I Like to Watch (2004) - full transcript

Lyrical, disconcerting science film about clinical and cultural aspects of voyeurism.

♪ You must think
you're the only one

♪ Who ever watched a lover run

♪ And woke every morning

♪ To the lonely sun

♪ And an empty bed

♪ But that's all
ancient history

♪ Tonight belongs
to you and me

♪ Why don't you take a chance

♪ On waking up to a good
morning smile instead

♪ Set your heart free tonight

♪ Oh, free to love till
the morning light



♪ Set your heart free tonight

♪ Here with me

♪ It's always
frightening to begin

♪ To open up your arms again

♪ But that's the only way

♪ To let the old love out

♪ And let my love in

♪ Set your heart free tonight

♪ Oh, free to love till
the morning light

♪ Set your heart free tonight

♪ Here with me

Crazy!

Not so fast,
I don't want to come yet

Oh yeah make it all wet



You taste so good

Ah take care of me

You are just so good

Oh that's right

Take it deep.

That's great.

Oh God, you're good!

Oh you do it so good.

Fuck me yes, deep.

You wanna split me?

Turn over.

You make me feel so good.

Oh baby, I'm gonna come.

No not yet, I want you to
come on my face.

I wanna taste it.

Oh you do it so good.

- Why can't it be every night?

- It might spoil a
great thing, Leticia.

Besides, I wouldn't want
you to get sick of me.

- There's not much
chance of that.

(birds chirping)

Good morning, Gretchen.

- Good morning.

- Good morning, Aunt Leticia.

- Good morning, Laura.

How are you this morning?

- Oh, just fine.

Did Phillip stay
long last night?

- No, he left quite early,
and I went to bed and read.

- Oh, too bad.

- No, not at all.

We're just friends.

Look, Linda Vance is coming
in for a refitting today,

and I think we ought to
finish the summer set,

or at least get started on it.

- Oh, everything
is going just fine.

We're right on schedule.

Things are going well, there's
just a lot of work to do.

(sighs)

- God!

I don't think we're gonna
get it done, I really don't.

We've got two weeks to go,
and I can do stage work

but this television
is just killing me.

I just don't think
we're gonna make it.

- Everything will be
all right, I'm sure.

- I don't know what
I'd do without you.

You're a gem, you really are.

Are you seeing Michael tonight?

- Well, I don't know.

Sometimes I think
he's afraid of me.

- Don't be silly.

Why don't you just go
out and have a good time?

- Well, I'll try.

I better be getting started.

- I think so.

- I'll see you in the studio.

(sensual music)

- Your work's
impeccable, Leticia.

You're the best.

- I know, darling.

Kim, why don't you
go down to the vault

and get Ms. Vance's lingerie.

- Yes, Ms. Bordeaux.

- Hello, Ms. Vance.

- Hello.

- Linda, I'd like you
to meet my niece, Laura.

She's my good right arm.

I don't know what
I'd do without her.

- Ms. Bordeaux, as I was
coming back to the studio,

I noticed the furnace
repair truck pulled up.

- Oh God, I'd forgotten
all about that.

Kim, why don't you let him
in and take care of him.

Give him what he needs.

- Yes, Ms. Bordeaux.

- Linda, why don't you
go inside and try it on?

And Laura will do your
final alterations.

I've got so much to do
with the show coming up.

I've got phone calls to make.

Ciao, darling.

- Bye bye.

- You know, I was out
here just a week ago.

- I know.

- It's all right.

Plumbing in these
houses and electrical,

I mean, they're hung together
with scotch tape and spit.

I don't see anything wrong.

I don't know what
the problem is.

Didn't you guys say you
have some new steam pipe

running here a while back?

- Yeah, there's a couple pipes

up in one of the closed
off bedrooms upstairs.

I'd be glad to
take you up there.

- It'd probably help
if I could see it.

- Sure, come on.

(soft music)
- Just one more mark here.

- Do you think these
panties work well with this?

- No, the lace is a
little too different.

- Maybe I should
take them off then.

If you ever want
this, just call me.

I'll show you something
you'll never forget.

- Laura!

Has Linda left?

- No, she's in
dressing right now.

- How about lunch?

- No, thanks.

I've gotta Michael at the park,

and if I don't leave
right now, I'll be late.

- The radio said rain today.

- I know, I think he's crazy.

- Gretchen, it'll
be two for lunch.

- Yes, ma'am!

- Leticia, I think
it's just beautiful.

- Thank you.

How about lunch?

- Excuse me, Ms. Vance.

I've got to go.

- Now, about lunch.

- Let me buy, I insist.

- Well, all right, I
have to get out of here.

Gretchen!

- [Gretchen] Yes, ma'am!

- I'll be leaving and I'll
be back about two-ish.

And, Kimberley is with
the furnace man wherever.

Find her, tell her
to get back up here,

get to work, we've got
a show in two weeks.

- Yes ma'am!

- Shall we?

- This bypass valve
is probably frozen.

You wanna hand me
that can of oil?

- Here's your oil.

- Kim!

Kim!

Kim!

(dramatic music)

- How am I supposed
to fix your furnace?

- You're fixing it right now.

I never thought anything like
this would happen on a job.

- Kim!

Kim!

There's a blow to call.

(moaning)

Oh that feels so good.

(Speaks German)

Oh you really want me to slam it
in there don't you?

Yes please!

(speaks German)

Put it deep. Aw, deeper!

I'm gonna fuck you so hard.

Give it all to me!

Oh God, it's so good!

I want you to fuck me in the ass.

(Speaks German)

(Speaks German)

What was that?

A big rat.

- God, I must be crazy being out

in weather like this for lunch.

- Guess who.

- Give me a hint.

- Well, I'm tall.

I'm bright, not dark.

Very, very handsome,
and I love you.

- I don't know
anybody like that.

- Well, in that case,
it's Jack the Ripper.

(laughing)

- Who do you think
you are, Gene Kelly?

What are we doing
out here in the rain?

I love you, you clown.

- Yeah, I'm a fun date.

Dance around a
little bit, maybe?

- This is crazy.

- Look, for you.

Nothing up the sleeve,
nothing up the sleeve.

Apple juice, ma'am.

Special, imported...

- You know my favorite.
- And,

avocado and cheese sandwich.

- Oh, great.

I am starving.

We've been working so hard
with this show coming up.

- Was it exactly?

- It's in two weeks.

Don't you ever listen to me?

- Yeah, sure, I listen to you.

- Yeah, but you don't hear me.

Michael, I have to talk to you.

I'm really serious.

- Okay, this is
serious, what is it?

- Why haven't you
ever made love to me?

I mean, it's been three months,

and all these romantic rendezvous
and everything, but...

But no sex.

You know, Michael.

Fucking, why?

- Hey, I was just trying
to be a gentleman.

You know, romance and some fun.

I want a little bit more
than just hopping into bed.

- This is really funny.

That's supposed to be my line.

- Hey, you know.

Come on, my ex-wife...

- I am not your ex-wife.

I am Laura.

- Oh, I'm sorry.

- I've got to go.

- Hey, I'll pick
you up eight, okay?

- No, not tonight.

(gentle music)

- Laura.
- Oh, you startled me.

- I'm sorry.

I'm going out tonight.

I really need to relax.

I thought you were
going out with Michael.

- [Laura] Oh, well, I was.

- You wanna talk about it?

- No.

- [Leticia] Hey, are you okay?

- Yeah, really, I'm okay.

Why don't you go out
and have a drink for me?

- Well, all right, but I'll
be in Nick's at the bar,

if you wanna meet me later.

- Okay.

- [Leticia] Goodnight.

(gentle music)

- Gretchen, I wanna talk to you.

- Yes, Kim.

- What were you doing today?

- Nothing.

- Oh yes, you were.

You were watching me.

Come here.

Sit down.

I'm not angry with you.

Did you like what you saw?

- Yes!

- It can be better with a woman.

(phone ringing)

- Laura, Linda!

- Oh, hello, Linda.

- You sound out of breath.

- [Laura] Oh, I
ran to the phone.

- Oh.

Well, I was supposed
to go out this evening

but my date canceled.

So, I thought maybe you'd
like to come over for a drink.

- Oh, that sounds great.

Give me your address.

- [Linda] It's 134 Elm Street.

- Okay, got it.

Okay, I'll be there
in about half an hour.

Bye!

- She'll be here in
about a half hour, so...

- You're so good to me.

- I'm gonna give you a
great show tonight, lover.

- Good, because I like to watch.

(sensual music)
(moaning)

(Speaks German)

- Laura.
- No, Michael, not now.

I'm going out.

- We can go out.
- Wrong.

- Dammit, I'm gonna wait
here all night for you.

(crickets chirping)

- Let me take your coat.

- Oh, thank you.

- Please, sit down.

Over there by the fire,
take the chill off.

- The fire does feel nice.

(sensual music)

- Amaretto?

- Please.

- To a very long,
deep friendship.

- To a long, deep friendship.

- How do you feel about
what happened today?

- Well, I don't know.

- I know.

- You do?

- Yes, I do.

You liked it.

That's why you've come to
me tonight, to explore.

I wanna bathe your
body with my tongue.

- I don't know what's
happening to me.

Does that feel nice Laura?

You like the feel of my tongue
on your body?

Oh I do.

Yes just like that.

Lick you down here?

Inside your thighs?

Please do it there, yes.

Oh you make me tingle.

Oh that's perfect.

Oh you make me feel wonderful.

That's right ladies. Yes.

Did you like that?

Oh I loved it.

Will you do that to me?

Well...I...

Try.

That's right.

That's delicious Laura.

Oh yes, lick around my thighs.

That's right girls.

Oh yes Laura.

Your bodies are so beautiful.

- Do you trust me?

- Yes!

- We were being watched.

We've been watched all along.

- By Who?

- By Montag, my lover.

He's very nice, and he'd
like to come in here.

Is it okay?

- Well...

- You'll really enjoy him.

- You fucking sluts.

- Isn't she pretty, Montag?

- Your body is so beautiful.

- I told you she'd have
a pretty, pretty pussy

and big breasts.

That's it.

Mmm, kiss her Montag.

She's a beautiful girl.

Make love to me Montag.

See Montag, I like to watch too.

- Thanks, keep the change.

Hi.

Are you waiting to go in?

- Yes, I am waiting to go in.

- I'm Cinnamon.
- Honey.

- Hello!

- I'm Michael.

- Good evening, Michael.

- Hello, Gretchen.

Please come in.

- [Cinnamon] Thank you.

- [Honey] Thank you.

- Gretchen, this is
Cinnamon and this is Honey.

- Hi.
- Good evening.

- I would guess that they are
a couple of Leticia's models.

- I'm sorry, Michael, but
Laura isn't here right now.

- Yeah, I know.

Do you mind if I wait?

- Of course.

If you two ladies
please follow me,

I'll show you to your room.

- [Cinnamon] Goodnight, Michael.

- Yeah, goodnight, Michael.

That guy Michael was kinda cute.

- I'd say more
than just kind of.

- Okay, he was cute.

Hey, Cinnamon.

- Yeah.

- Hey, girl, I'm about
to unveil a master plan

of eroticism and you
just snubbed me off.

- I'm sorry.

Let me hear your master plan.

- Okay, first off,
this is what we do.

(fire crackling)

(ominous howling)

(gasps)

(ominous music)

- Hello!

Hello, is anyone there.

Look, Gretchen.

Is that you?

Oh shit!

(grunting)

- We didn't mean to scare you.

- Yes, it was just
a joke, Michael.

- A joke.

- I wouldn't say scared, no.

A little startled.

(panting)

- Okay.

- Just, this does not
seem to be my day.

- It's your day.

Dream of a lifetime.

(upbeat music)

- And one, four, three,
pick up that shot.

Stand by three.

Take three.

Ready, cross fade into four.

That's better
four, looking good.

Cross fade to four.

Real nice, real nice.

A little more.

Okay, tighten up there, four.

Slow zoom in.

Stand by at one...

- Girl, would you
please get dressed?

- Listen, I can't wear
this goddam thing.

- Why?

- Because, I look
horrible in it.

- Look girl, you
either put it on,

or I will put it on for you.

- Bitch, I don't need
the fucking money.

- Come on, come on!
(dramatic music)

Come on.

Oh my God, what tits.

What an ass.

- Come on, here,
here, let me see.

- Just a second, just a second.

I'd walk through five
miles over a mine field

in snow shoes, just to hear
her fart over a fuel drum.

- Let me see, huh.

Come on, Fred.

Christ.

- [Fred] Well, when I was in--

- When you were in Nam?

- When I was in Nam,
I just walked in.

- Well, why don't you just
walk in there now, super stud?

(mumbles)

Well, 50 bucks says
you don't dare.

- You're on.

- How are things going?

- Oh, not too bad.

- I've tried to keep
things down to a low roar.

- [Laura] I know
you have, Norma.

(screaming)

-Asshole, you pervert.

Get outta here.

(screaming)

- What balls, I
don't believe it!

- I knew I should've
stayed home.

(upbeat music)
- Take one.

Ready on preview for commercial.

Roll it.

Five, four, three, two, one.

Cross fade to commercial.

Good.

Yeah.

It's for you.

- Laura.

I wanna talk to you, and I
don't wanna hear any crap.

- Okay.

Okay, Michael.

Here?

- Yeah, here, right
after the show,

and in the studio.

- [Phillip] Hello,
Tish, it's Phil.

- Hello, Phil.

- [Phillip] Look, I know
you're really busy now,

but I've been thinking about
our talk a few weeks ago.

- Oh?

- [Phillip] You know,
about getting together

on a more permanent basis.

(sighs)

- Oh!

- [Phillip] How about meeting
me for a drink tonight?

- Well, look, I'll be
here about another hour.

How about Nick's?

- [Phillip] Yeah, okay.

- I'll see you later, bye.

(background chattering)

- Michael.

Michael.

Do you wanna talk here?

- No!

Get up there.

And sit down.

For the last few months,
you've picked on me

and made me feel like a fool.

Well, those days are over.

You got a lot of nerve staying
out all night like that.

Well, I'm not gonna take
it anymore, Ms. Bordeaux.

- Is this my Michael?

- Yes, it is.

- Come sit down over here.

Michael, I have something
that I wanna tell you

about that night
that I stayed out.

- What?

- Oh, never mind.

Michael, make love to me.

(sensual music)

- [Michael] Here?

Now?

I wanna do it to you now.

I needed you to make love to me.

- Oh, that was
wonderful, Michael.

- Yeah.

You know, I'm a pretty good lay.

- Such a conceit.

- Round two?

(gentle music)

♪ You must think
you're the only one

♪ Who ever watched a lover run

♪ And woke up every morning

♪ To the lonely sun

♪ And an empty bed

♪ But that's all
ancient history

♪ Tonight belongs
to you and me

♪ Why don't you take a chance

♪ On waking up to a good
morning smile instead

♪ Set your heart free tonight

♪ Oh, free to love till
the morning light

♪ Set your heart free tonight

♪ Here with me