Princess Kate (1988) - full transcript
Kate McLelland's life is a normal one of a girl her age in the eastern suburbs, until her discovery that she is adopted. This is the story of her search for her natural mother and the resulting relationship.
[classical piano music]
[birds chirping]
[girls talking and laughing]
["Fur Elise" by Beethoven]
[laughing]
[champagne cork popping]
- [Gran] Happy
birthday, darling.
- [Robbie] Happy birthday.
Why can't I have some?
- Happy birthday.
- [Kate] Thanks, dad.
[children chatter and laugh]
- Happy birthday, darling.
- Thanks, Granny.
- [Sarah] Ooh, what
is it? Let's see.
- [Bob] Take some
photos, Robbie.
- [Sarah] Oh, it's beautiful.
- [Gran] It's very old.
- [Robbie] Smile.
- [Amanda] Champagne is
wonderful, Mr. McLelland.
- [Bob] Careful girls,
it'll make you tipsy.
[glass clanging]
- First champagne birthday
for our daughter, Kate.
[group cheers and applauds]
On a more serious note,
despite the fact that Kate
has got a mind of her own,
- [Sarah] Yeah [laughs].
[Kate laughs]
- It's hard to imagine the
past 14 years without her.
For all Anne and I have had our
grumbles and groans,
a marriage wouldn't
be a marriage
without someone to love,
and build a future for.
A toast:
to Kate.
- [Group] To Kate.
- [Robbie] Dad, can
we go for a sail?
- [Kate] Dad, I only
asked for a windsurfer.
- This is its big brother.
- [Robbie] Wow, I wanna get on!
Come on, Kate, get on.
- [Amanda] My God.
I can't believe this.
- [Sarah] Kate, your
birthday present?
It's incredible.
- [Amanda] It's
beautiful. Princess Kate.
[Kate laughs]
[girls chattering]
- [Bob] Girls, could one of you
put a safety jacket on Robbie?
- [Robbie] Aww, dad.
- [Bob] Do as you're told, boy.
- There's no way
I'll get anything
like this for my birthday.
- Well, it's not just
mine, it's really for Dad.
- [Bob] Watch your
step there, girls.
Kate, watch the wind change.
[engine buzzing]
Watch it, Kate.
- [Jamie] Eh, look at this.
- [Amanda] They're
heading straight for us!
- [Bob] Get out of the way!
- Hey girls, wanna
come for a ride?
- No, thanks.
- [Jamie] Hey, you
wanna swap boats?
- Westies!
- If you don't know the rules,
you shouldn't be on the water.
- [Jamie] I'd give
you a good time.
- [Bob] Louts.
- We're not louts.
Princess Kate, come
on, jump, jump!
- What's a Westie?
- Someone from the
western suburbs.
[girls talking and laughing]
["Chopsticks" playing]
- One, two, three,
four, five, six...
That's it, keep going, come on.
- Oh, come on.
- Yes it is, do it again.
- One, two, three,
four, five, six...
One, two, three...
- Yay, we did it!
Really, keep going.
- Half a million
Australian dollars
worth of cooking pads, and we've
haven't got one sale, mate.
Right.
Well, the good news is this:
You've got two days to get
out there and sell them.
And just to help you
think it through clearly,
you do know what your current
superannuation
payments are then?
And don't forget you've got
two kids at private
school, mate.
- [Robbie] One, two...
- [Voiceover] And
how old were you?
- [Voiceover] Well,
I was only 19.
And I was told I had
to adopt him out.
I was told I had no right
to keep the baby, because...
- What's the formula for
the volume of a cylinder?
- Here, look it up in the book.
- Well, don't you know?
- Yeah, but you won't
learn if I tell you.
- [Anne] Kate, this is clean.
- [Voiceover] How do
you feel about that now?
- [Voiceover] I feel angry.
- [Voiceover] Have you
tried to find your son?
How old would he be now, Mary?
- [Voiceover] 14.
Yeah, yes, I've tried.
I dream about him
nearly every night.
I used to stand at
the school gates
waiting for kids
his age to come out,
and just look at em and
wonder if any of em were him.
You know, like they expect
you just to walk away
and leave your baby,
forget all about him.
I couldn't stop crying...
- Turn that off.
How can you study with that
blaring in the background?
- [Voiceover] And I
thought I was gonna die.
- [Anne] Should
have thought of that
before you got
yourself pregnant.
[door slams]
- [Robbie] All right then,
what's the difference
between vertebrate
and an invertebrate?
- [Anne] I know,
one's got a backbone,
and the other hasn't, ha.
- [Robbie] We're
doing it at school.
Wicket's a vertebrate.
- [Anne] No, he's a toy.
- [Robbie] He isn't,
he's a vertebrate.
Aren't you, Wicket?
- [Anne] Oh God, you're a baby.
- [Robbie] I am not.
Read me a story, please?
- [Anne] All right.
Where is it?
Now, where are we up to?
Here we are, chapter three.
"I make acquaintance
of my uncle.
"Presently, there came a
great rattling of chains
"and bolts and the door
was cautiously opened..."
[classical piano music]
- [Girl] Here they come.
[boys chattering]
- [Jamie] Hey girls, how are ya?
- [Josh] G'day
girls, how you going?
- [Girl] Hello.
- [Josh] Nice day.
- [Jamie] Radical.
Wait, wait, check out
the one in the gray.
- [Josh] How you doing?
- [Jamie] Check her
out, ahh, unreal.
- [Josh] Check out the
one with the sunnies.
- What'd he say?
- Radical, baby.
- [Josh] Shut up, Jamie.
- [Jamie] [mumbles]
Ahh, I dig the uniform.
- [Girl] Bye.
Arrivederci.
- Audios, senoritas.
- He's not a dag,
I think he's nice.
- Come off it,
Amanda, he's a dag.
[girls chatting]
- Did you see that adoption
program last night?
- Mmhmm.
- I freaked.
I made mum and dad show
me my birth certificate.
- Why?
- To prove I was theirs.
- What are you talking about?
You and your mum
look like twins.
- We don't.
- You do!
- Thanks a lot, Amanda.
- What's up with her?
- Missy McLoud's adopted.
- Is she?
- Don't you know?
- She's got awful hair.
- She always eating,
she never seems to stop.
- That's not because
she's adopted.
[bell clanging]
- [Girl] What've you got now?
- [Girl 2] Um, history, I think.
[girls talking and laughing]
[teacher calling
out instruction]
- Bye.
- Bye.
- Look, you know
you've got no intention
of paying me on time.
Who do you think I am?
Santa Claus?
Hey,
what's say we sail down
to Lane cove this weekend?
Pack a picnic, and have
lunch at the -_--_ river.
Would you like that, princess?
- A lot of kids at
school watched that
program on adoption.
- What program?
- A program.
Mum saw it.
- Well, you know those programs,
they're usually sensationalized.
- Bob, shouldn't you
be getting ready?
Clive and Edwina
will be here soon.
- Saturday, right?
Saturday.
[footsteps departing]
[piano playing]
- [Bob] Anne, they're
on their way up.
[ice clinking, liquid pouring]
- Most of my friends look
a bit like their parents.
I don't look like
either of you.
[doorbell ringing]
- Lots of children don't
look like their parents.
- [Kate] Who?
- Lots.
Don't be silly, Kate.
- [Edwina] Hello.
- [Anne] Hello, darling,
come on in.
- Wouldn't matter.
- [Edwina] Oh, it's my fault.
- [Anne] Bob's through there.
- [Clive] A kiss for me, too.
- [Edwina] You're gorgeous.
- [Clive] Bob!
[chatting and laughing]
- Right, fresh coffee.
- Oh, coffee, I feel
like a [mumbles].
- Yeah.
- As you know, Felicity saw
the exhibition, don't you know.
- [Anne] In Paris?
- [Edwina] Mmhmm.
We'd get lost there anyway.
[chatting in the other room]
- Hey, dad?
Why didn't you tell me?
- We were going to tell you,
but...
Not until you were much older.
It isn't important, princess.
You're our daughter.
We love you.
- Who are my real parents?
- We don't know.
[cry catches in Kate's throat]
- Are you all right?
You look as though
you've seen a ghost.
- Ahh...
Ice...
Some more ice.
- Uh, I think you'll find
some in the other fridge.
Excuse me, darling.
- You told her?
- What was I supposed to do?
- You could have just said,
"no, of course
you're not adopted,"
and that would have
been the end of it.
- I can't lie, not to Kate.
- Sometimes you have to
lie to protect people.
If everyone went around
blabbing the truth,
life would be impossible.
- I can't lie to Kate.
[ice dropping]
She's really upset.
[door opens gently]
- Kate?
I can't see that
it really matters.
We don't think of
you any differently.
- Than if I was your
own flesh and blood?
- Than if you weren't adopted.
If I were you,
I'd thank my lucky stars
that I was taken in
by parents who wanted me
and could give me a decent life.
- Who are my...
Real parents?
- We honestly don't know.
Or care.
And you shouldn't either.
- I must find out who
my real mother is.
- Kate, that's impossible.
- I'm going to.
- [Anne] Why?
- Because I have to know.
- I don't think we
should talk about this
while you're upset, darling.
Have a good night's sleep,
and see how you
feel in the morning.
[quiet voice talking on radio]
- [Anne] Robbie, Kate's
going to be late for school,
hurry her up, darling.
- She's gone.
["Fur Elise" by Beethoven]
[children laughing
and playing outside]
- What's wrong?
Kate?
- I'm adopted.
Don't you ever tell anyone.
- True?
You could be the daughter
of someone famous.
- Sarah...
- Your dad could be a pop star,
your mum an opera singer.
- Sarah!
- I bet you it was
somebody interesting.
She wouldn't be like that--
- Like what?
- Well, like that
woman we saw on TV.
- Why wouldn't she?
They're the sort that get their
babies adopted, aren't they?
- [Sarah] Kate...
- And the fathers are
Westies with tattoos,
who get them pregnant
and then nick off, right?
- You don't look like a Westie.
- I'm getting a bit tarty,
getting a bit fat maybe?
- Kate, don't.
- Just don't tell anyone, right?
[cries and sniffs quietly]
[notes play quietly]
[door opens]
[sorrowful piano music]
[rain dropping]
- Is Robbie adopted?
- No.
It sometimes happens that way.
- You don't think we think
any the less of you, do you?
- You were so...
Special to us, Katie.
We'd be trying for five years.
- Got one of your
own in the end.
- You are our own.
Just as much as Robbie is,
if not more so.
[scoffs] You should have seen me
the day the adoption
papers arrived.
- He had all the relatives over,
drinking French champagne,
and those were the days
when we couldn't afford it.
- I wanna found out
who my mother is.
- Why?
- Because I do.
- [Bob] Princess,
we brought you up,
why do you want to
know who she is?
- Because she's my real mother.
- Your real mother?
She gave you away.
Anne is your real mother.
- [Anne] If we gave permission,
she could find out
some details now.
- [Bob] You told me she had
to wait until she was 18.
- [Anne] Not if we
both give permission.
- [Bob] Well, she's
too young to cope.
- [Anne] Might put
her mind at rest.
- [Bob] The last thing
we want is for her
to have divided loyalties
at the age of 14.
She's just a kid.
- They won't give her
the mother's name.
- What if she finds out?
- She can't.
- You know how
determined she is.
- Well...
it won't be a
catastrophe if she does.
- [Bob] What if she
wants to live with her?
- [Anne] I'm sure she won't.
- [Bob] She better not.
We've spent a fortune
on private school fees,
all the dances, swimming,
piano tuition...
- Bob...
You're talking about
our daughter as if
she's an investment.
[Bob sighs]
- I would rather she
did wait until she's 18,
she's too young to
handle it just yet.
- [Anne] The bill for the
car repairs arrived today.
- [Bob] How much?
- Too much.
Why don't we sell it?
- We have to have a decent car.
Impresses the clients.
- Slow down, Bob.
You'll kill yourself.
- Gran rang this morning,
wondering why you haven't
been to see her lately.
She says your visits brighten
up her whole weekend.
Don't punish Robbie because
you're unhappy, darling.
You've been horrible to
him the last few days.
- I'm not punishing him.
- You won't let
him come near you.
- I don't want him near me.
- Kate, he's your
brother, he thinks
the world of you.
- [Kate] He's not
my brother.
[children calling
out to each other]
[whistle blows]
- Are you okay?
- Yeah, I'm okay.
- You sure?
- Yep.
- Kate, will you sit out
the next quarter please,
I'm putting Sally in.
- [Girl] Bad luck, Katie.
- I wasn't the only
one not playing well,
why does she always pick on me?
- God, she's cranky lately.
- Well...
Promise you won't tell anyone?
- Yeah.
- Everything's so
expensive here.
- You oughta see
the prices in Paris.
Mum took me to this place
on the Champs Elysee,
the cheapest dress was
a thousand dollars.
- What was it like?
- Excellent.
- I'd be too scared to
wear anything like that.
So how much are you
allowed to spend?
- Mum said not to
worry, she said
"for your 14th birthday party,
"I want you to look classy."
- Oh yuck Katie,
that looks Westie.
- Ahh look, there's nothing
we really like here,
how bout we go to Masons?
- Yeah.
- [Benedicte] I have to go home
and help dad with the boat.
Sorry.
- Kate, come on,
we didn't mean it.
- Katie!
- Don't lie, Sarah,
I know you told them.
Yeah some friend you
turned out to be.
No, I'm not coming over,
I'm going by myself.
[pop music playing]
[kids laughing and talking]
[muffled conversation]
- What about ya?
- G'day [laughs].
- Jamie, come on, mate.
- You look really
great tonight, Katie.
Your hair looks nice,
I love the dress.
You don't look too bad,
for a Westie.
Katie, I'm sorry.
- [Bob] Julian Westlake?
- [Anne] I'm sure
he didn't mean it.
- He meant it, mum.
- Little snob.
- [Kate] They all
think the same.
- I'm sure they don't.
- They do!
You don't know what it's like.
You don't spend your
holidays shopping in Paris,
or skiing in Switzerland,
then you're nobody.
- I was brought up in
the western suburbs,
what's wrong with that?
- You were the one who
called those boys louts.
- [Bob] When?
- When we were on the boat.
- I told you we should never
have sent her to that school,
they're a pack of snobs.
- I'm sure it's not
as bad as you think.
- It is.
I don't belong there.
I don't know who I belong to.
[classical piano music plays]
- Gran!
- [Gran] Darling, how
lovely to see you.
The nurse set up tea
for us down here.
- You're a great
collector, Gran.
Is that mum?
- Mmhmm.
I made that dress.
Look at the smocking.
You don't see work
like that these days.
[Gran chuckles]
She wore that the
first time she sang
in the Sunday school choir.
Before she got
thrown out [laughs].
She couldn't sing
a note [laughs].
Not like you, you had
a beautiful voice.
When you were four,
you'd come over
to my place, and
you'd listen to my
Gilbert and Sullivan
records for hours.
You could sing anything
from those operas.
Three Little Maids
was your favorite.
- Did you have a
good voice, Gran?
- Me? No.
Everyone in our family
was a frog, croakers.
- I know I'm adopted.
- Robbie paid me a visit.
He told me what's been going on.
Take me for a walk, dear.
I might be able to help.
- Do you know anything
about my real mother?
- Why do you want to know?
- [sighs] I need to know.
I must know.
- I know her name,
and I'm the only one in
this family who does.
- How did you find out?
- I'm a collector.
This is for you.
I've been saving it.
That was you, Baby Tribe.
- Where did you get this?
- From the hospital
where you were born.
They put name tags
on all baby's wrists
so they don't mix them up.
- But how did you get this?
- Matron brought
you into her office
wrapped in a pink blanket,
you were beautiful.
- Did someone drop this?
- No, no dear, just before
matron handed you to Anne,
she cut it off your
wrist and threw it
in the waste paper basket.
Anne wasn't supposed
to see it, of course,
nobody was.
- You took it?
- Well, they were all
busy, fussing around,
signing papers and packing
you into your carry cart,
nobody saw me.
- Gran, you devil [laughs].
- [Gran] I thought it might
come in useful one day.
- It will.
It will.
Do you know anything else
about my real mother?
- She just passed her
high school certificate.
- How do you know?
- Well, Anne's a
bit of a snob, dear,
she always has been.
[Kate laughs]
She'd embarrass me sometimes.
- What did she say?
- Well, she asked the
matron if there was
anything wrong
with you, mentally.
- [scoffs] And what
did the matron say?
- Oh, she was quite cross.
She said, "in this
hospital, they didn't
"give out babies
with brain damage."
She said your mother
was a very clever girl,
she'd just passed her
high school certificate.
I think major matron
was a bit sorry
she'd let that slip out.
- Mmm.
Hello?
Can you help me?
I'm adopted.
- [Sarah] Kate, everyone's
really down on Julian
for what he did to you.
- [Kate] Yeah, I bet.
- He's a jerk.
Benedicte's not inviting
him to her party now.
- I should have hit him over
the head with the vodka bottle.
[both laugh]
- Where are you going?
- I found out my
real mother's name.
- Really?
- Yeah, but the
government won't help you
unless you've got your
parents' written consent.
Or there's this
voluntary organization
that might help me trace her.
- [Sarah] Are you
going there now?
- Dad thinks I'm
playing tennis all day.
- Do you want me
to come with you?
Oh, how are you getting there?
- By helicopter,
how do you think?
- Bye.
[girls talking to each other]
- Where'd you get your denims?
Must have cost heaps, eh?
- Not really.
- Not really, give her a break.
- Do any of you know
where Macintosh Avenue is?
- Yeah, I'll show you outside.
- Thanks.
- So, where you from Princess?
- Um, Elizabeth Bay.
- [girls] Mmmm [laughing].
- Cassandra...
[children yelling and playing]
- Mum, mum, mum!
- [Cheryl] Coming.
- [Kate] Hello, my
name's Kate McLelland.
I talked to Mr.
Kelly on the phone.
- I told you on the phone,
I can't help you unless your
parents give their consent.
Why didn't they get
in touch with me?
- They wouldn't.
- That's a bit of a problem.
Why do you want
to find out about
your natural parents, Kate?
- I just want to.
Since I found out I'm adopted,
I can't stop
thinking about them.
I found out my mother's name.
- How?
- Gran knew.
She pinched my name tag.
- Smart Gran.
- [Boy] Daddy?
- It's not gonna help
you much, though.
- [Kate] I thought
you people could help.
- Not without your
parents' consent.
- Ooh, you're just like
the government people.
I can't go on their contact
registry until I'm 18 either.
[sighs]
- Calm down.
Are you hungry?
Look, I know how you
feel, but there's
a very good reason
for all this secrecy.
- What?
- Mmm, your natural
mother might have
been under a lot of pressure
to have you adopted.
Mothers don't give up their
babies easily, you know.
- Well, why did she?
That's what I wanna find out,
why did she.
- I dunno.
Maybe her parents pressured her,
maybe a church pressured her,
maybe she was too sick and poor,
bit depressed...
- No, I don't care what she was,
I just wanna find her.
- Did it ever occur
to you that she
mightn't want to see you?
- I'm her daughter.
- Maybe she feels guilty.
- [Cheryl] Come on
darling, eat it up.
- Do you know why we
do this counseling?
14 years ago, we gave
up our son for adoption.
- Why?
- We were 19, just kids.
Not married, not sure
if we wanted to be.
Cheryl wanted to keep
him, I was scared.
Selfish.
Three years later
we did get married,
and then we decided
to try and find him.
We searched everywhere.
- With no luck?
- I was just telling Kate
what a pathetic bloke I was,
14 years ago.
- You tell her the rest?
We found him.
We've seen him, we
know where he lives.
- But he doesn't know us.
We had to promise his parents
we wouldn't come near him.
They're scared stiff.
Like your parents, probably.
- Come on, dad, give us a push.
- Yeah dad, really hard.
- Oh, they love coming here.
I suppose they wonder
why we come so often,
it's a long way to
come for a park.
- He lives just over there.
He trains in the pool
here on Saturdays.
- Here he comes.
- Looks a bit like you.
- Looks even more
like Barry's brother.
- Why don't they tell
him he's adopted?
- They don't think
he's ready yet.
- I feel like
telling him myself.
- No, you have to be patient.
Cry about it sometimes.
- Come on boy.
[people talking and laughing]
- Excuse me.
Oh, excuse me.
- Is it bad?
- Yeah.
- You didn't take them in time.
- All right.
Look, if I can cling
to this tennis racquet
during the entire one, we'll
have nothing to worry about.
- I don't care about
the money, Bob,
you work too hard.
- Yeah...
- [Kate] Excuse me.
Mum?
- Darling.
- Hello.
- Nice to meet you.
- How was tennis?
- Fine, um, can I have a word?
- You can't be Kate?
Hasn't she grown into
a lovely young woman?
- Kate! How's school going?
- Fine.
- [stammers] I think you
know my daughter, don't you?
- Oh, yes.
- Hermione, she's in year seven.
[laughs politely]
- Mum, can I talk to you
for a second, please?
- Mmhmm, excuse us.
- Benedicte said
that she's adopted?
Did you hear?
- I didn't go to tennis, mum,
but I met these terrific people.
They're volunteer workers for
this adoption organization,
and they help people like me.
- What?
- It's all right, they're
really great people,
and they want to meet you.
- Why?
- Because they understand.
You see, their elder
son was adopted,
and now he's 14
and they found him.
They don't want to
kidnap him or anything,
they just want to know him.
- But how did you--
- Like I wanna know my parents.
- Kate, we've been
through all that.
- Please come with me
to the contact register.
I can't do anything
without your permission.
- I wish you'd get over this
obsession of yours, Kate.
It's causing your father
a lot of distress.
- It's not an obsession, mum,
it's quite normal.
Barry said--
- I'm sure Barry is
an admirable person,
but neither he nor
you have any idea
of the stress this is
causing your father.
Did you know his business
is going really badly?
Did you know that he's sick?
- Well, he doesn't look sick,
he's out there drinking
with his friends.
- He's so worried
he's thinking about
selling the apartment.
- He just bought a yacht.
- He shouldn't have.
He only did that
because he loves you.
- Well that's a stupid reason,
because I didn't even want it.
- I don't want to
hear one more word
about your adoption, Kate.
It's not important, and
I want you to forget it.
Do you understand?
- How many are there?
- 32.
- Well, what are
we gonna ask them?
- Well, we can't
exactly ask them
if they're related
to the Tribe girl,
who had a baby girl adopted
in April, 1974, can we?
- No.
- Her high school certificate.
- What?
- She got her HSC.
Come on.
[rapid classical
piano music plays]
- I think I've got her.
- Where?
Tribe, Glenys May.
Passes all subjects
in the HSC at
Penrith high school, in 1973.
- But what about
those other Tribes?
- They're all boys.
[squeals with excitement]
- No one by the name of Glenys,
no one at all?
Thank you, bye bye.
- Kate, that's the ninth call.
What if she's moved to
the country or into state?
- Yeah, we'll try
those Tribes, too.
Let's get through the
Sydney ones first.
[sighs]
- [clears throat]
Hello, Mr. Tribe?
My name's Kate
McLelland, and I'm trying
to get in contact with
an old school friend
by the name of Glenys Tribe.
Yeah, she did her high
school certificate
in 1973 at Penrith high school.
Is she?
Greg Mathieson,
you're terrific, I'll wait.
- [Sarah] Well?
- He's gone to get
the phone number.
She's married and she
lives in Mulgrave.
Oh, hello.
Uh huh...
Yeah, I've got that, thank you.
Thank you very much, goodbye.
It's her.
I've got a number.
- Well, you gonna ring her?
- I spose.
- [Sarah] What did
the dad sound like?
- Normal.
- Well spoken, or pretty rough?
- What does it matter?
- I didn't mean it like that.
- [Kate] Yes, you did.
- You're so touchy.
- Yeah, well it's about time
you and the others realize
that everyone west of Darling
Point doesn't have two heads.
- What are you gonna do if
your real mother's nice?
- What do you mean?
- [Sarah] Are you
gonna live with her?
- I don't know.
[coins clicking together]
- [sighs] Do you
want me to do it?
- No, I will.
- Well go on!
- Cheryl said there are
things you shouldn't say.
I just wanna make
sure I get it right.
[Sarah sighs]
- What things?
- You've gotta be careful.
Hello, Glenys?
Glenys Mathieson?
My name's Kate McLelland.
Kate McLelland, that name
won't mean anything to you,
but I'd like to leave my number.
It's 02 347 1064.
Have you got that?
What I'm about to ask,
you might not be able
to answer right now, but um,
would you call me back
on that number please,
after four this afternoon?
Does the date the 29th of April,
1974 mean anything to you?
- What happened?
- She said I had
the wrong number.
I'm sure we've got
the right person.
Mum?
Mum?
[plays melody]
Hello? Glenys?
It's me, Kate.
Please don't hang up.
I don't mean any harm, really.
Will you write to me, then?
Please, I only want
to talk to you.
Please!
- [Voiceover] The
country, said Darcy,
can in general supply
but few subjects
for such a study.
In a country neighborhood,
you move in a very
confined and unvarying society,
but people themselves
alter so much
that there is something new to
be observed in them forever.
Yes, indeed, cried Mrs.
Bennet, offended by
his manner of mentioning
a country neighborhood.
I assure you that
there is quite as mu--
Kate, are you listening?
- [Voiceover] Kate, what is it?
- [Voiceover] Are you all right?
- It was just fabulous.
- I didn't see it, but I heard
Robert Redford was dreadful.
- No he wasn't, who said that?
- [Woman] Glenys.
- [Glenys] Yes, I think he
was far too old for the part.
- Oh, you don't wanna
listen to Glenys,
she lives in the bush.
[women laugh]
- Hello.
- Hi.
- Do you want something?
- I heard you talking, I
thought you said Glenys.
- That's me.
- I thought you might
be Glenys Mathieson,
from Mulgrave.
- No.
- I'm sorry, I just
thought you might be.
- [Glenys] Mulgrave?
[women laugh]
- [Anne] Oh darling, you
haven't touched your lunch.
Try and eat something.
I'll be back in an hour.
[phone rings]
Kate, get that will you?
- Hello?
Yep, this is Kate
McLelland speaking.
Oh...
A photo?
Yes, yes I'll send one.
Oh, of you?
That'd be fantastic.
Our address is Apartment
12, 313 Elizabeth Bay Road,
Elizabeth Bay.
I'd love to come
and see you one day.
Do you think that'd be possible?
Oh, I see.
Will you send it today, then?
Thank you, thank you
very much, goodbye.
[Kate laughs]
- She's got pretty eyes.
- I wish I could meet her.
- Well, you know
where she lives.
- She said no, definitely.
[classical piano music]
Is Cavendish Road far from here?
- Yeah, 15 minutes
drive out of town.
- Is there a bus
that goes out there?
- No bus.
You can get the taxi.
Doesn't start work til
about nine, in fact.
- [Taxi Driver]
Been up here before?
- No, I haven't.
- Beautiful country.
Real flat.
Some people like it hilly,
I like it flat.
[gentle piano music]
- Come on.
Hey, wake up.
Come on.
[sorrowful violin music]
- Who are you?
- Kate McLelland.
I...I've been waiting
for you all day,
I hope you don't mind.
- What are you here for?
- I know your mother.
- Are you from the city?
- Yes, I am.
The train got in
early this morning.
- [May] Are you a relative?
- Sort of.
Of your mother's.
- Mum will be home
from work soon.
I've gotta feed the chooks.
Are you a cousin?
- Uh, sort of second cousin.
I'm not a very close relative.
- I didn't know we
had any more cousins.
[playing sorrowful melody]
- Why did you come here?
I told you not to.
- I had to come.
- I've got a husband, he
doesn't know you exist.
You've gotta get out of here.
[Kate cries softly]
You shouldn't have come.
Look, I'll take you down
to my girlfriend's place,
but you can't stay here.
- Who is this?
- Greg.
We've gotta have a talk.
- May?
This is Kate.
Why don't you take her down
and show her the chooks.
Don't tell May anything.
She's my first daughter.
I wanted to tell you,
but I never could.
I got involved with a man
while I was at school.
I was stupid.
He was married.
I was stupid.
- Who was he?
- One of my teachers.
I've never seen him
since, I don't know
where he is or what he's doing,
and I wouldn't care.
- Did he know about the kid?
- [Glenys] No.
- Who else knows?
- Only dad.
He took me down to Sydney
to have it doctored.
- Glenys, why
didn't you tell me?
- Why do you think?
I thought if I told you, you
wouldn't want to marry me.
Oh, for God's sake, Greg.
I was only 17, it happened
before I knew you.
- You told me I was the first.
- You were the first
that ever meant anything.
- I still had a right to know.
- I had one affair
before I was married,
how many did you have?
- That's different.
You had a kid.
- Teachers make a big
impression on you at that age.
He was nice.
I wouldn't give him a
second glance today.
I was scared stiff,
I didn't know what
was happening.
I was sick every
morning before school.
After the exams, dad
took me down to Sydney,
I stayed in a home
for unmarried mothers
for months,
til it was over.
- Why did you bring her here?
- I didn't.
She found me.
- It's gonna make me
look like a bloody fool
if it gets out.
- It happened before I knew you.
- That's not gonna
make any difference
to the gossip mongers
around here, is it?
Why did she come?
- She's going back to
Sydney in the morning.
- No, she can go tonight.
- She came all this way by
herself to talk to me, Greg.
- So, so what'll
we tell the kids?
- Tell them she's a relative.
- I'll just hope
nobody finds out.
- She'll be on the first
train in the morning.
- I'll collect the boys.
Whoop, come on then.
There you go.
- [May] Is it good,
living in the city?
- It's noisier than
here, and faster,
but it's not as peaceful.
- It gets boring here.
- No, this is nice.
- Why did you come?
- To see you all.
- [Greg] Come on,
come on, come on...
- God, brothers are awful.
Do you have any brothers?
- [Kate] Yeah, one,
about the same age.
[Kate laughs]
- Greg said you
could stay the night,
but you have to go
home in the morning.
- Look, I'm really sorry if
I caused you some trouble.
- He'll get over it.
He didn't know
anything about it.
- I'm really sorry.
I didn't realize
what might happen.
- No, he'll be all
right in a little while.
Where did you get
that wrist band?
- My grandmother's a collector.
She pinched it at the hospital.
- I suppose you
think I'm terrible
for walking out on you?
It wasn't easy, you know?
I wanted to keep you,
but they said I couldn't.
My mum was dead, you see,
and my dad couldn't have coped.
- What about...
- Oh, he didn't even know.
[laughs] I was all
set to go to Sydney
and study music
before I got pregnant.
- [Kate] Really?
- Yeah.
But after you were adopted,
I didn't want to go anymore.
- Why?
- Felt awful,
cried all the time,
hopeless.
Didn't want to go out,
didn't want to do a thing.
My dad was really good to me.
One night, he persuaded me
to go to a country ball,
that's where I met Greg.
We got married straight away.
Had May nine months later.
I felt fine again after that.
- Didn't you ever want
to try and find me?
- Hundreds of times.
I used to dream about you,
what you looked like,
what they'd called you.
What could I do?
I couldn't say anything to Greg.
Once I'd lied at the start,
I had to keep on lying.
I'm glad in a way, that it's
all come out in the open.
- So what happens now?
- Greg's scared stiff
someone's gonna find out.
You've gotta go
home in the morning.
Well, there's no sense in
stirring things up here.
- I won't stir things up.
- They'll have
gossip round here.
You got to go home.
What did you tell May?
- I said I was a cousin.
- She knows all her cousins.
- I'm much more than a cousin.
- Look, I'd love
you to get to know
your sisters and brothers
better, but you just can't.
You've gotta go in the morning.
[Kate sighs]
[gentle piano and violin music]
- [laughs] Very good!
You're so good.
You should go to the
Conservatorium in Sydney.
They've got a special
high school there,
for kids with your
sort of talent.
- That'd be fantastic.
But we couldn't afford
it, could we mum?
- No, we couldn't.
- Well you don't have to pay,
it's a government school.
- What a complete waste of time.
- Oh, can I use the phone?
I think I should ring my parents
just to tell them I'm okay.
- In Sydney?
- Yeah, she'll be
really worried.
- Well, you see, we rang
grandpa at Christmas.
And it does cost an awful lot.
- Oh, that's all right, Kate.
Just make it a quick call, eh?
- Sure.
- [Bob] Mulgrave?
- [Anne] Mulgrave?
- [Bob] Mulgrave.
- [Anne] When are
you coming back?
Tomorrow?
Central? Four o'clock.
Here's dad.
- Hello?
- [May] That's beautiful.
- [Kate] What? This?
- Yeah. It is a real Kimono?
- Yeah, my dad brought
it back from Tokyo.
Have it.
- Oh no, I couldn't.
- Please?
I've got another one.
- Gosh,
you're amazing.
I look like a model.
Where did you
learn how to do it?
- My school friends.
They look at Vogue
and experiment.
And I watch my mother.
- Could you teach me?
- Sure.
- I'd love to live in Sydney.
- You could come for a holiday.
Listen,
there's this competition
held every year
in September, for
young musicians.
There's a section
for violinists.
I entered last year
and it's really easy.
- I wouldn't be good enough.
- You are!
We'd be playing in the
competition together.
- Where would I stay?
- With me!
- You're not really
my cousin, are you?
Did mum have you
before she met dad?
We're sisters.
We'd be playing in the
competition together.
It's called the [mumbles]
Competition for Young Musicians.
- Boys!
- And May could stay with--
- I'll take the boys to school.
- Greg, you've got to
take Kate to the station.
- Yeah, I'll come back.
- Peter's lunch.
- May could stay with me and
we could practice together,
and I'm sure she would get into
the Conservatorium High School.
- We couldn't afford
to live in Sydney.
- It's practically free.
And May could
board with someone.
- May, go and get ready
for school, you're late.
And take that muck
off your face.
Kate, I wanna have
a talk to you,
outside.
I want you to stop
filling May's head
with crazy ideas
about going to Sydney.
- They're not crazy.
She's a really good violinist.
She could get into
that competition
and she could get into the
the Conservatorium School.
- Has it ever
occurred to you that
we mightn't want her to go?
- Why not?
- Because it'll
give her big ideas.
- She should be
ambitious, she's good.
- Who do you think you are,
come out here, telling me
what to do with my daughter?
- She's my sister.
And she knows she is.
- You told her?
- [Kate] I did not! She guessed!
- [Glenys] See what you've done?
She knows about me.
- She doesn't think you've
done anything wrong.
She just thinks it's
great to have a sister.
- We don't want
to send her away.
She's our daughter
and we love her.
- If you really loved
her, you'd let her do
what she's best at.
- We'll decide what's best
for her, thanks very much.
- Look, I know you
weren't able to go on
with your music, but it
isn't fair to stop her.
- You were the reason I
never went on with anything!
I'm sorry.
- Now, don't forget
to write to me.
- I won't, and you send a photo.
- Here, keep it.
It's the only one I've got.
He was a maths teacher.
[train horn sounding]
- Maths.
My worst subject.
- There she is!
[voice announcing over intercom]
- You decided to come back?
- Darling, we've
been so worried.
[Anne and Kate crying]
- [Kate] I'm sorry I put
you through all this,
I just had to find out.
- Well...
What was she like?
- Mmm, very pretty,
young and smart.
And she used to play
the piano really well.
And she's got a foul temper.
And she thinks I'm
a spoiled brat.
- Spoiled brat, eh?
- I've got three half brothers,
they're all pretty awful.
They make you look like a saint.
Oh, and then there's
the husband, Greg.
Best thing of all
is my sister, May.
She's two years younger than me,
and she's really nice.
She's a really
talented violinist.
My father...
You wouldn't believe it.
He was a maths teacher.
- Well, you've got no
excuse then, have you?
- [Kate] [laughs] None.
Mum?
I'd love to invite May to stay.
- With us?
- Could you, mum?
- Talk about it later.
- It's awful to say it,
but I didn't really
like her very much.
We sort of clashed.
It's different with May, though.
We're really close.
Glenys tries to keep us apart.
- She's probably
afraid of losing her.
Like she lost you.
- Do you think I
should persuade Glenys
into letting May play
in the competition?
- I think you should let
her decide for herself.
[door buzzer sounds]
It's the real estate man.
Aww, I know.
I hate selling it
as much as you.
- I had no idea things were
going so badly for dad.
- You were pretty wrapped
up in your own problems.
- I am a spoiled brat, aren't I?
[door buzzer sounds]
- You can be a bit
self-centered.
- Dad, do we really
need this boat?
- Has your mother
been talking to you?
- Well, it's just that
we don't use it much.
- Look, I'd sell my
right arm and leg
before I put this on the market.
- Honestly dad, we
don't use it much,
do we?
- It was your present, Kate.
It's got your name on it.
Just clean the boat.
You always get your
own way in the end.
- Tell her that even
if you entered now,
you can't win a scholarship
until you're 16,
but if you don't start
going into competitions now,
then you won't get
the experience.
May, you're really good.
Just ask her.
Okay, bye bye.
[birds chirping and squawking]
Hello!
Oh May, good!
Where's your family?
- They're just coming.
- Wait here.
But dad, you've
got to meet them.
- I don't want to.
- Why?
- Because it's too embarrassing.
- Oh, come on Bob.
They'll think we're terrible
if we don't at least say hello.
- [Bob] All right.
- Hello Mrs. McLelland.
- Anne.
- Glenys.
And this is my husband, Greg.
- [Anne] Hello.
- [Glenys] And my daughter,
May.
- [Anne] Hello May.
- [Greg] How d'ye do?
- [May] Hi.
- This is my husband, Bob.
- Hello, Bob.
- How do you do?
- And my mother, Mrs. Campbell.
- Greg Mathieson.
- Uh, Bob.
- Nice to meet you.
- And this is Robbie.
- Oh May, that's
us, we've gotta go.
- Good luck, girls.
- Bye.
- Don't run, May.
- Good luck.
- She just goes
running everywhere.
- Thanks very much for
having Kate to stay.
I hope she wasn't
too much trouble?
- [Glenys] Oh, no
trouble at all.
[instruments tuning
and warming up]
- You nervous?
- Terrified.
- You'll be all right
once you get started.
- Oh, Kate, I thought
I'd missed you.
- Oh, hi.
- I just wanted to wish
you the best of luck.
- Oh, thanks.
Sarah, this is my sister, May.
- Hi.
- Nice to meet you, Sarah.
- Good luck to you, too.
Kate tells me you're terrific.
I'd better go,
I'll see you later.
- Bye.
[people murmuring and settling]
[audience applauding]
[playing classical music]
[audience applauding]
[classical flute
and piano music]
[classical piano music]
[classical trumpet music]
[classical bassoon
and piano music]
[classical piano music]
[audience applauding]
[classical violin
and piano music]
[audience applauding]
- Before I announce the winners,
may I just pass on the
congratulations of the judges
to all the contestants.
The judges thought
that this year's standard
was one of the highest ever.
And now, we come to
the first section,
the brass.
And the winner is Joel
Fulton on trumpet.
[audience applauding]
In the piano section:
and the winner is
Kate McLelland.
[audience applauding]
We now come to the
woodwinds section:
And the winner
is Murray Kyle, on bassoon.
[audience applauding]
In the string section:
And the winner is
May Mathieson on violin.
[audience applauding]
It now gives me great pleasure
to announce the winner
of the grand prize,
open to all sections.
The judges thought
that this year's winner
had the expressive maturity
of someone much
older than her years.
And so, ladies and gentlemen,
the winner of the grand prize
is the violinist
May Mathieson.
[audience applauding]
[Kate and May laughing]
[classical piano music]