Eyes Behind the Stars (1978) - full transcript

That should be enough for now.

You go and change, Karin.

I should be right back,

I'm going to look

- for another background.

- Okay.

- You ready?

- Mm-hm, you find something?

Yeah, a little glade.

It's not much, what can I do?

Am I all right?

Yeah, sure, that

outfit'll be fine, fine.

Let me just get some film here.

Well, let's go.

Oh, Peter, just a second,

I want to get the radio.

Oh come on, love,

you're wasting your time.

The battery's dead.

That's why it's making

all that noise.

I don't understand, I

just changed the batteries

the other day.

That's strange.

What's strange?

Well, what's the matter?

This, this silence.

Sure, we're in the

country and it's quiet, so?

Yes, but when I came

here before, there were,

I heard hundreds of

birds singing.

Well they've flown away.

Oh, it stopped, Peter,

what time is it?

Huh, ah.

That's odd, mine stopped too.

Listen, let's go away,

this place seems spooky.

No, now I'm not

gonna let a couple of watches

that don't work keep us from

finishing this assignment.

Come on, let's get

back to the job.

Oh, all right.

Nat, stop, stop

right there, hold it.

Turn around.

Good.

Now look left.

Now move into the light,

that's it, that's it.

Hold it.

- Oh, Karin.

- Yes?

Here, you

forgot your beauty case.

- Oh, you're right.

- Yeah.

Thanks.

Hey, don't forget now,

shoot at my place at nine.

Don't be late.

I know, I won't be.

- Okay.

- Bye, thanks.

See ya.

Now what the devil?

Let me in!

Please open the door!

Open up, let me in, please!

I'm coming, who is it?

Hurry, please

open the door and let me in!

All right, you, good boy.

- Let me in for God sake!

- I'm coming, just a moment.

Please, hurry,

I beg you!

- Good boy.

- Please hurry!

What do you want?

Thank you, may I use

your telephone?

What is it, young man,

is something the matter?

Please, it's most

urgent, may I telephone?

Of course, right there.

Quiet you, it's all right.

But your telephone, it

isn't working.

Why it was working perfectly

well a few minutes ago.

Try again.

Yes, I...

What the deuce is that?

You come here, what's

got into you?

Who's there?

Is there someone at the door?

I say, young man,

what's going on?

Hey, what are

you doing, sir, let go.

Give it to me, I'll do it.

Do what, tell me,

what is it?

Peter?

Peter, where are you?

Peter?

Really, Tony, I'm quite sure,

we didn't see anything there.

Well, but the camera sure did.

Hm, are you sure, Karin,

it's not one of Peter's

little jokes?

Why, what kind of a joke?

Besides, he left a note

saying he was going back

to the place to check

for himself.

And don't forget the

strange happenings

I already told you about.

My God, Karin, if these pictures

and what you told me is true,

do you realize,

this is the biggest scoop

in a lifetime.

Tony, what

are you doing,

those are Peter's negatives.

I realize that, don't worry,

but I'd like to keep

them for awhile.

When Peter comes back, tell

him to call me immediately

at the office and to do

absolutely nothing

until he's spoken with me, okay?

Mm-hm.

And Peter.

The police say it's abandoned,

where?

Who did you hear it from?

From Albert.

He was at police headquarters

when the report was received.

Well I'm going up there

now, I'll be in touch

with you later, Monica.

What happened, Al?

The police found Peter

Collin's Land Rover

with the key and car

papers in it.

The Triumph belongs to

Karin Hale, the model.

Her personal documents were

still on the front seat.

Have they found them?

No, they seem to

have disappeared,

but nobody knows how or where.

Come on.

No photographs, please.

What are you doing, don't

touch that car.

I'm with The Daily Herald,

Miss Hale

and Mr. Colins are

friends of mine.

Don't touch anything, we

haven't taken fingerprints yet.

I won't, don't worry.

I'm sorry, you can't

go over there.

Why not?

Those are my orders,

you'll have to ask

the inspector.

Oh, here he comes now.

Good morning, Jim,

how are you?

How are you doing?

How's it going?

Okay, how's it you're here?

I just got a call

from our boys on patrol.

But why do you have this

part of the woods sealed off?

Will you tell me what's

behind there?

Excuse me, Tony, I'm

late, I've got to go.

Why don't we have

dinner sometime?

Phillips.

Good morning, sorry

to disturb you.

I'm Inspector Grant.

You were the lady who called

the police last night.

Good morning, Inspector Grant.

, how do you do?

Good morning.

What exactly did you see?

Well, what I said.

You tell them, Cecil.

Well my wife saw those

two motor cars abandoned

in the glade and called the

local police constabulary.

What about you, didn't

you see anything?

No, nothing, but there

was a lightning bolt

and a high wall bolt.

Guess it was just a

local electrical storm.

That's all I remember, sir.

Inspector, Inspector!

- Sorry.

- Yes.

Thank you, I may get

back to you later.

Here it is, sir.

Mind the fingerprints.

Only one shell

was fired, sir.

Mm-hm, yes, fine.

Follow me, sir, this way.

- In the house.

- Yes.

The front and

rear doors are bolted,

we'll have to smash a

window to get inside.

All right, get on with it.

You'd better call your

headquarters.

He's still alive, sir.

Get an ambulance here,

right away.

It's very curious, Inspector.

The dog's alive.

He appears to be blind, sir.

Yes, it certainly is odd,

Phillips.

Well leave me alone with them.

You too, Tony, outside please.

Why?

Look here, Tony, because

of our old friendship,

I've put up with your

presence here

but as of now, I'm telling you,

outside.

Yes, sir.

Hello, this is Inspector Grant.

Emergency services, may I talk

to the chief of staff, please.

Very urgent, security

section, this is top priority.

- Monica.

- Yes?

Do you mind coming into

my office for a moment.

I have some notes I want

to give to you.

Be right there.

Good morning.

That was quick, sit down.

What did you do to your hand?

Oh, I burned myself

making my coffee.

Oh, I'm sorry, mind

typing these notes up for me

before I forget them.

What did you do, write

it in the dark?

I can't read a word of it.

I'll read it for you.

Thank you.

Telephone call, Karin, 9:20 p.m.

Cars found in woods,

around 2 a.m.

Photographer and model vanished.

Some strange sounds and

flashes were heard

and seen by people in vicinity.

Shotgun was found on front

lawn with one shell exploded.

Telephone found dangling

off hook but working.

As well as lights on the house,

all windows and doors locked.

Owner in shock, lying on

floor beside blind dog.

Prohibited from entering

large area of wood.

Authorities have requested

investigation by the military.

When you've typed those up,

leave them on my desk, Monica.

I'll need them for an

article I'm writing tomorrow.

And tell the editor to save

some space on the front page.

Do you think all these

facts are connected?

I don't know.

The only one who might be

able to give us anything

interesting in fact is

the man who owns that dog.

Wait a minute.

I am forgetting the most

important thing.

Of course.

- The man died.

- When?

Only an hour ago in

fact, his heart failed,

but there was something

strange in his case.

What was that?

Shortly after he arrived here,

it began appearing large

blotches on his face.

I'd say he seemed to be burned,

but the odd thing was, a few

hours later, they disappeared.

Then what?

Nothing, but it was

rather curious.

May I see him?

Oh, no, because we've

been given strict orders

no one's to see him.

But can you at least tell

me the diagnosis you've given.

We haven't reached one yet,

I'm afraid

and won't until the

autopsy's made.

You must excuse me now, I

have to go back to work.

Thank you.

Daily Herald.

Please, may I have Miss Styles

in the day editorial office.

Who's calling please?

- Tony Harris.

- Go ahead.

- Hello.

- Monica.

- Yes?

- Monica.

You mind looking in

your address book

for the number of

that UFO expert

that we consulted in the past.

A story on flying saucers.

The one that

sells antiques?

Yes, yes, that's right.

Coleman Perry, 70...

Pardon?

70531, that's his shop.

- 70531.

- That's right.

And you can tell the

chief I'm sure this story

is a very big one.

- I'll do that, bye.

- So long.

Mr. Perry.

And you're Mr. Harris,

aren't you.

Yes.

Your phone call has

made me curious.

Please follow me.

Please, do sit down. Thank you.

- You smoke?

- Yes, thanks.

I know that you're an expert,

Mr. Perry,

on the subject of flying saucers

and you've been

seriously studying that

and relating UFO phenomena

for several years.

Is that correct, sir?

Well, yes, to the

point where today

being an antiquity is my hobby

and ufologist my profession.

Then you've no doubt read

in the newspapers recently

about the strange disappearance

of that photographer

and a fashion model and

the inferences

and speculation concerning it.

Do you think, sir, that

a flying saucer

or extraterrestrial

space vehicle

could've landed in that wood?

It's possible, but one

must be very cautious

before stating it.

Am I to understand,

that you believe in UFOs?

Certainly, there has been

proof throughout the world now

their existence and we

have documentary evidence

which is irrefutable, I

might say overwhelming.

They might be secret

weapons which were made

here on Earth.

No.

Then where do they come from?

There are various

opinions and conjectures,

but for the moment, no proof.

No one yet has been

able to determine

with any certainty where

they come from.

That is the greatest

mystery of the UFOs.

Then you'll, you are,

you're really sure

it was a flying saucer

which landed in that wood.

To be certain of what

actually occurred there,

one must be able to see

what is in that wood.

But I'm sure that for the moment

that is absolutely impossible.

If the military authorities

have been alerted,

they undoubtedly

have men posted.

They won't allow anyone

to go near there.

There's no mistaking what

they died of, it's radiation

and very intense.

And that was exactly

what we figured, Doctor.

Come in.

Wing Commander.

Marshal Thompson wants

to see you, sir.

Morning, sir.

Mith, read that article.

Who leaked that

information to the press?

Well I can assure you,

sir, none of us here

has talked with any newspapers.

I want to know how

this fellow Harris

got onto it.

Yes?

I've been informed they're

taking over once again.

It's out of our hands.

As you can see, I

have a lot of material.

You know, it was of 1947,

the then Chief of Staff

of the US Air Forces,

General Hoyt Vandenberg,

instructed the

Intelligence Service

of the American Air Forces

to prepare a detailed report

on all confirmed sightings

known up to that time on UFOs.

To determine both their

nature and their origins.

The year after, the

report was completed

and presented to

General Vandenberg.

It was a voluminous

dossier entitled,

"Top Secret Estimate of

the Situation."

It was shown only to the

very highest political

and military echelons.

And what conclusions were drawn?

That the so called flying

saucers are a reality.

And that their origins

are extraterrestrial.

But shortly later,

General Vandenberg

ordered the report to be

destroyed, incinerated.

It was very clear from that

action that the political

and military wished to

minimize the facts

and even to deny them.

For what reason?

Because they believe

people would panic

were they known and in

order not to create mistrust

and the capability of

American Arms to respond

to a weapon which is,

to imply in mild term,

most revolutionary,

that's why they deny

the existence of flying saucers.

But they've

been seen here

in helicopters besides America.

Certainly, but

try to find one government

which has officially

acknowledged the existence

of flying saucers.

We're dealing with a

conspiracy of silence

on an international level.

Well, for me it's rather late.

Do you mind if I take

some of this material?

If you think

it will help you, please do.

Actually, I've never

given it to anyone,

but I believe I can trust you

and I would like someone,

especially a journalist,

to take this question and

report it seriously at last.

What is it?

I just happen to be thinking.

I had forgotten something,

you know.

Perhaps Inspector

Grant also has.

When he questioned those

people living in the area,

there was certainly a

distinct sensation on my part

that those two people knew

much more about the thing

than they were willing to say

or better, what the husband

permitted his wife to say.

I think it might be useful

to have a chat with them.

If you'd like, I'd be glad

to go with you sometime.

Well, thank you.

Well, good night.

And thanks for all your help.

Don't mention it, good night.

And I wanna set a date

for lunch with Perry.

I'd like to learn some more

about those flying saucers.

From what you said about him,

seems he must be an

expert on UFOs.

Hm.

Oh, he's engaged.

You try, I've got to

see the editor.

Okay.

Hey.

This isn't Mr. Perry's number.

What do you mean it's

not his number?

No.

It's the one you gave me.

The number I gave you, I'm

sure it begins with a seven.

Instead, the one you have

here begins with an eight.

Hm.

Ah, well there it is.

That's odd.

The door's open.

That's why his phone

was always busy.

God, what a mess.

Why all this?

There's only one explanation.

What?

I'm sure someone came here

to find those negatives.

What negatives?

What sort of pictures were they?

Did they have anything

to do with UFOs?

Is that it?

Very well, Karin,

before her disappearance,

called and told me to

meet her here.

She showed me Peter's

photographs and negatives

which he had taken in the

wood that day she modeled

for him and in those pictures

were extraterrestrials,

creatures from outer space.

They were?

I took the negatives of

them, there were six of them.

Do you have the prints?

I didn't take those, I

left them here with Karin.

And you say you can see space

creatures clearly in them.

Yes.

Do you have them with you?

No.

But why didn't you tell

me about this before?

I think it's best if we

get out of here.

Who are you, what do you want?

Mr. Harris.

It would be better if you

decide not to report this story

now or in the future, you'll

gain nothing, so bury it.

We can be quite hard on those

who controvert our interests.

One more thing, I suggest you

forget about this little visit

we paid you, Mr. Harris.

Say Jim.

What's the idea of

getting us down here

at 8 o'clock in the morning?

Shut the door and come

in and sit down.

Now just before the sun

came up this morning,

someone did us a favor and

informed us that you three

have paid a visit to Peter

Colins' studio.

Now these two admitted it,

I'd like to hear your version.

I'm waiting.

Well, then you must

already know why we went

to Peter's place.

I want to know what

you didn't tell them.

Nothing more than what

they already told you.

I saw Karin Hale at Peter's

studio before she disappeared

and I took six frames

of a negative

on which some strange,

shining figures were visible.

Now how did you three

manage to get into the house?

Didn't they tell you that?

The door was open when

we got there.

What did you do with them?

Do with what?

Look here, Tony, now we've

known each other a long time,

don't try fooling me!

You know, you could be

in for a lot of trouble.

You know that don't you?

Now what did you do with

the negatives?

Where are they?

Afraid I can't tell you

that much, Jim,

it's your job to find out.

That's right.

And I'll do that, I can

also get a warrant

to search you and your friends'

houses, that's not all.

Have you ever heard of

The Silencers?

No, who are they?

They're special

undercover agents.

They're part of an

international organization

which is commonly called

the Group of Silencers.

The service is ultra secret,

they're concerned with UFOs.

They impose silence and

discredit all facts.

You're well informed.

I try, Inspector.

And in that case, they

weren't any of your men.

Who were my men?

The ones who came to

the house last night.

Ah, so that's what happened.

But they weren't able

to find those negatives.

And I bet neither will you.

As you like, anyway, I have

to continue my investigation

especially that man

and his wife,

you know the ones that

we questioned?

They'd been murdered.

You mean the lady that

telephoned and her husband?

That's right.

When did it happen?

It happened last night.

Do you know who did it?

No.

Your guess is as good as mine.

And the bodies had injuries

on them that were the same

as those find as the owner of

the first house and the dog

and they were not the only ones.

There were six soldiers

guarding that wood

where the cars were found.

They all died of

radiation poisoning.

Hm, hm?

Now the three of you can

do me a big favor

and just get the hell

out of here!

Oh, I say, Tony, might I

ask you a favor

of giving me a lift, I'm without

my car, I took a taxi here.

Of course,

where shall I drop you?

To the shop, if you're

sure there's no trouble.

No, no trouble at all.

Monica, I'll see you

at the paper later on.

- Right-o.

- Good-bye.

Where's that?

- Good morning, madam.

- Good morning.

You mind if I browse around?

Please go right ahead,

take your time.

If you find something

that interests you,

just call me, I'll be

in the back.

I'll do that, thank you.

There's another aspect,

perhaps it is the most enigmatic

and disturbing one.

You may not be aware of this,

Harris,

but there have been mysterious

disappearances of people

involved with UFOs in

all parts of the world.

You can't imagine how many

were taken away in UFOs.

They disappear, literally vanish

from the face of the Earth.

They were probably

transported to the place

where the UFOs come from.

But for what reason?

I would say almost

certainly in order for them

to conduct biological

experiments on Earth people.

Other people instead,

man and women,

were only temporarily confined

aboard these space craft.

Where they underwent

complex chemical analysis

and were then released.

The death of James

McDonald is one of the most

striking examples among

many strange occurrences.

McDonald was an astrophysicist

of international fame

who conducted a vigorous

battle to affirm

the truth about UFOs

and with the

consensus of U Thant,

intervened at the Commission

for Space Affairs at the UN

where he accused the CIA

and governments in general

of conducting a conspiracy

of silence on the question.

Following that, the

scientist's lifeless body

was found in the vicinity

of Tucson in Arizona

in a remote area of the

desert near there.

Many of those who have

studied the case

are of the opinion that

McDonald was actually executed

on orders of Secret

Intelligence Service.

Anyway, we do know that the

investigation on his death

was rather hasty in summary.

The official version

declares it was a suicide

as the result of serious

family problems,

but these quick conclusions

are not very convincing.

Anyone who tries to

find out too much

sooner or later meets a

premature end.

I, too, am afraid that one

day or another,

I'll...

Excuse me.

It might be better if we

interrupted this conversation.

We'll continue it at my

house tonight if you wish.

Why?

It'll be quieter there,

will eight be all right?

Mm-hm, eight

will be fine.

- See you tonight.

- Yes.

The death of

James McDonald

is one of the most striking

examples among many strange.

Tell him I'm working

on a follow up story

that's even more sensational

and say that I think

this should have a six

column spread.

I'm on to something very big,

Monica,

but I can't tell you now.

- See you.

- Good bye.

Secrecy is violated once again.

I call it censorship.

I'm not interested in

what you care to call it.

We follow the instructions

of the war office.

Besides those at the Pentagon

putting a cloak of silence

over whatever we discovered

as well as falsifying

our reports and lying,

denying proofs, those are

the orders that we follow.

The directors of the war

office impose a silence

on anything which might

place in jeopardy

not only ourselves, but

other countries as well.

And it silences

anyone who refuses

to keep quiet about it.

They're individualists,

there's no room

for anyone like that

in this matter

and we must obey because these

things can land anywhere.

Besides, we're cooperating

with all existing

major military powers.

Everyone knows that this

thing is being maneuvered

by the Secret Service.

Putting it frankly, their

real scope is to convince

public opinion of the

inexistence of UFOs,

besides discrediting

whatever authentic sightings

there have been.

A ploy which will allow only

our country's Secret Service

to have power over us all.

The same method used by

the CIA and before that,

the Soviet Union as well.

You know that here in

England, for the public

and for the majority of

the military,

every official inquiry

into UFOs was terminated

with the closure in America

of Project Blue Book.

The 17th of December, 1969

and don't you forget it.

And even if in reality, we're

still pursuing the matter,

and we're continuing

with our investigation,

no one should know about it.

No one, is that clear?

And what of the news media?

They know of the UFOs

and what about the fact

that these space craft and

their occupants

are now making

themselves invisible.

That is an indication

that they possess

a technology far in

advance of ours

and consequently makes

them extremely dangerous.

Listen, I warn you,

you're to do what

what you've been told.

Silence is best for us.

Until we're able to

prove that the UFOs

have no motives.

In any event I find

your interference abusive.

Whoever has to

impose his will is.

But as of now, our most

important task is to employ

any means to prevent that

journalist from asking questions

that would be most

difficult to answer.

Remove his blindfold.

Good evening, Mr. Harris.

There are those who

deplore that we're throwing

a cloak of secrecy over

everything concerning UFOs.

They say that the public

has a right to know

the truth about them.

That the public is

impressionable

and can easily be panicked.

If we have decided not

to have certain facts

made known to the public, it

is because we are concerned

they would cause undue anxiety

and if we change fact

into fiction,

it is only because we

believe that the world

is entirely unprepared to accept

factual information on UFOS

and by suppressing

that information,

we believe we can avoid the fear

it could undoubtedly

bring about.

I hope now I've made

myself clear.

Those pictures can

cause a panic.

You can see that, right?

Now please, I want

the negatives.

What negatives?

I don't know what you're

talking about.

Why all this?

There's only

one explanation.

What?

I'm sure someone came

here to find those negatives.

What negatives?

What sort

of pictures were they?

Did they have anything to

do with UFOs, is that it?

Very well, Karin,

before her disappearance,

called and told me to

meet her here.

She showed me Peter's

photographs and negatives

which he had taken in the wood

that day she modeled for him

and in those pictures

were extraterrestrials,

creatures from outer space.

They were?

I took the

negatives of them,

there were six of them.

I want to know

what you didn't tell them.

Nothing more than

what they already told you.

I saw Karin Hale at Peter's

studio before she disappeared

and I took six frames

of a negative

on which some strange,

shining figures were visible.

Fine, now how did

you three manage

to get into the house?

- You smoke?

- Yes, thank you.

His cigarette case, of course,

it was a tape recorder.

That bloody bastard.

What sort of pictures were they?

Yes, he's

working with them.

All right, where are

those negatives?

I really don't like to

resort to force,

Mr. Harris, but I will.

Where are they?

At your house?

Yes.

Where are the negatives?

How do I know,

everything's upside down.

Why don't you look for yourself?

Okay.

I'll give them to you.

All right.

Here.

I suggest you say

nothing of this, Harris.

And you better not report

anything else which you know.

- You're a bloody spy!

- You must be crazy.

You've been setting me up,

haven't you?

What the hell is this,

what are you after?

To give you some of

what your friends gave me!

What do you mean my friends?

I telephoned you telling you

not to come here this evening.

I never received any

telephone call!

Well call up your secretary!

I told her to tell you not

to come by here this evening.

But after I let your

antique shop,

I saw her at the office,

she didn't say anything.

Ask her now, go on, call her.

- Hello?

- Hi, Monica?

Did you receive a call this

evening from Mr. Perry?

Oh yes, I'm sorry,

Tony, I completely forgot.

You're sorry?

Are you satisfied?

Excuse me, I'm very sorry.

But why did you call

saying not to come?

Because I became suspicious

something funny is going on

and I'm not mistaken,

come, come and see this.

Look, they've taken the lot,

all of it.

27 years of research, all over

the world, all gone, look.

But how could they have

known about those negatives?

- Your negatives?

- Yeah.

They had a recording of

our conversation

when we discussed those

damn photographs.

When we were at Peter's

house and at the inspector's

and when we spoke, there

weren't more than three,

you, Monica and I.

You're forgetting your

friend Inspector Grant.

I believe your friend is working

hand and glove with them.

Thanks to you those men

worked me over.

Look, why didn't you tell me?

I was here and said I

was going to his house

after Perry telephoned

here and you say

that you forgot that.

I'm really sorry, believe

me, but I completely forgot it.

Yes?

Oh, it's you.

Tony, I told you if you'd

given me those negatives,

you would've saved

yourself a lot of trouble.

Never mind, Jim,

I'm used to it.

Maybe so, but now you

can see what kind

of a mess you're in.

That's just

why I'm gonna dig

and get to the bottom of this.

Maybe to the bottom of a ditch.

Now I'm telling you, Tony,

forget it.

No, Jim.

Look, don't be stupid,

you're in over your head.

Now get out of it before

it's too late.

You know I can't do that.

Come in.

I know that girl, that's

the model who disappeared.

Where did you find her?

She was lying in a meadow.

About 10 miles from where

that flying saucer landed.

Hold on a minute, will you,

Tony?

Miss?

Miss?

We tried questioning her, sir.

- Put her in the chair.

- She can't talk.

She can't even stand up and

doesn't react to anything.

I wonder if she can hear us.

She must've had a

tremendous shock.

I'd say so, she certainly has.

The things she's seen,

what happened to her?

What must have caused this?

Better to get her to a hospital.

Call Mr. Valderez, the

psychiatrist.

I want him to examine

her at once.

Monica, please telephone

Mr. Perry for me.

Sorry, Tony, I was.

Tony?

- Mr. Perry.

- Yes?

Monica speaking.

Mr. Harris wants to talk

to you, just a minute,

I'll connect you.

They just found Karin

Hale, they're bringing her

to a psychiatric hospital to

be examined by a Dr. Valderez.

I gather if she's being

taken to a hospital,

she won't be able to

tell us much.

She's probably in a

state of shock

and not yet that perceptive.

It's happened before but

I've got an idea.

Oh, what?

I'll explain later.

You're sure she's at the hospital

where Valderez practices?

Yes, I heard the inspector.

Then shall

we meet in the hospital?

But wait there, I'll

be by for you.

All right, good bye.

Well you've seen for

yourself, Inspector,

I'm afraid I can't add anymore.

I appreciate that but what

I can't understand is how...

I'll talk you tomorrow.

Very well, Inspector,

good night.

Tony, what are you doing here?

Where's Karin?

How did you know she was here?

Why, I heard you on the phone.

Then it's only

you besides me and my men

who knows that she was

found and brought here.

You and your friend Perry,

right?

What the hell is eating you,

Jim?

The girl has been kidnapped.

When, by who?

Half an hour ago, 10

minutes after she got here.

The Silencers?

Now just get out of my

sight and stay out of this,

the both of you.

Yes, someone

else knew she was there.

When we were speaking

on the phone before,

there was a sound.

Wonder who it was.

There's only one

who could've done that.

Who is that?

They just

found Karin Hale,

they're bringing her to

a psychiatric hospital

to be examined by a Dr.

Valderez.

You're sure

she's at the hospital

where Valderez practices?

Yes, I heard

the inspector.

Then shall

we meet in the hospital?

Monica.

Hello.

It must be awfully important

if it couldn't wait

until tomorrow.

What is it, Tony?

Bloody lousy spy!

Why, why?

No, no!

How much did they pay you?

You damn bitch, you!

I'm not a spy!

- How much was it?

- I wasn't paid!

I swear I'm not a spy!

Why, why?

No!

No, stop!

How much did

they pay you?

You damn bitch, you!

I'm not a spy!

- How much was it?

- I wasn't paid!

I swear I'm not a spy!

This is what you use to

record our conversations.

You bastard!

Unless you want to die, you

tell me where I find Karin.

I'm warning you, Monica,

I'll blow your head off,

now where is she?

I'll take you there.

One false move and

you'll be shot.

Watch out!

Hands up, now back

against the wall.

Get Karin.

I came here because you're

a friend, we need your help.

But this girl

requires special care

and we don't have the

staff to cure her here.

All the right sort of equipment,

Colewell.

But I'm only asking you

to keep her here

for a couple of hours.

- No.

- Please, John.

Put her in room number two

and keep a good watch

of her head.

We might get into a bag

of trouble this way.

No, don't worry, we won't

need more than two hours,

I shouldn't imagine 'cause I

know this girl's who's psychic,

she's able to ask questions

and receive the answers

telepathically.

All right, you can have

two hours but that's all

but after that, take her

away, it's too risky for us.

Thanks, John.

Yes, I know now.

I saw a light.

And I saw,

I saw,

I saw,

I...

No, I can't, can't

concentrate anymore.

I feel a signal or

someone's making it to me.

It's interfering.

It's going away.

There's someone who is

disturbing me.

Coleman, it might be

better if I wait outside.

Please go ahead.

No, there's still

someone between us.

There's someone in the way,

it's something which prevents me

from making contact with her.

It's coming from near and far,

from outside, strong voices.

What is it, Carol?

Can you describe it?

No, but I know its

presence, it's an orb.

I, we have been,.

Oh, I can't do it.

There's someone who is

trying to penetrate my mind.

It's powerful, I

can't resist it.

We interfered, she has

been made to forget all.

Now we are forced to do...

What's going on here?

Give me the pistol, Perry.

- What for?

- Give it to me, please.

Carol.

I feel something strange

up there, in front of you.

No, Harris, no!