Honey (2003) - full transcript

Yo, what's the deal?

Ain't nothin', pa
We just here and all that

Tryin' to get our heads right
Get this money right and all that

You know what I'm sayin'
You know how it goes

Just another day in the hood
Yo, yo

Aye yo, what a night, New York City
Heard it goin' down

Friday night, midnight
Atlantic City

Slot machines ding-ding-ding-ding
when they ring off

Lock the doors
That's when Ghost just G'd off

Cigars, paisley robes

Four bitches guardin' me safely
as we walk to the window



The cashier was scared
She asked for my info

The manager arrived with two guards
That's an insult

That's the cause, just because

We talkin' about $5 million here
This ain't Play-Doh dough

And your horoscope read
You gonna slay those

We got scribbles
Anthony Acid rockin' the show

Special guest, Starks, Mark Ronson

First 500 bitches went crazy
He let them on in

All he did was plug me in
I got the chargin'

Got they bras and ran through
they whole apartment

- Two?
- Two.

Here.

I can tell you what they say, haters
if you wanna know

They say
Ooh wee



When I roll in my Mercedes
All the ladies wanna roll

Be my Juliet
and I can be your Romeo

If you actin' menace
I can pick another ho

My game's here to party
Just to cut up a rug

Don't make me have to cut up a thug

Now play something for DJ
'Cause there's nothin' but love

Hosted by the ladies
who lookin' for somethin' to rub

When we roll out, we roll on dubs
Rollin' up bud

The Theodore Unit
we controllin' the club...

Hi, hi, hi.

Where you been? You were
supposed to be here at midnight.

Girl, you can't rush perfection. Hurry up
and finish so we can get on out there.

Okay, one more minute.

Okay. Just in time
for a drink on the house?

- You know it.
- Make that two.

- Tonight's your lucky night.
- You are my new favorite bartender.

Sweetie, she's not gonna be here
much longer.

I don't know why you're so eager
for me to quit this gig.

As long as I work here,
we both get to dance and drink for free.

Girl, when you make it,
they gonna let us in anywhere we want.

- Hey, what she gonna make it as?
- You'll see.

Thank you.

Time's up.

- Bye.
- See ya, Honey.

- Hey!
- Hey, girl.

- How are you?
- I'm good.

Ah! Look who's here, Katrina.

Go, go, go...

That's hot. Come on. Let's go.

I don't like them, bitch.

Look at that bitch, y'all.

Yo, she's takin' our shit!
I told you.

Listen, girl, you got talent.
I'm telling you, you bottle that shit up,

- sell it, get paid, paid.
- Hey.

- Excuse me would work.
- Hold up, Katrina.

- I think you owe her an apology.
- I don't owe anybody anything,

especially not some section eight,
no-rhythm-having club ho.

People pay me to dance. Be gone.

- Bitch!
- Gina! Gina!

- Let me go!
- What? What?

That ain't your hair anyway.

Get off me.

Gina, that's my job.
You can't be wilding out in there.

Please. She started it.

That shit was unbelievable.

Ooh!

- Go, Benny. Go, Benny.
- Go, Benny. Go, Benny.

Go, Benny. Go, Benny.

- Go, Benny.
- Go, Benny.

Hey! Hey! Hey! Hey! Hey!

That was hot.

Look at him,
checking you out like he all grown.

Your mama know you're out here?

His mother ain't lookin' for nothin'
but her crackhead boyfriend.

Don't you talk about her.

Hey...

I like that. Your flavor's hot.

Okay, I got it. You're a biter now.

- Mmm-hmm!
- Oh!

- You guys should come to my class.
- Your class?

- I teach Hip-Hop at the center.
- The center?

I ain't feelin' that
mommy-and-me hip-hop. None of that.

- I'll come.
- Okay, cutie.

All right, kids.
Clear out. Get outta here!

- Come on. Come on.
- Hurry up!

It's cool, Officer.

These kids are always hustling
people back here.

Be careful, ladies.

- Hey, Miss Jones.
- Honey.

Yo!

- You dropped your paper.
- You're lookin' out, Honey.

Shoot, John.

Good shot, John.

Yo, Chaz, you're the one, man.

Hey, everybody.

Listen up.

Hey, guys. I got a new remix
from DJ Scratch at the Overdrive.

Come on, guys. Let's loosen up.

Five, six, seven, eight.

- Is she all right?
- She slipped on some water.

You okay?

Quit it.

It doesn't matter how you mess up,
as long as you keep countin'. All right?

Watch this.
One and two, three and four.

See, Letitia, baby,
you're my inspiration.

Okay, let's throw that in after the clap.

I'm glad you could make it.

Come on. This isn't a pageant.
Step in the back and fall in. All right?

- We'll break it down for you.
- Come on, y'all. Let's go.

Fall in.

Come on, little man. You're in front.

So, let's break it down, all right?

From the top!
Five, six, seven, eight.

One and two, three, four,

five, six, seven and eight.

Elbows. One, two, three, four.

- We'll just take it that far.
- Suckers.

All right, let's see it. Joey, count 'em in.

Five, six, seven, eight.

One and two, three, four...

Why we come here?

Five, six, seven and eight.

And one, two, three, four.

If you wanna learn,
keep with the counts.

Learn? Lady, I'm schooling you.

Whoa!

All right.

- Pay no mind to them.
- You like that?

Okay, okay, comedy hour's over.
Let's get back to it.

It's not you. My brother Benny
and them just wanna show off.

I know, sweetie.

- Take care, all right?
- Okay.

- Bye.
- Bye.

All right, let's start from the top.

Okay. There. That didn't hurt, did it?

Okay, all set to go.

- All right, later.
- Bye, Honey.

Oh Sweetie.

I don't know why you can't
just teach ballet at a nice uptown studio.

Haven't you seen my Hip-Hop class?
They love it.

But Hip-Hop can't take you the places
ballet can. All that real dance training.

Ah! Here are my girls.

- Hi, Dad.
- Hi, baby.

Honey, there's so many
beautiful things in the world,

and I just want you to see 'em.

Ma. So, can we make it to midtown
in 20 minutes?

Not another video audition?

As a matter of fact,
I was just heading that way.

Don't worry so much.

It's no use when I miss you

'Cause I can't always want you

Girl, it's like a piece of me...

Two, three, four, five, six, seven, eight.

Next.

Honey Daniels. And you're with?

No one right now.

Sorry. The open audition
was this morning.

We're not seeing any more
unsolicited dancers.

But the ad said the audition was all day.

It is, but the open part ended at noon.

Well, see, I have a job
and couldn't get off before noon.

Well, unfortunately, there were about
a thousand girls who could.

- Can't I just audition?
- Next.

Check it.
That's what I'm talkin' about.

I should be dancing in videos like this.

You're right, you should.

But sometimes you gotta start in the
back door if you wanna get in the front.

You already gave me that lecture.

I'm gonna keep giving it to you.

'Cause if you would have
listened to me,

your ass would have been
famous by now.

For what?

Michael Ellis Productions.

Yes, that video is shooting
next Thursday.

- You seen Michael?
- He's over there.

Ellis Productions.

Yes, he is. One moment, please.

- Who is that?
- That's Katrina.

She in a lot of joints.
Works a lot. She was at the Overdrive.

No, no, not her.

Her.

- What up? What up?
- You're getting her drunk.

Come on. Keep it coming.
Keep it coming.

- Excuse me. Are you a dancer?
- Yeah.

Yeah, I thought so.
Look, I want you to dance for me.

Come on, Gina.

No, no, look. Seriously. Seriously.

I'm a... I'm a video director,
and I'm shooting next week.

And you wanna offer me
the privilege of slapping on a thong

and shaking my ass in your camera?

Thanks, but I'll pass. Let's go.

What are you doing? He's a director.

Every guy's a director
when he wants some booty.

Look, look, listen.

It's a little loud down here, so let's go
talk about it up in the VIP lounge.

All right. I heard that.

It don't matter where we are.
I'm not taking my clothes off.

Who said anything about
taking your clothes off?

Yeah, who said anything about that?

The only one who's gonna
take anything off is Jadakiss,

if he's so moved.

Jadakiss?

Wait, who did you say you were again?

My name is Michael.

Michael Ellis?

Michael! All right,
you the man, you the man.

- See, I'm the man.
- Yeah, you're all right.

- And you are?
- Honey Daniels.

Nice to meet you, Honey.

- Gina.
- It's nice to meet you, Gina.

Look, Honey.

I want you to come down
and try out for my video.

Here's my card. If you're interested,
you know, give me a call.

Okay, cool. I'll give you a call.

10:05, that's not too early, is it?
I mean, I don't wanna seem desperate.

Hey, this is Honey Daniels
calling for Michael Ellis.

Honey Daniels. Sure, I can hold.

Yeah, he can call back.

Wait. Don't you need my number?

555-9720.

It's not good when
they don't ask for your number.

Yo, heads up.

Cut it. Cut it.

Why don't you take a break,
come play some ball?

Show me some of them moves.

- I got a class to teach.
- Hmm.

Chaz. Come on, man. Let's play.

That was fun. I'll see you tomorrow.

See you guys later.

I really like your class.

Thanks, Raymond.

Lucky for you, I'm not goin' anywhere.

Well, see you next week.

- What's up?
- What's up?

Raymond,
what are you doing here, dog?

Lookin' for you.

Look, you can't be here
right now, okay?

What? Are you deaf? Get on.

Go.

Get!

- What's up, Otis?
- Hey, B.B.

- How's your stash?
- All right. I'm set for today.

Make sure you got his back, all right?
He's my baby brother.

- Yo, you want smoke?
- Right here. Right here. Right here.

Hey, Honey, it's me, Dad.

Just calling to see how
those auditions are going.

Hey, girl, it's me. Just checking in.

Remember, this is
a temporary situation. That's all.

So, holler when you get in.

Honey Daniels, this is Mike Ellis.

Sorry I missed you.
It's kind of crazy here.

Anyway, we start shooting
day after tomorrow.

Call Lenny's cell.
He'll give you all the information.

Dancer, right?

Okay, please follow me
to Hair and Makeup.

I need your Social Security card
or a passport for your time card.

I'll get that from you later.

We're gonna be here
till about 4:00 a.m.

After that, it's time and a half, okay?

Okay, guys. This is the last one.

Yes, yes, I know.

Please make it fast, or it's my ass.
Thank you.

You can do this.

- Ready in there?
- Yes. Yeah. I... I'm ready.

Coming. I'm coming.

Cut! Cut! Cut!

Cut.

See, it's not working here.

Well, hold that down, baby.

I'm gonna try, man. I'm gonna try.

The girls look too choreographed.

Right. Well, I can make 'em
more freestyle,

but we gotta get 'em
together eventually.

Hey.

You came?

Yeah, you know,
had some free time, so...

Wait. Come here. Come here.

I want you to try
and work in with the girls.

- Michael, who is this?
- Honey.

- Hey.
- This is Honey.

Show her the steps.
Everybody else, take five.

- I think I got the first 8 counts, okay.
- Unbelievable.

All right, fellas, let's take a break.

- Hi.
- We gotta work in another girl.

- Where would you like me?
- Just find yourself a spot

- in the center row, okay?
- Cool.

- Take it from the top.
- You in the second row?

- Yeah.
- Playback!

No! Cut. Cut!

It'll be better.
It was just my first time through.

It's all right.

It's good choreography, though.
It's good.

All right, still not working here.

Um...

It is just...

Okay, I'm gonna try something.
I'm gonna try something.

- Hi.
- Hi.

How are you doing?

- Good.
- Good, good.

Um...

I want you to pretend
that you're in a club.

Excuse me, Michael.
What are you doing?

Directing.
You have a problem with that?

Okay, so you're in a club.

And the music's gonna come on.
And I'm gonna want you to move.

Now, don't be nervous.

You're great. I saw you
at the Overdrive and you're great.

Okay.

- Nice.
- All right. All right. See, now that,

that is sexy.

- Thank you!
- That is sexy. That is sexy!

Everybody else,
follow what she's doing.

You're kidding, right?

- I am not.
- Playback.

Jadakiss

Sheek

Whoo!

D-block
Dark child

I'm just too much
I flow too sick

I be on top of the snare
All over the kick

Since a young cat
I been one with a drum tap...

Wonderful. Wonderful.

- Was it all right?
- Perfect.

Yeah, yeah.

All right, we're moving in
for a close-up, everyone.

- What do you think?
- What you doing next week?

- Working at the record store?
- No.

Working at the club?

Not working at the club?

Not unless you're doing it for fun.

Two of anything, on me.

Anything? I'm liking this.

And you know what else
I've been thinking about?

Your birthday.

Twenty-five's a big one.
We gotta do it up right.

- Yeah.
- Uh-huh. Uh-huh.

So I'm thinking we should rent a big,
old car, roll on down to Atlantic City.

You sure you wanna spend
all your big faces like that on me?

Are you kidding? I wouldn't even have
these big faces if it weren't for you.

It's true, it's true.
I should be your manager.

I don't really care either way,
to tell you the truth.

Who's that?

Uh. I don't know.
Some guy from the center.

Well, what's wrong with you?
He's fine. Why you duckin'?

I'm not duckin'.

You duckin'.
You duckin' like a bobblehead.

So, manager,
am I bookin' the limo, or what?

Hell, yeah, you gettin' the limo.

You gettin' the limo, the room,

the Cristal with caviar,
the male strippers...

- Oh, my God! It's you!
- Turn it up! Turn it up!

- That's my girl. That's my girl.
- Turn it up! Turn it up!

That's right, y'all. That's my friend.
That's my friend.

Check it out. Check it out. Check it out.

She's good, you know what I mean?

Hey! Hey, look!
It's Honey. She's on TV.

Yo, check it out, man.

See?

- That's Jadakiss and Sheek.
- Those are my boys.

She dances with them?

Mmm-hmm.

Yo, that's my move.

- For real.
- That's what I'm talkin' about.

My move.

Hey, yo, biter.

- Oh, hey.
- We caught you on TV.

Benny saw that you used his move.

Yeah. Shouldn't I get a check
or something for that?

I haven't even got a check for it yet.
You here for the class?

Yeah. Once Benny saw you
with Jadakiss,

he said maybe you were cool after all.

Nah. I just figured you might
need some more moves to jack.

Well, you can show 'em to Joey
and he'll pass 'em along.

You're not teaching?

No. I got this video
and I'm supposed to be there, like, now.

You gonna be here tomorrow?

I don't know. This director guy's
got a few jobs lined up, so...

That's cool. Whatever.

But, I mean, you should still
take the class. Joey's great.

Who, me? I wasn't gonna go.
I was just dropping off Raymond.

Go on, dog. Go to your little class.

I'm outta here.

Can we see this with playback?

She was unlike anything
I've ever seen

Body so phat so I said

"I got to be that one man
leavin' tonight with your hand"

"In mine"
Oh, what's your name

Push up on me
Do your thing

I love that you have no shame
So sexy, I feel your game

You're so sexy

Girl, what does it take
to get close to you

Girl, I'm lovin' the things
that you do

Baby, tell me
Can we play this game?

I'm feeling you
you're feelin' me the same

I swear to goodness.

Oh, baby

Anything you wanna do
I'll do to you

'Cause your lips look good like honey

I won't play games with you
I won't play games with you

'Cause all I wanna do
Anything you want

What up? What up?

Shoot. Now look at you.
In your bustier and your hooker heels.

Where we goin' tonight?

I'm goin' to Papi Chulos.

Oh, word? The gay club?
Shoot, I love the kids.

But I didn't have to wear my heels
for that.

I could have worn my sneakers.

Actually, I'm goin' with Michael.

Oh! You can't bring me?

It's kind of a work thing. You know,
charity fund-raiser with tickets and all.

- Sorry.
- Hmm.

Sounds like somebody's trying to
dip their fingers in the Honey jar to me.

Gina, he's my boss.

You say that like you never heard
of Monica Lewinsky.

It's the video world. You know, they do
their meet-and-greets at night in clubs.

Oh. Okay. Well, there's only one world,

the real world, and in that world,

if a man is taking a woman out
on a Friday night in her hooker heels

and she can't bring her homegirl,
he tryin' to get some booty.

You're nuts.

All right, that's him.

- How do I look?
- Gorgeous.

Yes, children, it's just another
night at Papi Chulos.

I'm the mother of the house,
Harmonica Sunbeam.

Yes! Drama, drama, drama, attitude.

Judges, score.

Ten, 10, 10, 10.
Ow! Yes!

Make some noise!

Excuse me. Excuse me.
Come on up here.

How you doing, miss?

- Hi.
- Good to see you. What up, B.?

How you doin', man?
Lenny's got your spot.

What's up?

What's up? What's up?

- Ginuwine, how you doing?
- What's going on, baby?

- How you doing?
- Good to see you.

- Ginuwine, this is Honey.
- How you doing?

Pleasure to meet you.
Pleasure to meet you.

Rodney, Honey.

What's up, man? Nice to meet you.

- Honey, from the Jadakiss video, right?
- Yeah.

Hey, I caught that. You was doin'
your thing in there. You was real hot.

- Real hot.
- Thanks.

So, I hear Mikey's gonna
make you super-colossal.

I thought I was making him look good,
but, you know.

You hear that Mikey?
You got to watch her.

Better get them contracts tight.

So you gonna be in the next one, right?

Oh, for sure, for sure.

'Cause the next one gotta be
crazy, man. Gotta be... Mike...

No doubt, no doubt. That's why I got
you a new choreographer for this one.

- For real? Who?
- This girl right here.

For real? I mean,
you ever done the whole joint before?

No, but it's all right.
We got two more to do before yours.

So she'll be a pro
by the time we get to you, you know?

- Right?
- Right.

Cool. Well, you know, Mikey knows
best, you know what I'm saying?

You know, we gotta do our thing.

Okay, so?

I don't know what to say.

"Thank you, Mikey. You're the best."

"Thank you, Michael. You're the best."

You better get them
contracts tight now.

Thank you.

- Raymond, is that you?
- Honey!

What are you doing out here?

My mama says I have to
do something with my hair.

Your mama's right about that.

You wanna do this on your own,
or should I come with you?

- You can come with me.
- Cool.

So, what are you thinking?
Some braids?

Snoop Doggy Dogg silky-fine
press and curl?

Or maybe do like Mike
and shave it all off?

- How 'bout braids?
- Braids?

All right, cool. Come on.

Come on. They won't bite.

Whoa! Look who's here.

I thought I was gonna have to
watch cable to see you again.

Raymond needs a little trim
and some braids.

Look, little cat.
You see that guy right there?

Yeah.

Yeah, I know he has a stupid-looking
face and everything,

- but what's his hair look like?
- All right.

Just all right
or a little more than all right?

- A little more.
- That's right.

And you know why?
'Cause he gets his hair cut by me.

I spent a whole 20 minutes on him.

So, what I'm gonna do is
I'm gonna send you over there

to Stacey to get braided up.

And when you're done,
I'm gonna spend 22 minutes on you.

All right? How does that sound?

That's cool.

All right, now you just chill, shorty.
Don't worry about nothin'.

Besides, I never mess up a kid's head,

especially when his mom's
in the shop.

He's eight.
That would have made me 14.

- I'm not that kind of girl.
- My bad.

We just peoples.

- Yeah, we peoples.
- You peoples?

Player, player, how'd you swing that?

I've been trying to be her peoples
for weeks. Ain't had no luck.

I got flow.

I got flow, too.
You don't think I got some flow?

Maybe not as much as me.

Oh!

I see, now you better be careful,
little man.

You don't watch yourself,
I'm gonna have you runnin' out of here

lookin' like a poodle.

All right, youngblood,
holler at your boy.

It's tight.

Let me ask you something else.

What if I was to take Honey
out to dinner?

You think that'd be tight, too?

That'd be all right.

- How's Friday?
- Friday, I'm working.

Friday night?

These shoots go late.
I never know when I'm gonna get off.

- Saturday?
- Saturday I'm workin', too.

You're not working all day Saturday.

Listen, I'll tell you what.

You find out when you're not working,
you get at me.

I'm a busy woman.
I may never have the time.

Baby, that'd be a tragedy.

All right, little cat.

Come on.

Let us pray.

Heavenly Father, please, bless Chaz

with game immediately.

- So when you gonna get picked up?
- I don't know.

But someone's comin', right?

I don't know.

Hey, I'm fiending for a milk shake.

- Me, too!
- Yeah? All right, then.

How 'bout we go get one, and then
you can show me where you live.

- Okay.
- Cool. Come on.

- Do you live there?
- Yeah.

Let's go.

You gonna knock?

You don't have to wait.

Y'all, shut that noise up now!
Where you been?

I got my hair braided like you said.

- Who the hell are you?
- I'm his dance teacher.

Dance teacher?

Marisol, shut up
and close the damn door!

Come on. Get on inside
before you piss him off.

I just wanted to walk him home.
You know, tough world out there.

Oh!

Well, thank you
for letting me know that.

You know, I would just love to spend
my day going here and there

with my kids instead of workin',

which is what I've been doin'
for the last 12 hours!

Five, six, seven, eight.

One, two, three, four,

five, six, seven, eight.

One, two, three, four,

five, six, seven, eight.

Cut. Cut.

Uh...

I want you two girls to switch
in the back.

You guys are great, though.
All right? You guys are really good.

Um...

- There's somethin' missing.
- What?

I don't know. Somethin'.

Fix it.

Okay.

Go to lunch.

- What?
- All right.

Come on, man. Don't be a hog, yo.

Hold that right there.

Lay-up, man. What up? Lay-up.

Son, take your game home.

D-up.

Rise and shine, sleepyhead.

- What are you doing?
- Gettin' you up. It's Sunday.

- So?
- So?

We gonna get my birthday dress today.
You forgot?

- No, it's just...
- What are you doing in bed

in the middle of the day, anyway?

I didn't get home till 6:00.

You work until 6:00 in the morning?
I hope you gettin' overtime.

Girl, I'm dead.

I don't care if you're cold and buried.
I got off work special for this.

Get up! Come on. Get up!

- We gotta get ready for Atlantic City.
- Gina.

Oh, look. Take this.

What? What's that?

Ooh! Dolce.

- Stop.
- Do you like?

I love it.

What kind of money you makin'?

I didn't pay for it.
I got it for free at the shoot.

You givin' me some sweaty leftovers,

instead of taking me shopping
like a real friend?

It's not sweaty leftovers.
It's brand new. It's still got a tag on it.

- Hmm.
- I thought you'd like it.

Look at Miss Thing. Too bougie
to shop at the bargain stores.

It's not even like that.

No, it's cool. If you don't wanna go
shopping with me, I'll go by myself.

- Only person I can depend on anyway.
- Gina.

Oh, God.

Thank you.

Hey, Raymond. What's up?

Benny ain't been in school.

Well, where is he at?

Mama's boyfriend got all into it
with him. Busted Benny's lip.

Has he ever hit you?

Not me.

Okay. Come on. Let's go find him.

- Okay?
- Okay.

Come on.

Broken heart again
Another lesson learned

Better know your friends
or else you will get burned

Gotta count on me
'cause I can guarantee

That I'll be fine

No more pain

- No more pain
- No more pain

No more pain

No more...

Hey, Benny.
We've been lookin' for you all over.

Don't. I don't need your help.

- Let me handle it.
- You shouldn't have to handle it.

You guys can't go back
to that apartment for a while.

- We can go to my Uncle Jessie's.
- All right.

I'll take you over there, okay?

- What do you care?
- I care because you're a good kid.

So? It's not like you're around.

Don't even teach anymore.
Why don't you just roll out?

Huh!

Then I guess I'm just gonna have to
find someone else

to help me out with Tweet's video then.

- Tweet.
- Tweet? The Tweet?

I'm doin' the choreography
for her video next week.

And, you know, I could use some help
in the afternoons and the evenings.

But if you don't wanna kick it,
'cause, you know...

I could come. No joke?

No joke. If you get your butt
to school every day, yes, I promise.

Promises don't mean nothin'.

Mine do.

All right, girls, you ready?

Set? Okay.

Five, six, seven. Fly!

One, two, three. Fly!

Go down. Think dancer.

- Okay.
- And just work your arms, okay?

And once you land, plié.
Give a sexy pose.

Thanks, guys.

Okay. All right. Ready?

- Tweet, you look great.
- Thank you.

- Okay, let's try this.
- You takin' notes for me?

You taking notes? You're gonna get
fired if you're not takin' notes.

Security!

He's just playin'.

Now... I ain't gonna lie about it

Watchin' you push me
in a zone about it

We'll leave tonight all alone
Then if it was up to me we'd get gone

- ...in me
- You got the right moves

I can only imagine
what you really do

I'm feeling your body
And that's not it

You got me deep in a trance
so hypnotic

I just can't control myself

Baby, I now see you're hypnotic

- Hypnotic
- You're so hypnotic

- You know you've got
- You know you've got a spell on me

- On me
- Hypnotic

- Hey
- You're so hypnotic

- Hypnotic
- You know you've got it

So just keep doing it to me

Michael, thank you so much.

I can do that. You know I can do that.

Maybe you will someday.

Look, yo. There's people
that good things happen to.

And there's people that good things
don't happen to.

That's just the way it goes.

The gods made no mistakes
when they created their...

So what are they?

Fresh Air Fund kids or something?

Fresh air? Michael, this is New York.

I... I taught them at the center.

In fact...

Seeing them on the set there today
gave me an idea for Ginuwine's video.

- What are you thinking?
- Okay.

New York, the hood.
Ginuwine's doing his thing.

But instead of the usual hoochies,
you get a posse of kids, dancers.

They bust out, all G'd up,
just like Ginuwine...

- same hair, same bling.
- Like a...

- Like a Hip-Hop pied piper?
- Right.

- I like it.
- Really?

Yeah.

- I'll pitch it to him.
- Cool, cool.

You know, if he goes for it,
I'd like to audition my kids.

I see. You just wanna get those
Fresh Air Fund kids into showbiz.

That's not true.

Their flavor's hot. You know.

If it gets a couple of them
off the street, so much the better.

All right, guys. Let's do it
one more time, but clean it up.

One, two, three, four, five and six
and seven, eight.

Hold on. Hold on. Look who's here.

- Honey!
- Honey, what's up, girl?

Hey, guys. I got a surprise for you.

The things you do
when your friend's around

Has got me hooked on you

You're not afraid of wilding out
and trying to be too cute

Which one of you
can tell me who that is?

Ginuwine!

So which one of you wants to
audition for his video?

What video?

Open calls are in two weeks,
and I'll rehearse

- with anybody who's up to it.
- Sweet.

So which one of you wants
to audition for Ginuwine's video?

All right.

The things you do
when your friend's around

Has got me hooked on you

- Can I help you?
- You're the dance teacher, right?

I'm Otis' brother.

You're the one his little man's
been hanging out with, right?

- You mean Benny?
- Yeah, Benny.

We ain't seen Benny around in a while
and we miss him.

He's been busy.

Check this out. He's part of my crew.

And when you're in my crew,
you don't mess with other shit.

- So you tell him I'm looking for him.
- I'm not gonna do that.

What?

Why not?

- I asked you a question!
- Yo, Honey. Hey.

B.B., what's poppin'?
am I interrupting?

Well, if it ain't Floyd the Barber.

How are things in that cute
little barbershop of yours, B.?

- You making ends meet?
- You know. I'm definitely doing me.

- Getting this paper.
- "Getting this paper."

Check this out. When you're tired
of nickel-and-diming,

just give me a holler.

I'm gonna hook you up.

Well, you ever get tired
of wearin' those bum-ass do-rags,

you give me a holler. I'll hook you up.

I wanna see that kid.

- You okay?
- Yeah, I'm cool.

What was that all about?
How did you get on B.B.'s bad side?

I made the wrong friend, I guess.

Well, you know,
you should stay away from him.

He's dangerous. Seriously.

Yeah. Thinking of picking up some
pepper spray tomorrow or something.

Did I say thank you?

You sure you don't want me to
walk you upstairs

- and make sure you're safe?
- No. I can handle myself.

Thanks again.

Uh...

Bye.

Come on.

Mom, what happened?

Another pipe burst.
You can't be in here.

How long will it take to fix?

Oh! Who knows?
Building codes, inspections.

Now the city wants to do
a full assessment.

See if the building's
even worth reopening.

- Ma, you can't let them shut you down.
- Honey.

You telling me what
I can and cannot do

is not gonna improve
my mood right now.

I don't know what to do about this.
If there's a danger to the kids...

He's one of those kids,
you know, trying to act all bad.

But 10 seconds into a routine,
I catch a glimpse of him,

and it's like I can just see
this light shining out of him.

- He's a kid again.
- Yeah.

It's the best feeling I know seeing that.

It's scary though.

'Cause when I think of him hanging out
with B.B.,

it's like I can watch that light get
dimmer and dimmer.

Well, you know, when a thug joint's
the hottest spot in the hood,

it's hard for a kid
not to want to be down.

I know. I'm over here.

Nah, nah, nah, nah.
I wanna show you something.

- All right.
- All right, sexy?

Stop with that.

Closer to my dream

You know, most of the kids
I came up with were just like that.

Trying to be thugged out,
and wanting to fit in.

'Cause that's what
everybody else was doing.

Where are they now, jail?

Most of them, or headed
that way like B.B., or dead.

Listen, this is bad date talk.

We should change the subject.
What's your favorite color?

How come you turned out so good?

She thinks I turned out good.

- I'm serious.
- I don't know. I got lucky.

What happened?

Well, the guy that used to
own this shop

lived right next door
to me and my mom.

And when he saw me
get into some bad things,

he gave me a job here
sweeping up the floors.

It's crazy 'cause
he couldn't even afford it.

He paid me right
out of his own pocket.

I worked for him for 10 years.

And when he passed,
he left this place to me.

See, B.B. likes to talk shit
like I'm the one that's losing,

like I'm missing something
out there on the streets,

but he and I both know who's winning.

I've found something that I truly love,
that truly makes me happy.

And that's a million times better than
finding something that makes you rich.

So, it's just someone believing in you.

Well, that and having a place to go
where I could stay out of trouble, yeah.

What?

Nothing. Just thinking.

About what?

About what makes me happy.

Well, you know, I would
really love to be a part of that.

- What?
- Making you happy.

Close your eyes and see what you believe

477 Castle Hill Avenue
will go for about $170,000.

- So, 17 down?
- $17,000 down, yes. In cash.

How about I give you
half the down payment now,

and you give me 30 days
to come up with the rest?

If I don't, you put it back on the market.

Why do you even want this property?

It's just an empty storefront
on a bad block.

It's perfect for a dance studio.

Maybe even a dance school
for the whole neighborhood.

- So am I writing a check or not?
- By all means.

Five, six, seven, eight.

The things you do
when your friend's around

Has got me hooked on you

You're not afraid of wilding out
and trying to be too cute

And when we're out
up in the club, babe

You never get tired

You love to tease, but aim to please
Your heart likes fire

Girl, you ain't no joke

Cut.

You have no idea
what this means to them.

Sure, I do. I had a first job, too, once.

Oh. We have a meeting later.

- With who?
- It's... It's the big guys.

Downtown. I'll pick you up.
We'll go together.

I can't. I'm going to Atlantic City.

No, you are not. Absolutely not.

You gotta be there, Honey.
I'm gonna pick you up around 5.00.

I know. I gotta go to some
wack meeting instead of A.C.

It's the boss man.

Well, you girls have a good time,
okay, Gina?

- Who is it?
- It's Michael. Let me up.

All right. I gotta go.

You wild out. Tear that place up. Okay.

- Hey.
- Hey, sweetie.

This is...
Wow, this is where you live here.

What's with the threads?

Q. Walker's black-and-white party?

Yeah, that's the shit right there.
That's the biggest party of the year.

- Got any juice?
- I thought we were going to a meeting.

Business and pleasure are the same
thing. You know that, Honey.

If I knew it was a party, I wouldn't have
canceled on my best friend's birthday.

You would rather go to Atlantic City,

which will always be there,
with friends you always see,

instead of going to
the hottest party in town with me?

Look.

Everybody is gonna be there.

All right? Artists, producers,
other choreographers.

It would be career suicide
if you didn't go.

All right. Change into that
and I'll meet you downstairs.

Okay?

Okay.

If you're sitting down
Time to get up

Sipping on something
Drink it up

Hit the floor and rock your body
Wild out 'cause it's a party

If you're sitting down
Time to get up

Sipping on something
Drink it up

Hit the floor and rock your body
Wild out 'cause it's a party

I saw you for the first time
when you were walking on to the bar

Hey, can I use your phone?

Yeah, yeah. Hold on.

I'm gonna go upstairs
and find a quiet room, so...

You heard her, B.
She's gonna find a quiet room upstairs.

Remember, stick if it's 16.
If it's less, hit or something like that.

All right. Well, I miss you.

Happy birthday.

This is a nice crib, huh?

Oh! Hey, Michael. You scared me.

- What are you doing?
- I'm just looking.

At the house?

No, I'm looking at you.

That's the cognac speaking.
Here. Thanks.

You know, the first time
I ever saw you, I said to myself,

"That girl is so fine."

- Quit playin'.
- Who's playing? I'm not playing.

- No, seriously. Come on.
- No, seriously.

Yes, you are. Come on.
Stop. Stop! Stop!

Get off of me.

Bitch, how you gonna
play me like that?

Oh. I see. I see. You're one of those.

I'm not one of anything.
I'm just not up for this.

What about,
"I owe you so much, Michael"?

"You're the best thing that ever
happened to me, Michael."

Professionally, yeah.

All right. That was all talk.
That was all talk, right?

Just so you could get ahead in life?
No, no, stay. Don't leave. Don't leave.

You made it. You're here. Stay.

Look, it's a fancy party.
You came in a fancy car.

You're drunk.

I'm gonna do you a favor.

I'm gonna pretend like
none of this happened.

See you on Monday.

One and two, three and four.

Five, six, nice.

Okay, Ginuwine, come through.

Okay, Raymond.

Shaker boys, in front.

Come on, shake it up.

Go, shake it. Come on.

Come on. Shake it good, boys.

Oh, oh, oh, oh!

That was great. You guys were terrific.

- I'm lovin' it.
- Hey, hey, yo!

Good job!

That was hot.

- Where is he?
- I don't know.

Ginuwine!

We're ready for our rehearsal, sir.

- It's all set for you. Hey, Mike.
- Hi, how you doin'?

Hold that for a while.
All right, let's see this.

- Playback!
- All right, guys. Just like we rehearsed.

Five, six, seven, eight.

Cut. Cut! Cut.

Go get the car or something.

- It's not, it's not working.
- Which part?

The whole part.
The whole kid thing.

It's horrible.

No, Michael. Don't do this.

I was thinking I wanted to make it a little
more sexy, you know. A little more real.

What's more real than these kids?

Oh, no.

Michael, don't do this.

If you want to get back at me, do that,
but don't take it out on these kids.

Katrina, baby.

Hey.

All right, now I'm gonna
give you some music.

Okay.

And I want you to listen and then move.

Got you.

Go do your thing.

Do not take away the one thing
they have to be excited about.

Look. I have a lot to do today, all right?

So if you want to get paid,

pack up your shit and take
your little friends out of here.

I want you to fire 'em. I want you
to tell them why you're not using 'em.

- What's going on?
- Don't worry about it.

What makes you think
I care what you want?

Yeah, the label called.
They're not into the kid thing at all.

For real? Man, all right.

- I'm so sorry.
- So it's not gonna happen?

No. He changed his mind
about what he wants.

- Why?
- Just because.

- You made him mad, didn't you?
- Not intentionally.

Look, you guys.
There will be other opportunities.

- No, there won't. Let's go, y'all.
- This is wack.

Ugh!

- What?
- You're funny, right? Okay.

So what happened
to your big dance career?

- It's weak, man.
- Thug life, baby.

- Yo.
- That's what it is.

I like those.

Yo. Go cop those for me, man.

Let's move. Come on, go.

Come on, ladies. Let me see it.

Five, six, seven, eight. Turn.

Front. Back.

If that's the girl we heard about,
then no way.

I can't get a job anywhere.
Michael's blackballing me.

You sure about that?
Yeah.

And all he has to do is mention
he doesn't want me working.

What kind of clown would do that,
stop somebody from earning a living?

I guess he figures since he gave me
my career, he can take it away.

Hey. He didn't give you anything.

You get hired because you've got
drive, talent and love for what you do.

That's a gift from God,
not some video director.

The thing is,
I was counting on that money.

Not for me, for the kids.

That studio could be unbelievable.

It could change their life.

Yes

I'm gonna do me
I'm gonna do me

You gonna do you
You gonna do you

I'm gonna do me
I'm gonna do me

You gonna do you
You gonna do you

I'm gonna do me
I'm gonna do me

Put your hands up
and come off them grams

I ain't trippin'
That's the way I am

And if you see me wielding heat
in my hand, you better duck

- That's the way I am
- The way I am

Paying off that balance?

Actually, I came for an extension.
I need more time.

How much?

I don't know.
I sort of hit a financial snag.

Miss Daniels,
if I could help you, I would.

But I've already agreed to keep
this property off the market

for two full weeks for you.

That's the best I can do.

I know it's a lot of money.

I'm sorry, Honey. We just don't have it.

- And even if we did...
- Evelyn, don't.

Even if you did what, Ma?

Honey, a commitment like that...

You take that on, you are
gonna be stuck here forever.

You'll never leave.

Oh, I forgot. I'm supposed to see
all the beautiful things in this world.

Well, there's nothing wrong
with my wanting that for you.

No, but what about what I want?

You're 22 years old.
You don't know what you want.

You know what I see
living in this neighborhood?

I see kids go from bad homes
to bad schools and back again.

And I've seen you unlock a door to
a place where those kids can feel safe.

Maybe I'm dumb because I haven't
been to Paris or Milan or wherever.

But, to me,
it doesn't get much better than that.

It's a war to know your way

And stay on track regardless
of what other people say

Seems so far to navigate

It was everything I always wanted.

But when I had got it,
it felt like nothing, less than nothing.

And now losing it feels even worse.

I'm not looking for sympathy.

I just need someone to talk to.

Someone I know and trust.

I'm so sorry, Gina.
I totally let you down.

Do you think you could
ever trust me again?

I don't know. Maybe.

You're my girl.

You know the first thing I thought
when I saw that picture in the paper?

- That hood rat lied to me.
- No, that was the second.

That hood rat skipped out
on my birthday.

No, that was the third.

What was the first?

That hood rat went to
the black-and-white party

and she did not bring me.

I know you're in a jam right now, but,
Honey, you got skills.

And that's gonna take you places.

I just thought that, you know,
being your girl and all, I'd get to go, too.

- You can.
- No, I can't.

I'm just your friend.
You're the one with the goods.

You're the one that people want.
You don't need me.

You just need to trust
and believe in yourself.

Like I do.

Come here.

Just make a U-turn
Turn it round

Don't worry, baby, you'll find work real
soon. You're too good not to get hired.

All right?

I just don't have the time
to wait for people to wake up for that.

I'm gonna lose the building
at the end of the month.

If I can't earn it, and I can't borrow it,
and I can't steal it...

- I could raise it.
- What do you mean?

Well, I'm trying to get
a space for kids, right?

If people knew about it,
they'd want to help, wouldn't they?

Yeah, probably.

Yeah, I could put on
a benefit performance.

Charge a cover.
Get some donated food.

Put on a great show. I could do that.
Why couldn't I do that?

'Cause I don't have a space, that's why.
Damn it!

Come here, mami. I got an idea.

That's love. Nah, baby,
I got you on my Christmas list.

All right? One, one.

It's just off the BQE
It used to be a church.

The cat I was just on the phone with,
he used to own it.

But in three weeks they're converting it
to office space, so it's empty now.

- If you want it, you better jump on it.
- What's it like?

It's dirty. It's old.

- But it has a floor, right?
- Yeah.

I'll take it. Thank you.

- Hey, guys.
- Hi, Honey. What's up?

I know what you're thinking,
"What the hell we doing here?"

Don't worry, it's temporary.

This is what we call a means to an end.

Nobody's gonna give us a space,
that much is clear.

So we're gonna raise the money
and buy it, straight up and legal.

Y'all ever heard of a
benefit performance?

- What do you mean? Like Jerry Lewis?
- Sort of.

I'm Jerry. You're the kids.
Let's get to work.

Yo, yo

Life, they wonder

Can they take me under

Nah, enough of that
Nah, yo

Yo, I come from the housing
tenement buildings

Unlimited killings
Menaces marked for death

Better known as the projects
where junkies and rock-heads dwell

Though I owe to it my success

With survival of the fittest
every day is a chal'

I would think I'm a part
of USA and be proud

Confronted with racism
started to feel foreign

Like the darker you are
the realer your problems

I reached for the stars
but I just kept slipping

On this life mission
never know what's next

Ancient kings from Egypt
up to Julius Caesar

Had a piece of the globe
every continent

Yo, there's Asia, Africa
Europe, France, Japan

Pakistan, America, Afghanistan

Yo, there's Protestants
Jews, Blacks, Arabics

Call a truce, world peace
Stop acting like savages

No war
We should take time and think

The bombs and tanks
makes mankind extinct

Why then must it go on
We must stop the killing

Tell me why we die
We're all God's children

All this hate can't last forever

It's time that we stand together

- For the world
- Everybody wants to rule the world

Peace

Orange, good color for you.

I spoke to your moms.
She said you're getting out tomorrow.

That's right.

When you do,
I want you to come hang with me.

Nah.

You could have a good life, Benny.
It doesn't have to be like this.

What do you know?

You ain't got no job.
You ain't got no money.

- Matter of fact, you ain't got nothing.
- What I got is a clear conscience.

Yeah? What you gonna buy with that?

It breaks my heart seeing you
selling yourself short like this.

So leave. Get.

Let me ask you something.

You know your homies,
those guys that got your back?

Yeah?

How many times did they come
to visit you?

You think about that.

Yeah, I don't know
if this is gonna work, Missy.

But... Nah, but Katrina's gonna
make this so sexy,

- it's not gonna matter.
- Katrina.

Who the hell is Katrina?

- That's Katrina.
- Hey.

Katrina is the shit.
She just did Ginuwine's new video.

I don't care if she just showed
Michael Jackson how to Harlem shake.

I said I want Honey, Honey Daniels.

Duh!

Let's just try it once,
and if you like it, we keep it.

If not, then we fix it.
So there's no problem.

Let me see what you got.
What you gonna do?

I was thinking something a little more
sexy, maybe in the hips.

- No.
- Lenny.

No. No, no, no.

What is this, this?

Look, let me tell you something.

I don't backup dance
for Heather Hunter.

I don't know what kind of pornography
y'all got going on here.

This has gotta be a joke.

Anyway, when you get in touch
with Honey Daniels, you call me.

You, you need to call MC Hammer,
let him know you're steallng his stuff.

Y'all two crazy people in here.
Give me my phone.

Don't make no sense. That's ridiculous.

Missy, hold up. I got an idea.

Honey, what you been up to?

- Bye, Michael.
- Wait, come on. Come on.

- Hold on. I came to apologize.
- I'm not interested.

Give me a break.

What I did,

the way I handled things was uncool,
and I am so sorry.

- Hey, and I want to make it up to you.
- Is that so?

I've got you three new jobs.

And you want me
to do the choreography?

I am begging you.

Oh, I get it.

The artists asked for me
and if you don't deliver, they're walking.

am I right?

They want you, sure. But so do I.

Michael, you got yourself
in such a bind.

Good luck getting out of it.

I'll pay. You know I got the money.

I don't want your money.

Are you sure? You sure about that?

Because I could buy you
a little dance studio.

What about that? What about
you come back to work for me,

and I'll get you this.

You know what's funny?

When I first met you,
you were 10 feet tall.

And now I look at you, you're this big.

I don't need your help. I'm gonna get
that dance studio on my own.

Five, six, seven, eight.

Hey.

- So you came.
- I had to.

I can't let these bustas get
in front of an audience doing no...

- That's wack.
- Is that so?

I'm gonna give you something better,

'cause it breaks my heart
to see you selling yourself short.

Ooh!

- Let's see you bust.
- Let's do this.

Five, six, seven, eight.

So you pick that up in juvie?

That's right. I believe in making
every experience educational.

All right, guys, let's clump it up.

We only got a few rehearsal days left.

Let's make it count.

- Music.
- Okay.

Count them in.

Five, six. Five, six, seven, eight.

Good.

Nice.

One more time. Keep it tight, okay?

Can you see the stage all right?
Yeah? Okay.

Hey, chica.

Gina.

You know my homegirl
Mrs. Strom, right?

Your friend came by the bank

and told me
what you're trying to do here.

I do banking for some
nonprofit arts foundations.

- I know some people.
- Some rich people.

Some people who would find
the opportunity of funding

a project like yours very interesting.

- Are you serious?
- I've invited them tonight.

Oh, my goodness. Thank you so much.

Don't thank me yet. Just go out there
and put on a good show.

Now, how am I supposed to know
if I'm dressed right

if you won't tell me where we're going?

What you're wearing is fine.

- Are you sure?
- I'm sure we're late.

- Where are we going?
- I'm not telling.

- You better tell me something.
- I'm not telling.

Here you go.

- Does the set look okay?
- Yeah, it's cool.

I don't know.
I feel like I should've had brighter lights

or a different backdrop or colors.

I don't know. Here.

Yo, Honey. It's good.
Just chill out. We got your back.

Now get out of here.
We got a show to do.

Wow.

You have no idea
how beautiful y'all look.

Thank you for coming.

This means a lot to me.

This means a lot to all of us.

These kids are good kids,
and, man, do they love to dance.

Dancing isn't what they do,
it's who they are.

And you coming here tonight
says you wanna get to know them.

That means more
than you could imagine.

So, thanks again.

Peace.

And I hope you like it.

That was beautiful, baby. Beautiful.

They said you wouldn't make it so far

And ever since they said it
It's been hard

But never mind the nights you had to cry

'Cause you have never let it go inside

You work real hard

And you know exactly
what you want and need

So believe
And you can never give up

You can reach your goals

Just talk to your soul and say

I believe I can
I believe I will

I believe I'll go on
Dreams are real

I believe I'll stand

I believe I'll dance

- I believe I'll go real soon
- That's why

That is why I do believe

Your goals are just
dancing in your soul

And you know that
your move will let them show

You keep creating pictures in your mind

So just believe they will come true in time

And you'll be fine

Leave all of your cares and stress behind

Just let it go

Let the music flow inside

Forget all your pain

Just start to believe

I believe I can
I believe I will

I believe I'll go on
Dreams are real

I believe I'll stand
I believe I'll dance

I believe I'll go real soon

And that is what I do believe

Never mind what people say

Hold your head high, turn away

With all my hopes and dreams
I will believe

Even though it seems far from me

I won't give up

I'll keep going

And look into the sky

I will achieve

On my knees, I will always

Believe

I believe I can
I believe I will

I believe I'll go on
Dreams are real

I believe I'll stand
I believe I'll dance

I believe I'll go real soon

That is why I do believe

I believe I can
I believe I will

I believe I'll go on
Dreams are real

I believe I'll stand
I believe I'll dance

I believe I'll go real soon

That is why I do believe

Encore! Encore!

Beautiful, beautiful.

Come on.

Honey, Honey, Honey!

It's Tweet! It's Tweet!

Never mind what people say

Hold your head high and turn away

With all my hopes and dreams
I will believe

Even though it seems far from me

I won't give up

I'll keep going

I will always

Believe

I believe I can
I believe I will

You stupid...

Man, open this damn door.
Open the door. I'm late.

Open the door. Open the door.

You big dummy, how the hell you
don't know how to get to the BQE?

Let me explain something to you.

If you make me miss
my hookup with Miss Honey Daniels,

I'm gonna straight barbecue
your Big Bird-looking

Men in Blackwannabe,
Driving Miss Daisy ass.

- That is why I do believe
- I do believe

- What's up, girl?
- Hey, Missy.

- Man, good to see you.
- You, too.

Honey, this is Blaque right here.
And Blaque, this is Honey Daniels.

She's the choreographer
I was telling y'all about.

They got a video coming up,
so they need some hot stuff.

Some "oom-pah-pay," you know.

So, we're gonna get it popping.
I'm sure y'all...

- Come on, girls.
- Thanks.

I heard your record's hot.

- Thanks.
- Two over here. One on this side.

Let's line it up.

Right leg first, okay?

Seven, eight.

One, two, three, four.

One, two, three, four, five...

Is it true that I'm the one
making you nervous

You're trying real hard as if I'm sure press

- By you and your crew
- That's hopeless

You saw that X5
That's me outside

- Confused
- Kind of seem so confused

You can't understand how
my diamonds see through

- But it's true, it's true
- It's unusual

A girl so fly
Outshining a guy

- We can talk about this
- Let's talk about it

- We can talk about this
- Don't think about it

- Me on the floor
- That's what I came here for

So pump your brakes
It seems as if you're wantin' more

- It ain't me
- I'm sorry, you got the wrong one

- It ain't me
- I just came out to have fun

- It ain't me
- Go and find another one

I don't like what you're kickin', son
Now leave

- 'Cause even if I leave alone
- I'm good

- And even if you come along
- I'm good

- It don't mean a thing to me
- 'Cause I'm good

With or without you

- If you wanna play games with me
- I'm good

- Say what you'll do for me then
- I'm good

- It don't really mean a thing 'cause
- I'm good

- With or without you
- I'm good, I'm good without you

I'm good, I'm good

- I'm good
- I'm good, I'm good without you

I'm good, I'm good

- Player, please
- Please stop frontin' and do you

I didn't know Benz started making Isuzus

- But it's cool 'cause I do
- What I do

Which causes me not to be needin' you

- When I leave
- I got a crib to go to

That I got myself straight
out of high school

- So if you're comin' at me
- Be ready

'Cause ain't no way I'm gonna
let somebody play me

- We can talk about this
- Let's talk about it

- We can talk about this
- Don't think about it

- Me on the floor
- That's what I came here for

So pump your brakes
It seems as if you want some more

- It ain't me
- I'm sorry, you got the wrong one

- It ain't me
- I just came out to have fun

- It ain't me
- Go and find another one

I don't like what you're kickin', son
Now leave

- 'Cause even if I leave alone
- I'm good

- And even if you come along
- I'm good

- It don't mean a thing to me 'cause
- I'm good

With or without you

- If you want to play games with me
- Then I'm good

- Say what you'll do for me now
- I'm good

- It don't really mean a thing 'cause
- I'm good

With or without you

- I'm good, I'm good without you
- I said I'm so good

I'm good, I'm good

- I'm good, I'm good without you
- I said I'm so good

- I'm good, I'm good
- Yo, I'm only Clyde if you clip me

And I still got ice even
if you ain't with me

Candy paint and I still bump biggie

Halter, throwback ripped up Dickies

She hate me 'cause I'm nice up on the mike

I'm twice the size of rice
My flow keep 'em on ice

Brain- dead, you need sense, like 50

'Cause you won't truly love me
like Bobby loved Whitney, no

- 'Cause even if I leave alone
- I'm good

- And even if you come along
- I'm good

It don't mean a thing to me
'cause I'm good with or without you

- If you wanna play games with me then
- I'm good

- Say what you'll do for me
- I'm good

- It really don't mean a thing 'cause
- I'm good

With or without you

- And even if I leave alone
- I'm good

- And even if you come along
- I'm good

- It don't mean a thing to me 'cause
- I'm good

With or without you

- If you wanna play games with me
- I'm good

- Say what you'll do for me
- I'm good

It don't mean a thing 'cause
I'm good with or without you

I'm good, I'm good without you

I'm good, I'm good

I'm good, I'm good without you

I'm good, I'm good

- I'm good, I'm good without you
- Oh, yeah

- I'm good, I'm good
- Baby

I'm good, I'm good without you

- I'm good, I'm good
- I'm good