Filly Brown (2012) - full transcript

>> THAT'S A DOPE CUT.

PACO WAS ALWAYS IN THE STREETS,

DEEJAYING.

YOU WERE IN THE STUDIO THAT

LATE?

>> 5:00 A.M.

>> SANTA, YOU KILLING AGAIN,

RIGHT?

>> ARE YOU FEELING IT?

>> YEAH, I LIKE THAT TRACK.

>> SLOWER, ESPECIALLY FOR



TONIGHT.

>> HEY, I HEARD HER STUFF IS HOT

PLAYED IN TRIO SOMETIMES.

DUB, YOU READY?

FILLY, YOU READY?

ALL RIGHT, LET'S MAKE IT

OFFICIAL.

WE'RE ABOUT TO GO LIVE, YOU

GUYS.

POCOS PERO LOCOS -- THIS IS YOUR

PROMISED, WE TOLD YOU WE WOULD

HAVE HER BACK IN THE STUDIO,

LIVE, IN EFFECT -- FILLY BROWN.

I'M NOT TRYING TO PUT YOU ON THE



SPOT.

>> OH, BUT I HAVE A FEELING

YOU'RE ABOUT TO.

>> UH-HUH, AND RUMOR IN THE

STREET SAID YOU WAS GONNA BLOW

THE SPOT, SO I'M GONNA HAVE

SANTA DROP SOMETHING ON YOU --

REAL NICE, THOUGH, SANTA, REAL

NICE.

LET ME FEEL YOU.

GO AHEAD. HIT IT, SANTA.

[ HIP-HOP MUSIC PLAYS ]

OOH!

>> I CAN FEEL THIS.

I CAN FEEL THIS.

>> IT'S ONE OF THE NICEST I'VE

HEARD IN A LONG TIME.

>> REALLY?

>> MM-HMM.

YOU GOT NO EXCUSES ON THIS ONE,

FILLY.

>> ♪ I'M WALKING OUT THE DOOR ♪

♪ IT'S TIME TO HIT THE WORLD

UP ♪

♪ I'M TIRED OF FEELING HELPLESS

AT THE CRIB, COOPED UP ♪

♪ SO I GOT MY HEAD UP AND I'M

PLOTTING ON MY NEXT PLAN ♪

♪ VISIONARY OF THE WORLD I'M

CURRENTLY LIVING IN ♪

♪ IMAGINATION OF THE NATION OF

THE FREEST ♪

♪ I'M TRYING TO OPEN UP THEIR

EYES, BUT THEY DON'T SEE US ♪

♪ IT'S JUST ME AND THIS MIKE

WHILE I PREACH THIS ♪

♪ MUSIC LEAKING FROM MY SOUL ♪

♪ UNFOLD, WAS SO COLD ♪

♪ I UNVEIL THE DETAILS AND

DERAIL THE UNFAILED ♪

♪ I DARE YOU TO STEP UP ♪

♪ GET YOUR ASS SERVED UP LIKE A

HOT MEAL AT A LUNCH TRUCK ♪

♪ BUT YOU AIN'T GOT NO LUCK ♪

♪ KEEP PUSHING MY BUTTONS ♪

♪ AND I'LL PUSH YOU OVER THE

EDGE ♪

♪ YOU'RE CAUSING ME ANOTHER

CATASTROPHE ♪

♪ A HABIT THAT'S LIVING ONLY OUT

IN THESE STREETS ♪

♪ AND THESE BEATS I DEMOLISH AND

DEFEAT ♪

♪ I'M STUCK TO YOUR SOUL LIKE

THE GUM UNDER YOUR FEET ♪

>> ♪ I DREAM BIG ♪

♪ EVERY DAY LIFE'S A MEMORY ♪

♪ I WISH YOU COULD SEE WHAT I

SEE ♪

♪ I WISH YOU COULD SEE WHAT I

SEE ♪

♪ I COULD BE WHOEVER I WANT TO

BE ♪

>> ♪ LET ME TELL YOU ♪

♪ LET ME TELL YOU ♪

>> ♪ WAIT TILL I MAKE IT ♪

>> ♪ LET ME TELL YOU ♪

♪ LET ME TELL YOU ♪

>> ♪ ALL MY DREAMERS ♪

>> VISITOR FOR MARIA?

[ POLICE RADIO CHATTER ]

PLACE ALL YOUR ITEMS IN THE

BASKET.

I NEED YOUR SHOES.

>> MY SHOES?

>> YES.

>> DO YOU HAVE ANYTHING IN YOUR

POCKETS?

OKAY. STEP BACK FOR ME.

PULL YOUR PANTS UP.

OKAY.

GO AHEAD AND WALK THROUGH THE

METAL DETECTOR.

>> ♪ I DREAM BIG ♪

♪ EVERY DAY LIFE'S A MEMORY ♪

♪ I WISH YOU COULD SEE WHAT I

SEE ♪

♪ I WISH YOU COULD SEE WHAT I

SEE ♪

♪ I COULD BE WHOEVER I WANT TO

BE ♪

>> ♪ LET ME TELL YOU ♪

♪ LET ME TELL YOU ♪

>> ♪ WAIT TILL I MAKE IT ♪

>> ♪ LET ME TELL YOU ♪

♪ LET ME TELL YOU ♪

>> ♪ ALL MY DREAMERS ♪

>> ♪ LET ME TELL YOU ♪

♪ LET ME TELL YOU ♪

>> ♪ WAIT TILL I MAKE IT ♪

>> ♪ LET ME TELL YOU ♪

♪ LET ME TELL YOU ♪

>> ♪ I DREAM BIG ♪

♪ I DREAM BIG ♪

♪ I DREAM BIG ♪

♪ I DREAM B-B-B-BIG ♪

>> HEY, MIJA.

>> HEY.

>> THANKS FOR SEEING ME.

YOU HAVEN'T CHANGED.

DID YOU GET IT?

MY LETTER?

THERE'S A SONG IN THERE THAT I

WAS WORKING ON BEFORE ALL THIS.

I THOUGHT YOU MIGHT LIKE IT, YOU

KNOW, 'CAUSE OF YOUR MUSIC.

JUST LIKE YOUR MAMA.

>> SO, WHY DO YOU WANT TO SEE ME

NOW?

>> I KNOW IT'S BEEN A LONG TIME

SINCE WE TALKED LIKE THIS.

AND I KNOW I HAVEN'T DONE RIGHT

BY YOU.

IT'S NOT LIKE WE'RE GONNA START

OVER.

YOU DON'T NEED A MAMA NO MORE.

MAYBE YOU NEED TO KNOW YOUR MOM.

MAYBE I NEED TO KNOW YOU.

SOMETHING'S HAPPENED, MIJA, AND

IT CAN CHANGE EVERYTHING.

I REALLY NEED YOUR HELP.

>> I'M LISTENING.

[ TELEPHONE RINGING ]

>> LEGAL AID. PLEASE HOLD.

>> HEY, LINDA, CAN I RUN IN REAL

QUICK?

>> NOT RIGHT NOW. HAVE A SEAT.

>> LINDA, LINDA, I HAVE TO GET

TO WORK REAL QUICK.

IT'S JUST GONNA TAKE TWO

MINUTES.

>> YOU NEED TO HAVE A SEAT.

SURE, BE GLAD -- MAJO!

>> I GOT NEWS.

>> I'M SORRY.

>> THE COP THAT ARRESTED MOM IS

UNDER INDICTMENT.

HE'S BEING FORCED INTO

RETIREMENT.

HE GOT NABBED BY THE I.A., AND

HE'S IN FOR A GRIP.

GOT TO BE GROUNDS FOR APPEAL,

RIGHT?

>> NO.

NO, YOU HAVE TO FILE A MOTION TO

VACATE THE VERDICT AND RETRY THE

CASE.

WHERE DID YOU FIND OUT ABOUT

THIS INFORMATION?

>> WHAT DOES THAT MATTER?

>> MAJO, THERE -- THERE ARE

FACTORS INVOLVE IN ALL THIS.

>> WHAT KIND OF FACTORS?

>> EXPENSIVE ONES.

>> CAN SHE BEAT IT?

>> MAYBE. I DON'T KNOW.

WE HAVE TO RAISE DOUBT IN THE

OFFICER'S CREDIBILITY, GET HIS

TESTIMONY STRUCK.

DID YOU CONFIRM IT WITH THE

POLICE?

>> THAT'S WHAT I NEED YOU FOR.

HOW MUCH?

>> I'LL HAVE TO TALK TO YOUR

FATHER ABOUT THAT.

>> THIS AIN'T GOT NOTHING TO

DO WITH HIM.

OKAY? THIS IS ME.

I'M HIRING YOU.

>> IT'S GOOD TO HAVE THE WHOLE

FAMILY TOGETHER ON SOMETHING

LIKE THIS, ESPECIALLY IF WE GET

A RETRIAL.

YOU'RE GONNA NEED ALL THE HELP

YOU CAN GET.

>> WHAT'S THAT, HOMES?

>> [ SPEAKING SPANISH ]

MAN, COME ON.

>> DAMN.

SHE LOOKED DIFFERENT BACK THEN,

HUH?

>> GIVE ME THE PICTURE.

>> ALL INNOCENT AND SHIT.

>> GIVE ME BACK THE PICTURE.

>> HEY, DAWG, CHECK IT OUT,

HOMEY.

[ SPEAKING SPANISH ]

>> MAN, GIVE HIM BACK THE

PICTURE [SPEAKING SPANISH]

[ SIGHS ]

MAN, WHY YOU SO INSENSITIVE,

HOMES?

>> WHAT?

>> THAT'S HIS [SPEAKING SPANISH]

>> FUCK, HOMES.

>> YOU KNOW HOW HE IS ABOUT

THAT.

[ TATTOO MACHINE HUMMING ]

>> WHERE YOU BEEN?

>> CALLED IT IN ALREADY.

>> DIDN'T ASK IF YOU CALLED

IT IN.

I ASKED WHERE YOU WERE.

>> I HAD TO TAKE CARE OF A

COUPLE THINGS, TIO.

>> DID THE CELTICS COME IN?

>> YESTERDAY.

I ALREADY LOGGED IT IN AND CUT

A CHECK.

LEANDRO'S RE-OPENING THE CASE.

THE COP THAT BUSTED MOM --

>> I'M WORKING RIGHT NOW.

WHAT DO YOU MEAN, HE'S

RE-OPENING THE CASE?

>> THE COP THAT BUSTED MOMS IS

GETTING BOOTED OFF THE FORCE.

LEANDRO'S PUSHING TO EVICT THE

VERDICT.

>> ENGLISH.

>> GETTING HIS TESTIMONY

STRUCK.

I MEAN, WITHOUT IT, WE COULD

RETRY THE CASE.

YOU REMEMBER -- THE OFFICER'S

TESTIMONY WAS ALL THEY HAD, NO

PHYSICALS, NOTHING.

I NEED A COUPLE G's, TIO.

>> WHAT?

>> I TOLD LEANDRO TO FILE THE

MOTION.

I GOT TO GET HIM PAID.

>> YOU'VE BEEN VISITING HER?

>> WHAT'S THAT HAVE TO DO WITH

ANYTHING?

>> OH, MY, MAJO --

MAN.

HOW IS SHE?

>> SHE MISSES HER LIFE.

>> DID YOU NOTICE ANYTHING

STRANGE ABOUT HER?

>> I DON'T KNOW. NO.

WHAT ARE YOU ASKING ME?

>> LOOK, I'VE SPENT ALL MY LIFE

BAILING MY SISTER OUT OF ONE

JACKED-UP SITUATION AFTER

ANOTHER.

>> SHE'S NOT IN A SITUATION,

TIO.

SHE'S IN PRISON.

>> I KNOW WHERE SHE IS.

AND I ALSO KNOW ME AND YOUR

FATHER SPENT A LOT OF MONEY ON

THAT TRIAL.

DID YOU FORGET ABOUT THAT, WHERE

THAT MONEY CAME FROM?

THIS IS NOT GONNA END AT A

COUPLE OF G's, MAJO.

>> IS THAT WHAT THIS IS ABOUT?

>> I ALMOST LOST MY BUSINESS, MY

HOUSE OVER THAT BULLSHIT.

SO, YEAH, THAT'S WHAT THIS IS

ABOUT.

[ HIP-HOP MUSIC PLAYING ]

[ CROWD CHEERING ]

>> YO.

YO.

YO, FILLY.

[ MUSIC, CHEERING STOPS ]

[ CAMERA BEEPS ]

>> GET THAT SHIT OUT OF MY FACE.

>> YOU DREAMING ABOUT 50,000

SCREAMING FANS?

>> DREAMS DON'T PAY THE BILLS,

EDDIE.

>> THEN WHY DRAG MY ASS HERE

EVERY WEEK?

>> MAYBE I'LL GET MY TWO MINUTES

IF THIS FOOL GETS OFF THE MIKE.

>> FOR THE HANDFUL THAT DON'T

KNOW WHO I AM, THIS IS

M.C. WYATT REPPIN' THE L.A.

PLAYER SCENE ALL DAY.

AND WE'RE GONNA BE UP IN ALL THE

A-LIST CLUBS, BABY.

>> YOU'VE KEPT IT TRUE TO

YOURSELF, THOUGH, AND YOUR WHOLE

SOUND, AND THAT'S WHAT I LOVE

ABOUT YOU -- YOU KEEP IT FINE,

AND YOU DO YOU.

>> MOST DEFINITELY, MOST

DEFINITELY.

WELL, YOU KNOW, MUSIC, TO ME, IS

JUST ABOUT HAVING A GOOD TIME,

YOU KNOW?

I MEAN, BASICALLY THE L.A.

PLAYER NIGHTLIFE, WHICH IS, AS

YOU KNOW AND YOU KNOW...

>> I AIN'T NEVER GONNA BE LIKE

THAT.

>> WHAT, DO AN INTERVIEW?

>> NO.

I MEAN, HAS HE EVEN HAD ONE

RATIONAL THOUGHT?

REALLY.

"M.C. WYATT, PLAYER NIGHTLIFE,

PLAYER NIGHTLIFE, NIGHT OF

PLAYER LIFE."

>> DON'T KEEP IT SO FLY.

I GOT KIDS AT HOME.

>> LET'S DO IT.

>> [ LAUGHS ]

I GOT MY BOY ON THE TABLE, SANTA

ON THE 1s AND 2s, AND I KNOW YOU

ABOUT TO KILL IT.

>> GOT IT, KHOOL-AID.

LET'S GET IT POPPIN'.

>> I DON'T KNOW WHAT IT IS.

>> YO, CHECK IT OUT.

THIS IS M.C. WYATT WITH THE NEW

HIT SINGLE OFF THE NEW HIT

ALBUM, "BLOWIN' BIG."

THE HIT SINGLE IS "SO FLY."

HIT IT.

>> LOOK AT YOU GUYS.

I LOVE THIS SONG SO MUCH.

>> KHOOL-AID, IT'S ALWAYS GOOD.

IT'S ALWAYS A GOOD TIME.

I APPRECIATE IT, MAMA.

>> BE SAFE OUT THERE.

>> THANK YOU FOR COMING.

YOU KNOW WE GOT YOU, WHATEVER

YOU NEED.

>> YEAH, CONGRATULATIONS ON THE

SUCCESS.

IT MEANS A LOT.

>> HEY, YO, YO, DON'T BE FUCKING

UP MY SHIT LIKE THAT, HOMEY.

IT'S GOOD AS IT IS.

>> ALL RIGHT, COOL.

I WON'T TOUCH YOUR SHIT.

>> YO, FUCK YOU, MAN.

JUST WATCH WHAT YOU'RE DOING.

>> YO, YO, MAN, I'D LET HIM DO

HIS THING IF I WERE YOU, DAWG.

>> YEAH, WELL, YOU OBVIOUSLY

AIN'T ME, NOW, ARE YOU,

SPECIAL-ED-LOOKING MOTHERFUCKER?

>> YOU DON'T NEED TO EVEN BE

DISRESPECTFUL LIKE THAT UP IN

HERE.

>> WHY DON'T YOU SHUT THE FUCK

UP AND JUST PLAY THE FUCKING

RECORDS, D.J.?

>> DAMN.

>> IF YOU DIDN'T HAVE YOUR HEAD

UP YOUR ASS, YOU'D JUST SEE HE

WAS TRYING TO ELEVATE YOUR SHIT.

>> WHAT THE FUCK YOU JUST SAY TO

ME, FOOL?

>> WHOA, WHOA, WHOA, WHOA.

YOU NEED TO CHILL OUT.

THERE'S CAMERAS ALL UP IN THIS

SPOT.

YO, BE EASY.

>> [ SPEAKING SPANISH ]

WHO YOU BE, KITTY CAT?

>> IT DON'T MATTER WHO I AM.

YOU JUST NEED TO CHILL THE FUCK

OUT, ALL RIGHT?

>> [ CHUCKLES ]

I DON'T MAKE IT MY BUSINESS TO

BEAT UP ON SHORTY LITTLE

BAM-BAMS LIKE YOURSELF.

>> GOOD.

>> GOT A STRIKE ON YOU, HOMEBOY.

I'LL TALK TO YOU LATER, MAMA.

[ HAND SLAPS ]

>> WHAT THE FUCK YOU DOING,

MOTHERFUCKER, HUH?!

TOUCH MY ASS AGAIN, BITCH, I'LL

FUCKING WHACK YOU, BITCH.

WHAT THE FUCK?! HUH?

YOU WANT TO TOUCH ME,

MOTHERFUCKER?

YOU'RE LUCKY...

>> THAT'S WHAT I'LL DO, MAMA.

I LOVE YOU.

I KNOW YOU LOVE ME, BABY.

I KNOW YOU LOVE ME.

IT'S ALL GOOD, ROCKY. RELAX.

IT'S ALL GOOD. CHILL. RELAX.

[ CHUCKLES ]

DID YOU SEE THAT SHIT?

SHE FUCKING CAUGHT ME GOOD.

>> ALL RIGHT, THIS IS HOW YOU

ROLL A BLEEZIE.

FIRST STEP -- ALL YOU GOT TO DO

IS JUST SPLIT THE SWITCH.

CRACK IT RIGHT THERE.

JUST BE REAL GENTLE WITH IT.

ONCE YOU WRAP IT, IT'S GOOD

TO GO.

ALL YOU GOT TO DO IS JUST STUFF

THAT MOTHERFUCKER.

STUFF THAT MOTHERFUCKER UP.

JUST TWIST IT.

CLOSE ONE SIDE.

LICK IT.

FLAME IT.

SMOKE IT.

>> ME FIRST.

>> ALL RIGHT. HERE.

>> [ CHUCKLES ]

[ DOG BARKING ]

>> [ BREATHES DEEPLY ]

>> [ COUGHS ]

>> NICE. COME HERE.

>> MM. OKAY.

[ R&B MUSIC PLAYING ]

[ INDISTINCT SINGING ]

[ COUGHS ] MAJO!

>> YO, I GOT A BACK CONDITION,

MAN.

IT'S LEGAL.

>> RALPHY, GET OUT OF MY HOUSE

BEFORE MY FATHER GETS HOME.

>> I --

>> GET OUT OF MY -- GET OUT OF M

HOUSE!

>> LUPE, CALL ME!

[ DOOR CLOSES ]

>> DON'T START.

>> YOU HAD AN 18-YEAR-OLD

WALKING BONER IN YOUR BEDROOM

SMOKING POT, LUPE.

>> SO WHAT?

>> OH, YOU THINK YOU KNOW HIM

BECAUSE YOU GO TO SCHOOL WITH

HIM?

>> GET OUT OF MY ROOM.

GO! GET OUT!

>> DON'T FUCKING YELL AT ME, OR

ELSE I'M GONNA BEAT YOUR ASS.

>> I'D LIKE TO SEE YOU TRY.

>> WATCH IT.

[ DOOR SLAMS ]

>> BITCH.

>> THANK YOU.

>> WANT TO GRAB SOME DRINKS,

MAYBE CONTRIBUTE A LITTLE BIT?

>> FINE.

>> THIS LOOKS GOOD, MAJO.

>> YOU'RE WELCOME.

[ AIR HISSES ]

[ COLA POURING ]

>> THIS IS GOOD, THE THREE OF

US.

WE SHOULD DO THIS MORE.

>> [ SIGHS ]

>> LEANDRO SAYS THAT WE CAN GET

THE VERDICT EVICTED.

>> WHAT ARE YOU TALKING ABOUT?

>> THE CROOKED COP THAT ARRESTED

MOM IS UNDER INDICTMENT.

WITHOUT HIS TESTIMONY, WE CAN

RETRY THE CASE AND WIN.

I KNOW YOU KNOW ABOUT THIS.

>> I'LL LOOK INTO IT. I PROMISE.

BUT I CAN'T RUN AROUND JUST

THROWING MONEY AT THIS GUY OR

THAT.

>> SHE GOT THIS TIP NOT TOO LONG

AGO.

ONE OF THE INMATES WAS TURNING

STATES EVIDENCE.

ALL WE NEED IS A COUPLE THOUSAND

DOLLARS, GET LEANDRO TO START

FILING THE CASE AND GEARING UP.

I MEAN, ASK TIO.

HE'LL DO IT IF YOU ASK HIM.

>> WHEN DID YOU SEE HER?

>> YOU WENT AND SAW MOM?

>> GO TO YOUR ROOM.

SHE TOLD YOU TO GET LEANDRO

INVOLVED?

>> SHE NEEDS OUR HELP, DAD.

WHY IS THAT SO HARD FOR YOU?

>> BECAUSE I DON'T HAVE IT.

>> WELL, COME ON.

WE CAN -- YOU KNOW, MAYBE YOU

CAN GET AN ADVANCE FROM THAT JOB

YOU KEEP TALKING ABOUT.

>> I CAN'T.

[ HIP-HOP MUSIC PLAYING ]

>> THAT'S RIGHT, BABY.

SO MUCH POCOS PERO LOCOS.

YOU KNOW HOW WE GET DOWN ON THE

1s AND 2s, KILLING AGAIN.

[ INDISTINCT CONVERSATIONS ]

>> SANTA, RIGHT?

>> HEY. [ CHUCKLES ]

I DIDN'T THINK I'D SEE YOU HERE

FOR AWHILE.

>> KHOOL-AID AND I GO WAY BACK.

>> WHAT YOU LOOKING AT?

>> NOTHING, JUST --

>> THAT'S A LIE.

>> [ CHUCKLES ]

>> IT'S, UH...

>> THAT'S FUCKED UP.

>> HERE IT COMES.

POW!

>> NO. DAMN.

OKAY, WE CAN'T LET KHOOL-AID SEE

THAT, ALL RIGHT?

>> I WON'T LET HER SEE IT.

>> ALL RIGHT, COULD YOU DROP ME

SOME, LIKE, SLOW GROOVE, 98 BPM?

>> YEAH, I GOT YOU.

>> ALL RIGHT, COOL.

>> DUB, YOU READY?

I HEARD HER STUFF IS HOT...

>> FILLY, YOU READY?

>> ALWAYS.

>> LET'S MAKE IT OFFICIAL.

>> SANTA, DROP IT HARD, BUT IT'S

GOT TO BE NICE, DAWG.

>> GOT YOU.

[ HIP-HOP MUSIC PLAYING ]

>> NICE.

♪ IT'S A LITTLE DIFFERENT

WHEN YOU'RE GIFTED ♪

♪ NO BLUEPRINT ♪

♪ I JUST SLIDE ON MY LIPSTICK ♪

♪ CARS AND THE MONEY ♪

♪ AND ALL Y'ALL BITCHES ♪

♪ COULDN'T BUY ME ♪

♪ I GOT A SOUL FULL OF RICHES ♪

♪ TALK ABOUT REALNESS ♪

♪ BABY, YOU CAN FEEL THIS ♪

♪ NO FAKE TITTIES AND MY BACK

BOOTYLICIOUS ♪

♪ HIP-HOP MUSIC, TURN IT UP ♪

♪ SHE THE ILLEST ♪

♪ PLAYER CAN'T HATE ME 'CAUSE HE

KNOW HE WANT TO HIT THIS ♪

♪ LICKED IT ONE TIME AND NOW HE

ALWAYS WANT TO KICK IT ♪

♪ YOUNG DUDES LOVE ME ♪

♪ KEEP 'EM COMING WITH THE

QUICKNESS ♪

♪ THIS IS 'BOUT A BUSINESS ♪

♪ DON'T GET ON MY HIT LIST ♪

♪ ACTING LIKE A DIPSHIT ♪

♪ NOW YOU CAN'T GET SHIT ♪

♪ FLOW IS HYPNOSIS ♪

♪ SMOOTHER THAN LOTION ♪

♪ KEEP IT IN MOTION ♪

♪ GET YOUR MIND OPEN ♪

♪ I'M RUTHLESS LIKE TWO PITS

WITH TWO CLITS ♪

♪ I'LL VERBALLY MURDER ANYBODY

WITH TWO TITS ♪

>> WHOO!

>> ♪ I'M KILLING YOUS, RUNNING

IT FROM THE TOP ♪

♪ WHAT IT DO? ♪

♪ BUSTERS THAT WANT WAR,

I LOVE DRAMA ♪

♪ FUCKING WITH A SEXY BITCH ♪

♪ DON'T STEP, LET 'EM RAIN ♪

♪ GET 'EM SLUMPED, UNH ♪

♪ I'M LIVING ON THE EDGE ♪

♪ TAKING OFF HEADS THEN BRINGING

THEM BACK FROM THE DEAD ♪

♪ SO I'M WRECKING ANY SPITTERS

THAT YOU SEND ♪

♪ 'CAUSE MY LYRICS BRING SHOTS

FULL OF LEAD ♪

♪ PUT YOU OUT LIKE A BED ♪

♪ ROCK-A-BYE, BITCH, YEAH ♪

♪ I'M FILLY BROWN, NEVER SELLING

OUT 'CAUSE I'D RATHER SPIT THE

TRUTH IN THIS BOOTH ♪

♪ THAT'S ALL I KNOW ABOUT ♪

♪ BORN TO FLY LIKE A PHOENIX ♪

♪ GOT WINGS ON ME ♪

♪ HARD TO FIND NO BLING ON ME ♪

♪ PENETRATE YOU WITH MY RHYMES ♪

♪ PAINT A PICTURE IN NO TIME ♪

♪ A KNIFE FOR ANYBODY LOOKING

FOR THE GINSU SLICE ♪

♪ SUCKERS BETTER THINK TWICE

WHEN THEY STEP INTO THIS LADY

ON THE MIKE ♪

♪ SO COLD I'M ICE ♪

THAT WAS FILLY.

>> THIS AIN'T EVEN MY STYLE.

NORMALLY, I DON'T EVEN DO THIS

SHIT.

YOU BE UP HERE ALL THE TIME?

ALL THE TIME.

>> WELL, REGARDLESS, I GOT TO

ADMIT IT -- I LIKE THAT SHIT.

THAT SHIT WAS, LIKE, SMART,

ANGRY, SEXY -- Pfft -- SEXY AS A

MOTHERFUCKER.

BUT DO YOU HAVE BEATS?

>> YOU MEAN LIKE A DEEJAY?

>> NO, LIKE A GHETTO CIRCUS WITH

FUCKING [SPEAKING SPANISH] AND

STRIPPERS AND SHIT?

YEAH, A BAND, A DEEJAY, A --

>> YEAH. SHE DOES.

>> YO, THAT YOUR BOYFRIEND?

>> NO.

>> GOOD, 'CAUSE THAT SHIT GETS

COMPLICATED, DAWG, FOR REAL.

TRUST ME.

MAN, I HAD THIS R&B GIRL.

SHE WASN'T EVEN THAT FINE.

SHE'S OVER HERE TRYING TO TAKE

PICTURES WITH FUCKING FANS AND

SHIT, AND HER DUDE'S ALL LIKE...

LIKE ALL CREEPSTER TIGHT AND

SHIT.

YOU KNOW WHAT I MEAN?

BUT LOOK, WHY DON'T YOU TWO PUT

TOGETHER A DEMO?

'CAUSE I WANT TO HEAR MORE

MUSIC.

MAYBE WE'LL DO SOME BUSINESS.

>> ARE YOU A MANAGER?

>> I'M GONNA GET IT DONE, GUY.

YOU KNOW, ALL KIND OF DEALS --

BUSINESS DEALS.

DON'T NOTHING GET MY DICK HARDER

THAN MAKING SOME FUCKING DOUGH.

PROMOTIONS, MERCHANDISING, AND

DISTRI-MOTHERFUCKING-BUTION --

YOU KNOW, BUSINESS.

>> HOW MUCH BUSINESS WE TALKING?

>> I DON'T KNOW UNTIL I SEE THE

GOODS, BUT I WOULDN'T BE

STANDING HERE IF I DIDN'T SEE

CASH POTENTIAL.

SO, LOOK -- DROP ON OVER THE

MUSIC.

WE'LL TAKE IT FROM THERE, FILLY.

>> OKAY.

>> "FILLY."

I LIKE THAT.

LIKE A HORSE, RIGHT?

>> SOMETHING LIKE THAT.

>> [ EXHALES SHARPLY ]

ORIGINAL AS A MOTHERFUCKER.

HELL, YEAH. I SEE IT ALREADY.

>> SO, I GUESS WE'RE WORKING

TOGETHER NOW.

>> YOU COOL WITH THAT?

>> MM.

YEAH, I'M COOL WITH THAT.

>> CATCH YOU LATER, THEN.

>> SURE.

[ HIP-HOP MUSIC PLAYING ]

>> ♪ OHHHH OH ♪

♪ YOU GOT ME SIPPIN' ON THE

JUICE, GIRL ♪

[ MUSIC STOPS ]

>> HEY, CHUY, GIVE MEMO A HAND.

I WANT TO GET THIS DONE.

GOOD MORNING.

>> HI.

>> HOW'S IT ALL GOING?

>> WE'RE AHEAD OF SCHEDULE.

THE CEMENT'S DOWN.

WE'LL FINISH GLAZING TODAY,

PROBABLY START SEALING AT THE

END OF THE WEEK.

>> A WEEK.

>> SOMETHING WRONG?

>> REAL ESTATE'S ABOUT

PERCEPTION.

>> YES?

>> I'M BRINGING BUYERS HERE

SOON, AND THEY'LL HAVE AN

OPINION ABOUT THE PEOPLE I

ASSOCIATE WITH.

>> SO, WHAT ARE YOU SAYING?

>> IT'S NOT YOU, OKAY?

IF MY BUYERS ARE COMFORTABLE,

THEN WHAT'S THE POINT OF ALL

THIS WORK YOU'RE DOING?

YOU KNOW WHERE THE MARKET'S AT

RIGHT NOW.

IT'S SO HARD TO MAKE A SALE.

>> [ GRUNTS ]

>> [ CHUCKLES ]

>> I'M DRIVING.

>> AW, COME ON.

GET THE STICK OUT OF YOUR ASS.

>> [ CHUCKLES ]

>> SALUD.

>> [ SPEAKING SPANISH ]

>> AHH!

AHH.

>> WHAT YOU CHEWING ON

[SPEAKING SPANISH]

>> WE'RE GONNA SLOW IT DOWN FOR

A COUPLE OF WEEKS.

>> WHAT THE FUCK YOU MEAN, WE'RE

GONNA SLOW IT DOWN?

>> HEY, DON'T TALK TO ME LIKE

THAT, CABRóN.

>> WHAT?

WHO'S THIS FUCKER SUPPOSED TO

BE, HOMES?

>> LOOK, WE'RE PRETTY MUCH DONE

HERE, AND I KNOW YOU GUYS GOT

OTHER THINGS GOING ON.

>> MAN, WE AIN'T GOT SHIT GOING

ON.

>> ARE YOU FIRING US?

>> I'LL CALL YOU IN A COUPLE OF

WEEKS.

>> MAN, FUCK THIS.

>> HEY, COME ON, CHUY.

>> YOU KNOW WE'RE RIGHT IN THE

MIDDLE OF A JOB?

>> I'M GONNA HAVE TO TRIM YOU

GUYS BACK ON THIS ONE.

>> REMEMBER, WE ALL STARTED THIS

TOGETHER [SPEAKING SPANISH] EH?

>> [ SPEAKING SPANISH ]

I'M WORKING ON SOMETHING BIG,

OKAY?

FOR ALL OF US.

I'LL CALL YOU IN A COUPLE OF

WEEKS.

I PROMISE.

>> HOPE YOU KNOW WHAT YOU'RE

DOING.

I'M GONNA GO WALK HIM HOME.

>> ♪ OH OH OH OH ♪

[ HIP-HOP MUSIC PLAYING ]

♪ OH OH OH OH ♪

>> ♪ OH OH OH OH ♪

[ GUN COCKS, RAPID GUNFIRE ]

[ MUSIC STOPS ]

>> [ GRUNTS ]

WHAT'S UP, YOU GUYS?

>> WHAT'S UP, HOMEY?

>> IS MAJO HERE?

>> WHO ARE YOU?

>> D.J. SANTA.

>> ISN'T THAT A GIRL'S NAME?

[ LAUGHTER ]

>> FATHER CHRISTMAS, Y'ALL.

[ LAUGHTER ]

>> OPEN MY PRESENT.

>> SHUT UP, TITO.

[ PEOPLE MURMURING ]

>> WHAT'S UP?

>> SO, I SEE YOU MET THE CREW.

>> SOMETHING LIKE THAT.

>> WHAT'S THE VERDICT?

>> HE'S A'IGHT.

>> YEAH? TITO?

>> I GUESS, IF YOU LIKE

CUPCAKES.

[ LAUGHTER ]

>> LET ME SHOW YOU THE SETUP.

>> COOL. NICE TO MEET YOU GUYS.

>> ALL RIGHT, "G."

>> YEAH.

[ MUSIC RESUMES ]

>> [ CHUCKLES ] YO.

>> NICE.

I SEE YOU'RE ALL SET UP.

>> PRETTY MUCH, ALL READY TO GO.

>> YOU NEED ANYTHING ELSE?

>> WE NEED TO GET THAT SOUND.

>> WHAT SOUND?

>> YOUR SOUND.

>> MY SOUND.

>> MAKES YOU, YOU.

>> I WOULD LOVE TO HEAR WHAT YOU

THINK IS THE FILLY BROWN SOUND.

>> I'M GONNA LOOP THIS 4-BAR

LOOP.

GIVE ME ONE SECOND.

TAKE A LISTEN.

[ MID-TEMPO MUSIC PLAYS ]

>> THAT SOUNDS FLAMENCO-ESQUE.

THAT'S PRETTY.

>> SMOOTH, HUH?

>> YEAH.

WHAT COULD WE ADD ON TO THIS?

>> SNARES, CLAPS, DRUMS.

[ RHYTHMIC CLAPPING ]

>> OKAY, SO, THAT'S WHY WE

COULDN'T USE THE OTHER ONE?

>> SPEED IT UP.

SLOW IT.

DUN DUN, SPEED IT UP.

>> IT IS A TERRIBLE IDEA.

>> YEAH, WELL, WE'LL BREAK IT

DOWN TO EQUALS.

WE'LL DO --

YES, MA'AM.

>> I THINK THESE SHOULD GO A

LITTLE FASTER.

>> I THINK IT SHOULD STAY LIKE

THIS.

>> WELL, WHY DON'T YOU JUST TRY

IT A LITTLE FASTER FOR A SEC?

>> WE'RE THREE INSTRUMENTS IN.

WE NEED VOCALS. WE NEED MELODY.

>> YEAH, SO, WHAT DO YOU THINK?

>> USE YOUR HEART.

DO I SOUND LIKE THIS?

>> YOU'RE CORNY AS FUCK.

CAN YOU JUST PLAY...?

>> I'LL GET YOU TO PLAY.

>> I'M NOT PLAYING.

>> NOW STRUM THE GUITAR.

>> YEAH, LITTLE CLAUSTROPHOBIC

OVER HERE.

YO. IS IT DONE?

[ WHISTLES ]

>> IT'S ROUGH.

DON'T JUDGE IT.

PLEASE DON'T JUDGE IT. IT'S --

>> [ GRUNTS ]

YOU GOT A SMALL HEAD.

[ HIP-HOP MUSIC PLAYS ]

COME ON, NOW.

♪ IT'S A LITTLE DIFFERENT

WHEN YOU'RE GIFTED ♪

♪ NO BLUEPRINT ♪

♪ I JUST SLIDE ON MY LIPSTICK ♪

♪ CARS AND THE MONEY ♪

>> HEY, YO, CHECK.

CHECK IT. CHECK IT.

DON'T GET ME WRONG.

YOU KILLED THAT VERSE AT THE

SHOW, BUT I WAS HOPING WE'D TRY

TO ELEVATE THE GAME AND THROW

DOWN SOME WISDOM, YOU KNOW, TALK

ABOUT THE STREETS AND WHAT'S

GOING ON IN THE WORLD, FLIP THE

SWITCH, DOING SHIT THAT REALLY

MEANS SOMETHING TO US.

THE MUSIC HAS TO MOVE THE

PEOPLE, AND WE NEED TO BE MOVED

BY IT.

[ SIGHS ]

>> A'IGHT.

>> A'IGHT, COOL.

>> DROP THAT SHIT.

I'M GONNA FREESTYLE THIS BITCH.

[ HIP-HOP MUSIC PLAYING ]

>> LET'S KILL IT.

>> ♪ YO, SO, LATINA, THAT'S A

BEAUTIFUL HUE ♪

♪ LET ME TELL YOU WHAT MY PEOPLE

BEEN THROUGH ♪

♪ AS I WALK THESE STREETS I GET

INTO YOUR MIND ♪

♪ I SEE EYES THAT RISE ABOVE

MY IMAGE ♪

♪ MODERN OPPRESSION CRAWLS IN

SECTION ♪

♪ REFLECTION OF MY DAILY

LESSON ♪

♪ THIS IS A PROGRESSION OF MY

PAST HISTORY ♪

♪ COIN A NEW TERM, "ECONOMIC

SLAVERY" ♪

[ SPEAKING SPANISH ]

DO YOU EVEN SEE THE LATINOS

SERVING YOU CHINESE OR THE MAN

THAT WASHES YOUR CAR SO QUIETLY,

THE BROWN HANDS THAT PICK YOUR

FRUIT?

AND WITH ALL THE POVERTY AND

SOCIETY, THE BROWN MAN WON'T

PANHANDLE.

HE WILL PARKING-LOT-HOP FROM

HOME DEPOT TO HOME DEPOT JUST TO

MAKE AN HONEST LIVING.

AND THAT $1.99 A POUND IS JUST

A LITTLE MORE EXPENSIVE THAN YOU

THINK.

[ RECORD SCRATCHING ]

♪ THE GREATEST POWER THAT

THEY'LL WASTE ♪

♪ I'M TIRED OF LIVING IN PROJECT

AREAS ♪

♪ AND SENDING HOME ALL MY

FERIA ♪

SUPPORTING FAMILIES ABROAD TO

THE GOVERNMENT'S FRAUD AND

CRIMINALIZE THE INNOCENT.

MY PEOPLE AREN'T A DRAIN ON

SOCIAL SERVICES.

MAN, PLEASE!

♪ WE ARE ALL LATINOS ♪

♪ YOU, YOU, YOU ♪

♪ AND EVEN YOU ♪

[ CHEERS AND APPLAUSE ]

>> WHEN THE MUSIC HITS, IT...

>> YOU FEEL NO PAIN.

[ BOTH LAUGH ]

PRETTY MUCH.

CAN I ASK YOU A QUESTION?

>> DON'T ASK SOMEBODY IF YOU CAN

ASK THEM A QUESTION.

YOU JUST ASK.

>> WELL...YOUR STUFF AT THE

STATION HAD A REALLY DIFFERENT

VIBE.

WHERE'D THAT COME FROM?

>> THEY WERE GIVEN TO ME BY

SOMEONE -- THE LYRICS.

>> WHO'S THIS SOMEONE?

>> WHAT'S WITH THE THIRD DEGREE?

>> I WANT TO GET TO KNOW YOU.

>> OKAY.

MY MOMS.

>> [ CHUCKLES ] YOUR MOM?

>> LET'S JUST SAY MY DAD PRETTY

MUCH RAISED US.

>> MY PARENTS GOT DIVORCED, TOO,

SO I KNOW HOW YOU FEEL.

DRINK TO THAT.

>> THEY'RE NOT DIVORCED.

UM...

GOD, THAT TASTES NASTY.

>> [ CHUCKLES ]

>> MY MOMS IS UP IN CHINO ON A

10-COUNT.

>> DAMN. WHAT'S SHE IN FOR?

>> A DRUG CHARGE.

>> SO, YOU'RE THE MATRIARCH OF

THE FAMILY, SO TO SPEAK?

>> WHAT'S YOUR POINT?

>> TRYING TO FIGURE OUT WHY

YOU'RE SUCH A BALL-BUSTER.

>> IF I WAS BUSTING YOUR BALLS,

YOU'D KNOW -- TRUST.

>> [ CHUCKLES ]

I THINK YOU JUST DID.

[ CHUCKLES ]

>> YEAH, YOU'RE REAL SMOOTH,

MR. SANTA.

>> WELL, IF I WAS REAL SMOOTH,

THEN YOU'D LET ME KISS YOU RIGHT

NOW.

>> YOU'RE NOT SUPPOSED TO ASK A

GIRL TO KISS YOU.

YOU'RE JUST...

SUPPOSED TO KISS HER.

IF WE DO THIS, WE'RE A TEAM.

WE SPLIT EVERYTHING 50-50.

>> YEAH.

>> TELL THEM I SAID BYE.

>> I WILL.

[ SIGHS ]

[ HIP-HOP MUSIC PLAYING ]

>> ♪ YO, SO, LATINA, THAT'S A

BEAUTIFUL HUE ♪

♪ YO, SO, LATINA, THAT'S A

BEAUTIFUL HUE ♪

>> WHAT YOU THINK, RAY?

>> [ EXHALES SHARPLY ]

[ Chuckling ] YO. I'M LIKE --

I'M INSPIRED RIGHT NOW.

LIKE...REAL TALK -- THAT'S THAT

CALL-TO-ACTION SHIT.

THAT MAKES ME WANT TO GET SOME

FUCKING SPRAY-PAINT AND GO UP

TO, LIKE, THE RICH LADIES WITH

THE MINK COATS AND BE LIKE,

"MURDERER.

"WHERE'S YOUR COMPASSION?"

THAT'S WHAT SOCIETY NEEDS TO

HEAR.

BUT I CAN'T SELL THAT SHIT.

>> WHY?

>> THERE'S NO MARKET IN ALL THAT

SAVE-THE-WHALES,

REGISTERED-VOTER SHIT.

I NEED THAT STREET VIXEN, THAT

VISCERAL -- YOU KNOW, VISCERAL,

DOWN IN -- VISCERAL.

THAT'S WHAT I NEED.

>> COOL WITH THIS?

>> OKAY, IF WE GIVE YOU THAT,

THEN WHAT?

>> CAN YOU HUSTLE?

CHECK THIS OUT.

BAM -- DEZI "B."

THIS MERCHANDISE FLIES.

I CAN'T KEEP IT IN THE SHELVES.

>> YEAH, BUT AIN'T HE LIKE 7?

>> YEAH, YEAH, YOU KNOW, HE'S

YOUNG.

BUT HIM AND HIS DAD -- THEY

HUSTLE.

>> DEFINE "HUSTLE."

>> LOOK, I'M NOT GONNA MAKE ANY

GUARANTEES, BUT HERE'S THE DRILL

ON THE HUSTLE, OKAY?

WE'LL PICK UP THE PHONE.

WE'LL GET YOUR RINGTONE SET UP,

GET YOUR iTUNES SET UP.

WE START LINING UP THE VENUES,

OKAY?

THAT'S A GRIND 'CAUSE YOU GOT TO

STAY READY.

YOU NEVER KNOW WHEN THAT PHONE'S

GONNA RING AND WE NEED YOU.

AND THE ONLY WAY THEY'RE GONNA

CALL IS IF THEY SEE SOMETHING

THEY LIKE, AND THAT'S A BIG-ASS

SWEATER.

UH, SANTA, WE CAN'T LET HER

DRESS LIKE THAT.

THAT'S -- THAT'S RIDICULOUS.

>> OKAY, SO, SAY I SIZE DOWN.

WHAT NEXT?

>> LET'S SET UP A SHOWCASE

NIGHT.

WE'LL GET YOU ALL DOLLED UP, GET

YOU UP THERE SPITTING THAT RAW,

AND THEY'LL BE LIKE, "YO, SHE'S

FROM THE STREET, SHE'S SEXY,

SHE'S HOT, AND SHE CAN SPIT."

IF WE DON'T GET A RECORD DEAL

THAT DAY, IT'S COOL.

WORST CASE, WE MERCH IT UP

OURSELVES, AND WE MAKE CASH

PROFIT.

>> ALL RIGHT, HOW MUCH WE

TALKING?

>> I'M NOT SAYING GONNA BE A

MILLIONAIRE.

I'M JUST SAYING, A FEW GRAND

HERE AND THERE -- THAT'S VERY

REAL.

I JUST NEED THAT DEMO THAT I CAN

WORK WITH, THAT SHIT THAT DRIPS,

THAT DEMO THAT DRIPS, SOMETHING

NASTY.

>> DRIPS?

WE SHOULD LEAVE.

>> OKAY, JUST...

>> ALL RIGHT. I'M OUT.

>> EH.

>> I'M GONNA GO HANDLE THAT.

CAN I HIT YOU BACK LATER?

>> YEAH.

WAS IT THE "VISCERAL" THING?

>> UH...

>> YEAH, JUST HIT ME.

I'LL BE HERE.

>> BYE.

SANTA, WAIT UP. COME ON.

WHAT'S WRONG WITH LISTENING TO

WHAT HE'S GOT TO SAY?

>> YOU'RE CONSIDERING IT?

THERE'S A DIFFERENCE, FILLY.

>> IT SOUNDS LIKE A GOOD

OPPORTUNITY.

>> MAYBE IT IS.

BUT I THOUGHT YOU WERE COOL WITH

WHAT WE HAD GOING.

>> WHAT'S WRONG WITH DOING A FEW

SEXED-UP FILLY BROWN TRACKS --

>> SEXED-UP FILLY BROWN TRACKS?

>> YEAH, YOU KNOW, MAKING SOME

GOOD ON THE SIDE, AND THEN WE'LL

DO OUR OWN STUFF.

>> ONCE YOU GET INTO THAT

HEAD SPACE, THAT'S WHERE YOU'RE

GONNA END UP, AND YOU'RE GONNA

GET STUCK THERE.

TRUST ME, FILLY.

I'M TELLING YOU THIS 'CAUSE IT

MEANS SOMETHING TO ME.

>> YOU'RE THE ONE THAT WANTED TO

WORK WITH ME, REMEMBER?

>> AND I DO STILL.

IS THIS ABOUT THE MONEY?

>> LOOK, THAT'S NONE OF YOUR

BUSINESS, ALL RIGHT?

>> HMM.

>> I WANT TO WORK WITH YOU.

I DO.

BUT I CAN'T MAKE THE DECISION

FOR YOU.

AND I'M GONNA DO THIS.

[ INDISTINCT SPEAKING OVER

P.A. ]

>> DID YOU GET THE MONEY TO

CAESER?

>> SPOKE TO LEANDRO.

>> I ASKED YOU TO GET IT TO

CAESER.

HE'S THE MAN.

HE KNOWS WHAT CLICKS IN HERE,

AND LEANDRO DON'T.

>> YOU KNOW, MONEY'S REAL

SCARCE, MOM, AND, LIKE, MANI AND

POPS ARE HURTING.

LEANDRO WAS WILLING TO DO

SOMETHING ON THE --

>> DAMN IT, GIRL.

FUCK.

>> I GOT THIS MUSIC PRODUCER

INTERESTED IN ME.

YOU KNOW, HE LIKED WHAT I SPIT.

YOU KNOW, I SPIT WHAT YOU GAVE

ME AT THE STUDIO.

IT WAS RIDICULOUS --

>> YOU DON'T GET IT, DO YOU.

YOU DON'T FUCKING GET IT.

>> OKAY, I KNOW WHAT YOU'RE

GONNA SAY ABOUT MUSIC AND ALL,

BUT, YOU KNOW, THIS ACTUALLY

SEEMS REAL, AND WITH THE

MERCHANDISE --

>> REAL?

>> YEAH.

>> WHAT YOU KNOW ABOUT REAL?

GOING BACK IN THAT HOLE IS REAL.

LOOKING OVER YOUR SHOULDER EVERY

MINUTE IN THIS PLACE IS REAL.

FORGET WHAT I GAVE YOU.

IT DON'T MEAN SHIT.

IF THAT PIG STRIKES A DEAL,

IT'S ALL OVER.

I NEED TO GET THAT MONEY TO

CAESER.

IF YOU REALLY WANT TO HELP ME...

>> YEAH.

>> WASN'T HE HERE JUST THE

OTHER --

>> WHAT UP [SPEAKING SPANISH]

>> CARAMELO.

>> WHAT UP? WHAT UP?

WHAT'S UP?

>> HERE. REST ARE IN THE VAN.

>> WAIT A SECOND.

>> WHY, WHAT'S WRONG?

>> UH, I ASKED FOR 8 GOLD STAR,

NOT 18.

>> [ SIGHS ]

MY LIST SAYS 18.

IT SAYS 18, YOU GET 18.

>> YEAH, BUT I CALLED IN 8.

>> SO, WHAT DO YOU WANT TO DO?

YOU WANT TO TAKE THEM BACK?

>> I AIN'T PAYING NO RE-STOCKING

FEE.

>> GIVE ME YOUR PHONE.

LET ME CALL IT IN.

[ SIGHS ]

>> COME ON, MAN.

>> HEY, HOMEY, I SAID I GOT IT.

DON'T TRIP.

>> YEAH, I'M A TATTOO SHOP, MAN.

SHE SAID SHE DIDN'T ORDER 18,

ONLY 8.

HOLD ON.

SHE WANTS TO TALK TO YOU.

>> ROBBIE?

YEAH -- NO, I PUT IT IN LAST

TUESDAY.

>> NO, THAT DOESN'T EVEN MAKE

ANY SENSE.

WHY WOULD I DO THAT?

THANK YOU.

ALL RIGHT.

THANKS.

>> ROBBIE?

ALL RIGHT. 8 IT IS.

8 IT IS.

LOOKS LIKE YOU WIN THIS TIME,

KIDDO.

>> I WIN EVERY TIME.

>> YES, YOU DO.

>> WAIT. WAIT. DAWG, UM...

>> WHAT'S UP?

>> FORGOT THE RECEIPT.

>> [ Chuckling ] WHAT?

YOU GUYS DON'T BOOK-KEEP AROUND

HERE.

THAT'S YOUR COPY.

>> YOU'RE LIKE A DAMN TURTLE,

MAN.

HURRY UP. ROOKIE.

ABOUT DAMN TIME.

>> WHICH ONE? WHICH BOXES?

>> CELTICS.

>> CELTICS? THIS ONE?

>> I GOT TO GO. NEXT TIME.

>> ALL RIGHT.

[ SIGHS ]

YOU'RE GONNA HAVE ME SHIT MY

PANTS, DAWG.

WE'RE GOOD?

>> YEAH, WE'RE COOL.

>> WHERE'S TITO AND NESTOR?

>> RIGHT OVER THERE.

>> [ SIGHS ]

[ BOTH LAUGH ]

>> ALL RIGHT, ALL RIGHT, GUYS,

SO, WHAT DO YOU THINK ABOUT MY

SISTER'S PERFORMANCE?

>> SHE'S DOPE.

>> SHE'S DOPE. SHE'S BOMB.

>> SHE WAS TIGHT.

[ SPEAKING INDISTINCTLY ]

GET 'EM. GET 'EM.

MAN, SHE GOT DOWN.

[ KNOCK ON DOOR ]

>> YEAH?

>> HEY.

>> HEY.

>> UM...SO...

>> SO?

>> DID SHE ASK ABOUT ME?

>> YEAH, OF COURSE.

>> WHAT DID YOU SAY?

>> THAT YOU'RE A PAIN IN THE

ASS, THAT YOU'RE GROWING UP

REALLY FAST, THAT I WANT YOU TO

GO TO COLLEGE AND NOT WASTE YOUR

TALENTS WORKING AT SOME

FAST-FOOD JOINT OR, WORSE,

GETTING KNOCKED UP.

>> YOU DID NOT TELL HER THAT.

>> I DID.

WHY DON'T YOU COME AND ASK HER

YOURSELF, HMM?

>> SOMEONE'S IN A GOOD MOOD.

>> WHAT ARE YOU TALKING ABOUT?

>> EDDIE TOLD ME.

>> OKAY, BUT YOU CANNOT TELL

DAD, ALL RIGHT?

YOU CANNOT TELL ANYBODY.

I'M SERIOUS.

>> DO I LOOK RETARDED?

DON'T ANSWER THAT.

>> I'M SORRY.

I'M SORRY FOR BEING IN YOUR

GRILL ABOUT EVERYTHING.

>> WELL, THAT WAS LONG OVERDUE.

AND YOUR APOLOGY IS OFFICIAL

ACCEPTED.

>> OH, THANK GOD.

>> [ LAUGHS ]

>> I'M SO LUCKY.

GET YOUR DIRTY FEET OFF MY BED.

>> THEY'RE NOT DIRTY.

>> YES, THEY ARE, AND THEY

SMELL.

I CAN SMELL OVER HERE.

>> SHUT UP.

>> ♪ IT'S A LITTLE DIFFERENT

WHEN YOU'RE GIFTED ♪

♪ NO BLUEPRINT ♪

♪ I JUST SLIDE ON MY LIPSTICK ♪

♪ CARS AND THE MONEY ♪

♪ AND ALL Y'ALL BITCHES ♪

>> IT'S MISSING SOMETHING,

THOUGH, MAN.

>> SHIT. I DROPPED IT.

I THINK IT'S HOT.

>> YEAH, YOUR VERSES ARE HOT.

YOU NEED A NAUGHTY HOOK.

THE CLUBS -- THEY LIKE TO SHAKE

THAT ASS.

WE GONNA MAKE THEM SHAKE THAT

ASS.

>> I DON'T KNOW ABOUT THAT.

>> WELL, I MEAN, LET'S JUST --

LET'S JUST -- WHAT ARE YOU

THINKING?

>> ♪ DADDY, WILL YOU LICK ME

DOWN? ♪

>> ♪ DADDY, WILL YOU LICK ME

DOWN? ♪

>> OH. WHOA.

YEAH, IF YOU WERE KNOCKING ON MY

DOOR, UH, I WOULDN'T OPEN 'CAUSE

YOU DON'T ROCK ME.

♪ DADDY, WILL YOU LICK ME

DOWN? ♪

DO YOU NEED TO, LIKE, ADJUST?

I MEAN, DO YOU FEEL SEXY?

WHAT YOU GOT GOING?

>> I FEEL COOL. I'M GOOD.

>> YOU GOOD?

DO IT FROM THE TOP.

♪ DADDY, WILL YOU LICK ME

DOWN? ♪

>> ♪ DADDY, WILL YOU LICK ME

DOWN? ♪

♪ EVERY TIME I COME AROUND ♪

♪ YOU WANT SOME OF

FILLY BROWN? ♪

>> I THINK THEY WANT SOME

FILLY BROWN.

[ BOTH LAUGH ]

>> ♪ DADDY, WILL YOU LICK ME

DOWN? ♪

♪ EVERY TIME I COME AROUND ♪

♪ YOU WANT SOME OF

FILLY BROWN? ♪

>> ♪ CAN YOU FREAK WITH IT? ♪

>> ♪ YOU KNOW I CAN, DADDY ♪

>> ♪ CAN YOU FREAK WITH IT? ♪

>> ♪ FILLY BROWN, I GET NASTY ♪

>> ♪ CAN YOU FREAK WITH IT? ♪

♪ SHE SAID, "YES, I CAN" ♪

>> OH, MY GOD. I THINK I GOT IT.

I THINK I GOT IT.

>> ♪ I SAID, "FILLY, WHAT YOU

TALKING ABOUT?" ♪

♪ GIVE 'EM WHAT THEY WANT, BOO ♪

♪ SWITCH IT UP ♪

♪ LET 'EM HATE IF THEY WANT TO ♪

>> ♪ YOU KNOW I CAN, DADDY ♪

>> ♪ BUT, BABY, CAN YOU FREAK

WITH IT? ♪

>> ♪ FILLY BROWN, I GET NASTY ♪

[ INDISTINCT CONVERSATIONS ]

>> BIG CEE IS IN THE BUILDING.

HOW YOU FEELING, MAN?

>> HOW YOU DOING, BROTHER?

>> AND FIRST OF ALL, I JUST WANT

TO COMMEND YOU ON ALL YOUR

SUCCESS, BRO.

THAT'S MY FILLY RIGHT THERE --

FILLY BROWN.

♪ ...AND MY BACK BOOTYLICIOUS ♪

♪ HIP-HOP MUSIC, TURN IT UP ♪

♪ SHE THE ILLEST ♪

♪ PLAYER CAN'T HATE ME 'CAUSE HE

KNOW HE WANT TO HIT THIS ♪

♪ LICKED IT ONE TIME AND NOW HE

ALWAYS WANT TO KICK IT ♪

♪ YOUNG DUDES LOVE ME ♪

♪ KEEP 'EM COMING WITH THE

QUICKNESS ♪

♪ THIS IS 'BOUT A BUSINESS ♪

♪ DON'T GET ON MY HIT LIST ♪

♪ ACTING LIKE A DIPSHIT ♪

♪ NOW YOU CAN'T GET SHIT ♪

♪ DADDY, WILL YOU LICK ME

DOWN? ♪

♪ EVERY TIME I COME AROUND ♪

♪ YOU WANT SOME OF

FILLY BROWN? ♪

>> ♪ CAN YOU FREAK WITH IT? ♪

>> ♪ YOU KNOW I CAN, DADDY ♪

>> ♪ CAN YOU FREAK WITH IT? ♪

>> ♪ FILLY BROWN, I GET NASTY ♪

♪ DADDY, WILL YOU LICK ME

DOWN? ♪

♪ EVERY TIME I COME AROUND ♪

♪ YOU WANT SOME OF

FILLY BROWN? ♪

>> ♪ CAN YOU FREAK WITH IT? ♪

>> ♪ YOU KNOW I CAN, DADDY ♪

>> ♪ BUT, BABY, CAN YOU FREAK

WITH IT? ♪

>> ♪ FILLY BROWN, I GET NASTY ♪

♪ YOU CAN FIND ME FILLY BREEZY

WHERE THE KEYS BE ♪

♪ THIS HERE IS EASY ♪

♪ I BLOW GREASY ♪

♪ YOU WANNA TOUCH ME, TEASE

ME? ♪

♪ I'M NO HO ♪

♪ I'M GLAD YOU CAME, BUT YOU

SHOULDA BEEN A NO-SHOW ♪

♪ SHOULDA BEEN... ♪

♪ NOW IT'S GONNA COST YA ♪

>> LET ME, UH, GIVE IT SOME TIME

TO THINK OVER, ALL RIGHT?

>> ♪ I'M RUTHLESS LIKE TWO PITS

WITH TWO CLITS ♪

♪ I'LL VERBALLY MURDER ANYBODY

WITH TWO TITS ♪

♪ DADDY, WILL YOU LICK ME

DOWN? ♪

>> SHIT, UH...

I'M GONNA HIT UP -- I'M GONNA

HIT -- I AIN'T GOT YOUR CELL,

BUT I'M GONNA HIT THE

RECEPTIONIST.

[ CHUCKLES ]

>> ♪ DADDY, WILL YOU LICK ME

DOWN? ♪

♪ EVERY TIME I COME AROUND ♪

♪ YOU WANT SOME OF

FILLY BROWN? ♪

>> ♪ CAN YOU FREAK WITH IT? ♪

>> ♪ YOU KNOW I CAN, DADDY ♪

>> ♪ BUT, BABY, CAN YOU FREAK

WITH IT? ♪

>> ♪ FILLY BROWN, I GET NASTY ♪

[ CHEERS AND APPLAUSE ]

>> MAN!

>> WE KILLED IT! WE KILLED IT!

>> THAT WAS OFF THE HOOK.

>> BUT I SAW YOU WITH WYATT, AND

I DON'T WANT THAT SHIT GOING ON.

I DON'T TRUST HIM.

>> I DON'T EVEN KNOW WHO YOU'RE

TALKING ABOUT.

>> I SAW THAT LITTLE GRINDING

THING GOING ON.

>> I WAS WITH EDDIE THE WHOLE

TIME...

>> THAT'S BULLSHIT.

JUST DON'T --

>> HEY, THAT SHIT WAS HARD.

THAT SHIT WAS HARD.

>> YEAH?

>> FILLY "B."

>> YEAH!

>> Y'ALL WERE HARD, DAWG.

WHAT ARE YOU TALKING ABOUT?

[ LAUGHTER ]

YO, BUT WE'RE A TEAM.

WE DID THIS TOGETHER.

THANK YOU SO MUCH.

ONCE THIS BLOWS UP, WE'RE GONNA

FLIP THE SCRIPT, GET THE FUCK

OUT THESE FUCKING CLUBS, AND DO

WHAT WE DO BECAUSE Y'ALL KNOW...

>> WHOO!

[ INDISTINCT SHOUTING ]

>> FILLY TO THE TOP.

>> THANK YOU FOR GOING ALONG

WITH THIS.

I REALLY APPRECIATE IT.

>> HEY. ALWAYS.

>> CHOO!

>> GET THAT ONE -- IT'S THE

FIRST TIME SHE KISSED A BOY!

>> WHOO!

[ INDISTINCT SHOUTING ]

>> WHY ARE YOU RECORDING IT?

YOU BETTER ERASE THAT SHIT.

>> YEAH.

>> WHOA!

>> ♪ WHO THE HELL ROCKED IT? ♪=

♪ FILLY BROWN ROCKED IT ♪

♪ TELL ME WHO ROCKED IT ♪

♪ FILLY BROWN ROCKED IT ♪

HEY! THAT'S WHAT I LIKE.

I'M SO FUCKING PROUD OF Y'ALL.

AMAZING. OUTSTANDING.

WORDS CANNOT DESCRIBE HOW

FUCKING PROUD I AM OF Y'ALL.

FILLY, YOU'RE LOOKING HOTTER

THAN TWO RATS HUMPING IN A WOOL

SOCK IN THE MIDDLE OF A

BARNYARD.

>> THAT'S SICK.

>> WOW.

>> I'LL TAKE THAT AS A

COMPLIMENT.

>> PROUD.

I FEEL LIKE A BIG BROTHER, LIKE

A DAD.

SO FUCKING PROUD.

>> WORD. [ CHUCKLES ]

>> THE WORD IS WE GOOD.

WE JUST GONNA WRAP UP.

WE GONNA RENDEZVOUS.

>> OKAY, BUT WHAT HAPPENED WITH

THE LABELS?

YOU'RE HOLDING OUT ON US.

>> YEAH, YEAH.

>> SOME OF THE LABELS -- WE HAD

A COUPLE NO-SHOWS, OKAY, LIKE

TRAFFIC, DRESS CODE.

I DON'T KNOW WHAT HAPPENED.

BUT BIG CEE WAS THERE.

IT JUST AIN'T RIGHT, THOUGH.

>> WHAT DO YOU MEAN, IT AIN'T

RIGHT?

>> HE AND US JUST DON'T FIT,

THAT'S ALL.

HUH? JUST -- JUST THE FIT.

>> OKAY, SO, WHAT'S NEXT?

>> I'M GONNA GET TO SMILING AND

DIALING, AND BEFORE YOU KNOW IT

WE GONNA BUST THIS SHIT WIDE

OPEN.

IT JUST AIN'T GONNA BE

OVERNIGHT.

>> WHEN?

>> LOOK, Y'ALL JUST NEED TO BE

PATIENT, OKAY?

LIKE, MY ABUELITA WOULD ALWAYS

SAY -- MIJO, YOU DO ONE LEG LIKE

THAT AND THEN YOU BRING THE

OTHER ONE RIGHT NEXT TO IT AND

THAT IS A FIRST STEP.

AND THAT'S ALL THIS IS --

A FIRST STEP.

♪ WE GONNA STEP IT OUT TONIGHT ♪

♪ 'CAUSE Y'ALL ROCKED THAT

MOTHERFUCKER ♪

♪ ROCKED THAT MOTHERFUCKER ♪

>> [ LAUGHS ]

>> HEY! Y'ALL READY?

COME ON. LET'S GO.

>> UM, CAN WE STAY FOR LIKE A

LITTLE BIT LONGER, JUST LIKE A

LITTLE?

>> I'M GONNA CHANGE.

YOU GOT 30 MINUTES.

>> ARE YOU FOR REAL?

>> I'M CHANGING.

IF YOU AIN'T OUT FRONT, WE'RE

LEAVING WITHOUT YOU.

>> OKAY.

>> IT'S ALL GOOD.

YOU DID A GREAT JOB.

DON'T LET THIS PULL YOU DOWN.

>> NO.

>> YOU GOOD.

>> COME ON, DAWG.

[ CRICKETS CHIRPING ]

>> SALUD.

>> WHAT?

>> THIS IS NEW.

>> I COULD SAY THE SAME FOR YOU.

I HAVEN'T SEEN YOU BUST IT OUT

SINCE LUPE WAS BORN.

[ Chuckling ] SHIT.

>> HOW IS LUPE?

>> SHE'S ON LOCKDOWN.

PISSED AT ME.

>> I'M SORRY ABOUT TONIGHT.

I HAD THIS THING WITH AMANDA.

I WANT TO LAND THIS DEAL REAL

BAD.

EVERYTHING CAN CHANGE.

WHAT'S WRONG?

>> IT'S, UM...

I'M SUPPOSED TO GET THIS MONEY

TO THIS CAESER GUY AND --

>> WHY DIDN'T YOU TELL ME?

>> I'M TELLING YOU NOW, DAD.

>> WHO'S CAESER?

>> I DON'T KNOW.

THIS CONTACT OR --

>> THIS IS WHY I TOLD YOU TO

STAY AWAY FROM HER.

THIS IS WHAT SHE DOES, MAJO.

SHE DRAGS EVERYONE DOWN.

>> SHE'S IN TROUBLE, DAD.

>> SHE'S ALWAYS IN TROUBLE.

>> SHE'S NOT PERFECT. I GET IT.

SHE LOVES YOU, AND I KNOW YOU

STILL LOVE HER.

>> NO, I DON'T, NOT ANYMORE.

AND I'M TIRED OF FEELING GUILTY

ABOUT IT.

>> WHAT IF SOMETHING HAPPENS TO

HER, HUH?

WHAT IF SOMETHING HAPPENS IN

THERE AND YOU DID NOTHING?

CAN YOU LIVE WITH YOURSELF?

>> WHAT DO YOU WANT ME TO SAY?

[ CELLPHONE DINGS ]

[ HIP-HOP MUSIC PLAYING ]

>> [ CHUCKLES ] THAT'S NICE.

>> REALLY?

>> YEAH.

AW, SHIT, HERE COMES YOUR

BROTHER.

>> YOU LIED TO ME. GET INSIDE.

>> PLEASE EXCUSE MY SISTER.

>> GET INSIDE BEFORE DAD COMES

OUT HERE.

>> THANK YOU FOR AN AWESOME --

>> GO, LUPE.

>> GOOD TIMES.

>> RELAX, DUDE. SHE'S ALL RIGHT.

>> WHAT SHE IS, IS 17 YEARS OLD,

AND YOU HAVE NO BUSINESS EVEN

LOOKING AT HER.

>> YEAH?

>> YEAH.

>> IT DIDN'T TASTE LIKE IT.

BIG CEE WANTS A WORD.

>> GET THE FUCK OUT OF MY WAY.

>> ♪ GETTING HOT IN THE CLUB ♪

>> EVERYTHING ALL RIGHT OR WHAT?

>> WHY'D YOU BAIL ON US AFTER

THE SHOWCASE?

>> YOU KNOW, I LIKE THAT FIRE

ABOUT YOU.

I THINK THE WORD WOULD LIKE

THAT, AS WELL.

THE PROBLEM IS YOU'RE SURROUNDED

BY SMALL-TIME.

YOU SEE, GARAGE STUDIOS,

RAYBORN'S PAYOLA DEALS --

THEY'RE ONLY GONNA TAKE YOU SO

FAR IN THE GAME.

I SEEN IT BEFORE A THOUSAND

TIMES.

>> YOU OFFERING SOMETHING?

>> YEAH.

BIG CEE'S OFFERING A BRAND.

YOU SEE, BIG CEE PRODUCES, AND

HE PROMOTES.

YOU COME ON WITH ME, WE'LL DO IT

THE RIGHT WAY.

MAYBE THERE'LL BE A LITTLE

ADVANCE.

WHO KNOWS?

>> HOW MUCH?

>> WELL, I'LL TELL YOU WHAT --

IF FILLY BROWN'S SERIOUS, YOU

KNOW WHERE TO FIND BIG CEE, ALL

RIGHT?

LET'S GO. COME ON.

[ CAR DOOR OPENS AND CLOSES ]

>> WHAT WERE YOU THINKING,

EDDIE?

ARE YOU STUPID?

YOU'RE LUCKY I GOT THE STUFF

BACK, MAN.

THEY WERE GONNA PRESS CHARGES.

DID MAJO PUT YOU UP TO THIS?

YOU GET OUT OF HERE.

>> WHAT?

WHOA, WHOA, WHOA.

>> DON'T.

DON'T YOU SAY A WORD, MAN.

>> WHY ARE YOU FLIPPING OUT ON

EDDIE?

>> AND DON'T LIE TO ME.

>> TIO, CHILL OUT.

>> GET OUT OF HERE.

IT COST ME A LOT OF MONEY SO

THEY WOULDN'T PRESS CHARGES, AND

YOU'RE GONNA PAY EVERY PENNY

BACK.

>> I DON'T EVEN KNOW WHAT YOU'RE

TALKING ABOUT.

>> STOP IT, MAJO.

I KNOW IT WAS YOU.

AND IT MAKES ME SICK THINKING

ABOUT IT, MAN.

>> I ASKED YOU FOR HELP,

DIDN'T I?

>> OH, AND THAT'S SUPPOSED TO

MAKE IT RIGHT.

>> I HAD NO OTHER CHOICE.

>> YES, YOU DID, MAJO.

>> NO. WHAT WAS I GONNA DO?

WHO WAS I GONNA ASK?

>> YOU'RE FIRED, MAN.

GET OUT OF HERE.

MAKE ME SICK.

>> YOU WOULDN'T HAVE ANY OF THIS

IF IT WASN'T FOR HER.

>> IS THAT WHAT SHE TOLD YOU?

>> YEAH, THAT'S WHAT SHE

TOLD ME.

SHE TOLD ME THE TRUTH.

>> OH, THE TRUTH?

YOU WANT TO KNOW THE TRUTH?

YOUR MOTHER SPENT EVERY SECOND

OF HER LIFE SCAMMING DEALS JUST

LIKE THIS ONE.

SHE PUT ME IN SO MUCH DEBT, I

HAD TO FILE FOR BANKRUPTCY, MAN.

IT TOOK YEARS TO FIX THAT SHIT

UP.

>> THAT'S A LIE.

>> I DON'T LIKE, MAJO.

THAT'S WHAT YOU DO.

I WAS HOPING YOU WOULDN'T END

UP LIKE HER.

YOU KNOW THAT?

[ TELEPHONE RINGING ]

>> WHAT THE HELL'S GOING ON WITH

YOU AND MAJO?

>> WELL, SHE'S HIRED ME.

>> AND YOU DIDN'T THINK TO

CALL ME?

>> SHE DOESN'T WANT YOU IN THIS.

AND OBVIOUSLY SHE DOESN'T KNOW

THE TRUTH.

>> ABOUT WHAT?

>> MARIA'S USING AGAIN.

SHE OWES PEOPLE MONEY.

>> MAJO DON'T NEED TO KNOW ANY

OF THAT.

>> SHE'S MY CLIENT.

I'M OBLIGED BY LAW TO TELL HER

THE TRUTH.

SHE'S GONNA FIND OUT ONE WAY OR

ANOTHER.

>> YOU STAY AWAY FROM MY FAMILY.

>> A LETTER FROM LEANDRO TO THE

D.A., REQUESTING RELEASE OF ALL

PERTINENT INFORMATION REGARDING

THE INDICTMENT.

THIS IS BIG-TIME LEGAL SHIT,

MOM.

MOM? MOM?

>> I TOLD YOU.

I FUCKING TOLD YOU HOW DANGEROUS

IT IS IN HERE.

DON'T YOU UNDERSTAND?

MAJO.

MIJA, COME BACK.

[ SIGHS ]

I'M HAPPY YOU'RE CHASING IT DOWN

WITH LEANDRO.

HE'S A'IGHT.

CAESER KNOWS WHAT'S UP.

HE KNOWS THE RIGHT PEOPLE.

HE CAN HELP ME OUT, AND HE HAS

BEEN FOR A WHILE.

I MADE PROMISES...

PROMISES THAT MAKE PEOPLE ANGRY

IF THEY DON'T HAPPEN.

YOU NEED TO GET THAT MONEY TO

CAESER.

>> I'LL FIGURE SOMETHING OUT.

>> YOU HAVE TO.

>> YOU PLAY CHESS?

>> I HAVE.

>> IS THAT RIGHT?

YOU KNOW, 'CAUSE NOWADAYS IN

THIS WORLD, SOMETIMES YOU EITHER

ADAPT, OR YOU DIE.

IT'S THAT SIMPLE.

>> THAT'S REAL TALK RIGHT THERE.

>> GREAT.

>> I'M GONNA NEED FIVE "K" IF

YOU'RE INTERESTED IN SINGING ME,

AND I'LL NEED MY CREW.

>> [ CHUCKLES ]

>> WELL, I'M GONNA BE HONEST

WITH YOU.

YOU SEE, I DON'T PARTICULARLY

CARE WHO YOU ASSOCIATE WITH.

THAT'S NONE OF MY BUSINESS.

BUT I'LL TELL YOU WHAT --

BIG CEE -- HE PRODUCES.

AND WHEN BIG CEE PRODUCES,

THERE'S ONLY ONE VISION, AND

THAT VISION IS MINE.

IF I SENSE ANY NEGATIVITY IN

THAT VISION, THOSE PEOPLE GET

REMOVED.

YOU UNDERSTAND?

I'LL TELL YOU WHAT I'M GONNA DO

FOR YOU, ALL RIGHT?

I GOT THIS CONTRACT HERE.

SIMPLE.

AND I'LL TIDE YOU OVER ABOUT

$1,000.

GOT TO SET YOU UP AS IT IS,

ANYWAYS, RIGHT?

>> WHAT I NEED IS FIVE "K," OR I

WALK.

>> [ CHUCKLES ]

WHERE IN THE HELL YOU GONNA WALK

TO, HUH?

>> YOU WANT IT STRAIGHT?

>> PLEASE.

BE A FIRST TIME IN THIS OFFICE.

>> I NEED THE LOOT TO GET MY

MOMS OUT OF PRISON.

>> I'LL TELL YOU WHAT.

I'M GONNA GIVE YOU THE FIVE "K"

FOR YOU AND YOUR CREW.

YOU WANT TO PAY THEM -- YOU DO,

YOU DON'T -- IT'S NONE OF MY

BUSINESS.

SEE, I GOT LOW FRIENDS IN HIGH

PLACES, AND I MAKE THINGS HAPPEN

BY TOMORROW.

ALL I GOT TO DO IS PICK UP THAT

PHONE RIGHT THERE -- DONE.

UNDERSTAND WHEN YOU TAKE THIS

MONEY AND YOU SIGN THIS

CONTRACT, YOU BEST BELIEVE

YOU'RE GONNA FULFILL ITS

PARAMETERS.

IS THAT CLEAR?

>> CLEAR AS DAY.

>> OKAY. THAT'S ON YOU.

YOU GUYS CAN LEAVE NOW.

I'M IN THE MIDDLE OF A GAME.

YOU GET YOUR FOUR "K" FROM MY

SECRETARY OUTSIDE.

LET'S GO. COME ON.

>> ♪ GETTING MONEY LIKE A RICH

GABACHO ♪

♪ I'M ABOUT MY CHIPS,

I'M ABOUT MY NACHOS ♪

[ INDISTINCT RAPPING ]

>> AND YOU DO KNOW THAT.

>> SHE'S EARLY.

>> CAESER?

>> YEAH. YOU MAJO?

GET UP IN HERE, GIRL.

>> I'M NOT GETTING IN THERE.

>> [ CHUCKLES ]

>> HEY, DAWG, GET UP OUT OF

HERE, MAN.

>> WHAT ARE YOU TALKING ABOUT?

>> KICK ROCKS, BRO. KICK ROCKS.

GET THE FUCK UP OUT.

I GOT BUSINESS TO TALK TO, BRO.

>> THAT'S SOME BULLSHIT, MAN.

>> YOU KNOW WHAT IT IS, MAN.

GET UP OUT OF HERE, MAN.

KICK ROCKS.

GO JACK SOMEBODY OR SOMETHING.

>> BULLSHIT.

>> [ CHUCKLES ]

THAT BETTER NOW? COOL?

COME SIT SHOTGUN. COME ON.

WE SOLO BOLO. COME ON, NOW.

[ CAR DOOR CLOSES ]

WHAT YOU GOT FOR ME?

YOU DON'T LOOK LIKE AN ATTORNEY.

>> [ CHUCKLES ] ME, AN ATTORNEY?

HELL, NO, GIRL, BUT I DO MOVE

RESOURCES IN AND OUT.

YOU KNOW, MARIA'S IN DEEP WITH

SOME BIG CATS, SOME BIG-TIMERS.

SHE DON'T WANT TO FUCK AROUND.

SHE BEEN LIVING OFF PROMISES FOR

SO LONG.

IT'S TIME TO KICK DOWN.

>> WHAT KIND OF PROMISES?

>> THE MONEY KIND, GREEN,

DENIRO, SCRILLA, SCRATCH.

YOU KNOW WHAT I'M TALKING ABOUT.

>> HOW DO I KNOW THAT SHE'S

GONNA GET WHAT I GIVE YOU?

>> LOOK, MAMA -- I'M DOING BOTH

Y'ALL A FAVOR.

I DON'T NEED THE HEAT ON ME.

I'M COOL.

I'M TRYING TO HOOK Y'ALL UP.

THAT'S WHAT I'M TALKING ABOUT.

HOLD UP. HOLD UP, GIRL.

THREE STACKS -- THAT'S WHAT I'M

TALKING ABOUT -- GOOD JOB.

YOU NEED A RIDE? YOU STRAIGHT?

>> I'M GOOD.

>> HEY, MA, YOU'RE DOING A GOOD

THING, ALL RIGHT?

TAKE CARE OUT THERE.

[ INDISTINCT CONVERSATIONS ]

>> ALL RIGHT.

>> JOSE?

DEFINITELY THE BEST ONE ON THE

BLOCK.

>> RIGHT.

>> [ SPEAKING SPANISH ]

>> UM, SAM, THIS IS JOSE.

>> NICE TO MEET YOU.

MY APOLOGIES.

I HAD TO GET MY HANDS DIRTY

TODAY.

>> AS YOU CAN SEE, JOSE DOES A

LOT OF THE WORK AROUND HERE.

HE'S REALLY AMAZING.

THIS IS SAM.

HE TAUGHT ME ALL I KNOW, AND

HE'S FLIPPING LIKE, WHAT, 10

PROPERTIES RIGHT NOW?

>> YEAH, SOMETHING LIKE THAT,

YEAH.

>> WHENEVER YOU NEED AN

ESTIMATE, YOU CAN LET ME KNOW.

>> WELL, I'LL GET YOUR

INFORMATION FROM AMANDA.

>> YOU KNOW, WHY DON'T YOU GO ON

IN AND HAVE A LOOK?

I'M GONNA JUST GO THROUGH SOME

DETAILS WITH JOSE.

>> SURE.

IT WAS GOOD TO MEET YOU.

>> I'LL BE IN THERE IN A SEC.

>> IS THERE A PROBLEM?

>> ARE YOU SERIOUS?

YOU LOOK LIKE A BLOODY

EX-CONVICT.

YOU KNOW I'M TRYING TO HELP YOU,

DON'T YOU?

>> THIS AIN'T ABOUT ME.

[ DRUMBEATS ]

>> SO, THIS IS, UH, ONE OF THE

STUDIOS HERE.

WE GOT ABOUT FOUR OF THEM.

>> THIS IS WHERE WE DROPPED

"BLOWIN' BIG," BY THE WAY.

>> YOU WANT TO GO BACK THERE?

>> REALLY?

>> YEAH, MAKE YOURSELF AT HOME.

I MEAN, THIS IS WHERE YOU'RE

GONNA PUT IT DOWN FOR US, RIGHT?

>> Y'ALL DON'T MIND IF I...?

>> MAKE SOME NOISE.

>> ♪ IT'S A LITTLE DIFFERENT

WHEN YOU'RE GIFTED ♪

♪ NO BLUEPRINT ♪

♪ I JUST SLIDE ON MY LIPSTICK ♪

♪ CARS AND THE MONEY ♪

♪ AND ALL Y'ALL BITCHES ♪

♪ COULDN'T BUY ME ♪

♪ I GOT A SOUL FULL OF RICHES ♪

♪ TALK ABOUT REALNESS ♪

♪ BABY, YOU CAN FEEL THIS ♪

♪ NO FAKE TITTIES AND MY BACK

BOOTYLICIOUS ♪

♪ I'M FILLY "B" ♪

♪ I REP BIG CEE ♪

♪ GOOD LOVIN' ♪

♪ I GOT IT ♪

♪ I WANT TO GIVE IT TO YOU ♪

♪ NO TELLING ♪

>> LOOKS LIKE THE FILLY'S

UPGRADED.

>> LIKE THAT, HUH?

>> IT IS WHAT IT IS.

>> FUCKED-UP GAME, AIN'T IT?

>> ♪ I WANT TO GIVE IT TO YOU ♪

>> WHAT YOU DOING AFTER?

[ CELLPHONE RINGING ]

>> UM...

>> GOT A MAN OR WHAT?

>> I DON'T. I DO-- CHAMPAGNE!

>> ♪ SERVE IT UP WHEN I PUT MY

SWAG IN IT ♪

♪ PUT MY SWAG IN IT, PUT MY

SWAG IN IT ♪

♪ I GOT PEOPLE LIKE, "HI,

FILLY'S COMING OUT ♪

♪ EVERYBODY MAKE NOISE WHEN I'M

IN THE HOUSE ♪

♪ RED BROTHER, YOU SURPRISED TO

SEE A CHICK COMING ♪

♪ GOT YOU BUCKING, LIKE, "DAMN,

SHE GOT SOME GOOD LOVIN'" ♪

♪ GOOD LOVIN' ♪

♪ I GOT IT ♪

♪ I WANT TO GIVE IT TO YOU ♪

♪ NO TELLING ♪

♪ NOBODY ♪

♪ LOWDOWN IS JUST HOW I DO ♪

♪ I SUPER FLY ♪

♪ YOU ANOTHER LITTLE GUY ♪

♪ WANT TO LOCK ME DOWN TONIGHT ♪

♪ BOOM, BIDDY, BYE-BYE ♪

♪ BRING MY SWAG UP IN THIS

PLACE ♪

♪ SWING MY GOODS UP IN HIS

FACE ♪

♪ YOUNG BOY THINKS HE GOT AN

ACE ♪

♪ BUT HE CAN'T GET NO TASTE

'CAUSE... ♪

>> [ SPEAKING SPANISH ]

>> [ SPEAKING SPANISH ]

[ CELLPHONE RINGING ]

♪ I GOT IT ♪

♪ I WANT TO GIVE IT TO YOU ♪

♪ NO TELLING ♪

♪ NOBODY ♪

♪ LOWDOWN IS JUST HOW I DO ♪

♪ FILLY BROWN NEVER SELLING

OUT ♪

♪ 'CAUSE I WRITE, I SPIT THE

TRUTH IN THIS BOOK ♪

♪ THAT'S ALL I KNOW ABOUT ♪

♪ SUCKERS BETTER THINK TWICE

WHEN THEY STEP INTO THIS LADY

ON THE MIKE ♪

♪ SO COLD I'M ICE ♪

♪ SERVE IT UP WHEN I PUT MY

SWAG IN IT ♪

♪ SERVE IT UP WHEN I PUT MY

SWAG IN IT ♪

♪ SERVE IT UP WHEN I PUT MY

SWAG IN IT ♪

♪ PUT MY SWAG IN IT, PUT MY

SWAG IN IT ♪

♪ GOOD LOVIN' ♪

♪ I GOT IT ♪

♪ I WANT TO GIVE IT TO YOU ♪

♪ NO TELLING ♪

>> [ LAUGHS ]

>> ♪ LOWDOWN IS JUST HOW I DO ♪

♪ GOOD LOVIN' ♪

♪ I GOT IT ♪

♪ I WANT TO GIVE IT TO YOU ♪

>> THAT'S WHAT I'M TALKING

ABOUT, MAN.

>> YEAH?

>> THAT'S IT.

COME ON, FILLY BROWN!

BIG C's HAPPY!

YOU KNOW WHAT I'M SAYING?

[ LAUGHS ]

WHOO!

OH, WE GOT OURSELF A HIT, MAN.

YOU WANT TO RUN IT AGAIN?

>> SURE.

>> THEN LET'S DO IT AGAIN ONE

MORE T-- MAN, COME ON!

HIT THAT TRACK!

>> ALL RIGHT.

COME ON.

>> DAMN.

YOU GUYS LOOK LIKE STARS.

SUPERSTAR.

>> YOU LOOK DIFFERENT.

>> IT'S A HARD LIFE IN HERE,

MIJA.

BUT THERE'S WAYS TO COPE.

>> WHAT ARE YOU ON?

>> WHY YOU GOT TO THINK LIKE

THAT?

>> ARE YOU HAPPY TO SEE ME,

OR WHAT?

SHE HAPPY TO SEE ME?

>> OH, SHE IS. SHE'S HAPPY.

>> LEANDRO CALLED.

>> WHAT DID HE SAY, MOM?

>> YOU DID GOOD, BABY.

THOUGHT YOU WOULD.

SHIT, I KNEW YOU WOULD.

>> WHEN DID HE CALL?

WHEN DID HE CALL, MOM?

MOM! WHEN DID HE CALL?!

>> BETTER PUMP YOUR BRAKES,

GIRL.

SO, DID YOU SPIT MY POEM?

DID YOU DO THAT?

THAT'S ME, YOU KNOW.

TELL HER TO DO THAT.

I WANT YOU TO BE A STAR.

>> HEY.

[ DOOR OPENS ]

IT'S NOT YOUR FAULT SHE'S A

FUCK-UP, OKAY?

LET'S GET OUT OF HERE.

IT'S SO STUPID.

>> POCOS PERO LOCOS GOT IT.

WE LOVE IT WHEN YOU CHECK US

OUT, AND I KNOW YOU GUYS HAVE

BEEN WAITING.

WE PROMISED YOU.

BIG CEE RECORDS IS TAKING OVER

THE BUILDING.

WE GOT MY HOMEBOY,

MR. "BLOWIN' BIG" HIMSELF,

"SO FLY" HIMSELF, WITH MY

NEW-GROWN AND SEXY GIRL.

>> [ CHUCKLES ]

>> ALL RIGHT, GUYS, YOU KNOW I

HAVE TO ASK.

RUMOR ON THE STREET -- YOU ALL

WAS KIND OF BEEFING.

THERE WAS A LITTLE SOMETHING,

SOMETHING GOING ON, BUT THE

PEOPLE NEED TO KNOW.

WHAT'S UP, GUYS?

>> WELL, FIRST AND FOREMOST, I

WANT TO MAKE SURE WE GIVE MAD

LOVE TO MY MAN BIG CEE OF

BIG CEE RECORDS, WHO...

>> GIVE IT UP.

>> ...FOUND THIS FILLY...

>> THANK YOU, THANK YOU,

BIG CEE.

>> ...SHAPED HER INTO THE

EXPERIENCE Y'ALL ARE ABOUT TO

HEAR ABOUT.

IN REGARDS TO THE OTHER THING,

NAH, NAH, IT'S ALL UP.

WE'RE GOOD, RIGHT?

>> WE ARE UNDER THE SAME LABEL

NOW.

WE'RE WORKING TOGETHER.

>> THE FILLY BROWN EXPERIENCE.

FILLY, WHAT'S UP?

WHAT IS IT?

>> WELL, YOU KNOW, THE BEST WAY

TO EXPRESS FILLY BROWN I GETTING

TOGETHER THE CIPHER WITH THE

DIVA, YOU KNOW.

THE FILLY BROWN EXPERIENCE IS...

>> TELL ME SHE DID NOT JUST

REFER TO HERSELF IN THE THIRD

PERSON.

>> SEXY.

>> ALWAYS.

>> AND SMART.

>> SHE DID.

>> ALL DAY, EVERY DAY.

>> HAVE YOU GUYS TALKED?

>> I GOT TO GO.

I GOT A MEETING IN 10.

SO, NICE SEEING Y'ALL LADIES.

>> YOU AIN'T GONNA CHILL?

>> YEAH, I GOT TO BOUNCE, YO.

>> WE'LL GO GET SOMETHING TO EAT

OR SOMETHING.

>> ALL RIGHT.

>> [ SPEAKING INDISTINCTLY ]

>> I GUESS.

>> LOOK AT -- MEN ALWAYS GET

JEALOUS, FILLY.

I AIN'T NEVER THOUGHT I'D

SEE...SWEAT.

>> THAT WAS BIG.

>> I'M SO PROUD OF YOU.

>> YO, WAIT UP. WAIT UP, GUYS.

HEY.

WHAT UP, EDDIE?

DOPE JACKET.

>> [ CHUCKLES ] YEAH. THANKS.

LET ME TAKE THAT.

>> ALL RIGHT, I'LL MEET YOU IN

THE FRONT, MAN.

>> ♪ GOOD LOVIN' ♪

♪ I GOT IT ♪

♪ I WANT TO GIVE IT TO YOU ♪

♪ NO TELLING ♪

SORRY.

♪ LOWDOWN IS JUST HOW I DO ♪

♪ GOOD LOVIN' ♪

♪ I GOT IT ♪

I SHOULD HAVE RETURNED YOUR

CALLS.

I'M JUST -- IT GOT SO HECTIC,

YOU KNOW, AND SHOULD HAVE TOLD

YOU GUYS ABOUT ALL THIS.

IT JUST HAPPENED SO FAST.

>> YEAH.

>> ONCE THE SINGLE BLOWS OVER,

WE'LL GET BACK TO DOING OUR OWN

THING.

PROMISE.

>> [ CHUCKLES ]

EASY AS THAT.

YOU KNOW WHERE I'LL BE AT.

>> ♪ NO TELLING ♪

♪ NOBODY ♪

♪ LOWDOWN IS JUST HOW I DO ♪

♪ I SUPER FLY ♪

♪ YOU ANOTHER LITTLE GUY ♪

>> AHH.

YOU KNOW WHAT WE NEED TO DO?

WE NEED TO GET YOU A SHOT.

HEY, YO, LET ME GET TWO HOUSE

SHOTS OF TEQUILA.

>> A SHOT? MAYBE NOT.

>> I'M NOT GONNA FORCE YOU.

IT'S ALL GOOD.

IF YOU'RE SCARED...

ALL RIGHT. GOOD TIME.

>> OKAY.

>> [ EXHALES SHARPLY ]

>> UGH.

GROSS.

>> THAT WAS GOOD.

>> [ COUGHS ]

BREATHE. BREATHE. YOU'RE GOOD.

[ BOTH LAUGH ]

[ HIP-HOP MUSIC PAYING ]

[ INDISTINCT SINGING ]

GOT A V.I.P. ROOM HERE.

>> YOU'RE BAD.

[ GIGGLES ]

>> COME HERE.

>> [ MOANING ]

[ BREATHING HEAVILY ]

[ BOTH LAUGH ]

SHOULD I JUST --

>> IT'S OKAY. RELAX.

>> MMM.

OKAY. OKAY.

OKAY. OKAY. OKAY.

STOP.

>> COME HERE.

[ UNZIPPING ]

>> MMM. JUST RELAX.

>> STOP.

>> RELAX, MAN.

>> STOP.

>> RELAX. COME HERE.

YES.

>> STOP.

[ WHIMPERING ] NO.

[ HAND SLAPS ]

>> UGH!

[ BREATHING HEAVILY ]

>> NO, NO, NO, NO, NO.

BABY.

>> [ WHIMPERS ]

>> FUCK, MAN, WHAT YOU MADE ME

DO THAT FOR?

>> [ BREATHING HEAVILY ]

WHAT'D YOU EVEN COME UP HERE

FOR, THEN?

HUH? WHY ARE WE EVEN UP HERE?

WAIT. WAIT. WAIT.

FUCK.

>> [ GASPING ]

>> LUPE?

LUPE, OPEN THIS DOOR.

WHERE'S LUPE?

>> WHAT DO YOU MEAN?

>> I KNOCKED ON HER DOOR.

SHE'S NOT THERE.

[ DOOR OPENS ]

HOLD ON.

WHAT THE HELL IS THIS?

>> IT'S NOTHING.

>> YEAH? WHAT HAPPENED?

>> I GOT INTO A FIGHT WITH

THIS GIRL.

IT'S FINE.

>> THIS GIRL, HMM?

THIS GIRL?

LUPE, TELL ME THE TRUTH 'CAUSE

I'M GONNA FIND OUT.

WHO DID THIS TO YOU?

>> NO, DAD, IT'S FINE.

[ Voice breaking ] I'M FINE.

I'M FINE, DAD. I'M FINE.

DON'T GO.

>> LUPE, LOOK AT ME.

LUPE, LOOK AT ME.

>> BABY, TALK TO ME.

>> JUST GET ME ANOTHER FUCKING

DRINK, ALL RIGHT?

>> UGH!

[ GRUNTING ]

>> HOW DOES THAT FEEL, BITCH?

[ DOOR CLOSES ]

[ KNOCK ON DOOR ]

>> CAN I COME IN?

>> OF COURSE.

>> HI, LUPE.

>> HI.

>> [ GROANS LIGHTLY ]

I NEVER FILED THE MOTIONS.

THERE WAS NEVER ANY INDICTMENT.

>> YEAH, I KNOW.

>> LISTEN, THE REASON I CAME

DOWN HERE IS BECAUSE THERE'S

SOMETHING THAT WE CAN DO.

YOUR MOM HAS RIGHTS.

[ DOOR CLOSES ]

>> WHAT ARE YOU DOING HERE?

>> [ SIGHS ]

I'M SORRY.

THEY HAVE A RIGHT TO KNOW.

>> WAIT A SECOND.

YOU KNEW ABOUT THIS?

>> I TOLD YOU TO STAY AWAY FROM

MY FAMILY.

>> DAD?

MAJO AND I WENT DOWN THERE.

>> YOU TOOK LUPE?

>> I'M NOT GIVING UP ON HER.

>> THIS ISN'T THE TIME, MAJO.

>> THEN WHEN IS THE TIME, DAD?

HUH?

TELL ME.

FIVE YEARS FROM NOW?

TELL ME SOMETHING.

>> LISTEN, THE STATE'S MANDATED

TO PROVIDE TREATMENT, ALTHOUGH

MOST INSTITUTIONS DROP THE BALL,

FRANKLY BECAUSE THERE'S NOT

ENOUGH PEOPLE ASKING QUESTIONS.

BUT WE CAN DO SOMETHING ABOUT

THAT.

IT'S A LONG PROCESS, AND IT'S

GONNA TAKE YOU PEOPLE COMING

TOGETHER AS A FAMILY TO MAKE IT

WORK BECAUSE IT'S NOT ABOUT ME

JUST WRITING LETTERS AND MAKING

PHONES CALLS.

IT'S ABOUT SOMEBODY GOING DOWN

THERE TO MAKE SURE THAT THE

TREATMENTS ARE BEING

ADMINISTERED AND THAT SHE'S ON

TRACK.

[ DOOR OPENS ]

THAT I DON'T WANT TO BREAK, BUT

I GOT TO DO IT.

FILLY BROWN -- HER HIT SINGLE,

"FILLY BROWN" -- IT'S STOLEN

GOODS.

BIG CEE'S IN A WHOLE LOT OF

TROUBLE, BEING SUED BY

FOSTER'S PUBLISHING.

>> OH, SHIT. WAIT. WAIT. WAIT.

HOLD ON.

>> HMM?

>> LOOK.

>> WHAT HAPPENED?

>> FILLY BROWN IS STOLEN GOODS.

THE SONG'S LYRICS WERE LIFTED

FROM OBSCURE SOLO RAP ARTIST

FRANK VASQUEZ.

>> WHAT THE FUCK DOES THAT MEAN?

>> SHE'S A FAKE.

>> WHAT?

>> SHOULD HAVE KNOWN THAT.

[ LINE RINGING ]

[ CELLPHONE RINGING ]

>> WELL, LET ME TELL YOU

SOMETHING -- ALL THAT SHIT THAT

YOU GAVE ME WAS ALREADY

COPYRIGHTED, HUH?

WHAT YOU DO?

YOU JUST GO AROUND, PICK UP ANY

FUCKING CD YOU SEE RIGHT THERE,

AND JUST START COPYING IT, OR

WHAT?

>> I MEAN, YOU KNOW, I DON'T

EVEN KNOW -- I DON'T EVEN KNOW

WHAT THE FUCK IS GOING ON

BECAUSE I KNOW THE WRITER.

SO I CAN JUST ASK HER, AND WE

CAN GET --

>> HER?

EVERYTHING WAS UNDER THE NAME

FRANK VASQUEZ.

AND YOU BEST BELIEVE, BITCH, YOU

KEEP ON LYING TO ME, EVERY PENNY

THAT I INVESTED IN YOUR STUPID

LITTLE ASS -- I SWEAR TO GOD I'M

GONNA FUCKING GET IT BACK.

THEN I'M GONNA FUCK--

>> YOUR STUFF AT THE STATION HAD

A REALLY DIFFERENT VIBE.

WHERE'D THAT COME FROM?

>> MY MOMS.

MY MOM GAVE IT TO ME.

>> DID YOU GET IT?

MY LETTER?

THERE'S A SONG IN THERE THAT I

WAS WORKING ON BEFORE ALL THIS.

I THOUGHT YOU MIGHT LIKE IT...

>> YOU KNOW, I, UH...

>> ...YOU KNOW, 'CAUSE OF YOUR

MUSIC.

>> I SPIT THAT RHYME YOU GAVE

ME, AND I KILLED IT AT THE

STATION.

AND I KNOW WHAT YOU'RE GONNA SAY

ABOUT THE MUSIC --

>> LISTEN, FORGET WHAT I GAVE

YOU.

IT DON'T MEAN SHIT.

>> I ACTUALLY THINK THAT THIS

SHIT IS REAL.

>> IF THAT PIG STRIKES A DEAL,

IT'S ALL OVER.

SO, DID YOU SPIT MY POEM?

I NEED TO GET THAT MONEY TO

CAESER.

DID YOU DO THAT?

>> [ BREATHING HEAVILY ]

[ WHIMPERING ]

>> YOU HOW MUCH I RESPECT YOU.

MAYBE I'VE BEEN TOO TIGHT WITH

THE BUDGET, AND YOU WERE

OVERWORKED ON A BLOODY HOT DAY.

SO, WE CAN GET YOU SOME MORE

MEN, AND MAYBE YOU COULD BE MORE

OF A FOREMAN.

ALL I ASK, THOUGH, IS THAT YOU

LOOK THE PART.

IT'S REALLY VERY IMPORTANT TO

ME.

AND I HOPE IT'S EQUALLY AS

IMPORTANT TO YOU.

[ TELEPHONE RINGS ]

SORRY. HOLD ON ON SECOND.

HELLO. AMANDA HUTCHINSON.

UH, YES.

YEAH, YEAH, ABSOLUTELY.

NO, NO, NOT A PROBLEM AT ALL,

NO.

WELL, IN FACT, I'VE GOT ONE

PERFECT FOR YOU.

[ SPEAKING INDISTINCTLY ]

UH -- OHH, UM, 10:00, MAYBE?

YES.

I THINK THAT WOULD BE GREAT.

ABSOLUTELY.

COULD YOU JUST HOLD FOR ONE

SECOND?

>> I KNOW A CONTRACTOR.

HE'S MORE OF WHAT YOU'RE

LOOKING FOR.

>> I DON'T UNDERSTAND.

>> I'M NOT GOING TO HIDE WHO

I AM.

THAT MIGHT SEEM NORMAL FOR YOU,

BUT IT'S NOT FOR ME.

>> SO, THAT'S IT?

>> YEAH.

>> SHE DOESN'T EVEN LOOK LIKE

THAT.

>> [ COUGHS ]

>> YO, CHECK THIS OUT.

>> YEAH, THAT'S NOT A VERY GOOD

PICTURE.

>> YO, SANTA.

>> WHAT YOU MISERING OVER THERE?

>> ONE SECOND.

LET ME JUST GET THIS OFF REAL

QUICK.

[ RECORD SCRATCHING ]

>> DAMN.

>> I JUST THINK SHE LOOKS GOOD.

>> I KNEW SHE WAS A FAKE.

[ ORCHESTRAL MUSIC PLAYING ]

>> WHAT WAS SHE THINKING?

>> YO, CHECK THIS OUT.

[ DRUMBEATS ]

>> OH, YEAH, THAT'S DOPE!

>> THAT'S AWESOME.

>> DAMN!

>> DAMN, THAT IS HOT.

>> YO.

>> YO, THAT'S THE BUSINESS.

>> WE NEED FILLY.

>> GIRL'S A LIAR, MAN.

WE DON'T WANT THAT.

>> SHE'S A HATER.

>> YEAH, SHE'S A LIAR.

>> WHAT'S UP, GUYS?

UGH!

UGH!

UGH!

>> [ SPITS ]

FUCK IT UP.

>> UGH!

[ GLASS CLINKING ]

>> OH, MY GOD.

>> WHAT THE HELL IS GOING ON,

MAJO?

>> I DON'T KNOW.

>> DON'T LIE TO ME.

>> WHERE'S LUPE?

[ BEEPING ]

>> [ EXHALES HEAVILY ]

[ CRYING ]

IT'S MY FAULT.

>> YOU DID NOT DO THIS, OKAY?

>> I KNOW, BUT IT FEELS LIKE

I DID.

>> I KNOW WHAT YOU MEAN.

I LIED TO YOU.

GUESS IT RUNS IN THE FAMILY.

I'M GONNA MAKE IT RIGHT.

I SWEAR.

[ SNIFFLING ]

>> HE DROPPED THIS OFF FOR YOU.

[ INDISTINCT CONVERSATIONS ]

>> ...POCOS PERO LOCOS, THE BIG

BAD NETWORK.

TURN IT UP.

>> KHOOL-AID, I NEED TO GET ON

THE MIKE.

>> GIRL, YOU'RE A LITTLE TOO

HOT RIGHT NOW.

>> BUT I GOT TO GET ON THAT

MIKE.

I GOT SOMETHING TO SAY, AND I

NEED YOUR HELP.

PLEASE?

E-DUB, WILL YOU PLAY THIS AND

RECORD IT FOR ME?

>> GOTCHA.

[ ORCHESTRAL MUSIC PLAYING ]

♪ FILLY BROWN ♪

♪ SUPERSTAR STATUS ♪

♪ LIFESTYLE LAVISH ♪

♪ THE RAP GAME'S LADY SAVAGE ♪

♪ JUVENILE GONE WILD ♪

♪ KILL YOU WITH A SMILE ♪

♪ THE WORLD IS ALL MINE ♪

♪ CHECK THE Myspace PROFILE ♪

♪ VOICE OF THE PEOPLE ♪

♪ SO REAL LIKE A GLOCK ♪

♪ THE NEW HUSTLER ON THE BLOCK ♪

♪ SOMEBODY BETTER THE CALL THE

COPS ♪

♪ I'M LIGHTS OUT ♪

♪ PULL THE PLUG ♪

♪ YOU SHOULD FEAR ME LIKE A

THUG ♪

♪ THE HOTTEST THING IN THE

CLUB ♪

♪ AIN'T NO FALLING IN LOVE ♪

♪ WHEN THE WALLS CAME CRASH ♪

♪ WHEN THE TRUTH CAME OUT ♪

♪ I'M A RAPPER, NOT A POET ♪

♪ A.K.A., THE PEOPLE'S MOUTH ♪

♪ ACTIVIST, I'M A FIGHTER ♪

♪ I'M A WRITER, WORDS OF

WISDOM ♪

♪ I'M NOT A THIEF IN THE NIGHT ♪

♪ OF A VISION FOR PRISON ♪

♪ I'M ONE OF YOU ♪

♪ I'M ALL OF YOU ♪

♪ I MADE MISTAKES WITH THE

PLAN ♪

♪ I FEEL DOWN FOR TWO GRAND ♪

♪ HELP ME UP IF YOU CAN ♪

♪ I'M HERE TO STAY IF YOU LET

ME ♪

[ TIRES SCREECH ]

DAD! DAD! DAD!

[ CELLPHONE RINGING ]

>> EXCUSE ME.

YEAH?

WHAT KIND OF TROUBLE?

YEAH.

>> SEE?

THE DRIVE BELT.

>> MAN, WHAT DO YOU WANT?

>> I NEED YOUR HELP.

>> YOU NEED MY HELP?

HEY, THIS GUY.

NOW, AIN'T LIFE FUCKING CRAZY?

YOU'RE JUST FIRING US LIKE

NOTHING.

>> WHAT KIND OF TROUBLE YOU IN?

>> IT'S NOT ME [SPEAKING

SPANISH]

IT'S MAJO.

>> MAJO?

[ SCOFFS ]

>> YOU'RE A REAL ASSHOLE.

YOU KNOW THAT, CABRóN?

BUT YOU'RE FAMILY.

THANK YOU.

>> HOMEBOY, YOU KNOW I'M DOWN.

[ SPEAKING SPANISH ]

>> ALL RIGHT, GET THE GEAR.

>> GEAR? WHAT GEAR?

WE AIN'T GO NO GEAR NO MORE.

>> WE'RE IN CONSTRUCTION.

[ TIRES SCREECHING ]

>> FUCK OFF ME!

>> PUT HER DOWN.

>> FUCK!

>> [ MUTTERS ]

>> GET OVER HERE. COME ON.

GET OVER HERE.

>> UGH!

>> YOU'RE GONNA PAY FOR WHAT YOU

DID, YOU STUPID LITTLE BITCH.

OH, YEAH, YOU CAN HIT LIKE A

MAN, BUT LET'S SEE IF YOU CAN

TAKE IT LIKE ONE.

>> UGH!

>> YOU AIN'T SO FUCKING BAD NOW,

HUH?

>> [ WHIMPERS ]

>> HOW'S THAT FEEL, HUH?

>> HEY!

WHAT THE HELL ARE YOU DOING,

HUH?

>> [ WHIMPERING ]

>> WHAT DOES IT LOOK LIKE I'M

DOING?

IT'S PAYBACK.

>> HEY, MAN, YOU JUST CAN'T GO

AROUND KIDNAPPING PEOPLE, MAN.

WHAT ARE YOU, STUPID OR WHAT?

>> GET YOUR FUCKING HANDS OFF MY

DAUGHTER.

>> BACK THE FUCK UP.

BACK THE FUCK UP.

WHAT THE FUCK IS THIS, HUH?

>> I'M ONLY GONNA SAY THIS ONE

LAST TIME -- LET HER GO.

>> I AIN'T FUCKING SCARED OF

YOU, OLD MAN -- UGH!

[ GASPING ]

>> BOY, WE ARE LONG PAST SCARED.

>> [ COUGHS ]

[ GASPING ]

>> DAD, JUST -- JUST LET HIM GO.

HE'S NOT EVEN WORTH IT.

>> AND SHE'S A FAKE.

[ GASPING ]

>> DAD.

>> MNH-MNH.

>> JUST LET HIM GO.

>> [ GASPING ]

>> DAD.

DAD.

PLEASE, DADDY, HE CAN'T BREATHE!

DAD, HE'S RIGHT.

HE'S RIGHT. I'M A FAKE.

JUST...

I TOOK MOM'S LYRICS, AND I

PLAYED THEM OFF AS MY OWN.

I JUST WAS AFRAID TO TELL MY

OWN STORY.

JUST LET HIM GO BECAUSE I CAN'T

LOSE YOU, TOO, PLEASE.

>> UGH!

[ COUGHING ]

[ GASPING ]

>> DAD.

I DIDN'T WANT TO SEE IT.

I JUST WANTED MY MOTHER BACK.

I CAN'T LET HER GO.

I'M SORRY.

I'M REALLY SORRY.

>> NOW THAT WE GOT ALL THE

EMOTIONAL BULLSHIT OUT THE WAY,

STILL A LITTLE MATTER WE NEED TO

DISCUSS.

BECAUSE OF YOUR DAUGHTER'S LIES,

SHE COST ME A LOT OF MONEY.

HERE.

TAKE IT.

>> WHAT'S THIS SUPPOSED TO BE,

HUH?

>> THAT'S WHAT YOU'VE BEEN

LOOKING FOR ME.

THAT'S ME. THAT'S FILLY BROWN.

THAT'S YOUR NEXT HIT, BIG CEE.

>> [ CHUCKLES ] MY NEXT HIT.

DON'T YOU YOU THINK YOU'RE

SUPPOSING QUITE A BIT, HUH?

>> THE PUBLICITY THAT I GOT YOU?

THAT SHIT WOULD COST YOU A

FORTUNE, AND YOU KNOW IT.

>> OKAY.

I'M NOT GONNA DENY THAT YOU HAVE

TALENT, BUT I'LL TELL YOU

THIS -- I'M DONE WITH THE BOTH

OF YOU.

AND YOU -- WHEN I'M THROUGH WITH

YOU, YOU WON'T EVEN BE ABLE TO

M.C. AN QUINCEAÑERA, HOMEBOY.

>> YEAH, FUCK YOU.

I DON'T NEED YOU, ANYWAY.

>> ALL RIGHT.

>> WHAT YOU DO NEED IS A

LAWYER -- WHEN SANTA WAKES UP,

ALL THREE OF YOU.

>> MAN, BITCH IS ALL TALK.

AIN'T NOTHING GONNA HAP--

>> RESPECT, YOUNGSTER.

>> [ GROANING ]

>> AAH.

>> STOP.

>> IT'S COLD.

>> YOU CAN PUNCHED BY A BOY,

AND YOU CAN'T...

[ DOG BARKING ]

>> I'M GOOD.

>> [ SIGHS ]

>> YOU TWO ARE SO MUCH LIKE

MARIA...

STRONG...

BEAUTIFUL...

SO MUCH HEART.

I WISH YOU TWO COULD HAVE SEEN

US TOGETHER BACK IN THE DAY.

SHE KEPT ME OUT OF A LOT OF

TROUBLE.

SHE BELIEVED IN ME EVEN WHEN I

DIDN'T.

I'VE DONE TERRIBLE THINGS...

WORSE THINGS THAN HER.

SHE LOVED ME SO MUCH, SHE WANTED

TO EXPERIENCE MY WORLD.

GOD FORGIVE ME, I WANTED HER TO.

>> WHY?

>> BACK THEN, IT WAS FUN...

DANGEROUS.

SHE WASN'T CUT OUT FOR IT.

BY THE TIME I NOTICED SOMETHING

WAS WRONG, IT WAS TOO LATE.

EVERYTHING CHANGED FOR ME WHEN

YOU SHOWED UP.

I CHANGED MY LIFE, MAJO.

BUT I COULDN'T GET THROUGH TO

HER.

SHE WAS TOO FAR GONE.

WHAT HAPPENED TO YOUR MOTHER

IS MY FAULT.

AND I'VE BEEN HIDING FROM THAT

LIKE A COWARD.

BUT THAT'S NOT ME...

NOT ANYMORE.

I LOVE YOU TWO MORE THAN

ANYTHING.

>> [ CRIES ]

I LOVE YOU, DAD.

[ SNIFFLES ]

>> HEY.

>> UM, MAJO WROTE A KILLER

VERSE.

>> I SPIT IT ON THIS WEB RADIO

STATION.

>> SHE GOT LIKE 50,000 VIEWS

IN A WEEK.

>> [ SIGHS ]

ALL BECAUSE OF THIS FOOL.

>> [ CHUCKLES ]

>> MORE POPULAR THAN ME.

>> HUH-UNH.

>> DID YOU SEE IT?

>> SHE'S REALLY TALENTED.

>> YOU'RE JUST SAYING THAT

'CAUSE YOU'RE MY POPS.

[ CHUCKLES ]

>> IF YOU SUCKED, I WOULD HAVE

TOLD YOU.

>> NO, HE WOULDN'T HAVE.

>> YOU SHOULD DO IT FOR HER.

>> [ COUGHS ]

>> I WOULD LIKE THAT.

>> ♪ FILLY BROWN ♪

♪ SUPERSTAR STATUS ♪

♪ LIFESTYLE LAVISH ♪

♪ THE RAP GAME'S LADY SAVAGE ♪

♪ JUVENILE GONE WILD ♪

♪ KILL YOU WITH A SMILE ♪

♪ THE WORLD IS ALL MINE ♪

♪ CHECK THE Myspace PROFILE ♪

♪ VOICE OF THE PEOPLE ♪

♪ SO REAL LIKE A GLOCK ♪

♪ THE NEW HUSTLER ON THE BLOCK ♪

♪ SOMEBODY BETTER THE CALL THE

COPS ♪

♪ I'M LIGHTS OUT ♪

♪ PULL THE PLUG ♪

♪ YOU SHOULD FEAR ME LIKE A

THUG ♪

♪ THE HOTTEST THING IN THE

CLUB ♪

♪ AIN'T NO FALLING IN LOVE ♪

♪ YES, MOTHER ♪

♪ I STILL LOVE YOU ♪

♪ OH, HOW IT HURTS ♪

♪ TEARS FALLING DOWN MY FACE ♪

♪ WRITING MY OWN VERSE ♪

♪ DAD TOLD ME THE REAL STORY ♪

♪ I UNDERSTAND YOU TOOK THE

ROLE OF A MAN ♪

♪ ADDICTION ENFORCED HAND ♪

♪ WALK THE STREETS ALL ALONE ♪

♪ GRIPPED AND RIPPED THE

MICROPHONE ♪

♪ PRODUCT OF A BROKEN HOME ♪

♪ MY POPS WAS A ROLLING STONE ♪

♪ THEN TO WAR WITH NO GUNS ♪

♪ NO PAIN, NO GLORY ♪

♪ THE LAST ONE STANDING ♪

♪ FILLY BROWN'S STORY ♪

[ Voice breaking ] ♪ DEAR

FATHER, I LOVE YOU MORE THAN

WORDS FROM MY MOUTH ♪

♪ THAN ANY POEM FROM A PEN COULD

EVER READ ABOUT ♪

♪ THE GAME'S OVER ♪

♪ PRAYING TIME ♪

♪ HANDS ON MY KNEES ♪

♪ LAYING DOWN TO SLEEP ♪

♪ MAN, LISTEN TO MY DREAMS ♪

THERE'S -- THERE'S --

THERE'S A HOOK.

IT'S COMING TOGETHER.

>> THAT'S BEAUTIFUL, BABY.

>> IT'S TIME.

>> [ SIGHS ]

>> I'LL DO THE REST OF IT NEXT

TIME.

PROMISE.

>> I'M SORRY.

[ SNIFFLING ]

>> WELL, THAT WAS SLIGHTLY

AWKWARD.

AY!

WHAT THE HELL?

OW.

>> COME ON, YOU GUYS.

LET'S GET OUT OF HERE.

>> ♪ FILLY BROWN ♪

♪ SUPERSTAR STATUS ♪

♪ LIFESTYLE LAVISH ♪

♪ THE RAP GAME'S LADY SAVAGE ♪

♪ JUVENILE GONE WILD ♪

♪ KILL YOU WITH A SMILE ♪

♪ THE WORLD IS ALL MINE ♪

♪ CHECK THE Myspace PROFILE ♪

♪ VOICE OF THE PEOPLE ♪

♪ SO REAL LIKE A GLOCK ♪

♪ THE NEW HUSTLER ON THE BLOCK ♪

♪ SOMEBODY BETTER THE CALL THE

COPS ♪

♪ I'M LIGHTS OUT ♪

♪ PULL THE PLUG ♪

♪ YOU SHOULD FEAR ME LIKE A

THUG ♪

♪ THE HOTTEST THING IN THE

CLUB ♪

♪ AIN'T NO FALLING IN LOVE ♪

>> HE LOOK LIKE ONE-EYED WILLIE.

LOOK AT HIM -- ONE-EYED WILLIE.

[ LAUGHTER ]

>> THAT SHIT AIN'T FUNNY.

IT'S NOT.

NO, IT'S NOT.

>> REMEMBER THE GARAGE?

>> WHAT HAPPENED IN THE GARAGE?

>> NOTHING HAPPENED IN THE

GARAGE.

>> HEY, I WAS THERE.

>> GET OUT OF HERE.

>> THIS VATO'S GOING FROM HOUSE

TO HOUSE, MAN.

HE'S ASKING FOR SOME WORK,

YOU KNOW?

YOU KNOW, "I'LL DO ANYTHING FOR

YOU, MAN.

I'LL MOW YOUR LAWN.

I'LL WASH YOUR CAR."

FINALLY A GUY SAYS, "YEAH, I GOT

SOME CHORES, MAN, IN THE BACK,"

RIGHT?

I GOT SOME CHARTREUSE PAINT, AND

I NEED YOU TO PAINT THIS PORCH

FOR ME.

IT'S IN THE BACK.

I'LL GIVE YOU $10 AN HOUR."

THE GUY SAYS, "HEY, MAN, NO

PROBLEM, YOU KNOW?

I'LL DO THIS FOR YOU.

I'LL PAINT YOUR PORCH."

HE GOES OFF ABOUT THREE HOURS.

HE COMES BACK, AND HE SAYS,

"MAN, THE PORCH IS ALL PAINTED."

HE GOES, "GREAT, MAN.

OKAY, SO, I'LL GIVE YOU $30

FOR THAT."

THE VATO SAYS, "HEY, LISTEN,

THOUGH, MAN.

I GOT TO TELL YOU SOMETHING.

THAT WASN'T A PORSCHE.

IT WAS A MERCEDES-BENZ."

[ LAUGHTER ]

>> ♪ TRUE BELIEFS TILL YOU DIE ♪

♪ WHY ASK WHY? ♪

♪ DEAD SOULS DON'T CRY ♪

♪ RAP FOOLS TELL LIES ♪

♪ BROKEN DREAMS, SUICIDE ♪

♪ SMILE NOW, CRY LATER ♪

♪ FILLY BROWN, YOU'RE LIFE'S

GREATER ♪

♪ THAN A FAKE RECORD DEAL AND A

NEW NAVIGATOR ♪

♪ SPEAK FROM YOUR HEART ♪

♪ FROM THE END TO THE START ♪

♪ FUCK THE RECORD SHARKS ♪

♪ BABY, BE A REAL STAR ♪

♪ STAND UP FOR YOUR PEOPLE ♪

♪ SPEAK THE TRUTH ♪

♪ PAVE THE WAY FOR THE YOUTH ♪

♪ MAMA, DO WHAT YOU DO ♪

♪ YOU LIAR ♪

♪ YOU HATEFUL ♪

♪ YOU A CHEAT ♪

♪ YOU A SNAKE ON THE STREET WHO

MOVE WITH NO FEET ♪

♪ YOU FREAK ♪

♪ YOU DIRTY ♪

♪ KNOW HOW YOU HURT THE ONES

THAT HAD YOUR BACK ♪

♪ HOW YOU DO 'EM LIKE THAT? ♪

♪ YOUR REFLECTION IN THE

MIRROR ♪

♪ HOW SAD ♪

♪ PLAYED BY YOUR MOTHER ♪

♪ GUILTY LOVE BY YOUR DAD ♪

♪ YOU RAP ♪

♪ YOU TALK ♪

♪ YOU SPEAK, BUT YOU AIN'T

SAYING SHIT ♪

♪ THAT'S WHY AT NIGHT YOU CAN'T

SLEEP ♪

♪ YOU LIAR ♪

>> ♪ YOU A CHEAT ♪

>> ♪ YOU A SNAKE ON THE STREET ♪

>> ♪ WHO MOVE WITH NO FEET ♪

>> ♪ YOU FREAK, YOU FREAK ♪

♪ YOU ♪

>> ♪ KNOW HOW YOU HURT ♪

>> ♪ THE ONES THAT HAD YOUR

BACK ♪

>> ♪ HOW YOU DO 'EM LIKE THAT? ♪

>> ♪ YOUR REFLECTION ♪

>> ♪ IN THE MIRROR ♪

♪ HOW SAD ♪

>> ♪ PLAYED BY YOUR MOTHER ♪

>> ♪ GUILTY LOVE BY YOUR DAD ♪

>> ♪ YOU RAP ♪

>> ♪ YOU TALK ♪

>> ♪ YOU SPEAK ♪

>> ♪ BUT YOU AIN'T SAYING SHIT ♪

♪ THAT'S WHY AT NIGHTS YOU CAN'T

SLEEP ♪

>> ♪ YES, MOTHER ♪

♪ I STILL LOVE YOU ♪

♪ OH, HOW IT HURTS ♪

♪ TEARS FALLING DOWN MY FACE ♪

♪ WRITING MY OWN VERSE ♪

♪ DAD TOLD ME THE REAL STORY ♪

♪ I UNDERSTAND YOU TOOK THE

ROLE OF A MAN ♪

♪ ADDICTION ENFORCED IT ♪

♪ WALK THE STREETS ALL ALONE ♪

♪ GRIPPED AND RIPPED THE

MICROPHONE ♪

♪ PRODUCT OF A BROKEN HOME ♪

♪ MY POPS WAS A ROLLING STONE ♪

♪ THEN TO WAR WITH NO GUNS ♪

♪ NO PAIN, NO GLORY ♪

♪ THE LAST ONE STANDING ♪

♪ FILLY BROWN'S STORY ♪

♪ SANTA, MI AMOR ♪

♪ PAPI, PLEASE COME BACK ♪

♪ YOU WAS RIGHT FROM THE GATE ♪

♪ I LOVE YOU LIKE THAT ♪

♪ REAL TALK ♪

♪ YOU THE ONE THAT I NEED

IN MY LIFE ♪

♪ WITHOUT YOU THERE'S NO ME,

LIKE THE SUN WITH NO LIGHT ♪

♪ DEAR FATHER, I LOVE YOU MORE

THAN WORDS FROM MY MOUTH ♪

♪ THAN ANY POEM FROM A PEN WOULD

EVER READ ABOUT ♪

♪ THE GAME'S OVER ♪

♪ PRAYING TIME ♪

♪ HANDS ON MY KNEES ♪

♪ LAYING DOWN TO SLEEP ♪

♪ MAN, LISTEN TO MY DREAMS ♪

♪ YOU LIAR ♪

♪ YOU HATEFUL ♪

♪ YOU A CHEAT ♪

♪ YOU A SNAKE ON THE STREET WHO

MOVE WITH NO FEET ♪

♪ YOU FREAK ♪

♪ YOU DIRTY ♪

♪ KNOW HOW YOU HURT THE ONES

THAT HAD YOUR BACK ♪

♪ HOW YOU DO 'EM LIKE THAT? ♪

♪ YOUR REFLECTION IN THE

MIRROR ♪

♪ HOW SAD ♪

♪ PLAYED BY YOUR MOTHER ♪

♪ GUILTY LOVE BY YOUR DAD ♪

♪ YOU RAP ♪

♪ YOU TALK ♪

♪ YOU SPEAK, BUT YOU AIN'T

SAYING SHIT ♪

♪ THAT'S WHY AT NIGHT YOU CAN'T

SLEEP ♪

♪ YOU LIAR ♪

[ "THIS IS MY LIFE" PLAYS ]

>> ♪ THIS IS MY LIFE ♪

♪ THIS IS YOUR LIFE ♪

♪ THIS IS OUR LIFE ♪

♪ LISTEN, BE QUIET ♪

♪ I'M-A DO ME AND LISTEN

TO LIFE ♪

♪ I'LL PUT UP A FIGHT ♪

♪ IF I FEEL IT'S RIGHT ♪

♪ THIS IS MY LIFE ♪

♪ THIS IS YOUR LIFE ♪

♪ THIS IS OUR LIFE ♪

♪ LISTEN, BE QUIET ♪

♪ I'M-A DO ME AND YOU SHOULD

DO YOU ♪

♪ WE ALL GOT TO TAKE IT AND

MAKE IT, WE DO ♪

♪ MY THOUGHTS ARE DEEP ♪

♪ THEY MOTIVATE MY SCENERY ♪

♪ I LOVE THE STREETS, AND, YES,

THE STREETS, THEY LOVE ME ♪

♪ SMELL THE FIRE, HEAR THE SIREN

SCREAM, SCREAM ♪

♪ TRAFFIC JAMMING TO THE SOUND

OF THE BEAT, BEAT ♪

♪ NO PLACE LIKE HOME ♪

♪ TAP YOUR FEET IF YOU FEEL ME ♪

♪ BEAUTIFUL WEATHER HERE SO

NEGATIVE, IT NEVER KISS ME ♪

♪ I'M-A KEEP IT GOING ♪

♪ I WANT IT SO BAD THAT I CAN

TASTE IT NOW ♪

♪ THIS IS MY LIFE ♪

♪ THIS IS YOUR LIFE ♪

♪ THIS IS OUR LIFE ♪

♪ LISTEN, BE QUIET ♪

♪ I'M-A DO ME AND LISTEN

TO LIFE ♪

♪ I'LL PUT UP A FIGHT ♪

♪ IF I FEEL IT'S RIGHT ♪

♪ THIS IS MY LIFE ♪

♪ THIS IS YOUR LIFE ♪

♪ THIS IS OUR LIFE ♪

♪ LISTEN, BE QUIET ♪

♪ I'M-A DO ME AND YOU SHOULD

DO YOU ♪

♪ WE ALL GOT TO TAKE IT AND

MAKE IT, WE DO ♪

♪ YEAH, MY CITY, MY TEAM ♪

♪ MY CULTURE'S BELIEF IN THE

FREEDOM OF SPEECH ♪

♪ THAT CONTINUE TO KEEP MY

MIND...ALL THE PEOPLE THAT

PREACH ♪

[ INDISTINCT RAPPING ]

♪ NO OTHER PICTURE CAN EVER BE

PAINTED SO PERFECTLY ♪

[ INDISTINCT RAPPING ]

♪ INSPIRE ME TO...SCENES IN THE

LIFE I LEAD WITH THE LORD ♪

♪ I'LL PLEAD 'CAUSE THE STREETS

HAVE MADE ME ♪

♪ THIS IS MY LIFE ♪

♪ THIS IS YOUR LIFE ♪

♪ THIS IS OUR LIFE ♪

♪ LISTEN, BE QUIET ♪

♪ I'M-A DO ME AND LISTEN

TO LIFE ♪

♪ I'LL PUT UP A FIGHT ♪

♪ IF I FEEL IT'S RIGHT ♪

♪ THIS IS MY LIFE ♪