Lime Salted Love (2006) - full transcript

LIME SALTED LOVE is a minimalist, surreal examination of abandonment, guilt, abuse and psychic pain set in this minute's hipster enclaves of Los Angeles. The film, told in rippling flashbacks from its four main characters, drains out of the eyes of the institutionally confined, David Triebel, his guilt-ridden younger brother, Chase, Ellie, his emotionally damaged girlfriend, and Zephyr, the sexual provocateur. In the visual narrative tradition of David Lynch the film depicts the tale of three bonded brothers broken by the accidental death of one and the residual guilt draping the remaining two The film examines how damaged people are hurt even more by their own willful ways. Sometimes it is the smallest things we do to others that destroys them...

Someone needs to stop Clearway Law.
Public shouldn't leave reviews for lawyers.

AND GOD LOOKED DOWN
UPON PARADISE LOST,

AND HE SAID, "CAIN..."

YES, GOD?

"WHERE IS YOUR BROTHER?"

OKAY, DAVID, LOOK.
HERE'S WHAT WE'RE GONNA DO.

WE'RE GONNA START YOU OFF

AT 600 MILLIGRAMS
OF DEPAKOTE.

WE WILL ADD LITHIUM
AS NEEDED.

TAKE IT
AT 6:00 A.M...

YOU'RE GONNA REGRET THIS,
DAVID.



12:00 P.M. AND...
David: I ALREADY DO.

I HAVE ANOTHER PATIENT.

WE WILL TALK ABOUT
WHY YOU DID IT TOMORROW.

Chase: IT'S GONNA BE OKAY.
IT'S GONNA BE OKAY.

ALL RIGHT?
YOU'RE GONNA BE FINE.

YOU'RE GONNA BE OKAY.
IT'S ALL RIGHT.

IT'S OKAY.
IT'S OKAY.

YEAH.

YOU JUST MIGHT WANT TO, UH...
TRY TO STOP TALKING TO YOURSELF.

RIGHT.

♪ SHE'S LIKE A WINDOW,
SHE'S LIKE A... ♪

SO, JUST A NOTE.
THAT'S ALL.

♪ SHE'S LIKE THE RESIN
ON THE TREES ♪

YOU KNOW WHY THIS HAS NEVER
WORKED OUT FOR YOU BEFORE?



'CAUSE YOU ALWAYS GOT TO TAKE
YOURSELF WITH YOU.

FUCKING IDIOT.

AND WE'RE OFF.

♪ SHE'S LIKE A GHOST THAT HIDES
IN THE HOUSE... ♪

ARE YOU OKAY?

SO, UM...

SO... SO YOU LIKED THE POEM,
RIGHT?

SO, YOU HUNGRY?

SO, ARE YOU HUNGRY?

DAVID?

HEY, I'M SORRY.
I DIDN'T KNOW ANYONE WAS HOME.

I WAS JUST GONNA LEAVE
THAT PACKAGE.

DON'T BE SORRY.

I'M REALLY GLAD
THAT YOU'RE HERE.

YOU WANT TO COME IN?

IS ANYONE ELSE HERE?

NO.

I'M ALONE... ALL ALONE.

BIG SURPRISE.

Chase:
ISABELLA, WHAT'S WRONG?

NOTHING.

I'M...

I'M FINE.
I'M... I'M... I'M JUST FINE.

IT'S JUST DAVID,
I...

I DON'T KNOW
WHY HE'S DOING IT.

I...

HAVE YOU HEARD FROM HIM?

NO.

I WAS SLEEPING AT MY MOM'S
FOR A WHILE.

BUT SINCE I'VE BEEN BACK,
HE HASN'T BEEN HOME AT ALL.

I DON'T WANT
TO GO ALONE, CHASE.

AND I DON'T WANT
JUST ANYONE AROUND ME.

I DON'T WANT ANYONE ELSE.
I JUST WANT HIM.

I JUST WANT HIM, CHASE.

I JUST WANT HIM.

I...

I CALL HIM ONCE EVERY DAY,
BUT HE NEVER PICKS UP.

SO I LEAVE HIM A MESSAGE
SAYING...

"I LOVE YOU.

I MISS YOU."

AND THEN I... SIT AND WAIT...

AND WAIT.

AND THEN NOTHING.

HE WON'T EVEN TELL ME
WHY HE WON'T SPEAK TO ME.

HE JUST STOPPED.

I CAN'T LIVE LIKE THIS.

NOT LIKE THIS.

ISABELLA...

HE'S LEAVING ME, CHASE.

I CAN FEEL IT.

I'M...

I'M SO TIRED.

I'M JUST SO TIRED.

I JUST WANT TO SLEEP.

YOU KNOW,
MY FATHER USED TO SAY

THAT THERE ARE TWO KINDS
OF PEOPLE IN THE WORLD.

THERE ARE DEAD PEOPLE,

AND THERE ARE PEOPLE
WHO ARE GONNA BE DEAD PEOPLE.

AND YOU, SIR.

WHICH KIND ARE YOU?

HOW THE FUCK SHOULD I KNOW?

THE SAD THING IS...

YOU DO KNOW.

AND I KNOW.

AND, REALLY, IT'S JUST
A MATTER OF TIME.

IT'S JUST A MATTER OF TIME.

ALL RIGHT.
HIGHER OR LOWER?

LOWER.

FUCK.

NEXT ROUND'S ON YOU.

DOUBLE OR NOTHING.

OKAY.

ALL RIGHT.

HIGHER OR LOWER?

SO, DID YOU FUCK HER?

Justin: EVERYBODY WAS ASKING
ABOUT YOU.

YOU'RE SCARING THEM NOW.

THEY WERE WORRYING
THEIR FUCKING MINDS ABOUT YOU.

WHAT WAS GOING ON?

OH, JUSTIN,
I WAS SO STUPID.

IT WAS ME AND ELIZABETH
AND EVAN,

AND WE WERE ALL HANGING OUT
AT HIS PLACE, RIGHT?

SO WE'RE ALL PARTYING
AND THIS AND THAT,

AND ELIZABETH AND I DECIDED
TO GET 20 CODEINE PILLS.

I WAS SO STUPID... ONE AFTER
THE OTHER AFTER THE OTHER.

IT WAS JUST TO HAVE TO TAKE
OCCASIONALLY, RIGHT?

'CAUSE ELIZABETH
NEVER COMES TO TOWN.

BRILLIANT FUCKING
ROCK STAR ME...

DRINKING THIS,
I'M DRINKING THAT,

AND THIS, LIKE,
NORWEIGIAN LIQUOR.

WE'D BEEN UP FOR, LIKE,
THREE NIGHTS STRAIGHT.

WE ALL ENDED UP
IN THE BIGGEST FIGHT EVER.

WE WERE DRINKING MOONSHINE.
AND BEFORE YOU KNOW IT, LIKE...

I DON'T KNOW. WHATEVER.

'CAUSE ELIZABETH
NEVER COMES TO TOWN...

SO STUPID...

ALL I WANTED TO DO
WAS JUST HAVE FUN.

SO STUPID.
I'M SORRY.

ELIZABETH AND EVAN...

I WANT A BLOODY MARY
WITH GIN.

NO WAY...

WHATEVER.

I'M JUST EXHAUSTED.

I'LL HAVE A SHOT OF JACK.

AND IF I COULD
HAVE SOME WATER ON THE SIDE,

THAT WOULD BE GREAT.

YEAH, YEAH. OF COURSE, THAT'S COOL.
THANKS.

HEY, BARTENDER.
NO SHOTS.

THIS GIRL...

THIS GIRL NEEDS
SOME SERIOUS MENTAL HELP.

IN FACT...

THERE'S ONLY ONE CURE
FOR HER SICKNESS.

AND WHAT WOULD THAT CURE FOR
HER SICKNESS BE, THERE, HOTSHOT?

YOU GOT IT.

♪ AND ALL THE LOSSES
THAT HAVE NEVER BEEN... ♪

♪ NOW, SHOULD YOU,
SHOULD YOU CALL ME ♪

♪ TO GIVE BACK SOMETHING
THAT YOU THOUGHT WAS LOST ♪

♪ OR IS THIS JUST A DREAM?

♪ MAYBE SOMEBODY'S DREAMING
OVER SOMEONE'S LOSS? ♪

♪ GOODBYE...

OKAY, WHAT'S IT LIKE?

WELL, IT'S LIKE
EVERYTHING YOU NEEDED,

BUT LIKE NOTHING
YOU EVER HAD.

BUT YOU GOT TO POUND IT.

POUND IT LIKE
A MOTHERFUCKING QUEEN.

SHOW ME WHAT YOU'RE MADE OF,
CHICK.

YOU GOT TO
FUCKING POUND IT.

YOU'RE FUCKING KIDDING ME.

"POUND IT.

POUND IT
LIKE A MOTHERFUCKING QUEEN."

WELL, OKAY.

FINE.
I CAN DO THAT.

UHH!

FUCK.

HEY, HEY.

YOU.

WHAT'S THE DRINK CALLED?

THE DRINK?

YEAH.
"THE DRINK."

THE DRINK'S CALLED LOVE.

WHAT KIND OF LOVE?

LIME SALTED LOVE.

I WANT YOUR NUMBER, THOUGH.

♪ ...AND TELL ME
IF IT'S IN YOUR EYES... ♪

LOOK.
I HAVE TO LEAVE, OKAY?

I WISH I DIDN'T, BUT I DO.

SO I'M ONLY GONNA SAY THIS
ONCE.

I FINALLY FOUND YOU.

I'M GONNA CALL TOMORROW NIGHT,
SO PICK UP, OKAY?

♪ NOW, SHOULD YOU,
SHOULD YOU CALL ME ♪

♪ TO GIVE BACK SOMETHING...

WELL, I GUESS
THIS IS THE LAST TIME

WE'RE GOING TO THAT BAR.

THANKS, ELLIE.
MM-HMM.

SO, YEAH,
SHE'S ON HER WAY BACK.

UM, HAVE YOU EVER MET HER BEFORE?
NO, I NEVER MET HER.

YOU'RE GONNA LIKE HER.
SHE'S COOL. YEAH?

SHUT UP!!

WHERE HAVE YOU BEEN?

Zephyr: OH, GOD.

WELL, I FINALLY GET
TO YOUR PLACE,

AND MY CAR BLOWS A TIRE.

SHUT UP.
SO I HAD TO CHANGE IT,

AND THEN I FOLLOWED
THE DIRECTIONS

YOU GAVE ME TO THIS PLACE.

WELL, ELLIE, MEET ZEPHYR,
MY VERY FOXY FRIEND,

AND ZEPHYR, MEET ELLIE,
MY VERY RECKLESS FRIEND.

NICE TO MEET YOU.
LIKEWISE.

FUCKING CRAZY-ASS BITCHES.

SIT THE FUCK DOWN.

LET ME GET YOU A DRINK.
ON ME, OF COURSE.

I WANT
A BLOODY MARY WITH GIN.

A BLOODY MARY WITH GIN?

THAT'S WHAT I ALMOST ALWAYS
DRINK.

PEOPLE ACT LIKE IT'S SO BIZARRE
TO HAVE GIN

INSTEAD OF VODKA,
YOU KNOW WHAT I MEAN?

WELL, PEOPLE JUST DO

WHAT THE PERSON
IN FRONT OF THEM DOES,

AND THEN THE PERSON
BEHIND THEM

JUST KIND OF FUCKS THEM
UP THE ASS.

BUT, UH, WHO CARES, RIGHT?
AS LONG AS YOU LOOK GOOD.

IT'S SO IN VOGUE.
YEAH, YEAH.

YOU WANT TO KNOW WHAT'S EVEN
MORE IN VOGUE THESE DAYS? WHAT?

HAVING AN EATING DISORDER,
BEING BISEXUAL...

OR BEING, LIKE,
1/16th NATIVE AMERICAN.

SERIOUSLY.

HOW MANY TIMES
HAVE YOU HEARD THAT BEFORE?

"OH, YEAH. WELL, YOU KNOW, IT'S
LIKE I'M IRISH AND GERMAN,

"AND, LIKE, ON MY MOTHER'S SIDE,
WE'RE NATIVE AMERICAN...

"YOU KNOW, LIKE, CHEROKEE.

"AND I REALLY, REALLY, REALLY
WANT TO LEARN MORE ABOUT IT,

"SO I STARTED TAKING
YOGA CLASSES,

AND MAYBE I CAN FIND
MY POWER ANIMAL THERE."

WoOH, MY GOD.
YOU PLAY WITH WILL DAILEY.

YEAH. SHUT UP. YOU DO NOT.

I SWEAR TO GOD.

OH, MY GOD.
HE'S, LIKE, SO HOT!

OH.

THANK YOU.
THERE YOU GO.

YOU GUYS,
THIS IS WILL DAILEY.

HE'S GOT THIS NEW VINYL
THAT HE WANTS ME TO LISTEN TO,

AND, UM, I REALLY WANT TO HEAR
IT, SO I'LL BE BACK.

TRANSLATION... "HEY, GUYS."

"I'M GONNA GO FUCK HIM
IN THE BATHROOM.

DON'T MIND ME.
HE'LL JUST BE A MINUTE."

YEAH, ABSOLUTELY.
ALWAYS.

LET'S DO SOME SHOTS.

LET'S DO SHOTS.
YOU WANT SOME MOONSHINE?

ALL RIGHT.
ALL RIGHT?

ALL RIGHT, MOONSHINE.

OH, FUCK.

ZEPHYR, YOU SEE
THAT GUY OVER THERE?

THAT BARTENDER?
HE'S A SICK FUCK.

I HAD A FEW FRIENDS OF MINE

FUCK HIM UP REAL BAD
LAST YEAR AFTER...

AFTER, UM...
AFTER HE TRIED TO RAPE ME.

OKAY.

OKAY.

ALL RIGHT.
HERE HE COMES.

I'M KIND OF FREAKING OUT.

IT'S OKAY.
I GOT YOU.

WHY DON'T YOU FINISH UP
AND GO? YOU'RE CUT OFF.

CUT OFF?

WE'RE CUT OFF?
THAT'S RIGHT.

WHAT IF I CUT
THAT LITTLE NUB

THAT YOU LIKE TO CALL
A DICK OFF?

WHAT'D YOU SAY, BITCH?

OH, NOTHING THAT YOU AND
YOUR WHITE-TRASH MOM

CAN'T FIGURE OUT TONIGHT

WHEN YOU'RE SUCKING EACH OTHER
OFF BETWEEN THE SHEETS.

HEY! HEY!
HEY! HEY!

STOP IT! RUN!

FUCKING BITCH!

OH.

AH.

ZEPHYR?

HMM?

LET'S STICK TOGETHER.

WE'RE ALREADY STUCK.

HM.

WHAT... WHAT
ARE YOU DOING HERE?

OH, MAN, IT IS SO GOOD
TO SEE YOU.

AND I'M SORRY.

I TOTALLY MEANT TO CALL YOU,

BUT, UM, I THINK
I'M GONNA HAVE TO LEAVE.

OKAY, WHAT?
WHY?

WELL, SUMMER AND I
HAD THIS AGREEMENT

THAT I COULD STAY WITH HER
UNTIL I GOT A JOB,

BUT NOW SHE WANTS ME TO PAY HER
TO SLEEP ON HER COUCH.

OH, SHE'S SO FUCKED UP,
DUDE.

PLUS, SHE'S
BEEN BRINGING HOME

A DIFFERENT GUY
EVERY NIGHT.

AND, ELLIE,
WHEN I TELL YOU,

SOME OF THEM
ARE REALLY FUCKING SCARY.

I MEAN, LAST NIGHT,
FOR INSTANCE,

I WOKE UP TO THIS GUY
CARESSING MY HAIR,

AND, UM...

JERKING OFF IN THE DARK.

SO I JUST LEFT,
AND I SLEPT IN MY CAR.

YOU SLEPT IN YOUR CAR?

OKAY.

I FUCKING HATE SUMMER
RIGHT NOW.

OKAY. UM...

I KNOW MY PLACE IS KIND OF
SMALL, AND IT KIND OF SUCKS,

AND MY LIFE IS
JUST A LITTLE BIT NUTS.

ARE YOU SURE?

OKAY, COME HERE.

ALL RIGHT,
SO, THIS IS OUR LOVELY KITCHEN.

NICE.

YEAH, RIGHT?
OH, CHECK IT.

AND IF YOU LOOK OUT THE WINDOW,
YOU CAN SEE THAT COUPLE

RIGHT IN THERE
IN THAT PINK HOUSE,

AND THEY'RE ALWAYS, ALWAYS
FUCKING.

HEY, ASHA.
WHAT'S UP?

IT'S A...
THIS IS MY FRIEND ZEPHYR.

SHE'S GONNA BE STAYING WITH US
FOR A WHILE.

THAT'S GREAT.

ELLIE, I HAVE TO TALK TO YOU
ABOUT SOMETHING.

IT'S ABOUT YOUR DOG.

SHE'S MADE NO EFFORT
TO BECOME FRIENDS WITH ME

OR HANG OUT OR ANYTHING.

SHE'S RUDE, AND
SHE COMPLETELY KEEPS TO HERSELF.

SHE ISOLATES
AND COMPLETELY IGNORES ME.

SHE PRETENDS TO BE MY FRIEND,
BUT I KNOW SHE'S FAKING IT.

I CAN SEE IT.

ELLIE,
YOUR DOG HAS NO LOGIC.

WELL, ASHA,
THAT'S BECAUSE DOGS

DON'T HAVE HUMAN, RATIONAL,
COGNITIVE THINKING.

OH, YEAH?

WELL, NEITHER DO I.

I HATE THIS PLACE.

AND A PACK OF KOOLS,
I'M FINE!

ANY VISITORS TODAY?

OR SHOULD I SAY
ANY UNKNOWN VISITORS?

"UNKNOWN VISITORS"...

WHERE'D YOU GET THAT FROM?

I WAS LISTENING TO YOU TALK
IN YOUR SLEEP LAST NIGHT.

WE HAD
A REAL SWEET CONVERSATION.

I GOT TO SAY I'M A LITTLE
OFFENDED THAT YOU DON'T RECALL.

HOW'S THAT?

WoCRESCENT-GREEN SHEETS!

SO EVERYONE
LOOK LIKE SOLDIERS!

♪ AND THEY RIDE AND RIDE...

CRESCENT-GREEN SHEETS.

WHEN DO WE GET
OUT OF HERE?

WHEN OUR WORK IS DONE.

THEN I CAN GO
ON MY MERRY, MERRY WAY.

THIS WAY?

MM, MM, MM, MM.

I GOT TO RUN, CROCKETT.

I'LL TALK TO YOU LATER.

OKAY, I'LL BE BACK
IN A COUPLE HOURS, OKAY?

COME HERE, CHASE.
CATCH YOU LATER, CHAMP.

I LOVE YOU, DAD.

YEAH. KEEP AN EYE ON CHARLIE
FOR ME?

GOT IT.
ALL RIGHT.

HEY.
OH.

THANKS.

SEE YOU, DAD.
SEE YOU.

SEE YOU, CHARLIE.

SEE YOU.

COME IN.

HEY. Chase: YOU'RE NOT
GONNA BELIEVE THIS, MAN.

I THINK I'VE FINALLY FOUND ONE
I'D LIKE TO KEEP. HOW'S IT GOING?

DON'T TELL ME
YOU GOT A GIRL.

I THINK... YEAH, I THINK I MIGHT
REALLY LOVE THIS ONE, MAN.

WOW.

YEAH.

I WAS JUST READING
YOUR POETRY, ACTUALLY.

REALLY?
YEAH.

ELLIE, I THINK,
YOU KNOW, IT'S AWESOME.

YOU'RE REALLY TALENTED.

REALLY? YOU MEAN IT?

SERIOUSLY TALENTED.

THANK YOU.

THAT MEANS A LOT TO ME
COMING FROM YOU.

OKAY, SO...

TONIGHT'S THE NIGHT,
RIGHT?

TONIGHT'S THE NIGHT.

AND DON'T FUCK UP
ON ANYTHING THAT I TOLD YOU.

OTHERWISE YOU'LL RUIN IT.

I WON'T. I'M JUST GONNA CHANGE
REAL QUICK.

NO, NO, NO, NO, NO.

I HAVE THE PERFECT THING FOR YOU
IN MY CAR, SO LET'S GO. OKAY.

ALL RIGHT.

OVERACT.

WOULD YOU LADIES LIKE
TO JOIN ME AND MY BOYFRIEND

FOR A DRINK AND A RAIL?

♪ YOU'RE MY TIME,
I PAY WITH MY BLOOD ♪

I'M ON TOP.

I'M ON TOP.
I'M ON TOP.

OKAY,
WHAT UP WITH THE COKE?

I'M ON TOP.
I'M ON TOP.

NO NEED TO BE HOSTILE.
SERIOUSLY, CHILL OUT.

WE HAVE PLENTY
TO GO 'ROUND.

ASKED ME TO JACK OFF
FOR YOU.

AND RIGHT WHEN HE WAS ABOUT
TO SHOOT IT ON THE WALL,

HIS MOM WALKED IN.

I WAS LIKE, "NO, NO, NO, NO!
DON'T!"

"JANIS, WATCH!

NO, NO, NO, NO, NO!
STOP IT!"

WHOO-AAH! YOU GUYS ARE
FUCKING DISGUSTING.

PUT THE SHIT DOWN.

COME ON. SHUT UP.
LET'S GO.

I THINK WE'RE GOOD.

YEAH.

YOU ALL RIGHT?

YEAH. YEAH.

THAT WAS FUN.

YEAH.

I JUST, UH...

UH. MM.

I'M SORRY.

I'M JUST...
I'M KIND OF SCARED.

Shh.
IT'S OKAY.

HOW ARE YOU TODAY?
HOW ARE YOU TODAY?

HOW ARE YOU TODAY?
HOW ARE YOU TODAY?

OKAY.

SO, THE LITHIUM AND THE DEPAKOTE
ISN'T WORKING.

I THINK I'M JUST GONNA THROW
A LITTLE ZYPREXA INTO THE MIX.

COSMO, A MARTINI,
SOMETHING?

SOMETHING?

NOTHING?

JESUS CHRIST.
WHAT A STIFF.

HOW ARE YOU TODAY?

I'M NOT DOING ALL RIGHT.

OH, YOU'RE NOT FEELING
TOO GOOD.

ALL RIGHT.

I'LL GIVE YOU SOME SEROQUEL.

WILL THAT MAKE YOU
FEEL BETTER?

WILL THAT DO IT?
WILL THAT BE GOOD?

FUCKING LIFE.

GET ONE.
GET ONE.

CHRIST!

OKAY.

I'LL ORDER
SOME SEROQUEL.

THAT SHOULD SMOOTH
THINGS OUT.

HEY, DO YOU WANT TO GO
TO, UH, THE POACHER JAM

THIS SUNDAY AT FAIRFAX
AT 10:00?

OH... CHASE, I CAN'T.

I HAVE TO GO TO
THE PHOTO GALLERY WITH ZEPHYR.

I ALREADY PROMISED HER.

ALL RIGHT.
WHATEVER.

WHAT?
BESIDES, THAT ONE SUCKS.

LET'S JUST GO
TO THE ONE ON SUNDAY.

IT'S SO MUCH BETTER.

NO.

I DON'T LIKE THAT ONE,
AND YOU KNOW THAT.

WHY CAN'T YOU JUST GO
TO THE PHOTO GALLERY

ON A DIFFERENT DAY?

BECAUSE IT'S HER OPENING NIGHT,
HENCE, ONE TIME.

BESIDES, HER AGENT
PUT HER STUFF

ON
A REALLY SPECIAL DISPLAY.

WHAT'S WRONG WITH YOU?

YOU'RE
SO FUCKING PREDICTABLE.

WHAT ARE YOU
TALKING ABOUT?

YOU.

YOU'RE ALWAYS FOCUSING
ON SOMEONE ELSE.

IT'S ALWAYS ZEPHYR THIS,
ZEPHYR THAT.

WHAT ABOUT YOU?
WHAT ARE YOUR DREAMS?

WHAT ARE YOU MADE OF?

YOU KNOW, I'VE REALIZED
THAT NO MATTER WHAT,

YOU WILL ALWAYS CHOOSE HER
FIRST.

I'M JUST LOOKING OUT FOR YOU,
AND YOU DON'T GET IT.

NO, YOU'RE NOT LOOKING OUT
FOR ANYBODY

BUT YOUR FUCKING SELF.

IT'S... IT'S LIKE... IT'S LIKE
YOU JUST LOVE THIS IMAGE,

THIS
WHOLE MYSTERY-MAN FACADE.

YOU KNOW, YOU JUST LOVE THE RUSH
OF BEING A FUCKING VICTIM.

THAT'S IT.

I'M WASTING MY TIME.

I'M JUST WASTING
MY FUCKING TIME WITH YOU.

YOUR TIME.
IT'S NOT YOUR TIME, CHASE.

EVERYTHING'S ALWAYS
ABOUT YOU.

YOU'RE SO FUCKING
SELF-ABSORBED.

IT'S JUST LIKE
YOU JUST SUCK AND SUCK

AND TAKE AND TAKE AND TAKE
AND TAKE AND TAKE AND TAKE

UNTIL THERE'S NOTHING LEFT,

AND THEN YOU KEEP TAKING
MORE AND MORE AND MORE.

IT'S LIKE, YOU KNOW,

YOU CAN BLAME THIS ONE
OR CONDEMN THAT ONE, CHASE,

BUT, REALLY,
IT DOESN'T MATTER

'CAUSE AT THE END
OF THE DAY,

THE WORLD DOESN'T OWE YOU
A FUCKING THING!

YOU NEVER LOOK AT YOURSELF.

AND YOU KNOW EXACTLY
WHAT I'M TALKING ABOUT.

WHEN ARE YOU GONNA TAKE
A FUCKING RISK, ELLIE?

A FUCKING RISK?

WHY DON'T YOU TAKE
A FUCKING RISK?

YOU CAN'T DO ANYTHING.

YOU CAN'T DO
ANYTHING.

YOU BORE ME.

I BORE YOU?

THEN WHY DON'T YOU FUCKING
CREATE ME INTO SOMETHING, HUH?!

MAKE ME INTO SOMETHING!
MOLD ME INTO SOMETHING!

COME ON! COME ON!

BRING IT OUT OF ME!
BRING IT OUT!

BRING IT OUT!

BRING IT OUT.

JUST...
OR FORGET IT.

YOU DON'T GET IT.

HEY.

IT FEELS LIKE MY HEART
FELL ASLEEP IN YOUR HAND.

YOUR HEART FALLS ASLEEP
IN ZEPHYR'S HAND.

MY HEART FALLS ASLEEP
IN BOTH OF YOUR HANDS.

ELLIE, I NEED YOU TO DO
SOMETHING FOR ME.

WHAT IS IT?

YOU ARE GOING TO LISTEN
TO ME.

I'VE HEARD YOU'VE BEEN SAYING
THINGS ABOUT ME...

THINGS ABOUT ME
TO YOUR LITTLE FRIEND HEATHER.

YOU EVIL, WRETCHED CHILD!

WHAT HAPPENS IN THIS HOUSE
IS NOBODY'S BUSINESS!

THIS IS OUR HOUSE.

DO YOU UNDERSTAND ME?

WHAT DID MOMMY
JUST DO TO YOU?

YOU HIT ME.

WRONG!
WRONG ANSWER!

DID I SLAP YOU?
NO.

MOMMY DOESN'T SLAP YOU.

YOU'RE THE ONE
THAT MADE ME SICK.

NO! MOMMY, NO!

THAT'S ONE.

PLEASE, MOMMY, NO!
NOT BILLY!

THAT'S TWO!

PLEASE!

AW, MAKE A WISH
'CAUSE THAT'S THREE.

PLEASE, MOMMY, NO!
WHAT'S THE WISH?

NOT BILLY!
WHAT'S THE WISH?

WHAT'S THE WISH?!
NOT BILLY.

YOU WERE TOO LATE...

AS ALWAYS.

TOO LATE.

REMEMBER,
IF YOU TELL DADDY

BAD THINGS ABOUT MOMMY...

THEN DADDY'S
GONNA DIE, TOO.

AND WHEN DADDY DIES...

THERE'S NO ONE LEFT.
I'LL ALWAYS BE ALONE.

AND YOU, MY DEAR,

ARE SUCH A HOPEFUL CHILD.

A HOPEFUL CHILD...

WITH NO HOPE.

HEY, ZEPHYR.

HMM?

I REALLY LOVE YOU.

I LOVE YOU, TOO.

SHE... SHE SENT ME A PACKAGE.

IT'S CHASE'S...

IT'S HIS POETRY.

MAYA MUST HAVE
DROPPED IT OFF.

AND HE'S DEAD.

IT'S MY FAULT.

CHASE FELT THE SAME WAY,
DAVID.

IT'S TURNED.

HOW DOES IT FEEL TO NEED?

LEAVE ME ALONE.

$200.

THAT'S ALL I GOT.

FUCK.

WHAT HAPPENED TO YOUR EYE?

I DON'T WANT TO TALK
ABOUT IT.

I DON'T NEED THIS.

I NEED HELP, DAVID.

HEY, DAVID,
I OVERSLEPT THROUGH YOUR ALA...

SO, WHERE'S ISABELLA?

SHE'S AT HER MOM'S.

WE'RE HAVING PROBLEMS.

YOU'RE FUCKING
WITH THE WRONG PEOPLE, CHASE.

YOU ARE IN NO POSITION

TO DETERMINE WHAT HURTS
AND WHAT HELPS, DAVID.

SEEING YOU LIKE THIS,
THAT HURTS.

EVERY WEDNESDAY
AT 4:00...

EVERY WEDNESDAY.

WHAT THE FUCK
ARE YOU TALKING ABOUT?

DAD SAID THAT THE BELT
WAS TO HELP REMIND ME

OF WHICH DAY OF THE WEEK
IT HAPPENED.

HE SAID, "I'M MAKING SURE
YOU'LL NEVER FORGET."

I'M SORRY.

BUT I'M NOT DAD.

I'M NOT DAD.

YEAH,
BUT YOU LET IT HAPPEN.

I WAS AWAY AT SCHOOL.

BUT YOU KNEW THEN,
AND YOU KNOW NOW.

AND YOU'RE NOT GONNA DO
A DAMN THING ABOUT IT.

WHEN ARE YOU GONNA MAN UP,
DAVID?

DAVID,
YOU FUCKING COWARD!

MAN THE FUCK UP!

YOU'RE A FUCKING DISGRACE.

GET THE FUCK OUT!

YOU'RE GONNA REGRET THIS.

I ALREADY DO.

CHARLIE, N-O-O-O-O-O-O!!

WHAT... WHAT'S GOING ON,
ZEPHYR?

I GOT IT! AAH!

OH!
I TOLD YOU SO, MOTHERFUCKER!

I START NEXT WEEK.
AND CHECK THIS OUT.

THEY ARE GONNA BE THROWING

THE SICKEST
NEW YEAR'S EVE PARTY.

IT'S AN AMAZING LOFT.

AND EVERYTHING FOR ME
AND MY GUESTS IS FREE,

INCLUDING MY OWN HOTEL ROOM.

SO YOU, MY DEAR,
ARE COMING WITH.

OHH!

I CAN'T BELIEVE IT.
I'M SO EXCITED FOR YOU.

I CAN'T WAIT TO GO.

AAH!

SO, HER FLIGHT'S DELAYED?

YEAH, THAT'S WHAT SHE SAID
IN THE MESSAGE.

WHY DIDN'T YOU TELL ME

THAT HE WAS GETTING SICKER?

WHY DIDN'T YOU TELL ME
THAT HE WAS GETTING SICKER?

BYE.

FUCKING BITCH.

I DON'T EVEN KNOW
WHAT I WOULD DO IF MY DAD DIED.

YOUR PARENTS STILL TOGETHER?

NO, NO.

I HAVEN'T HEARD FROM MY MOM
IN YEARS.

UM, BUT MY DAD AND I
ARE SUPER CLOSE.

I HAVE TO GO
TO HIS FUNERAL.

TONIGHT... UH,
I HAVE TO LEAVE.

WILL YOU COME WITH ME,
PLEASE?

I-I CAN'T DO THAT.

PLEASE?

PLEASE?

YOU DON'T LIKE HER, THEN?

NO, I DON'T LIKE
MY STEPDAD.

BUT MOM DOES.

ZEPHYR...

WHAT'S YOUR DEAL?

THE EFFECT YOU HAVE ON ELLIE,
I...

IT'S... IT'S LIKE
YOU'RE MAGIC OR SOMETHING.

SHE REALLY TOUCHES
MY HEART.

IT'S THE WAY
THAT SHE... BREAKS.

IT'S... SO BEAUTIFUL.

CHASE,
PLEASE COME WITH ME.

YOU KNOW THAT I WOULD IF I COULD.
CHASE, I CAN'T GO THERE.

CHASE, COME ON.
COME WITH ME.

STOP, PLEASE.
CHASE, CHASE!

COME WITH ME, CHASE!
I CAN'T GO ALONE.

I CAN'T GO ALONE, CHASE!
I CAN'T.

YOU KNOW I CAN'T GO ALONE!
ELLIE...

ELLIE, LISTEN TO ME.

I DON'T WANT TO GO. I DON'T WANT TO GO.
LISTEN TO ME.

I DON'T WANT TO GO!

ALL RIGHT, LIKE...

I MEAN,
IF THINGS GET REALLY BAD...

AND I MEAN, YOU KNOW,
REALLY BAD...

LISTEN, I'LL COME OUT, OKAY?
I'LL COME OUT.

I JUST... YOU KNOW...

I'M GONNA TAKE CARE OF YOU,
OKAY?

YOU'RE MY GIRL.
I'LL TAKE GOOD CARE OF YOU.

ZEPHYR,
WHO BROKE YOUR HEART?

WELL, LET'S SEE.

MY MOM...

WHEN SHE LEFT MY DAD
FOR CHUCK.

I SWEAR MY MOM LITERALLY SLEPT
THROUGH MY WHOLE CHILDHOOD.

SHE WOULDN'T COME OUT
OF HER ROOM FOR WEEKS.

MONTHS, EVEN.

SO IT WAS JUST ME,

MY SISTER, AND CHUCK.

CHUCK.

EW.

ISN'T THAT THE UGLIEST,
MOST DISGUSTING-SOUNDING NAME?

CHUCK.
IT'S JUST PERFECT FOR HIM.

OH.

I GUESS THAT WAS THE ONLY THING
I-I COULD CONTROL,

WAS PROTECTING HER.

WAIT. I'M SORRY.

PROTECTING WHO FROM WHAT?

FROM HIM FUCKING HER,
TOO.

"IF IT'S NOT YOU,
THEN IT'S HER,"

AND IF YOU SAY ONE WORD,

"I WILL FUCKING KILL
YOU BOTH."

AND I WAS A KID, SO...

I BELIEVED HIM.

THEN ONE DAY I BUSTED
INTO MY MOM'S ROOM,

AND I TOLD HER
I WAS LEAVING,

AND I WAS TAKING NATALIE
WITH...

AND SHE JUST...
SHE JUST LOOKED AT ME,

AND SHE ASKED ME
IF I STILL LOVED HER.

AND I SAID, "YES."

"BUT I-I CAN'T.
I...

I CAN'T DO THIS ANYMORE."

AND I... AND I JUST LEFT.

AND I NEVER LOOKED BACK.

AND I NEVER MENTIONED
CHUCK.

GOD.

I CAN'T BELIEVE I WAS ONLY...

ONLY 12.

ARE YOU OKAY, CHASE?

ZEPHYR, I WOULD KILL THAT MAN
FOR YOU.

CHASE, NO, NO, NO.

I...

I DON'T... I DON'T LIKE YOU
LIKE THAT.

I DON'T LIKE YOU LIKE THAT,
EITHER.

WHAT'S YOUR POINT?
THEN WHAT ARE YOU DOING?

I DON'T KNOW.

GET OFF OF ME,
YOU SICK FUCK!

I WOULD NEVER DO THAT
TO HER!

YOU'RE FUCKING KIDDING ME.

ELLIE, ELLIE, NO.
NO, IT'S NOT LIKE THAT.

♪ WHERE ARE WE GOING TONIGHT?

♪ I SAID, "WHERE ARE WE GOING?"

♪ WHERE ARE WE GOING TONIGHT?"

MAY I HAVE THIS DANCE?

♪ I SAID, "WHERE ARE WE GOING?"

♪ WHERE ARE WE GOING TONIGHT?"

♪ ALL RIGHT, NOW

♪ I SAID, "WHERE ARE WE GOING?"

♪ WHERE ARE WE GOING TONIGHT?"

♪ COME ON, COME ON, COME ON

♪ WE'RE GOING S.F.R.

♪ S.F.R. TONIGHT

♪ WE'RE GOING S.F.R.

♪ S.F.R. TONIGHT

♪ RIGHT NOW

♪ WE'RE GOING S.F.R.

♪ S.F.R. TONIGHT

♪ RIGHT

♪ WE'RE GOING S.F.R.

♪ S.F.R. TONIGHT

♪ COME ON, COME ON, COME ON,
COME ON, COME ON, COME ON ♪

♪ COME ON, COME ON, COME ON...

Crowd:
9, 8, 7, 6, 5, 4, 3, 2, 1!

HAPPY NEW YEAR!

WoYEAH!

YEAH!

YEAH!

ROB REESE.
NICE TO MEET YOU.

Liz:

HI, I'M J.P.

J.P., WHAT'S UP?

AND THIS IS MY FIANCéE, LIZ.

FANTASTIC.
FANTASTIC.

YOU KNOW, I THINK I FORGOT
MY PURSE AT THE BAR.

I'M GONNA BE RIGHT BACK.

GOOD LUCK.

YOUR PURSE?

FUCK HIM.
ANYHOW, LISTEN.

SO, I HIRE HER FOR THIS MOVIE
I'M DOING, THIS PICTURE.

IT'S LIKE A SUBTERRANEAN KIND OF
ANT-COLONY THING, AND SHE'S...

HEY!
WHAT'S UP, MAN?!

NO, NO!
I'M IN IBIZA!

DUDE, SHE COULDN'T GET HER TITS
OUT FAST ENOUGH!

YEAH, DUDE,
I'M AT A PHONE PARTY.

HOLD ON.

YOU GUYS ARE GREAT!

WHAT? WHAT?

YEAH, PARIS HILTON
LOST HER CHIHUAHUA.

OKAY, I'LL CALL YOU
WHEN I GET BACK TO THE COAST.

THAT'S... THAT IS ROB REESE
CREATIVE PRODUCING.

YOU KNOW WHAT I'M SAYING?

YOU'RE AN ARTIST, RIGHT?

OKAY.

YOU'VE GOT FATHER ISSUES.
NO.

THIS IS EXCELLENT.
I FEEL SUCH A CONNECTION.

WHAT DO YOU SAY WE GO UP,
GET A ROOM,

START NEW YEAR'S OFF
WITH A BANG?

NOT EVEN IF I WAS HELEN
KELLER ON ROOFIES, OKAY? YEAH.

NOT EVEN
ON THE DRUNKEST NIGHT.

YEAH, NO.

YEAH.
GO FUCK YOURSELF.

YEAH.

HERE, CHASE.

MINE WORKS.

I HAVEN'T SEEN YOU
ALL NIGHT.

I KNOW.

HAVING FUN?

YEAH, SURE.
IT'S ALL RIGHT.

COOL.

SHUT UP.

SO, CHASE,

HOW DO YOU WANT TO START
THIS NEW YEAR OFF, HUH?

DON'T ASK ME THAT.

WHY?
WHAT'S WRONG WITH THAT?

YOU TWO
HAVING A GOOD TIME?

YEAH.

IT'S NEW YEAR'S.
I COULD TAKE IT OR LEAVE IT.

I HEAR YOU, BRO.

FUCK IT.

IT'S JUST NEW YEAR'S.

GIVE ME A RING
TOMORROW.

OKAY. WILL DO.

WE'RE OUT OF HERE.

ZEPHYR...

WHAT DO YOU WANT FOR THIS YEAR
THAT IS NEW?

HMM.

I WANT TO FEEL LOVED...

WITH JUST THAT...
THAT... THAT FEELING,

THAT LOVE FEELING.

YEAH.

HMM.

ZEPHYR?

ELLIE?

ZEPHYR.

ELLIE. ELLIE.

ZEPHYR.

♪ ...TO BE HER LOVER

DO YOU KNOW
ANYBODY NAMED NATALIE?

♪ ...DISCOVER

NO ONE BESIDES MY SISTER.

♪ TONIGHT'S THE NIGHT

WHY DO YOU ASK?

I DON'T KNOW.
I DON'T KNOW.

I WAS JUST... WONDERING.

♪ I NEED TO FEEL
JUST LIKE THE OTHERS ♪

COME HERE.

WHEN YOU WERE A LITTLE GIRL,
DID YOUR...

DID YOUR MOM PLAY

WITH YOUR LONG, BEAUTIFUL HAIR?

SHE USED TO BRUSH IT
UNTIL IT RIPPED OUT,

AND I COULDN'T STOP
SCREAMING.

I'M SORRY.

NO. NO.

DON'T BE SORRY.

I'M NOT SORRY.

♪ WELL, I GUESS

♪ UNTIL SHE'S WITH THE NEXT

♪ A VOLUNTARY PRINCESS

♪ MAKE IT, FAKE IT,
ANY WAY YOU WANT IT ♪

♪ I WAS IN DOUBT TO LOVE
AS A TEST ♪

♪ I NEED TO FEEL
JUST LIKE THE OTHERS ♪

♪ IT'S TIME, CHRISTINE

♪ MY LOVE FOR YOU AND ME

♪ YOU'RE TOO SHY,
AND YOU TRY TO SEE ♪

♪ OH, NEVER MIND, I'M DYING

♪ I'M TRYING

♪ SHOT ME DOWN

♪ SHOT ME DOWN

♪ SHOT ME DOWN

♪ OH, YEAH, YEAH

Ellie: ZEPHYR?
♪ SHOT ME DOWN

♪ I'M REALLY SORRY

♪ SHOT ME DOWN
I DON'T...

♪ I DIDN'T MEAN IT

I DON'T KNOW
WHAT I'M DOING.

♪ DON'T YOU WANT ME?

Zephyr: DOES IT MATTER?

IF IT FEELS GOOD,
DON'T STOP.

HEY.

CAN YOU HELP?
ARE YOU GUYS HOLDING?

HOW MUCH
DO YOU WANT?

I DON'T KNOW.

WHATEVER... WHATEVER
WILL FUCK ME UP.

CAN WE GET
IN YOUR CAR?

SLIDE OVER.

YOU TWO UP FOR A ROUND?

YOU GOT AN OUTFIT?

OH, HEY.
I NEVER SHOT BEFORE.

I DON'T KNOW
HOW TO DO ANY OF THIS.

UM...

I'LL FIX HER.

JUST RELAX.

OKAY.

MAKE A FIST.
LIKE THAT?

THERE YOU GO.
THERE YOU GO.

OKAY.

Ellie's mother: AND YOU, MY
DEAR, ARE SUCH A HOPEFUL CHILD.

Zephyr:
IT'S MY FAULT.

Zephyr: IF IT FEELS GOOD...

SHE'S GONE, MAN.
DON'T STOP.

Ellie's mother:
A HOPEFUL CHILD.

Zephyr:
IF IT FEELS GOOD...

EASY.
DON'T STOP. DON'T STOP.

Ellie's mother:
WITH NO HOPE.

N-O-O-O-O!

ELLIE? ELLIE?

ELLIE?

NO.

PLEASE.

PLEASE...

IT'S MY FAULT.

I'M SO SORRY.
I'M SO SORRY.

DON'T LEAVE ME.
DON'T LEAVE ME.

COME BACK.
NO.

COME BACK.
COME BACK.

LOOK AT ME.

COME BACK.
COME BACK. COME BACK.

COME BACK.
COME BACK.

I LOVE YOU.
I LOVE YOU.

IT'S MY FAULT.

IT'S OKAY.

IT'S OKAY.

I KNOW YOU LIKE THIS.
I KNOW.

SO WE'LL JUST... HAVE
OUR OWN LITTLE SECRET, OKAY?

COME ON, LET'S GO.

NO, NO, NO, NO!

NO. NO.
STOP! STOP! STOP!

PLEASE MAKE HIM STOP!
ELLIE, ELLIE, ELLIE.

N-O-O!
NO, NO, NO!

I DON'T LIKE HIM!
Shh.

PLEASE... STOP.

PLEASE.

NEVER TURN YOUR BACK...
TO THE DOOR.

'CAUSE I NEED...
TO BE READY TO SEE HIM.

I NEED TO SEE HIM COME IN.

SO YOU REALLY DO SEE HIM.

WHO DO YOU SEE?

A SCARY MAN.

I CAN HEAR HIS... FOOTSTEPS.

Shh.

I CAN HEAR HIS FOOTSTEPS.

Shh.

HERE HE COMES.

Shh.

CLOSER.

Shh.

CLOSER.

CLOSER.

Shh.

Shh.

Shh.

I CAN'T SEE HIM.

Zephyr: I CAN.

WHERE IS HE?

WITH ME.

WHY DON'T YOU TELL MOM?

BECAUSE SHE LOVES HIM.

THEN WHY IS HE WITH YOU?

SO THAT IT WON'T...

BE... YOU.

WHEN DOES HE HURT YOU?

AT NIGHT.

CAN I... HELP?

YOU CAN'T.

YOU CAN'T.

BECAUSE
THEN YOU WILL BE... LIKE ME.

HOW OLD ARE YOU?
THE OLDEST.

CAN YOU PLEASE...
MAKE HIM STOP?

I DON'T THINK
THAT I'M READY FOR THIS.

THERE IS
NOTHING INSIDE OF ME.

I THINK IT WOULD BE BEST...

IF YOU SHOWED ME THE DOOR.

THAT...

THAT OVER THERE.

THAT'S THE DOOR.

THAT'S THE DOOR
TO THE ROOM.

IT'S THE ROOM...

WHERE...

BAD THINGS... HAPPEN.

IT'S THE...

ROOM WHERE PEOPLE LOSE...

INNOCENCE.

IT'S THE ROOM
THAT IS ALL... GRAY.

IT'S NOT QUITE...

QUITE...

QUITE BLACK.

IRREVERSIBLY...

GRAY.

IT'S THE ROOM

WHERE YOU LET IT ALL... GO.

IT HURTS INSIDE...

THE DARK...

HALLWAY.

OPPOSITE END
OF WHEREVER YOU ARE.

AND EVERYBODY KNOWS.

NO ONE KNOWS.

I WISH
I COULD TELL SOMEONE.

TELL ME.

I CAN'T, NATALIE.

NOTHING'S SAFE.

NOTHING'S EVER SAFE.

IT NEVER STOPS.

IT NEVER... STOPS.

Both: CLOSE YOUR EYES.

I WANT TO SHOW YOU SOMETHING

THAT YOU'VE NEVER SEEN BEFORE.

WHAT'S THAT?

LIFE.

LIFE.

LIFE.

LIFE.

Hey, David. What's up?
It's me, man.

I haven't talked to you
since New Year's.

I'm sure
you're probably pretty busy,

but, look, man,
I'm sorry to bother you.

I just, um, wanted to call you
because I know how...

I say that you weren't there

and that you could have stopped
it if you were.

Well, man, I think we both know
that that's not true.

I can't forget about him.

That means that, uh...

our brother Charlie...

would be alive
if it weren't for me.

It was like it was yesterday.

It was that car.

It was the blood everywhere.
His blood was everywhere.

His blood was everywhere, David.

All this time that I thought
that you were the bad brother,

and it was my fault.

I know I haven't been
a good brother.

I'm sorry for everything.

Bye.

DAVY?

DAVID?

DAVID!

YOU LOOK GOOD, DAVID.

WAKE UP, SLEEPING BEAUTY!

SLINK.

DO YOU BELIEVE IN GOD?

YOU MEAN J.C.?

NO.

NO.

NOT THE SON OF...

BUT GOD.

DAVID.

I DIDN'T KNOW THERE WAS
A DIFFERENCE, DAVID.

DO YOU THINK
HE'LL LET ME GO?

DO YOU KNOW
WHAT YOUR PROBLEM IS, DAVID?

EVERYTHING AROUND YOU
IS FAKE.

IT'S THE THINGS
THAT YOU DON'T SEE...

THAT ARE REAL.

IT'S TIME...

TO JUST...

LAY BACK AND LET
THE POWERS THAT BE BE.

YOU'RE NOT IN CONTROL OF IT
ANYMORE, DAVID.

HE'S GIVING YOU
HIS PAIN, DAVID.

HE'S GIVING YOU HIS PAIN!
NO!

NO! NO!

NO!

NO!

SO, THE UNKNOWN VISITOR

HAS FINALLY ARRIVED.

WHOSE PLACE HAVE YOU TRIED
TO MAKE YOUR OWN THESE DAYS?

I CAN'T DO NOTHING BUT RUN.
NOBODY'S PLACE, DAD.

YOU KNOW THAT.

CAN WE TALK A MINUTE?

I NEED HELP, DAD.

I FEEL LIKE
I HAVE DEMONS INSIDE OF ME...

INSIDE MY HEART...

TEARING APART MY SOUL.

THE DEMONS IN YOUR SOUL.

LET ME ASK YOU
ONE QUESTION.

CAN YOU TELL ME
THE... THE NAMES

OF THE VACANT SPIRITS
KNOCKING ON MY DOORS?

CAN YOU FEEL
THE... THE EMPTY HALLWAYS?

STREETS?!

SOMETIMES THEY SAY
FATHER KNOWS BEST,

BUT IN THIS CASE,
I'M NOT SO SURE ABOUT THAT!

WE HAD SOME GOOD TIMES, DAD.

WE HAD
SOME FUCKING REAL GOOD TIMES.

NOW YOUR VOICE
IS TREMBLING.

IT'S SHAKING, MY UNKNOWN
VISITOR, AND I KNOW BETTER.

AND SOMETIMES
THERE'S NO ANSWER.

YET NOBODY CAN COME UP
WITH ONE GOOD REASON...

WHY I SHOULDN'T BLOW
MY HEAD OFF!

TELL ME, SON.

WHERE IS GOD?!

HE'S WITHIN ME,
TURNING THE OTHER CHEEK.

I WANT MY BOY BACK,
AND I WANT HIM NOW!

WHO LEAVES
A BOY 4 YEARS OLD

WITH A BROTHER
ONLY 3 YEARS OLDER THAN HIM?!

I MEAN,
WHO DOES THAT, DAD?!

WHO DOES THAT?!

WHY DON'T YOU SEE ME,
DAD?

PLEASE!
REMEMBER ME!

YOU'VE ALWAYS BEEN
A DREAMER.

YOU NEVER WILL BE YOU.

I NEVER WILL BE ME.

RUN AWAY, CHASE.

JUST KEEP RUNNING.

AND YOU'LL GET THERE.

YOU'LL GET THERE.

YOU'LL FIND YOUR HOME.

WILL YOU
EVER LOVE ME AGAIN?

I'LL ALWAYS LIVE
IN VINEYARDS

WHERE WILD CHILDREN
STEAL EVERYTHING.

WHERE ARE YOU?!

I'M RIGHT HERE.

YOU CAN DO
WHATEVER YOU WANT TO DO.

REALLY...

IT DOESN'T... MATTER.

WHY DOESN'T IT MATTER?

BECAUSE...

BECAUSE?

IT WON'T EVER BE
THE SAME.

AND GOD LOOKED DOWN
UPON PARADISE LOST,

AND HE SAID, "CAIN..."

YES, GOD?

AAH!

NO!

HELP ME!

HELP ME!

HELP ME!
HELP ME!

YOU GOT TO HELP ME!
YOU GOT TO HELP ME!

I NEED HELP!

HELP ME!
HELP ME! PLEASE HELP ME!

HE-E-LP!

HELP ME!
HELP ME!

NO! NO! NO!

YOU WANT TO... KNOW
THE TRUTH?

NO! OH, GOD!

NO! I...

AAH! AAH!

I KNOW!

I KNOW, I KNOW.

I KNOW.

I KNOW!!

AAH! AAH!

I KNOW!

I KNOW, I KNOW, I KNOW.

Chase: I WON.

DID NOT.

I ALWAYS WIN.

WHY IS MY NAME CHARLIE?

I TOLD MOM AND DAD
TO NAME YOU THAT.

YOU DID?
YEP.

I GAVE IT TO YOU SO YOU WOULD BE
A SOLDIER LIKE GRANDPA.

GRANDPA WAS A SOLDIER
FOR REALS?

YEP.

DOES THAT MEAN
I HAVE TO BE A SOLDIER?

YOU CAN BE
WHATEVER YOU WANT TO BE.

YOU WANT TO BE A SOLDIER
WITH ME?

I WANT TO BE A WRITER.

I'M GONNA BE THE BEST SOLDIER
IN THE WHOLE WIDE WORLD.

I'M GONNA BE
THE BEST WRITER.

CROSS YOUR HEART.

HOPE TO DIE.

Charlie: COME ON.
YOU PROMISED.

COME ON, CHASE.

COME ON.
YOU PROMISED ME.

I'M TIRED OF WAITING
FOR YOU.

COME ON, CHASE.

COME ON.

I'M SICK OF WAITING
FOR YOU.

I'M TIRED.

YOU PROMISED ME.

COME ON, CHASE.

HURRY UP, CHASE.
I'VE BEEN WAITING FOR YOU.

READY?

READY.

OKAY, LET'S GO.

♪ MY PAIN IS YOUR PAIN

♪ IS MY PAIN IS YOURS AGAIN

♪ SORROW IS SORROW

♪ WE BEG, AND WE BORROW

♪ SO GO

♪ GO WHERE THE UGLY DOGS GO

♪ GO

♪ GO WHERE THE UGLY DOGS GO

♪ HIDE FROM THE WOMEN

♪ HIDE FROM THE MEN

♪ SORROW IS SORROW

♪ AND IT'S COMING AGAIN

♪ SO GO

♪ GO WHERE THE UGLY DOGS GO

♪ GO

♪ GO WHERE THE UGLY DOGS GO

♪ SEASONS FOR YOU

♪ SEASONS FOR ME

♪ NOTHING TO DO

♪ AND THERE'S NOTHING TO SEE

♪ I WANT TO PLAY IN A FIELD
WITH YOU ♪

♪ I WANT TO PLAY
WITH YOUR HAIR ♪

♪ I WANT TO PLAY WITH A GIRL
IN A FIELD WITH YOU ♪♪

♪ SUNSET WILL KEEP
YOUR EYES PEELED ♪

♪ FEEL WINDS BLOWING THE SOUL

♪ VULTURES, SAILORS

♪ TO THEM IS JUST A GAME

♪ BUT YOU NEED THIS

♪ YOU'VE BEEN PULLING TEETH
FOR PAIN ♪

♪ SO I'LL KEEP MY EYE ON YOU

♪ OOH

♪ FIRST THING,
YOU KNOW IT'S NOT RAINING ♪

♪ SO YOU TAKE IT 'CAUSE
YOUR PERFECT DAY IS HERE ♪

♪ YEAH, YOU GOT
YOUR PRETTY LITTLE MOUTH ♪

♪ AND A GOOD-LOOKING SUIT,
YOU'RE ON YOUR WAY ♪

♪ IF YOU JUST BOTTLE IT UP

♪ IF YOU SAY YOUR GRACES

♪ SO I'LL KEEP MY EYE ON YOU

♪ AND I'LL TAKE MY TIME
WITH YOU ♪

♪ AND I'LL WORK MY CHARM
ON YOU ♪

♪ AND I'LL CHANGE MY MIND
ON YOU ♪

♪ OOH

♪ OOH

♪ OOH

♪ YEAH, YOU JUST KEEP ON GOING

♪ WITH YOUR... SHUFFLE
AND YOUR HEAD ON FIRE ♪

♪ YEAH,
YOU JUST KEEP ON PUSHING ♪

♪ WITH YOUR... SHUFFLE
AND YOUR HEAD ON FIRE ♪

♪ YEAH, YOU JUST KEEP ON GOING

♪ WITH YOUR... SHUFFLE
AND YOUR HEAD ON FIRE ♪

♪ AHH

Someone needs to stop Clearway Law.
Public shouldn't leave reviews for lawyers.