Island of Blood (1982) - full transcript

♪ When you walked in ♪

♪ Time walked out ♪

♪ Just an easy touch ♪

♪ When I open my eyes ♪

♪ When I open my eyes ♪

♪ When I open my eyes ♪

♪ All I want to see is you ♪

♪ When I open my eyes ♪

♪ I really open my eyes ♪

♪ No one walks ♪

♪ No one talks like you ♪



♪ And no one else can make ♪

♪ Me do the things I do ♪

♪Boys ♪

♪ I can't forget you ♪

♪ If though I have a choice ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ I don't care what you do ♪



- She brought enough
garbage to fill a 747.

We're supposed to
be musicians, right?

Not bellhops.

Come on, huh.

No problems, just load up.

It's weird being on an island.

- She thinks this is weird,
she ought to try Manhattan.

What?

♪ Face to face ♪

♪ Face to face ♪

♪ You quiver ♪

♪ You quake ♪

♪ You shiver and you shake ♪

♪ You say hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ I don't care what you do ♪

♪ Lonely as a child ♪

♪ You were wet ♪

♪ You were wild ♪

♪ You were selfish ♪

♪ And you cried
out late at night ♪

♪ With your covers
pulled up tight ♪

♪ You were helpless ♪

I hope the cast isn't late.

- I'm sure the cast is
already on the island.

Damn movie people.

Have to keep going back
forth to the island

like a taxi service.

Hey, Bert.

How you doing?

You here as mayor or what?

Came by to say hello.

Gonna put you in a movie, Bert?

You like talking?

- The only time you real
estates snobs talk to me

is when you want information
about that island.

You want information?

I want money, 50 bucks.

You got it.

- The old widows
giving the island

and the school to a city
church group for a retreat.

In return, she's gonna get
some damn big tax break.

- Knowing the old widow, I'd
probably say you're right.

She done it yet?

- Not till the end of
the summer when they

come out to look it over.

That's a shame.

It's a valuable
piece of real estate.

- That's all you
ever think about.

Just building more and more
of them damn junk homes.

Now, Bert.

That's how I make my living.

Just like you sell information.

- The only real value on
that island is the school.

It's a landmark.

A landmark of memories,
good memories.

Oh and they're out there, and
they're gonna stay out there.

- Next time you're
in town, Bert,

stop by the office and
I'll give you your money.

- You like the idea of
the dancer on crutches, huh?

Hope the boat ride
isn't too long.

♪ Hole in the sky ♪

♪ Where you used to be ♪

♪ Blew the world away ♪

♪ And it set us all free ♪

Do you know what time it is?

Hey, where you going?

To look around.

I'm bored.

- Man, all that luggage
and them two guys.

She's got something going.

She's a no talent.

I saw her audition.

She's got talent.

Picking husbands.

You know coming out of the boat,

two guys were talking.

She married some rich
guy who got killed

and left her a million bucks.

♪ There's a hole in the sky ♪

- I'm gonna look in
that faculty house.

- I'm gonna try to
find a place to change.

Sure.

What do you think?

- I think our careers
are going in the toilet.

What do you mean?

Come on.

Come on what?

She's paying us, isn't she?

- Yeah.
- So?

So what?

So shut up.

- You want to keep sponging
off that no talent broad,

that's your gig.

I'm quitting.

Where's that leaving you?

Nowhere.

Can't go back to LA.

Where you gonna go?

They're gonna put you away.

Nobody's gonna put me away.

Big man.

- Would you mind if I ask
what you're doing in here?

- Didn't the caretaker say
he was gonna give us rooms

when he got back?

Well I'm gonna take mine
now and plead stupidity.

I'll bet you're good at that.

Yeah.

Where you going?

Where does it look I'm going?

The best rooms are
usually upstairs.

You don't waste anytime.

- When's Noah and
his ark coming back?

I said when's Noah and
his ark coming back?

The old man with the boat.

You mean if he comes back.

What are you talking about if?

It's a world of ifs, pal.

You know if the sun comes up,

if your woman loves you, if
your heart keeps pumping.

- Well, I said to you what
are you talking about if.

- He'll be back man,
don't worry about it.

Know why?

Because it's always the
things of no consequence

that you can be sure of.

- Can you, can
you do me a favor,

just a little favor?

Could you shut up, just shut
up, 'cause you're depressing.

- Oh dear, he
thinks we're depressing.

Well we may be depressing
but he's stupid.

Hey, yo.

Boats here.

♪ Black hole ♪

- Director guy
doesn't like boats, does he?

Hi.

Hi.

Oh.

I'm just looking for
a place to change.

I'm BJ.

I'm Donna Lincoln.

Is this your first film, too?

Well, as an actress.

I've done a few commercials.

- Well, it's just
everybody's first film.

That's weird.

What's so weird about that?

It's a chance.

I'm going to change.

- Well, why don't
you change upstairs?

Why?

That's where I changed.

Okay.

What's the matter?

Scared ya, huh?

Are you crazy?

It's only cardboard.

It's just a joke.

It's just a joke.

Just a joke.

My names Steve Faith

and this is our
director, Franklin Phlem.

Right.

Phlem?

- I'd like to make a few
points before we start here.

Please, no drugs or alcohol.

Franklin Phlem.

What a name.

Sounds like a case
of pneumonia to me.

- We have a
caretaker named Bert.

Now, seeing as there are
no phones on this island,

the only phone we have is a
radio phone on Bert's boat.

We need his cooperation.

So please, don't annoy Bert.

Okay?

Now, I'd like to
tell you a little bit

about the film that
we're gonna make.

You know, when you look
at books and magazines,

movies, watch
television these days,

it always paints the
picture of the world

as being some kind of sewer

and that we're all gonna go up

in some big holocaust.

Amen, pal.

- Well, we're gonna do
something different.

We're gonna make a film
that's very positive.

Has something to
say to the youth.

That makes a statement.

Shows 'em what is
right with the world.

What is?

- Would you mind
holding it down?

Down as far as it gets.

- Now, not everybody
is an exploiter

or a sex maniac, or a
thief or a murderer.

People do help people

and that is the point that
we're gonna make with this film.

This is an up up film.

Right?

That's right.

- And we have a real hero
played by Betty John.

Betty Jean.

Right.

Basically, our storyline
is about Betty Jean

and her friends who
put on a rock musical

to help raise money

for the school's musical
scholarship program.

These are up up people.

Right?

That's right.

So, we're gonna start Monday
as soon as the crew gets here

and that will give us a
couple of clays of rehearsal.

- I'd like to start
working with Betty Jean.

- Do you
need the two of us?

Later.

When do we eat?

Later.

- Okay, I'm sure we're all
gonna do a wonderful job here

and that's it.

Look, guys and gals.

The only way to save our
school scholarship fund

is to put on a rock musical.

We can all be performers

and we can use my uncle's barn.

Are you with me, guys and gals?

Hello.

They call this a rehearsal hall?

Okay, we don't have much time.

So I want you to turn to
the beach scene on page 76.

- Can I say something
about the script?

What about my script?

It, it it was good.

76.

Now, up until this
point the audience

has seen your character
as very shallow and inane

but in this next scene,

the beach scene with Rick,

we see for the first time

how much real depth
and feeling she has.

Make love to me, Rick.

I need you now.

Right now.

I can't do this
play without you.

I need you, Rick.

That's it?

Too much emotion?

Too much?

Should I give it less?

Less?

It's the scene,
it's overwritten.

Just cut it to one line.

I need help.

I need help?

Right.

Can I go to the bathroom?

Please.

Go from one disaster to another.

So, how's she doing?

Huh?

BJ.

Oh.

Great casting.

She has a definite quality.

It's different.

Excuse me.

Can I get something to eat?

- You'll eat when
the foods ready.

Can I ask what we're having?

- You'll find out
when it's served.

Thanks.

Look, fella.

I don't like nothing
about your generation.

If I owned this island,
you wouldn't be here,

none of ya.

- What have we done
that you don't like?

So far just showing up.

You tell the others, they
eat what I put on the table

or they don't get nothing.

I'm not gonna mess with a bunch
of food picky drug freaks.

Know any jokes?

Don't mock me.

I may look old but I'm
still strong enough

to break some bones.

I believe you.

Nice guy.

I hope he can cook.

- Makes it pretty clear he
doesn't like our generation.

- There aint gonna be
anymore generations.

What are you a prophet?

- Where do you live,
a tree in Disneyland?

They've got enough
bombs on this Earth

to blow us out of orbit.

That's a fact.

They're gonna do it

and there's nothing we're
gonna be able to say about it.

I think I've lost my appetite.

- They're gonna
blow up the world

and you're worried
about your damn stomach.

Get smart, pal.

- He's as much fun as
the guy in the kitchen.

- He's right when he
said the world sucks.

Where you going?

To shoot myself.

I want to be first
at the pearly gates.

I hate long lines.

We're having fish.

I like fish.

Ow, damn.

Boiling water.

What the hell is this?

♪ Face to face ♪

♪ Boil me ♪

♪ Boil me ♪

What the?

♪ Boil me ♪

♪ Boil me ♪

♪ Boil me ♪

♪ Face to face ♪

♪ Boil me ♪

♪ Boil me ♪

♪ Face to face ♪

♪ Boil me ♪

♪ Boil me ♪

♪ Face to face ♪

♪ Boil me ♪

♪ Boil me ♪

♪ Boil me ♪

♪ Face to face ♪

♪ Boil me ♪

- That was a damn
stupid accident.

Never should have happened.

The thermostat was
broke on the pool,

that's why the gate was locked.

When a gates locked
there's a reason.

I don't want anybody going
around unlocking any gates,

you understand?

And don't start eating
till I finish serving.

What a horrible way to die.

- Do you have to keep talking
about that while we're eating?

I'm sorry, I can't help it.

It isn't everyday I find
someone boiled to death.

- Okay, Lyn, let's
knock it off, all right?

Where's Taylor?

Maybe he's not hungry.

I'm sorry about your friend.

- I can see myself
in this plate.

- I feel gross saying
it but I'm starved.

Smells great.

All right, eat.

Boiled Phil.

Where you going?

You can have mine.

- Look, Steve,
about the dead guy,

don't worry, I've
written him out.

We'll save a bundle.

- Franklin, we'll talk
about this later, okay?

Let's eat.

Yeah, sure.

What's for dinner?

Boiled lobster.

What's wrong with him?

He don't look like
the picky kind.

Don't come back in a
hour looking for snacks.

Terrific.

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ I don't care what you do ♪

♪ I'll pretend ♪

♪ Just pretend that
we're the last ♪

♪ People in this world ♪

♪ And we're so alone ♪

♪ All alone ♪

♪ Not a scream or shout ♪

♪ Can be heard ♪

♪ I'm gonna give it to ♪

- Which one of those dope
heads is playing that music?

I don't know.

I was wondering myself.

♪ You quiver ♪

♪ You quake ♪

♪ You shiver and you shake ♪

♪ You say ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ I don't care what you do ♪

♪ Lonely as a child ♪

♪ You were wet you were wild ♪

♪ You were ♪

♪ Selfish ♪

♪ And you cried
out late at night ♪

♪ With your covers
pulled up tight ♪

♪ You were ♪

♪ Helpless ♪

♪ I'll give it to you now ♪

♪ I'll give you to rough ♪

♪ Face to face ♪

♪ Face to face ♪

Who is that?

♪ You shiver ♪

♪ You shake ♪

♪ You quiver and you quake ♪

♪ You say ♪

♪ Spear me ♪

♪ Spear me ♪

♪ Spear me ♪

♪ Face to face ♪

♪ Burn me ♪

I'm going back to bed.

♪ Face to face ♪

♪ Burn me ♪

♪ Burn me ♪

♪ Burn me ♪

♪ Face to face ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Face to face ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Face to face ♪

Is that Taylor?

If that doomsday junk
head blows this gig-

Hey, don't hate him.

He's just burnt out.

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Face to face ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Face to face ♪

♪ Nail me ♪

♪ Nail me ♪

♪ Nail me ♪

♪ Face to face ♪

♪ Nail me ♪

♪ Nail me ♪

♪ Nail me ♪

♪ Face to face ♪

♪ Boil me ♪

♪ Boil me ♪

♪ Boil me ♪

♪ Face to face ♪

♪ Spear me ♪

♪ Spear me ♪

♪ Spear me ♪

Go on, go to bed.

What for?

I'll only toss and turn.

What I need is for someone
to rub my back for me.

Some kind of pervert joke.

I don't know who's joke this is

but if it happens again
I'll get y'all out of here.

To hell with your damn movie.

You're looking for this?

Yes.

What is it?

I don't know.

I don't drink.

I couldn't sleep.

Surprised?

- Drink all that and
you'll fall on your face.

No.

Surprised that I'm not
what I appear to be.

Nobody is.

What do you know about me?

You don't know nothing.

Know when that boy died today,

you know what I felt?

Nothing, not a thing.

All I was worried
about is my investment.

I guess I'd feel the same way.

Go to sleep.

♪ Spear me ♪

♪ Spear me ♪

♪ Spear me ♪

♪ Face to face ♪

♪ Spear me ♪

♪ Spear me ♪

♪ Spear me ♪

♪ Face to face ♪

♪ Spear me ♪

♪ Spear me ♪

♪ Spear me ♪

♪ Face to face ♪

♪ Spear me ♪

♪ Face to face ♪

♪ Spear me ♪

♪ Spear me ♪

♪ Spear me ♪

♪ Face to face ♪

♪ Spear me ♪

What are you doing?

Sunning myself.

What for?

There's no sun in Detroit.

The government canceled it.

Hey, have you read this thing?

I'm one of the leads and
I've only got four scenes.

I've only got one.

Oh.

Hey, where you going?

To get some coffee.

Get me some, too.

I'll read your part,
tell you what I think.

Do they have to leave
the body on the beach?

- Maybe the old guys gonna
cook it up for dinner, huh?

Phil souffle.

That's gross.

Really gross.

Dead is dead.

- I happen to believe
in reincarnation.

The soul that was in
that body will come back.

Yeah, so will the beatles.

- You're not only gross,
you're a mountain of ignorance.

Go ahead, hit me.

Go ahead.

The director will
love it to see one

of his leads bruised
and bleeding.

Get out of here.

- You're the one who unlocked
the pool gate, aren't ya?

Sloppy kids.

First bad memory
this islands given me

since the only thing
I ever loved died.

- How long were
you married, Bert?

I'm talking about my dog.

Come on.

- Don't you think we ought
to take the body with us?

Let the police take him.

I don't want to
stink up my boat.

The police may understand this

but I tell you, the
local press sure won't.

- Well it was a damn
stupid accident.

Never should of happened.

You ever kill anything?

- Yes, I was driving
and I killed a baby.

A baby deer.

Seeing something die, it
uh, does something to ya.

Sure does.

- I have much less
time than yesterday

so we're gonna go right to
the beach scene on page 76.

You know I've been
thinking about it

and going for depth and
feeling is all wrong

for this kind of a picture.

So, what I'm really asking
for and nothing more

is simple honesty.

Can you do that for me?

Just simple honesty, right?

Should I read both parts.

No, I'll read Rick.

I love you.

Make love to me, Rick.

No, I gotta go back.

I need you now.

Right now, Rick.

I want you, Rick.

What about your uncle?

He's upstairs dying,
don't you care?

- I don't care about
my uncles, Rick.

Sorry.

Keep going.

- Shouldn't I be moving
around or something?

No, no just stay there.

- Of course I care
about my dying uncle.

Make love to me, Rick.

I need you.

Hold it.

The problem is the scene.

Overwritten.

Just cut it to make love
to me, Rick, I need help.

- Well, how will the audience
know about my dying uncle?

- Don't worry, they'll
know who's dying

the moment they hear you.

Can I take off my robe?

I think I can get more
of a beach feeling.

More feeling?

Sure.

Oh.

Oh, definitely much beach-ier.

Can you hold it a second?

I've got to go to the bathroom.

I'll be a few minutes.

Hey.

What do you want?

- About last night
and Donna, I'm sorry.

No you're not.

I don't think you've ever
had a sorry day in your life

because you're a user.

- That gives us
something in common.

- Where's the tape player
that was in Taylor's room?

It's in your hand.

- I found this at the
bottom of the pool.

♪ Burn me ♪

♪ Burn me ♪

♪ Burn me ♪

♪ Face to face ♪

Damn stupid accident.

Never should of happened.

Mr. Phlem.

Huh?

- Can I ask you
about the script?

What about the script?

God almighty, what was that?

That was the producer.

♪ Burn me ♪

♪ Burn me ♪

♪ Burn me ♪

♪ Face to face ♪

♪ Burn me ♪

What are you doing here?

- You think they're gonna go
on with the picture, don't ya?

- I don't know what's
going on around here

but it aint gonna happen to me.

I was supposed to
dance for this picture,

not die for that.

Oh that fished faced
honky director man

talking about making
a up up picture.

We aint even begun
and we've already

got three people now stone
dead and one missing.

I'm going back to Buffalo.

- Ithought you
lived in Detroit?

I moved.

- Well how are you gonna
get off the island?

I don't know.

I'll swim if I...

I don't know.

- I found an outboard
motor down by the beach.

There's some tools
there, I saw em.

Oh, that's real cool.

You've got a motor and
nothing to put it on.

I don't believe in accidents.

What is that supposed to mean?

It's an I Ching principle.

Whatever happens to us
we attract to ourselves.

- Well why don't you go and
attract some nice big boat.

Now go, get out.
- What I say?

- Do you have to keep
playing that thing?

What, playing what?

That.

This?

I was just kidding.

Did you find Taylor?

No.

Where's Donna?

- She's in her
room, she's leaving.

How?

She didn't say.

Oh, I'll go get her.

No, you stay here.

Everybody stays here.

It's safer.

Safer than what?

Somethings happening.

- I'll tell you
what's happening.

The producer's dead.

We're supposed to start
shooting tomorrow.

What was that?

Must be the power generator.

- What does he mean
it's safer here?

- The song, the lyrics are
boil me and set me on fire.

What are you saying?

- It's obvious
what he's saying.

Someone is killing
according to the lyrics.

They were accidents.

- You don't believe
in accidents.

- How do you know
what I believe in?

Because you never shut up.

Who would want to kill me?

If there is a who.

I guess the obvious, Taylor.

Why Taylor?

It could be anyone of us.

" Who?

You.

What about you?

Why not.

What about her?

What about you?

You may be next.

Nobody's gonna be next.

The crew will be here
tomorrow afternoon.

We all go to our rooms,
lock ourselves in, and wait.

For what, to be murdered?

I'm not staying in a dark
room all night by myself.

Where you going?

Kitchen to find a weapon.

- There aren't any,
I already looked.

Maybe there's something
up in the school.

Hey, where you going?

Hey man, what are you doing?

What are you crazy?

You are crazy.

Weird songs, weird people.

What a life.

I go from one
disaster to another.

Mr. Phlem?

Mr. Phlem?

- I'll probably freeze to death
before the crew gets here.

Look, why don't we do something?

Some work.

It will help keep your mind
off of what's happening.

Why don't we improvise a scene?

- Like the love
scene on the beach?

- That would be a
good one to work on.

- All you want is a
cheap distraction.

Forget it.

Just forget it.

I'm still gonna make
this film, ya know?

Look, Mr. Phlem.

I'm scared, too.

So, so what?

- So let's just
forget the acting.

Mr. Phlem?

Mr. Phlem?

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Face to face ♪

♪ Stab me ♪

- Do you have
to wear that gown?

It's cold in here.

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Face to face ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Face to face ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

- It's okay, it's
okay, it's okay.

It's okay, come on.

Now what's happening?

- Find that music
and turn it off.

Why me?

Find it, damn it.

I know, I know, I know.

I know.

I know.

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Face to face ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Face to face ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Stab me ♪

♪ Face to face ♪

♪ Stab me ♪

♪ Stab ♪

Stay away.

Stay away, I'll burn ya.

Phlem is dead.

Take her to the classroom.

What for?

Don't argue with me, take her.

It will be safer if
we stay together.

I'll get Donna.

- No, you take her
and I'll get Donna.

Okay.

But take this.

It fires nails like a gun.

If you see Taylor or
Jim, don't hesitate.

Donna?

♪ Burn me ♪

♪ Burn me ♪

♪ Face to ♪

They got her, too, huh?

They're not gonna get me.

- I don't know what
you're talking about.

Who?

BJ and that guy Rick.

Where are they?

I don't know.

Just tell me or I'll kill you.

Okay?

Go ahead.

Where you going?

What are you doing?

I'm locking us in.

Just the wind.

Who was it?

Taylor?

It was Jim, wasn't it?

Where's Donna?

Where's John?

Forget John.

Where's the nail gun?

I dropped it, in Donna's room.

She's dead.

Jim was in Donna's room.

According to him, you're
doing the killings.

He's crazy, he's shorted out.

Maybe.

What do you mean maybe?

I don't know.

All right, look.

Just don't say anything to her.

Why, is she so fragile?

Donna's dead isn't she?

How did you know?

I don't know.

It's like I was there.

Where you?

Of course not.

Look, you two cut it out.

I'm going to get the nail gun.

I'm going with you.

No, the both of you stay here.

No.

Take her with you.

I like being alone in a
large, dark empty classroom.

Go on, get the gun.

I'll be fine, really.

You sure?

No.

But do it anyway.

Hey, lock yourself in.

You all right?

Yes.

- Look, we got two nuts
running around here,

Taylor and Jim.

I've got to get that gun

and you only make it harder.

Get back to the classroom.

Go back to the classroom.

Donna, Donna.

Donna.

Oh my god.

♪ Saw me ♪

♪ Saw me ♪

♪ Saw me ♪

♪ Face to face ♪

♪ Saw me ♪

♪ Saw me ♪

♪ Saw me ♪

♪ Face to face ♪

♪ Saw ♪

- You can kill each other
but you're not gonna kill me.

I'm gonna get off
this island now.

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Face to face ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Face to face ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Face to face ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Face to face ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Face to face ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Face to face ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Chop me ♪

♪ Face to face ♪

♪ Nail me ♪

♪ Nail me ♪

BJ.

You're locked in.

Hi, John.

Figured out why you've
been killing everybody.

Insurance right?

What do you want?

Money, I'll give it to you.

All I want is you.

My ankle.

BJ.

Jim!

It's about time.

- This place is a
horror house, mayor.

I've seen it bad but
this is the worst.

What you find out?

- Found this tape
in one of the rooms.

Listen to this.

Testing, testing.

I boiled them, I burned
em, chopped them, too.

I nailed them, I speared
'em, I stabbed them, too.

Nobody knows, no one will care

'cause when I'm done,

nobody there.

That's it.

Was that this guy Jim's voice?

Yes.

- Did you know this
guy was a psycho?

- I knew he had a
nervous breakdown.

What else?

Nothing.

Except he was a performer
and he worked for me.

- This is bizarre, it's
worse than bizarre.

A man actually
butchered eight people.

Where's this producer?

Copter just took him off.

He almost bled to death.

- You better take her along
and get her formal statement.

Right.

Come on, lady.

There's nothing more you
want to do around here.

- Well, you're gone, Bert, and
so are all the good memories.

No church is gonna
want this place.

No church is gonna
want this place.

♪ I can still see you
coming through this door ♪

- So, how'd you
sleep last night?

Fine as usual.

What was that for?

- Just to say thanks
for being here.

Look, sorry about your movie.

How 'bout some coffee?

Yeah, sure.

♪ When I open my eyes ♪

♪ I really open eyes ♪

You want black, right?

♪ I can't forget you ♪

♪ Though I know the truth ♪

♪ But I don't think it
was an easy thing to do ♪

♪ Then to take my time ♪

♪ Feeling you ♪

♪ When I look in your eyes ♪

Hello?

Arnie, look, I
thought I told you

I'd get ahold of you when
I felt the time was right.

Of course I've got it.

It's right here.

Arnie, look.

These are the best death
films you've ever seen.

There's nothing like
this on the market.

Nothing.

Client wants it on
exclusive basis,

he's gonna have to pay double.

A million and a half.

Give me a call
back in 10 minutes.

I thought I told you
never to come down here?

How?

How did you get Jim to confess?

That was no confession.

I wrote him an audition scene.

Why didn't you kill me?

Why?

Well I guess it doesn't matter

'cause now I'll have to kill ya.

Don't move.

- BJ, you think I keep a
loaded gun around here?

Stay where you are.

The guns not loaded.

Go ahead.

Try it.

Go ahead.

Go ahead, pull the trigger.

Pull it!

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ I don't care what you do ♪

♪ Not pretend ♪

♪ Just pretend that
we're the last ♪

♪ People in this world ♪

♪ And we're so alone ♪

♪ All alone ♪

♪ Not a scream or shout ♪

♪ Can be heard ♪

♪ I'm gonna give
it to you fast ♪

♪ I'll give it to you tough ♪

♪ 'Cause face to face ♪

♪ Face to face ♪

♪ You quiver ♪

♪ You quake ♪

♪ You shiver and you shake ♪

♪ You say ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Hurt me ♪

♪ Face to face ♪

♪ I don't care what you do ♪

♪ Lonely as a child ♪

♪ You were wet ♪

♪ You were wild ♪

♪ You were ♪

♪ Selfish ♪

♪ And you cried
out late at night ♪

♪ With your covers
pulled up tight ♪

♪ You were ♪

♪ Helpless ♪

♪ I give it to you now ♪

♪ I give it to you rough ♪