La Flor (2018) - full transcript

A film in six episodes, connected by the same four actresses, full of various subplots that play with narrative and different cinematic genres , everything structured in an unusual way.

Hi.

I'll try to explain

what this movie is about.

Maybe most of you

know this a ready,

but I'll explain it gain

just in case.

There are six stories.

Four of them have a beginning,

but not an ending.

That is to say,

they stop at the middle.

They have no ending.

Then, there is episode five,

which, like a short story,

has a beginning and an end.

Finally, there is episode six,

which begins in the middle

and ends the film.

The film,

this, I'm sure you all know

is titled "La flor".

What else?

Each episode has a genre,

so to speak.

The first episode

could be regarded as a B movie,

the kind that Americans

used to shoot

their eyes closed,

and now just can't shoot

anymore

The second episode...

is a sort of musical

with a touch of mystery.

The third episode

is a spy movie.

The fourth episode

is difficult to describe.

Not even I, in the moment

of making this prologue,

have a clear idea.

The fifth one is inspired

by an old French film.

The last one...

is about some captive women

the 19th century...

who return from the desert

from the Indians

after many years.

Now, the punchline

of the whole movie...

lies in the fact

that all the episodes...

star the same four women

in different roles.

Valeria,

Elisa,

Laura,

and Pilar.

I'd say the movie

is about them,

and, somehow, for them.

I think that's about it.

For now.

- Stop.

- Why? What's the matter?

Stop, stop, stop!

Please, not again...

Please, not again...

Are you okay?

Is it something I did?

Did something happen to you?

You're not angry at me, right?

No, take me home.

- Yeah, sure.

- Take me home.

My Angry sister calls to arms

René Char

Guys, keep it down, please.

It's too loud.

- Marcela, can you come?

- Yeah.

I've a problem with the weavings

from the Talangasta site.

Still with Talangasta?

That should be in the lab!

What happened?

I had some questions

for you or the Doctor.

- Look here.

- Yes?

This is camelid, but it's more

of a late er treatment.

Yes, but this is something you

should work out for tomorrow,

next week the Chileans will

call us 3 days a week...

I told him it is not camelid.

Coming! I don't know about it.

Send it to the lab at nee,

Dario.

But how do I label it?

I don't...

Look, I've only got 5 bottles

of phosphoric acid.

5? There was enough acid

for the whole winter!

We cleaned 10 lithic tools

last week.

This is not the time, Silvana!

We are closing for a wee.

Have you talked to the Doctor?

I told Yanina 10 times...

No, don't even start.

Please, don't start.

Yanina! Work it out with her.

Where is Yanina?

At my desk.

We won't finish

the report on time.

Marcela, we have a problem.

Marcela, can you come?

Coki leaves at 8,

she says she old you,

and Nancy can't come

before 9...

Yes, I forgot all about it.

You can't stay, can you?

Way, I have to look after

my grandchildren.

Was any other day...

Okay, I'll ask Coki,

don't worry about it.

Okay, but don't forget,

it's a nightmare out there.

What is it now?

Nothing, I forgot Coki

was leaving today at 8,

to fire up the generator.

Silvana told me she told you

we're out of phosphoric acid.

What an ass!

I asked her if we had

to restock before closing...

and she told me to wait

until we spoke with Lucia.

She screwed this up, not me!

Hello?

For you.

Yes?

Where?

No, I have no idea.

Nobody told me anything...

and we have no orders

from Doctor.

Could you go

to the front door...

and check what's going on

with some cargo?

Where am I supposed

to get acid from now?

Yes. No, don't let them in.

What did you say?

Don't let them unload the cargo.

Okay, tell them

to load the cargo back.

I never spoke with Giardina,

I'm out of the loop.

No, they can't leave that here.

Okay, I'll be right there.

You talk to them, Marcela!

They say Giardina sent them...

and they have to unload

the cargo today.

They can't,

We're about to close!

Yes, I told them, but...

Maybe we could take everything

to the back room.

No, and where's Lucia?

- Should I call her?

- Yes, please.

Do we unload here?

No, the Doctor is not here

and I can't accept the cargo.

But we have to be at the site

before 3.

We can't take it.

We're due there before 3!

Sorry, but what site

are you talking about?

The Rodeo dig!

Someone took this

downhill...

and the Giardina told us

to bring it here.

Right, I'm truly sorry,

but I can't accept this

without the University form.

But Giardina told us to get

the cargo here ASAP.

No, nobody spoke with Giardina,

nobody told me anything...

You can't leave this cargo here.

What will I say to Giardina?

I will go fetch her.

Careful, don't let them leave

Giardina told us

to deliver the cargo.

If you have a problem

with that, you must call him.

No, I don't know a thing...

Hi, how are you?

Could you show me

the delivery form?

What's that?

The form

require by the University.

No, Mr. Giardina told us

to deliver the cargo today.

I understand, but Giardina

doesn't work here...

and he's not authorized

to send shipments here...

without a delivery form.

Marce, sign the 2-13.

I'll call Giardina right now.

Should we take this in?

Yes, follow her, please.

- What site is it?

- Cerro Blanco, El Rodeo.

Yeah, pure rocks.

Yes, they'll get the cargo.

Follow me, please!

We will have to speak

with Giardina.

Be careful.

He sends me a box of stones

the day before Easter,

and I have to go on a trip.

What a dope.

The cargo should be with him.

I won't lift a finger

without the delivery form.

Do me a favour, Yani,

take my jacket, will you?

He doesn't want to waste

the whole weekend...

looking after

a bunch of rocks...

and he wants me

to do it for him.

I'll leave them at the base

this afternoon.

In temporary storage.

I won't turn on a whole freezer

just for this asshole.

Good morning!

Good morning, Doctor.

Do you have a second?

Sure, tell me.

Look, I'm a bit be ind

with the Tarangasta dating.

- What's the matter?

- How do I label them?

- "Camelids."

- Camelids?

Of course, that's vicuña.

Remember those Ansilta poncho

The Italians sent over?

That's the same technique,

With borax instead of clay.

So I label them "camelids"?

- Camelids, for sure.

- Great.

And don't dally

with those petroglyphs.

They should all be indexed

by next week.

- Okay, Doctor.

- Thank you.

Thank you, Doctor.

Hello, good morning.

How are those PHT coming along

Not great I have 5 bottles

of phosphoric acid,

and less

than a quarter of nitrate.

Top off that quarter

with iodine-diluted alcohol.

Iodine? As a reactive?

Yes, it works as a reactive.

It is just for the weekend.

- Do you have iodine?

- Yes.

Perfect.

Doctor,

we have a schedule problem.

Coki leaves early,

Julia can't come today,

and I should be leaving...

Don't worry, we're staying

to look after a cargo.

Tell Julia not to come.

Yani, can you stay?

Yes!

Great. Coki can leave at 6 so

she can see her grandchildren.

One moment, please.

- Doctor?

- Yes.

Giardina.

Put him through.

Hello?

How are you, Giardina?

Yes, this is Lucia Conti.

Yes, we're unloading

the cargo.

No, I saw your missed call,

I didn't know it was so urgent.

Right, because I can't...

Right, I can't do anything

without a delivery form.

Hello, Giardina?

I can barely hear you.

Why don't you call me later?

Hello?

No, we didn't ship anything

to Stockholm.

I don't know which mummy

is that, Giardina.

Which mummy?

No. Hello? Hello?

He said something

about the Stockholm Conference.

What the hell does he know?

Is he an archeologist now?

Do you have a minute?

- What is it?

- Com with me.

Done. That was rough. I thought

he was going to say no.

He was about to leave

and we delayed him.

He showed me his bag,

the fishing rods...

And his wife was waiting

in the truck, what a saint.

Still, I won't pity him,

I'm even worse off here.

But the pieces are goo

I think they are worth it.

For the cover

of the Stockholm Catalogue,

they want the bigger photo,

the one with the hand raised.

It is good.

Yes, it's worth it.

You were planning on going to

Neuquen, right? You poor thing.

A whole weekend indoors

with this mummy.

And me, I try to take 1 week off,

and this pops up.

Hans couldn't believe it.

These things never happen

in Austria.

"How can you be so messy?

You're not telling me

something!"

That poor thing.

When I told him we were sending

them to Stockholm,

he was so proud...

- He'll be there, did I tell you?

Yeah, he'll give a lecture

on the Sorocaba Tombs.

Once he calmed down after

I canceled our short trip,

he was actually happy.

I love him.

He thinks highly of my work.

He's proud of what I do.

That's rare, isn't it?

Because you know, men here

may be academic and all that,

but they're so sexist...

They don't like it when you

do better than them.

Shit, speak of the devil...

Should I make a quick stop?

Yeah, I should think so.

I can't stand this guy.

Marzico, what's up?

What's going on?

What's up, doc?

Marcela! Hi, what's going on?

Asking for favors, as usual.

So? Did you get help?

Yes, Cinetti took care

of everything once again.

Whatever you need,

you can call me.

Yeah, we know.

Marzico, bye now,

we're in a hurry.

I thought you'd be on the road

by now.

You're not closing for Easter?

That was the idea,

but we have to stay now.

You'll be all alone

at the Institute?

Yeah...

Whatever you need

you can count on me.

I'm just a phone call away.

Great, bye now.

Do you have my number?

Of course we do!

Call me then.

- Sure thing. We have to go.

- I won't keep you, then!

Bye! Thanks. Thanks...

He creeps me out,

I can't help it.

He is so disgusting...

Yanina is not seeing him, right?

She says she isn't, but...

It's the same old story.

I know.

I spoke to her,

but she won't listen.

She's so naive.

She believes every word he says

What a lying scumbag.

One day I wish I had the nerve

to run him over with the truck.

Hey, I made a joke.

You can laugh.

Sorry, I'm a bit distracted.

Is something the matter?

No...

Right! I almost forgot.

You went out with Claudio.

Something happened?

No...

Well, more or less...

"More or less".

You'll end up driving him crazy.

Yani is a mess, but at least...

Speaking of Yanina, tell her

to start working on the mummies,

or this whole operation

will go to hell.

What's the matter

with this radio?

Damn you!

By the time we realized it,

we had he mummy with us.

Yes, a pain in the ass.

One Giardina.

He always does the same.

It's just the two of us.

Locked in here, yeah.

It's more practical than coming

and going the whole weekend.

Marcela sleeps over there.

I'm thinking

of keeping her company.

Yes, alone with the mummy.

It's her, how funny.

I won't take the call.

She's good, but at times

seems disoriented.

It's like she's coming down

with something.

Fuck, what now? Excuse me.

- Hello.

- Is everything okay?

Yes, I'm skyping right now.

What? But she had to dust

all the artifacts.

Just a moment.

Only one?

I told her to clean all 3.

Di she use phosphoric acid?

The mummy. Did she use

the acid on the mummy?

That cunt.

A good-for-nothing

who works for us.

Yes? Are you with the mummy?

And there's no more acid?

Well, then go get the acid,

Call me when you get it

One second, don't hang up.

It's always the same.

I feel like I'm their mother.

One is horny all the time,

and the other one is a prude.

No, she doesn't understand

a word of Catalan.

No, don't worry about it.

Not one word.

Yes? That's impossible,

there must be some.

Go to the storage room,

open the green cabinet,

and, once you're there,

check again...

Marce...

Easy. Were you scared?

There, there...

Do you want to go home?

Are you sure you want to work?

Do I call somebody

to pick you up?

No.

Okay, if you don't feel good,

tell me.

Get yourself a cup of coffee.

Thank you.

Where were you? I bet you went

to bed at 8 a.m.

No, I swear,

I went to bed super early.

I don't know what happened,

I couldn't wake up.

Yeah, super early, I'm sure.

Really. I left at around 7

yesterday.

Well?

Where are they?

Follow me.

Are these all of them?

The black one is missing.

I gave him something

to calm down.

I drew a blood sample

to have it analyzed.

It's strange.

The symptoms are strange.

I never saw something like that.

But let's wait for the results

to come back.

Rabies.

No. The symptoms do not match

A rabid animal

is afraid of water.

This cat just can't stop

drinking water.

This level of thirst

is abnormal even.

Really, its symptomology

is quite rare.

Dilated pupils, loss of hair...

And something very strange:

a strong epidermal lesion.

Some sort of welt

in the inguinal region...

that keeps growing.

It doubled in size

in the half hour I treated him.

Then there's hyperactivity,

aggressive behavior.

A viciousness that surpasses

all known pathologies.

I'm at a loss.

And the other cats?

- This cat killed them.

- Dam

But let's not get ahead

of ourselves.

I'll send the sample to the lab

to rule some things out.

Keep him isolated.

You can give him water.

Try not to touch him,

it could be dangerous.

Okay.

Call me if anything changes,

or I'll drop by tomorrow.

Thanks for coming,

we didn't know what else to do.

Call me anytime.

Good.

Yani, come here. Help me.

Come on, move it.

Are you okay?

Calm down, it's over now.

Do you feel better?

Can I call you again?

I'll call you.

Come on. Let's get to work.

It's occupied!

It's you.

What's that on you face?

Nothing, I'm going home.

- Can I take you?

- No, it's okay.

Come!

Come, get in.

No, I'm not feeling well.

Come on, I'll take you!

No, I'm dizzy,

I want to go home.

Come on! I'll take you home.

No, really, I feel like crap.

Load the bike

and I'll take you home.

Come on, don't be silly.

Come on.

We're not having a good day,

are we?

Did you stay up late?

Don't whine about it

No, I didn't stay up late.

I'm just not feeling well.

You could be pregnant

you know.

Shut up, you jerk.

Where are you taking me?

I told you I was going home!

Come on, I'm going home,

I feel like shit.

Take me home.

You're a bit feisty.

Take me home.

Now.

Take me home now.

Let me tell you something, girl,

with all due respect.

Once you get on

the Marzico-mobile,

there's a set of rules...

Last night.

I got home late, around 9.

Already, from far away,

I could see something was off.

Something strange in my house.

I walked in and I saw everything

ad been tossed around.

And I thought,

"We've been robbed!

A burglar has broken in

and stole everything."

I ran out to get the guys

at the roundhouse,

I came back rushing

with them...

They checked everything.

Everything was tossed around.

Everything.

There was shattered glass.

The table was scratched

as if it'd been scratched

by an animal.

So the lads told me,

"This was a fox.

A fox broke in."

So I told them,

"What fox?

There are no foxes around here!"

And in that moment,

we heard a noise,

a strange noise...

which was coming

from down there...

I told them,

"Did you hear that?"

And suddenly, once again,

the noise.

So we slowly walked out...

to see where it was coming from

And we saw her.

She was motionless,

all curled up,

like you're seeing her now.

She's been like that all night.

Motionless.

Poor girl.

It's strange.

It's all very strange.

I understand.

I think she trashed the place.

Most likely, yes.

She got in, trashed everything,

and then stopped moving.

Just like the cat.

Ma'am, your daughter

will be okay.

We'll take her

to the Institute...

to make her feel

more comfortable.

I'm worried sick about her.

Don't worry. We'll take her.

Take some clothes with you.

I'll pack a bag.

Yes, pack her a bag.

Marcela will help you.

I'll help you. Come with me.

This is not right.

We should call a doctor.

She can't go to the doctor.

I'm a vet, not a physician.

She can't go to the doctor.

Did you hear about Marzico?

Who?

Marzico,

the foreman at the mine.

That's right.

He was attacked by 4 guys.

That's the thing,

it wasn't 4 guys.

Just like the cat

Come on.

Take her to the ceramics

storage, it's empty.

On the right!

Take her. I'll go check.

Well?

You see.

He's lashing out again.

After he calms down,

he gets vicious again.

This symptoms are recurrent.

It's a cyclical behavior.

You should try to think

when this might've started.

Did something strange happen...

before the cat and Yanina

fell ill?

Maybe some sort of episode

or some situation...?

- Can you stop this?

I turned on the heating...

and locked the door

with two latches.

Where's Claudio?

Come here, come here.

Come here!

Come here.

Let's go.

Easy, easy!

Come!

I'm going crazy.

I'm starting to think

Claudio is an idiot.

He seems to like this,

he lays detectives.

He asked me whether

something strange happened.

You know what happened?

I canceled my vacations.

All because Giardina sent

some mummies, that asshole.

What's with you? Why

you looking at me like that?

The mummies.

No!

The cat died.

Bingo...

Sir!

We're screwed.

When did it happen?

4 days ago.

The same day you sent over

the bodies.

What a drag, poo

I can't be of much help.

I'm leaving tomorrow.

Right, but we need you

to come over now.

Rig-ht, but I'm busy with this,

and I won't be finishing

any time soon.

And I should also get ready

for my trip tomorrow.

You realize the spuriousness

of the situation?

Yes, of course, of course.

It's just that I'm not good

at this paranormal thing.

I'm an amateur.

You have to know your stuff.

It's a delicate matter.

Giardina, listen.

If we thought about you...

It's because you caused us

a great problem, as usual.

You broke every protocol,

guideline and procedure,

and you took advantage

of our good will and trust,

by thrusting upon us,

without a moment's notice,

material that must be certified

by the National Secretary,

the CONICET

or, at least, the University.

Material you give away

to any tourist...

who digs up a hole

somewhere on the mountain...

you bring us archaeological

stuff whenever you please.

Now shit's gotten real,

somebody's life is on the line.

You must take responsibility

of that material,

and all the phenomena

associated with it,

because, if the worst happens,

and it probably will,

you'll have a big problem

your hands

and I'm not talking

about losing your license,

I'm talking about a trial...

for mismanagement

of archaeological heritage...

and as an accessory

to a murder.

If I were you, I'd dust off

all of my magic handbooks...

and see why that mummy...

is acting upon a poor innocent

girl who has nothing to do,

who's at death's door...

thanks to your negligence

and lack of consideration!

Okay, let's relax...

Let's calm down.

I'll see if I can get in touch

with Cruz.

That's an idea.

I could try that

Yes, calling Cruz would be

the best course of action.

Can it wait until tomorrow?

Honestly, Giardina,

I don't know.

Give me one day.

Hi.

Hey.

I fell asleep.

It must have been

a rough night.

It wasn't that bad.

Did you get any sleep?

No...

Well, just a little.

Any news around here?

Nothing.

I checked on her constantly.

She didn't move all night.

Around one, I checked her BP

and temperature. She was fine.

Around three,

she dozed off for a while.

What do you think?

I don't know.

The cat went a whole day

with asthenia and anorexia.

She's been like that

for a day and a half.

The aggressive stage

should've already started.

I don't know.

Maybe nothing happens.

It would be good

if she stayed like that.

This really scares me.

Can I ask you something?

Is there something

you'd like to tell me?

Yani?

Yani, are you okay?

Yani?

Yanina?

Yanina!

Yanina, are you okay?

Yanina? Yani!

Yani?

Yanina, are you okay?

What is that noise? What is it?

She's awake.

It opens from the inside.

I'll call Giardina.

No. There's no time.

Get my keys and go to the cabin.

There's a shotgun in the locker.

Get it.

It's okay, I'll get it.

Lock that door.

Excuse me,

are you from around here?

Yeah.

I'm looking for Lucia Conti.

That's me.

I'm here because

the Border Patrol called me.

A transference problem.

A psycho-transference problem.

Okay.

Some issue with some girl.

Giardina sent you?

No, I don't know who made the call,

but is it here?

Yeah, sure. I'm sorry.

Please, come in.

Nice to meet you. Daniela Cruz.

Any physical symptoms?

Yes, hair loss and cold sores.

Then she got violent,

then she calmed down.

You'll see.

- Verbal phase?

- What's that?

Did she speak in tongues?

In Quechua or some dialect?

I don't know.

My Go...

It looks like moving day.

Hi. I'm Daniela.

Poor thing.

- Hi. Daniela.

- What's up?

I'll ask you to help

clear all this, alright?

- Are you going in?

- She must be subdued at once.

Do I clear everything?

Yes. What type of soil

do you have here?

Soil?

Yes, what's its composition?

Axinite I guess,

but it's pretty much eroded.

Okay, I can work with that.

Can I ask you something?

Yes.

Go outside

and fill a jar with dirt,

the drier, the better.

- Ajar?

- Yes, like a jar of jam or mayo.

Yes.

And feathers too!

Feathers from a flying bird,

not a hen.

Look in the old archives,

under "Plumage", quick!

Poor thing,

she's too aggressive.

Step aside.

Move over!

Let her through, Claudio!

Come.

Come.

Hold this.

Give me the statuette.

Hold this tight

until I tell you.

Give this to your friend

when she comes back.

- Is it locked?

- Yes.

Open it.

Are you sure

you want to go in there?

I'm coming in!

- What's her name?

- Yanina.

Do you have everything?

Yes, here.

Those are condor feathers.

It's done.

She'll be okay.

She needs to rest.

She's likely to sleep

for 1 or 2 days,

but she'll be okay.

Do you need us to do anything?

Take her.

Call your friend,

tell him to take her home.

- You got her?

- Yeah.

Now I need to see the entity.

- The mummy?

- The mummy.

Let me see.

Of course. What did she expect?

The feathers too.

It could've been a lot worse.

Why? What is it?

She's one of the Three Queens.

I'll tell you more about it.

No

No

No more

I know it

Have mercy

And what's that?

Listen...

Yeah, I know, I was late

from the fourth one on.

No, one other thing.

Move away just a tad

from the mike,

I got clipping

on all the last takes.

Okay, either way,

I started late.

Don't worry about that.

From the fourth verse?

No, let's take it from the top.

Okay, good idea...

No

No

No more

I know it

Have mercy

And what's that?

Let's do something, Ricky.

What if you move around a bit?

Can you sing standing up?

You're a bit stiff.

I don't know, I'll try.

I'll try moving

and see what happens.

Okay, let's try that.

Rolling third verse.

I know it

Have mercy

And what's that?

Take five is a bit...

I don't know, it's a bit off.

Would you like to try?

Sure, go ahead.

I'll loop it,

so you can sing many takes.

And what's that?

And what's that?

And what's that?

And what's that?

And what's that?

And what's that?

And what's that?

And what's that?

I don't know,

maybe the second to last one?

Yes, that would be

the closest take, but...

I'd try recording from the top.

Yes, this one is hard, right?

Kind of...

Yeah, but relax,

don't worry about it.

I'll tell you what, Ricky.

Let's call it a day, okay?

Let's listen to it tomorrow

and work out the details.

Maybe we have the take...

and we're stressing

over nothing.

So no more takes today?

No, no, relax.

Let's take it down a notch.

It's our first day.

We're exhausted,

did a million things today.

Let's see how this

data 'backs up'.

Right, yeah.

You thought it was weird, right?

Weird? No, not at all.

I think it went great.

Plus, it's the first day.

Right, first day...

We're in great shape.

You just have to connect

a bit more with the song,

make it yours...

This is all new for me,

you know?

Yeah, I understand, but relax.

I think it went great, you know?

Now get your mind off it,

get some rest.

Tomorrow will be another day,

as they say, right?

But I have faith in this.

It can't miss.

Hit. Hit. Hit.

You think we have a hit?

It's awesome.

This elevator is going up.

Hey, Ricky!

Hey.

This elevator is going down.

Well?

I don't know.

Underground

It doesn't work?

What do you mean "it doesn't work"?

Are you listening to what

you're saying, Frank?

Do you understand

what you're saying?

I'll try to answer you

rationally.

No, it's my turn to speak,

Frank! It's my turn!

No, I don't want to listen

to you!

I'm sick and tired of listening

to you, Frank!

You want to talk?!

Then talk, Frank!

Talk, Frank! Talk!

Ice.

Can I stop you right there?

Yes, I know,

but let me tell you something.

I don't want to be reasonable!

I don't care about it!

Do you want my opinion

on what you're saying?

Do you want my opinion?

I think those are the words

of a scoundrel.

Yeah.

The words of a scoundrel.

Shut up!

You know where I've been,

where I come from, right?

You know what I went through, right?

Because, if you knew,

you would know that

I would never do such thing.

I'd rather vanish in the air,

I would prefer humiliation,

or to disappear.

If you knew me,

you would know...

that I would never show

an iota of weakness...

to that person!

Yes, to that person,

the person you're defending!

Yes, you're defending him!

Yes, you're defending him,

Frank!

And if you knew

you would also know...

that defending him means

becoming my enemy.

Would you like to be

my enemy, Frank?

Would you like to be my enemy?

It's not like that! It's not!

It's not like that

and you know it!

Yes, you know it

better than anybody else, Frank!

No? What do you mean by "no".

Then what is a traitor?

Define the word "traitor",

Frank!

And Andrea Nigro?

What about Andrea Nigro?

What about Andrea Nigro, Frank?!

Andrea Nigro?

Look.

I know what I have to do...

I've never stopped doing

my job.

And I'll honour

my commitment to you...

the way I've always honored it,

but I made up my mind.

I made a decision, Frank.

You can either be my ally

in that decision,

or you can be

that other person's ally.

It is your choice.

But if you choose me,

I don't want to hear

this kind of nonsense anymore,

nor any other statement

that might suggest...

the faintest notion of conceding

anything to that person,

you hear me?

Did you get that, Frank?

I don't want to hear about it

ever again

Ever again!

Never again, Frank! Never again!

Roll it.

I'm the fire stalking you

That will soon turn

your damned soul into ashes

I'm the poisoned arrowhead

aimed at your heart

I'm your menace, you ordeal

I'm silently looking for you

in the dark of the night

I'm madness, I am the fuse

The bomb about to go off

that it's too late to disarm

I'm the dagger

If you pull me out

of your chest

Nothing will be left

I am hatred, I am hell

I'm the messenger carrying

your eternal punishment

I am the winter that makes

your inner spring wither

I am the storm, the beast

The panther that slowly

creeps up on you

I'm the one counting the days

Until I see you

kneeling before me

I am Death

I've always lived in you

and you've never realized it

One day you made me cry

No

One day you broke my heart

No

I'm going after you

and I won't stop

Until we're face to face

No more

You didn't know

what love was

I know it

But by force

you shall understand

Have mercy

That my fury, hatred,

contempt and spite

Are not my worst flaws

And what's that?

It doesn't work.

He's right.

It doesn't work.

What do you think?

I don't know.

About what exactly?

What am I supposed to do?

You're not talking?

Yes...

No, I don't know.

I've got no idea.

Maybe you should try

talking things over.

I don't know. Ricky and you.

OUR GREATEST SUCCESS

IS HAVING FOUND EACH OTHER

Do you really think so?

No.

Bring me another one.

Tell me something.

You know

What story?

The story. Our story.

Do you know it?

Yes. I think so.

About your beginnings

and all of that.

Okay. Let's hear that story.

Have a seat

and tell the story.

Both of you had gigs

same night, same theater...

In the same town.

A small rural town.

You'd never met,

but, when he heard yo sing,

he fell in love.

And he waited for you

after your concert.

It was a rainy night.

There was terrible storm.

The rain fell so hard...

that, when both of you finished

with your respective shows,

you couldn't even leave

the theater.

Everybody had left,

and you stayed behind

ting for the storm to pass.

You ended up talking

like 3 hours.

The rain wouldn't let up.

And during those 3 hours

you fell in love.

Yes. What else?

When the rain stopped,

you wandered for hours

along the empty streets.

Talking

and singing.

And then there was the tree.

Tell me about the tree.

At one point,

you reached a park

that had this big old tree,

and he told you,

"When we reach the tree,

I'll kiss you."

So you slowly

walked up to the tree,

side by side,

as if you were afraid,

until you reached the tree,

you took his hand,

and you had your first kiss.

That's what the book says.

LIVING FOR LOVING

It's beautiful.

And...

At one point,

you reached a lagoon,

and you stayed up to watch

the sun rise in the lagoon.

That's where you wrote

your first song together.

"Rain."

IT INCLUDES THE Nº 1 HIT "RAIN"

RICARDO IS SINGING HIS

GREATEST LOVE SONGS OF ALL TIMES

FEATURING SINGER

VICTORIA ARAGÓN

It's true

that it was raining a lot.

It was raining a lot,

but we weren't in a theater.

It was a rural com unity centre.

Some event for the elderly

So lame...

It's not true we met there.

We were already together

by then.

We met when I was 17

and he was 38.

He was the first man

I'd ever been with in my life.

The only one, in fact.

He treated me badly.

He told me he wanted

to teach me,

but he would compare me with

the other women of his life.

Each and every one of them

had left him.

One woman after the other,

one singer after the other,

until the one thing he had left

was just a 17-year old girl...

who had never sung a song

in her life.

But that night was different.

We finished the gig

and it was pouring down outside

We didn't have enough money

to call a cab...

to take our instruments

to the motel.

We waited 30 minutes,

an hour...

It was still raining.

ere about to despair.

We were ravenous

and everything was closed.

The only thing he had on him

was his little bottle of gin.

A sad bottle he'd always carry

with him to help him sing.

He couldn't even sing

those terrible old boleros...

we played in those days.

He wouldn't even look at me.

He stared at the rain,

mesmerized...

God knows what was going

through his mind,

what he was thinking,

but I couldn't take my eyes

off of him.

And only then,

believe it or not,

only then I realize

who he was,

after 5 years

of being together.

That man,

who had been the only person

in my life for 5 years,

the one with whom

my life had started,

the one who taught me

everything

the one

who called all the shots,

the one who knew my future

even better than myself

my king,

my lord and master...

was a moron,

a wretched man.

A worthless, helpless,

little man.

Who stared at the rain

without knowing what to do,

as if he were a bird or a dog.

That was my man.

I was there because of that man.

Do you know it?

Sure.

Sing it.

No, I can't sing.

Sing it.

It's raining in the empty city

Through the empty streets,

our lives go away

It's raining

and you're by my side

if you were somewhere else

As if you were a stranger

Your solitary eyes

tare at the void

stare at you

I see a broken man

Somebody I don't know

Somebody

who's not the man I love

But something happened

that night.

We were still there,

the rain

was coming down harder,

and he wouldn't even

glance at me.

And I couldn't stop

glaring at him, hating him,

wishing he was struck dead

lightning.

But suddenly

I noticed something.

What caught my attention

was his absolute stillness,

as if he'd seen something

that would rescue us.

Like a castaway who suddenly

sees a ship in the distance.

But it wasn't that.

He was silent, standing still...

Suddenly,

he started turning his head,

almost imperceptibly,

and I realized he was crying.

Everything changed for me.

And I thought to myself,

"This man,

"this wretched man,

"is poor devil who can't even

look at her woman in the eyes...

"when he's crying,

"is the man I'll spend

my whole life with,

"and everything I do,

I'll do it with him,

"whatever it is,

whatever happens,

"It won't be up to him anymore,

It'll be up to me."

It was a sudden realization,

an epiphany,

which came to me

when I saw him crying.

Like when you see

your parents cry.

That's it, they're not

your parents anymore.

Right then and the

he stopped being a man

He became a cause,

a destination, a banner...

Do you know what I mean?

And from that moment on

that would be my life:

him.

We're just a couple of shadows

Just two ghosts

Our story is about to end

I claim, this is not enough

That's not how a brave heart

says goodbye

When it stopped raining,

he could barely walk.

I managed

to take him to the hotel.

Then I went back twice

to carry the instruments back,

but I was happy.

I walked through the streets

with a smile,

as if I'd emerged victorious

from a battle.

The part about the tree -

he made that up

I think he'd read it somewhere.

I left him sleeping

in the room...

and I walked back

he lagoon.

It was the break of dawn.

And that's when I wrote

the song, by myself.

Like always,

like all our songs.

And that's when it all started.

Play it.

It's raining in the empty city

Through the empty street

our lives go away

It's raining

and you're by my side

As if you were somewhere else

As if you were a stranger

Your solitary eyes

Stare at the void

While I stare at you

I see a broken man

Somebody I don't know

Somebody

who's not the man I love

We're just a couple of shadows

Just two ghosts

Our story is about to end

I mean, this is not enough

That's not how a brave heart

says goodbye

And I swear to myself

that I'll fight for you

That I'll be by your side

when the end comes

I must be strong

and I must put up a fight

My love, I'd give my life

just to see you smile

And it's always been that way.

I stood by him like a lioness.

Like a samurai

his master day and

without a break

It was that way

when we were nobody,

when we had to play

in circuses or theaters...

And it was that way

when we became famous.

When we got really good.

When we started

When everybody recognized us

in every street every city.

It's always been that way.

And you want us

to talk things over?

What is there

about?

What could he possibly tell me?

He can't say anything to me.

Without me, he's nothing.

And no he's gone.

If I don't want him gone,

He won't go anywhere.

He's got nowhere to go.

He can't leave.

And tonight the rain falls

like a shadow over our love

It seals our fate

like an oath, like a prayer

And who knows if life

will give us fortune or misery

Give me your hand, my love,

it's just you and I

I'm tired.

Would you like a cup of tea?

Maybe a scotch?

Go home.

No, it's early.

Don't you want me to stay?

No, really.

I'm going to take a shower.

Enough for today.

You're a good person. Don't cry.

Salaam Alaikum.

I can't take it anymore.

I can't stand her any longer.

It's been too many years.

Too many years of abuse,

arrogance, tyranny...

She thinks the world

revolves around her.

He hates him because he split.

Why wouldn't he?

Can you imagine being with her

every single day?

Imagine that.

She's like Medusa.

It's like being married

to Medusa.

I spoke to him.

At least, he's reasonable.

He's willing to cooperate.

If it were up to him,

they'd record together.

They must record together,

you know?

They've always recorded

together!

It's all they know!

This invention will never work!

It's madness!

She's bound by a contract!

A contract!

She's not a free woman,

you understand?

She has to do as I say,

not the other way round!

She's a heartless bitch.

I invented her.

I did it. I invented her.

He can't say no to me.

She can't say no to me,

and east of all to this!

- Frank...

- She can't, you hear?

Speak.

What is she going to do?

What is she up to?

Is she willing to record

with him or not?

Speak.

You're not speaking.

You're not speaking.

You're on her side.

Are you defending her?

Another betrayal.

Frank...

You have to understand

that I work for her now.

Thanks to who?

Who put you there?

Thanks to whom, Flavia?

Frank...

Tanks to whom? Thanks to me!

Thanks to me, Flavia!

Am I wrong?

Do you want me to remind you?

Frank...

What's going on with Victoria?

You prefer her.

You forgot about me

and now you prefer her.

Frank, stop it.

What's with you and Victoria?

Tell me!

Nothing. Nothing's going on.

But you took her side.

You're defending her.

You're in cahoots!

You're plotting against me!

You forgot about me.

You've completely

forgotten about me.

Frank, we said

wouldn't talk about that.

You promised.

Left the apartment.

That apartment was for you,

Flavia.

Yes, Frank, I left.

When are you coming back?

You're not coming back.

No.

You're not coming back.

Not anytime soon.

Where are you staying?

Frank...

Where are you staying?

In a hotel.

Which hotel?

It doesn't matter.

In some hotel.

Which hotel?

Stop it, Frank.

You're back to your old ways

aren't you?

Where did you get that?

You're back to your old ways.

You're hanging out

with those people again.

No.

I swear, Frank.

You're wrong about that.

And what about the other thing?

What thing?

That you're messing with that

again.

Victoria. You and Victoria

are up to something.

Stop it, Frank.

I'm leaving.

Do you want me to remind you

where you were when we met?

Go away.

Now.

Flavia.

What?

Kiss me.

Cut it out, rank.

Kiss me, Flavia.

No, Frank, stop it. Go away now.

Only if you kiss me.

We said we wouldn't, Frank.

I'll leave only if you kiss me.

What are you doing here?

Surprise.

What are you doing here?

Who's that?

A new boyfriend?

How did you find me?

I followed you.

I've been following you

for 5 days.

Been to that singer's place

and everything.

What do you want?

Go away.

Not yet.

Marcos, I'm already out.

I'm out of the game.

I don't have anything to do

with the group.

I haven't seen them

in almost a year.

I have a new job, a new life.

Good for you.

All of that is in the past,

I swear.

That's not what I heard.

What?

Are you sure

it's all in the past?

What do you mean?

Don't be coy, I told you

I've been following you.

So?

Is it true?

- What do you want to know?

- If it's true or not.

I don't know what you're

talking a out, Marcos. Go away.

It is true.

You got a centurion.

- You're crazy.

- Did you get a centurion?

You're crazy. You know very well

that they're extinct.

The last specimens died...

Don't take me for a fool.

I've been parroting that story

for 10 years.

Where are you keeping it?

Stop, Marcos.

Where is the centurion?

Is it at the motel?

Stop looking for it.

What did you do?

Stop looking for it, Marcos.

It's no use to you anymore.

What?

You heard me.

It's no use to you anymore.

You injected yourself the toxin?

I can't believe it.

You injected yourself the toxin.

How long ago?

Marcos, I'll say it again.

I'm out.

Tell the group I'm out.

What is it?

Nothing.

I'm not with the group either.

I also have a new job.

Speak.

Speak.

Isabella.

You're lying. She is in Milan.

Everybody knows that.

She's here now.

She arrived 5 months ago.

Where?

Patience.

What do you want?

We've been working a lot.

We've made a lot of progress.

There's a new guy.

You'll meet him soon.

It has nothing to do

with the group.

Nobody wants to have anything

to do with them.

This is for real.

What do they want from me?

The centurion won't produce

the toxin in another 6 months.

It's no use for them now.

How long as it been

in your bloodstream?

3 days.

The same day you followed me.

Send a blood sample

to this address.

Are you willing to cooperate?

It's Isabella.

Nobody says no to Isabella.

Where is she?

Where?

She's changed.

You wouldn't recognize her.

Does she know about Victoria?

Does she know I'm working?

She knows everything.

Take me to her.

Now.

THE STARS

Let's traverse the galaxy

hand in hand

Without past, without future,

without day or night

I want to leave my life

in Earth behind

Let's go get lost

in some other planet

Let's watch the Sun hide

behind the Saturno

I want to do all of that

with you and much more

Somewhere deep in space

I want to float by your side

I want to feel joy and bliss

The North Star

will watch us fly by

And will wave to us

when she sees us glow

And the Ursa Major

will see our love

And will also sing this song

Imagine, my love,

this beautiful fantasy

The cosmos is a garden

full of glee and delight

The Milky Way

awash with color

The stars will glow bright

as if they were daisies

I want to sing with you

thousands of songs

Before an audience

made of constellations

Befriend a shooting star

And tell her in secret

how happy you make me

Somewhere deep in space

I want to float by your side

I want to feel joy and bliss

The Northern Star

will watch us fly by

And will wave to us

when she sees us glow

And the Ursa Major

will see our love

And will also sing this song

Somewhere deep in space

I want to float by your side

I want to feel joy and bliss

The Northern Star

ill watch us fly by

And will wave to us

when she sees us glow

And the Ursa Major

will see our love

And will also sing this song

LIKE THE IVY

You are like my shadow

Whatever I do,

you follow me around

And when the sun goes down

you'll disappear

You're the fool that

the King lends his crown to

Just yo watch people

stare and laugh at him.

You're a painting forgotten

in the back of a dollar store

That someday a bad painter

copied from a work of art

Just a counterfeit

Just a parasite, a bird of prey

Just a beggar picking up

what others leave behind

You're like ivy to me

You drink my sap

just to cling to life

You may cover some wall

But you'll never bloom

You've always wanted

to be more like me

To take my place

and make a name for yourself

But all your ambition

has gotten you

Was to live in this song

just for a while

Is that her?

Good.

At last, we're all here...

I would like to make

the introductions,

since many of you are meeting

each other for the first time.

Mr. and Mrs. Malpensa,

from Milan.

Mr. Rubinstein.

Reverend Willis.

Professor Mauricio Garcia,

whom I've been telling you

about for weeks.

And, lastly,

Flavia,

the rare piece

in our collection.

I believe everybody

has met Marcos.

I don't have much more to say.

I would like to thank you all

for being here...

and assure that I am very proud

of hose sitting at this table.

In conclusion,

I would like to tell you that,

undoubtedly,

today's meeting...

will be a turning point

for everybody here...

Will be a turning point

for everybody here...

of tomorrow and forever.

The rest will be explained

by professor Garcia.

He needs no introduction.

Suffice it to say,

he's one of the top 5 leading

researchers in the world...

in animal toxins.

I can assure you

we're in very good hands.

Well, I am very humbled

by our friend's introduction.

I hope it's not a problem

if I speak in Spanish.

I think that...

Speak Spanish.

Fine.

First of all, I'd like to say

that I'm very surprised...

by the results of your research.

It's been almost 10 years...

since I've been researching

scorpion toxins,

and I wouldn't have reached

these conclusions...

if I hadn't crossed paths

with Isabella and all of you.

As you all know,

what is commonly known

as "science"..

Is mostly a conservative,

fearful and short-sighted

discipline.

That's why it's stimulating

to come across people...

that are willing to take risks

outside the realm of science...

and willing to go through

extraordinary experiences.

But let's cut to the chase.

According

to what Isabella told me,

most of you know or have tried

the D1-metatoxin.

All of you are aware..

Of the consequences

D1 has on our bodies and blood.

This, gentlemen,

is the D2-metatoxin.

I can assure you...

that this is

to our experiences...

what the appearance

of Wolfgang Amadeus Mo art...

was to the story of music.

That's music to my ears.

But most importantly,

what could really revolutionize

everything we know so far...

and make our lives change

forever, as Isabella said,

are not the immediate

consequences of the substance...

you're holding right now

and will try in a few minutes.

What is really important here

is that D2 is the key.

Let me explain.

The D2 is a compound...

made with the toxins

of highly venomous species...

of middle or large range,

basically,

Centuroides and Buthus.

Its formula

has a distinctive feature:

it admits species

of the same toxicity level,

but of a lesser range.

Sure, you may think, "So what?

"The lesser range species

no longer exist."

But you would be wrong.

That's when the specimen...

of the lowest range known to us

pops up:

the Leiurus centurionis,

the legendary

centurion scorpion.

And that's when she

makes her appearance,

Flavia.

If we're able to introduce...

the toxin of the centurion

scorpion into D2,

we would be speaking...

not only of the known

psychophysical consequences,

but of cellular regeneration,

or even autonomous

cellular regeneration.

The goal set by Science

from its very beginning,

and that quackery

we call "science" today...

has forgotten about:

eternal youth.

May I ask you a question,

doctor?

Yes. Please.

Can we see a specimen

of the scorpion?

Flavia has the specimen

in her custody.

And how do we know

it's still producing the toxin?

Well

the specimen is momentarily

in its regeneration stage.

It won't produce the toxin

for another months.

The toxin is here.

The toxin is here!

Fermenting in her blood!

It's in her bloodstream!

Active for 3 months!

2 more months

than the scorpion!

Enough time until the Leirus

starts producing it again!

In 5 months,

you'll have

your centurion toxin ready!

This woman is our scorpion.

Any questions?

In that case,

it's time to begin.

It's getting late.

Me too?

Yes.

Not you.

Why? Is there something wrong.

Yes.

Something serious?

Very serious.

I want to be your joy

Your princess, your company

I want to be your solace

To take flight with you

Stop, stop.

What?

Is it imperative

to do that modulation?

What modulation?

"To take flight with you..."

What's the problem?

He problem is you

are no doing it correctly.

You are dragging the words.

The song is simple...

and you're dragging the words

unnecessarily.

Okay.

I won't "drag the words."

I want to be your joy

Your princess, your company

I want to be your solace

To take flight with you

I want to be your smile

Your lover, your Mona Lisa

Now what?

Is there any way

or you to sing it higher?

An octave higher.

Are you serious?

I sing low.

I always have.

What are you talking about?

I was wondering...

if it wouldn't be better

you sang an octave higher.

That's it, just wondering.

I don't know.

Get yourself another singer.

I was just wondering!

Just wondering!

Can you play the piano?

I want to be your joy

Your princess, your company

I want to be your solace

To take flight with you

I want to be your smile

Your lover, your Mona Lisa

And I want you

to leave your pain behind

I want to be your peace

No, no!

"I want to be your peace"

I don't get it.

I really don't know why

you insist on...

What? What is it?

What is it?

What you are telling me is

you want me to sing it like her.

Is that it?

Don't be ridiculous.

I don't kid myself.

I wasn't born yesterday.

I know very well how things are.

I know that,

if this was a story,

I wouldn't be the heroine.

I wouldn't even be

the enemy of the heroine.

I wouldn't scare anyone.

No one would care about me.

They would think of me...

as something functional

for the plot,

like some sort of engine

that no one really cares about.

I don't kid myself.

I wasn't born yesterday.

Even you think that.

You, who picked me.

You, who picked me

sparked this whole story.

This whole storm.

You don't know who I am.

No one knows who I am.

No one knows me.

Neither do you.

You don't know me.

I am Andrea Nigro.

Andrea Nigro.

Do you have something to say?

Aren't you going

to say anything?

Talk.

It's not easy.

It was never easy

to get away from her.

To get her out of your life.

I don't know anybody who could

To turn the page...

and at least buy the fiction

that life can go on without her.

That there are

other things beyond.

No.

She makes sure

you see it's not possible.

That there's nothing else.

The first time

I wanted to leave her,

do you know what happened?

I was at a hotel,

one of those flophouses...

here we spent our life

back then.

Small town fleabag hotel,

by the square.

Outside, it was pouring rain.

I think back then...

thought of love

as a battle, as a war.

A game where necessarily

one had to win,

and the other lost.

And I was the one

who always lost.

Time after time I lost.

I played my cards

with such ineptitude,

one could beat me.

Even a poor 17-year-old girl

could beat me,

who only knew

the haggard landscape...

I had shown her.

Even she could beat me.

Even she was going to beat me.

But I was determined

never to lose again.

I remember looking

over the hotel window:

the square,

in the middle of the rain,

and a couple

that as running hand in hand,

covering up with a jacket

so they wouldn't get wet.

And I thought:

"They are not enemies.

They are together.

"For them,

no one wins, no one loses.

"There is no war, no danger."

An I remember looking

er while she slept...

and thinking she was my enemy.

And I said to myself:

"I'm not going to lose again.

"Before I lose, I will disappear.

"I'll leave, any time.

"It's me who'll leave."

It was raining

It was the darkest night

Not even a star

Not even the moon

It was raining

My life already empty

Suddenly found something

It found your eyes

And so?

Came the famous night,

the night of the rain.

Talk.

It was that same night,

the same day of the hotel,

the rain and the couple running.

That afternoon,

I had felt brave.

I had seen things clearly.

And for a moment,

I had been happy.

Now, I was cornered by the rain,

like a rat.

She was also there.

And there was

nothing I could do.

Was then that I realized

she had defeated me.

That I had lost once more,

and I had lost for good.

And so yes,

I gave up.

I bowed my head and surrendered.

You were a carrier pigeon

You made me look up

And look outside

Thank you

My voice is drowned by tears

My desperate voice

Found its song in you

The strangest thing of all...

is that, from that moment on,

I started to feel good,

I started being happy.

From that very moment.

From the moment I understood

I had lost the war.

I thought:

"Maybe that is my destiny,

to lose the war."

I spent years

fighting against that,

escaping that.

And now, that found me.

"I already lost, I'm at peace."

And right there I began my life.

A docile life,

a prisoner's life.

Docile,

obedient,

humiliating.

Almost ideal.

Come on,

we've a long way to go

And a new day

Might find us together

You were a carrier pigeon

You made raise my eyes

And look outside

Until I came your way.

And made you rebel.

And I helped you escape.

And you were free.

And you were unhappy again.

And miserable.

Yes or no?

Yes.

And tonight the rain falls

like a shadow over our love

It seals our fate

like an oath, like a prayer

And who knows if life

will give us fortune or misery

Give me your hand, my love,

there is only you and me

Who is it?

It's me.

What are you looking for?

You.

Come in.

Thank you.

So?

Can I smoke here?

Smoke.

In my family,

we are 4 sisters.

I am the youngest.

When I was little,

my eldest sister

was some sort of queen.

She was strong, smug,

had these blazing eyes...

She didn't look

anything like my parents.

She seemed to be the daughter

of some ancient king.

Alexander the Great's.

Or some

Persian or Indian king's.

She sang.

Same as me.

By the way she sang,

everyone said...

she was going to be one of

the biggest stars in the world.

After studying for a few months,

all the best coaches

were already fighting for her.

By the time she was 15,

she was living in London...

and was offered

million-dollar deals.

My second sister didn't sing,

but she was brilliant.

She was tall and blonde.

By 13,

she had finished high school,

she was teaching people

a lot older than her,

and she exchanged letters...

with scientists

from around the globe.

My third sister was,

on top of brilliant, beautiful.

She was always beautiful.

Since she was born,

since the first day.

When she grew up

and became a woman,

no girl was a rival for her.

There was no man

who wasn't in love with her.

She only had to show up...

for the other women

to become invisible,

to become a bunch

of insignificant ants.

And then there was me.

Today,

all I know from

my eldest sister...

is that she's living somewhere

in Central America.

And she works at a bank,

I think.

You can imagine,

she doesn't sing.

My second sister teaches Physic

in a couple of schools.

She's single, I think for good.

My third sister married

when she was 19.

Nowadays,

she's married to a salesman

and lives in some rural town.

She had 5 kids,

and some years ago

she came to weigh 200 pounds.

And then there's me.

What am I trying to say by this?

I'm trying to tell you

I'm not brilliant.

Nor am I too talented.

Nor too beautiful.

I'm not even sure

I'm a good singer.

But I know how to survive.

I've learn to survive.

My destiny is to survive.

And I'm very good at that.

I want to tell you

it's not easy.

It's not easy at all

to get rid of me.

Do you want one?

Yes.

So if this whole situation,

I want to tell you

I'm not afraid.

Not only am I not afraid,

I am willing.

I can't wait for it to happen.

Do you want to go back?

Then go back.

We'll see how you

I wish you good luck.

But let me tell you:

I'll also be there.

Is that a dare?

You could say so.

A duel?

Yes.

Okay.

In a week.

There.

Okay.

I'll tell him.

I'll handle it.

As you wish.

I'll handle it.

Thank you for everything.

Will you let me out?

Someone will.

I came as soon as I could.

Did something happen?

Calm down.

Why did you call me?

What happened?

- Calm down.

- I'm calm, what happened?

Calm down.

I am calm. Where is Isabella?

Is she okay?

Calm down.

Where is Isabella?

Marcos, where is Isabella?

Calm down.

Marcos! What's going on?

Look over there.

What?

Don't you see anything?

Yes, a boat.

Look at that boat.

- Is Isabella on that boat?

- Take a good look.

Is Isabella on that boat?

Marcos, is she okay?

Calm down...

What is this?

Calm down.

Let me go, what's going on?

Calm down, it's okay.

Let me go.

I can't let you go.

Calm down.

We simply want

to ask you a few questions.

What questions? What's going on?

We can't let you go.

We have a couple

of questions to ask you.

I promise you,

once you answer our questions,

we'll let you go.

Let me go now.

What questions? What's going on?

We have a couple of problems

with your blood tests.

What? What's wrong?

The blood tests show the toxin

is not active in your blood.

You have injected it

3 weeks ago,

it should already

be on the bloodstream.

You saw the people

at the manor the other day.

It's needless to

how important it is...

for your toxin to be active.

So what's going, then?

Calm down.

A toxin as powerful

as the centurion's...

can't remain inactive in a body,

unless it's being rejected

for some reason.

Your blood results are normal.

So what's the problem? Please...

suspect there is

a psychological factor involved.

Flavia,

we need to know

if there's something, right now,

that might be affecting you.

Let me go.

Flavia,

we are going to let you go

but it's very important

that you think...

What are you talking about?

Flavia, calm down.

I don't know anything.

We need to know

if there's something, anything,

that might be affecting you.

I don't know anything.

Let me go.

Flavia...

Flavia, calm down.

Calm down...

Let me go.

Flavia, calm down.

I don't know what

you're talking about.

Calm down.

Flavia, calm down.

It's okay, calm down.

Flavia.

Flavia.

Can you hear me?

Flavia?

Flavia?

Now you will answer all

the questions I'll ask, okay?

Flavia, listen to me.

Now you will answer,

do you understand?

Yes.

Flavia, I need you to answer.

Flavia, I need to know...

if there's something

troubling you.

Flavia, I need to know...

if there's something

that's upsetting you.

Flavia, something upsetting.

Flavia, I need to know.

I need to know if there is

something upsetting you.

What is troubling you, Flavia?

What is troubling you?

What is troubling you, Flavia?

She.

Who?

Who's she?

Who's she, Flavia?

She.

Flavia, I need you to tell me

who she is.

What is it

that worries you about her?

That they harm her.

Who can harm her?

Who can harm her, Flavia?

He.

How can he harm her?

How can he harm her, Flavia?

On the boat.

On the boat?

On the boat

She's on the boat.

What boat?

Flavia, can you tell us

the name of the boat?

On a boat.

A boat that is anchored

at the port.

He has her there.

Wait, I think she's talking

about something I said...

before bringing her in.

She's confused.

What's happening on the boat?

It's raining. It's raining hard.

She's mixing everything up.

And what's he doing on the boat

He's leaving.

He's leaving on the boat.

She's confused.

A wretched man.

He has nowhere to go.

He can't leave,

he has nowhere to go.

Is he leaving or not?

No.

He's not.

He can't go.

So?

So what?

So what happens?

I don't know.

This is preposterous.

There's no boat, she's raving.

Let's see,

let's try again.

Flavia, are they together now?

No.

And now

that they are not together,

is she alright?

Yes.

And when they were together,

she was not well.

Right.

And you are afraid that,

if they get back together,

she will be unwell again.

Exactly.

They're not

getting back together.

No.

Are you sure?

I'm sure.

I'm sure they are not.

I'm sure.

Son of a bitch.

Son of a fucking bitch.

Son of a bitch.

Go to hell,

fucking son of a bitch!

Son of a bitch!

Go to hell,

fucking son of a bitch!

Son of a bitch!

Son of a fucking bitch!

That's enough.

Put her to sleep.

Erase all memory of this.

Go to hell,

fucking son of a bitch!

Go to hell,

fucking son of a bitch!

Son of a bitch!

Go to hell,

fucking son of a bitch!

Son of a bitch!

Son of a bitch!

Go to hell,

fucking son of a bitch!

Son of a bitch!

Go to hell,

fucking son of a bitch!

Find out.

I AM THE FIRE

Can you play the bass line

for me?

Come on.

Mids are a bit high, right?

Yes, add some...

Is it okay?

- Add more bass.

- Okay.

- Slap?

- What?

- Are you going to slap?

- I don't do slap.

I'm searching for you.

There, I'm getting some reverb.

Check your amplifier, guitar.

Are you going to try that pedal?

She should've been here

an hour ago.

Call her, see where she's a

Can you adjust that?

I don't like how it sounds.

Adjust that.

I think it's terribly

disrespectful.

Hello.

Hello.

Hey, sweetie.

Ow are you, Nigro?

Carlitos.

Be a doll, bring me some ice.

Hold this for me.

Get out.

Stop, let's do one thing.

You're going to play the first

beats without the bass drum.

Then, for the chorus,

you'll add the hi-hat.

That's right.

Know the lyrics, don't you?

Es, I know the lyrics.

Start recording.

I'm the fire stalking you

That will soon turn

your damned soul into ashes

I'm the poisoned arrowhead

aimed at your heart

I'm your menace, your ordeal

I'm silently looking for you

in the dark of the night

I'm madness, I'm the fuse

The bomb about to go off

that it's too late to disarm

I am the dagger

If you pull me out of your chest

Nothing will be left

the hatred, I'm Hell

I'm the messenger carrying

your eternal punishment

I am the winter that makes

your inner spring wither

I am the storm, the beast

The panther that slowly

creeps up on you

I'm the one counting the days

Until see you kneeling before me

I am Death

I've always lived in you

and you've never realized it

One day you made me cry

No

One day you broke my heart

No

I'm going after you

and I won't stop

Until we're face to face

No more

You didn't know what love was

I know it

But by force

you shall understand

Have mercy

That my fury, hatred,

contempt and spite

Are not my worst flaws

And what's that?

That I don't know how to lose

I was the trap, your sentence

I was the betraying coyote

who howls at the full moon

I was the hyena

The horrible animal that ate

your carrion while laughing

The venom

Your misery

The poison that secretly

got into your veins

In my sorrow, I know it well

I deserve it and now,

on my knees, I implore you

Do not be afraid

And if you still

doubt I'm honest

Look how I'm crying

You make me laugh

I don't believe you

I know your heart well

And that's why I can see

that you still love me

That in the shadows of your pain

there is still a flame

If that is true, you are dead

And with that flame I will burn

your deserted heart

You still love me,

still have you

I use your heart like a puppet

To entertain myself

Don't you shut it

To kill you or to love you

I don't know anymore

what I come for

An though you made me cry

Yes

And you broke my heart

Yes

Once again I fall

I can't stand not being

with you at night

Here I am

I don't know what love is

I do

Maybe I will never know it

You won't

But just to be with you again

I have to learn

one more thing

And what's that?

That I don't mind losing

I think we're done here.

I need to smoke.

Do you want me to go?

No, you stay, I'll handle it.

TO BE CONTINUED