Meu Nome é Tonho (1969) - full transcript

This film was shot in
the inside and around the

municipalities of Vargem
Grande do Sul, Sao Paulo.

We thank the people of that
city for their direct and

indirect collaboration in
the realization of this film.

The weapons used in this
film were graciously lent

by the Air and Sea Police
of the state of Sao Paulo.

MY NAME IS TONHO

His name was Tonho

One day he had to go.

He wasn't one of us.

Good afternoon!
Where are you going?



We don't know yet.

The rain is late.

Worse than this,
is Manelao's gang.

- Umm, Manelao...
- Don't laugh, sir!

Thanks, but
I have to go.

- Farewell.
- Good-bye, sir.

Let's bargain.

What I get back?

- Bainha doesn't have a defect, right?
- The defect he has is in sight.

Good afternoon!

Good afternoon!

How worldy!

I want to talk to you, sir.

Good afternoon, Mr. Risonho.



Good afternoon, ma'am.

Good afternoon, Ms. Rosa.

- The man has arrived.
- So, let's go.

Lazy man!

Zeca, let's get out of here.

Risonho is a friend of Manelao's.

I think that Manelao
is no friend to anyone.

Ah, but Mr. Risonho is very good.

But his wife goes around
screwing with everyone.

You don't believe that?

Leave it to me

I'll talk to Manelao.

He's my good friend.

Good afternoon!

Good afternoon!

We grew up together.

He's a close friend.

- Do you want to talk to me?
-You don't remember me?

From the deal with the horse?

Oh...

You said that the Bainha
had no defect.

Bainha is cross-eyed.

Yeah, I said the defect was in
sight, his sight.

What the fuck!

Leave it to me,
Manelao is a close friend.

Good afternoon!

- Good afternoon, sir.
- Good afternoon!

Farewell.

- Good afternoon!
- Good afternoon!

Thank you.

- How are you, Mr. Risonho?
- I'm fine, Mr. Manelao.

- I'd like to speak with you.
- So, let's go.

A blessing, godfather.

A blessing, godfather.

God bless you.

- Stupid.
- A blessing.

Can I speak to you?

Dismount!

It doesn't even look like
Mr. Risonho's hat.

Just because it doesn't have 2 holes?
(He's being two-timed)

That's the price of pretty woman.

That beautiful woman is that guy's?

I've only been here for a short time.

Yeah!

Mr. Risonho's hat.

Come with me.

Protect my friend.

Done.

From the bad guys?

Already sleeping?

There are lots of bad folks out there.

Come on.

So, my friend?
Your woman is always beautiful?

- Well, we do as we can...
- And children?

She says she doesn't want any,
they'll make her body ugly.

That's a sin.
God doesn't want it.

I already told her..

It's just like I say...

Don't be afraid, my son.

I don't like this manners.

What a disgrace!

Bitch!

My son!

I want my son!

Is she dead?

God called her home.

I didn't want her to suffer.

That's a good chap.

Come on, woman!

Now you won't suffer any more.

Wake up, dad! Wake up
Wake up, dad!

- Wake up, dad.
- Go away.

Ammunition.

Move it!

Get out! Go!

You lazar!

Cuiabano.

See who the stranger is.

Right away.

Let go!

Let me go!

You good-for-nothing!
Let go!

Daddy, wake up, daddy!

Daddy!

Let me go!

You loser!
Outcast!

Let go of me!

What are you going to do
with this stick used to turn guts?

Take her to the convent, boss.

Who was it?

Disappeared

Let me go!
Leave me be!

What can you do with
this little kid?

I want my mother!

Let me go! Let me go!
Mom!

It's like I say.

I didn't want him to suffer.

Who is the little boy's?

It's like I say.

Have 'em unload.
Let's get out of here!

Done!

What!

But the farm is mine!

It's good to be Manelao's friend.

Mineiro! Gaucho!

Excuse me!

For you, sir.

Hello.

Yeah, OK.

I didn't say to get up.

Yes, yeah.
Tomorrow for sure.

Francisco Alves.

Josias de Jesus.

Nicolau Mazza.

Man alive!
He can read.

These creatures of our Lord
Jesus Christ, have a deed?

So, then they are mine.

Run, run, run!

Outcast!

Dad! Daddy!

Get in the house, my daughters!
Get in, my daughters!

Cowards!

Cowards!

Bring the girls.

Let me go,
let me go.

You filth!

Be careful, sir.

What?

I don't like mistreatment.

Let me go!

A filly of hell.

You're sickening.

What a thing to
make work for me

and for the others.

Have them clear the lands.

Done!

Dad! I want my dad!

Dad!
Dad!

Let me go, let me go.

Hey hey!

Worthless thing!

You horse!

Slut.

You'll pay for this!

You'll pay for this!

Let me go!
Let me go!

You devil!

I'll kill you!

- I want to leave.
- Outcast.

Love is beautiful!

I want to escape.

I want to leave.

What happened, Manelao?

The boys don't like to lose
arace to a stranger.

First, let's come in.

I want to introduce an
important person from Rio.

It's a pleasure, Manelao.

You're quite well-known
outside of here.

A pleasure, Imbrain.

Nice to meet you.

Nice to meet you, thanks.

Please, come in.

Let's go.

This Manelao seems to be
an immoral, pretentious guy.

But useful.

I think it is rash
to give him so much slack.

Everything in its time, Doctor.

Mr. Manelao?

What will we do with that person?

The horse is really stolen?

Stolen and good!

A Christmas present
for the boys.

Done!

I don't like thieves.

But they're
a necessary evil.

Be careful!

Come back!
Come back!

I don't like mistreating.

Baiano! Baiano!

- What is it?
- The man wants you upstairs.

You. You, You and You.

Mineiro, Gaucho.
Get the horses!

To the convent?

Yeah.

Mineiro!

Did you see my mare?

I think she ran away
With someone else.

My friend,

it's cheaper if we get married.

Get out of here!
Go!

You sickening lazar!

Let's go!

You're a bitch!

Give me the key to Mr. Manelao's room.

There's a guest.

That's not what I asked.

Move!

Well, well...

Well, look at that
hair of hers.

Come on, get up here fast.

Let's begin soon.

Put this one on.

Mr. Manelao might
not like this a lot.

Her manner seems suspicious.

Something is going to go wrong here.

I think it's better to tell Mr. Manelao.

I'll do it.

This is something for a man.

I'm not a slut, you know!

Some people don't like sluts.

Don't you have a family?

I do.

Six feet under.

They killed everyone,
every last one.

Except for Tonho.

Who?

Tonho! The brother who fled with
some gypsies when he was little.

Yeah? And you're
jealous are you?

Tonho. He's my brother!
You don't like him?

Tonho, my brother!
You're jealous!

How old was your brother?

-Who?
- Tonho.

Tonho?

Ten, 20, 30...

ll guess he was
about your age.

- You never saw him again?
- I don't think so.

His name was Tonho?

I think so.

Isn't that the jerk that won the race?

It seems that...

Oh...

Who is this jerk here?

Don't know.

How did he get in your room?

I don't know,
he just appeared there.

Appeared...

Who are you?

I'm Tonho.

It's Tonho...

You're kind of good!

Thanks.

Who's the owner of these brave souls?

Some guy called Manelao.

- Manelao?
-Um.

- And the women?
- His ladies.

Who are you?

I'm Tonho.

Have you ever seen a guy get
beat up with an armadillo tail?

No...

- Have you seen that?
- No.

Then, you'll see it now.

Take that.

Forget that, Mr. Tonho.

What's this, Mr Tonho?

Where are the others?

Where are the others?

In prison.

Get your hand off!

Put it down.

Close the door.

- Where are the guys?
- Around.

Let me go!

That's an order.

No one has pity on us.

Open, open up
open up.

Open this up!
I'm telling you.

- What's so funny, sir?
- Tonho!

- Good morning.
- Good morning.

Do you know where some
guy called Manelao is?

He went down that way, about
a half a league away.

- Let's dismount?
- Ok.

- Good-bye.
- Thanks

Release the revolver.

Where are you going?

I'm going to see Mr. Manelao.

Tell him,
I'm waiting for him in the city.

Get going,
you brown noser.

Let's accept that cheeky's invitation.

OK.

- Wait for me in the city.
- Done.

This isn't good, Mr. Tonho.

Now it's Mr. Tonho.

What's this, Mr. Tonho?

Mr. Tonho...

Dance, man.

- Manelao!
- Oh Manelao!

- It's Tonho.
- This is Tonho.

- This is Tonho.
- Look there, Manelao!

That's Tonho...