers
or he forgets everything.
- Cole, come on, I'll tell you.
Just get me outta here, Cole!
Why don't you tell us
while you're down there.
It seems to be helping your memory.
- All right, all right.
You take Green's Channel into the swamp.
When you get to Buxton Slide,
you make another right now, you hear?
It's about two miles long.
It seems like you come to this little oak
that's all covered over
with solid land and cypress,
but it aint.
Back in there, about two miles,
you come to this little tiny oak
and it don't look like much,
but it gets bigger, twisting and turning.
About 500 yards, you see the house.
I guess you will!
I aint been there in 10
years, not since Doc died
but it's there.
Now pull me out, Cole!
- Okay, boys, pull him up.
Let's get outta here.
(both straining)
- I'll get you, you son of a bitch.
I swear, I'll get you.
- Get him, all right? Don't get us.
We're scaring him a little.
- [Leif] You're damn
right I'm gonna get you!
- Well, Leif, we can't have none of this,
never knowing who might
sneak up behind us.
(knife slicing)
(Leif screaming)
(birds singing)
- Wait here, Steve.
Our lady friend needs a moment of privacy.
Come on, let's go, and no funny stuff.
(engine revving)
(engine revving)
(suspenseful music)
- Over here! Then we'll
be back on the trail.
(suspenseful music)
(Steve screaming)
- Hold it! You dirty
lying little swamp bitch!
You get him outta there, or
I'll blow your brains out!
- Not with that, you won't.
I been listening to you two.
You used one of them shells on the guard
and the other one on Pa/Nat.
- I reloaded. Now you come on and help me.
- Look at those clothes you're wearing.
You couldn't carry a
dry pin in them pockets.
(dramatic music)
And if you wanna get
outta the swamp alive,
you better be able to follow me.
(gun thudding)
(engine revving)
- I don't know, Ben.
We can't be too sure as to find Janeen.
But they did have as good
a chance as anybody else.
- That's right, and I'll
tell you something else.
They're really not after Janeen,
but if those kids do find her out there,
they're more than likely
gonna force her or her pa
or maybe both of them to
lead them outta this swamp.
- You're right.
- If that does happen,
they gonna have to cross
some water out there somewhere.
I think our best bet is to
just cruise around out here
in the boat as quiet as possible
and keep our eyes and ears open.
- Yeah, because if they hear us coming,
they're gonna run and hide anyhow.
- That's right. Let's go.
(soft suspenseful music)
- She's been here, all right.
She's a real sweetheart, that'un is.
- You don't know for sure if she done it.
Come on, you're getting
paid good money to find her.
- Well, it aint likely they had a boat.
We'd have seen them trying
to get out as we come in.
No sign of there being one here.
They must be trying to
cross that swamp on foot.
- Damn fools if they think
they can get outta that swamp.
- Well if they killed
that old man in there,
they aint got nothing to lose.
This way.
(upbeat dramatic music)
- When I get my hands on
you, I'll rip your eyes out!
- What's the matter, killer?
Afraid of a little old swamp?
You aint so tough without
your shotgun, are you?
Come on now and run!
(dramatic music)
(Carol grunting)
(dramatic music)
- Wait. Did you hear that?
I could swear I heard a girl scream.
- Oh, don't let the swamp
noises fool you, Gif.
A man can stand out here in the swamp
and hear just about
anything he wants to hear.
- Don't tell me what I
hear and I don't hear.
I heard a girl scream.
Come on, it was this way!
(upbeat dramatic music)
- [Carol] I'm coming! I'm coming!
(dramatic music)
(Carol screaming)
(Carol screaming)
(dramatic music)
(Carol screaming)
(dramatic music)
- My God, what you done to
my baby? My little girl!
It was you, you little swamp rat bitch!
- No, wait.
Come back here.
I aint gonna be a part to no more killing.
Give me that gun!
- Get him off me!
- Don't stand there like idiots!
(gun firing)
(dramatic music)
(gun firing)
(dramatic music)
(gun firing)
(gun firing twice)
(Ben shouting)
(gun firing)
(dramatic music)
- Where's the Swamp Girl, Janeen?
- Over onder in the bush, where she fell.
- Hold it. Don't be a fool, Martin!
(gun firing)
(dramatic music)
(Gifford groaning)
(Gifford screaming)
You and your flunkies come give me a hand!
If it aint too late.
(Gifford screaming)
(birds calling)
- The dirty son of a...
Hey, honey, you all right?
- Oh, Jimmy, I'm so scared!
- Don't be scared.
- Jimmy, that girl, the gators killed her,
and I just let them.
I didn't do nothing to help.
And she killed my pa. She killed Nat.
He was my only friend.
- No, honey, you gotta lotta friends.
You'd be surprised the friends you have.
Don't worry about it.
Everything'll be all right.
You scared the hell out of
me. I thought you was dead.
(Jim chuckling)
You all right?
(birds singing)
You all right?
You'll be all right. Come on, honey.
This is Waters, Unit Four.
Do you read me, Tom?
- [Tom] Roger, Jimmy,
loud and clear. Any luck?
- Yeah, but mostly bad.
You better have an ambulance
and, what's her name?
Mrs. Morton, to meet us at the dock.
- [Tom] Roger. Anything else, over?
- No, that's all for now, but
stay on the same frequency.
Unit Four clear.
(birds calling)
(birds calling)
(boat creaking)
(engine revving)
(dramatic music)
(siren wailing)
(dramatic music)
(engine chugging)
(dramatic music)
(soft music)
- Watch his head!
(soft music)
(Ella crying)
- Oh God, Gifford, speak to me.
Please.
Oh God (cries).
Gifford.
- I'm sorry, Mrs. Martin.
With these many bad bites,
there's nothing we can do.
I'm sorry. Take him away.
(soft music)
- Where's my baby? Where's Carol?
- She's dead too. Swamp Girl
there fed her to a big gator.
- That aint true!
She stepped in a bear
trap, fell in the water!
- I'll kill you!
- Now just hold it!
- Don't you worry, Janeen.
Everything's all right, honey.
Janeen? It's all right.
- What he call you?
- My name is Janeen.
- How'd you come by that name?
They told me you was a
swamp rat with no folks
and no kin and no name.
- My pa, I mean my friend Nat,
the one Carol killed this
morning, he give it to me.
He said my ma, before
I was born, told him,
if it's a girl, call her Janeen.
It was her ma's name.
- Oh my God.
After all these years.
After, after all the pain, the guilt,
my own daughter comes back to kill
my husband and my daughter.
- I didn't kill them. The
snakes got your husband.
I wasn't even there. He
was trying to kill me.
Oh, I'm, I'm so mixed up.
- You're all right, honey. It's all right.
- And even if you are my mother,
why should I care about you?
You left me in the swamp,
knowing what ol' Doc did
to those girl children.
- Janeen, it's too much to
hope you could ever forgive me,
but please try and understand.
Please try.
Your father was in the service,
and when he went overseas
I didn't know I was pre...
I didn't know I was gonna have a baby.
And then, then your pa was killed.
And of course, when it
began to show, how I was,
my pa was furious, and he'd have killed me
for shaming the family if my
mother hadn't stopped him.
That's why I wanted
the baby named for her.
Of course they threw me out
and I didn't have no place to go.
Well, I heard of ol'
Doc over in the swamp,
and I'd been working,
and I saved a little.
And you was almost here by then.
So I went to him.
But he told me he always
found good homes for his kids.
Oh, Janeen, my baby!
We're all each other has now.
Please, come with me.
Let me try and make up some
of the wrong I done for you.
Oh, Janeen, Janeen, please! Please come!
- I'm going back home.
Jimmy, I know now that I
can't live out there forever,
but just let me have some time by myself
out in the swamp please.
With them knowing where the house is,
I won't be able to stay
out there for long anyway.
- Don't you worry,
honey, where they going,
they won't bother nobody
for a long, long time.
- Hey, Cutler, what do you mean by that?
We aint done nothing.
- We'll see about that.
It just so happens that
Leif Turner's woman arrived
over there at the snake
farm just about time
you boys pulled away from over there.
About five minutes before she found him
tied up and dead in the pit.
Guess you fellas just aint too smart.
Let's take them in, Tom.
- I've just gotta think all this over.
- Honey, I understand.
Your first day in civilization
hasn't exactly been the pleasant side.
But there is one, and you'll see.
- I know. I trust you, and Ben.
I'll be back out later. I promise.
- Okay.
- Don't worry. I'll bring
this here boat back.
Then maybe you can make
me a, a dep, a deputy.
- A deputy, yeah.
(water lapping)
(birds singing)
(upbeat music)
♪ Have you heard the song
the home folks sing ♪
♪ Who live near Waycross town? ♪
♪ The willow, the wisp
lives in the swamp ♪
♪ Where people die and drown ♪
♪ A girl, they say, with flaxen hair ♪
♪ With skin like golden cream ♪
♪ She floats above the slips and slews ♪
♪ In the midst of a swamp man's dream ♪
♪ Swamp Girl, Swamp Girl, run away ♪
♪ But you'll not stay,
there will come a day ♪
♪ When your heart will
say it's time to go ♪
♪ When your heart will tell you so ♪
(upbeat music)