Mia and the Dragon Princess (2023) - full transcript

- Our story
starts hundreds of years ago

when the only daughter
of an 18th-century

aristocratic family, who was
betrothed to Javanese royalty,

renounced everything.

Her title, her riches,

much to her family's
displeasure.

She was Marshanda Damayanti,
the princess pirate.

She fled a life

of confinement to live
unchained and unfettered,

plundering the South China Sea,

where she formed a new family,



a loyal crew of women she
saved from the shackles

of servitude or title.

it was on the high seas
she forged a friendship

with a notorious
pirate, Red Cat Morgan.

Together, they ruled the
waves, becoming each other's

only true ally,

but their past was
never far behind.

Victims of their ravage, hell
bent on tracking them down,

wanting retribution in blood.

When her pursuers
eventually closed in,

Marshanda entrusted her
share of the riches to Red,

who in turn gave her a wrist
device that would lead her back

to Red and the treasure.

She then headed towards the
frozen waters of the Antarctic,



so desperate to escape
that she went somewhere

no one would dare follow.

But tragically, her ship
was lost to the ice,

lost for hundreds
of years until now.

- Up here,

Stuart, we have one of
those homeless again.

Get Mr. Walsh

down here immediately.

- Hey!

- Get her out of here!

Get the boss! Get Mr Walsh!

- Daddy, she's hungry, catch.

- She did not pay
for that spring roll.

Tase her, Gary.

- Mia, Mia.

Mia.

Those toilets is blocked again,

and I've got a big meeting with
this finance tosser Collins.

He's in the bar
waiting right now

and the timing's terrible.

You know, sometimes
I think it's a sign.

You know, sometimes I think
you want me to lose this bar.

Hmm?

- Fine, I'll do
it, give it here.

- Oh, I love the way
you unblock a toilet.

- Ew.

Sorry, sorry.

What is,

I don't speak, I'm really sorry,

listen, I don't,
I'm from Croydon.

Do you know Croydon?

You're hiding from
someone, is that it?

It's going to be okay.

- Excuse me.

Did you see a woman run
through this way just now?

- A lady in the medical gown?
- Yes.

- Yeah, she shoved
me and went that way.

She just left, you might
still be able to catch her.

- Thank
you, Thank you.

Police!

- That was so exciting,

I've never lied to
the police before.

Oh crap,

are you an escaped killer
on a violent rampage?

Oh, let's just get you inside.

There's food inside, food.

I have an idea.

Here, take this.

Catch.

Wait, wait, no, no, no,
no, I promise, wait, wait.

More, good, good,
look, mmm, mmm, good.

Oh, no, no, don't, don't.

You want another one,
you got it, that's it.

This guy, he didn't do anything,

just gave vague promises.

Hey, it's okay.

Time to distract Eddie.

Eddie!
- Where you been?

The toilets are blocked,
don't worry about it.

Oh, careful, oh my
God, Eddie, come on.

- State of that shitty bar,
make it yourself, did ya?

- Yeah, I like it, too.

It's Skip's great, great, no,

great, great, great, great,
great, great grandfather

had a commission or something.

You all right, Benny?

- Mia, can I trouble
you for another?

- Yeah, of course.

Hey, how's sick leave going?

Oh, you know,

another day on the right side
of the grass and oh, lovely,

let me keep the box.

- Very nice, fair
do's hey, the usual?

- Oh, yes, please.

Eddie made me something called

discharge of the
light brigade, ugh.

- No worries, leave it with me.

- We need to get you
unhooked from this taser.

This is gonna suck, but, hey.

I'm sorry, I think I understood
that and I'm really, really,

I'm really sorry, I'm so
sorry. I'm so sorry, bear with.

I'm so sorry, bear with,
bear with, breathe.

Let's get you into something
a little less conspicuous.

Looks good.

Let's see.

It's amazing what people
leave behind in pubs

after a few pints, honestly.

These look like they'll
fit, so try these on.

Okay, let's get you some
real food, all right.

What do you fancy, scampi
fries, beef crisps?

Are you vegetarian,
because that's all we have?

Right, you might
be a mass murderer

and I'm here asking about
your dietary requirements.

I'm an idiot, okay,
please stay, all right,

I'll be right back.

- Hey, hey, ready
yourselves for another

delightful concoction from
London's greatest mixologist.

I call this one , angel jizz.

- Welcome explorers to
the Smugglers Tavern,

the pirate's private
party palace.

This is the most historically
infamous sordid den

of villainy and
underworld chicanery

that ever was in
old London town.

And it's here our
walking tour of London

shall pause for refreshments
and use of the facilities.

Mine's a Brandy Alexander
if anyone's buying.

No?

No?

Fair enough.

- Argh, froze banana, bone sack.

- I need to talk to step
to Skip about our deal.

- He's busy.

- Just get him.
- I just said he's busy.

- Please.

- I'm not selling.
- Mr. Walsh is offering--

- I'm not selling!

- I know it's been
in your family for generations,

but you need to think about--
- I will not change my mind.

- Fine, Mr. Walsh
won't be happy.

- Hey, look, I know you're
really doing everything you can

to help out, but is
there anything you can do

to just help out
a little bit more?

- Well, if he doesn't pay
any of you this month,

he might just scrape by,
but what about next month?

Hey, don't worry.

You can always be a
barmaid somewhere else.

It's not the only pub in London.

- Eddie will
be with you shortly.

- Skip is missing his cue.

- He's in the
middle of something.

- Shit, here, tell
this lovely girl,

- Woman.
- Woman, about

the dastardly dealings
of the Smugglers Tavern.

- We do two for one cocktails
between now and six.

- Nice.

- Cocktails.

- Actually, let me go find
this general knowledge expert

who knows a lot more than I do.

- Lots of the legends
here are true,

it's a most
mysterious place this.

Before the great
fire, it was 1666,

lots of nefarious stuff, and
right here, I mean this bar,

it's built right on
top of the lost rivers

and caves of London, all lost

when they rebuilt
post-fire apparently.

- To reach your destination,
you must leave the shore.

- Ah, yes, the maxim
of ferocious pirate
Catherine Morgan,

or Red Cat, as she was known.

- Oh yeah, because
she had nine lives,

- Cat
discovered a baby kraken

orphaned from its mother.

She cared for this
krakling, naming her Lucy,

a fierce protector of the
pirate who raised her.

Red Cat spent years
trying to find a friend,

eventually Cat turned up here.

Her last hope was that
her friend would follow

in her footsteps to the
infamous Smugglers Tavern,

known as a black market for
trading pillaged riches.

Allegedly, she left
a trail of clues

should Marshanda return
to claim her share

before Cat herself became
nothing more than legend.

The man being shot by Red
Cat in the painting bears

a likeness to Skip's
forefather who owned the tavern

at the time, leading many
to believe Skip's family

were more involved
in the sordid deeds

of this notorious
pirate than we know.

- Cool, I'll take two of
those cocktails please.

- Kraken, it's a nice touch.

- I actually love the kraken.

- I hope you enjoy
daylong sci-fi sessions

with an unwashed flacid ape man.

He feeds off
self-esteem, this one,

so I'd look out for that, yeah.

- Hey, Eddie, can
you pass me a water?

- Hey, check this out.

See this fool over there?

So she used to date him

and it looks like
they've dragged new dates

to the same place.

- Why don't you kick
this date into phase two

and just shit off to Nando's.

- You shit off to
Nando's, you ponce.

- Eddie, the water.

Thank you.

- Oh, hey, They've called down,

delivery's waiting, been up
there for about 10 minutes.

- 10 minute, ugh.

You can stick your apology.

Hey, well done, another
delivery's been nicked.

This one's on you, Eddie.

- Come on, don't
be like that, Mia.

Skip, Eddie did not--

- Run, Mia, run!

- Are you all right
down there, Skip?

- I think so.

- Call an ambulance, Eddie.

Hey, don't kill him, don't.

- Ya.

Ya.

That was the same crest as
the restaurant next door.

Hey, what does this mean?

- Her vocal sound obliterated,
that's not healthy.

Sounds like you've been
doing eight Phantoms a week.

That's serious.

I can fix this.

- Skip!

- Oh, hey, you
can't be back here.

- Yep, just knocking together
a cheeky vocal tonic.

- Eddie, they cut the landline
before roughing me up.

That's another thing
I, ow, to pay for.

Oh yeah?

See, if I was 15 years younger,

I'd throw you about like
an empty track suit.

- What's this?

- Gun powder and this is
why you can't be back here.

- All right.

- Hey, you're a bright bulb,

maybe you can communicate
with her, what's she saying?

- I'll see what I can do.

- Wanna get some ice on that.

There's no signal down here.

- I know.
- Right, I'll go up

and call the police.

- I don't think the
police can help her.

What is she looking for?

Hey, who were those guys?

- Just some people who want
to cash in on Mummy's fortune.

I can't even afford
to keep the lights on

and they can smell the
blood in the water.

So I'm gonna have to sell.

I let my father down.

- I can help you,
I've been saving up.

- Oh, Mia, no, I
can't do that again.

- Yes, please, yes you can.

It's fine, you can owe me.

- I can't.

- Skip, please, it's fine.
- Mia, no.

It's only a bar.

- It's a home.

- I can't.

I can't.

- It's not up to you.

I'm gonna help you.

I won't be needing
this anytime soon.

So much for traveling the world.

Come on, you.

- Okay, let's see how get
this translation app is.

You're welcome.

Language not recognized.

- See if you can translate.
- Do your thing.

Who are you?

- Marshanda Damayanti.
- Marshanda?

- Marshanda.
- I'm Mia.

Mia.

- Mia.
- Yes, Mia.

Marshanda.

- Sod this shithole,
ladies to champers.

- The police
are on their way.

Danger.

- Danger.

- Hey, police are gonna
be here in a little bit.

And I don't want my
friend to get in trouble.

Can she come with you
just for a short while?

I'll come find her and
drinks will be on me.

- Abso-bloody-lutely.

- Tell her
that she needs to go

and I'll come find her then.

- Go.

- She'll be safe with us.

- None of you saw
her, especially you.

- I'm not supposed to go
anywhere until the police.

I will buy you shots.

I will get you to, stop,

they're surprisingly strong.

- Oh, no, no, no, go, go.

- Go on then.

I can't.

I can't leave them.

No, wait, what you doing?

- Did you call the police?
- Yes, yes, I did.

And they are coming
to take statements

so everyone needs to stay here.

- What about the ambulance?
- Yeah, ambulance too.

- We can't have the
police coming here.

- Huh, why not?

- Marshanda, she might be
running from something, I think.

- For what?
- What is she looking for?

- Look, why is she looking?

- I don't know, until
I figure that one out,

let's maybe not throw her
under the bus, all right.

The thing on the wrist,

this crest, what is it?

That crest is
ancient and it's been

in that building upstairs long
before it was a restaurant.

They've been trying
to buy me out

and they'll try
anything to burn me.

Look, I'm sorry,
but keep this quiet,

they've put a bid
in for this place.

It's three times what
the place is worth.

Maybe she's involved with them.

- No, no.

She's not with them.

- Then keep her out of sight.

- What makes you think this
is going well, I don't--

- No, no, no, absolutely.
We'll just, we'll start again.

Me and Chloe.

- Get your mucky
hands off of me.

- No, no, the police
said not to leave.

Help me out.

Mia,

help me out.

Hello, Matt.
- Mr. Walsh,

fancy seeing you here.

- This is DC Cross, been a bit
of a disturbance in the area.

I just wanted to check our
lovely neighbors were all right.

- Go, go, there.

In here, go, in
here, stay, you stay.

No, no, you gotta stay and hide.

We need to keep
you out of sight.

- Well, it looks
like our suspect

committed similar
acts on your premises.

- Yo, Skip, who is this guy?
- Theodore Walsh.

He inherited the
restaurant from his father

and also acquired his
lust for this place.

- Call me Ted,
actually no, Mr. Walsh.

My associate believes
our suspect is here,

my niece.

- Your niece?

- We are just concerned.

- Well, maybe we should just
wait for the police, eh,

sort this all out.

- But we are the police anyway.

- You got any id?

Isn't that how you
do things here?

- Come here.

Look at my face.

This is all the ID you need.

Take a good long look.

There we go.

- So your niece?

- Yes,

hospital gown, violent,
quite the character,

a troubled young
woman, I have to say.

We were in the
process of getting her

some assistance,
psychiatric assistance.

She had an episode, ran away,

millennials.

- Your niece,

you're her uncle?

- Yes.
- And this lot?

They're your task force?

- Uncle.

- We're also uncle.
- Also uncle.

- Big family.

- More police are on the way.

- Are they?

- We were just trying to leave.

- Hi, we have a
schedule to keep.

- Hey, don't touch me.

- Relax.

Let's all have some drinks,
that's why we're here, right?

All we need is the woman.

Where is she?

- She was here, Mr. Walsh.

I don't know where
she is currently.

- Whoops.

I'll get those up.

Let's try again.

- Well, look who it is.

Come on, darling.

- Why were you hiding in there?

- Mia,

these men are dangerous.

- No, stop.

- See.

- Wait, I'm sorry, I'm sorry.

Mister, I'm not who
you're looking for.

- Mr. Walsh.

Mr. Walsh,

I think I might have seen them

going into the toilets together.

She might still be in there.

- Made a new friend today.

Hmm?

I wonder what you
both talked about.

- Mia.

- Told you she was
there, Boss, that's her.

- Oh yes.

- I want you all outta my bar.

- Eddie, the glass.

- Right now!

Now, now.

- Do you wanna see
if this thing works?

Or do you wanna get
the fuck outta here?

Get back, get back!

- Take both the girls.

- I've been shot.

- What is this shit?

Sorry.

- Clear

my browser history.

- C'est la vie.

- That's life.

- Sorry.

- Bring her to me,

no witnesses,

kill them all.

- What is that?

- That's where the Morgans
went centuries ago,

you know that's gonna be.

- A way out?
- Yes.

- Something's
better than nothing.

- Let's go.

- Let's play catch.

- Eddie!

No, no, Eddie.

No.

- It's going to be,

It's going to be okay,
we'll get you help.

We'll get everything
sorted, the help you need.

- There's a way out underground.

- Oh no, I'm not
leaving you behind.

- The Orlop River, the Orlop,

- What do you mean
the Orlop River?

Skip, no.

- The Orlop.

- Go see what's in there for me.

- No, thank you, Mr. Walsh.

We should leave.

Okay.

- Gang warfare.
- What do we do?

- There has to be a way out.

- Hey, you two, with
me now, come on.

- No.

- She works here, come on.

- Guys, there's
another room back here.

- Come on, let's go.

Hurry, hurry, hurry.

Marshanda, come on, let's go.

Help me.

- Come on.

Go!

- No, Benny, Benny,
come on, come on!

This is your doing!

- The girl's in here
with me, Mr. Walsh.

- Why do they want her?

- Don't know.

- How long have you worked here

and not had access to this room?

- I had no idea this was
here until a minute ago.

- Do you think these are
access points to fix the pipes?

- Well, who cares?

- You shot me!

I need a doctor!

- How many muskets?

- Muskets, god that
app needs updating.

Yes, muskets, very bad.

- What do they want with her?

- There's nowhere to run.

- You should--

- Orlop River.
- River?

You think this pipe leads
to one of the sunken rivers?

- Orlop river , Skip said..

- You lot need to get your
priorities straight there.

- There is no Orlop River.

Nearest sunken river's
the Tiburn or something.

Might as well just give it up.

- Orlop.

Orlop is the lowest part of
a ship of the rogue sea cats.

Skip said Orlop River, but,
- It could be a way out.

- Look, is there anything we
can do to keep your boss happy?

Well, they're obviously
looking for what?

- Something Cat Morgan
brought down here

hundreds of years ago.

- Red Cat Morgan?

Are you talking about
Red Cat's treasure?

That's just a myth.

Your phone, can
you translate this?

- Language not found.

- It's not a
language in the app.

Maybe you can have
her say something

and it'll translate that.

- Can you read this?

Read it.

- To destination
advance, coast departure urgent.

- No, no, no, I think I get it.

It's Red's motto written
in some coded language.

Skip said follow the Orlop River

and this pipes say
Orlop steel on it.

I think Cat, Red Cat must
have left that painting

for someone and Marshanda
knows something about it.

I bet whatever they're
after is through this pipe

and Skip realized it
when he saw the hatch.

Let's try and find it.

Let's try and find it, yeah.

And we can give it to your boss,

you can smooth things
over, buy some time,

and we'll keep running.

You're safe.

We are safe.

Right?

- Up that way, right?

- I really can't do this.

Ah!

Save yourselves.

- Stop showing off!

Quick.

- Boss, the room's
empty, they've disappeared.

- All right, I need a,

well, well, well,
what have we here?

Now what is

the deal with that room?

- how would I know, I've
never been in there?

And besides, I'm way too hench
to fit through that shit.

- You saying I'm
not hench enough?

- It's a fucking hatch,
what do you want?

- Good point, what
we want is the girl

and more specifically
something she has,

a little wrist device, and
what she can find with it.

But the chief concern is
where they could have gone

because they're not in there.

- I think this one
may be able to work it out.

- Me?

What makes you think that?

- Call it a hunch.

- It's not my hat.

- Come on.

Come on, get on with it.

- Get on with what?

- Where'd they go?

There's a secret door
in here or something.

Find it.

- Keep moving.

We're getting there.

- Getting where?

- All the way from the bad guys.

- Yeah, right.

- Come on.
- Don't push me, stop.

- Go, go.

No, no, no, no, no, no.

Well, shit.

He's done it.

He's found a little escape room.

- Oh God, no, stop pushing me.

I'm stuck!

Stop!

- Don't, no, no, please.

- Hey.

What's going on,
why did we stop,

and why are the light out?

Someone talk to me, please.

- No!

Oh, I'm gonna die.

Breathe.

Oh shit, breathe, breathe.

- Here, take this.

- It's a penis.

She's gone.

The American girl's gone.

Hello?

Somebody's coming.

Somebody's coming.

- You good?

I found a way out.

It's crazy cool.

- It's not mine, sorry.

It doesn't mean anything.

- Which way?

We're getting closer, they
definitely came this way.

- All this is under the bar?

- Under the bar and so far
back we are no longer in Soho.

- It is nice shit.

- Skips Dad knew
about this place.

I heard voices, they're coming.

- The way out's that way.

- Well let's move, yeah.

- If they catch us, we're dead.

- Someone's been
paying attention.

Follow the breeze.

- Hang on.

Your translation app.

- It's still looking.

- During, let's move.
- We can't hang about.

- One second.

- I need to go this way.

- Oh, no, no, no, we
need to get out here,

it's too dangerous.

Danger.

- What do we do?
- I'm sticking with her

but if you wanna go, you can go.

- I'll stay with you guys.

Seems safer.

- What are we doing
hanging about, come on.

- It's that way.

- You said follow the breeze.

- The breeze is that way.

You're following the
echo of the breeze.

- The echo of the breeze,
makes sense to me.

Marshanda, slow down.

Marshanda!

- Try again in Mandarin.

My sister, my friend.

My friend.

- Oh God, she's found her.
- Found who?

- Red Cat Morgan.

My friend.

- That
thing around her neck,

that's what Walsh
has been looking for.

Walsh's father was a respected
historian and archeologist

specializing in
18th-century piracy,

in particular Red Cat
Morgan and her vast riches.

On one of his expeditions,

he discovered three small
bundles of cloth all decorated

with a distinct crest,
in one a pendant,

in the other two, nothing.

It led him to buy the
Dragon Princess restaurant

thinking the crest was a
sign of where the treasure

or, at very least, the other
two pendants were kept.

- That's why the
symbol on her wrist

matches the one on Dragon
Princess restaurant.

- He was wrong,
it was a red herring

and there was no treasure.

There was no more pendants,
he got the wrong place.

It was an obsession that
spread from father to son.

All that spurred them on
was that single pendant,

which they knew was
only one of three.

Months ago, a geological
expedition stumbled

across Marshanda's ship.

Walsh used all his
underground connections

to get Marshanda's body and
what she wore around her wrist.

It was only then he learned
what his father never knew.

The wrist device contains
a compass which locks in

on each of the pendants.

When all three are brought
together and inserted

into the wrist device,

the compass would guide the
wearer to the final treasure.

Marshanda's pendant
guided her to Red Cat.

Now it's only Walsh's piece
that needs to be added

before he can finally
get what he wants.

- I'm your crew
now, you're safe,

I'll take care of you.

Sister.

You don't want to go right?
- Which way?

- No, no, that looks
like the wrong way.

You said it was that way.

You go, I fight.

- Good idea, she should fight.

- Shut up.
- She's great at it,

what'd you want from me?

- What are those, tracks?
- Yeah.

- Must've gone down there.
- Yeah, I see it.

- I can't leave her.

- Move, move.

Get them out of here.

- Stop them!

- Let's get you out, come on.

- I can't go back,
they'll kill Eddie.

- Run and get help.
- Marshanda.

- They need her alive, you'll
do better than the others.

- Get out of here, follow
the breeze, go, go.

- All right, all right.

- Look out!

No!

No!

- We've got
them all now boss,

they're not going anywhere.

- Good, I'll go
get Mr. Walsh down here.

Let's finish this.

- Look, I don't
want any trouble.

- You're not going
get away with this.

- Don't you
try to move, any of you.

Whoa!

- Careful.

- Sorry.

- What, it's empty?

- I knew I'd find you.
- Shut up.

- I thought you were dead.

- I thought you were all dead.

- We tried to slip a
gun off one of them

and then these two gave
'em the old Liam Neeson.

Which one of these is loaded?

- I don't know.

- Is she gonna be all right?

- Well, she's made of
pretty tough stuff.

- I have to go.

- We can't get
her through that pipe,

not if she's out cold.

- Worse than that, there's
more on them waiting

on the other side.

- We have to go, we
need get out of here,

we need to follow that breeze.

- Tough guy is up there.

- Yeah, well we have these.

- Got any gum?

- Left it in the car.

- It's going to be okay,
we're gonna get out.

- Hey, you guys, I
found it, a way out.

South Bank, I can see Pizza
Express, it's this way.

Oh, if you wouldn't mind leaving

a positive Trip Advisor
review, I'd be very grateful.

Perhaps best not to mention
the hostage situation

or all of the dead people.

Thank you.

- Get them out,
call the police now.

- You're not coming.
- I need to help her.

- The passcode's one,
two, three, four,

don't check my messages.

- What are you doing?

- I just thought we,

I just thought we were
really good back there.

I didn't--
- No, not really.

- No?.
- Don't ever do that again.

- Right, sorry, sorry.

- You're a strange man.

- Ah, not so fast, or
turner faces the soup.

All clear.

- Wonderful.

You're all here.

- Where's Eddie?
- Resting Easy with the doc,

helping restore your little
tavern to its former glories.

- There he is.

Like playing with rocks, do you?

Look at me.

No, stop, stop, stop.

- Put your hands down.

Put your hands down.

- Please,

please, please don't
let your men hurt him.

Please, please,
honestly, we'll help you.

- Bring me the wrist device.

It still works.

We found Red's piece and
of course Marshanda's.

It's here.

Bring our niece and the barmaid
to keep her well behaved.

Keep the rest here as a
bit of extra collateral.

If you behave, they'll live.

If she behaves, you live.

- Yeah.

- Why?

- Because I can and he couldn't.

- Is that worth
murdering my friends?

- Needs must

and I need her.

Coordinates,

leading to riches, my riches.

- Aren't you rich enough?

- No, I wanna be double rich.

How do you like me now, Dad?

With these scrolls in
this particular order, I,

You fucker.

Do you remember the
order they were in?

- No, I was keeping
an eye on them.

- Does anyone remember
the order they were in?

Fuck!

Years we've been
working on this.

- Does it say
what order they should be in?

- No, I can't read this shit,

this is some dead pirate code.

- Mia, catch.

- Red Cat's painting, the code.

There's something on this,

it will help me open that.

What if it's a booby trap?

Come on Mia, come on.

Come on, come on, think,
think, think, think.

Come on Mia, think.

I got the codes.

Hey, I don't suppose DeCoon's
holding a first hostage rule

would be a problem for you.

You can't leave!

I have money!

- Asshole.

- You can't leave me!

Wait!

No!

- Welcome to the Smuggler's
Tavern, so head to the toilets,

empty those bladders before
entering Benny's hatch,

and crawling through the
claustrophobic labyrinth

of Sebastian's tunnels.

- Argh, welcome mateys to the
underground caves of Soho.

Waterproofs are available
just through here.

It is quite claustrophobic,

so you have been
warned, no refunds.

How much do pirates
pay for their earrings?

A buck-an-ear ,
come on this way.

- All right, we're off.

- Be careful.

- Don't fuck the
place up, Eddie.

- Ah, she's getting
really good at that.

- It's the most
pertinent sentence.

- Seriously though, be careful.

- We need money.
- Very nice.

And I've got pictures on
my phone and the cloud.

So we've got a plan B.

- Nice.

Hey, Mi.

- Thanks.

- You sure you don't
want a hand with that.