Hotel (2013) - full transcript

Erika has it all: a good job, lots of friends and a secure relationship. Until the day it all falls apart. Suddenly this perfect life means nothing, and the feelings she once was able to control are no longer within reach. She starts going to group therapy and meets other people suffering from various forms of trauma. One day Erika and this eclectic group of four people decide to take matters into their own hands and heads off together in search of a way out. They start checking into hotels - a place of complete anonymity where one can wake up as a different person.

[MUSIC - MIRE EKLUND, "YOU
HAPPEN TWICE"]

(SINGING) I heard them in the
other room, several features

and several morns.

There's no holding back in
the land of the frozen tracks.

[SPEAKING SWEDISH]

(SINGING) And I would
like to see behind you.

And when you knock
the door in, through

thoughts real long and fast.

We stop and stay and close--

not there, they'll know it.

[SPEAKING SWEDISH]



(SINGING) Silence that
don't go to waste--

enough for, enough for, enough
for, enough for us both now.

It's not the-- it's
not the game, I swear.

You come close up.

[SPEAKING SWEDISH]

(SINGING) Hello, let's go.

[SPEAKING SWEDISH]

[QUIET CRYING]

[QUICK BREATHING]

[MACHINE BEEPING]

[PAINED CRYING]

[MACHINE BEEPING]

[DOOR OPENING]

[BABY CRYING]



[MACHINE BEEPING]

[WOOD CREAKING]

[KNOCKING]

[KNOCKING]

[DOOR OPENING]

[MACHINE BEEPING]

[SIGH]

[TV PLAYING FAINTLY]

[DOOR OPENING]

[JAZZ MUSIC]

[MUSIC - ANDREAS SODERSTROM,
"CHECKA"]

[CLAPPING]

[MUSIC PLAYING]

[CLUB MUSIC]

(SINGING) Baby,
I see you walking

and I like where you go.

Listen, baby, let's get talking.

I could DJ just
like [INAUDIBLE]..

Do you want to get close?

Yeah.

Do you want to get close?

I want to get closer.

I want to get closer.

Do you want to get closer?

Do you want to get closer?

[MUSIC - ROXETTE, "IT MUST HAVE
BEEN LOVE"]

(SINGING) It must have been
love but it's over now.

Lay a whisper on my pillow.

Leave the winter on the ground.

I wake up lonely.

There's air of silence in
the bedroom and all around.

Touch me now.

I close my eyes and dream away.

It must have been love,
but it's over now.

It must have been good,
but I lost it somehow.

It must have been love,
but it's over now--

from the moment we touched
till the time had run out.

[TAPPING]

[SPEAKING SWEDISH]

[CRYING]

[PHONE RINGING]

"This old method of
condemning the criminal"--

[SPEAKING SWEDISH]

PETER: --"twas lingering and
painful and, in essence--

[SPEAKING SWEDISH]

"It was a favored
method of torture of us."

[SPEAKING SWEDISH]

[GROANING]

[PAINED YELL]

Come here.

[MUSIC PLAYING]

[SPEAKING SWEDISH]

[MUSIC - ANDREAS SODERSTROM,
"PERNILLA"]

[MOANING]

[GIGGLING]

[KIDS CHATTERING]

Mama.

[SPEAKING SWEDISH]

[CHEERING]

[MUSICAL HUMMING]

[PHONE RINGING]

[KNOCKING]

[PHONE RINGING]

[SIGH]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC - ANDREAS SODERSTROM,
"ERIKA"]

[PEOPLE CHATTERING]

[MUSIC - JOHAN STRAUSS II, "AN
DER SCHONEN, BLAUEN DONAU"]

[MUSIC PLAYING]

[MUSIC - "THERE'S A FIRE"]

BAND: (SINGING) There's a
fire burning in my soul.

There's a fire
burning in my soul.

There's fire burning in my soul.

Such a fire, that
it never gets cold.

Let's get together and
straighten things out.

Let's get together
and make we shout.

Bye-O, bye-O. Bye-O,
bye-O, bye-O, bye.

Bye-O, bye-O. Bye-O,
bye-O, bye-O, bye.

Bye-O, bye-O. Bye-O,
bye-O, bye-O, bye.

Bye-O, bye-O. Bye-O,
bye-O, bye-O, bye.

Let's get together and
straighten things out.

Let's get together
and make we shout.

Yes, it is burning--

[KEYS JINGLING]

[SPEAKING SWEDISH]

[CHANTING]

[GIGGLING]

[MUSIC PLAYING]

Max!

[MUSIC PLAYING]

[SPEAKING SWEDISH]

[GIGGLING]

[MUSIC PLAYING]

[SCREAMING]

[GLASS BREAKING]

[PAINED MOAN]

[SOBBING]

[MUSIC - ANDREAS SODERSTROM,
"RIKARD"]

(SHAKILY) Shh.

[SPEAKING SWEDISH]

[CAR STARTING]

[MUSIC - ANDREAS SODERSTROM,
"SLUT"]

[MUSIC - MIRA EKLUND, "YOU
HAPPEN TWICE"]

MIRA EKLUND:
(SINGING) I heard them

in the other room, several
features and several morns.

There's no holding back in
the land of the frozen tracks.

And I would like
to see behind you.

And when you knock a door in,
the hours stop then stayed.

I saw you stand and flow, and
I see we're holding hands.

You had been twice
in times below.

They come for someone.

It's not the--
it's not the same.

I want silence that
don't go to waste--

enough for, enough for, enough
for, enough for us both now.

It's not the-- it's
not the game, I swear.

You come close up.

Hello, let's go.

And I know something peculiar.

This room and place will change.

Through thoughts
real long and fast,

we stop and stay and close--

not there, they'll know it.

See we're holding hands.

You had been twice
in times below.

They come for someone.

It's not the-- it's
not the game, I swear.

You come close up,
my friend, my friend.

Different places,
different eyes.