Paper Man (1971) - full transcript

Four college students take advantage of a credit card mistakenly issued to someone who doesn't exist, then use their university's computer to erase the charges they run up. But the computer seems to have some ideas of its own ...

[music playing]

Thank you.

JOEL FISCHER (VOICEOVER):

Joel Fischer,

Joel Fischer, Joel Fischer.

Henry Norman?

Let me tell you, I

was just about to hand

it back and say, hey, man,

right box, wrong name.

And then I felt it.

One of those lovely

little plastic rectangles

that spells out instant credit.

And it seems old big

ugly, the giant computer

that keeps trying to

stick numbers on people,

finally blew one.

And I must say, it couldn't

have happened to a nicer group,

even though it was a mistake.

Henry Norman.

Hen-- you make a

weird R. Norman.

I get to be Mrs--

Mrs. Henry Norman.

And a second Mrs. Henry Norman.

Henry's a bigamist.

And just in case someone

says there's no such man,

here he is, personally

pasted together

out of computer sheets.

There we go.

Yay!

Terrific!

Bravo, Joel.

I think this calls

for a celebration.

A little toast.

Go ahead.

Uh, to the first

21st-century man.

To a new spring coat.

To the computer who giveth all.

May he never taketh away.

Um, to Henry Norman.

Yeah!

JOEL FISCHER: Yeah!

Hear, hear!

[music playing]

Avery!

Avery.

Come on, man.

At least listen, will you?

I mean, look at it this way.

Haven't you ever wanted to

step on a computer, too?

You take a little shot at

the whole number system?

Look around you.

We're not students here.

We're-- we're numbers,

computers, man.

That's where it is.

They pick your courses,

grade your papers,

and turn out your

lights at night.

And they even turn

on the sprinklers.

I'm sorry, Jerry.

I told you before.

Hey, come on.

I'm asking you for you help.

I mean, what do

you want me to say?

Look, it's not just me.

There are three

others in trouble.

All right.

What happened?

Well, the bank is about to

bust poor old Henry Norman.

It's gonna take a

genius to bail him out.

And you're it, pal Come on

Hi, am I late?

No, they should be

here any second, I hope.

I got him!

Maestro comes.

Welcome to the cabal, Ave.

Your friend and giant brain's

been giving us a hard time.

You know Joel, prodigy.

This here is Lisa,

light linguisitics.

Hello.

Hi.

And this is Karen McMillan.

Hi.

Hi.

She knows absolutely

nothing about computers,

so don't be too pleased

to meet her, all right?

I'm trying to get

close to her myself.

Anybody down there?

Nope.

Well, should we get started?

I understand you're

into something

like advanced

computer cybernetics

and theory or

something like that.

Yeah, something like.

The incredible

Henry Norman card,

from whence all credit springs.

They way I figure it--

The way we figure it, there is

a Norman Henry living in town.

We looked him up.

The giant brain apparently

reversed the name and address

and sent it to Joel's

post office box.

An obvious computer

good, right?

Meant for a rich

townie, and it comes

to an underaged, impoverished

member of a despised minority--

a student.

So we started using it.

I mean, what else

are we gonna do?

-It's illegal.

-It's not illegal.

It's credit.

It's very American to

have credit, Avery.

In fact, it's, uh, more

American to use it.

It's not illegal, honest.

We opened this account,

and we all kick

in when we get money from home.

The bills do get paid.

I don't know.

Don't you see, Avery?

Nobody will give students

credit because they

don't own anything.

The problem is the computer

has caught its mistake.

The bank sent us-- I

mean Henry Norman--

this credit questionnaire,

lousy with suspicion.

Hey, Jerry, I don't get it.

Exactly how's he

gonna make the bank

believe there is a Henry Norman

when there's no such person.

Don't ask me, babe.

I am just a poor,

dumb med student.

I only practice on that

thing now and then.

He makes it sane.

Come on.

Way I figure it, Ave, we ought

to be able to satisfy the bank

through our computer

here, seeing as how it's

the biggest one in the area.

A lot of companies

like Seacoast National

should have their computers

tied in by phone line.

That's right.

It's called timesharing.

Then all their files and

records are in this memory bank

here, right?

That's exactly right.

Oh, wow.

Do you mean you can create an

entire Henry Norman in here?

It's theoretically possible.

We don't need a complete

Henry Norman, though.

I mean let me have

that paper, Joel.

All we need to do is lay a

little background on him.

This is the profile we want.

Here, Joel.

He's 35.

An engineering degree from

here, then a master's from MIT.

Employed at Dynatech,

28 thou a year.

I'd say that's a

pretty solid citizen.

I think big ugly's

gonna love him.

This could take

quite a bit of time.

You see, each company

has its own codes.

So it may take dozens

of code combinations

to get the computer to

give me the bank records.

Well, yeah, but

you can do it, baby.

Come on.

Sit down.

Joel, lock that door, will you?

What does that mean?

I'm just identifying

myself to the computer.

It's called logging in.

Hey, how'd he get

you to do this?

Threaten to shoot your

grandmother or something?

Come on, let him do

his thing, will you?

[music playing]

I got it!

That's it.

That's good.

Way to go!

OK, I took the original mistake

and the computer correction

and wiped them out

of the memory banks.

So your Henry Norman is laid

in just like you wanted him.

Look at that, man.

It's even thanking

us for the account

You might as well

take the programs.

Then you won't need me.

Do you know what

we've done, gang?

We've defied all

the laws of nature.

That's what we've done.

We've created a

living, breathing,

spending man out of sheets of

paper and little plastic cards.

Everybody over to

the Wagon Wheel.

We are going to celebrate.

It's all on Henry Norman.

Here, Joel, you hang onto these.

Give me that.

You'll be staying sober.

Why always me?

You know why.

Uh, the prodigy here, he

can't drink, you know.

He's a hypogly--

--cemiac.

Hypoglycemiac.

That's low blood sugar.

Well, you'd think a

promising young doctor would

know how to say that, right?

Come on.

Thanks, Ave.

Come on.

The party's for you, too.

No, I shouldn't.

I've got some work to do.

You look guilty.

Do you feel bad about playing

games with the almighty brain?

I don't know.

Maybe I should.

Oh, come on.

[music playing]

As graduate medical students,

you all might as well

get to know Proto-- prototype

patient model two, an advance,

we think, on the

original at Caltech.

He's not a bad sort, doesn't

complain about the bill,

and I think he'll give

you all the symptoms

you'll need to look for.

Jerry?

Movement, pulse, respiration,

even down to skin tone.

And if he's not

treated right, he's

even programmed to die for you.

[music playing]

Knight to king bishop six.

[music playing]

Queen to king bishop three,

and score another one

for big ugly, the giant brain.

Checkmate.

Oh, no.

I'll be darned.

I'm finished.

Well, you lasted

longer than last time.

I've got it programmed to

see three moves ahead now.

If I can get it up to four,

you'll have to take up bridge.

What have you got programmed

for spring vacation?

You going home?

No, I never go home

unless I have to.

Well, then, you're gonna have

free access to the machine.

Yeah, I know.

That's why we're all staying.

'Cause we love our computer.

Linguistics, sentence 13.

Run, John.

See John run.

[music playing]

Very good.

Oh, hi, Flint.

Would you like to check

this program for me

when you get a chance?

Oh, yeah.

What's the matter?

Can't get it to talk?

Oh, I'm getting it.

It knows its vowels.

And now I'm teaching it

to recognize fricatives.

Hmm.

But you know once it can talk,

I'll bet it has nothing to say.

Either that or it'll

talk your head off.

Yeah.

Run, John.

See John run

[music playing]

Uh, Lisa, I got a friend

here wants to meet you.

What?

Say hi.

Oh!

Get out of here, you nut.

Come on, Proto.

We're gonna go over and see Joel

Wake up, Joel We got trouble.

Oh, no.

Not again.

What's wrong with him this time?

He's got kidney failure,

or so it was diagnosed

by three of my classmates.

I guess so.

He's not even breathing.

Well, he's not

plugged in, you dummy.

Oh.

The truth is, he's

got a short somewhere

down here around his naval.

Doc Benjamin says, get that

bright kid Joel to run it down

or I'm gonna have to

send it back to Caltech.

And I said, not a chance, that

Joel is into probabilities

and game theories these days.

Good.

'Cause actually, he

makes me a little sick.

I said not a chance

unless it's for me.

Oh, I got to remind

you again, right,

that I fought for

you in Vietnam?

Here, sit down there.

It's the duty of

overbright pathetics you--

All right, all right,

all right, all right.

I'll tie him into the computer.

Then I don't know why I

got to worry about kidneys.

Allergies, that's

where the bread is.

No night calls,

nobody dying on you

Just line 'em up, zap,

zap, zap, six bucks a head,

thank you very much, ma'am.

You are strange.

Hey, uh, Proto's beginning

to look like Avery.

Uh, can I talk to

you a minute, Avery?

Oh, sure.

You know I've been playing

chess a lot with Joel.

And he, um-- well, to put it

mildly, he's a high verbal.

He talks too much.

He's been telling me

about this fictitious guy

that you created

with a computer.

Fictitious guy?

Joel showed me

the program sheets.

Oh.

Do you think it's a good idea?

I mean, for you?

Well, I just thought it was

sort of a prank, you know?

I know.

But I just don't want to see

anybody get into trouble.

AVERY JENSEN: Wasn't my idea.

Well, they couldn't

do it without you.

You're the only student

who's capable out of all.

I get the feeling

I'm being discussed.

Not exactly, unless you've

become to identify very

strongly with Henry Norman.

Why'd you tell him?

He didn't tell me.

Look, Fletch,

butt out, will you?

You're an employee here.

Just keep the machines running.

Don't try and ruin

our lives, all right?

I'm sorry you feel that way.

Well, we need counseling, we'll

go to the counseling center.

OK.

You're right.

It's none of my business.

See you later, Avery

Paternalistic creep.

We'll be lucky if he

doesn't fink on us.

I'll tell you, Jerry,

I don't care if he does.

You got no business

talking to him like that.

Just count me out.

I don't want anything

more to do with it.

[music playing]

Practically treating

us like criminals.

Hi.

Hi.

Hi.

Who is?

What happened?

Our Henry has, uh, received

another letter from our friends

at the bank.

And they would like to

know in no uncertain terms

why Dynatech has no record

whatsoever of his employment.

-Oh, boy

-Yeah.

Yeah.

We'd better close up

the account quick.

To close up an account,

one must pay up an account.

And we are behind

almost 100 bucks

before these new bills came in.

There's my new spring coat.

50 bucks.

Joel, why do you keep

it so hot in here?

It's the temperature

of the brain.

I think better.

Here's one pair of shoes,

low heel, blue and white.

Mine.

We're up the creek.

There's at least $100 here, and

probably more we haven't even--

Wait a minute, now.

Don't panic.

I mean, we knew this was bound

to happen sooner or later.

They run checks on charge

accounts periodically, right?

Dynatech is a timeshare

on our computer.

What we need is a

complete Henry Norman.

Get him on the Dynatech

payroll, then get him

a social security card, a

complete employment record.

I mean, everything a

real person would have.

He'll be more

complete than I am.

But how can we?

Avery's the only

one who knows how,

and he doesn't want

any more to do with it.

JERRY: Well, there's one way.

What?

One person.

Who?

I couldn't do that to Avery

Why not?

Hey, what's this?

A gun!

[music playing]

Who bought a gun already?

Well, somebody bought it.

Kay's Hardware.

[music playing]

Wait a minute.

Wait a minute.

We have-- we all have

duplicate cards now.

Why couldn't Avery have one?

Avery?

Avery.

JOEL FISCHER: Hold on.

Maybe it was Henry

Norman The real Henry

Norman is alive

and well and living

in the heart of the computer.

Cut it out, Joel It's creepy.

Whoever's playing

jokes, I don't like it.

Will the real Henry

Norman please stand up?

[music playing]

[knocking]

Hi.

Hey, hi.

Your landlord told

me just to come

on back Can I come in, Avery?

Oh, sure.

Sure.

Sorry.

Uh, I didn't realize that

you were here to see me.

Well, there's not much of

anything else to see but you.

Oh, here.

Let me help you.

Um, I have some beer.

Would you like a beer?

Yeah.

Thanks.

Here.

You know, this is probably the

only place in the whole school

I wanted to drink

it out of a can

in order to keep from getting

a disease off the glass.

That was a compliment, Avery.

I think.

Oh, thank you.

Hey, where'd you learn to make

such neat hospital corners?

In the Army, Avery?

No, I wasn't in the Army.

Uh, how's Jerry?

Why?

I hope you don't

think that I'm Jerry's

property or anything like that.

As a matter of fact, Jerry sent

me here to con you into doing

something you don't want to do.

Boy, you're kind of direct.

Well, six years of psych,

I guess I'm entitled.

So you're in psychiatry?

Please, psychology.

I have my master's.

I work at the outpatient clinic.

That's why I'm

interested in you, Avery.

I'm curious what

it means when you

have the neatest,

most spartan room

in the history of US education.

Well, what does it mean

when you keep using my name?

You must have called me

Avery three or four times.

Well, that means I'm

trying to make contact.

You are kind of a

remote guy, Ave. Avery.

Hey, what's this?

Hmm?

Looks kind of complicated.

Oh, no, it's not.

This is simple binary.

Binary?

Yeah, binary system.

Look, this is 13, the number 13.

It's base two.

Usually you count in

units of one, 10, 100.

You count int blocks of two--

two, four, eight, and so on.

And one is a yes, count it.

Zero is no, don't count it.

That's the way computers

talk to each other.

I don't think I understand.

I don't think I ever could.

Um, what's Jerry want?

Oh, you can guess.

It's, uh, Henry Norman again.

Listen, I didn't

want to come here,

but the others sort

of-- anything I say

is gonna sound like a con Look,

you don't have to get involved

anymore if you don't want to.

I'll just tell Jerry to lay off.

No sweat.

Well, let me ask you something.

What would you like me to do?

[music playing]

Good morning.

Jerry.

Jerry, you've done it.

Everything, it's incredible.

No kidding.

He's put Henry Norman into

every computer in the country,

and he's even got

a driver's license.

Well, how'd you

manage that, genius?

Well, some states

have computerized

their motor vehicle files.

They don't require fingerprints.

So I just patched it

in the phone lines.

You two been here all night?

Love among the rheostats, huh?

We got here early this morning.

He's been saving your neck

while you were in the sack.

There you are, Jerry.

Henry Norman exists.

Social security

number, draft card.

Draft card?

Of course he's over age.

KAREN MCMILLAN:

You look terrible.

Actually, I was studying

most of the night.

I had to drop Joel off this

morning at the hospital.

He's got that low

blood sugar thing.

And I bet you got him loaded?

No sweat.

They'll change his

diet, give him a shot.

Well, I have to go to

the clinic later on.

I'll drop in on him.

But right now, we have

to have breakfast, right?

Right.

Hey, listen.

I mean, with this, I can

get all the girls I want

and just charge 'em.

Well, don't run

up too big a bill.

[music playing]

You know, he was only 17.

He used to pretend he was 19.

All his life, he wanted to

be older, as old as his mind.

Who's gonna tell his parents?

I've already called them.

I was wondering if you wouldn't

go over and collect his things?

Sure.

Here.

You can take this, too.

I'll arrange for the shipping.

Avery?

You go on ahead.

I'll be over in a

couple of minutes.

Come on, Lisa.

[music playing]

How'd this happen?

They gave him insulin.

He's been here a dozen

times for the same thing,

and this time, they

gave him insulin.

The nurse somehow got

the wrong instructions

from the computer's daily

pharmaceutical list.

They've asked me to

check on its programming.

[music playing]

Hey, the manager

lives in the back.

I'd better go tell him

what we have to do.

OK.

[music playing]

[door closing]

[music playing]

[knocking]

AVERY JENSEN: Karen.

Karen!

Karen.

Karen?

Karen?

[knocking]

Are you all right?

What happened?

It was that dumb

effigy Joel made.

Oh.

Sit down.

You know, I think for a

minute I thought it was him.

The door was open

when I got here.

Somebody must have been here.

Only me.

Guess we're all here

for the same thing, huh?

I was just down in the basement

looking through Joel's things,

and there's nothing much

here except Joel's chess set.

What exactly were

you looking for?

Anything the kid

bought on credit.

I'm gonna have to send it back.

Well, we weren't all exactly

that fast on our feet.

All right?

Fletcher just told

us to come over here

and pick up some of his things.

Well, you don't

mind if I indulge in

a little self-interest, do you?

Wild horses couldn't stop you.

LISA: Hey, please.

I think we should end this

business with Henry Norman.

You know, you were

never really a part

of this whole trip,

anyway, except

to do your little number.

Jerry.

JERRY: I've had it with all

this sanctimonious jazz.

Please, Jerry.

Well, if he wasn't such a

computer freak, a sick one

at that, he would know

enough just to bug off

when he wasn't wanted!

Oh, boy.

You are such an

incredibly inhuman slob.

Only on alternate Thursdays

and when I'm nervous!

This must be Thursday.

Lisa.

Silence.

Silence.

Silence.

[music playing]

You know he had it up

to four moves ahead?

I wouldn't have

had a chance then.

Yeah, it doesn't make

any sense, does it?

We can create a perfect

world in our heads.

Joel could.

Logical, clean, and pure.

And everything works

out precisely right.

But in the real world, there

are too many variables.

Yeah, I can't even figure

out what went wrong.

What?

The computer error

at the Met Center.

I mean, the central computer

here should have some memory

of its mistake, shouldn't it?

I can't find it.

Maybe you could.

No.

I'm a student, not an employee.

I'm sorry, Avery.

[music playing]

Just let me alone, will you?

Let me alone!

[music playing]

Thanks.

Miss Soames?

You can come in now.

Let's see, you're file 4D.

You can go ahead into

the doctor's office.

I'll bring your file in.

[music playing]

LISA: Break.

Break.

Broken.

Broken.

Breath.

Breath.

Breath.

Breath.

Burr.

Burr.

Breath.

Breath.

[music playing]

[whirring noise]

Jerry?

[music playing]

Jerry?

Jerry?

[music playing]

Anybody!

Help!

Help!

[music playing]

I'm sorry.

For me or Lisa?

Or what?

I just hate to see you cry.

Why?

Because I'm showing my emotions?

At least I have some, Avery.

[music playing]

You mean that

computer down there

can run this whole building?

It runs the whole

college, Sheriff.

We mean those

functions which are

electrical, mostly-- the lights,

security systems, the elevator.

And you're the

one that runs it.

You understand that thing?

No.

No, I'm just a

technician, really.

You're going to need somebody

on the level of theory.

Computers are a new world.

Yeah, that's what they tell me.

[music playing]

I, uh, haven't been

able to reach the head

of the department, Dr. Burk.

Almost everyone is gone

for the vacation period.

But I did put in a call to

Dr. Eddie at Michigan State.

He's one of the few who

may be able to help.

Or that young man, Avery Jensen.

He knows as much about

these things as anyone else.

He doesn't seem very

anxious to see us.

Avery's a brilliant student,

but he's abnormally shy.

Also, he knew the dead girl.

You know, if there's anything

I don't look forward to,

it's spending some time

with a brilliant student

who's abnormally shy.

Ah.

I saw you lose.

You must be all broken up

I was in combat, honey.

I've seen a lot of people

die, maybe too many.

I feel lousy about

Joel and Lisa.

Just haven't hung

out any signs, OK?

I'm sorry.

I'm really sorry, Jerry.

I even snapped at poor Avery.

Yeah, poor Avery.

Listen, Jerry, I think

we should take Henry

Norman out of the computer.

I can't explain it--

Forget it.

But I've got this feeling.

Look, I said forget it.

I'm here on a scholarship, and

they got a funny morals clause.

There's not enough

money in the account

to close out Henry Norman

without the whole roof falling

in.

You get kicked out

of school nowadays,

you don't get back in anywhere,

so we'll just let Henry sleep

in the computer for a

while, and we'll all just

keep our pretty mouths shut.

Oh, that's beautiful.

That's really beautiful.

By any chance, did you happen

to explain this to Avery

before you sucked him in?

Listen, babe, stop

worrying about Avery

and start worrying

about yourself.

Stay away from him!

Don't tell me what to do.

The five of us

created Henry Norman.

Two thirds of the survivors

are standing right here.

Now that's two

deaths in two weeks

connected to the computer.

What are you trying to say?

That you better face it

while you still got a chance.

There's only one

person has that kind

of control over the computers.

[music playing]

AVERY JENSEN: Do you have

anything for a Norman?

A Henry Norman?

I think it might be

special delivery.

[music playing]

Thank you.

[music playing]

[footsteps]

[music playing]

Avery?

JERRY: Want a drink?

You're gonna need one.

Where's Avery?

I'm thinking he's gonna be

here in about 10 minutes.

Keeps a pretty tight schedule,

you know, that Avery.

How could you do this?

Look.

KAREN MCMILLAN:

What does this mean?

Oh, you tell me.

Did you find what

you were looking for?

Go on.

Show it to him.

I found it in

Lisa's slave unit.

Why didn't you tell somebody?

Like the police or somebody?

Maybe because that's a message

to the machine, not from it.

Jerry, cut it out.

Let's see what else you got.

Henry Norman.

General delivery.

A birth certificate?

[music playing]

Where does it come from?

I sent away for it to

the Bureau of Records.

I just wrote a letter in his

name and asked for a copy.

Wait a minute, I don't get it.

He exists.

Look at it.

We created him in the computer.

But now there's

actual documents.

I found a transcript in

the administration files,

his old school records clear

back to grammar school.

I didn't put any of

that in the computer.

You gave him things like

the degrees, the job record.

But not this!

I didn't do any of that.

[music playing]

Something's happened.

I tried to erase him.

I wiped the memory banks clean.

You what?

I went back to the computer,

and I erased everything.

But now it's all back in.

I just came from there.

It's all laid back

just like it was.

We can't control him.

The computer's thinking

in billionths of a second,

erasing its own

errors simultaneously.

We can't do anything about it.

Who says that-- that

you could have made

up some phony documents, huh?

And if the program is

still in the computers

because you never took it out!

Why not?

Why not?

I just don't know

why, that's all.

I just don't know why!

But I'm warning you, Avery!

You stay away from me!

I am not Joel,

and I am not Lisa!

So don't mess with me!

Well, I'm warning you, Jerry.

Keep away from computers,

and stay out of that place.

Why?

What are you afraid

I'll find out?

Huh?

What are you afraid

I'll find out?

You better come with me.

No!

Karen.

I'm staying.

What are you thinking?

He's upset.

He's a little drunk.

He might do anything.

He might go to the police,

the administration, anything.

Well, I can't do

anything about that.

No, but I can if

I go after him.

Well, go ahead.

[music playing]

Burned out.

Completely destroyed.

And the boy in the morgue

doesn't look too good, either.

Now, this thing takes

in different amounts

of electricity, right?

Yes, depending on how

complex the function.

The voltage was too high.

There must have been at least

1,000 volts when he touched it.

But the regulator--

-Yeah, I know.

I know.

It's, uh, controlled

by the computer.

Another accident.

Well, we're gonna

get other people

in the company to

work on it, and maybe

they can figure something out.

Well, if you can't figure

it out, I sure can't.

All I know is I could have

two, maybe three murders here.

But I can't prove a thing.

Son.

Sir.

You're the politest murder

suspect I've ever had.

Get those things off of him.

Sorry about those handcuffs,

but you look like the quiet kind

of fellow might hurt himself.

I've never intentionally

hurt anyone in my life.

Well, son, I'm gonna let

you go only 'cause I have to.

You know, that brain or computer

out there, whatever you call

it, seems to be a total

mystery to everyone

around here but you.

And it's killed three people.

You knew every one of them.

And that last boy, now you

didn't like him one bit.

You had an argument with him.

That much I can prove.

Now, what I'm trying to

say is one of these days,

you're gonna do something.

I'm gonna get you.

That is, if you don't go over

the line into cuckoo land

first.

Can I go?

Yeah.

He's withdrawing, pulling back

into himself more and more.

Doesn't give very many details.

His problems apparently

started as a child.

He has a history

of mental illness.

He was in an institution

for three years,

and I've concealed

that from everybody.

You haven't concealed anything.

It's a matter of record.

Anybody could have

checked the files.

You're being too rough

on yourself, Karen.

As a matter of

fact, I knew there

was something in his past.

He told me in so

many words once.

I never thought anything of it.

Maybe if I had told Jerry.

I'm supposed to be

objective, aren't I?

Trained to be.

Then you also know that

you can't be objective when

it's somebody you care about.

No.

That's why I asked

you to read the file.

You seem to understand Avery.

OK, let's face facts.

He might be sick, very sick.

Now, this business about

the computers being human,

that worries me.

But it was through the

computer that I found his file.

It told me.

Or warned me.

I don't know which

Now, come on, Karen.

Computers do what

people tell them to do.

I'm just a technician,

but I know that much.

Now, who would want

you to see that file?

Avery?

Avery himself?

Who else would he

ask to help him?

[music playing]

KAREN MCMILLAN: Avery?

[music playing]

I think this is the last

place you ought to be.

Why?

After what happened.

Avery?

I was hoping you trusted me.

Do you?

[music playing]

I don't know.

I think you'd better tell him.

I read your file, the one they

keep at the psychiatric clinic.

Doesn't matter.

It does matter.

Karen's worried about you,

and so am I. We thought

perhaps we should

contact your parents.

My parents are dead.

But the file says they're alive.

I wrote down their

address somewhere.

There.

This is where we

lived 20 years ago.

[music playing]

My parents are dead.

I killed them.

[music playing]

Avery.

Avery!

Please, I want to help you.

Well, then, let

me prove it to you.

I'll take you there.

[music playing]

All right.

[music playing]

How far is it?

Where?

The place where you grew up.

Oh, it's 150 miles.

Is that where it happened?

What?

Whatever happened

that made you sick,

made you go into an institution.

Nothing happened.

I just have to see.

I have to show you.

House will be all boarded up

and nothing there, no life.

I don't believe

you killed anyone.

Not Jerry not

with the computer.

You watch where you're going!

You're driving too fast!

You handle him!

I'll handle the driving!

Do you think you ought

to be driving so fast?

What?

Please slow down

He is not a mama's boy.

He is a fine boy!

And if you were

any kind of a man--

You don't need a man!

You got your little

man in the back seat!

You don't need a husband,

and I don't need you!

I'm sick and tired of you

and the kid and the whole--

Hey, you leave

Avery out of this!

You just leave him alone!

Hope it gives you

some satisfaction

when you grow up to

know that you drove

your old man right out of--

[screaming]

[music playing]

KAREN MCMILLAN: What is it?

[music playing]

Watch out!

[music playing]

[knocking]

[music playing]

How's he doing?

Well, physically he's fine.

We were both very lucky.

Hmm.

But the other?

He just won't

communicate to anyone.

He just sits there.

Art, the police say he

tried to commit suicide.

But I know he didn't.

I know he didn't!

What are they gonna do?

They're gonna keep him here

a while, run some tests.

After that, I-- I don't know

I don't believe he did it.

I won't believe that.

Avery?

How you feeling?

Avery, please speak to us.

Avery, you don't have to talk.

Just listen.

Karen and I, we care about you.

And we want desperately

for you to get well.

This shell of yours is no good.

As far as what you believe

about the computer,

well, I guess I was

the one who scoffed.

But you know, we haven't

been able to find

any rational explanation.

And someday, we all

may have to face

the fact that you were right.

I don't even know

if he can hear you.

I'm quitting my job

here, going away.

But I'll come back

if you want me to.

I'll keep in touch.

You need friends.

I want to be one.

[music playing]

It's very sad.

[music playing]

You're quitting?

Yeah, I'm afraid so.

After all this, I got

to find something else.

Yeah.

ART FLETCHER: I'll

stay in touch.

Thanks.

You ought to get away yourself.

I can't.

I'm partly

responsible, you know.

[music playing]

I checked.

His parents were killed

in an automobile accident

when he was six.

And I didn't believe him.

But the psychiatric

files-- the computer again?

You know, in a way,

I'm the only one left.

I'll say it again.

Go.

Get away from everything here.

[music playing]

Here's one I like.

And it has nothing whatsoever

to do with calculus.

Karen, I can think again.

I mean clearly.

All this week, I've

been running equations

and logarithms and

computations of different kinds

through my head.

Imagine me practicing thinking.

I know a few people

who should try.

I figured it out

about Henry Norman.

Oh, Avery, please.

I have.

I know all about Henry Norman.

He's flesh and blood, Karen.

He's real.

He's alive.

Karen, listen to me.

I need you.

You're the only

one I can talk to.

And if I don't, it

could all slip away.

We created a paper

man, the five of us,

a complete identity, a cloak,

a cloak that someone needed

desperately, desperately

enough to kill three people

in order to keep it a secret.

Avery, please.

Remember that Jerry gave the

original programmed to Joel,

and after Joel died, no

one ever found it again.

But when I tried to erase

everything from the computer,

it all reappeared

because whoever

had the program put it back in.

And my case history sent

to you-- someone counted

on my cracking up, and I did.

I began to think the

computer itself was doing it.

But it wasn't, Karen.

It was a man, a human being.

I don't know.

I just don't know.

And the birth

certificate and the school

records, we didn't need

those, but somebody else did.

But it doesn't make any sense.

I was involved, too, and

nobody's tried to kill me.

You weren't a risk.

You never worked with computers.

You didn't really

understand any of this.

Well, why?

Who would need an identity?

Someone who was forced

to give up his own.

A fugitive-- a fugitive

with special skills

he couldn't ever use.

I know there's a Henry

Norman out there, Karen.

And I can find him.

All I have to do is strip away

the cloak, and he'll be there.

But I have to get to the master

computer for just five minutes.

Yes, I'm asking you to help me.

I can open the

padlock on the window.

I know the attendant's

routine backwards.

Avery.

I know what you're thinking.

You could be helping a

madman, a homicidal madman.

Every fact seems

to point to that.

All I can ask you to do is

something that I never could--

forget facts,

forget logic, forget

everything that seems real,

and just trust and believe.

[music playing]

[alarm ringing]

[knocking]

Come in.

Henry, the Air Force bought

every one of your ideas

on the new backup system

If this thing checks out,

you'll be heading

the entire project.

It'll check out.

You know, it seems to me I once

heard there was a small company

down in Texas working

on a project like this,

but something happened and they

just didn't follow through.

Did you ever hear about it?

No.

Mhm.

Yeah.

Then there's just one

thing that concerns me.

You're gonna have to pass

one more really intensive

security check, so

I just hope there

isn't anything or anybody--

-Oh, no.

Nothing.

No one.

Just thought I'd mention it.

Go on back to work We're

all proud of you, Henry.

[music playing]

[knocking]

[music playing]

Avery?

[music playing]

Who's there?

[music playing]

Art!

Oh, Art.

ART FLETCHER: I

tried your apartment.

The police were watching it.

I thought I'd try here.

I'm so glad you came.

I tried to get in

touch with you,

but you left no

forwarding address.

I didn't want to be disturbed.

I came as soon as

I saw the papers.

Yeah, Avery.

Has he tried to contact you?

Well, Art, I helped him escape.

Where is he now?

KAREN MCMILLAN: I don't know.

Why did you do it?

I don't know.

I wish you'd been there.

I didn't know what to do.

It's like it's his last

link to sanity that there

is a real Henry Norman.

A real Henry Norman?

A fugitive.

A fugitive?

Do you think that's possible?

I don't know.

I believed him when

I was with him.

I just-- I just don't

know anything anymore.

Now, try to remember, did

he have any kind of proof?

No, nothing.

He just said all he wanted to

do was get in the computer room.

The computer room?

I'm supposed to meet him

at 11 o'clock with the keys.

[music playing]

Did you get the keys?

[music playing]

[car engine]

[tires squealing]

[brakes squeaking]

[music playing]

Police.

Stakeout.

[music playing]

Oh, Art, do you think

I'm doing the right thing?

You've got to go to him.

He needs our faith, our trust.

Without that, he's got nothing.

Now, we've got to have

some kind of a plan.

You've got to get out of here,

the back way, preferably.

I'll see if I can get some kind

of diversion for our friend

there.

[music playing]

MALE SPEAKER (ON RADIO):

Control, this is station two.

Come in.

This is Hurley.

Go ahead.

MALE SPEAKER (ON

RADIO): Sheriff,

we've got something on that

Jensen kid-- a lock, maybe.

How good a lock?

The best.

Exactly where he'll be and when.

When?

The other car is

covering the far side

of the campus, Sheriff.

Good.

Now, you cover the

stadium entrance.

You stay with me.

Well, if he shows

up, we've got him.

I feel terrible

about doing this.

I really thought

he was innocent.

That's the only reason

I let her go to him.

Hey, Mr. Fletcher, would

you mind telling me again

exactly what he said?

Well, he called just a

few minutes after she left,

and he sounded wild, deranged.

I tried to reason with him.

I begged him to turn himself

in, to try and get some help.

And?

He became enraged.

He said he killed before,

and he'd do it again if they

tried to get him back there.

After that, I guess my

only thoughts were of Karen

and how to save her from him.

You know, it's kind

of like you were

telling me to shoot

first and then

put the pieces together later.

I wouldn't want to tell

you how to do your job.

No, I'm sure you wouldn't.

But it anything happens

after what I've told you,

it is your responsibility.

[music playing]

Avery!

Did you get the key?

Yeah.

[music playing]

Stop right there, Jensen!

I didn't tell him.

Give me the key.

[music playing]

Sheriff, don't hurt him.

I'll do my best, miss.

Don't hurt him!

[music playing]

Jensen!

Don't move or I'll shoot!

[music playing]

Well, he's not going anyplace.

You get someone down here with

a key And the head shrinkers!

[music playing]

It's all over, son

You come on, now.

It's all right, Sheriff.

You're not gonna need that.

[music playing]

Fine.

I'll tell him.

Mr. Johnson is on

his way to see you.

Well, that's not bad,

when they come to you.

Do you want to go on with

this dictation, Mr. Norman?

No.

Just tell him that I'll see him

at the meeting in San Francisco

and sign it cordially.

Henry, can I talk

to you for a minute?

What is it, Bob?

Well, Henry, I don't

quite know how to say this.

But, uh, well, these

men-- these men tell me

they have a report that a

Henry Norman, a man who matches

your background exactly,

was killed a few hundred

miles from here yesterday.

Killed?

Came through in

a computer report.

A computer report?

Well, naturally, considering

what you're involved in,

that does raise

certain questions.

Who are they?

Well, they're from Washington.

They want to question you.

That's all I know.

All right.

Let me get my pipe.

[music playing]

Henry?

Hold it, Norman!

[music playing]

All right.

Just put it down, now.

[music playing]

Now, why don't you just put it

right over here on the desk?

Over here on the desk.

[music playing]

I don't get it.

Who was this guy, anyway?

[music playing]

They just got the

government man's report,

and I, uh-- well, I felt I

owed it to you to come in

and tell you about it myself.

Now, this Henry Norman--

or as you knew him,

Arthur Fletcher-- his real name

was Hennessy, Claude Hennessy.

He was part owner of

a small electronics

place down in Texas, kind

of a scientific genius.

Little bit cracked,

too, like most of 'em.

Uh, no offense.

Anyway, one day

he and his partner

get into a beef about

who's to get credit

for something they invented.

And right there in the office,

right in front of everybody,

he shoots him.

The people don't do a thing.

They just stand there

and look and let

him walk out of the place.

People will do that.

Well, nobody ever saw him again.

He just disappeared.

I guess he came here,

and he got this little

job, couldn't just sit on it.

He wanted to be back

in the big time again.

I think we know the

rest of the story.

Thank you, Sheriff.

Hey, tell me something.

You killed him off with

that computer, didn't you?

I just programmed in

a report of his death.

The way we created him

is the way he died.

So that's what made him,

and that's what killed him

What'd you put in that report?

Just the date and the

phrase "accidental death."

Nothing more.

Why?

Well, the report the

feds picked up on,

the one that sent

'em to check him out,

said he jumped from a building.

And they got it the day

before it really happened.

[music playing]

[computer clicking]

Who started that thing?

Oh, it's being activated

by another computer

somewhere, data seeking.

Now they're talking

to one another.

That's right.

You know what I think?

Pretty soon, they're

not gonna need you.

All they're gonna need

is another Henry Norman

[music playing]

What do you think about that?

Another Henry Norman.

If at first you don't

succeed, ha, ha, ha.

Yeah, very funny.

[music playing]

Let's go.

[music playing]