Haunting Sarah (2005) - full transcript
Writer and college professor of mythology, Erica, and her pediatrician sister, Heather, are twins and have been closely connected since they were children. Erica's daughter, Sarah, and Heather's son, David, are close as siblings. However, when David is hit by a car and dies in a silly accident, Sarah has premonitions and claims that she still talks and plays with her cousin. Meanwhile, Erica finds that she is pregnant and needs to rest, and Heather is informed that she cannot have any more children. Erica travels to a cottage by a lake and is told by her maid, Rosie, that the spirit of David does not realize that he died abruptly - and is waiting for the chance to be reborn. Erica does not believe her so sends Rosie back home, staying in the house with Sarah and Heather, but when the spirit of David is aggressive with Sarah, Erica calls Rosie back to help.
Both:
TWEEDLEDUM AND TWEEDLEDEE
AGREED TO HAVE A BATTLE
FOR TWEEDLEDUM
SAID TWEEDLEDEE
HAD SPOILED
HIS BRAND-NEW RATTLE.
JUST THEN FLEW DOWN
A MONSTROUS CROW
AS BLACK AS A TAR BARREL...
Erica:
SINCE THE DAWN OF TIME,
PEOPLE HAVE BEEN FASCINATED
AND A LITTLE FRIGHTENED
BY IDENTICAL TWINS.
THEY ARE, AFTER ALL,
TWO HALVES OF THE SAME WHOLE.
IF ONE IS HURT,
DOES THE OTHER FEEL PAIN?
CAN THEY READ
EACH OTHER'S MINDS?
MAYBE THIS SPECIAL BOND IS ONLY
REVEALED WHEN IT'S TESTED.
I HEARD YOU.
WHOO!
Shh, shh!
WHOO, SCARY!
VERY SCARY.
Shh, shh, shh, shh!
THANK YOU ALL
FOR RESPECTING OUR REQUEST
FOR WEARING
SCARY COSTUMES.
HEATHER, DON'T YOU THINK YOU
SHOULD TAKE YOUR MASK OFF, TOO?
VERY FUNNY.
SINCE THIS WAS
MY SISTER'S IDEA,
I'M GONNA PASS IT
OVER TO ERICA.
THANK YOU ALL FOR COMING.
EVERYONE LOOKS REALLY GREAT.
I THOUGHT IT WOULD BE FUN
TO CELEBRATE HALLOWEEN
THE WAY
THE ANCIENT CELTS DID.
THEY BELIEVED
THAT ON OCTOBER 31st,
SPIRITS OF THE RECENTLY DEPARTED
FLEW THROUGH THE AIR,
SEARCHING FOR
UNSUSPECTING BODIES TO POSSESS.
SO THEY WOULD DRESS
AS GHOULS THEMSELVES,
TRYING TO FOOL THE EVIL SPIRITS
AND PASSING THEM BY.
WOW.
BUT GHOSTS AREN'T REAL,
ARE THEY, AUNT ERICA?
YES, THEY ARE, DAVID.
ROSIE SAYS THEY ARE.
WELL, I SAID
THERE ARE SPIRITS ALL AROUND US,
BUT THEY'RE NOT LOOKING
TO POSSESS US.
POSITIVE?
POSITIVE.
WELL, JUST TO MAKE SURE,
THEY WOULD PUT OUT THE FIRES
IN THEIR FIREPLACES
SO THAT THE EVIL SPIRITS
WOULD PASS OVERHEAD
AND THINK THAT
NOBODY WAS HOME.
Go, quick. Turn out
all the lights. Go, go, go, go!
GO.
GO KEEP AN EYE ON HER.
♪ SEND ME DOWN
TO SLEEPY HOLLOW ♪
LOOK, DAVID,
YOUR SHOES LIGHT UP.
WE BETTER HIDE THEM.
NO, SARAH.
LET ME.
♪ BRING YOUR COSTUME,
COME TO PARTY ♪
♪ PROVE TO ME
YOU HAVE NO FEAR ♪
♪ ALL YOU TRICKIN',
ALL YOU TREATIN' ♪
♪ HALLOWEEN WILL SOON BE HERE
EXCUSE ME
WHILE I SUCK
YOUR SISTER'S BLOOD.
HEY.
Richard:
HEY, EVERYBODY.
HEY, WHO ARE YOU
SUPPOSED TO BE?
I'M A GUY WHO JUST GOT IN
FROM ATLANTA.
OH.
HE WAS JUST WORKING
ON A HUGE DEAL.
HE'S BEEN TRAVELING A LOT.
I'M SO TIRED, MY BODY'S
NOT WORTH POSSESSING.
UH, ERICA, DID YOU TELL THEM
ABOUT THE BOOK?
MNH-MNH.
HER AGENT SOLD IT.
APPARENTLY, THE PUBLISHER --
THEY FLIPPED FOR IT.
IS THIS A NEW ONE?
YEAH, I'M INTERVIEWING
SETS OF IDENTICAL TWINS
TO SEE IF TWIN MYTHOLOGY
HAD ANY IMPACT
ON HOW THEY VIEW THEMSELVES.
ALL THOSE MYTHS --
ONE TWIN IS GOOD,
AND ONE TWIN IS EVIL.
WHICH ONE
ARE YOU, HEATHER?
OOH, WOULDN'T YOU
LIKE TO KNOW?
OOH. I'M SCARED.
LAST COUPLE
OF CANDLES, GUYS.
THIS IS FUN.
ERICA,
LOOK AT THOSE TWO.
THEY'RE MORE LIKE TWINS
THAN WE EVER WERE.
WHAT SHOULD
WE DO NOW, MOMMY?
I THINK I JUST SAW SOME SPIRITS
HEADING THIS WAY.
BE VERY, VERY QUIET.
Shh, shh, shh, shh.
WSH!
OH, OH, OH.
GOOD JOB.
THAT'S IT.
COME ON, SARAH. LET'S SEE IF
WE CAN CATCH THEM FLYING AWAY.
OKAY. LET'S GO.
GO, GO, GO.
HURRY UP, HURRY UP.
I WANT TO SEE THEM.
MOMMY!
MOMMY!
WHAT IS IT?
WE FORGOT
THE JACK-O'-LANTERN,
SO THE GHOSTS KNOW
WHERE DAVID LIVES.
GO.
YEAH, LET'S GO.
GO SEE IF THE GHOSTS
ARE THERE.
LET'S SEE.
Sarah: MOMMY...
Erica: YEAH, SWEETIE,
IT'S A TUMMYACHE, OKAY?
BUT IT REALLY,
REALLY HURTS.
YEAH, YOU KNOW WHAT?
WHY DON'T YOU STAY HOME
FROM SCHOOL TODAY AND REST?
CAN YOU STAY HOME WITH ME?
I WOULD LOVE TO,
BUT I HAVE TO GO TO WORK.
ROSIE'S GONNA
STAY WITH YOU, OKAY?
OKAY.
OKAY.
MOMMY, WHERE'S ROBBY?
HONEY, I DON'T KNOW.
WHERE'D YOU LEAVE HIM LAST?
MY BACKPACK,
BUT HE ISN'T HERE.
WELL, MAYBE YOU LEFT HIM
AT SCHOOL.
I DIDN'T! I LOST HIM!
I KNOW I LOST HIM!
DAVID, WHY DON'T
YOU TRY YOUR POCKETS?
GOOD IDEA.
THIS HAPPENS EVERY MORNING.
HE'S RIGHT HERE.
HERE HE IS.
ROBBY!
THANKS.
YOU'RE WELCOME.
LET'S GO. GRAB YOUR JACKET.
NOT TO STATE THE OBVIOUS,
BUT NO CANDY FOR HER TODAY.
OH, YOU THINK?
DID YOU CALL HEATHER?
OH, SHOOT. I FORGOT.
I'LL CALL HER ON THE ROAD.
I AM SO LATE.
GIVE ME SOME OF THAT.
BYE.
I LOVE YOU.
YEAH. I LOVE YOU, TOO.
BYE, ROSIE!
BYE!
HEY, SARAH'S GOT
A STOMACHACHE.
I GUESS ERICA
FORGOT TO CALL YOU.
Heather:
OR SHE REMEMBERED TO CALL,
BUT FORGOT HER CELLPHONE.
TELL SARAH THE DOCTOR IN
THE FAMILY SAYS NO MORE CANDY!
NO WORRIES --
ALREADY BEEN HIDDEN.
SEE YA!
Erica: WHY ARE YOU HERE?
THERE HAD TO HAVE BEEN
OTHER COURSES
MORE RELEVANT TO YOUR MAJOR
OR AT LEAST CLASSES THAT WEREN'T
HELD SO EARLY IN THE MORNING.
BUT YOU CHOSE MYTHOLOGY...
OR DID YOU?
WHAT IF THERE ARE DARK,
UNKNOWABLE FORCES --
FORCES THAT HAVE THE POWER
TO CREATE
AND/OR THE POWER TO ANNIHILATE?
HEAVEN AND EARTH...
IN THE EYES OF
THE ANCIENT EGYPTIANS.
GOOD AND EVIL...
IN THE EYES
OF MEDIEVAL EUROPEANS.
THE GREAT HOOP
OF THE UNIVERSE
IN THE EYES OF THE NAVAHO.
THREE DISPARATE CULTURES
WITH ONE DISTINCT MESSAGE.
THESE WALLS
BETWEEN HEAVEN AND EARTH,
GOOD AND EVIL,
AND LIFE AND DEATH...
ARE ILLUSIONS.
AND WHETHER
WE'RE FROM MESOPOTAMIA
OR MODERN-DAY CHICAGO,
WE ALL HAVE THE SAME BURNING
EXISTENTIAL QUESTIONS.
OKAY, LET'S GO.
SO, I'LL TRY TO PICK YOU UP
AFTER SCHOOL, ALL RIGHT?
HI, GUYS.
OH, HI.
HOW ARE YOU?
GOOD.
WHERE'S SARAH?
ACUTE "CANDY-ITIS," WHICH
I'M GONNA SEE LOTS OF TODAY.
HEY, DR. LORD, MY SCAR'S
ALMOST GONE. WANT TO SEE?
Erica: WHY WERE WE BORN?
WHY IS THERE SUFFERING?
♪ HEY, HEY
♪ OH, NO
David: Sarah.
Woman on P.A.:
DR. CURTIS,
PLEASE REPORT TO RADIOLOGY.
DR. CURTIS, PLEASE REPORT...
HAVEN'T SAID ANYTHING
TO SARAH.
SHE, UH, FELL ASLEEP
WATCHING CARTOONS.
SARAH.
HUH?
HEY.
HEY, PUMPKIN.
HEY.
I HAVE TO
TELL YOU SOMETHING.
I KNOW.
DAVID'S GONE AWAY.
WHO TOLD YOU?
DAVID DID.
SWEETIE,
THAT'S NOT POSSIBLE.
DAVID ISN'T HERE ANYMORE.
YES, HE IS.
HE'S RIGHT OVER THERE.
SARAH, LISTEN TO ME.
DAVID WAS IN
A TERRIBLE ACCIDENT TODAY,
AND HE DIED.
I KNOW, SILLY.
HE TOLD ME IN MY DREAM.
CAN I HAVE A SNACK?
HEATHER? HEATHER!
WHAT'S WRONG WITH HER?
I-I DON'T KNOW.
I THINK
SHE'S A LITTLE SAD.
STILL?
YEAH, HONEY.
WHY DON'T YOU GO PLAY?
HEATHER!
David:
I CAN SEE MYSELF
RECORDING MYSELF.
I CAN SEE MYSELF.
I CAN SEE MYSELF
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
I CAN SEE MYSELF.
HEY.
WHAT'S GOING ON, HEATHER?
I CAN'T FIND ROBBY.
I CAN SEE MYSELF
RECORDING MYSELF.
DAVID'S TOY --
I CAN'T FIND IT.
I CAN SEE MYSELF RECORDING
MYSELF, RECORDING MYSELF.
I'VE LOOKED EVERYWHERE.
I KNOW
THAT THEY GAVE IT TO ME
THE DAY
THAT I WENT TO THE HOSPITAL
AND THEY GAVE ME
THE REST OF HIS STUFF,
'CAUSE HE HAD IT
THAT DAY.
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
HI, I'M DAVID LORD,
AND I'M GONNA GROW UP TO BE
A FAMOUS FILM DIRECTOR.
I'M AFRAID.
I'M AFRAID
OF LOSING THE MEMORY OF HIM.
RIGHT THERE SHOULD BE GOOD.
YEAH, 'CAUSE IT'S NOT
ALL THE WAY CLOSE.
I'M HIDING IN THE CLOSET,
AND NO ONE'S
EVER GONNA FIND ME.
HERE HE IS,
AUNT HEATHER.
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF.
CAN I TELL YOU A SECRET,
AUNT HEATHER?
OF COURSE, COOKIE.
1, 2, 3.
1, 2, 3.
I WIN.
YES, I
DO.
EDGAR?
I WIN.
I'M NOT PLAYING ANYMORE.
WHAT ARE YOU DOING, HONEY?
WHAT'S THIS DOING OPEN?
I OPENED IT.
OH.
OH, IT'S FREEZING.
COME ON.
GET INTO BED.
HERE, SCOOTCH OVER.
I'LL GET IN WITH YOU.
OH. WHEW.
THERE.
OH.
DAVID SAYS PAPER DOESN'T
WRAP ROCK IN HEAVEN.
BUT I THINK
HE'S CHEATING.
AND I THINK
YOU SHOULD BE SLEEPING.
NIGHT-NIGHT.
NIGHT-NIGHT.
SARAH IS A VERY BRIGHT
LITTLE GIRL.
YES.
SARAH AND DAVID
WERE VERY CLOSE.
MORE -- MORE SIBLINGS
THAN COUSINS, REALLY.
YEAH, AND I'M SURE
IT'S NOTHING.
AND IT WAS PROBABLY
JUST HER WAY
OF PROCESSING
DAVID'S DEATH, BUT...
SHE TALKS ABOUT DAVID
ALL THE TIME.
WHICH IS FINE,
BECAUSE WE DID ENCOURAGE HER
TO TALK ABOUT DAVID.
YEAH, BUT IT'S --
IT'S HOW SHE TALKS ABOUT HIM.
WELL, IT'S LIKE
SHE DOESN'T REALLY UNDERSTAND
THAT HE'S DEAD.
SHE HASN'T CRIED --
NOT ONCE.
AND HER CRYING ABOUT THIS
IS IMPORTANT TO YOU?
UM.
WELL, IT'S JUST --
IT'S NOT
THAT IT'S IMPORTANT.
I JUST -- I DON'T KNOW.
I-I MEAN,
SHE CRIED WHEN MY MOTHER DIED,
SO I JUST KIND OF THOUGHT
IT WAS NORMAL.
WELL, MAYBE SARAH
SENSES YOU FEEL LIKE THAT,
AND SHE'S REBELLING.
IT'S A VERY
AGE-APPROPRIATE RESPONSE.
AT 7, IT'S ALL ABOUT
ASSERTING YOUR INDEPENDENCE.
SO, UH, WHAT DO WE DO?
NOTHING.
SHE MAY NOT BE CRYING,
BUT SHE'S GRIEVING.
AND SHE'S TELLING YOU SHE NEEDS
TO DO IT IN HER OWN WAY.
LET HER.
IS THAT THE ACCIDENT?
NO.
WHAT IS IT?
I DON'T KNOW.
YOU DOING OKAY,
SARAH?
YEAH.
OKAY.
PUT YOUR SUPPLIES AWAY.
TODAY IS THE FIRST MONDAY
OF THE MONTH,
AND THAT MEANS WE HAVE
A NEW CLASS LEADER.
BEN.
YEAH, BEN!
YEAH, BEN!
YAY, BEN!
YEAH!
LET'S GO!
GO, GO, GO!
MOVE, SARAH.
DAVID SAYS IT'S NOT YOUR TURN
TO BE CLASS LEADER.
IT'S HIS.
DAVID DOESN'T GET A TURN.
HE'S DEAD.
UGH! UGH!
OW!
SARAH, YOU DON'T LIKE BEN?
TEACHER SAYS YOU'VE BEEN
ACTING OUT IN CLASS.
THAT YOU'VE BEEN TELLING
THE OTHER KIDS
THAT DAVID
ISN'T REALLY DEAD,
BUT YOU KNOW
THAT'S NOT TRUE, RIGHT?
EDGAR.
WHAT? THEY CALL US OUT OF WORK
TO COME GET HER.
THEY SAY I SHOULD TALK WITH HER.
I'M TALKING WITH HER.
CAN WE JUST DO THIS
WHEN WE GET HOME?
WHY ARE WE
TAKING THE BRIDGE?!
WHAT ARE YOU TALKING ABOUT?
WE ALWAYS TAKE THE BRIDGE.
DURING ART,
DAVID TOLD ME --
NO, DAVID DOESN'T
TELL YOU THINGS.
LOOK --
NO, I JUST DON'T WANT HER
TO TALK ABOUT DAVID, OKAY?
BUT HE --
NO, I MEAN IT!
SARAH, NO MORE DAVID!
OKAY? THIS HAS GONE FAR ENOUGH!
I DON'T THINK YOUR MOMMY AND I
HAVE DONE A GOOD JOB --
WE CAN'T GET ON THE BRIDGE!
WE CAN'T!
I...I HAVE TO GO
TO THE BATHROOM!
WELL, WE'RE ALMOST HOME,
SO...
I CAN'T WAIT!
YES, YOU CAN.
IT'S 10 MINUTES.
WE CAN'T!
I...HAVE TO GO TO THE BATHROOM!
PLEASE, MOMMY!
SARAH!
EDGAR, JUST PULL OVER.
WE'LL FIND A GAS STATION
OR SOMETHING.
DID YOU PUT YOUR HOMEWORK
IN YOUR FOLDER?
YEAH.
DID YOU DRAW THIS?
YEAH.
BUT IT WAS DAVID'S IDEA.
HE TOLD ME WHAT TO DRAW.
SARAH, LISTEN TO ME.
WE'RE NOT GONNA TALK ABOUT DAVID
LIKE THAT ANYMORE, OKAY?
AND WE'RE NOT GONNA SAVE A SPOT
FOR HIM AT THE TABLE
OR PUT OUT CEREAL ANYMORE,
ALL RIGHT?
OKAY.
OKAY.
CAN YOU GET HER PACKED UP?
SURE.
THANKS.
OKAY, MISS THING,
LET'S GET GOING.
HEY, HANG ON A SECOND.
WHAT HAPPENED TO YOUR NECK?
DID YOU BUMP
INTO SOMETHING?
NO.
ALL RIGHT.
ARE YOU GONNA COME
TO VISIT US, DADDY?
YEAH.
I AM GONNA TRY, ALL RIGHT?
OKAY.
YOU HAVE FUN.
HEY. THEY DO HAVE STORES
UP NEAR THE CABIN.
YOU KNOW THAT, RIGHT?
ALL RIGHT, SMARTY-PANTS.
THEY'RE FOR THE CAR.
COME ON.
I MISS YOU ALREADY.
I MISS YOU, TOO.
HEY. COME ON.
WE AGREED.
THIS IS THE BEST THING
FOR SARAH, RIGHT --
GETTING HER
OUT OF THE CITY,
AWAY FROM ALL THE REMINDERS
OF DAVID?
YEAH.
IT'S GONNA DO WONDERS
FOR HER, OKAY?
I LOVE YOU.
HEATHER, WE CAN ALWAYS TRY
ANOTHER SPECIALIST.
COME ON, HEATHER.
Sarah:
WHEN ARE WE GONNA GET THERE?
Rosie:
OH, WE'LL BE THERE SOON.
OH.
I DON'T THINK ANYONE'S BEEN HERE
SINCE LAST SUMMER.
OH, WELL.
SARAH AND I
ARE GONNA GIVE THIS PLACE
A GOOD CLEAN TOMORROW.
MOMMY...
WHAT'S WRONG?
THIS PLACE REMINDS ME
OF MY MOM.
IT WAS HER FAVORITE PLACE
IN THE WHOLE WORLD.
COME HERE.
DO YOU MISS HER?
YEAH.
SHE MISSES YOU, TOO.
I'M TIRED.
I DON'T FEEL LIKE SWIMMING.
HONEY, YOU'RE GONNA LOVE IT
ONCE YOU GET IN.
HOW COME YOU AREN'T
COMING IN, THEN?
'CAUSE I'M A MOMMY, AND MOMMIES
LIKE IT NICE AND WARM.
MNH-MNH. DON'T LOOK AT ME.
I'M A MOMMY, TOO.
IS AUNT -- UGH, UGH --
IS AUNT HEATHER
STILL A MOMMY?
SARAH.
'CAUSE MAYBE SHE COULD
COME IN WITH ME.
CAN ONE MORE
JOIN THE PARTY?
HI, AUNT HEATHER!
HEY!
HEY, AUNT HEATHER,
LOOK AT ME!
WATCH THIS!
WHOO-HOO!
WOW.
THAT WAS GREAT!
Erica:
HEATHER, WHAT ARE THE CHANCES
OF HAVING ANOTHER CHILD?
"NOT ENOUGH VIABLE EGGS
TO JUSTIFY IN VITRO"
IS KIND OF
HOW THE DOCTOR PUT IT.
YOU CAN ALWAYS
TRY AGAIN, RIGHT?
YEAH, I JUST...
I DON'T KNOW IF I CAN HANDLE
ANOTHER LOSS RIGHT NOW.
I TOLD RICHARD
THAT I NEEDED SOME MORE TIME.
AND JANICE IS GONNA COVER
MY PRACTICE FOR ME
FOR THE SUMMER.
WELL, I'M GLAD YOUR HERE.
HEY, AUNT HEATHER,
DID YOU SEE THAT ONE?!
OH, COOKIE, I MISSED IT.
DO IT AGAIN.
YOU KNOW,
I BLAMED YOU AT FIRST.
I KEPT THINKING
THAT IF YOU HAD CALLED ME
THAT MORNING,
I WOULDN'T HAVE COME BY
YOUR HOUSE.
WE WOULD HAVE GOTTEN
TO DAVID'S SCHOOL SOONER.
I KNOW.
I KNOW YOU KNOW.
IT'S JUST IT'S KIND OF
BEEN SITTING THERE BETWEEN US,
SO I THOUGHT
I'D PUT IT OUT THERE...
YOU KNOW,
SO I COULD MOVE ON...
WE ALL COULD MOVE ON.
I'M HAPPY I'M HERE.
ME TOO.
HAVE YOU SEEN SARAH?
SARAH?
SARAH!
SARAH?
DO YOU SEE HER?
NO.
NO. SARAH!
SARAH!
SARAH?
SARAH!
HERE I AM.
OH!
WHAT ARE YOU DOING?
PLAYING HIDE-AND-SEEK.
OH, BABY, DON'T DO THAT.
YOU SCARED ME.
DON'T DO THAT.
SO, MISS THING,
YOU KNOW YOU SHOULDN'T SCARE
YOUR MAMA LIKE THAT, RIGHT?
IT WAS FUN.
WELL, IT DIDN'T SOUND
LIKE ANY KIND OF FUN TO ME.
THAT'S 'CAUSE YOU'RE MEAN.
OH, YOU THINK SO,
OR IS THAT WHAT HE THINKS?
I THOUGHT SO.
PROTECT THIS CHILD.
LOOK.
I MADE YOU...
A FRIENDSHIP BRACELET.
HE'S MY FRIEND.
NO, HE ISN'T, BABY.
HE REALLY, REALLY ISN'T.
NIGHT-NIGHT, NOW.
NIGHT-NIGHT.
HEY. SHE DOWN?
YEAH.
WE'RE REALLY GONNA HAVE TO
WATCH HER UP HERE --
NOT JUST IN THE WATER --
I MEAN, ALL THE TIME.
SHE'S BEEN
WANDERING OFF ALONE.
YOU NOTICE SHE'S STILL GOT
THOSE BRUISES ON HER SHOULDERS.
YEAH.
ERICA...
HAVE YOU EVER
HEARD OF HANTS?
LIKE A VOODOO HANT?
OH, COME ON, ROSIE.
SPIRITS LOOKING
TO CROSS BACK OVER
GRAB ONTO THE NECK
OF A LIVING PERSON,
AND THEY WON'T LET GO.
I KNOW WHAT IT IS.
I TEACH THIS STUFF, REMEMBER?
DAVID ALWAYS
WAS STUBBORN --
HAD TO HAVE HIS OWN WAY.
IT'S NOT THAT HARD TO BELIEVE
HE CAN'T ACCEPT HE'S DEAD.
OR SHE SIMPLY
JUST BUMPED INTO SOMETHING.
SHE'S A KID.
DO KIDS
DRAW PICTURES OF CAR CRASHES
THAT HAVEN'T HAPPENED YET?
LOOK, HER THERAPIST
THOUGHT IT WAS PERFECTLY NORMAL,
CONSIDERING WHAT
SHE'S GOING THROUGH.
HE'S TALKING TO HER, ERICA.
OH.
I MEAN, HOW ELSE DOES SHE KNOW
THE DETAILS, THE TRUCK?
HE'S SHOWING OFF FOR HER,
LETTING HER KNOW
HE CAN SEE THE FUTURE.
OH.
SO DAVID'S GHOST'S
A PSYCHIC NOW, TOO, HUH?
LOOK ME IN THE EYE, ERICA,
AND TELL ME THAT DRAWING
DIDN'T SPOOK YOU.
IT DIDN'T SPOOK ME.
IT MADE ME SAD, ROSIE.
SHE USED TO DRAW HAPPY PICTURES.
OKAY.
OKAY, NOW, MAYBE
I'M A LITTLE OUT OF LINE HERE,
BUT I THOUGHT THE WHOLE POINT
OF COMING UP HERE
WAS TO KEEP HER
AWAY FROM THINGS
THAT MIGHT REMIND HER
OF DAVID.
ARE YOU
REFERRING TO HEATHER?
MAYBE HER LEAVING HER JOB
WAS GOOD FOR HER,
BUT IS IT GOOD FOR SARAH?
YOU ARE OUT OF LINE NOW.
HEY.
HEY.
OH, THANKS.
HOW WAS YOUR RUN?
IT WAS GOOD. THANKS.
GOOD.
MOMMY! MOMMY!
MOMMY! MOMMY!
BABY, WHAT IS IT?
WHAT IS IT?
SARAH, HONEY.
WHAT IS IT? OH, MY GOD.
ROSIE, IT'S THE BRACELET.
I CAN'T GET IT OFF.
HER WRIST IS TOO SWOLLEN.
HEATHER, GET THE SCISSORS
OUT OF THE MEDICINE CABINET.
NO, ROSIE GAVE IT TO ME.
SHE MUST BE ALLERGIC.
WHAT'S IT MADE OF?
JUST LEATHER,
WITH SOME HERBS BRAIDED IN.
PLEASE, MOMMY,
DON'T CUT IT OFF.
BABY, I HAVE TO.
IT'S HURTING YOUR WRIST, OKAY?
NO, ROSIE SAID
I NEEDED IT TO PROTECT ME.
IT'S OKAY, BABY. I'LL PROTECT
YOU. I'LL PROTECT YOU.
I GOT IT.
ERICA, WASH IT OFF
WITH SOAP AND WATER
AND GIVE HER AN ANTIHISTAMINE
FOR THE SWELLING.
OH.
TOO MUCH EXCITEMENT
FOR ONE NIGHT.
I'M GONNA GO CLOSE THE WINDOWS
IN THE REST OF THE HOUSE, OKAY?
OKAY.
UGH.
I GAVE HER THE ANTIHISTAMINE.
OH, SHE'S FINALLY ASLEEP.
I LOVE ROSIE.
YOU KNOW I DO.
SHE'S LIKE A MEMBER
OF THE FAMILY,
BUT HER BELIEFS MIGHT NOT BE
THE BEST THING FOR SARAH.
IT WAS
A FRIENDSHIP BRACELET.
WITH PROTECTIVE POWERS?
IT WAS JUST A GAME.
YOU KNOW, DAVID'S DEATH
AFFECTED ALL OF US,
INCLUDING ROSIE.
AND SHE'S TEACHING SARAH
TO BE AFRAID.
IS THAT WHAT YOU WANT?
JUST THINK
ABOUT IT, ERICA.
MAYBE THIS WOULD BE A GOOD TIME
FOR HER TO TAKE A BREAK.
HEATHER,
I HAVE TO FINISH THIS DRAFT.
I HAVEN'T PUBLISHED ANYTHING
IN TWO YEARS.
WELL, SO LET ME HELP OUT.
WHAT ELSE
AM I GONNA DO UP HERE?
MAYBE YOU'RE RIGHT.
I'LL TALK TO HER
IN THE MORNING.
I THINK
I SAW HER LIGHT ON.
SHE'S PROBABLY STILL AWAKE.
COME IN.
HI.
ROSIE, I-I THINK MAYBE
NOW WOULD BE A GOOD TIME
FOR YOU TO GO
SEE YOUR KIDS.
IT STOPPED RAINING.
YEAH.
LOOK AT THE LAKE.
REMINDS ME OF MY GRANDMOTHER'S
HOUSE IN BARBADOS.
DURING HURRICANE SEASON,
IT'D ALWAYS BE REAL STILL
IN THE EYE OF THE STORM,
JUST BEAUTIFUL.
NEXT THING YOU KNOW,
IT'D BE TEARING YOUR HOUSE DOWN.
SO, WHAT DO YOU THINK?
I THINK DAVID'S
UP TO SOMETHING.
I DON'T KNOW WHAT,
BUT HE'S GOT A PLAN,
AND SARAH'S A PART OF IT.
DAVID IS DEAD.
AND IT'S NOT DOING ANYONE
ANY GOOD TALKING ABOUT HIM
AS IF HE'S STILL ALIVE,
ESPECIALLY NOT FOR SARAH.
NOW, I RESPECT
YOUR BELIEFS. I DO.
ERICA, WE'RE SO FAR BEYOND
RESPECTING BELIEFS HERE.
THE LONGER HE'S CAUGHT
BETWEEN WORLDS,
THE ANGRIER HE'S GONNA GET.
ROSIE, STOP IT.
LOOK, I THINK WE COULD ALL USE
A BREAK FROM ONE ANOTHER...
AT LEAST FOR THE SUMMER.
AND THEN, COME SEPTEMBER,
WE CAN REASSESS.
THERE'S A BUS BACK TO THE CITY
FIRST THING IN THE MORNING.
AND I THINK
IT WOULD BE BEST FOR SARAH
IF YOU LEFT
BEFORE SHE WOKE UP.
HEATHER WILL TAKE YOU
IN THE MORNING.
WHAT'S GOING ON, ROSIE?
SHE DIDN'T TELL YOU.
NO.
YOU KNOW I LOVE
THAT LITTLE GIRL, RIGHT?
OF COURSE.
DO ME THIS FAVOR --
TAKE THE BRACELET.
PUT IT
UNDER SARAH'S MATTRESS.
ERICA DOESN'T
NEED TO KNOW.
SURE.
THANK YOU. THANK YOU.
SURE.
ROSIE,
DON'T WORRY ABOUT IT.
THIS WILL ALL BLOW OVER
IN A COUPLE DAYS.
COME ON.
YOU KNOW THE WAY ERICA IS.
AND IN THE MEANTIME,
I'LL WORK ON HER.
AND I'M SURE I CAN
TURN THIS ALL AROUND, OKAY?
Man: OKAY, EVERYBODY ON.
WE LEAVE IN 10 MINUTES.
GET YOURSELVES COMFORTABLE.
WE'LL BE ABOUT AN HOUR.
SARAH?
SARAH?
Heather:
ERICA, WE'RE IN HERE.
HEY.
HEY.
SARAH COULDN'T SLEEP.
YOU COULD HAVE WOKEN ME UP.
NO, I DON'T MIND.
I'VE BEEN A LIGHT SLEEPER MYSELF
LATELY.
CAN I SEE?
WE'RE GONNA BUILD
A DOLLHOUSE.
THIS IS GREAT.
THE MAN SAID
THE WOOD IS IN THE BACK.
IT IS NICE TO SEE HER
EXCITED ABOUT SOMETHING.
SHE'S BEEN SO LETHARGIC.
YEAH, WHO KNOWS?
MAYBE WE HAVE AN ARCHITECT
IN THE FAMILY.
YEAH, WELL,
WE COULD USE ONE.
EDGAR MET
WITH A REAL-ESTATE AGENT,
AND, BASICALLY, THERE IS NOTHING
IN OUR PRICE RANGE.
DON'T WORRY.
YOU'LL FIND SOMETHING.
YEAH, WELL, WE HAVE TO.
WE'VE OUTGROWN OUR APARTMENT.
WE NEED MORE SPACE.
YEAH, WELL,
SPACE IS OVERRATED.
YEAH, SAYS THE WOMAN WHO LIVES
IN A HUGE HOUSE.
OKAY, I'LL --
I'LL GO GET THE PAINT.
I HEAR SOMEONE NEEDS WOOD
FOR A DOLLHOUSE.
THAT'S RIGHT.
WHEN YOU TWO SMILE,
YOU LOOK JUST LIKE TWINS.
Woman:
I TEND TO GO ONE WAY,
AND JILLIAN GOES THE OTHER WAY.
IT'S HARD TO SAY
IF THAT'S SOMETHING
THAT WE JUST LIKE THOSE STYLES
AND THOSE PARTICULAR THINGS
JUST BECAUSE OF
WHO WE ARE,
OR IF IT'S PURELY
BASED ON THE FACT
THAT WE WANT TO TRY
AND RUN THE OPPOSITE WAYS
TO BE MORE
OF AN INDIVIDUAL.
YEAH, I AGREE WITH THAT.
YEAH, I'VE ALMOST
FINISHED TRANSCRIBING
THE TWIN INTERVIEWS.
HEY, THAT WAS FAST.
YEAH.
HEATHER AND SARAH ARE SO INTENT
ON THIS DOLLHOUSE,
I CAN BARELY TALK THEM
INTO TAKING A SWIM.
NO PARTNERS
TO YOUR PROCRASTINATION, HUH?
NOPE.
HONEY, I'M KIND OF
LONELY UP HERE.
I MISS YOU.
HEY, I MISS YOU, TOO, BUT IT
SOUNDS LIKE YOU'RE DOING GREAT.
And the realtor's
still looking for us.
How's Heather?
HEY, WE'RE RUNNING INTO TOWN
TO GET SOME STRONGER GLUE.
OUR WALLS
ARE FALLING DOWN.
HANG ON.
WHY DON'T YOU HAVE HER
STAY HERE WITH ME?
OH, WELL, SHE'S ALREADY
IN THE CAR.
GOOD.
YEAH, HEATHER'S GOOD.
WHAT ARE YOU DOING?
HEY, LOOK, I'M HELPING.
I GOT THE WALLS TO STAY UP.
NO, YOU'VE RUINED IT.
THAT'S NOT HOW THEY GO.
DON'T TAKE THAT TONE
WITH ME.
TAKE THEM DOWN
NOW!
SARAH, WHAT ARE YOU...?
SARAH, STOP IT!
SARAH, WHAT ARE YOU DOING?!
STOP IT!
LISTEN TO ME. COME HERE.
GIVE THAT TO ME.
IF THIS CAN'T BE FUN
FOR EVERYONE,
THEN MAYBE
WE SHOULDN'T DO IT.
I HAVE TO DO IT.
I'M MAKING IT FOR DAVID.
SARAH!
HEY, HONEY, WHAT'S WRONG?
WHAT'S WRONG?
I told her we were making it
for David.
ISN'T THAT A SWEET IDEA?
LET'S GO INSIDE.
OKAY.
I TOLD YOUR MOM THAT YOU WANTED
TO MAKE A MEMORIAL FOR HIM.
WHAT'S A MEMORIAL?
IT'S LIKE A STATUE THAT PEOPLE
MAKE FOR SOMEONE WHO'S DEAD.
SHE BELIEVED ME,
BUT WE HAVE TO BE MORE CAREFUL.
WHY CAN'T WE JUST TELL HER?
WE WILL, JUST NOT YET.
SHE'S NOT READY TO HEAR IT.
HERE I AM.
HERE I AM.
Look at us.
Both: WHEN WE SMILE,
WE LOOK JUST LIKE TWINS.
Twins...
Look at us.
When we smile,
we look like twins.
Look at us.
When we smile,
we look like twins.
Look at us.
MOMMY, WAKE UP.
MOMMY! MOMMY, WAKE UP!
HONEY, WHAT IS IT? WHAT'S WRONG?
WHERE'S AUNT HEATHER?
IT'S NOT AUNT HEATHER.
IT'S THE BABY.
WHAT BABY?
THERE'S SOMETHING WRONG
WITH THE BABY.
Woman on P.A.:
DR. RISEN TO RADIOLOGY.
HOW MANY WEEKS PREGNANT?
Doctor: FROM THE LOOKS OF THIS,
I'D SAY ABOUT 12 WEEKS.
THE BLEEDING IS DUE
TO A SMALL SEPARATION
OF THE UTERINE WALL HERE.
NOW, THESE THINGS
USUALLY RESOLVE THEMSELVES,
BUT WE'LL WANT
TO KEEP AN EYE ON IT.
BED REST FOR THREE WEEKS.
THEN WE'LL DO ANOTHER SONOGRAM
AND SEE WHERE WE'RE AT.
THANK YOU.
NO, THE DOCTOR SAID
I HAVE TO STAY IN BED
FOR AT LEAST THREE WEEKS.
Edgar:
SO YOU REALLY HAD --
YOU HAD NO IDEA
THAT YOU WERE PREGNANT?
WELL, I'VE MISSED
MY PERIOD BEFORE.
AND, YOU KNOW, WE HADN'T
OFFICIALLY STARTED TRYING.
YEAH.
WELL, I GUESS NO ONE TOLD
THE BABY THAT, SO THAT'S IT.
HONEY, HOW'D SARAH KNOW?
SHE MUST HAVE KNOWN
WE WERE THINKING ABOUT IT.
SHE'S A PRETTY
INTUITIVE KID.
NO, I MEAN, SHE KNEW THAT THERE
WAS SOMETHING WRONG, HONEY.
EVEN BEFORE I EVEN STOOD UP,
SHE KNEW.
HEY, WHO CARES
HOW SHE KNEW?
IMPORTANT THING IS,
THIS IS GOOD NEWS, RIGHT?
YOU LITTLE BRAT.
HELLO?
HELLO?
IT'S YOUR DADDY.
HEY, THERE.
YOU'RE MY LITTLE KID.
ALL RIGHT. LET'S SEE
WHAT WE GOT GOING ON HERE.
COME IN.
WOW, HONEY.
IT LOOKS AMAZING.
Go on, Cookie.
DID YOU MAKE THAT
BY YOURSELF? NO?
AUNT HEATHER HELP YOU?
YOU WANT TO SHARE IT?
I'M NOT REALLY HUNGRY
RIGHT NOW.
SWEETIE,
YOU HAVE TO EAT SOMETHING.
YOU'RE GETTING TOO SKINNY.
NOW, DON'T WORRY ABOUT IT.
SHE ALREADY ATE.
I MADE HER PANCAKES.
WE'VE BEEN UP FOR HOURS.
WHY DON'T YOU KEEP YOUR MOMMY
COMPANY WHILE SHE EATS?
IT'S OKAY.
IT'S OKAY.
GO AHEAD. GO PLAY.
GOOD JOB, COOKIE.
I FEEL LIKE
SHE'S SLIPPING AWAY FROM ME.
I CAN'T TELL YOU HOW MANY
OF MY PATIENTS TELL ME THAT
WHEN THEY'RE PREGNANT
WITH NUMBER TWO.
IT'S JUST
A NATURAL PULLING AWAY.
I KNOW, BUT I'M NOT
PULLING AWAY, SHE IS.
YOU'RE ALL
SHE TALKS ABOUT.
REALLY?
REALLY.
YOU AND THE BABY.
Erica: WHY DON'T YOU GUYS
BRING THE DOLLHOUSE UP HERE?
THAT WAY,
I CAN HELP, TOO.
THAT'S A GREAT IDEA.
YOU KNOW,
IT'S REALLY HEAVY.
I DON'T KNOW
IF WE CAN LIFT IT.
BUT MAYBE
IF WE TOOK IT APART,
WE COULD BRING IT UP
IN PIECES.
NO.
NO, DON'T DO THAT.
YOU SURE?
YEAH.
David likes the house.
Let's keep it a secret.
WHOO!
COME HERE.
HANG ON. MY TURN.
ERICA...
ARE YOU TRYING
TO LOSE THIS BABY?
WELL, I WAS JUST...
NO, GET UPSTAIRS...NOW.
Heather: Erica has been acting
very strange.
Edgar: She's scared,
and she's lonely.
And you guys
are having all this fun
decorating the dollhouse.
I know.
I've tried to include her.
We even brought wallpaper
swatches up for her to look at.
She's just --
I don't know --
she just didn't seem
that into it.
Come on.
You know Erica.
Interior decorating
isn't exactly her forte.
Come on.
Piles of books and papers
can be very chic.
Yeah.
Yeah, for a dorm room.
I'LL JUST BE LIKE, "STOP THAT.
STOP THAT, JILLIAN."
NO CATFIGHTS
OR ANYTHING.
IT'S JUST --
I DON'T KNOW.
SARAH!
WE NEVER GET INTO CATFIGHTS
OR ANYTHING LIKE THAT.
HEY.
I'VE GOT A SURPRISE FOR YOU.
I MADE SOMETHING
FOR YOUR DOLLHOUSE.
LOOK, I TOOK
AN OLD YOGURT CONTAINER.
AND THEN I PUT THIS
FELT ON THERE FOR A TABLECLOTH.
AND IF YOU GIVE ME
SOME TOOTHPICKS,
MAYBE I CAN PUT
LITTLE CHAIRS AROUND IT.
OKAY. CAN I GO NOW?
COME HERE.
COME CUDDLE
JUST A LITTLE BIT WITH ME, OKAY?
I CAN'T.
AUNT HEATHER'S WAITING.
FINE. GO.
BYE.
Heather: NO. NO, IT'S WHAT
WE TALKED ABOUT.
NO. NO. NO.
WHAT DID SHE WANT?
Sarah:
JUST TO GIVE ME THIS.
WELL, YOU SHOULDN'T
HAVE GONE BY THERE.
YOU DIDN'T TELL HER,
DID YOU?
NO.
GOOD.
SARAH?
DON'T COME IN.
WHAT ARE YOU GUYS DOING?
NOTHING.
HEATHER.
HEATHER, OPEN UP THE DOOR.
THIS WAS SUPPOSED TO BE
OUR VACATION.
HEATHER, LOOK, YOU CAN'T JUST
COME UP HERE AND TAKE OVER.
BUT, MOMMY.
IT'S OKAY, COOKIE.
HER NAME IS NOT "COOKIE"!
IT'S "SARAH,"
AND YOU'RE NOT HER MOTHER!
OPEN UP THIS DOOR!
HEATHER, OPEN --
WHAT ARE YOU GUYS DOING?
SHE RUINED IT.
IT'S OKAY.
JEEZ, ERICA, WE WERE TRYING
TO SURPRISE YOU.
WE MANAGED
TO GET IT UPSTAIRS.
WHAT ARE YOU TALKING ABOUT?
OH, MY GOD.
THAT'S AMAZING.
NO WONDER YOU GUYS
HAVE BEEN SO BUSY.
DO YOU WANT TO SHOW ME?
WOW.
OH, SWEETIE, I'M SORRY
I RUINED THE SURPRISE.
IT HAS FIREPLACES.
OH, YEAH?
WOW.
HERE, LOOK AT THIS.
YOU HAVE
TO BE CAREFUL, THOUGH.
LIFT RIGHT --
YEAH, RIGHT THERE.
I'M SORRY.
IT'S FINE.
THIS IS GREAT, HONEY.
WOW.
Doctor: GOOD NEWS.
LOOKS LIKE THE RUPTURE
HAS HEALED ITSELF.
BABY LOOKS GOOD.
OH, THANK GOD. DOES THAT MEAN
I CAN GET OUT OF BED?
WELL, I WOULDN'T RUN
ANY MARATHONS, BUT, SURE.
RESUME NORMAL ACTIVITY.
CAN YOU TELL
THE SEX OF THE BABY?
I DON'T WANT TO KNOW.
EVEN IF YOU WANTED TO,
THE WAY THIS LITTLE ONE
IS TURNED,
I CAN'T TELL.
ALL I CAN REALLY SEE
IS THE FACE.
I'M JUST --
I'M REALLY HAPPY FOR HER.
HELLO.
EDGAR?
OH, MY GOD. DADDY'S HERE.
HE HAS A SURPRISE.
WHAT DO YOU MEAN?
YOU'LL SEE.
HEY.
EDGAR,
WHERE ARE WE GOING?
Edgar: HONEY,
YOU'RE GONNA LOVE THIS. I SWEAR.
I CALLED THE AGENT.
AND APPARENTLY, IT HAD JUST
FALLEN OUT OF ESCROW.
IT'S PERFECT, HUH?
AND THE PRICE --
I MEAN, THE PRICE IS, UH --
I MEAN, IT'S PERFECT.
I, UH,
PUT AN OFFER ON IT.
WHAT?
I JUST DIDN'T WANT TO WAIT FOR
SOMEONE TO SWOOP IN AND TAKE IT.
CAN WE GET OUT OF IT
IF IT DOESN'T...?
WHAT? NO, NO.
IT'S PERFECT.
COME HERE.
LOOK AT THIS.
LOOK AT THAT IN THERE.
Sarah...Sarah...
IT IS PERFECT.
Erica:
OH, YOU'D THINK A FIRE LIKE THAT
WOULD GIVE OFF A LITTLE HEAT.
FREEZING.
OKAY. WELL, LET'S, UH...
LET'S PUT ANOTHER LOG ON.
LET'S GET
THIS THING GOING, THEN.
THANK YOU.
HEY, WANT TO COME HELP ME
GET SOME WOOD?
NO, THANKS.
HONEY,
EAT YOUR DINNER, PLEASE.
NOT REALLY HUNGRY.
I DON'T CARE.
I WANT YOU TO EAT SOMETHING.
DON'T FEEL SO WELL.
YOU KNOW WHAT?
THEN YOU CAN BE EXCUSED.
WHERE'D SHE GO?
SHE DOESN'T
FEEL WELL AGAIN.
SHE WENT TO BED.
YOU KNOW, A YEAR AGO,
SHE WOULD HAVE HAD
A TOTAL FIT.
I DON'T UNDERSTAND.
SHE'S NOT EATING.
SHE'S NOT SLEEPING.
SHE HASN'T MADE ANY NEW FRIENDS
AT THIS SCHOOL.
LET'S --
LET'S JUST EAT, OKAY?
LET'S JUST NOT ANALYZE SARAH
TONIGHT, ALL RIGHT?
I CAN'T STAY HERE.
LOOK...
WE AGREED WE'RE JUST GONNA GIVE
IT SOME TIME, RIGHT?
YEAH, I'VE GIVEN IT TIME.
OKAY, LOOK,
WE'VE BEEN THROUGH THIS.
THE HOUSE WAS LISTED
ALL SUMMER. THERE WAS A BIG AD.
THERE WAS PICTURES.
THERE WAS A FLOOR PLAN.
WHERE?
WHERE COULD SHE HAVE SEEN IT?
IT'S NOT LIKE WE GET THE PAPER
DELIVERED TO THE CABIN.
SHE PROBABLY SAW IT IN TOWN.
I DON'T KNOW.
ALL RIGHT.
LET'S SAY SHE DID SEE IT.
HOW DO YOU EXPLAIN THAT
YOU BOUGHT THE EXACT SAME HOUSE?
IT IS NOT THE SAME HOUSE.
EDGAR, LOOK AT IT.
LOOK AT THE FLOOR
AND THE KITCHEN,
THE FIREPLACE, THE PORCH.
IT'S EXACTLY THE SAME.
ALL RIGHT. SO WHY CAN'T THAT BE
A -- A GOOD SIGN?
YOU DON'T GET IT.
HE WON'T LET ME
STOP PLAYING.
Dr. Koenig: AND WHAT WOULD
HAPPEN IF YOU STOPPED PLAYING?
HE WOULD BE ALONE.
HIS MOMMY DOESN'T
PLAY WITH HIM ANYMORE.
WHY DOESN'T SHE
PLAY WITH HIM?
BECAUSE MY MOMMY
WON'T LET ME SEE
MY AUNT HEATHER.
DOES THAT MAKE DAVID SAD?
CAN HE TELL HER THAT?
HE TRIES TO,
BUT SHE CAN'T HEAR HIM.
THOSE BRUISES MUST HURT.
HOW'D THAT HAPPEN?
I'M NOT SUPPOSED TO
TALK ABOUT IT.
THERE IS NOTHING PHYSICALLY
WRONG WITH HER.
THEY HAVE DONE
EVERY KIND OF TEST,
AND THEY HAVE ALL
COME BACK NORMAL.
SO YOU'VE BEEN
TO THE DOCTOR A LOT?
YES, CONSTANTLY.
SHE'S LOST 5 POUNDS.
SHE HAS NO ENERGY,
NO APPETITE.
THEIR ATTITUDE IS,
IF NOTHING COMES BACK
IN THE LAB TESTS,
WELL, THEN,
IT'S JUST ALL IN MY HEAD.
SARAH SAYS SHE MISSES
HER AUNT HEATHER.
YEAH.
WE HAVEN'T SEEN HER
SINCE WE GOT BACK FROM THE LAKE.
TELL ME ABOUT
YOUR RELATIONSHIP WITH HEATHER.
WHY?
WELL, I KNOW YOU TWO
ARE IDENTICAL TWINS.
TELL ME ABOUT THAT.
HOW IS IT RELEVANT?
DOES IT BOTHER YOU
TO TALK ABOUT HEATHER?
NO. I JUST --
BECAUSE YOU SEEM BOTHERED.
ARE YOU AWARE THAT YOUR
ENTIRE BODY LANGUAGE CHANGED
WHEN I MENTIONED HER NAME?
LET'S GO, SWEETIE...
Dr. Koenig:
THE BRUISES CONCERN ME,
AND THE FACT
THAT SHE FIRED HER NANNY,
MOVED SARAH
TO A NEW SCHOOL.
IT'S CLASSIC VON MUNCHAUSEN'S --
ISOLATING SARAH
WHILE SHE APPEALS TO MEDICAL
PROFESSIONALS FOR ATTENTION.
HONESTLY, HEATHER,
I'M SERIOUSLY CONSIDERING
CONTACTING SOCIAL SERVICES,
BUT I WANTED
TO TALK TO YOU FIRST.
COME ON. LET'S GO.
SARAH, GO UPSTAIRS.
Sarah: WHY?
NOW. GO.
HEATHER,
GET OUT OF MY HOUSE.
ERICA, WE'RE VERY WORRIED
ABOUT YOU.
GET OUT OF MY HOUSE. WHAT WERE
YOU DOING TALKING TO DR. KOENIG?
DR. KOENIG CALLED ME.
WHY? WHY IS SHE CALLING YOU?
SARAH IS MY DAUGHTER.
HONEY, HONEY,
RELAX, OKAY?
DR. KOENIG THINKS
THAT YOU'RE HURTING SARAH.
WHAT?
OH, COME ON.
YOU THINK I'M HERE BEATING MY
DAUGHTER WHILE YOU'RE AT WORK?
NO. NO, OF COURSE NOT.
WELL, THEN GET HER
OUT OF THE HOUSE
SO THAT WE CAN DEAL WITH OUR
DAUGHTER'S PROBLEMS PRIVATELY.
LOOK...
I TOLD DR. KOENIG
NOT TO CALL SOCIAL SERVICES,
AND SHE WON'T,
AS A COURTESY TO ME.
OH, AS A COURTESY TO YOU?
DO YOU THINK
THIS IS ALL ABOUT YOU?
I TOLD HER
THAT I WOULD EXAMINE SARAH.
THE HELL YOU WILL.
LOOK, ERICA, CAN WE JUST
SIT DOWN AND DISCUSS THIS?
COME HERE.
BECAUSE I'M GONNA HAVE TO CALL
DR. KOENIG MYSELF.
OKAY, LET'S CALL
SOCIAL SERVICES RIGHT NOW,
AND WE'LL TELL THEM THE TRUTH --
THAT YOU THINK I'M PREGNANT
WITH THE REINCARNATION
OF YOUR DEAD SON.
BUT YOU KNOW WHAT? WHO IS GONNA
BELIEVE CRAZY, HORMONAL ERICA?!
HONEY.
NO. NO, DON'T YOU SEE
WHAT SHE IS DOING?
SHE IS TRYING TO PUSH ME OUT,
SO THAT -- NO, DON'T TOUCH ME!
GET AWAY FROM ME!
ALL RIGHT.
OKAY. OKAY.
Heather:
LOOK, HOW ABOUT THIS?
LET ME AT LEAST
JUST TALK TO SARAH.
IF I HAVE MY WAY,
YOU WILL NEVER SEE HER AGAIN.
NOW, GET OUT.
YEAH, GO.
I'll call you.
HEY.
HONEY,
LET ME SEE YOUR NECK.
HONEY,
HOW'D YOU GET THOSE?
I'M NOT SURE.
DO THEY HURT?
A LITTLE BIT.
I'M REALLY WORRIED
ABOUT YOU.
CAN YOU TELL ME
WHAT'S WRONG?
NO?
DO YOU KNOW WHAT'S WRONG?
SWEETIE,
I WISH YOU COULD TELL ME.
ARE YOU AFRAID?
IS IT DAVID?
IS HE TELLING YOU SOMETHING
THAT'S SCARING YOU?
HOW'D YOU GET HERE?
COME ON.
YOU SHOULDN'T HAVE
DONE THAT.
WHERE'S MY DAUGHTER?
I DON'T UNDERSTAND.
SARAH -- WHERE IS SHE?
LAST I SAW,
SHE WAS WITH YOU.
WHAT ARE YOU TALKING ABOUT?
YOU SIGNED HER OUT
20 MINUTES AGO.
THERE. SEE?
OH, MY GOD.
HEATHER.
HEATHER!
SARAH!
HEATHER!
Heather:
I WANT TO PLAY WITH YOU.
Sarah: FINE THEN.
WE'RE PLAYING HIDE-AND-SEEK.
MY DAUGHTER'S IN THERE.
I'M SORRY.
YOU CAN'T GO BACK THERE.
WHY ARE YOU MAD, DAVID?
I'M SICK OF WAITING.
I WANT TO BE BORN
NOW!
NOW! NOW! NOW!
SARAH!
MOVE! GET OUT OF MY WAY!
SARAH!
NOW! NOW! NOW!
SARAH!
NOW! NOW! NOW!
HEATHER, PICK HIM UP.
BE FIRM.
NOW! NOW! NOW!
NOW! NOW!
OH, MY GOD.
NOW! NOW!
NOW! NOW! NOW!
STAY AWAY FROM ME,
YOU BITCH. YOU'RE NOT MY MOTHER.
AAH!
OHH!
HONEY, LET GO OF ME!
SARAH'S NOT HERE. SHE'S WITH ME.
MAYBE I'LL KEEP HER.
MAYBE WE'LL BOTH PLAY
HIDE-AND-SEEK.
STOP IT! STOP IT!
SARAH!
GET OFF ME! OH, GOD!
OH, MY GOD!
IT'S OKAY.
WHAT DID YOU DO TO HER?
I THOUGHT IF I COULD TALK
TO DAVID THAT IT WOULD BE OKAY.
LOOK YOU WOULD HAVE DONE
THE SAME THING IN MY POSITION.
UGH! UGH!
COME HERE, BABY.
GET HER BACK. GET HER BACK NOW!
DAVID, IT'S TIME FOR SARAH
TO COME BACK.
SHE DOESN'T BELONG THERE
WITH YOU.
I DON'T CARE.
3...2...1.
OH, SWEETIE.
MOMMY, I'M TIRED.
IT'S OKAY. IT'S OKAY.
COME ON.
I'M GONNA TAKE YOU HOME.
GET OUT OF MY WAY.
MOVE.
COME ON.
WELL, WHERE WILL YOU GO?
I DON'T KNOW.
ANYWHERE, JUST NOT HERE.
LOOK, I PROMISE YOU --
I HAD NO IDEA.
DON'T LIE TO ME.
YOU'RE ON HER SIDE.
ERICA, PLEASE, LOOK,
SHE IS IN BED.
SHE IS SO TIRED.
JUST LET HER SLEEP.
I CAN'T BE AROUND YOU.
I CAN'T BE AROUND ANY OF YOU.
OKAY, THEN --
THEN, I'LL GO...
IF THAT'S WHAT IT TAKES.
YOU CAN STAY HERE.
I WILL -- I WILL GO.
I'LL STAY IN A MOTEL.
HEY. HEY.
COME ON.
LET'S GET TO WORK.
OUR BOY'S BEEN WORKING
SKIN-CLOSE TO HER
SINCE THE DAY HE PASSED,
JUST WAITING,
FEEDING OFF HER,
BIDING HIS TIME
TILL HE CAN BE REBORN.
THIS BABY IS NOT DAVID.
NOT YET.
A SPIRIT CAN'T COME INTO A CHILD
TILL AFTER IT'S BORN,
WHICH IS WHY
HE'S HANGING ONTO SARAH.
PROBLEM IS, IT'S TAKING LONGER
THAN HE EXPECTED.
OUR LITTLE GIRL ISN'T GONNA
SURVIVE ANOTHER MONTH OF THIS.
SO, WHAT DO WE DO?
DO WHAT I'M DOING --
GET EVERYTHING OF DAVID'S
OUT OF THIS HOUSE.
Sarah...
OH!
ROSIE...
THAT'S A SPIRIT HOUSE.
WHAT'S IT DOING HERE?
I DON'T -- I DON'T KNOW.
I THOUGHT WE LEFT IT
UP AT THE CABIN.
NO WONDER
DAVID'S BEEN SO STRONG.
YOU INVITED HIS SPIRIT
INTO YOUR HOME --
GAVE HIM A PLACE TO LIVE.
ROSIE, TURN IT.
ALL RIGHT.
YOU'RE COMING UP
ON THE STEP, OKAY?
WAIT.
ARE YOU ALL RIGHT?
YEAH.
I DON'T THINK
IT'S GONNA WORK.
OW! DAMN IT!
ARE YOU OKAY?
STOP, STOP.
LOOK, MAYBE YOU SHOULDN'T BE
DOING THIS, ERICA.
I HAVE AN IDEA.
THAT'S THE LAST OF IT.
OUR HANDS BE FLESH.
MAY THE ROAD BE CLEAR.
MAY THIS HOUSE
AND THIS CHILD BE CLEAN.
OKAY, HONEY.
IT'S YOUR TURN NOW.
I'M SCARED.
OH, DON'T BE SCARED.
FEEL SORRY FOR HIM.
POOR BOY
DOESN'T KNOW HE'S DEAD.
IT'S UP TO US
TO HELP HIM MOVE ON, OKAY?
GO AHEAD, NOW.
IT'S OKAY.
COME ON. YOU CAN DO IT.
I KNOW YOU CAN DO THIS.
THIS IS THE LAST THING
YOU HAVE TO DO,
AND THEN EVERYTHING'S
GONNA BE OKAY.
OKAY?
YOU CAN DO IT.
GO ON, SARAH.
FINISH IT.
I'M SORRY, DAVID.
I REALLY AM.
BUT IT'S TRUE.
YOU'RE DEAD.
YOU'RE DEAD.
SWEETIE. OH, IT'S OKAY.
IT'S OKAY. OKAY.
HE'S QUIET.
AND I CAN'T HEAR ANYTHING.
IT'S DONE.
HEY.
ROSIE CALLED.
I ASKED HER TO.
LOOK, I'M, UH...
I'M SORRY.
LOOK AT HER, EDGAR.
SHE'S SLEEPING.
I MEAN, FOR THE FIRST TIME
IN MONTHS,
SHE'S REALLY SLEEPING.
Sarah: Look at us.
When we smile,
we look like twins.
SARAH?
WHERE IS SHE?
THE ATTIC.
SARAH!
SARAH!
SARAH!
SARAH!
SARAH! SARAH!
SARAH!
SARAH, HONEY.
DON'T MOVE.
MOMMY, YOU SAID
HE'D LEAVE ME ALONE.
DADDY IS JUST COMING
TO GET YOU, OKAY?
BABY, THEN WE'RE GONNA
TAKE YOU DOWN TO YOUR BED.
THAT WAY, YOU CAN SLEEP.
NO, HE WON'T LET ME.
SARAH. SARAH.
SARAH, HONEY.
SARAH. SARAH.
SARAH, HONEY,
YOU'RE SCARING MOMMY.
SARAH.
IT'S OKAY.
DAVID SAYS IT DOESN'T HURT.
SARAH! SARAH!
SARAH!
MR. AND MRS. LEWIS,
WE DID A C.A.T. SCAN.
OKAY.
THE GOOD NEWS IS,
SHE DIDN'T FRACTURE HER SKULL.
BUT I'M NOT GONNA
LIE TO YOU --
SHE SUFFERED
SEVERE HEAD TRAUMA.
THERE'S A LOT ABOUT
THESE KIND OF BRAIN INJURIES
THAT WE JUST DON'T KNOW.
WE'VE DRAINED THE EXCESS FLUID
AND STABILIZED HER,
BUT THE REST
IS UP TO SARAH.
WHO CALLED YOU?
NO ONE.
I JUST KNEW.
DO YOU REALLY BELIEVE
DAVID IS TRYING TO COME BACK
AND WON'T LET GO OF SARAH
UNTIL HE DOES?
I DO.
THEN WE'RE GONNA GIVE DAVID
WHAT HE WANTS.
Woman:
HELLO, DR. LORD.
THIS SHOULD INDUCE LABOR
WITHIN THE NEXT HOUR.
YOU'RE AT 34 WEEKS.
THE LAST 6 WEEKS
ARE MOSTLY INSURANCE.
ARE YOU SURE
YOU WANT TO DO THIS?
IF I DON'T,
HE'S GONNA TAKE HER.
JUST DO IT
BEFORE I LOSE MY NERVE.
MNH.
THERE YOU GO.
SO, WHAT HAPPENS NOW?
YOU'RE GONNA HAVE A BABY.
GOOD, GOOD.
OKAY. OKAY.
COME ON.
SMALL BREATHS.
OH!
THE HEAD IS CROWNING.
YOU'RE DOING GREAT.
THIS BABY'S IN A BIG HURRY
TO COME INTO THIS WORLD.
COME ON, NOW, ERICA.
JUST GIVE ME ONE MORE PUSH.
COME ON, HONEY.
YOU COME BACK
TO US, OKAY?
I CAN'T!
OHH!
HERE IT COMES.
OHH!
CONGRATULATIONS, ERICA,
YOU HAVE
A BEAUTIFUL BABY GIRL.
THAT'S NOT RIGHT.
IT CAN'T BE A GIRL.
SAY HELLO
TO YOUR NEW DAUGHTER.
NO, THAT --
THAT'S NOT RIGHT.
IT CAN'T --
NO, IT CAN'T BE A GIRL.
CALL EDGAR.
EDGAR, IT'S HEATHER.
HOW'S SARAH?
HOW'S SARAH?
HEATHER, HOW'S MY BABY?
NOTHING'S CHANGED.
MAYBE THIS WAS A MISTAKE.
MAYBE THIS WAS ALL WRONG.
OH! OH!
WHAT IS IT?
WE'VE GOT ANOTHER ONE.
WHAT?!
IT'S A FOOTLING BREACH.
IT WON'T BUDGE.
OHH!
WHAT ARE WE GONNA DO?
PAGE ANESTHESIOLOGY AND THE O.R.
ERICA, I'M GONNA HAVE TO DO
AN EMERGENCY C-SECTION.
I THINK WE HAVE A CORD
AROUND THE NECK.
OKAY. IT'S OKAY.
I'M RIGHT HERE.
Woman on P.A.:
ANESTHESIOLOGIST
TO E.R., STAT.
ANESTHESIOLOGIST
TO E.R., STAT.
HAPPY HALLOWEEN, EVERYBODY.
WHAT DO YOU SAY WE WELCOME
THIS NEWEST LITTLE PUMPKIN?
IT'S A BOY.
YEAH.
THIS ONE.
LAST YEAR,
THEY'VE DONE IT, TOO.
TRICK OR TREAT.
TRICK OR TREAT.
WOW, LOOK AT
ALL THAT CANDY.
GOOD COSTUME.
YOU'RE IT.
I'M GONNA GET YOU!
WHAT IS IT?
COME HERE.
LITTLE DEVIL.
LITTLE DEVIL.
SO, ARE YOU HAVING FUN?
YEP.
KISS.
WELL, IN THE EAR.
OKAY.
Erica:
APPARENTLY...
HAVING A HIDDEN TWIN
ISN'T ALL THAT UNCOMMON.
AND IF THE HEARTBEATS
ARE IN SYNC,
AND THEY'RE ALIGNED JUST RIGHT,
IT'S EASY ENOUGH TO MISS
THE SECOND BABY ON A SONOGRAM
IF YOU AREN'T LOOKING FOR IT.
BUT IT WASN'T DAVID.
HE'S JACK...
...EVEN HEATHER CAN SEE THAT.
HEATHER, I WANT
TO SHOW YOU SOMETHING.
THERE.
"IF IDENTICAL TWINS
CAN
READ EACH OTHER'S MINDS,
"WELL, MY SISTER
ALREADY KNOWS THIS,
"BUT JUST IN CASE...
I BELIEVED IN HIM, TOO."
THANKS.
YEAH.
♪ DOWN OFF OF RAMPART
♪ THERE'S A LITTLE HIDEAWAY
♪ AND IF YOU GOT A BRAVE HEART
♪ WELL, COME AND VISIT ANY DAY
♪ THERE'S A PRINCESS
NAMED CELESTE ♪
♪ EYES LIKE FIRE,
HER HAIR'S A MESS ♪
♪ INCENSE BURNING,
MY LUCK IS TURNING ♪
♪ I CAN'T TELL,
BUT I'M UNDER HER SPELL ♪
HAPPY HALLOWEEN, DAVID.
NOW I'M THE ONE
IN CHARGE.
♪ LIVE UPSTAIRS
FROM A VOODOO SHOP ♪
♪ A VOODOO SHOP,
A VOODOO SHOP ♪
♪ I'M LIVING UPSTAIRS
FROM A VOODOO SHOP ♪
♪ A VOODOO SHOP,
A VOODOO SHOP ♪
♪ I'M LIVING UPSTAIRS
FROM A VOODOO SHOP ♪
♪ TWINKLE, TWINKLE,
LITTLE STAR ♪
♪ HOW I WONDER WHAT YOU ARE
♪ UP ABOVE THE WORLD SO HIGH
♪ LIKE A DIAMOND IN THE SKY
♪ OH
♪ OH
♪ OH
♪ TWINKLE, TWINKLE,
LITTLE STAR ♪
♪ HOW I WONDER WHAT YOU ARE
♪ UP ABOVE THE WORLD SO HIGH
♪ LIKE A DIAMOND IN THE SKY
♪ OH
TWEEDLEDUM AND TWEEDLEDEE
AGREED TO HAVE A BATTLE
FOR TWEEDLEDUM
SAID TWEEDLEDEE
HAD SPOILED
HIS BRAND-NEW RATTLE.
JUST THEN FLEW DOWN
A MONSTROUS CROW
AS BLACK AS A TAR BARREL...
Erica:
SINCE THE DAWN OF TIME,
PEOPLE HAVE BEEN FASCINATED
AND A LITTLE FRIGHTENED
BY IDENTICAL TWINS.
THEY ARE, AFTER ALL,
TWO HALVES OF THE SAME WHOLE.
IF ONE IS HURT,
DOES THE OTHER FEEL PAIN?
CAN THEY READ
EACH OTHER'S MINDS?
MAYBE THIS SPECIAL BOND IS ONLY
REVEALED WHEN IT'S TESTED.
I HEARD YOU.
WHOO!
Shh, shh!
WHOO, SCARY!
VERY SCARY.
Shh, shh, shh, shh!
THANK YOU ALL
FOR RESPECTING OUR REQUEST
FOR WEARING
SCARY COSTUMES.
HEATHER, DON'T YOU THINK YOU
SHOULD TAKE YOUR MASK OFF, TOO?
VERY FUNNY.
SINCE THIS WAS
MY SISTER'S IDEA,
I'M GONNA PASS IT
OVER TO ERICA.
THANK YOU ALL FOR COMING.
EVERYONE LOOKS REALLY GREAT.
I THOUGHT IT WOULD BE FUN
TO CELEBRATE HALLOWEEN
THE WAY
THE ANCIENT CELTS DID.
THEY BELIEVED
THAT ON OCTOBER 31st,
SPIRITS OF THE RECENTLY DEPARTED
FLEW THROUGH THE AIR,
SEARCHING FOR
UNSUSPECTING BODIES TO POSSESS.
SO THEY WOULD DRESS
AS GHOULS THEMSELVES,
TRYING TO FOOL THE EVIL SPIRITS
AND PASSING THEM BY.
WOW.
BUT GHOSTS AREN'T REAL,
ARE THEY, AUNT ERICA?
YES, THEY ARE, DAVID.
ROSIE SAYS THEY ARE.
WELL, I SAID
THERE ARE SPIRITS ALL AROUND US,
BUT THEY'RE NOT LOOKING
TO POSSESS US.
POSITIVE?
POSITIVE.
WELL, JUST TO MAKE SURE,
THEY WOULD PUT OUT THE FIRES
IN THEIR FIREPLACES
SO THAT THE EVIL SPIRITS
WOULD PASS OVERHEAD
AND THINK THAT
NOBODY WAS HOME.
Go, quick. Turn out
all the lights. Go, go, go, go!
GO.
GO KEEP AN EYE ON HER.
♪ SEND ME DOWN
TO SLEEPY HOLLOW ♪
LOOK, DAVID,
YOUR SHOES LIGHT UP.
WE BETTER HIDE THEM.
NO, SARAH.
LET ME.
♪ BRING YOUR COSTUME,
COME TO PARTY ♪
♪ PROVE TO ME
YOU HAVE NO FEAR ♪
♪ ALL YOU TRICKIN',
ALL YOU TREATIN' ♪
♪ HALLOWEEN WILL SOON BE HERE
EXCUSE ME
WHILE I SUCK
YOUR SISTER'S BLOOD.
HEY.
Richard:
HEY, EVERYBODY.
HEY, WHO ARE YOU
SUPPOSED TO BE?
I'M A GUY WHO JUST GOT IN
FROM ATLANTA.
OH.
HE WAS JUST WORKING
ON A HUGE DEAL.
HE'S BEEN TRAVELING A LOT.
I'M SO TIRED, MY BODY'S
NOT WORTH POSSESSING.
UH, ERICA, DID YOU TELL THEM
ABOUT THE BOOK?
MNH-MNH.
HER AGENT SOLD IT.
APPARENTLY, THE PUBLISHER --
THEY FLIPPED FOR IT.
IS THIS A NEW ONE?
YEAH, I'M INTERVIEWING
SETS OF IDENTICAL TWINS
TO SEE IF TWIN MYTHOLOGY
HAD ANY IMPACT
ON HOW THEY VIEW THEMSELVES.
ALL THOSE MYTHS --
ONE TWIN IS GOOD,
AND ONE TWIN IS EVIL.
WHICH ONE
ARE YOU, HEATHER?
OOH, WOULDN'T YOU
LIKE TO KNOW?
OOH. I'M SCARED.
LAST COUPLE
OF CANDLES, GUYS.
THIS IS FUN.
ERICA,
LOOK AT THOSE TWO.
THEY'RE MORE LIKE TWINS
THAN WE EVER WERE.
WHAT SHOULD
WE DO NOW, MOMMY?
I THINK I JUST SAW SOME SPIRITS
HEADING THIS WAY.
BE VERY, VERY QUIET.
Shh, shh, shh, shh.
WSH!
OH, OH, OH.
GOOD JOB.
THAT'S IT.
COME ON, SARAH. LET'S SEE IF
WE CAN CATCH THEM FLYING AWAY.
OKAY. LET'S GO.
GO, GO, GO.
HURRY UP, HURRY UP.
I WANT TO SEE THEM.
MOMMY!
MOMMY!
WHAT IS IT?
WE FORGOT
THE JACK-O'-LANTERN,
SO THE GHOSTS KNOW
WHERE DAVID LIVES.
GO.
YEAH, LET'S GO.
GO SEE IF THE GHOSTS
ARE THERE.
LET'S SEE.
Sarah: MOMMY...
Erica: YEAH, SWEETIE,
IT'S A TUMMYACHE, OKAY?
BUT IT REALLY,
REALLY HURTS.
YEAH, YOU KNOW WHAT?
WHY DON'T YOU STAY HOME
FROM SCHOOL TODAY AND REST?
CAN YOU STAY HOME WITH ME?
I WOULD LOVE TO,
BUT I HAVE TO GO TO WORK.
ROSIE'S GONNA
STAY WITH YOU, OKAY?
OKAY.
OKAY.
MOMMY, WHERE'S ROBBY?
HONEY, I DON'T KNOW.
WHERE'D YOU LEAVE HIM LAST?
MY BACKPACK,
BUT HE ISN'T HERE.
WELL, MAYBE YOU LEFT HIM
AT SCHOOL.
I DIDN'T! I LOST HIM!
I KNOW I LOST HIM!
DAVID, WHY DON'T
YOU TRY YOUR POCKETS?
GOOD IDEA.
THIS HAPPENS EVERY MORNING.
HE'S RIGHT HERE.
HERE HE IS.
ROBBY!
THANKS.
YOU'RE WELCOME.
LET'S GO. GRAB YOUR JACKET.
NOT TO STATE THE OBVIOUS,
BUT NO CANDY FOR HER TODAY.
OH, YOU THINK?
DID YOU CALL HEATHER?
OH, SHOOT. I FORGOT.
I'LL CALL HER ON THE ROAD.
I AM SO LATE.
GIVE ME SOME OF THAT.
BYE.
I LOVE YOU.
YEAH. I LOVE YOU, TOO.
BYE, ROSIE!
BYE!
HEY, SARAH'S GOT
A STOMACHACHE.
I GUESS ERICA
FORGOT TO CALL YOU.
Heather:
OR SHE REMEMBERED TO CALL,
BUT FORGOT HER CELLPHONE.
TELL SARAH THE DOCTOR IN
THE FAMILY SAYS NO MORE CANDY!
NO WORRIES --
ALREADY BEEN HIDDEN.
SEE YA!
Erica: WHY ARE YOU HERE?
THERE HAD TO HAVE BEEN
OTHER COURSES
MORE RELEVANT TO YOUR MAJOR
OR AT LEAST CLASSES THAT WEREN'T
HELD SO EARLY IN THE MORNING.
BUT YOU CHOSE MYTHOLOGY...
OR DID YOU?
WHAT IF THERE ARE DARK,
UNKNOWABLE FORCES --
FORCES THAT HAVE THE POWER
TO CREATE
AND/OR THE POWER TO ANNIHILATE?
HEAVEN AND EARTH...
IN THE EYES OF
THE ANCIENT EGYPTIANS.
GOOD AND EVIL...
IN THE EYES
OF MEDIEVAL EUROPEANS.
THE GREAT HOOP
OF THE UNIVERSE
IN THE EYES OF THE NAVAHO.
THREE DISPARATE CULTURES
WITH ONE DISTINCT MESSAGE.
THESE WALLS
BETWEEN HEAVEN AND EARTH,
GOOD AND EVIL,
AND LIFE AND DEATH...
ARE ILLUSIONS.
AND WHETHER
WE'RE FROM MESOPOTAMIA
OR MODERN-DAY CHICAGO,
WE ALL HAVE THE SAME BURNING
EXISTENTIAL QUESTIONS.
OKAY, LET'S GO.
SO, I'LL TRY TO PICK YOU UP
AFTER SCHOOL, ALL RIGHT?
HI, GUYS.
OH, HI.
HOW ARE YOU?
GOOD.
WHERE'S SARAH?
ACUTE "CANDY-ITIS," WHICH
I'M GONNA SEE LOTS OF TODAY.
HEY, DR. LORD, MY SCAR'S
ALMOST GONE. WANT TO SEE?
Erica: WHY WERE WE BORN?
WHY IS THERE SUFFERING?
♪ HEY, HEY
♪ OH, NO
David: Sarah.
Woman on P.A.:
DR. CURTIS,
PLEASE REPORT TO RADIOLOGY.
DR. CURTIS, PLEASE REPORT...
HAVEN'T SAID ANYTHING
TO SARAH.
SHE, UH, FELL ASLEEP
WATCHING CARTOONS.
SARAH.
HUH?
HEY.
HEY, PUMPKIN.
HEY.
I HAVE TO
TELL YOU SOMETHING.
I KNOW.
DAVID'S GONE AWAY.
WHO TOLD YOU?
DAVID DID.
SWEETIE,
THAT'S NOT POSSIBLE.
DAVID ISN'T HERE ANYMORE.
YES, HE IS.
HE'S RIGHT OVER THERE.
SARAH, LISTEN TO ME.
DAVID WAS IN
A TERRIBLE ACCIDENT TODAY,
AND HE DIED.
I KNOW, SILLY.
HE TOLD ME IN MY DREAM.
CAN I HAVE A SNACK?
HEATHER? HEATHER!
WHAT'S WRONG WITH HER?
I-I DON'T KNOW.
I THINK
SHE'S A LITTLE SAD.
STILL?
YEAH, HONEY.
WHY DON'T YOU GO PLAY?
HEATHER!
David:
I CAN SEE MYSELF
RECORDING MYSELF.
I CAN SEE MYSELF.
I CAN SEE MYSELF
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
I CAN SEE MYSELF.
HEY.
WHAT'S GOING ON, HEATHER?
I CAN'T FIND ROBBY.
I CAN SEE MYSELF
RECORDING MYSELF.
DAVID'S TOY --
I CAN'T FIND IT.
I CAN SEE MYSELF RECORDING
MYSELF, RECORDING MYSELF.
I'VE LOOKED EVERYWHERE.
I KNOW
THAT THEY GAVE IT TO ME
THE DAY
THAT I WENT TO THE HOSPITAL
AND THEY GAVE ME
THE REST OF HIS STUFF,
'CAUSE HE HAD IT
THAT DAY.
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
HI, I'M DAVID LORD,
AND I'M GONNA GROW UP TO BE
A FAMOUS FILM DIRECTOR.
I'M AFRAID.
I'M AFRAID
OF LOSING THE MEMORY OF HIM.
RIGHT THERE SHOULD BE GOOD.
YEAH, 'CAUSE IT'S NOT
ALL THE WAY CLOSE.
I'M HIDING IN THE CLOSET,
AND NO ONE'S
EVER GONNA FIND ME.
HERE HE IS,
AUNT HEATHER.
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF...
RECORDING MYSELF.
CAN I TELL YOU A SECRET,
AUNT HEATHER?
OF COURSE, COOKIE.
1, 2, 3.
1, 2, 3.
I WIN.
YES, I
DO.
EDGAR?
I WIN.
I'M NOT PLAYING ANYMORE.
WHAT ARE YOU DOING, HONEY?
WHAT'S THIS DOING OPEN?
I OPENED IT.
OH.
OH, IT'S FREEZING.
COME ON.
GET INTO BED.
HERE, SCOOTCH OVER.
I'LL GET IN WITH YOU.
OH. WHEW.
THERE.
OH.
DAVID SAYS PAPER DOESN'T
WRAP ROCK IN HEAVEN.
BUT I THINK
HE'S CHEATING.
AND I THINK
YOU SHOULD BE SLEEPING.
NIGHT-NIGHT.
NIGHT-NIGHT.
SARAH IS A VERY BRIGHT
LITTLE GIRL.
YES.
SARAH AND DAVID
WERE VERY CLOSE.
MORE -- MORE SIBLINGS
THAN COUSINS, REALLY.
YEAH, AND I'M SURE
IT'S NOTHING.
AND IT WAS PROBABLY
JUST HER WAY
OF PROCESSING
DAVID'S DEATH, BUT...
SHE TALKS ABOUT DAVID
ALL THE TIME.
WHICH IS FINE,
BECAUSE WE DID ENCOURAGE HER
TO TALK ABOUT DAVID.
YEAH, BUT IT'S --
IT'S HOW SHE TALKS ABOUT HIM.
WELL, IT'S LIKE
SHE DOESN'T REALLY UNDERSTAND
THAT HE'S DEAD.
SHE HASN'T CRIED --
NOT ONCE.
AND HER CRYING ABOUT THIS
IS IMPORTANT TO YOU?
UM.
WELL, IT'S JUST --
IT'S NOT
THAT IT'S IMPORTANT.
I JUST -- I DON'T KNOW.
I-I MEAN,
SHE CRIED WHEN MY MOTHER DIED,
SO I JUST KIND OF THOUGHT
IT WAS NORMAL.
WELL, MAYBE SARAH
SENSES YOU FEEL LIKE THAT,
AND SHE'S REBELLING.
IT'S A VERY
AGE-APPROPRIATE RESPONSE.
AT 7, IT'S ALL ABOUT
ASSERTING YOUR INDEPENDENCE.
SO, UH, WHAT DO WE DO?
NOTHING.
SHE MAY NOT BE CRYING,
BUT SHE'S GRIEVING.
AND SHE'S TELLING YOU SHE NEEDS
TO DO IT IN HER OWN WAY.
LET HER.
IS THAT THE ACCIDENT?
NO.
WHAT IS IT?
I DON'T KNOW.
YOU DOING OKAY,
SARAH?
YEAH.
OKAY.
PUT YOUR SUPPLIES AWAY.
TODAY IS THE FIRST MONDAY
OF THE MONTH,
AND THAT MEANS WE HAVE
A NEW CLASS LEADER.
BEN.
YEAH, BEN!
YEAH, BEN!
YAY, BEN!
YEAH!
LET'S GO!
GO, GO, GO!
MOVE, SARAH.
DAVID SAYS IT'S NOT YOUR TURN
TO BE CLASS LEADER.
IT'S HIS.
DAVID DOESN'T GET A TURN.
HE'S DEAD.
UGH! UGH!
OW!
SARAH, YOU DON'T LIKE BEN?
TEACHER SAYS YOU'VE BEEN
ACTING OUT IN CLASS.
THAT YOU'VE BEEN TELLING
THE OTHER KIDS
THAT DAVID
ISN'T REALLY DEAD,
BUT YOU KNOW
THAT'S NOT TRUE, RIGHT?
EDGAR.
WHAT? THEY CALL US OUT OF WORK
TO COME GET HER.
THEY SAY I SHOULD TALK WITH HER.
I'M TALKING WITH HER.
CAN WE JUST DO THIS
WHEN WE GET HOME?
WHY ARE WE
TAKING THE BRIDGE?!
WHAT ARE YOU TALKING ABOUT?
WE ALWAYS TAKE THE BRIDGE.
DURING ART,
DAVID TOLD ME --
NO, DAVID DOESN'T
TELL YOU THINGS.
LOOK --
NO, I JUST DON'T WANT HER
TO TALK ABOUT DAVID, OKAY?
BUT HE --
NO, I MEAN IT!
SARAH, NO MORE DAVID!
OKAY? THIS HAS GONE FAR ENOUGH!
I DON'T THINK YOUR MOMMY AND I
HAVE DONE A GOOD JOB --
WE CAN'T GET ON THE BRIDGE!
WE CAN'T!
I...I HAVE TO GO
TO THE BATHROOM!
WELL, WE'RE ALMOST HOME,
SO...
I CAN'T WAIT!
YES, YOU CAN.
IT'S 10 MINUTES.
WE CAN'T!
I...HAVE TO GO TO THE BATHROOM!
PLEASE, MOMMY!
SARAH!
EDGAR, JUST PULL OVER.
WE'LL FIND A GAS STATION
OR SOMETHING.
DID YOU PUT YOUR HOMEWORK
IN YOUR FOLDER?
YEAH.
DID YOU DRAW THIS?
YEAH.
BUT IT WAS DAVID'S IDEA.
HE TOLD ME WHAT TO DRAW.
SARAH, LISTEN TO ME.
WE'RE NOT GONNA TALK ABOUT DAVID
LIKE THAT ANYMORE, OKAY?
AND WE'RE NOT GONNA SAVE A SPOT
FOR HIM AT THE TABLE
OR PUT OUT CEREAL ANYMORE,
ALL RIGHT?
OKAY.
OKAY.
CAN YOU GET HER PACKED UP?
SURE.
THANKS.
OKAY, MISS THING,
LET'S GET GOING.
HEY, HANG ON A SECOND.
WHAT HAPPENED TO YOUR NECK?
DID YOU BUMP
INTO SOMETHING?
NO.
ALL RIGHT.
ARE YOU GONNA COME
TO VISIT US, DADDY?
YEAH.
I AM GONNA TRY, ALL RIGHT?
OKAY.
YOU HAVE FUN.
HEY. THEY DO HAVE STORES
UP NEAR THE CABIN.
YOU KNOW THAT, RIGHT?
ALL RIGHT, SMARTY-PANTS.
THEY'RE FOR THE CAR.
COME ON.
I MISS YOU ALREADY.
I MISS YOU, TOO.
HEY. COME ON.
WE AGREED.
THIS IS THE BEST THING
FOR SARAH, RIGHT --
GETTING HER
OUT OF THE CITY,
AWAY FROM ALL THE REMINDERS
OF DAVID?
YEAH.
IT'S GONNA DO WONDERS
FOR HER, OKAY?
I LOVE YOU.
HEATHER, WE CAN ALWAYS TRY
ANOTHER SPECIALIST.
COME ON, HEATHER.
Sarah:
WHEN ARE WE GONNA GET THERE?
Rosie:
OH, WE'LL BE THERE SOON.
OH.
I DON'T THINK ANYONE'S BEEN HERE
SINCE LAST SUMMER.
OH, WELL.
SARAH AND I
ARE GONNA GIVE THIS PLACE
A GOOD CLEAN TOMORROW.
MOMMY...
WHAT'S WRONG?
THIS PLACE REMINDS ME
OF MY MOM.
IT WAS HER FAVORITE PLACE
IN THE WHOLE WORLD.
COME HERE.
DO YOU MISS HER?
YEAH.
SHE MISSES YOU, TOO.
I'M TIRED.
I DON'T FEEL LIKE SWIMMING.
HONEY, YOU'RE GONNA LOVE IT
ONCE YOU GET IN.
HOW COME YOU AREN'T
COMING IN, THEN?
'CAUSE I'M A MOMMY, AND MOMMIES
LIKE IT NICE AND WARM.
MNH-MNH. DON'T LOOK AT ME.
I'M A MOMMY, TOO.
IS AUNT -- UGH, UGH --
IS AUNT HEATHER
STILL A MOMMY?
SARAH.
'CAUSE MAYBE SHE COULD
COME IN WITH ME.
CAN ONE MORE
JOIN THE PARTY?
HI, AUNT HEATHER!
HEY!
HEY, AUNT HEATHER,
LOOK AT ME!
WATCH THIS!
WHOO-HOO!
WOW.
THAT WAS GREAT!
Erica:
HEATHER, WHAT ARE THE CHANCES
OF HAVING ANOTHER CHILD?
"NOT ENOUGH VIABLE EGGS
TO JUSTIFY IN VITRO"
IS KIND OF
HOW THE DOCTOR PUT IT.
YOU CAN ALWAYS
TRY AGAIN, RIGHT?
YEAH, I JUST...
I DON'T KNOW IF I CAN HANDLE
ANOTHER LOSS RIGHT NOW.
I TOLD RICHARD
THAT I NEEDED SOME MORE TIME.
AND JANICE IS GONNA COVER
MY PRACTICE FOR ME
FOR THE SUMMER.
WELL, I'M GLAD YOUR HERE.
HEY, AUNT HEATHER,
DID YOU SEE THAT ONE?!
OH, COOKIE, I MISSED IT.
DO IT AGAIN.
YOU KNOW,
I BLAMED YOU AT FIRST.
I KEPT THINKING
THAT IF YOU HAD CALLED ME
THAT MORNING,
I WOULDN'T HAVE COME BY
YOUR HOUSE.
WE WOULD HAVE GOTTEN
TO DAVID'S SCHOOL SOONER.
I KNOW.
I KNOW YOU KNOW.
IT'S JUST IT'S KIND OF
BEEN SITTING THERE BETWEEN US,
SO I THOUGHT
I'D PUT IT OUT THERE...
YOU KNOW,
SO I COULD MOVE ON...
WE ALL COULD MOVE ON.
I'M HAPPY I'M HERE.
ME TOO.
HAVE YOU SEEN SARAH?
SARAH?
SARAH!
SARAH?
DO YOU SEE HER?
NO.
NO. SARAH!
SARAH!
SARAH?
SARAH!
HERE I AM.
OH!
WHAT ARE YOU DOING?
PLAYING HIDE-AND-SEEK.
OH, BABY, DON'T DO THAT.
YOU SCARED ME.
DON'T DO THAT.
SO, MISS THING,
YOU KNOW YOU SHOULDN'T SCARE
YOUR MAMA LIKE THAT, RIGHT?
IT WAS FUN.
WELL, IT DIDN'T SOUND
LIKE ANY KIND OF FUN TO ME.
THAT'S 'CAUSE YOU'RE MEAN.
OH, YOU THINK SO,
OR IS THAT WHAT HE THINKS?
I THOUGHT SO.
PROTECT THIS CHILD.
LOOK.
I MADE YOU...
A FRIENDSHIP BRACELET.
HE'S MY FRIEND.
NO, HE ISN'T, BABY.
HE REALLY, REALLY ISN'T.
NIGHT-NIGHT, NOW.
NIGHT-NIGHT.
HEY. SHE DOWN?
YEAH.
WE'RE REALLY GONNA HAVE TO
WATCH HER UP HERE --
NOT JUST IN THE WATER --
I MEAN, ALL THE TIME.
SHE'S BEEN
WANDERING OFF ALONE.
YOU NOTICE SHE'S STILL GOT
THOSE BRUISES ON HER SHOULDERS.
YEAH.
ERICA...
HAVE YOU EVER
HEARD OF HANTS?
LIKE A VOODOO HANT?
OH, COME ON, ROSIE.
SPIRITS LOOKING
TO CROSS BACK OVER
GRAB ONTO THE NECK
OF A LIVING PERSON,
AND THEY WON'T LET GO.
I KNOW WHAT IT IS.
I TEACH THIS STUFF, REMEMBER?
DAVID ALWAYS
WAS STUBBORN --
HAD TO HAVE HIS OWN WAY.
IT'S NOT THAT HARD TO BELIEVE
HE CAN'T ACCEPT HE'S DEAD.
OR SHE SIMPLY
JUST BUMPED INTO SOMETHING.
SHE'S A KID.
DO KIDS
DRAW PICTURES OF CAR CRASHES
THAT HAVEN'T HAPPENED YET?
LOOK, HER THERAPIST
THOUGHT IT WAS PERFECTLY NORMAL,
CONSIDERING WHAT
SHE'S GOING THROUGH.
HE'S TALKING TO HER, ERICA.
OH.
I MEAN, HOW ELSE DOES SHE KNOW
THE DETAILS, THE TRUCK?
HE'S SHOWING OFF FOR HER,
LETTING HER KNOW
HE CAN SEE THE FUTURE.
OH.
SO DAVID'S GHOST'S
A PSYCHIC NOW, TOO, HUH?
LOOK ME IN THE EYE, ERICA,
AND TELL ME THAT DRAWING
DIDN'T SPOOK YOU.
IT DIDN'T SPOOK ME.
IT MADE ME SAD, ROSIE.
SHE USED TO DRAW HAPPY PICTURES.
OKAY.
OKAY, NOW, MAYBE
I'M A LITTLE OUT OF LINE HERE,
BUT I THOUGHT THE WHOLE POINT
OF COMING UP HERE
WAS TO KEEP HER
AWAY FROM THINGS
THAT MIGHT REMIND HER
OF DAVID.
ARE YOU
REFERRING TO HEATHER?
MAYBE HER LEAVING HER JOB
WAS GOOD FOR HER,
BUT IS IT GOOD FOR SARAH?
YOU ARE OUT OF LINE NOW.
HEY.
HEY.
OH, THANKS.
HOW WAS YOUR RUN?
IT WAS GOOD. THANKS.
GOOD.
MOMMY! MOMMY!
MOMMY! MOMMY!
BABY, WHAT IS IT?
WHAT IS IT?
SARAH, HONEY.
WHAT IS IT? OH, MY GOD.
ROSIE, IT'S THE BRACELET.
I CAN'T GET IT OFF.
HER WRIST IS TOO SWOLLEN.
HEATHER, GET THE SCISSORS
OUT OF THE MEDICINE CABINET.
NO, ROSIE GAVE IT TO ME.
SHE MUST BE ALLERGIC.
WHAT'S IT MADE OF?
JUST LEATHER,
WITH SOME HERBS BRAIDED IN.
PLEASE, MOMMY,
DON'T CUT IT OFF.
BABY, I HAVE TO.
IT'S HURTING YOUR WRIST, OKAY?
NO, ROSIE SAID
I NEEDED IT TO PROTECT ME.
IT'S OKAY, BABY. I'LL PROTECT
YOU. I'LL PROTECT YOU.
I GOT IT.
ERICA, WASH IT OFF
WITH SOAP AND WATER
AND GIVE HER AN ANTIHISTAMINE
FOR THE SWELLING.
OH.
TOO MUCH EXCITEMENT
FOR ONE NIGHT.
I'M GONNA GO CLOSE THE WINDOWS
IN THE REST OF THE HOUSE, OKAY?
OKAY.
UGH.
I GAVE HER THE ANTIHISTAMINE.
OH, SHE'S FINALLY ASLEEP.
I LOVE ROSIE.
YOU KNOW I DO.
SHE'S LIKE A MEMBER
OF THE FAMILY,
BUT HER BELIEFS MIGHT NOT BE
THE BEST THING FOR SARAH.
IT WAS
A FRIENDSHIP BRACELET.
WITH PROTECTIVE POWERS?
IT WAS JUST A GAME.
YOU KNOW, DAVID'S DEATH
AFFECTED ALL OF US,
INCLUDING ROSIE.
AND SHE'S TEACHING SARAH
TO BE AFRAID.
IS THAT WHAT YOU WANT?
JUST THINK
ABOUT IT, ERICA.
MAYBE THIS WOULD BE A GOOD TIME
FOR HER TO TAKE A BREAK.
HEATHER,
I HAVE TO FINISH THIS DRAFT.
I HAVEN'T PUBLISHED ANYTHING
IN TWO YEARS.
WELL, SO LET ME HELP OUT.
WHAT ELSE
AM I GONNA DO UP HERE?
MAYBE YOU'RE RIGHT.
I'LL TALK TO HER
IN THE MORNING.
I THINK
I SAW HER LIGHT ON.
SHE'S PROBABLY STILL AWAKE.
COME IN.
HI.
ROSIE, I-I THINK MAYBE
NOW WOULD BE A GOOD TIME
FOR YOU TO GO
SEE YOUR KIDS.
IT STOPPED RAINING.
YEAH.
LOOK AT THE LAKE.
REMINDS ME OF MY GRANDMOTHER'S
HOUSE IN BARBADOS.
DURING HURRICANE SEASON,
IT'D ALWAYS BE REAL STILL
IN THE EYE OF THE STORM,
JUST BEAUTIFUL.
NEXT THING YOU KNOW,
IT'D BE TEARING YOUR HOUSE DOWN.
SO, WHAT DO YOU THINK?
I THINK DAVID'S
UP TO SOMETHING.
I DON'T KNOW WHAT,
BUT HE'S GOT A PLAN,
AND SARAH'S A PART OF IT.
DAVID IS DEAD.
AND IT'S NOT DOING ANYONE
ANY GOOD TALKING ABOUT HIM
AS IF HE'S STILL ALIVE,
ESPECIALLY NOT FOR SARAH.
NOW, I RESPECT
YOUR BELIEFS. I DO.
ERICA, WE'RE SO FAR BEYOND
RESPECTING BELIEFS HERE.
THE LONGER HE'S CAUGHT
BETWEEN WORLDS,
THE ANGRIER HE'S GONNA GET.
ROSIE, STOP IT.
LOOK, I THINK WE COULD ALL USE
A BREAK FROM ONE ANOTHER...
AT LEAST FOR THE SUMMER.
AND THEN, COME SEPTEMBER,
WE CAN REASSESS.
THERE'S A BUS BACK TO THE CITY
FIRST THING IN THE MORNING.
AND I THINK
IT WOULD BE BEST FOR SARAH
IF YOU LEFT
BEFORE SHE WOKE UP.
HEATHER WILL TAKE YOU
IN THE MORNING.
WHAT'S GOING ON, ROSIE?
SHE DIDN'T TELL YOU.
NO.
YOU KNOW I LOVE
THAT LITTLE GIRL, RIGHT?
OF COURSE.
DO ME THIS FAVOR --
TAKE THE BRACELET.
PUT IT
UNDER SARAH'S MATTRESS.
ERICA DOESN'T
NEED TO KNOW.
SURE.
THANK YOU. THANK YOU.
SURE.
ROSIE,
DON'T WORRY ABOUT IT.
THIS WILL ALL BLOW OVER
IN A COUPLE DAYS.
COME ON.
YOU KNOW THE WAY ERICA IS.
AND IN THE MEANTIME,
I'LL WORK ON HER.
AND I'M SURE I CAN
TURN THIS ALL AROUND, OKAY?
Man: OKAY, EVERYBODY ON.
WE LEAVE IN 10 MINUTES.
GET YOURSELVES COMFORTABLE.
WE'LL BE ABOUT AN HOUR.
SARAH?
SARAH?
Heather:
ERICA, WE'RE IN HERE.
HEY.
HEY.
SARAH COULDN'T SLEEP.
YOU COULD HAVE WOKEN ME UP.
NO, I DON'T MIND.
I'VE BEEN A LIGHT SLEEPER MYSELF
LATELY.
CAN I SEE?
WE'RE GONNA BUILD
A DOLLHOUSE.
THIS IS GREAT.
THE MAN SAID
THE WOOD IS IN THE BACK.
IT IS NICE TO SEE HER
EXCITED ABOUT SOMETHING.
SHE'S BEEN SO LETHARGIC.
YEAH, WHO KNOWS?
MAYBE WE HAVE AN ARCHITECT
IN THE FAMILY.
YEAH, WELL,
WE COULD USE ONE.
EDGAR MET
WITH A REAL-ESTATE AGENT,
AND, BASICALLY, THERE IS NOTHING
IN OUR PRICE RANGE.
DON'T WORRY.
YOU'LL FIND SOMETHING.
YEAH, WELL, WE HAVE TO.
WE'VE OUTGROWN OUR APARTMENT.
WE NEED MORE SPACE.
YEAH, WELL,
SPACE IS OVERRATED.
YEAH, SAYS THE WOMAN WHO LIVES
IN A HUGE HOUSE.
OKAY, I'LL --
I'LL GO GET THE PAINT.
I HEAR SOMEONE NEEDS WOOD
FOR A DOLLHOUSE.
THAT'S RIGHT.
WHEN YOU TWO SMILE,
YOU LOOK JUST LIKE TWINS.
Woman:
I TEND TO GO ONE WAY,
AND JILLIAN GOES THE OTHER WAY.
IT'S HARD TO SAY
IF THAT'S SOMETHING
THAT WE JUST LIKE THOSE STYLES
AND THOSE PARTICULAR THINGS
JUST BECAUSE OF
WHO WE ARE,
OR IF IT'S PURELY
BASED ON THE FACT
THAT WE WANT TO TRY
AND RUN THE OPPOSITE WAYS
TO BE MORE
OF AN INDIVIDUAL.
YEAH, I AGREE WITH THAT.
YEAH, I'VE ALMOST
FINISHED TRANSCRIBING
THE TWIN INTERVIEWS.
HEY, THAT WAS FAST.
YEAH.
HEATHER AND SARAH ARE SO INTENT
ON THIS DOLLHOUSE,
I CAN BARELY TALK THEM
INTO TAKING A SWIM.
NO PARTNERS
TO YOUR PROCRASTINATION, HUH?
NOPE.
HONEY, I'M KIND OF
LONELY UP HERE.
I MISS YOU.
HEY, I MISS YOU, TOO, BUT IT
SOUNDS LIKE YOU'RE DOING GREAT.
And the realtor's
still looking for us.
How's Heather?
HEY, WE'RE RUNNING INTO TOWN
TO GET SOME STRONGER GLUE.
OUR WALLS
ARE FALLING DOWN.
HANG ON.
WHY DON'T YOU HAVE HER
STAY HERE WITH ME?
OH, WELL, SHE'S ALREADY
IN THE CAR.
GOOD.
YEAH, HEATHER'S GOOD.
WHAT ARE YOU DOING?
HEY, LOOK, I'M HELPING.
I GOT THE WALLS TO STAY UP.
NO, YOU'VE RUINED IT.
THAT'S NOT HOW THEY GO.
DON'T TAKE THAT TONE
WITH ME.
TAKE THEM DOWN
NOW!
SARAH, WHAT ARE YOU...?
SARAH, STOP IT!
SARAH, WHAT ARE YOU DOING?!
STOP IT!
LISTEN TO ME. COME HERE.
GIVE THAT TO ME.
IF THIS CAN'T BE FUN
FOR EVERYONE,
THEN MAYBE
WE SHOULDN'T DO IT.
I HAVE TO DO IT.
I'M MAKING IT FOR DAVID.
SARAH!
HEY, HONEY, WHAT'S WRONG?
WHAT'S WRONG?
I told her we were making it
for David.
ISN'T THAT A SWEET IDEA?
LET'S GO INSIDE.
OKAY.
I TOLD YOUR MOM THAT YOU WANTED
TO MAKE A MEMORIAL FOR HIM.
WHAT'S A MEMORIAL?
IT'S LIKE A STATUE THAT PEOPLE
MAKE FOR SOMEONE WHO'S DEAD.
SHE BELIEVED ME,
BUT WE HAVE TO BE MORE CAREFUL.
WHY CAN'T WE JUST TELL HER?
WE WILL, JUST NOT YET.
SHE'S NOT READY TO HEAR IT.
HERE I AM.
HERE I AM.
Look at us.
Both: WHEN WE SMILE,
WE LOOK JUST LIKE TWINS.
Twins...
Look at us.
When we smile,
we look like twins.
Look at us.
When we smile,
we look like twins.
Look at us.
MOMMY, WAKE UP.
MOMMY! MOMMY, WAKE UP!
HONEY, WHAT IS IT? WHAT'S WRONG?
WHERE'S AUNT HEATHER?
IT'S NOT AUNT HEATHER.
IT'S THE BABY.
WHAT BABY?
THERE'S SOMETHING WRONG
WITH THE BABY.
Woman on P.A.:
DR. RISEN TO RADIOLOGY.
HOW MANY WEEKS PREGNANT?
Doctor: FROM THE LOOKS OF THIS,
I'D SAY ABOUT 12 WEEKS.
THE BLEEDING IS DUE
TO A SMALL SEPARATION
OF THE UTERINE WALL HERE.
NOW, THESE THINGS
USUALLY RESOLVE THEMSELVES,
BUT WE'LL WANT
TO KEEP AN EYE ON IT.
BED REST FOR THREE WEEKS.
THEN WE'LL DO ANOTHER SONOGRAM
AND SEE WHERE WE'RE AT.
THANK YOU.
NO, THE DOCTOR SAID
I HAVE TO STAY IN BED
FOR AT LEAST THREE WEEKS.
Edgar:
SO YOU REALLY HAD --
YOU HAD NO IDEA
THAT YOU WERE PREGNANT?
WELL, I'VE MISSED
MY PERIOD BEFORE.
AND, YOU KNOW, WE HADN'T
OFFICIALLY STARTED TRYING.
YEAH.
WELL, I GUESS NO ONE TOLD
THE BABY THAT, SO THAT'S IT.
HONEY, HOW'D SARAH KNOW?
SHE MUST HAVE KNOWN
WE WERE THINKING ABOUT IT.
SHE'S A PRETTY
INTUITIVE KID.
NO, I MEAN, SHE KNEW THAT THERE
WAS SOMETHING WRONG, HONEY.
EVEN BEFORE I EVEN STOOD UP,
SHE KNEW.
HEY, WHO CARES
HOW SHE KNEW?
IMPORTANT THING IS,
THIS IS GOOD NEWS, RIGHT?
YOU LITTLE BRAT.
HELLO?
HELLO?
IT'S YOUR DADDY.
HEY, THERE.
YOU'RE MY LITTLE KID.
ALL RIGHT. LET'S SEE
WHAT WE GOT GOING ON HERE.
COME IN.
WOW, HONEY.
IT LOOKS AMAZING.
Go on, Cookie.
DID YOU MAKE THAT
BY YOURSELF? NO?
AUNT HEATHER HELP YOU?
YOU WANT TO SHARE IT?
I'M NOT REALLY HUNGRY
RIGHT NOW.
SWEETIE,
YOU HAVE TO EAT SOMETHING.
YOU'RE GETTING TOO SKINNY.
NOW, DON'T WORRY ABOUT IT.
SHE ALREADY ATE.
I MADE HER PANCAKES.
WE'VE BEEN UP FOR HOURS.
WHY DON'T YOU KEEP YOUR MOMMY
COMPANY WHILE SHE EATS?
IT'S OKAY.
IT'S OKAY.
GO AHEAD. GO PLAY.
GOOD JOB, COOKIE.
I FEEL LIKE
SHE'S SLIPPING AWAY FROM ME.
I CAN'T TELL YOU HOW MANY
OF MY PATIENTS TELL ME THAT
WHEN THEY'RE PREGNANT
WITH NUMBER TWO.
IT'S JUST
A NATURAL PULLING AWAY.
I KNOW, BUT I'M NOT
PULLING AWAY, SHE IS.
YOU'RE ALL
SHE TALKS ABOUT.
REALLY?
REALLY.
YOU AND THE BABY.
Erica: WHY DON'T YOU GUYS
BRING THE DOLLHOUSE UP HERE?
THAT WAY,
I CAN HELP, TOO.
THAT'S A GREAT IDEA.
YOU KNOW,
IT'S REALLY HEAVY.
I DON'T KNOW
IF WE CAN LIFT IT.
BUT MAYBE
IF WE TOOK IT APART,
WE COULD BRING IT UP
IN PIECES.
NO.
NO, DON'T DO THAT.
YOU SURE?
YEAH.
David likes the house.
Let's keep it a secret.
WHOO!
COME HERE.
HANG ON. MY TURN.
ERICA...
ARE YOU TRYING
TO LOSE THIS BABY?
WELL, I WAS JUST...
NO, GET UPSTAIRS...NOW.
Heather: Erica has been acting
very strange.
Edgar: She's scared,
and she's lonely.
And you guys
are having all this fun
decorating the dollhouse.
I know.
I've tried to include her.
We even brought wallpaper
swatches up for her to look at.
She's just --
I don't know --
she just didn't seem
that into it.
Come on.
You know Erica.
Interior decorating
isn't exactly her forte.
Come on.
Piles of books and papers
can be very chic.
Yeah.
Yeah, for a dorm room.
I'LL JUST BE LIKE, "STOP THAT.
STOP THAT, JILLIAN."
NO CATFIGHTS
OR ANYTHING.
IT'S JUST --
I DON'T KNOW.
SARAH!
WE NEVER GET INTO CATFIGHTS
OR ANYTHING LIKE THAT.
HEY.
I'VE GOT A SURPRISE FOR YOU.
I MADE SOMETHING
FOR YOUR DOLLHOUSE.
LOOK, I TOOK
AN OLD YOGURT CONTAINER.
AND THEN I PUT THIS
FELT ON THERE FOR A TABLECLOTH.
AND IF YOU GIVE ME
SOME TOOTHPICKS,
MAYBE I CAN PUT
LITTLE CHAIRS AROUND IT.
OKAY. CAN I GO NOW?
COME HERE.
COME CUDDLE
JUST A LITTLE BIT WITH ME, OKAY?
I CAN'T.
AUNT HEATHER'S WAITING.
FINE. GO.
BYE.
Heather: NO. NO, IT'S WHAT
WE TALKED ABOUT.
NO. NO. NO.
WHAT DID SHE WANT?
Sarah:
JUST TO GIVE ME THIS.
WELL, YOU SHOULDN'T
HAVE GONE BY THERE.
YOU DIDN'T TELL HER,
DID YOU?
NO.
GOOD.
SARAH?
DON'T COME IN.
WHAT ARE YOU GUYS DOING?
NOTHING.
HEATHER.
HEATHER, OPEN UP THE DOOR.
THIS WAS SUPPOSED TO BE
OUR VACATION.
HEATHER, LOOK, YOU CAN'T JUST
COME UP HERE AND TAKE OVER.
BUT, MOMMY.
IT'S OKAY, COOKIE.
HER NAME IS NOT "COOKIE"!
IT'S "SARAH,"
AND YOU'RE NOT HER MOTHER!
OPEN UP THIS DOOR!
HEATHER, OPEN --
WHAT ARE YOU GUYS DOING?
SHE RUINED IT.
IT'S OKAY.
JEEZ, ERICA, WE WERE TRYING
TO SURPRISE YOU.
WE MANAGED
TO GET IT UPSTAIRS.
WHAT ARE YOU TALKING ABOUT?
OH, MY GOD.
THAT'S AMAZING.
NO WONDER YOU GUYS
HAVE BEEN SO BUSY.
DO YOU WANT TO SHOW ME?
WOW.
OH, SWEETIE, I'M SORRY
I RUINED THE SURPRISE.
IT HAS FIREPLACES.
OH, YEAH?
WOW.
HERE, LOOK AT THIS.
YOU HAVE
TO BE CAREFUL, THOUGH.
LIFT RIGHT --
YEAH, RIGHT THERE.
I'M SORRY.
IT'S FINE.
THIS IS GREAT, HONEY.
WOW.
Doctor: GOOD NEWS.
LOOKS LIKE THE RUPTURE
HAS HEALED ITSELF.
BABY LOOKS GOOD.
OH, THANK GOD. DOES THAT MEAN
I CAN GET OUT OF BED?
WELL, I WOULDN'T RUN
ANY MARATHONS, BUT, SURE.
RESUME NORMAL ACTIVITY.
CAN YOU TELL
THE SEX OF THE BABY?
I DON'T WANT TO KNOW.
EVEN IF YOU WANTED TO,
THE WAY THIS LITTLE ONE
IS TURNED,
I CAN'T TELL.
ALL I CAN REALLY SEE
IS THE FACE.
I'M JUST --
I'M REALLY HAPPY FOR HER.
HELLO.
EDGAR?
OH, MY GOD. DADDY'S HERE.
HE HAS A SURPRISE.
WHAT DO YOU MEAN?
YOU'LL SEE.
HEY.
EDGAR,
WHERE ARE WE GOING?
Edgar: HONEY,
YOU'RE GONNA LOVE THIS. I SWEAR.
I CALLED THE AGENT.
AND APPARENTLY, IT HAD JUST
FALLEN OUT OF ESCROW.
IT'S PERFECT, HUH?
AND THE PRICE --
I MEAN, THE PRICE IS, UH --
I MEAN, IT'S PERFECT.
I, UH,
PUT AN OFFER ON IT.
WHAT?
I JUST DIDN'T WANT TO WAIT FOR
SOMEONE TO SWOOP IN AND TAKE IT.
CAN WE GET OUT OF IT
IF IT DOESN'T...?
WHAT? NO, NO.
IT'S PERFECT.
COME HERE.
LOOK AT THIS.
LOOK AT THAT IN THERE.
Sarah...Sarah...
IT IS PERFECT.
Erica:
OH, YOU'D THINK A FIRE LIKE THAT
WOULD GIVE OFF A LITTLE HEAT.
FREEZING.
OKAY. WELL, LET'S, UH...
LET'S PUT ANOTHER LOG ON.
LET'S GET
THIS THING GOING, THEN.
THANK YOU.
HEY, WANT TO COME HELP ME
GET SOME WOOD?
NO, THANKS.
HONEY,
EAT YOUR DINNER, PLEASE.
NOT REALLY HUNGRY.
I DON'T CARE.
I WANT YOU TO EAT SOMETHING.
DON'T FEEL SO WELL.
YOU KNOW WHAT?
THEN YOU CAN BE EXCUSED.
WHERE'D SHE GO?
SHE DOESN'T
FEEL WELL AGAIN.
SHE WENT TO BED.
YOU KNOW, A YEAR AGO,
SHE WOULD HAVE HAD
A TOTAL FIT.
I DON'T UNDERSTAND.
SHE'S NOT EATING.
SHE'S NOT SLEEPING.
SHE HASN'T MADE ANY NEW FRIENDS
AT THIS SCHOOL.
LET'S --
LET'S JUST EAT, OKAY?
LET'S JUST NOT ANALYZE SARAH
TONIGHT, ALL RIGHT?
I CAN'T STAY HERE.
LOOK...
WE AGREED WE'RE JUST GONNA GIVE
IT SOME TIME, RIGHT?
YEAH, I'VE GIVEN IT TIME.
OKAY, LOOK,
WE'VE BEEN THROUGH THIS.
THE HOUSE WAS LISTED
ALL SUMMER. THERE WAS A BIG AD.
THERE WAS PICTURES.
THERE WAS A FLOOR PLAN.
WHERE?
WHERE COULD SHE HAVE SEEN IT?
IT'S NOT LIKE WE GET THE PAPER
DELIVERED TO THE CABIN.
SHE PROBABLY SAW IT IN TOWN.
I DON'T KNOW.
ALL RIGHT.
LET'S SAY SHE DID SEE IT.
HOW DO YOU EXPLAIN THAT
YOU BOUGHT THE EXACT SAME HOUSE?
IT IS NOT THE SAME HOUSE.
EDGAR, LOOK AT IT.
LOOK AT THE FLOOR
AND THE KITCHEN,
THE FIREPLACE, THE PORCH.
IT'S EXACTLY THE SAME.
ALL RIGHT. SO WHY CAN'T THAT BE
A -- A GOOD SIGN?
YOU DON'T GET IT.
HE WON'T LET ME
STOP PLAYING.
Dr. Koenig: AND WHAT WOULD
HAPPEN IF YOU STOPPED PLAYING?
HE WOULD BE ALONE.
HIS MOMMY DOESN'T
PLAY WITH HIM ANYMORE.
WHY DOESN'T SHE
PLAY WITH HIM?
BECAUSE MY MOMMY
WON'T LET ME SEE
MY AUNT HEATHER.
DOES THAT MAKE DAVID SAD?
CAN HE TELL HER THAT?
HE TRIES TO,
BUT SHE CAN'T HEAR HIM.
THOSE BRUISES MUST HURT.
HOW'D THAT HAPPEN?
I'M NOT SUPPOSED TO
TALK ABOUT IT.
THERE IS NOTHING PHYSICALLY
WRONG WITH HER.
THEY HAVE DONE
EVERY KIND OF TEST,
AND THEY HAVE ALL
COME BACK NORMAL.
SO YOU'VE BEEN
TO THE DOCTOR A LOT?
YES, CONSTANTLY.
SHE'S LOST 5 POUNDS.
SHE HAS NO ENERGY,
NO APPETITE.
THEIR ATTITUDE IS,
IF NOTHING COMES BACK
IN THE LAB TESTS,
WELL, THEN,
IT'S JUST ALL IN MY HEAD.
SARAH SAYS SHE MISSES
HER AUNT HEATHER.
YEAH.
WE HAVEN'T SEEN HER
SINCE WE GOT BACK FROM THE LAKE.
TELL ME ABOUT
YOUR RELATIONSHIP WITH HEATHER.
WHY?
WELL, I KNOW YOU TWO
ARE IDENTICAL TWINS.
TELL ME ABOUT THAT.
HOW IS IT RELEVANT?
DOES IT BOTHER YOU
TO TALK ABOUT HEATHER?
NO. I JUST --
BECAUSE YOU SEEM BOTHERED.
ARE YOU AWARE THAT YOUR
ENTIRE BODY LANGUAGE CHANGED
WHEN I MENTIONED HER NAME?
LET'S GO, SWEETIE...
Dr. Koenig:
THE BRUISES CONCERN ME,
AND THE FACT
THAT SHE FIRED HER NANNY,
MOVED SARAH
TO A NEW SCHOOL.
IT'S CLASSIC VON MUNCHAUSEN'S --
ISOLATING SARAH
WHILE SHE APPEALS TO MEDICAL
PROFESSIONALS FOR ATTENTION.
HONESTLY, HEATHER,
I'M SERIOUSLY CONSIDERING
CONTACTING SOCIAL SERVICES,
BUT I WANTED
TO TALK TO YOU FIRST.
COME ON. LET'S GO.
SARAH, GO UPSTAIRS.
Sarah: WHY?
NOW. GO.
HEATHER,
GET OUT OF MY HOUSE.
ERICA, WE'RE VERY WORRIED
ABOUT YOU.
GET OUT OF MY HOUSE. WHAT WERE
YOU DOING TALKING TO DR. KOENIG?
DR. KOENIG CALLED ME.
WHY? WHY IS SHE CALLING YOU?
SARAH IS MY DAUGHTER.
HONEY, HONEY,
RELAX, OKAY?
DR. KOENIG THINKS
THAT YOU'RE HURTING SARAH.
WHAT?
OH, COME ON.
YOU THINK I'M HERE BEATING MY
DAUGHTER WHILE YOU'RE AT WORK?
NO. NO, OF COURSE NOT.
WELL, THEN GET HER
OUT OF THE HOUSE
SO THAT WE CAN DEAL WITH OUR
DAUGHTER'S PROBLEMS PRIVATELY.
LOOK...
I TOLD DR. KOENIG
NOT TO CALL SOCIAL SERVICES,
AND SHE WON'T,
AS A COURTESY TO ME.
OH, AS A COURTESY TO YOU?
DO YOU THINK
THIS IS ALL ABOUT YOU?
I TOLD HER
THAT I WOULD EXAMINE SARAH.
THE HELL YOU WILL.
LOOK, ERICA, CAN WE JUST
SIT DOWN AND DISCUSS THIS?
COME HERE.
BECAUSE I'M GONNA HAVE TO CALL
DR. KOENIG MYSELF.
OKAY, LET'S CALL
SOCIAL SERVICES RIGHT NOW,
AND WE'LL TELL THEM THE TRUTH --
THAT YOU THINK I'M PREGNANT
WITH THE REINCARNATION
OF YOUR DEAD SON.
BUT YOU KNOW WHAT? WHO IS GONNA
BELIEVE CRAZY, HORMONAL ERICA?!
HONEY.
NO. NO, DON'T YOU SEE
WHAT SHE IS DOING?
SHE IS TRYING TO PUSH ME OUT,
SO THAT -- NO, DON'T TOUCH ME!
GET AWAY FROM ME!
ALL RIGHT.
OKAY. OKAY.
Heather:
LOOK, HOW ABOUT THIS?
LET ME AT LEAST
JUST TALK TO SARAH.
IF I HAVE MY WAY,
YOU WILL NEVER SEE HER AGAIN.
NOW, GET OUT.
YEAH, GO.
I'll call you.
HEY.
HONEY,
LET ME SEE YOUR NECK.
HONEY,
HOW'D YOU GET THOSE?
I'M NOT SURE.
DO THEY HURT?
A LITTLE BIT.
I'M REALLY WORRIED
ABOUT YOU.
CAN YOU TELL ME
WHAT'S WRONG?
NO?
DO YOU KNOW WHAT'S WRONG?
SWEETIE,
I WISH YOU COULD TELL ME.
ARE YOU AFRAID?
IS IT DAVID?
IS HE TELLING YOU SOMETHING
THAT'S SCARING YOU?
HOW'D YOU GET HERE?
COME ON.
YOU SHOULDN'T HAVE
DONE THAT.
WHERE'S MY DAUGHTER?
I DON'T UNDERSTAND.
SARAH -- WHERE IS SHE?
LAST I SAW,
SHE WAS WITH YOU.
WHAT ARE YOU TALKING ABOUT?
YOU SIGNED HER OUT
20 MINUTES AGO.
THERE. SEE?
OH, MY GOD.
HEATHER.
HEATHER!
SARAH!
HEATHER!
Heather:
I WANT TO PLAY WITH YOU.
Sarah: FINE THEN.
WE'RE PLAYING HIDE-AND-SEEK.
MY DAUGHTER'S IN THERE.
I'M SORRY.
YOU CAN'T GO BACK THERE.
WHY ARE YOU MAD, DAVID?
I'M SICK OF WAITING.
I WANT TO BE BORN
NOW!
NOW! NOW! NOW!
SARAH!
MOVE! GET OUT OF MY WAY!
SARAH!
NOW! NOW! NOW!
SARAH!
NOW! NOW! NOW!
HEATHER, PICK HIM UP.
BE FIRM.
NOW! NOW! NOW!
NOW! NOW!
OH, MY GOD.
NOW! NOW!
NOW! NOW! NOW!
STAY AWAY FROM ME,
YOU BITCH. YOU'RE NOT MY MOTHER.
AAH!
OHH!
HONEY, LET GO OF ME!
SARAH'S NOT HERE. SHE'S WITH ME.
MAYBE I'LL KEEP HER.
MAYBE WE'LL BOTH PLAY
HIDE-AND-SEEK.
STOP IT! STOP IT!
SARAH!
GET OFF ME! OH, GOD!
OH, MY GOD!
IT'S OKAY.
WHAT DID YOU DO TO HER?
I THOUGHT IF I COULD TALK
TO DAVID THAT IT WOULD BE OKAY.
LOOK YOU WOULD HAVE DONE
THE SAME THING IN MY POSITION.
UGH! UGH!
COME HERE, BABY.
GET HER BACK. GET HER BACK NOW!
DAVID, IT'S TIME FOR SARAH
TO COME BACK.
SHE DOESN'T BELONG THERE
WITH YOU.
I DON'T CARE.
3...2...1.
OH, SWEETIE.
MOMMY, I'M TIRED.
IT'S OKAY. IT'S OKAY.
COME ON.
I'M GONNA TAKE YOU HOME.
GET OUT OF MY WAY.
MOVE.
COME ON.
WELL, WHERE WILL YOU GO?
I DON'T KNOW.
ANYWHERE, JUST NOT HERE.
LOOK, I PROMISE YOU --
I HAD NO IDEA.
DON'T LIE TO ME.
YOU'RE ON HER SIDE.
ERICA, PLEASE, LOOK,
SHE IS IN BED.
SHE IS SO TIRED.
JUST LET HER SLEEP.
I CAN'T BE AROUND YOU.
I CAN'T BE AROUND ANY OF YOU.
OKAY, THEN --
THEN, I'LL GO...
IF THAT'S WHAT IT TAKES.
YOU CAN STAY HERE.
I WILL -- I WILL GO.
I'LL STAY IN A MOTEL.
HEY. HEY.
COME ON.
LET'S GET TO WORK.
OUR BOY'S BEEN WORKING
SKIN-CLOSE TO HER
SINCE THE DAY HE PASSED,
JUST WAITING,
FEEDING OFF HER,
BIDING HIS TIME
TILL HE CAN BE REBORN.
THIS BABY IS NOT DAVID.
NOT YET.
A SPIRIT CAN'T COME INTO A CHILD
TILL AFTER IT'S BORN,
WHICH IS WHY
HE'S HANGING ONTO SARAH.
PROBLEM IS, IT'S TAKING LONGER
THAN HE EXPECTED.
OUR LITTLE GIRL ISN'T GONNA
SURVIVE ANOTHER MONTH OF THIS.
SO, WHAT DO WE DO?
DO WHAT I'M DOING --
GET EVERYTHING OF DAVID'S
OUT OF THIS HOUSE.
Sarah...
OH!
ROSIE...
THAT'S A SPIRIT HOUSE.
WHAT'S IT DOING HERE?
I DON'T -- I DON'T KNOW.
I THOUGHT WE LEFT IT
UP AT THE CABIN.
NO WONDER
DAVID'S BEEN SO STRONG.
YOU INVITED HIS SPIRIT
INTO YOUR HOME --
GAVE HIM A PLACE TO LIVE.
ROSIE, TURN IT.
ALL RIGHT.
YOU'RE COMING UP
ON THE STEP, OKAY?
WAIT.
ARE YOU ALL RIGHT?
YEAH.
I DON'T THINK
IT'S GONNA WORK.
OW! DAMN IT!
ARE YOU OKAY?
STOP, STOP.
LOOK, MAYBE YOU SHOULDN'T BE
DOING THIS, ERICA.
I HAVE AN IDEA.
THAT'S THE LAST OF IT.
OUR HANDS BE FLESH.
MAY THE ROAD BE CLEAR.
MAY THIS HOUSE
AND THIS CHILD BE CLEAN.
OKAY, HONEY.
IT'S YOUR TURN NOW.
I'M SCARED.
OH, DON'T BE SCARED.
FEEL SORRY FOR HIM.
POOR BOY
DOESN'T KNOW HE'S DEAD.
IT'S UP TO US
TO HELP HIM MOVE ON, OKAY?
GO AHEAD, NOW.
IT'S OKAY.
COME ON. YOU CAN DO IT.
I KNOW YOU CAN DO THIS.
THIS IS THE LAST THING
YOU HAVE TO DO,
AND THEN EVERYTHING'S
GONNA BE OKAY.
OKAY?
YOU CAN DO IT.
GO ON, SARAH.
FINISH IT.
I'M SORRY, DAVID.
I REALLY AM.
BUT IT'S TRUE.
YOU'RE DEAD.
YOU'RE DEAD.
SWEETIE. OH, IT'S OKAY.
IT'S OKAY. OKAY.
HE'S QUIET.
AND I CAN'T HEAR ANYTHING.
IT'S DONE.
HEY.
ROSIE CALLED.
I ASKED HER TO.
LOOK, I'M, UH...
I'M SORRY.
LOOK AT HER, EDGAR.
SHE'S SLEEPING.
I MEAN, FOR THE FIRST TIME
IN MONTHS,
SHE'S REALLY SLEEPING.
Sarah: Look at us.
When we smile,
we look like twins.
SARAH?
WHERE IS SHE?
THE ATTIC.
SARAH!
SARAH!
SARAH!
SARAH!
SARAH! SARAH!
SARAH!
SARAH, HONEY.
DON'T MOVE.
MOMMY, YOU SAID
HE'D LEAVE ME ALONE.
DADDY IS JUST COMING
TO GET YOU, OKAY?
BABY, THEN WE'RE GONNA
TAKE YOU DOWN TO YOUR BED.
THAT WAY, YOU CAN SLEEP.
NO, HE WON'T LET ME.
SARAH. SARAH.
SARAH, HONEY.
SARAH. SARAH.
SARAH, HONEY,
YOU'RE SCARING MOMMY.
SARAH.
IT'S OKAY.
DAVID SAYS IT DOESN'T HURT.
SARAH! SARAH!
SARAH!
MR. AND MRS. LEWIS,
WE DID A C.A.T. SCAN.
OKAY.
THE GOOD NEWS IS,
SHE DIDN'T FRACTURE HER SKULL.
BUT I'M NOT GONNA
LIE TO YOU --
SHE SUFFERED
SEVERE HEAD TRAUMA.
THERE'S A LOT ABOUT
THESE KIND OF BRAIN INJURIES
THAT WE JUST DON'T KNOW.
WE'VE DRAINED THE EXCESS FLUID
AND STABILIZED HER,
BUT THE REST
IS UP TO SARAH.
WHO CALLED YOU?
NO ONE.
I JUST KNEW.
DO YOU REALLY BELIEVE
DAVID IS TRYING TO COME BACK
AND WON'T LET GO OF SARAH
UNTIL HE DOES?
I DO.
THEN WE'RE GONNA GIVE DAVID
WHAT HE WANTS.
Woman:
HELLO, DR. LORD.
THIS SHOULD INDUCE LABOR
WITHIN THE NEXT HOUR.
YOU'RE AT 34 WEEKS.
THE LAST 6 WEEKS
ARE MOSTLY INSURANCE.
ARE YOU SURE
YOU WANT TO DO THIS?
IF I DON'T,
HE'S GONNA TAKE HER.
JUST DO IT
BEFORE I LOSE MY NERVE.
MNH.
THERE YOU GO.
SO, WHAT HAPPENS NOW?
YOU'RE GONNA HAVE A BABY.
GOOD, GOOD.
OKAY. OKAY.
COME ON.
SMALL BREATHS.
OH!
THE HEAD IS CROWNING.
YOU'RE DOING GREAT.
THIS BABY'S IN A BIG HURRY
TO COME INTO THIS WORLD.
COME ON, NOW, ERICA.
JUST GIVE ME ONE MORE PUSH.
COME ON, HONEY.
YOU COME BACK
TO US, OKAY?
I CAN'T!
OHH!
HERE IT COMES.
OHH!
CONGRATULATIONS, ERICA,
YOU HAVE
A BEAUTIFUL BABY GIRL.
THAT'S NOT RIGHT.
IT CAN'T BE A GIRL.
SAY HELLO
TO YOUR NEW DAUGHTER.
NO, THAT --
THAT'S NOT RIGHT.
IT CAN'T --
NO, IT CAN'T BE A GIRL.
CALL EDGAR.
EDGAR, IT'S HEATHER.
HOW'S SARAH?
HOW'S SARAH?
HEATHER, HOW'S MY BABY?
NOTHING'S CHANGED.
MAYBE THIS WAS A MISTAKE.
MAYBE THIS WAS ALL WRONG.
OH! OH!
WHAT IS IT?
WE'VE GOT ANOTHER ONE.
WHAT?!
IT'S A FOOTLING BREACH.
IT WON'T BUDGE.
OHH!
WHAT ARE WE GONNA DO?
PAGE ANESTHESIOLOGY AND THE O.R.
ERICA, I'M GONNA HAVE TO DO
AN EMERGENCY C-SECTION.
I THINK WE HAVE A CORD
AROUND THE NECK.
OKAY. IT'S OKAY.
I'M RIGHT HERE.
Woman on P.A.:
ANESTHESIOLOGIST
TO E.R., STAT.
ANESTHESIOLOGIST
TO E.R., STAT.
HAPPY HALLOWEEN, EVERYBODY.
WHAT DO YOU SAY WE WELCOME
THIS NEWEST LITTLE PUMPKIN?
IT'S A BOY.
YEAH.
THIS ONE.
LAST YEAR,
THEY'VE DONE IT, TOO.
TRICK OR TREAT.
TRICK OR TREAT.
WOW, LOOK AT
ALL THAT CANDY.
GOOD COSTUME.
YOU'RE IT.
I'M GONNA GET YOU!
WHAT IS IT?
COME HERE.
LITTLE DEVIL.
LITTLE DEVIL.
SO, ARE YOU HAVING FUN?
YEP.
KISS.
WELL, IN THE EAR.
OKAY.
Erica:
APPARENTLY...
HAVING A HIDDEN TWIN
ISN'T ALL THAT UNCOMMON.
AND IF THE HEARTBEATS
ARE IN SYNC,
AND THEY'RE ALIGNED JUST RIGHT,
IT'S EASY ENOUGH TO MISS
THE SECOND BABY ON A SONOGRAM
IF YOU AREN'T LOOKING FOR IT.
BUT IT WASN'T DAVID.
HE'S JACK...
...EVEN HEATHER CAN SEE THAT.
HEATHER, I WANT
TO SHOW YOU SOMETHING.
THERE.
"IF IDENTICAL TWINS
CAN
READ EACH OTHER'S MINDS,
"WELL, MY SISTER
ALREADY KNOWS THIS,
"BUT JUST IN CASE...
I BELIEVED IN HIM, TOO."
THANKS.
YEAH.
♪ DOWN OFF OF RAMPART
♪ THERE'S A LITTLE HIDEAWAY
♪ AND IF YOU GOT A BRAVE HEART
♪ WELL, COME AND VISIT ANY DAY
♪ THERE'S A PRINCESS
NAMED CELESTE ♪
♪ EYES LIKE FIRE,
HER HAIR'S A MESS ♪
♪ INCENSE BURNING,
MY LUCK IS TURNING ♪
♪ I CAN'T TELL,
BUT I'M UNDER HER SPELL ♪
HAPPY HALLOWEEN, DAVID.
NOW I'M THE ONE
IN CHARGE.
♪ LIVE UPSTAIRS
FROM A VOODOO SHOP ♪
♪ A VOODOO SHOP,
A VOODOO SHOP ♪
♪ I'M LIVING UPSTAIRS
FROM A VOODOO SHOP ♪
♪ A VOODOO SHOP,
A VOODOO SHOP ♪
♪ I'M LIVING UPSTAIRS
FROM A VOODOO SHOP ♪
♪ TWINKLE, TWINKLE,
LITTLE STAR ♪
♪ HOW I WONDER WHAT YOU ARE
♪ UP ABOVE THE WORLD SO HIGH
♪ LIKE A DIAMOND IN THE SKY
♪ OH
♪ OH
♪ OH
♪ TWINKLE, TWINKLE,
LITTLE STAR ♪
♪ HOW I WONDER WHAT YOU ARE
♪ UP ABOVE THE WORLD SO HIGH
♪ LIKE A DIAMOND IN THE SKY
♪ OH