Night of the Juggler (1980) - full transcript

A tough cop goes on a citywide rampage when his daughter is mistakenly kidnapped by a psycho. The psycho had originally targeted someone else's daughter, but is just as prepared to kill anybody unless his colossal ransom demands are met.

( music playing on radio )

- CAN I HEAT THAT UP

FOR YOU?

- WHAT?

YOUR COFFEE--

WOULD YOU LIKE A NICE

FRESH HOT CUP?

NO, THAT'S OKAY.

( music stops )

( honking )

P.A.:

There's nothing to see.

Just keep moving.

Keep that lane over.

...LIKE I NEED A HOLE

IN THE HEAD.

WHAT A BATTLE I HAD

GETTING OUT OF THE HOUSE

THIS MORNING.

- ALL I SAID WAS,

"LET ME THINK ABOUT IT."

- THINK ABOUT WHAT?

HOW MUCH YOU FIGURE

A WEDDING DRESS

WOULD COST?

- TAKE A GUESS.

TAKE A WILD SHOT.

- 100 BUCKS?

WRONG.

$650, PLUS TAX.

CAN YOU

BELIEVE IT?

LOOK, FOGARTY,

DO ME A FAVOR,

WILL YOU?

CALL MY WIFE.

I DON'T WANT

TO TALK TO HER.

TELL HER TO GET THE DRESS.

WHAT THE HELL, THE KID'S ONLY

GETTING MARRIED ONCE.

I THINK.

- HEY, YOU IN CHARGE HERE?

- YEAH, I GOT REAL

LUCKY TODAY.

LIEUTENANT TONELLI,

MAJOR CASE SQUAD.

BOMB SQUAD'S INSIDE NOW.

SOMEBODY LEFT YOU A NOTE.

HEY, STAY BACK THERE.

KEEP THEM BACK!

"COMMUNIQUE-- PUERTO RICAN

LIBERATION ARMY--"

READ THIS

FOR ME, WILL YOU?

IT GIVES ME A HEADACHE.

"ON BEHALF OF THE POOR

PEOPLE OF ALL THE AMERICAS,

ARMED STRUGGLE IS HEREBY

DECLARED UPON THE IMPERIALIST

BANKING SYSTEM--"

BLAH, BLAH, BLAH--

BULLSHIT!

WHAT DO YOU WANT TO DO?

YOU WANT TO GO UP THERE

OR WHAT?

YEAH, I'LL TAKE SOME

COFFEE, A DANISH AND

THREE ASPIRINS.

MAKE IT SIX.

( chuckles )

I GOT A FEELING

IT'S GONNA BE ANOTHER

GODDAMN NEW YORK DAY!

( honks )

( boat horn blows )

( cars honking )

( bell dings )

( siren wails )

HEY, BOYD,

WHEN DID YOU

GET BACK?

- NEVER MIND THAT,

YOU GOT THE $3 YOU OWE ME?

- HEY, JOE, I'M BROKE.

- I GOTTA

PICK UP MY CHECK.

- THAT'S GOOD.

- WE GOT A GAME

MONDAY. YOU IN?

- SURE, BUT...

THIS TIME,

I'M BRINGING

THE CARDS.

THAT'S OKAY.

I'LL TAKE YOUR MONEY

ANYWAY!

Woman:

KILL HIM!

KILL HIM!

Woman #2:

LUCY, I'M TRYING.

KILL THAT DAMN THING!

IT'S GOING UNDER

THE TABLE!

I KNOW IT'S GOT RABIES!

KILL HIM!

- IF YOU WOULDN'T

LEAVE FOOD ALL OVER.

- OOH, THAT AWFUL CREEPY THING.

GET HIM!

THAT RAT!

KILL HIM!

SO SNEAKY AND AWFUL!

BOYD,

DON'T JUST

STAND THERE.

BOYD, GET THE RAT!

- KILL IT.

- DARN IT!

SHOOT HIM!

REMOVE THAT MISERABLE

THING!

HEY, LUCY, YOU WANT

TO GET DOWN OFF

THE DESK NOW,

GIVE ME MY CHECK?

KEEP THE CHANGE.

I'M RICH.

HOW DO YOU LIKE THAT?

10,000 PEOPLE LEFT NEW YORK

ST MONTH.

- WHAT DO YOU WANT, THE USUAL?

- GIVE ME THREE,

ONE OF EACH.

- HOW'S THE YANKEES DOING?

- I WENT TO SEE MY SISTER

IN CALIFORNIA LAST MONTH.

- FORGET IT, IT STINKS!

- THREE TO TWO--

THEY BLEW IT.

DON'T TELL ME

ABOUT CALIFORNIA.

I USED TO LIVE THERE.

I CAN'T KILL NEW YORK,

AND I CAN'T KILL

A HOT GOD.

LET THEM LEAVE.

IT'S MORE HOT DOGS

FOR US.

THEY'RE GREAT.

THEY JUST COST YOU

AN ARM AND A LEG.

( phone rings )

IF YOU WANT ME

TO ANSWER,

I'LL ANSWER.

Woman:

ALL RIGHT,

ALL RIGHT.

- CLAYTONS RESIDENCE.

- THIS IS THE ASHLEY SCHOOL.

WE'RE MAKING

AN ATTENDANCE CHECK.

- IS YOUR DAUGHTER GOING

TO BE AT SCHOOL TODAY?

- MY DAUGHTER?

( laughs )

YOU MEAN, MISS CLAYTON?

ELDIE,

IS THAT FOR ME?

- THE SCHOOL WANTS TO KNOW

IF YOU'RE GOING.

- OF COURSE.

- WHY WOULD THEY ASK?

- YOU'VE BEEN CUTTING CLASSES

'CAUSE OF SUMMER?

I DON'T KNOW WHAT

THEY'RE TALKING ABOUT.

MISS CLAYTON WILL

DEFINITELY BE ON TIME.

THANK YOU.

Woman:

MORNING, BOYD.

- DON'T DO NOTHING

I WOULDN'T DO, GLADYS.

- THAT DON'T LEAVE A LOT.

- WHAT ARE YOU

DOING SATURDAY?

- ASK ME.

MMM... "ASK ME."

WELL, I JUST

MIGHT DO THAT.

I'M SORRY

I GOT TO RUSH OFF,

MR. BOYD,

BUT MY SISTER'S

SICK AS A DOG.

I GOT COFFEE DONE,

I GOT THE LAUNDRY

FOLDED AND YOUR BED

IS ALL MADE UP.

- GOTCHA.

- YOU BETTER GET

KATHY UP

- OR SHE'LL BE LATE

FOR SUMMER SCHOOL.

- I'LL DO THAT.

SHE WAS SO EXCITED

ABOUT TODAY, SHE DIDN'T

GET MUCH SLEEP.

- AND I GOT A CAKE.

IT'LL BE HERE AT 4:00.

- OKAY, FINE.

- SEE YOU WEDNESDAY.

- OKAY. THANK YOU.

OH, MR. BOYD!

I'M SORRY I FORGOT

TO TELL YOU-- YOUR EX-WIFE

WANTS YOU TO CALL HER.

OH.

GREAT.

( rattling )

WAKE UP,

YOU ROTTEN KID.

- DADDY.

- HEY, KID.

IT'S YOUR BIRTHDAY.

HOT DOGS?

- MAKE A WISH.

- BUT THIS IS

NOT MY DIET.

MAKE A NICE WISH.

- DO I GET MY WISH?

- WHAT WAS IT?

- NOT TO GO TO SUMMER

SCHOOL THIS MORNING.

- UMM DAMN.

- WHAT?

- YOU SHOULD HAVE WISHED

FOR SOMETHING ELSE.

OH, COME ON.

JUST TODAY.

WE COULD GO

SOMEPLACE SPECIAL,

YOU AND ME.

OKAY, WE GET

AFTER SCHOOL,

WE GET ALL WEEKEND.

I'M GOING OUT TO MOM'S

HOUSE TOMORROW FOR

A BIRTHDAY DINNER.

SHE'S BEEN

AFTER YOU AGAIN,

RIGHT?

I DON'T WANT

TO LIVE IN

CONNECTICUT

I WANT TO LIVE

HERE WITH YOU STILL.

YOU DON'T HAVE

TO DECIDE TODAY.

OKAY?

- I LOVE YOU, DAD.

- GOOD.

I DIDN'T GET YOU NOTHING

FOR YOUR BIRTHDAY.

- YOU'RE A LIAR.

- WHAT?

WHAT'S THAT

IN YOUR POCKET?

GIVE ME THAT.

- THE BALLET TICKETS.

YOU GOT THEM!

- THE BALLET?

- YEAH.

- THEY SAID THIS WAS

FOR THE YANKEE GAME.

- I WAS ROBBED.

- GODDAMN, DADDY!

- THE FIFTH ROW!

- THAT'S 'CAUSE YOU'RE

A TERRIFIC KID,

LIKE YOUR OLD MAN.

NOW COME ON,

I'LL JOG YOU HALFWAY

TO SCHOOL, OKAY?

- OKAY.

- COME ON, LET'S GO.

GIVE ME THAT.

YOU'RE ON A DIET.

YOU CAN'T EAT HOT DOGS.

LET'S GO!

( radio playing )

DO YOU THINK A BOY

WILL EVER ASK ME OUT,

DADDY?

- WHY DOES EVERYBODY

HAVE TO DO THIS?

- DO YOU THINK ONE WILL?

SUGAR FACE,

YOU'LL DRIVE THEM

FUCKING CRAZY.

REALLY?

ARE YOU KIDDING?

YOU GOT YOUR OLD

MAN'S LOOKS.

- ( buzzing )

- ( engine starts )

- GOOD MORNING, HENRY.

- GOOD MORNING,

MISS CLAYTON.

DADDY, CAN WE GO

SOMEPLACE SPECIAL

FOR DINNER?

WELL, ACTUALLY,

I HAVE RESERVATIONS

FOR TWO

AT RONALD'S,

YOU KNOW?

- RONALD'S?

- YEAH, McDONALD'S.

McDONALD'S?!

FOR MY BIRTHDAY?

WHAT KIND OF

A PUNK FATHER

ARE YOU?

I GUESS I'M

PRETTY PUNK, HUH?

LISTEN, I'LL WALK

TO SCHOOL MYSELF

TODAY.

- YOU COULD GO

HOME AND SLEEP.

- YOU GOT YOURSELF A DEAL.

OKAY. YOU'RE

A HARD WORKER.

SEE YOU LATER.

- HAPPY BIRTHDAY, HUH?

- THANKS. OW!

BE GOOD.

( screaming )

SOMEBODY HELP!

HELP--

( screaming )

DON'T MAKE A MOVE,

DON'T MAKE A SOUND

AND YOU WON'T GET HURT.

- LET ME GO--

- DON'T GIVE ME

ANY BULLSHIT.

STAY DOWN AND

KEEP YOUR FACE SHUT.

SON OF A BITCH!

( honking )

( honks frantically )

- HEY, STOP!

- ( tires screech )

GOD DAMN IT!

( honking )

FUCK.

OW!

PLEASE!

SON OF A BITCH!

WHAT THE HELL, YOU THINK

THIS IS DISNEYLAND

OR SOMETHING?!

LOOK AT WHAT

THE BASTARD DID TO THE CAB.

WHAT ARE YOU DOING?

- HE GRABBED

MY LITTLE GIRL.

- YOUR DAUGHTER?

- YEAH.

- GET IN.

COME ON, GET IN.

WE'LL KICK HIS ASS,

THAT GODDAMN PERVERT.

- WHOA!

- DON'T WORRY, PARTNER,

I CAN CATCH ANYTHING

WITH WHEELS ON IT.

WOO!

WE'RE BIRD-DOGGING HIM NOW.

WE'RE BIRD-DOGGING HIM.

HANG ON, BABY,

WE'RE TAKING A SHORTCUT.

SON OF A BITCH WANTS

TO PLAY CHICKEN? OKAY.

I USED TO DRIVE

IN THE PORTO RICAN 500.

YOU KNOW WHAT THAT IS?

YOU GET ABOUT 500 GUYS

AND YOU ALL GO OVER TO

CLAYTON PARK AND GET LOADED.

THEN EVERYBODY GOES OUT

AND STEALS A CAR,

AND THE FIRST GUY TO MAKE IT

TO BAYONNE, NEW JERSEY,

HE'S THE WINNER!

OKAY, WE'LL BE

ON HIS ASS LIKE WHITE

ON RICE, BABY!

A GUY GOT A KID--

LOOK OUT!

A GUY GOT A KID IN MY

NEIGHBORHOOD ONCE AND

THE COPS DIDN'T DO NOTHING!

THAT AIN'T GONNA

HAPPEN THIS TIME.

LOOK UP.

I COULDN'T SEE

WHAT KIND OF GUY WAS IT

THAT GRABBED YOUR KID.

- A COLORED GUY?

- A WHITE GUY.

MUST BE ?

WHITE GUYS.

NO OFFENSE, BUT EVERY TIME

I CATCH A GUY HANGING HIS ASS

OUT THE WINDOW,

OR SCREWING IN THE BACKSEAT,

GODDAMN IT, IT'S A WHITE GUY.

I DON'T KNOW WHAT'S

THE MATTER. YOU MUST WEAR

YOUR UNDERWEAR TOO TIGHT.

LOOK OUT!

- LOOK OUT!

LOOK OUT!

- GET OVER.

HE'S GOING LEFT.

GET OVER.

- WE GOT HIM, ON THE LEFT.

- HERE, IT'S ON ME.

- I'LL RUN THIS CAR

RIGHT UP HIS ASS. SHIT!

- ( tires screech )

( honks )

- IS THIS YOUR TRUCK?

- ( speaks foreign language )

- I GOT AN EMERGENCY HERE.

YOU WANT TO MOVE IT OUT?

- ( speaks foreign language )

DON'T GIVE ME THAT

WITCH DOCTOR SHIT.

JUST MOVE THE TRUCK!

HEY, YOU,

COME HERE!

- GET IN HERE!

- HELP! NO!

HE'S GOT A KNIFE,

DADDY!

LOOK OUT!

( continuous honking )

COME ON, LEAVE ME ALONE!

OW! LET ME GO!

- PLEASE.

- COME ON, COME ON.

DADDY.

- HE RAN ACROSS THE STREET.

- SOMEONE CALL 911.

- ( honking )

- Driver: GET OUT

OF THE WAY!

INFLATION IS A CURSE.

QUALITY SHIRTS HERE,

MADE IN HONG KONG.

GENUINE LEVIS,

WATCHES, RADIOS,

TRANSISTOR RADIOS

MADE IN TAIWAN,

RIGHT HERE!

HEY, FOLKS!

HEY, FOLKS!

ANYBODY SEE A GUY

GO BY HERE WITH

A LITTLE GIRL?

DON'T FEEL FUNNY,

IT'S SUNNY,

I NEED YOUR MONEY!

Man:

HEY, YOU!

HEY, MIKE,

THE GUY JUST JUMPED

THE TURNSTILE

THAT PUNK

WITH THE BEARD!

WE GOT A MALE CAUCASIAN

TRAIN HOPER--

LONG HAIR, WITH A BEARD.

PLAID SHIRT...

HEY!

( passengers protest )

WHAT'S WRONG

WITH THAT MAN?

HEY, WATCH OUT.

- LET ME OUT!

- YOU NEED TO KEEP

YOUR MOUTH SHUT.

Man:

HEY, FELLA!

HEY, FELLA!

HEY, YOU!

YOU'RE UNDER

ARREST!

- COME ON, GET UP!

- DADDY!

COME ON, MOVE!

WOULD YOU MOVE?

DON'T TRY ANY

MORE TRICKS LIKE BACK

THERE IN THE CAR.

- OW! DAMN IT!

- GET UP, WOULD YOU?

COME ON, KEEP MOVING!

HEY, YOU!

YOU GODDAMN SON

OF A BITCH!

YOU FAGGOT!

HEY, MAN, WHERE YOU SELLING

THAT WHITE CHICKEN

PUSSY AT, MAN?

- I DON'T WANT

NO SHIT WITH YOU.

- WHAT DO YOU MEAN?

I ASKED YOU A FUCKING QUESTION.

YOU GONNA BE A FUCKING PUNK?

I'LL KICK YOUR ASS.

GET YOUR HANDS

OFF ME.

OH SHIT.

HE GOT ME.

( sobbing )

OH, HE GOT ME!

DAMN IT.

( engine stalls )

I TOLD YOU,

NO MORE TRICKS!

YOU HEAR ME?

- ( engine starts )

- Kathy: HURRY!

WAIT A MINUTE!

THAT'S MY TRUCK!

IT GOES ALL THE WAY

BACK TO THE BOOK

OF GENESIS.

THAT'S RIGHT--

DON'T TAKE MY CAR!

I NEED THE CAR

FOR OUR LORD'S WORK.

I NEED THIS CAR--

- SIT DOWN. SHUT UP.

- YOU'RE BREAKING A

COMMANDMENT.

- GUESS YOU REALLY

NEED TO STEAL YOURSELF A CAR--

- I'M NOT STEALING YOUR CAR.

NO, NO, DON'T WORRY.

I GOT INSURANCE.

PRAISE GOD.

( tires screech )

( honking )

( hyperventilating )

YOU OKAY?

WHAT'S THE MATTER,

YOU GOT ASTHMA?

YES, GOD HAS

GIVEN ME THAT BURDEN.

- SHIT.

- AND TWO IS EIGHT.

( laughs )

- ( screams )

- ( tires screech )

( screams )

FATHER, FIND A SPOT IN

YOUR HEART OF SAVING GRACE.

SWEET JESUS!

IN THE NAME OF

THE HOLY GHOST!

HALLOWED BE THY NAME!

THY KINGDOM COME,

THY WILL BE DONE.

BRING IT ON

BACK NOW.

EASY.

( hyperventilates )

OH GOD!

SWEET SAVIOR.

JESUS DOES SAVE.

SWEET JESUS,

SAVE US.

HEY, CAN I

HELP YOU?

- HEY, LET ME HAVE

CHOCOLATE ON A STICK.

- OKAY.

THERE'S NOT MUCH

YOU CAN DO TO CHOCOLATE

ON A STICK, HUH?

YEAH, THAT'S RIGHT.

- BUSINESS IS OKAY, HUH?

- OH, IT'S DYNAMITE.

THE REASON I ASK IS,

THIS FRANKIE,

THIS GUY MY DAUGHTER'S

GONNA MARRY,

IS THINKING OF

OPENING UP A FROZEN

YOGURT JOINT LIKE THIS.

- AND HE WANTS ME

TO SORT OF INVEST.

- AH...

- HOW MUCH YOU

MAKE HERE ANYWAY?

- ABOUT THREE-FOUR THOUSAND.

- A WEEK?

- MORE WHEN IT'S HOT.

THIS GUY FRANKIE,

HE'S A TALL, THIN GUY

WITH A MUSTACHE?

I DON'T KNOW.

I'VE NEVER SEE HIM.

I'VE HEARD HIM

ON THE PHONE, THOUGH.

HE SOUNDS NICE ON THE PHONE.

- LIEUTENANT, WE OUGHT

TO GET BACK HERE.

- YEAH, JUST A SECOND.

THIS STUFF AIN'T BAD.

IT'S LIKE ICE CREAM.

IT'S MUCH BETTER--

LOW IN CALORIES,

NOT FAT.

GREAT!

- WHAT DO YOU

PUT IN THIS SHIT?

- THEY TAKE SOME OLD MILK

AND THEY KIND

OF LET IT GO BAD--

ALL CURDLED AND

LUMPY AND SOUR,

THEN THEY LOAD IN

THIS BACTERIA CULTURE.

- YOU MEAN,

LIKE A DISEASE?

- YEAH, KINDA.

YOU KNOW, GERMS,

KINDA LIKE A MOLD

THAT GROWS IN THE MILK--

HEY, WHERE ARE

YOU GOING?

I'M GETTING

OUT OF HERE.

EXCUSE ME.

WHILE YOU WERE INSIDE,

WE JUST GOT ANOTHER CALL.

- IF IT'S ANOTHER PROBLEM,

I DON'T WANT TO HEAR IT.

- IT'S A KIDNAPPING.

THE FATHER'S AN EX COP.

HE WRECKED HALF THE CITY

CHASING AFTER SOME GUY.

NOW HE'S IN THE HOSPITAL

RAISING ALL KINDS OF HELL.

GET OUT.

WHAT ARE YOU

GONNA DO TO ME?

COME ON,

LET'S GO.

YOU WATCH YOUR STEP.

STAY CLOSE TO ME.

Man:

HEY, LOOKS LIKE

MR. BELL DONE DROPPED IN.

( overlapping dialogue )

THIS ALL USED

TO BE NICE UP HERE.

I MEAN,

IT WAS BEAUTIFUL.

MY FAMILY OWNED

97 UNITS ALL UP

AND DOWN THIS BLOCK.

LOOK AT IT NOW.

YOU USED TO

LIVE HERE?

I STILL LIVE HERE.

I'LL ALWAYS

LIVE HERE.

NOBODY'S KICKING

MY ASS OUT.

I DON'T CARE HOW MANY SPICS

AND NIGGERS YOU SEND IN HERE

TO BURN THE PLACE DOWN.

- WHAT ARE YOU TALKING ABOUT?

- I'M TALKING ABOUT WHAT

THEY DID TO THIS PLACE.

I'M TALKING ABOUT

THE RICH BASTARDS

IN THE CITY--

$60 MILLION IN POVERTY

FUNDS IN THEIR POCKET,

OUT OF THEIR POCKET,

RENT CONTROL,

WELFARE--

BULLSHIT!

I GOT THEIR NAMES.

I GOT ARTICLES IN

THE NEWSPAPERS.

THEY'RE ALL

GONNA PAY!

THEY SEND THE SPICS AND

THE NIGGERS IN HERE TO SHIT

ALL OVER MY NEIGHBORHOOD.

MOVE IT, MOVE IT!

( all cheer )

DON'T LEAVE ME.

I WANT MY SHARE!

LOOK AT THIS PLACE.

LOOK WHAT THESE

ANIMALS DONE TO IT.

THAT'S MY BUILDING.

I CAN'T EVEN PAY THE TAXES

ON IT NOW THE CITY'S

TAKEN IT AWAY FROM ME.

THEY'LL TEAR IT ALL DOWN.

YOU KNOW WHAT THEY'LL

DO THEN?

SELL THE LAND CHEAP,

THEN WHO BUYS IT?

YOU KNOW WHO'S BUYING UP

ALL THE LAND IN THE WHOLE

SOUTH BRONX?

CLAYTON GODDAMN PROPERTIES--

YOUR GODDAMN OLD MAN!

- MY FATHER?

HE DOESN'T--

- SHUT UP.

THE HELL DO YOU KNOW?

BUT MY NAME ISN'T

CLAYTON, IT'S BOYD.

KATHY BOYD.

( mimicking )

KATHY BOYD.

YOUR NAME'S

KATHY BOYD?

( laughs )

YOU THINK

YOU'RE PRETTY

SMART, DON'T YOU?

BUT IT WON'T DO YOU

NO GOOD TO LIE TO ME.

- 'CAUSE I KNOW

WHO YOU ARE.

- YOU DON'T UNDERSTAND.

MY FATHER ISN'T

RICH AT ALL.

NOT RICH ENOUGH, HUH?

SURE, YOU RICH BASTARDS

NEVER HAVE ENOUGH, DO YOU?

NO MATTER HOW MUCH YOU GOT.

SURE HAS STILL

GOT A LOT MORE THAN

I DO, DON'T YOU?

- SURE,

I GUESS SO, BUT--

- GODDAMN RIGHT.

YOUR OLD MAN'S

GONNA PAY UP BIG.

WHY DON'T YOU

UNDERSTAND ME?

- I HAVE NO REASON

TO LIE TO YOU.

- ALL THE RICH BASTARDS LIE.

THAT'S HOW THEY GET

RICH, AND THAT'S HOW

THEY STAY RICH.

THEY'RE NOT PUTTING

ANYTHING OVER ON ME BECAUSE

I'M WISE TO THEIR TRICKS,

WITH THEIR TAXES

AND BULLSHIT,

AND ALL THEIR LITTLE

GAMES THEY PLAY

SO GOOD, HUH?

THEY'RE ALL

IN IT TOGETHER,

JUGGLING THE BOOKS.

WELL, NOW THEY'RE

GONNA PAY, NOW I'M

GONNA BE THE JUGGLER.

I'M GONNA JUGGLE THE BOOKS

MY WAY AND IT'S GONNA

BALANCE OUT FOR ME.

( cheers, laughs )

YOO-HOO!

YOO-HOO!

YOO-HOO!

YOO-HOO!

YOO-HOO!

Man:

HELLO, PRETTY GIRL.

WHAT YOU DOING

SNEAKING AROUND HERE?

YOU MUST BE

MIGHTY LOST.

PLEASE...

THERE'S A MAN...

HE'S CHASING ME.

WHY DON'T YOU JUST

COME WITH ME?

I KNOW A PLACE

WE CAN HIDE OUT

AND NOBODY WILL

FIND US.

WHAT DO YOU SAY?

HUH...

- PRETTY LITTLE THING?

- YOO-HOO!

- HELLO, PUNK.

- GET THE HELL

AWAY FROM HER.

( laughs )

YOU A DIRTY MAN, WHITEY.

YOU HEAR ME?

I'M GIVING YOU

A CHANCE TO WALK AWAY.

- TAKE IT.

- HEY, FRIEND,

HAVE A DRINK, HUH?

WE'LL THROW US

A LITTLE PARTY.

WHAT DO YOU SAY, HUH,

CHINCHILLA?

LAST CHANCE,

JIGABOO,

GET THE FUCK

OUT OF HERE.

- ( screams )

- NO!

OW.

I'M WARNING YOU.

DON'T EVER TRY

THAT AGAIN.

A LOT OF VERY

BAD PEOPLE LIVE

AROUND HERE.

OW!

LET'S GO.

THERE'S A GUY COMING

FROM THE MAJOR CASE SQUAD TO

TALK A FEW THINGS OVER WITH YOU.

- OH SHIT.

- RELAX, WOULD YOU?

HERE, TRY THESE.

THAT IS NO GOOD.

I GOTTA BE ABLE

TO MOVE AROUND.

I'M AFRAID YOU CAN'T.

YOU SHOULDN'T PUT ANY WEIGHT

ON THAT FOR AT LEAST--

- CAN YOU FIND ME

A CANE OR SOMETHING?

- I DON'T KNOW WHAT'S LEFT.

- YOU KNOW, THE CITY'S

GONNA CLOSE DOWN--

- CAN'T YOU FIND ME SOMETHING?

I GOTTA GET OUT OF HERE.

I GOTTA FIND MY LITTLE GIRL.

SURE,

I UNDERSTAND.

I'LL SEE WHAT I CAN

DIG UP FOR YOU.

HEY, BOYD.

HEY, BOYD!

- TAKE THAT THING OFF.

- WHAT THE HELL DOES IT

MATTER TO YOU?

- I'M ASKING YOU, LET ME GO.

- YOU KNOW I CAN'T DO THAT.

I JUST TOOK

MY SERGEANT'S EXAM.

SAY THEY TOOK ME TO X-RAY,

AND I DISAPPEARED.

- NO, I CAN'T DO THAT.

PUT YOURSELF IN MY PLACE.

- I'D HATE TO BE IN YOUR PLACE,

'CAUSE YOU GONNA

HAVE TO SHOOT ME

IN THE BACK.

A CATERER?

WHAT FOR?

WRONG.

YOU GIVE THEM LASAGNA,

ANTIPASTO, WINE

AND RICH CRACKERS.

HEY, LISTEN, A FATHER

AIN'T SUPPOSED TO HAVE

NOTHING TO DO

WITH A BRIDAL SHOWER.

OF COURSE

I WANT IT NICE.

I KNOW THAT MARGARET

IS MY DAUGHTER,

AND SO IS TERESA,

SO IS ANNETTE,

SO IS--

WHAT'S HER NAME?

--MICHELLE.

RIGHT.

ALL RIGHT, GO AHEAD,

DO WHAT YOU WANT.

- GOODBYE.

- MACK, YOU GOT

CHANGE FOR A QUARTER?

- NO, I DON'T.

- YEAH, I GOT SOME DIMES.

HEY, HANDSOME!

HEY, MR. BOYD,

I FOUND A CANE

FOR YOU.

BOYD?

SEAN BOYD?

HOLD ON A SECOND

THERE, PLEASE.

DETECTIVE FOGARTY.

YOU'RE UNDER ARREST.

FRISK THIS GUY.

FRISK HIM.

LIEUTENANT TONELLI,

MAJOR CASE SQUAD.

- I'M REALLY SORRY.

- Boyd: THAT'S OKAY.

AS IF I AIN'T GOT ENOUGH

TO WORRY ABOUT WITH THE

PORTO RICAN BOMBERS.

I WANT A FULL REPORT

ON THE OFFICER WHO WAS

HOLDING THIS MAN.

ARE YOU GONNA BEHAVE

YOURSELF OR I GOTTA

PUT THE CUFFS ON YOU?

COME ON, LET'S

TAKE A LITTLE RIDE.

Boyd:

CUT THE BULLSHIT, TONELLI.

WHAT'S GOING ON WITH MY KID?

Tonelli:

NOTHING NEW,

WORKING ON IT.

Boyd:

THE GUY USED

A STOLEN CAR.

Tonelli:

WE GOT A ZERO ON THE

FINGERPRINTS SO FAR.

YOU'RE A FREAKING

ONE-MAN RIOT, BOYD--

HIT AND RUN,

ASSAULTING A

TRANSIT OFFICER,

GRAND THEFT AUTO.

FOR CRYING OUT LOUD,

DON'T YOU KNOW THAT

STUFF'S AGAINST THE LAW?

IT WAS A 10-13.

I WAS PURSUING A FELON.

BUT YOU FORGOT ONE THING,

YOU AIN'T A COP NO MORE.

I HEARD ALL ABOUT YOU

IN THE 22nd PRECINCT.

A LITTLE TOO SMART

FOR YOUR OWN GOOD,

HUH?

SO WHEN THE CITY WENT

BROKE AND THEY LAID OFF

ALL THOSE COPS,

- THAT GAVE THEM A CHANCE

TO GET RID OF YOU, RIGHT?

- WAIT A MINUTE.

- THE GUY DROPPED SOMETHING

AROUND 42nd STREET.

- WHAT DID HE DROP?

I DON'T KNOW.

E OF THOSE PORNO GIRLS

PICKED IT UP AT A PARLOR.

COULD BE SOMETHING.

LOOK, I GOTTA

TAKE YOU IN FOR ALL

THAT SHIT YOU DID.

YOU GOT THE RIGHT

TO A LAWYER AND BAIL,

LIKE EVERYBODY ELSE.

FUCK EVERYBODY ELSE!

I'M A COP, JUST

LIKE YOU-- I WAS.

I KNOW, AND IF

IT WAS MY KID, I'D

PROBABLY BE GOING NUTS TOO.

THEN LET ME HELP.

LET ME GET TO A CAR.

I'LL FIND THE SON

OF A BITCH MYSELF.

FIND NOT,

YOU'LL ONLY SCREW

THINGS UP.

WHAT WOULD HAVE HAPPENED

IF YOU HAD CAUGHT UP

WITH THAT NUT?

HE MIGHT HAVE SHOT

YOU AND YOUR DAUGHTER.

I WANT YOU OFF THE STREETS,

FOR YOUR OWN SAKE,

AND FOR HER SAKE.

I WANT YOU TO GO DOWNTOWN

AND STRAIGHTEN THAT OUT.

- AND GET IN TOUCH WITH ME.

- NOT NOW, GOD DAMN IT, NOW!

LOOK, THESE THINGS

DON'T WORK THAT WAY,

BOYD.

I GOTTA HOLD

OF YOUR EX WIFE.

SHE'LL MEET YOU

DOWN THERE.

YOU KNOW, TONELLI,

YOU KNOW WHEN

THEY LAID OFF ALL

THOSE COPS?

THEY SHOULD HAVE

SAVED SOME BIG MONEY.

THEY SHOULD HAVE

CANNED YOUR ASS.

( barking )

HELLO, BABY.

HELLO, BABY.

COME HERE.

DID YOU MISS ME?

HUH?

- DID YOU

MISS ME, BABY, HUH?

- ( dog growls )

DID YOU MISS ME?

FRIEND. SHE'S A FRIEND,

WOLFGANG.

( dog growls )

WOLFGANG LIKES

MY FRIENDS.

HE GETS REAL MAD

WHEN THEY DON'T DO

WHAT I SAY.

WELL, COME ON.

GO IN THE KITCHEN, BABY.

GO GET YOUR BONE, WOLFGANG.

GO AHEAD.

COME IN.

COME IN.

SIT OVER THERE.

THAT WAS

MY MOTHER'S CHAIR.

USED TO BE THE

NICEST ONE WE HAD.

STILL IS.

NOW, I DON'T WANT TO HEAR

NOTHING OUT OF YOU.

YOU UNDERSTAND?

I DON'T WANT

TO HEAR A SOUND.

- OKAY?

- YES.

( phone rings )

- CLAYTON RESIDENCE.

- MRS. CLAYTON, PLEASE.

MRS. CLAYTON?

- IT'S FOR YOU.

- WHO IS IT, ELDIE?

I DON'T KNOW.

IT SOUNDS LIKE

THE SCHOOL.

Miss Clayton:

OH MY GOD,

NOT AGAIN!

- IF YOU'VE GOTTEN YOURSELF INTO

HOT WATER AT SCHOOL AGAIN...

- I SWEAR I DON'T UNDERSTAND.

I'LL WRING

YOUR NECK.

HELLO?

YOU WANT TO SEE YOUR KID

ALIVE AGAIN OR CUT UP IN

CHUNKS OF MEAT?

I WANT

A MILLION BUCKS.

I GOT HER RIGHT HERE.

A MILLION BUCKS

OR CHUNKS OF MEAT.

GOT IT?

I--

- I DON'T UNDERSTAND.

- I GOT YOUR FUCKING LITTLE

MILLION-DOLLAR KID HERE.

I WANT THE MONEY.

YOU GET IT, I'LL CALL BACK.

WHAT DID THEY

WANT THIS TIME?

NOTHING.

- ELDIE?

- YES, MRS. CLAYTON?

- WHERE'S MY FATHER'S

NUMBER IN THE COUNTRY?

- WHAT'S GOING ON?

- IT'S IN HERE SOMEWHERE.

YOU'D BETTER CALL MR. CLAYTON.

- MOM, WHAT'S GOING ON?

- ON SECOND THOUGHT, YOU'D

BETTER CALL THE POLICE.

- MOM, WHAT'S WRONG?

I GOT A SURPRISE FOR YOU.

LOOK WHAT YOU GET TO HAVE.

I GOT SOME REAL NICE

STUFF FOR YOU TO EAT,

WITH ICE CREAM AFTERWARD.

BUT YOU GOTTA EAT

YOUR SANDWICH FIRST.

THAT'S WHAT

MY MOTHER WOULD

ALWAYS SAY--

"YOU GOTTA EAT YOUR LUNCH

OR YOU CAN'T HAVE DESSERT."

DON'T YOU WANT

TO HAVE YOUR ICE CREAM?

NO, THANK YOU.

I'M ON A DIET.

YOU GONNA EAT,

GOD DAMN IT!

I BOUGHT IT FOR YOU!

WHAT DO YOU MEAN,

YOU'RE ON A DIET?

YOU KNOW...

I'M TOO...

PLUMP.

WHAT ARE YOU,

OUT OF YOUR MIND?

A WOMAN'S GOT

TO HAVE SOME MEAT

ON HER BONES.

THAT'S WHAT MY FATHER

ALWAYS SAID.

YOU GOTTA HAVE MEAT.

HE USED TO SEE PICTURES

OF THOSE SKINNY MODELS.

YOU KNOW, IN THE MAGAZINES?

HE SAID THEY LOOK

LIKE MEN.

"NOW, YOUR MOTHER,"

HE SAID,

"YOUR MOTHER'S GOT

SOME MEAT ON HER BONES."

THEN HE'D LAUGH

AND LAUGH.

I THINK YOU LOOK

JUST FINE.

YOU'RE GONNA HAVE

YOUR LUNCH NOW, RIGHT?

RIGHT?

RIGHT?

( barking )

( chatter, typing )

I'M DETECTIVE FOGARTY.

THIS HERE'S BOYD.

I'LL BOOK

THIS THROUGH, COLLIE,

HE'S AN OLD

BUDDY OF MINE.

- LIEUTENANT TONELLI

CALLED DOWN ABOUT IT.

- HELLO, MR. BOYD!

YOU'RE SUPPOSED TO BOOK HIM

THROUGH AND TAKE HIM DOWN

TO 42nd STREET.

I KNOW ALL ABOUT IT.

I'LL HANDLE IT. I'LL

TAKE GOOD CARE OF MR. BOYD.

I JUST HOPED TO GOD

THAT I WOULD SEE YOU AGAIN.

I WANT TO MAKE

A PHONE CALL.

YEAH.

BE MY GUEST.

ONLY FIRST WE GOT

A FULL REPORT TO MAKE OUT,

RIGHT, MR. BOYD?

WHAT THE FUCK

ARE YOU PULLING?

TONELLI SAID--

WHAT TONELLI SAID

DON'T MEAN SHIT

AROUND HERE!

NOW, YOU WANT TO MOVE

INTO THE INTERROGATION

ROOM, MR. BOYD?

I WANT A LAWYER,

BARNES, NOW.

YOU WROTE A REPORT THAT

I WAS MAKING A PUERTO RICAN

CHICK IN THE STATION?

YEAH, GETTING RICH,

KNOCKING DOWN ON ALL

THE POTENTIAL--

YOU KNOW WHAT THAT DID

TO MY WIFE AND KIDS?

DID SHE MAKE YOU

SLEEP ON THE COUCH?

( door locks )

BELIEVE ME,

THERE'S NOTHING I'D

RATHER DO THANTAY HERE

AND KICK THE SHIT

OUT OF YOU,

BUT WE HAVEN'T GOT TIME--

( grunts )

TIME, YOU MAGGOT?

- YOU GOT ME SUSPENDED

TWO MONTHS WITHOUT PAY!

- COME ON, A GUY'S GOT MY KID.

I HAD TO BEG THEM

JUST TO GET BACK ON

THE CRUMMY FORCE!

BITCH.

THEY PASSED ME

IN AND OUT OF EVERY

PRECINCT IN THIS CITY

AND I GOT YOU

TO THANK FOR IT,

YOU UGLY SUCKER!

LISTEN TO ME,

YOU LAME IDIOT,

YOU'RE SUPPOSED TO BE A COP.

YOU'RE NOTHING BUT SCUM.

YOU FUCKING RATTED

ON YOUR FELLOW BROTHER

OFFICER.

YOU PROTECT YOUR OWN,

MR. BOYD.

SCUM LIKE YOU

DON'T BELONG IN

THE FORCE!

WHEN THEY GOT THE CHANCE,

THEY CANNED YOUR

ROTTEN ASS,

NOT MINE, YOU PUNK!

MISERABLE FUCKING BASTARD!

SEAN?

SEAN!

WHAT HAPPENED?

- LET'S GET OUT OF HERE.

- WHERE'S KATHY?

THEY SAID SOMETHING

HAPPENED TO HER.

WHERE IS SHE?

- WHAT'S WRONG?

- LET'S GO. DRIVE.

SLOW.

- THEY BOOKED ME

AND I WALKED OUT.

- I DON'T UNDERSTAND.

WE WERE IN THE PARK JOGGING.

KATHY WENT OFF TOWARD SCHOOL.

I HEARD HER SCREAMING.

- SOME GUY GRABBED HER AND

PULLED HER INTO THEIR CAR.

- WHAT?

MAYBE HE WON'T HURT HER.

SOME OF THESE GUYS JUST--

- MAYBE HE'LL

JUST LET HER GO.

- ( sniffling )

IS SHE-- I MEAN,

WHEN YOU SAW HER,

WAS SHE ALL RIGHT?

YEAH, I THINK SO.

TURN HERE.

I'LL FIND HER.

I PROMISE YOU.

HOW ARE YOU GONNA

FIND HER?

LOOK, THESE THINGS HAPPEN.

SURE THEY HAPPEN--

THAT ROTTEN NEIGHBORHOOD

AND THE CREEPS IN THAT PARK!

WHAT THE HELL

ELSE DID YOU EXPECT

TO HAPPEN?

IF IT MAKES YOU

FEEL BETTER TO BLAME IT

ON ME, GO AHEAD, OKAY?

- IS THAT WHAT YOU WANT?

- SINCE WHEN DID YOU CARE

WHAT SOMEONE ELSE WANTS?

- I DID WHAT I HAD TO.

- YOU DID WHAT YOU WANTED TO,

AND YOU ALWAYS DO.

AND NOW YOU'RE

A LOUSY TRUCK DRIVER,

AND YOU LIVE IN

THE SLUM WITH THE

REST OF THE DEGENERATES

AND KATHY PAYS FOR IT.

YOU KEPT HER THERE, GOD DAMN IT,

NOW SHE PAYS FOR IT.

- IT ISN'T FAIR!

- STOP THAT FREAKING CAR!

STOP!

SHE DON'T WANT

TO LIVE IN A GODDAMN

HOUSE IN CONNECTICUT.

YOU UNDERSTAND?!

- ( sobbing )

- SHE WANTS TO STAY HERE,

YOU NEUROTIC BITCH!

- SHE LIKES THE CITY.

- THAT'S BECAUSE SHE'S

NEVER KNOWN ANY DIFFERENT.

SHE GREW UP IN GODDAMN

CESSPOOL WHERE PEOPLE ARE

RAPED ON THE STREET!

I'M SORRY WE ALL CAN'T

BE BORN RICH.

OH BULLSHIT!

YOU COULD HAVE

HAD A CAREER.

YOU JUST HAD TO LOUSE

EVERYTHING UP!

OH IT'S SO WRONG

IF A COUPLE OF COPS

MADE SOME EXTRA MONEY.

- EVERYBODY MAKES

EXTRA MONEY!

- SHIT YES!

AND MOVE TO CONNECTICUT

AND LIVE IN A RICH

FUCKING HOUSE?!

ALL I HAD TO DO WAS KEEP MY

MOUTH SHUT AND PLAY THE GAME

AND RIDE THE TRAIN, RIGHT?

ALL I EVER WANTED

WAS TO MOVE TO A

DESCENT PLACE,

- A SAFE PLACE

TO BRING UP KATHY!

- ALL YOU EVER WANTED WAS MORE.

BUT NO, YOU COULDN'T MOVE.

YOU LOVE NEW YORK,

- THE OLD NEIGHBORHOOD!

- SHIT, BARBARA!

YOU'RE FULL OF SHIT!

( sobs uncontrollably )

HEY...

BARBARA...

SHE'LL BE OKAY,

YOU KNOW?

U'RE GONNA STAY

AT YOUR SISTER'S.

I'LL LET YOU KNOW.

I'LL LET YOU KNOW.

HAVE YOUR MISSES

AND YOUR DAUGHTER

GET ON THE PLANE

AND GO OUT TO THE COAST.

OR IF YOU GOT A PLACE

IN CONNECTICUT?

IT'S A DAMN SHAME WHEN

PEOPLE CAN'T LIVE IN

THEIR OWN APARTMENT.

IT'S A NICE PLACE YOU GOT.

WHAT DOES IT SET YOU BACK,

$2,000 A MONTH?

WE OWN THE BUILDING.

MARGUERITE, THIS IS

LIEUTENANT TONELLI.

HE ASKED IF THERE WERE

ANY SOUNDS, ANY NOISES

THAT CAME THROUGH

- WHEN THE PHONE CALL CAME IN.

- NO, I DON'T THINK SO.

I'M SORRY.

ALL RIGHT.

IF HE CALLS BACK,

THIS TIME WE'LL

GET HIM ON TAPE,

AND THEN MAYBE

WE HEAR SOMETHING

WE CAN IDENTIFY.

- FOGARTY, IS THAT RIG

PLUGGED IN THE PHONE YET?

- WE GOT IT ALL HOOKED UP.

ANYTHING THAT COMES IN,

WE TRACE. EXCEPT IT'LL

TAKE TWO MINUTES.

- ALL RIGHT, I WANT

TO TEST IT MYSELF.

- USE THAT PHONE, LIEUTENANT.

ALL RIGHT.

FOGARTY, DIAL

MY HOUSE, WOULD YOU?

- OKAY.

- EXCUSE ME.

GOT IT?

- GOT IT.

- HELLO?

WHO?

IT'S ME!

- I CAN'T TALK NOW.

I'M JUST TESTING OUT A PHONE.

- YOU'LL BE ALL RIGHT, BABY.

HEY, HEY, PIPE DOWN,

PEOPLE ARE LISTENING.

NO, NO,

IT'S ALL RIGHT.

HUH?

I DON'T WANT

TO HEAR ABOUT

INVITATIONS NOW.

WRONG.

GOOD BYE.

THIS WORKS

VERY WELL.

NOW, I WANT YOU

TO DO WHAT YOU

NORMALLY DO,

ONLY KEEP YOUR

DAUGHTER INSIDE.

I'LL CHECK BACK

WITH YOU LATER,

SAY TONIGHT.

BUT AREN'T YOU

STAYING, LIEUTENANT?

I MEAN, UNTIL HE CALLS.

HE'S A NUT.

MAYBE HE CALLED ONCE.

WHO KNOWS IF

HE'LL CALL AGAIN?

LOOK, I GOT A LOT

OF STUFF. I HAD FIVE

BOMB CALLS TODAY.

CAN YOU BELIEVE THAT?

I'LL SEE YOU LATER.

AREN'T YOU ASSIGNED

TO THIS CASE,

LIEUTENANT?

RIGHT. I'M ASSIGNED

ALL OVER THE PLACE.

I'LL BE BACK.

LIEUTENANT!

I PAY MORE TAXES

TO THIS CITY

IN ONE MONTH

THAN YOU AND

YOUR DAMN PRECINCT

TURN IN A YEAR.

I THINK

I'M ENTITLED TO

SOME CONSIDERATION.

MEANING WHAT?

GO AHEAD, WHY

DON'T YOU SAY IT?

WHAT ARE YOU GONNA DO,

CALL YOUR FRIEND

THE COMMISSIONER?

WHO ELSE, THE MAYOR?

TELL HIM I WANT

A RAISE.

I DON'T MAKE

IDLE THREATS,

LIEUTENANT.

I TAKE ACTION

AND I GET RESULTS.

YOU KNOW, I DEAL

WITH MURDERERS,

RAPISTS, THIEVES,

CREEPS OF ALL KINDS.

THEY DON'T SCARE ME.

YOU SCARE ME.

I'LL SEE YOU LATER.

( phone rings )

- HELLO?

- HELLO, IS THIS

THE CLAYTON RESIDENCE?

Yes.

HAVE YOU GOT

PRINCE ALBERT IN A CAN?

I'M SORRY.

WHAT DID YOU SAY?

WHAT I SAID WAS,

"DO YOU HAVE PRINCE

ALBERT IN A CAN?"

You'd better

let him out.

( laughs )

- WHO IS THIS?!

- You got the goddamn million

bucks like I told you?

LISTEN, THIS IS

MR. CLAYTON.

MY WIFE DOESN'T WANT

TO TALK TO YOU.

YOU TALK TO ME,

YOU UNDERSTAND?

MR. CLAYTON?

CLAYTON CENTURY

PROPERTIES?

HOW'S THE REAL ESTATE

BUSINESS, YOU FUCKING

MULTIMILLIONAIRE BASTARD?

- FINE.

- I'll bet it is.

YOU DON'T HAVE NIGGERS

AND PUERTO RICANS TAKING OVER

YOUR BUILDINGS,

- WHAT DO YOU MEAN?

- I'M WISE TO YOUR GAME,

YOU SON OF A BITCH!

YOU SEND SPICS

AND NIGGERS TO RUIN

A DECENT NEIGHBORHOOD,

BUY IT UP CHEAP,

TEAR IT DOWN AND PUT UP

YOUR FANCY BUILDINGS!

LOOK, IF THERE'S

SOMETHING THAT I'VE DONE

OR SOMETHING THAT

MY COMPANY HAS DONE,

I'M SURE WE CAN SETTLE.

If you'll just give me

somewhere that I can

get a hold of you.

THE FUCK I WILL.

I'M GIVING YOU SHIT!

GIVE ME A MILLION BUCKS

OR YOU'LL NEVER SEE

YOUR KID AGAIN.

- GOT IT?

- YEAH.

SO LISTEN,

HOW ARE YOU GONNA

GET MY KID, HUH?

I'LL CUT HER UP,

YOU SON OF A BITCH!

SHE'S SITTING RIGHT HERE.

SHE'S SITTING THERE?

You got the goddamn million

like I told you?

YEAH, I GOT

THE MILLION.

- WHERE DID YOU GET HER?

- OUTSIDE YOUR BELFAIR

ARMS, CLAYTON.

- In the park?

- THERE'S A CONCERT

THERE TONIGHT.

BEHIND THE STAGE,

THERE'S A MAINTENANCE BUILDING,

THAT'S WHERE I WANT THE MONEY.

ONE MAN LEAVES

THE MONEY INSIDE.

YOU UNDERSTAND?

- And I'm watching

all the time.

- YEAH, BUT...

HOW DO I KNOW YOU GOT

MY KID? HOW DO I KNOW

YOU GOT ANY KID?

'CAUSE I'LL CUT

HER HAND OFF AND SEND IT

TO YOU IN A PAPER BAG

LIKE YOU SUCKERS

SCREWED EVERYBODY ELSE

OUT OF THEIR PROPERTY!

PUT HER ON THE PHONE,

LET ME TALK TO HER.

FUCK YOU, I'LL PUT HER

ON THE PHONE!

HE'S GOT A KID THERE,

ALL RIGHT,

AND IT AIN'T YOURS.

JESUS CHRIST.

I BET IT'S BOYD'S GIRL.

THEY GOT IT ALL.

THEY GOT THE WHOLE

GODDAMN WORLD,

AND THEY LET

THE SPIC NIGGERS IN.

YOU KNOW WHY?

SO EVERYTHING

STAYS THE SAME.

'CAUSE AS SOON

AS EVERYTHING GETS TOO GOOD,

NATURE SAYS YOU GOTTA

BALANCE IT ALL BACK

SO THEY SEND THE SPICS

AND THE NIGGERS IN

TO KEEP EVERYTHING

JUST RIGHT-- 98.6.

STICK A THERMOMETER UP

THE EARTH'S ASS ANY TIME,

DAY OR NIGHT,

98.6 IN THE BEEHIVE.

ANYBODY GETS IN THE WAY OF THAT,

ANYBODY DON'T LIKE THAT,

THEY KICK HIS ASS OUT

OF THE BEEHIVE,

BECAUSE NATURE

DON'T LIKE THAT.

WELL, FUCK YOU, NATURE!

FUCK YOU!

BARNES, 22nd PRECINCT.

YEAH, GIVE ME A 22-5,

SUSPECT SEAN BOYD.

6'2", CAUCASIAN,

175 LBS.,

WEARS A BEARD.

WANTED FOR ASSAULT

ON OFFICER

AND ATTEMPTED MURDER.

SUSPECT BELIEVED

HEADED FOR THE 42nd STREET

PORNO DISTRICT. OUT.

Man's voice over P.A.:

It's yours, every fantasy

you've ever had.

- Right this way.

- HEY, BROTHER.

WHERE YOU GOING, MAN?

YOU LOOKING AROUND

OR YOU GONNA WALK DOWN?

I GOT SOMETHING NICE AND YOUNG.

I GOT A GREAT PIECE

OF WHITE CHICKEN HERE.

NO ROUGH STUFF

WITH THIS BROAD.

IF YOU WANT ROUGH STUFF,

I CAN GET THAT, TOO.

I'M LOOKING FOR A GIRL

I SAW THIS MORNING.

SHE WAS OUT IN FRONT

OF ALL THESE JOINTS

IN A ROBE.

HEY, I CAN GET THEM

DRESSED UP ANY WHICHWAY.

WHAT YOU DIG? LEATHER,

LACE OR HOW ABOUT

A COWGIRL OUTFIT?

OR HOW ABOUT SOMETHING--

HEY, WHERE YOU GOING?

YOU DON'T WANT

TO GO IN THERE,

THAT'S SELF-SERVICE.

- YOU STROKE YOUR OWN!

- QUARTERS! QUARTERS!

- EVERYTHING COSTS QUARTERS.

- HEY, I NEED SOME HELP.

- YEAH, WHAT FOR?

- I'M LOOKING FOR A GIRL

THAT WAS OUT FRONT

- THIS MORNING IN A ROBE.

- THERE'S CHICKS DOWNSTAIRS,

- BUT YOU DON'T SEE NOTHING.

- IT'S THE SAME GIRLS THAT

WERE HERE THIS MORNING?

PARTNER, MONEY TALKS

AND BULLSHIT WALKS

- AND THAT'S THE WAY IT BE.

- HERE, TAKE FIVE FOR YOURSELF

- AND GIVE ME

FIVE IN QUARTERS.

- THANKS, FRIEND.

THOSE SAME GIRLS

ARE STILL HERE,

BUT I DON'T KNOW WHICH CHICK

YOU'RE LOOKING FOR.

QUARTERS!

EVERYTHING COSTS QUARTERS!

Woman over P.A.:

? Check it out,

check it out, get down ?

? Get down, get down,

get down, come on, daddy. ?

Booth number six is open

and we've got three hot,

nasty lovely ladies

doing it for you,

doing it to you, yeah.

Reach for your cock

and grab onto something

hard and round.

Ooh, it's a quarter.

We've got a lot

for your quarter, daddy.

- Hi, sweetheart.

- HEY, LISTEN.

A guy ran by here this morning

and dropped something

and one of these girls

picked it up.

Picked it up?

Why don't you

pick up on this?

- Do you like that?

- WILL YOU LISTEN TO ME?

That's the girl right there.

I want to talk to that girl.

- She saw the guy,

and she picked it up.

- I GOT ALL YOU NEED.

Knock it off, will you?

The guy kidnapped my daughter,

- my girl.

- COME ON, HONEY.

- I chased him right

in front of the place--

- ( beeps )

- HEY, I'M TALKING TO YOU!

- ( bell dings )

How you doing? Yeah.

A GUY RAN BY HERE

THIS MORNING.

HE DROPPED SOMETHING.

THAT GIRL RIGHT THERE

PICKED IT UP

and I want to see her.

Do you understand?

- OOH, SEE ME.

- I want to talk

to this girl.

- TALK TO ME.

- Listen to me!

GET HER OVER HERE!

- ( moaning )

THAT GIRL, RIGHT THERE,

SAW THE WHOLE THING,

AND I GOTTA

TALK TO HER, PLEASE.

- What, this girl?

- GET THAT GIRL OVER HERE,

YOU HEAR ME?

THERE'S SOME GUY OVER HERE

BANGING ON THE WINDOW...

( mumbles )

COME HERE!

( beeps )

Come on, baby.

What can I help you with?

YOU'RE THE ONE.

YOU WERE OUT FRONT

THIS MORNING,

A GUY DROPPED METHING,

YOU PICKED IT UP.

Yeah, you like a nice little

pair like I got here?

Look, I gotta

find this creep,

he took my little girl.

- He took your girl?

- YEAH.

Aw, poor baby. Don't worry,

you'll find another one.

Hey, goddamn it, you know

what I'm talking about.

- HEY! COME BACK HERE,

I'M TALKING TO YOU!

- ( beeps )

Hey, it's you.

You decided to stay.

Tell that other girl

to come over here.

- COME ON,

HAVE A NICE TIME.

- Go get her, will you?

Go get her yourself!

...ARE GONNA BREAK

THEIR NECKS AND SUE ME,

AND I WANT THOSE...

HEY, YOU, COME HERE.

HEY, SUSIE, THIS CREEP--

( all yelling )

GET OUT OF HERE!

GET OUT OF HERE!

GET OUT OF HERE,

YOU FUCKING HOODLUM!

GET THAT SON OF A BITCH

OUT OF HERE.

BITCH, YOU DON'T LEARN

TO FUCKING GOOD.

- OH THAT'S OKAY!

- ( police siren blaring )

DON'T YELL AT ME!

YELL AT THAT FUCKHEAD

WITH THE BEARD!

TRYING TO PROTECT

THIS FUCKING PLACE!

Woman:

I DON'T KNOW WHAT

YOU'RE TALKING ABOUT.

HEY, BABY, THIS IS

WHAT THE GUY DROPPED.

IT'S A DOG LICENSE

OR SOMETHING...

- AND THAT MEDALLION.

- THANKS, HON.

Woman:

WHAT THE HELL DO I PAY

YOU SCUMBAGS FOR?

Woman over radio:

42nd and 8th, a man with a

beard fitting your description

just wrecked a porno joint,

headed east on 42nd.

ACKNOWLEDGE, OUT.

( tires screeching )

( car honks )

Man:

WHAT'S THAT?

- HEY, WHAT'S GOING ON?

- Woman: OH MY GOD!

- SEAN BOYD!

- ( woman screaming )

Barnes:

HALT, BOYD! FREEZE!

HOLD IT, BOYD!

- Man #2: GET DOWN,

GET DOWN! LOOK OUT!

- ( screaming )

- MOVE!

- ( honks )

EVERYBODY DOWN!

GET DOWN!

HALT, BOYD!

( police siren blaring )

HEY, GET ME OUT OF HERE!

HE'S CRAZY!

- HE'LL KILL US BOTH!

- FREEZE, BOYD!

WHAT THE HELL'S

GOING ON HERE!?

BARNES, 22nd.

HE'S AN ARMED FUGITIVE.

- I CAN'T BELIEVE IT.

- NO, WHERE?

WHAT'S HE ARMED WITH?

ALL I SAW WAS YOU BLASTING

OFF THAT SHOTGUN.

- ALL RIGHT.

- I DON'T GIVE A SHIT

WHO YOU'RE SHOOTING AT,

YOU CAN'T BLAST PEOPLE

OFF THE SIDEWALK!

- GET OFF MY BACK.

- I DON'T BELIEVE IT.

NUT PICKED A HELL

OF A GOOD SPOT FOR A DROP.

HOW THE HELL

YOU GONNA STAKE OUT

A CROWD LIKE THIS?

HE'S SOME KIND

OF WISEGUY.

HE THINKS HE'S GONNA

USE THIS ROCK CONCERT

AS A DECOY.

- MAYBE. YEAH, MAYBE.

- HEY, WHAT'S THIS?

YOU KNOW,

I THINK THIS WACKO'S

GONNA COME STROLLING

THROUGH THAT JUNGLE LIKE

HE WAS KING KONG.

YEAH, MAYBE.

MAYBE.

BUT IT'S NOT GONNA MATTER.

IT'S NOT GONNA MATTER,

'CAUSE HE'S GOT TO

COME OUT INTO THE OPEN

TO GET THE MONEY.

- MAYBE.

- THAT'S IT.

WHAT DO YOU MEAN,

"THAT'S IT"?

WE'VE GOT THE LIGHT TOWERS.

WE MAN THE LIGHT TOWERS.

HE STEPS

INTO THE OPEN GROUND,

WE WHACK HIM IN CROSSFIRE,

BINGO, FINISHED, ENDED.

YOU START FIRING

AROUND A CROWD LIKE THAT,

- YOU'RE GONNA HAVE

A RIOT ON YOUR HANDS.

- WHAT RIOT?

THESE KIDS

ARE ALL PILLED UP.

THEY'RE GONNA HEAR

A COUPLE OF POPS, TONELLI.

A COUPLE OF POPS

AND SOME BACKGROUND

ROCK 'N' ROLL MUSIC.

SUPPOSE HE'S GOT THE KID

WITH HIM? HE'S BEEN USING

HER AS A SHIELD.

THEN WE GOT TO AIM

A LITTLE HIGH, YOU KNOW?

NOW YOU WAIT JUST

ONE FRICKING MINUTE, DEITZ.

WE'RE TALKING ABOUT

AN EX-COP'S DAUGHTER HERE.

I GOT MY PROBLEMS

DOWNTOWN ON THIS.

I'M GETTING

A LOT OF HEAT ON IT,

YOU UNDERSTAND?

YOU CAN TELL THAT RICH

FUCKING WHORE CLAYTON

THAT HE CAN SEND THE CHIEF

OF POLICE HIMSELF DOWN HERE

PERSONALLY TO KICK

MY ASS IF HE WANTS TO.

I AIN'T SENDING NO KID

THROUGH NO CROSSFIRE.

YOU GOT THAT?!

NOW, COME ON, LET'S SEE

WHAT WE GOT OVER THERE.

WHY DON'T YOU GO UP THERE,

CHECK THE ATTIC?

YES, SIR.

- COULD BE RATS UP THERE.

- WHAT THE HELL'S A RAT

GONNA DO TO YOU?

HE CAN'T EAT YOU.

A TIGER OR SOMETHING,

THAT'D EAT YOU. GO AHEAD.

ALL RIGHT, WE'LL PLACE ONE

OF YOUR TRIGGER-HAPPY FAGGOTS--

- ONE OF MY WHAT?

- DON'T WORRY ABOUT IT.

WE'LL PLACE ONE OF MY MEN

UP THERE WHERE YOU ARE.

- THAT'S BETTER.

- IT'LL BE DARK.

WE'LL PUT THE MONEY

OVER HERE. THE NUT

COMES THROUGH THE DOOR,

THEN EVEN IF HE'S GOT

THE GIRL WITH HIM,

WE'VE GOT A CLEAR SHOT

AT HIM. CLEAR ENOUGH.

NO CROSSFIRE,

NO RIOT, NO BULLSHIT.

- YOU GOT IT?

- OKAY, TONELLI.

WE'LL WORK TOGETHER

ON THIS ONE.

I'LL GIVE YOUR MAN

FIRST CRACK AT IT.

BUT IF HE SCREWS UP,

I'M GONNA PERSONALLY WASTE

ANYTHING THAT'S MOVING.

THANK YOU, MISS.

YEAH, GIVE ME A 10-90.

NEW YORK CITY

ANIMAL REGULATIONS RECORDS.

YEAH, BARNES. BARNES.

NEW YORK CITY

ANIMAL REGULATIONS RECORDS!

GIVE ME

THE GODDAMN ADDRESS,

ALL RIGHT?

YEAH, ALL RIGHT.

THANK YOU.

- ( Gus cackling )

- ( dog growling )

HO, I GOTCHA!

THAT'S A GOOD BOY.

IS THIS ALL RIGHT?

IS THIS THE ONE

YOU WANTED ME TO PUT ON?

YEAH, THAT'S IT.

MY MOTHER

USED TO LIKE BLUE.

SHE AND THE OLD MAN

USED TO GO TO CONCERTS

ALL THE TIME.

CARNEGIE HALL

AND ALL THAT.

SHE'S BURIED

OVER IN BROOKLYN.

WE OWNED THE WHOLE

GODDAMN BLOCK.

IT'S A VERY PRETTY DRESS.

YOU LOOK VERY NICE

IN IT, TOO.

I WANT YOU TO HAVE IT.

YOU CAN KEEP IT, OKAY?

THANK YOU.

IT'S ALL RIGHT.

I'LL MAKE IT ALL BACK

ANYWAY, WITH INTEREST--

A MILLION DOLLARS' WORTH.

BUT I TOLD YOU,

MY FATHER DOESN'T HAVE

A MILLION DOLLARS.

YOU JUST KEEP IT UP,

GO AHEAD.

MAYBE YOU CAN CONVINCE ME,

BUT YOU BETTER HOPE NOT,

BECAUSE IF I DON'T

GET MY MONEY, YOU KNOW

WHAT'S GONNA HAPPEN TO YOU.

- MY FATHER

WAS A POLICEMAN.

- YOU'RE A LITTLE LIAR.

THINK YOU CAN SCARE ME

OFF SAYING THAT?

YOU KNOW WHAT

MY MOTHER USED TO

DO TO ME WHEN I LIED?

SHE USEDO

TAKE ME BY THE EAR,

DRAG ME IN THE KITCHEN

AND WASH MY MOUTH OUT

WITH SOAP.

IS THAT WHAT YOU WANT ME

TO DO TO YOU?

TODAY-- I MEAN,

THIS MORNING,

IT WAS MY BIRTHDAY.

WE WERE GOING

TO THE BALLET

AND SOMEPLACE SPECIAL

FOR DINNER.

HAD A HEAVY DATE, HUH?

WITH MY FATHER,

NOT WITH A BOY.

I NEVER HAD

A REAL DATE YET

WITH A BOY.

AW, CRAP.

IT'S KIND OF FUNNY,

HERE I GOT 1,000 DOGS

THAT DON'T HAVE NO TAG,

AND YOU COME IN HERE

WITH A TAG THAT DON'T

HAVE NO DOG.

I DON'T CARE ABOUT THE DOG,

I GOTTA FIND THE GUY THAT

USED TO OWN THE DOG.

HEY, THIS HAS BEEN

ONE HELL OF A CRAZY DAY.

I'M BUSY. IT'S CLOSE

TO QUITTING TIME.

OH, I GET IT. MONEY TALKS

AND BULLSHIT WALKS, HUH?

THAT AIN'T NICE.

THAT AIN'T NECESSARY.

OKAY, PLATED

ON THE NECK CHAIN.

PEOPLE FIX THEM UP

LIKE THAT WHEN THEY GOT

A SPECIAL DOG AND THEY DIE.

THAT'S AN OLD NUMBER,

MAYBE 10, 15 YEARS.

THE GUY THAT DROPPED THAT TAG,

HE'S WANTED BY THE COPS.

HE GRABBED MY KID,

HE'S STILL GOT HER.

YEAH, I KNOW PEOPLE

LIKE I KNOW MY DOGS

AND I BELIEVE YOU.

I HOPE THE RECORDS GIRL

HASN'T GONE HOME YET.

YOU'D BE SURPRISED

AT THE RECORDS WE GOT HERE.

IT CAN BE

FILED UNDER ANYTHING--

DOG BITES, STRAYS,

MISCELLANEOUS ANIMALS.

WE'RE GONNA BE HERE

FOR SOME TIME, YOU KNOW?

I TOLD MARIA HERE

ABOUT YOUR KID STORY,

SHE'S GONNA STAY LATE

AND HELP OUT.

- WATCH YOUR HEAD.

- DON'T WORRY, WE'LL FIND IT.

WE'VE GOT ALL

THE GODDAMN RECORDS,

THEY WONDER

HOW WE SPEND 15?.

BUT WE AREN'T LOOKING

FOR ANY 15?.

DO YOU THINK YOU COULD

GET THIS BOX DOWN FOR ME?

YEAH, WHY NOT?

SURE.

RECEIPTS LIKE THAT STARTED

WITH FIORELLA LAGUARDIA.

EVERYTHING BEFORE 'EM

WAS ALL GRAFT.

DOLLAR IN YOUR POCKET,

DOLLAR FOR THE CITY.

THE NUMBERS,

THEY MAKE A JUMP HERE.

THIS SERIES--

THIS IS IN 1964.

WATER FLOODED IN HERE

IN '72, SOAKED THE WHOLE

GODDAMN PLACE.

DON'T WORRY, WE SAVED

MOST OF IT, RIGHT?

IF IT ISN'T

IN THESE LICENSE RECEIPTS,

WE'LL GO ON

TO THE RABIES SHOTS

RECORDS.

WE'LL KEEP DIGGING.

DON'T WORRY ABOUT

THE OVERTIME,

I ALREADY PUNCHED OUT.

( dogs barking )

I'LL TAKE CARE OF THIS,

JUST GET LOST, OKAY?

STAY OUT HERE.

SERGEANT BARNES,

POLICE DEPARTMENT.

JUST STAY OUT.

WHAT ABOUT THE SEALS,

WHALES AND WILD HORSES?

ALL DOG FOOD.

WHAT THIS COUNTRY

FEEDS DOGS, YOU CAN

FEED ALL OF INDIA.

LIKE ONE SICK STRAY,

PUT HIM AWAY

AND THE NEWSPAPERS

ARE HAVING A SHIT-FIT.

I GOT ANOTHER FIVE YEARS.

WHEN I RETIRE THEY

CAN HAVE IT.

WHEN I FIRST STARTED

YOU COULD DRIVE OUT

TO BROOKLYN.

Maria:

NO, THESE ALL HAVE

THE FIRST THREE

NUMBERS RIGHT.

WHAT WERE THOSE

LAST TWO NUMBERS AGAIN?

OH, WAIT A MINUTE.

2-9-0-5-7-0.

71, 72,

73, 74, 75,

- I GOT IT.

- ( gun cocks )

RUN. GO AHEAD, RUN.

LISTEN TO ME, BARNES.

I FOUND HIM.

I GOT THE GUY'S

NAME AND ADDRESS.

- WHAT THE FUCK

ARE YOU DOING?

- POLICE BUSINESS.

NOW MOVE OUTSIDE,

MR. BOYD.

- SURE, BUT LET'S

CALL IT IN FIRST.

- OUTSIDE.

- FOR CHRIST'S SAKE,

IT'S A KIDNAPPING!

- I GOT ONE CASE

TO WORRY ABOUT,

AN ESCAPED FUCKING

PRISONER-- YOU!

AND THAT'S THE ONE

I'M GONNA TAKE CARE OF,

ONE WAY OR THE OTHER,

ALL RIGHT?

- NOW MOVE. MOVE.

- PLEASE, OFFICER,

LET ME HAVE THE NAME.

- I CAN CALL.

- GOD DAMN IT, BARNES,

THERE'S NO TIME.

DO SOMETHING SO I CAN BLOW

YOUR HEAD OFF. MOVE.

YOU HAVE EVERY RIGHT

TO BE PISSED, BUT DON'T

TAKE IT OUT ON MY KID.

IT'LL TAKE FIVE MINUTES.

YOU'VE GOT THE ADDRESS.

JUST CALL IT IN!

DON'T YOU UNDERSTAND?

THAT PAPER, THAT'S THE ONLY

CHANCE MY KID HAS GOT?

I'M GONNA TAKE IT

AND THROW IT DOWN

THE FREAKING SEWER.

- NOW MOVE.

- ( gunshot )

MY LEG! MY LEG!

HELP! HELP ME!

HELP!

( screaming )

FOR GOD'S SAKE!

MARIA?

GET HIM OFF!

TAKE IT EASY, FELLA.

WE'LL GET YOU OUT

OF HERE IN A MINUTE.

GRAB HIM BY THE ARMS!

BETTER CALL AN AMBULANCE

BEFORE THE MAGGOT

BLEEDS TO DEATH.

HEY, SOMEBODY CALL

AN AMBULANCE!

- GUS SOLTIC.

- BAKER AVENUE?

IT'S AN ADDRESS

IN THE SOUTH BRONX,

ISN'T IT?

- I GO HOME THAT WAY.

- I CAN TAKE THE PELHAM LINE.

- IT'S A PRETTY

BAD NEIGHBORHOOD.

- YEAH, I KNOW.

- YOU SHOULD REALLY

DO SOMETHING FOR THAT.

- I DON'T NEED NOTHING.

- THE POLICE COULDN'T HELP?

- YOU SAW HOW THE COPS

HELPED ME.

THEY'RE NOT ALL AS BAD

AS THIS ONE.

IF THIS GUY SOLTIC

SMELLS THE COPS COMING,

WHO KNOWS WHAT

HE'LL DO TO KATHY?

BESIDES, I WANT

THIS BASTARD MYSELF.

YOU SHOULD HAVE A WEAPON

OR A GUN OR SOMETHING.

- YEAH, I WISH I HAD A GUN.

- MY BROTHER HAS A GUN.

- BUT HE'S OVER IN BROOKLYN.

- WHERE DO YOU GET OFF?

185th.

HEY, THANKS.

HOW OLD'S YOUR DAUGHTER?

13 TODAY.

- HER BIRTHDAY? TODAY?

- YEAH, HOW ABOUT THAT?

I BOUGHT HER TICKETS

TO THE BALLET, YOU KNOW?

SHE'S CRAZY

ABOUT THE BALLET.

I KNOW THIS SOUNDS FUNNY,

BUT YOU KNOW WHAT I

KEEP THINKING?

- HUH-UH.

- I'M SORRY SHE ISN'T

GOING TO BE THERE.

IT'S THAT BALLET.

I DON'T EVEN KNOW

IF SHE'S ALIVE

AND I KEEP THINKING

ABOUT THE GODDAMN BALLET.

IT'LL BE ALL RIGHT.

YOUR STOP.

OH YEAH.

OKAY, I'LL SEE YOU.

OKAY.

( yelling in Spanish )

Maria:

HEY! HEY!

I DECIDED TO WALK

WITH YOU,

TELL YOU WHICH SIDE

OF THE STREET TO STAY OFF OF.

WON'T YOUR OLD MAN

BE LOOKING FOR YOU?

WHAT OLD MAN?

( speaking Spanish )

TAXI!

( whistles )

WHERE YOU GOING, MAN?

( speaking Spanish )

- TAXI! HEY, TAXI!

- ( tires screech )

I NEED YOUR HELP.

3925 BAKER AVENUE.

I DON'T KNOW

ABOUT BAKER AVENUE, MAN.

EVERYTHING GONE OVER THERE.

- MIGHT NOT BE NO-- HEY!

- WHERE YOU GOING, MAN?

GOING WITH ONE OF OUR CHICKS,

WE CUT YOUR NUTS OFF.

SHE'S HELPING ME

FIND THIS ADDRESS.

THEN GET YOUR ASS OUT

OF BORINQUA AVENUE.

I'LL TAKE HIM OUT,

HE ALREADY PAID ME.

- LIKE SHIT.

- YEAH, LIKE SHIT.

- ( gang yelling )

- GET OUT OF HERE NOW.

- I CAN HELP YOU.

- GO, NOW.

- Boy: MOVE, PUTA!

- ( tires screech )

I GOT NO REASON

TO MESS WITH HER,

AND I SURE GOT NO TIME

TO MESS WITH YOU.

I ONLY WANT TO FIND

THIS GUY SOLTIC.

WELL, THEN YOU FIND HIM,

YOU DIG IT?

YOU FIND HIM, ASSHOLE.

GET THE FUCK

OUT OF HERE.

Boy #2:

CUT HIM.

( screams )

HEY, MAN, COME ON!

COME ON!

Woman:

MAN, THAT'S A MEAN

BUNCH OF CHILI PEPPERS.

- LET'S GET OUT OF HERE.

- 3925 BAKER AVENUE.

WHAT'S THE MATTER

WITH THESE PEOPLE?

YOU. YOU'RE THE WELFARE,

THE CREDIT MAN OR A COP.

- WHAT'S THAT MEAN?

- WHY ELSE DOES A WHITE MAN

COME HERE ASKING QUESTIONS?

YOU PUSH TOO HARD,

PEOPLE GONNA PUSH BACK.

YOU WHITE FOLKS BROUGHT SLAVES

OVER HERE TO PICK COTTON

AND MAKE YOU RICH.

AND WE'VE BEEN A PAIN

IN YOUR ASS EVER SINCE.

- BUT DID YOU LEARN?

HUH-UH, NO, SIR.

- TELL ME ABOUT IT.

NOW, INSTEAD OF NIGGERS,

YOU DONE BROUGHT IN

THE PUERTO RICANS.

AND THEY A PAIN

IN THE ASS TO EVERYBODY.

GO, MAN! COME ON!

GO! GO!

( dog growling )

HELLO, CLAYTON?

HERE IT IS.

At 9:00 P.M.

the concert starts.

the music's playing,

everyone's having a good time.

ONE GUY GOES BEHIND

THE BANDSTAND, WALKS INTO

THE MAINTENANCE BUILDING.

HE COMES OUT

LEAVING THE MONEY.

NO COPS, NO NOTHING.

YEAH, I GOT IT--

ONE GUY ALONE.

RIGHT.

ALONE. RIGHT.

AND I'LL HAVE A KNIFE

ON THE KID ALL THE TIME,

YOU UNDERSTAND?

I'LL CUT

HER GODDAMN HEAD OFF.

Okay, fucking Hampton

Richmond Clayton III?

9:00 P.M., AND NO SHIT WITH

THE SERIAL NUMBERS, RIGHT?

THEY'RE ALL MIXED UP,

THEY'RE IN A SUITCASE,

ALL $100 BILLS.

- YEAH, 10,000

$100 BILLS, RIGHT?

- ( clatters )

- WHAT THE FUCK WAS THAT?

- NOTHING, NOTHING.

- I DROPPED SOMETHING.

- YOU LYING BASTARD!

YOU BUGGING THIS PHONE?

NO, NO, NO. LOOK.

WE GOT THE MONEY.

- WE GOT THE MONEY HERE.

- WE? WHAT'S THE WE SHIT?

YOU GOT IT AND I GOT

THE GODDAMN KID.

YOU. YOU!

GET OVER HERE.

TELL HIM YOU WANT TO GO

HOME OR I'LL KILL YOU.

- I...

- TELL HIM.

SAY IT!

I WANT TO GO HOME!

PLEASE, HE'S GONNA KILL ME!

OKAY? YOU HEAR THAT,

SUCK-TOOTH?

AND YOU TOLD ME

YOUR FATHER WAS

A GODDAMN COP.

( chuckles )

IT'S TIME TO GET

THE POT OF GOLD

AT THE END OF THE RAINBOW,

SWEETMEAT.

I-- I'D BETTER CHANGE.

ROCKEFELLER PLAZA,

BAKER AVENUE.

GOT TO BE ON

THIS BLOCK SOMEWHERE.

EXCUSE ME, LADY,

WE'RE LOOKING FOR A MAN--

WHITE MAN, HE LIVES

ON THIS BLOCK SOMEWHERE,

HAD A KID WITH HIM.

3925, GOT A DOG.

- COUPLE OF THEM AROUND HERE.

- THERE HE IS, THERE HE IS.

- THERE GOES THAT MOTHERFUCKER.

- WHAT'S THE NAME OF THAT MAN

YOU'RE LOOKING FOR?

- SOLTIC, GUS SOLTIC.

- GUS SOLTIC.

SOLTIC? OH, YOU MEAN

THE MOLE MAN.

WORKS DOWN

IN THEM STEAM TUNNELS

UNDER CENTRAL PARK.

CRAWLS DOWN THEM PIPES

WITH ALL THE RATS.

- SHIT, THAT SUCKER IS CRAZY.

- WHERE IS HE NOW?

THAT'S THE MOLE MAN'S

BUILDING RIGHT OVER THERE.

( gang yelling )

COME ON! LET'S GO!

YO, FELLAS!

COME ON, LET'S GO!

COME ON, YEAH!

THERE HE IS!

MOVE! MOVE!

- DAMN IT!

- GET THAT MOTHERFUCKER!

GRAB HIM! GRAB HIM!

GET HIM NOW!

GO THE OTHER WAY!

GO THE OTHER WAY!

GET HIM!

GET HIM!

HE'S GETTING AWAY!

GET HIM NOW!

( Boyd grunts )

- OH SHIT, BRO.

- KILL HIM, MAN!

MOTHERFUCKER!

HEY, MAN, YOU SEE

A GUY COME RUNNING

BY HERE WITH A KID?

NO, I DIDN'T SEE NOBODY.

I DIDN'T SEE NOBODY.

DADDY!

WE'VE GOT YOU NOW.

GONNA CARVE ME A PIECE

OF YOUR ASS, MOTHERFUCKER.

( gang yelling )

YOUR ASS IS MINE, POP.

( screams, thuds )

( distant police sirens

blaring )

I'VE GOT TO GET A HOLD

OF ONE OF YOUR LIEUTENANTS.

Boyd:

HEY, HELP ME, WILL YOU?

- Cop: WHO THE HELL ARE YOU?

- I GOT TO GET A HOLD

OF A GUY FROM

THE MAJOR CASE SQUAD,

LIEUTENANT TONELLI.

Cop:

FUCKING UNDERCOVER

ASSHOLES

WITH YOUR LONG HAIR

AND TENNIS SHOES.

DIAL BRONZE-52,

CODE THREE.

- ( radio warbles )

- FUCKING MADE-IN-JAPAN SHIT.

- YOU ALL RIGHT?

- YEAH, THANKS.

- I OWE YOU ONE.

- Cop: HERE, YOU TAKE THIS.

LIEUTENANT TONELLI,

WHERE THE HELL IS HE?

Woman:

He's on a stakeout,

they're paying a ransom.

RANSOM? WHAT DO

YOU MEAN RANSOM?

- GET TONELLI, GOD DAMN IT!

- No can do.

- he's holding position

behind the stage.

- WHAT STAGE? WHERE?

- At the concert,

Central Park, tonight.

- SONS OF BITCHES.

- WHAT THE HELL

ARE YOU DOING?

- WHAT ARE YOU DOING?

- I'M GOING

TO GET MY DAUGHTER.

- YOU'RE GONNA GET KILLED

- IS WHAT YOU'RE DOING.

- TONELLI DOESN'T KNOW SOLTIC

WORKS UNDER THE PARK

AND HE AIN'T GONNA BE

DOING WHAT THEY THINK.

WON'T BE LONG NOW, KID.

WE GOT 'EM RIGHT

WHERE WE WANT 'EM.

YOU AND ME.

EXCUSE ME, EXCUSE ME!

POLICE BUSINESS.

- LIEUTENANT TONELLI,

MAJOR CASE SQUAD.

- I DON'T SIGN AUTOGRAPHS.

- I WANT YOU

TO DO ME A FAVOR.

- I DON'T SING BALADI.

LISTEN, HONEY,

WHEN YOU START

PLAYING TONIGHT,

NO MATTER WHAT HAPPENS,

JUST KEEP PLAYING LOUD.

NO PROBLEM.

NO PROBLEM.

THE MONEY SURE LOOKS

AS REAL AS HELL, DON'T IT?

TELL THOSE GUYS

TO QUIT SCREWING AROUND,

IT'S ALMOST TIME

TO PUT THE MONEY WHERE

I TOLD YOU.

A JOINT. NOT GONNA

DO THIS TOO MUCH MORE.

( machines humming )

( train clacking )

- HEY, I'M SORRY.

- ABOUT WHAT?

ALL THAT SHIT.

GETTING YOU MIXED UP.

DON'T BE.

I'M NOT SORRY. REALLY.

- ( man talking over P.A. )

- ( crowd cheering )

Okay, it's about time.

I think we're gonna go!

We're gonna get it on,

and here they are!

- Let's here it for them!

- ( rock music playing )

( muffled rock music

playing )

SOUNDS LIKE THEY'RE WAITING

FOR US UP THERE, DON'T IT?

WHO?

THEY THINK THEY'RE

GONNA CATCH ME WHEN

I GET THE MONEY.

THEY THINK I'M COMING OUT,

BUT I'M NOT COMING OUT.

MAYBE YOU'RE NOT, EITHER.

MAYBE WHEN WE GET

THAT MONEY

WE CAN BOTH GO OFF

TOGETHER SOMEWHERE,

- ME AND YOU.

- BUT YOU TOLD THEM

THAT YOU'D LET ME GO!

- YOU PROMISED!

- MAYBE YOU WON'T

WANT TO GO BACK.

YOU'LL BE RICH.

THINK ABOUT IT, OKAY?

- Boyd: YOU STAY HERE.

- Maria: YOU GIVE

THE ORDERS, HUH?

- THAT'S RIGHT!

- HEY, JUST MAKE SURE

YOU COME BACK.

BOYD, YOU'RE FUCKING UP

A STAKEOUT.

- TONELLI, LISTEN TO ME.

- NO, YOU LISTEN TO ME.

YOU'RE UNDER ARREST.

THE GUY'S NAME

IS GUS SOLTIC,

HE WORKS IN THE TUNNELS,

IN THE PIPES UNDER HERE.

- WHAT?

- HE'S GONNA COME UP

UNDER THAT BUILDING.

UNDER IT?

OH SHIT.

DEITZ, GIVE ME

THAT RADIO.

( over radio )

Tonelli to Anderson.

- Anderson, come in.

Come in.

- ( gunshot )

KATHY! NO!

ANDERSON, COME IN.

Come in!

Did you get him?

- Damn it!

Anderson, over!

- ( gun clatters )

YOU STUPID BASTARDS.

I TOLD YOU NO TRICKS

OR I'LL KILL THE KID.

KATHY!

SOLTIC, YOU'VE GOT

THE MONEY, LET HER GO.

( gunshot )

YOU IN THERE!

LISTEN TO ME!

- YOU'VE GOT THE WRONG KID!

- I DON'T GIVE A SHIT

WHO I GOT,

I'VE GOT THE MONEY,

DON'T I? HUH?

DUMB, FUCKING

COP BASTARDS.

I'M GONNA KEEP HER!

? I'M GONNA KEEP HER,

I'M GONNA KEEP HER. ?

( gun clicks )

CHRIST.

- I FUCKED UP, LIEUTENANT.

- NO, YOU DIDN'T, SON,

I DID.

Tonelli:

JUST HOLD STILL NOW.

TRY NOT TO MOVE.

YOU'RE GONNA

BE ALL RIGHT.

( creaks )

ALL RIGHT,

GET AN AMBULANCE IN HERE,

I GOT A WOUNDED OFFICER.

MY HOME DOWN HERE, KID.

I KNOW IT LIKE

THE BACK OF MY HAND.

NOW YOU STAY

REAL CLOSE TO ME,

OTHERWISE THE RATS

ARE GONNA GET YOU.

KATHY!

PLEASE, MISTER,

LET ME GO.

I PROMISE

NOT TO TELL ANYONE.

YOU DON'T REALLY WANT THEM

TO FIND US, DO YOU?

BECAUSE IF HE DID,

HE'D RUIN IT FOR US,

WOULDN'T HE?

MILLION-DOLLAR BABY.

WHY-- WHY'D YOU DO THAT?

KATHY!

Boyd:

KATHY!

- DADDY!

- ( gunshot )

- SOLTIC, LISTEN TO ME.

- GET AWAY FROM US!

LISTEN TO ME!

I DON'T CARE ABOUT YOU,

THE COPS OR THE MONEY.

KEEP THE FRIGGING MONEY!

JUST LET MY KID GO!

WHAT ARE YOU DOING?

STOP IT! DADDY!

OVER HERE!

( gunshots )

DADDY! DADDY!

( giggling maniacally )

( electricity crackling )

DADDY!

DADDY!

WE DID IT.

WE'RE ALL CLEAR.

( cackling )

Kathy:

YOU KILLED HIM!

- Soltic: GOT THE MONEY!

- Kathy: LET GO OF ME!

- LET ME GO!

- ( Soltic laughing )

WE CAN BE TOGETHER

YOU AND ME.

? HAPPY BIRTHDAY TO YOU. ?

( gunshot )

( growling )

GET BACK!

Boyd:

GET BACK!

( gun firing )

KATHY, GET OUT!

SHE WANTS

TO BE WITH ME.

- YOU'VE GOT THE MONEY.

- I WANT THE MONEY FOR HER.

WE'RE GONNA HAVE

FINE THINGS AGAIN,

LIKE IT USED TO BE.

IT'S GONNA BE PERFECT.

WE'RE GONNA HAVE EVERYTHING

WE WANT.

NOW GET OUT OF HERE

AND LEAVE US ALONE!

- GET OUT OF HERE!

- KATHY, DON'T BE AFRAID.

GET OUT OF HERE!

HE WON'T HURT YOU.

Boyd:

JUST GO ON.

SEE?

SHE WANTS TO STAY

WITH ME. RIGHT?

KEEP GOING

UP THE LADDER.

PLEASE.

I WANT YOU TO STAY.

COULD YOU PLEASE STAY

SO EVERYTHING COULD

BE RIGHT AGAIN?

UP, RIGHT ON

OUT THE TOP. GO ON.

NO.

I LOVE YOU,

LITTLE GIRL.

I'M GONNA KILL YOU.

( gun clicking )

( yells )

( grunting )

( gunshot )

DADDY.

YOU ALL RIGHT?

THANKS. HUH?

- YEAH, I GUESS SO, BUT...

- BUT WHAT?

I STILL DON'T WANT

TO GO BACK TO MOMMY'S.

- I LOVE YOU VERY MUCH.

- YOU'RE BEAUTIFUL, KID.

- THANKS.

- YOU'RE LUCKY, JUST LIKE

YOUR OLD MAN.

COME ON.

? WON'T YOU TELL US JUST

WHAT'S ON YOUR MIND? ?

? WHY DO YOU RUN

AND HIDE? ?

? COULD IT BE

THAT YOU HATE TOO MUCH? ?

? DO YOU EVEN HATE

THE MAN INSIDE? ?

? NIGHT JUGGLER ?

? TREAT ME LIKE A PUPPET

ON A STRING ?

? NIGHT JUGGLER ?

? DO YOU WONDER WHAT

THE NIGHT WILL BRING? ?

? WON'T YOU TELL US JUST

WHAT'S ON YOUR MIND? ?

? WHY DO YOU RUN

AND HIDE? ?

? COULD IT BE

THAT YOU HATE TOO MUCH? ?

? DO YOU EVEN HATE

THE MAN INSIDE? ?

? WON'T YOU TELL US

JUST WHAT'S ON YOUR MIND? ?

? WHY DO YOU RUN

AND HIDE? ?

? COULD IT BE

THAT YOU HATE TOO MUCH? ?

? DO YOU EVEN HATE

THE MAN INSIDE? ?

? NIGHT JUGGLER ?

? NIGHT JUGGLER ?

? NIGHT JUGGLER ?

? NIGHT JUGGLER ?

? NIGHT JUGGLER. ?