Exiled (1998) - full transcript
NYPD Detective Mike Logan, last seen being demoted to a beat on Staten Island after punching a corrupt politician (Law & Order episode "Pride") seeks to solve the grisly murder of a prostitute, and thereby help regain his old job in Manhattan.
Det. Mike Logan: DO
YOU LIKE THAT?
HERE YOU GO, CHAMP.
YEAH, LIEUTENANT, IT'S LOGAN.
THERE'S SOMETHING GOING DOWN
UNDER THE BRIDGE.
JUMPER.
JUMPER, IF YOU WATCHED,
SHE HIT THE WATER SO HARD IT
BLEW HER HANDS OFF.
HOW'S SHE FEEL?
SHE'S FRESH.
SHE'S NOT STIFF YET.
Det. Beldock: BELDOCK,
SECOND SQUAD.
LOGAN 128.
HOW'S LIFE IN THE COUNTRY?
VERY GREEN.
GUYS, I NEED A JURISDICTION
OF THE TERMINATION HERE.
HEY, HOW ABOUT WE FLIP
FOR IT.
SHE WENT IN THE RIVER
OFF MANHATTAN.
TRUST ME, YOU CAN
DUMP THIS ON THEM.
HEY, HARBOR SAYS SHE WENT
IN THE WATER OFF NEW DORP.
I GUESS IT'S OUR CASE.
I GUESS SO.
NICE CATCH, LOGAN.
BON APPETIT.
WE'RE OUT OF HERE.
WHAT THE HELL WAS THAT ABOUT?
OPPORTUNITY KNOCKIN'.
BODY PROBABLY WENT IN
THE WATER OFF OF NEW DORP.
THEY DON'T KNOW.
SHE'S NO JUMPER.
Lt. Kevin Stolper: WELL,
GIVE IT TO FRANKIE SILVERA.
FRANKIE SILVERA?
THIS IS MY CASE.
I CAUGHT THIS CASE.
LOGAN, LOOK, THE CHIEF
TELLS ME WHAT TO DO AND I
TELL YOU WHAT TO DO, OKAY?
NOW, WHAT I'M TELLING YOU
TO DO IS TO GO OUT THERE AND
CHECK YOUR LITTLE BASKET AND
GET YOUR ASSIGNMENT AND
TYPE UP A DD5 AND GIVE IT
TO FRANKIE SILVERA, NOW.
BYE-BYE.
PROBABLY A HOOKER.
IF IT'S A MISDEMEANOR MURDER,
YOU OUGHT TO LET ME RUN WITH IT.
YEAH, BUT IT'S A HOMICIDE.
YOU DON'T DO HOMICIDE'S ANYMORE?
YOU KNOW HOW MANY
HOMICIDES I'VE WORKED?
IN MANHATTAN-- THIS HAPPENS
TO BE STATEN ISLAND.
BELIEVE ME,
I KNOW THE DIFFERENCE.
HEY, YOU WANT TO
GET BACK TO MANHATTAN?
BE MY GUEST.
I DON'T WANT ANYBODY AROUND HERE
WHO DOESN'T WANT TO BE HERE.
AND ALL I'M SAYING IS
PUTTIN' ME ON DOMESTICS IS NOT
THE BEST USE OF MY ABILITIES.
LOGAN, JUST BE PATIENT, OKAY?
THE DOMESTIC IS JUST A
HOMICIDE WAITING TO HAPPEN.
Det. Tony Boyer: HOW MANY
TIMES WE BEEN UP THERE?
THIS TIME PRINCE CHARMING
HAS A BASEBALL BAT, SAYS
HE'S GONNA BASH HER SKULL IN.
HEY, MIKE, THE TRUTH IS,
YOU'RE LUCKY TO STILL BE ON
THE JOB AFTER WHAT YOU DID.
GOD ALMIGHTY, YOU PUNCHED OUT
A CITY COUNCILMAN ON CAMERA.
POP SOMEBODY, YOU DON'T DO
IT ON THE COURTHOUSE STEPS IN
FRONT OF A HUNDRED WITNESSES.
GO ON, BEAT ME UP, STUD.
THERE, GET UP, YOU WEASEL.
COME ON, GET UP!
PLEASE, DETECTIVE, CAN'T
YOU JUST-JUST TALK TO HIM?
YEAH, I'M SORRY.
WE'RE GONNA HAVE TO TAKE
HIM DOWN TO THE PRECINCT.
YOU KNOW, SOMETHING LIKE THIS--
YOU KNOW, HE REALLY DOESN'T
MEAN TO BE LIKE THIS.
I MEAN, I--
IT'S REALLY ALL MY FAULT.
I MEAN, I MADE BREAKFAST
WRONG THIS MORNING.
CAN YOU EXCUSE ME
FOR JUST ONE SECOND?
BOYER, BOYER!
WHAT ARE YOU DOING?
WHAT ARE YOU CRAZY?
NO!
MAN, WHAT'S THE MATTER?
NO-- STOP IT!
OH, GOD.
HEY, HEY, HEY, COOL OFF!
COME ON!
THAT'S ENOUGH!
THAT IS ENOUGH!
ARE YOU GUYS ALL RIGHT?
I'M GONNA SUE YOU.
DO YOU HEAR THAT, HUH?
HEY, HEY, HEY, HE BEAT ME UP!
AND THEN HE-HE WENT AFTER HIM!
THEY'RE BOTH CRAZY!
NOW, GET IN THERE.
GET MY LAWYER.
HEY, HEY, HEY!
WE GOT A LIVE ONE.
MY OFFICE.
HOW YOU GONNA PLAY THIS?
HEY, SCHROEDER, YOU WANNA
MAKE DETECTIVE SOMEDAY,
DON'T YOU?
SO?
OH, WELL, THE GUY
JUMPED BOYER.
IT'S ASSAULT.
WHAT'D HE HIT YOU WITH,
HIS FACE?
SCHROEDER?
Schroeder: GUY
WAS ALL PUMPED UP.
NEXT THING I KNOW HE'S
PUNCHIN' DETECTIVE BOYER.
ANOTHER BRICK IN
THE OLD BLUE WALL.
AH, LOGAN AND BOYER.
WELL, AS OF TODAY YOU TWO
ARE THROUGH AS PARTNERS.
GET THE HELL OUT OF HERE.
Max: HI, MIKE.
HEY, MAX.
GIVE ME A BOTTLE OF
YOUR BEST WINE, OKAY?
PORTICO '26 ALL RIGHT?
YOU GOT IT.
WHAT HAPPENED TO YOU?
SO, SATURDAY AFTERNOON,
RIGHT?
MY HUSBAND LEFT THE LAWN MOWER
IN THE DRIVE-WAY.
WEAPON WAS A BLACK RAVEN,
FULL-BELLIED GUN.
YEAH.
FOUND IT IN A FIELD,
NO PRINTS.
HELLO-- DETECTIVE,
ARE YOU LISTENING TO ME?
YEAH, UM, SORRY,
THAT WAS 2:00 P.M., RIGHT?
YEAH.
OKAY.
I GOT THIS DOWN.
YOU SEE THAT KID AROUND AGAIN,
JUST GIVE ME A BUZZ.
OKAY.
HI.
NICE.
I DON'T KNOW WHETHER YOU
KNOW THIS OR NOT, BUT, UH,
IN ONE YEAR, AND OH,
CORRECT THAT, IN 49 WEEKS,
I'M GONNA RETIRE.
AND I'VE DECIDED NOT
TO SPEND THAT TIME
BASHING HEADS WITH YOU.
INSTEAD, I'M GONNA TAKE
ADVANTAGE OF YOUR VAST
KNOWLEDGE OF HOMICIDE.
I'M PUTTING BOYER WITH
SILVERA'S PARTNER, DAUNCH.
AND I'M TEAMING
YOU WITH SILVERA.
YOU GOT YOUR HOMICIDE.
WHAT?
THANKS.
YEAH, JUST DON'T
HIT ANYBODY, OKAY?
I MEAN, AFTER ALL, YOU'RE
THE ONE WHO CALLED IT A, UM--
MISDEMEANOR MURDER.
MISDEMEANOR MURDER.
RIGHT, RIGHT.
JUST GIVE IT THREE DAYS
AND THEN INTO THE DRAWER.
HEY, FRANKIE,
I GUESS YOU HEARD, HUH?
Det. Frankie Silvera: YOU
KNOW WHAT, LOGAN?
I NEED TO CUT TO THE CHASE HERE.
I KNOW A LOT OF GUYS DON'T
WANT TO TEAM UP WITH A WOMAN.
I'VE HAD FOUR PARTNERS
IN THE LAST FIVE YEARS.
WELL, THERE YOU GO.
WE GOT SOMETHING IN COMMON.
NONE OF MINE GOT SHOT.
YOU DON'T KNOW WHAT YOU'RE
TALKING ABOUT, DO YOU?
YOU'RE ABSOLUTELY RIGHT.
I DON'T KNOW.
WHAT I DO KNOW, YOU'VE BEEN HERE
THREE YEARS AND YOU AND I HAVE
NEVER EVEN HAD COFFEE TOGETHER.
I'M SHY.
LOOK, I PULL MY OWN WEIGHT.
ALL I EXPECT OUT OF YOU IS
THAT YOU DO THE SAME SO
I CAN GO HOME AT NIGHT.
ARE YOU DONE?
YEAH.
I DON'T CARE WHO I'M
TEAMED WITH, MAN, WOMAN,
ZEBRA, GRASSHOPPER.
I JUST WANT TO CLOSE THIS CASE.
OKAY?
SURE.
MISSING PERSONS
TURN UP ANYTHING?
NOPE.
CHECK OUT THE BODY?
NOT YET.
SPENT ALL DAY LOOKING FOR IT.
STATEN ISLAND M.E.'S OUT SICK.
SO, 20 PHONE CALLS LATER,
I FIND OUT THE BODY'S IN
TRANSIT TO THE M.E.'S OFFICE
IN MANHATTAN.
YOU GOT A PROBLEM
WITH MANHATTAN?
WHY WOULD I?
IT'S JUST THAT WE COULD BE
SPENDIN' A LOT OF TIME THERE.
HOW YOU FIGURE?
HARBOR SAID THE BODY
PROBABLY WENT IN
THE WATER OFF MANHATTAN.
WAIT A MINUTE,
I READ YOUR DD5.
YOU SAID, HARBOR SAID IT
WENT IN OFF OF NEW DORP.
I LIED.
EXCUSE ME?
I LIED.
I DIDN'T WANT MANHATTAN
TO GET THE CASE.
YOU GOT A PROBLEM WITH THAT?
YOU KNOW WHAT, LOGAN,
I GOT A PROBLEM SITTIN'
IN TRAFFIC TRYIN'
TO GET HOME TO MY KID.
OTHER THAN THAT,
I DON'T HAVE ANY PROBLEMS.
Dr. Elizabeth Rodgers:
INCISED WOUNDS FROM
HERE TO HERE.
BOTH OF THEM MUST HAVE BLED
OUT AT THE SCENE.
BOTH?
FETUS, TWELVE WEEKS.
KNIFE WOUNDS ARE CONCENTRATED
AT AND AROUND THE WOMB.
COULD BE THE KILLER
KNEW SHE WAS PREGNANT.
HELL OF A WAY
TO GET AN ABORTION.
BEST GUESS CINDERELLA,
WAS DEAD BY MIDNIGHT.
SCAN,
VALIUM, ZOLOFT.
TRACES OF HEROINE, COCAINE,
NOT TO MENTION THE LITTLE
CRITTER SWIMMIN' AROUND IN HER.
HEPATITIS B, SYPHILIS, HIV.
EVER TELL YOU,
PHOTOGRAPHY'S MY HOBBY?
I SPECIALIZE IN DEAD NUDES.
YOU'RE VERY GOOD.
HEY, GUYS.
I GOT A STORAGE PROBLEM.
ANOTHER WEEK AND SHE'S
OUT OF HERE IN A BOX.
YEAH, I KNOW HER.
YEAH?
YEAH.
SHE LOOKS DEAD.
SHE IS.
THAT'S JASMINE,
HER STAGE NAME.
WHAT'S HER REAL NAME?
I DON'T KNOW-- WE ONLY
WORKED TOGETHER A FEW TIMES,
LESBIAN SHOW DOWNSTAIRS.
NEVER SOCIALIZED OUTSIDE
OF WORK.
WHAT HAPPENED TO HER?
PISSED SOMEBODY OFF.
HEY, WHEN WAS THE LAST TIME
YOU SAW HER?
WE GOT BUSTED TOGETHER LAST
FEBRUARY, VALENTINE'S DAY.
AIN'T LOVE GRAND, BABY?
ALL RIGHT.
WE GOT A DATE, FEBRUARY 14th.
THAT NARROWS IT DOWN.
LET'S CHECK VICE ENFORCEMENT,
PROSTITUTION BUST,
FRONT BUST-- THE WHOLE BIT.
HEY, HEY, HEY-- NOT TONIGHT.
IT'S QUITTIN' TIME, LOGAN.
I GOT A BABYSITTER AT HOME
RACKIN' UP SIX BUCKS AN HOUR.
WHAT ABOUT YOUR HUSBAND?
WHAT ABOUT HIM?
WELL, LET HIM DO IT.
I'M SEPARATED.
OH-- WHAT'S THE MATTER,
HE COULDN'T TAKE THE HOURS?
HE SAID I CARED MORE ABOUT
THE DEAD THAN THE LIVING.
WELL, THERE YOU GO.
WE GOT SOMETHING ELSE IN COMMON.
YEAH-- YOU DON'T HAVE A KID.
SEE YOU IN THE MORNING.
EVERY FEB. 14
LIEUTENANT GETS CRAZY,
'CAUSE HE DOESN'T HAVE A DATE.
SO, I SEND THE GUYS OUT
TO FIND SOME PROSPECTS.
WE JUST CHECK THEIR IDs,
GIVE 'EM DUST TICKETS
AND RELEASE THEM.
NO POLAROIDS?
HEY, IT'S VALENTINE'S DAY.
YOU DON'T WANT TO BUST
THEIR BALLS.
SHE ONE OF 'EM?
SORRY-- THE GUYS
BROUGHT IN WHAT?
LIKE 30, 40 PROSES THAT DAY.
ALL RIGHT-- LET'S PRINT UP
THE LIST OF DUST TICKETS.
WE'RE GONNA CHECK THE NAMES
AND SEE IF THEY'VE GOT
OTHER PROSTITUTION ARRESTS.
HER STREET NAME WAS JASMINE.
NOW, DOES THAT RING A BELL?
JASMINE, YEAH, SO DO
BUTTERCUP AND PUSSY WILLOW,
NUMBER 22.
Det. Silvera: IS NOT HER.
Det. Logan: KEEP GOING.
HOLD THAT-- HOLD THAT.
THAT'S OUR GIRL.
SUZANNE TAYLOR.
678 WEST 43rd STREET.
LOOKS LIKE HOME, HUH?
HEY, SHE A DANCER?
WITH OR WITHOUT CLOTHES.
LOOK AT THAT.
DANCE THEATER OF HARLEM.
AND GOOD.
SORRY TO BOTHER YOU.
YOU KNOW THIS GIRL?
YEAH, SURE.
SHE'S OVER THERE.
MISS TAYLOR, I WANNA
PREPARE YOU FOR WHAT
YOU'RE ABOUT TO SEE.
IT COULD BE, YOU KNOW,
DIFFICULT.
SO, IF YOU WANNA CONTACT
ANYBODY, YOU WANT US
TO CONTACT ANYBODY?
Georgeanne Taylor: I'M
ALL RIGHT-- I'M OKAY.
DOCTOR RODGERS,
THIS IS GEORGEANNE TAYLOR.
THAT'S MY SISTER.
AT FIRST, WE GOT WORK,
YOU KNOW, AS A NOVELTY TWINS
IN A CHORUS LINE.
AND THEN SUZANNE STARTED
GETTING WORK ON HER OWN.
SHE WAS A BETTER DANCER THAN ME.
ONE DAY, LAST SUMMER,
SHE CAME TO MY HOUSE, HIGH.
WE SWORE WE WOULD
NEVER DO DRUGS.
YOU KNOW DANCERS,
OUR BODIES ARE TEMPLES.
UH, SHE HAD BEEN WORKING
IN A NEW MUSICAL, BUT THEY
HAD FIRED HER BECAUSE SHE
MISSED CURTAIN TWICE IN A WEEK.
AND THEN, THAT'S WHEN
SHE STARTED DANCING
AT THIS TOPLESS BAR.
DO YOU REMEMBER
THE NAME OF THE PLACE?
NO.
SHE EVER MENTION A BOYFRIEND?
ANYBODY THAT SHE HAD A
STANDARD RELATIONSHIP WITH?
NO, SHE-- THERE WERE ALWAYS
GUYS AROUND SUZANNE.
LOTS OF GUYS.
NO ONE GUY MORE THAN OTHERS?
NOBODY SHE TALKED ABOUT?
UH, NO, NO-- WHY?
YOUR SISTER WAS
TWELVE WEEKS PREGNANT.
THE LAST TIME THAT I SAW HER,
I WAS AT THIS PLACE SHE USED TO
ALWAYS CALL THE MEAT DISTRICT,
UM, HECTORS.
AND UM, THERE WAS A GUY
THERE WITH HER, UM,
YOU KNOW, ACTIN' LIKE
HE OWNED HER OR SOMETHING.
DID YOU GET A LOOK AT HIM?
WAS HE BLACK, WAS HE WHITE,
HISPANIC, YOU KNOW?
HE WAS BLACK.
UM, EVERYBODY KNEW HIM.
WHAT'D THEY CALL HIM?
KINGSTON.
HEY.
WHAT UP, KING?
YEAH!
KINGSTON.
Seymour 'Kingston' Stockton:
WHAT'S UP, BITCH?
YOU LOST YOUR DAMN MIND?
WHAT YOU THINK,
YOU'RE TAKIN' A COFFEE BREAK?
KINGSTON, YOU HURT ME.
YOU A SECRETARY NOW?
KINGSTON, STEP BACK.
I WANNA TALK TO YOU.
STEP BACK FROM THE GIRL.
LET'S TAKE A WALK.
HEY.
WHAT YOU DO AROUND HERE?
THEY STOP SELLIN' DOUGHNUTS
IN YOUR PRECINCT?
I HEARD THE DOUGHNUTS
HERE WERE BETTER.
YOU HEARD WRONG.
THEY DON'T SELL DOUGHNUTS
AND THEY DON'T SERVE COPS.
YOU KNOW, SMOKING IN
RESTAURANTS IS ILLEGAL.
YOU KNOW THAT, DON'T YOU?
THAT'S A COHIBA, MAN.
THAT'S $30 A STICK.
YEAH, BUT IF YOU'RE SMOKIN'
IT, GOTTA BE COUNTERFEIT.
COME ON, MAN.
JUST KEEP DOIN'
WHAT YOU'RE DOIN'.
KINGSTON, YOU REMEMBER
JASMINE, DON'T YA?
YEAH, WHAT ABOUT IT?
SHE'S VERY DEAD.
WHAT-- SO, I KILLED HER?
IT'S SOME BLACK THING?
I DON'T KNOW, COULD BE.
I MEAN, I GOT NOBODY
ELSE TO HANG IT ON.
MIGHT AS WELL
HANG IT ON YOU, RIGHT?
JUST YOU GET OUT
OF MY FACE, CRACKER.
CRACKER-- OH, THAT'S RIGHT.
I'M A RACIST COP
AND YOU'RE A PIMP.
LET'S PLAY THIS GAME.
I'M GONNA ASK YOU
SOME QUESTIONS, YOU'RE
GONNA DENY EVERYTHING,
I'M GONNA TOUGH ON YA.
THEN, WE'RE GONNA PLAY
OUR GAME SOME MORE--
LOOK-- THE HO TURNED
SOME TRICKS FOR ME, OKAY?
I HEARD SHE WORKED
AT SOME STRIP BARS.
THAT'S WHERE YOU GET
YOUR GIRLS, ISN'T IT?
EXCUSE ME.
ILLEGAL SEARCH.
THAT'S RIGHT, ILLEGAL SEARCH.
STOCKTON, SEYMOUR-- SEYMOUR.
SO, WHERE'S SHE DANCE, SEYMOUR?
MIGHT AS WELL TELL ME,
I'M GONNA FIND OUT EVENTUALLY.
THE CAT WALK.
CAN I HAVE MY WALLET, MAN?
CAT WALK.
WELL, WELL, WELL.
NO, WAIT.
I'M NOT TALKING TO YOU
NO MORE TILL I GET
MY LAWYER, OKAY-- HEY.
OH, ARE WE BACK
TO OUR LITTLE DRAMA?
NOW, I'M GONNA ASK YOU,
DO YOU GOT SOMETHING TO HIDE?
AND I'M GONNA TELL YOU,
I HAVE NOTHING TO HIDE
AND YOU GOT NOTHING ON ME.
YEAH, BUT YOU WILL
COME TALK TO ME OR I'M
GONNA SHUT YOU DOWN.
I'M GONNA PUT A COP ON
EVERY ONE OF THOSE CORNERS,
EVERY MORNING, EVERY DAY,
EVERY NIGHT, ALL DAY, EVERY DAY.
WHATEVER.
SEYMOUR, BELIEVE ME,
I'LL DO IT.
YOU'RE BARKIN' UP
THE WRONG TREE, ANYWAY.
MAN, I AIN'T NO KILLER,
I'M A LOVER, MAN.
AND I'M JUST GETTIN'
MY PAY FOR IT.
OKAY, THEN, YOU COME
TALK TO ME, TOMORROW NIGHT,
9 O'CLOCK, SUPER FLY.
YOU BE THERE, BECAUSE UNTIL
I FIND SOMEBODY ELSE TO,
UH, HANG THIS ON, YOU'RE
NUMBER ONE ON MY HIT PARADE.
WHY YOU ALWAYS
SWEATIN' A BROTHER, MAN?
THEY HOOK YOU UP, MAN-- THE
TRICK IS ON THE 9:00 TO 5:00.
THIS IS PIMPIN', FOR LIFE, FOO.
GET TO WORK, MAN!
MAN, THAT FEELS
ALL WRONG TO ME.
I MEAN, HE MARCHES IN THE
FIRST PLACE WE LOOK FOR HIM,
SMACKS A PROSTITUTE.
THAT'S AN AWFUL HIGH PROFILE FOR
A GUY THAT JUST GUTTED SOMEBODY.
GIRL WORKED AT THE CAT WALK?
YEAH.
LET'S CHECK IT OUT.
WHAT, YOU DON'T
LIKE THEIR BREASTS?
IT'S HAPPY HOUR.
THE PLACE WILL BE JAMMED.
YOU KNOW THE PLACE?
I KNOW THE CAT WALK.
I BET YOU DO.
IT'S IN THE 2-7,
MY OLD PRECINCT.
SO, WHO AM I DANCING FOR?
HEY, FRANKIE,
YOU WANT A LAP DANCE?
MY TREAT.
OH, SURE, IF YOU'RE BUYIN'.
GO GET HER, TIGER.
SO, YOU GUYS NARCS-- VICE?
COPS LOVE THIS PLACE.
NEW YORK COPS AND WE LOVE
THIS PLACE, DON'T WE, FRANKIE?
OH, I-- HEY, HEY, HEY,
HEY-- YOU KNOW WHAT?
WHY DON'T YOU HAVE A SEAT?
PUT THOSE AWAY.
SHE'S JUST GETTIN' STARTED.
PACK IT IN.
SIT DOWN.
YOU KNOW A GIRL USED TO WORK
HERE, CALLED HERSELF JASMINE?
JASMINE-- SURE.
WELL, FILL US IN.
NICE GIRL, YOU KNOW.
SHE ALWAYS ATTRACTED THE CREEPS.
SHE ATTRACT A CREEP
NAMED KINGSTON?
HOW'D YOU KNOW?
KINGSTON ALWAYS HAD
A COUPLE OF GRAMS ON HIM.
THAT'S HOW HE TURNED
THE GIRLS OUT.
MADE 'EM WHORES, HOOKERS,
CRACK WHORES.
SO, WHAT'S UP WITH JASMINE?
SHE'S NOT WORKING FOR
KINGSTON AGAIN, IS SHE?
NO, NO, ACTUALLY, SHE'S DEAD.
LOOK, MY FRIEND,
SHE'S NOT DANCING.
LET HER GO OR YOU'RE
TAKIN' UP HER TIME.
WELL, WELL, WE PAID
FOR HER TIME.
WELL, YOUR TIME IS UP.
WELL, SAYS WHO?
SAYS ME.
YOU KNOW, YOU-YOU JUST PUSHED
A NEW YORK CITY DETECTIVE,
JERK OFF.
NOW, WE WANT TO TALK
GIANNI, WE GOT
A COUPLE OF COPS.
Det. Logan:
DETECTIVE MIKE LOGAN--
THIS IS MY PARTNER--
Gianni Uzielli:
FRANKIE SILVERA.
THANK YOU.
CAN'T BELIEVE IT.
WE USED TO GO TO SCHOOL
TOGETHER ON STATEN ISLAND.
I USED TO FEEL HER UP
WHEN WE WAS KIDS.
NOW, YOU'RE A COP.
UNBELIEVABLE.
Det. Silvera: YEAH, WELL,
YOU KNOW, GIANNI, CRAP LIKE
YOU IS WHY I BECAME A COP.
YEAH?
MM-HMM.
WELL, WHEN YOU GET
TIRED OF PLAYIN' COP,
MAYBE YOU WANNA DANCE.
GIVE ME A CALL.
I DANCE IN HERE,
IT'LL BE ON YOUR HEAD.
DON'T COME INTO
MY PLACE MAKIN' TROUBLE.
OH, THERE'S NO TROUBLE.
WE'RE JUST TALKIN'
TO ONE OF YOUR GIRLS.
THEY TALK?
DID YOU KNOW THESE
GIRLS COULD TALK?
YEAH, THIS ONE
CALLED HERSELF JASMINE.
JASMINE?
DID YOU KNOW THESE
GIRLS HAVE NAMES?
WE JUST CALL 'EM PIG ONE,
PIG TWO, PIG THREE.
PIG FOUR, YOU KNOW HER?
PIGS ARE PIGS.
THEY ALL LOOK THE SAME.
WHAT'S DIFFERENT ABOUT THIS ONE?
SHE'S DEAD.
A DEAD PIG.
I CALL THAT PORK.
NOW, THIS, THIS I CALL
"U.S.D.A. PRIME."
HEY, GIANNI,
WHO'S SQUEALIN' NOW?
IT'S PRIVATE PROPERTY.
YOU COME BACK HERE,
YOU NEED A WARRANT.
OKAY.
THAT'S THE SON OF
GIANCARLO UZIELLI?
NO WONDER THE MOB'S IN TROUBLE.
COPS COME IN
FROM STATEN ISLAND.
FORGET ABOUT IT.
YOU OUGHT TO BE
TAUGHT SOME MANNERS.
WELL, WHAT'S HIS NAME, LOGAN?
Capt. Donald Cragen: NOW,
IMAGINE MY SURPRISE,
I COME IN THIS MORNING
AND THAT'S WHAT I HEAR.
AND I'M THINKING LOGAN?
NOW, THAT CAN'T BE
MIKE LOGAN, CAN IT?
AND THEN I REMEMBER ALL
THOSE YEARS THAT YOU MADE ME
NUTS IN THE HEAD AND
I'M THINKING TO MYSELF,
OF COURSE IT IS.
WHAT CAN I TELL YA?
I'M WORKING A HOMICIDE.
REALLY, ONLY ONE?
SEE, 'CAUSE I'M TRYIN'
TO NAIL OLD MAN UZIELLI
ON 15 COUNTS OF MURDER.
IT TOOK ME SIX MONTHS TO GET
A DISCREET BUG IN THERE, MIKE.
TOOK YOU SIX MINUTES
TO SILENCE IT.
THE OLD MAN'S BEEN DOIN'
A LOT OF HIS MANHATTAN BUSINESS
IN THE CLUB LATELY,
BUT AFTER YOUR LITTLE
LAP DANCE WITH GIANNI,
MAYBE HE STAYS AWAY.
WELL, I MEAN, THAT'S
YOUR DEPARTMENT, NOT MINE.
LOOK, I'M NOT TALKING
TO YOU AS A COP RIGHT NOW.
AS YOUR BUDDY,
I'M TELLING YOU TO MAYBE
NOT DO YOUR JOB SO WELL.
YOU KNOW WHAT I'M SAYING?
WHAT ARE YOU SAYING?
I'M SAYING THAT YOU'RE
NOT SEEING THE WHOLE PICTURE.
YEAH, I AM, WISE GUY,
SO WHAT?
THERE'S MORE TO IT!
THERE'S SOMETHING ELSE!
SPEAK ENGLISH, DONNY.
SHOULDN'T BE NO COPS
COMIN' IN HERE.
YOUR FATHER PAYS
GOOD MONEY FOR PRIVACY.
MY FATHER?
FORGET MY FATHER, HE'S LOST IT!
ALL HE WANTS TO DO IS SIT
AROUND IN THE MAUSOLEUM HE
LIVES IN AND GO BOWLIN'.
HEY, I'LL HANDLE THIS.
WE OWN A COP, RIGHT.
WELL, IF HE DOESN'T KEEP
THAT PIG FROM STATEN ISLAND
OUT OF HERE, WE'RE GONNA OWN
A DEAD COP, YOU UNDERSTAND ME?
THERE'S A FOX
IN THE HEN HOUSE.
AND NOW INTERNAL AFFAIRS
IS ALL OVER ME.
WHICH HEN HOUSE
ARE YOU TALKING ABOUT?
WHERE'S CAT WALK?
WHEN THE 2-7 WAS MINE,
IT WAS CLEAN.
WHO IS HE?
I DON'T KNOW.
ALL I GOT ON THE TAPE ARE
REFERENCES TO THE COP,
BUT THE COP IN THE 2-7
FIXES STUFF LIKE THAT.
WHOEVER HE IS, HE'S SLEEPIN'
WITH THE UZIELLI'S.
I TELL YOU, THE LAST THING
I WANNA DO IS GO BACK TO
MY OWN HOUSE, BUST A COP.
HELL, I WAS HALF TEMPTED
TO LOSE THE TAPE.
WELL, UNLESS HE'S GOT
SOMETHING TO DO WITH MY CASE,
A DIRTY COP'S NONE
OF MY BUSINESS.
DIRTY COP IS LIKE A SKUNK,
YOU GET TOO CLOSE,
YOU START TO SMELL.
YOU KEEP POKIN'
AT GIANNI UZIELLI AND
YOU'RE GONNA COME UP
WITH AN AWFUL BAD ODOR.
THAT'S A CHANCE
I'M GONNA HAVE TO TAKE.
MIKE, REMEMBER,
SERPICO GOT SHOT IN THE FACE.
THAT THE STUFF FROM
THE GIRL'S APARTMENT?
YEAH, CRIME SCENE UNIT
JUST DROPPED IT OFF.
NOTHIN' BUT JUNK.
THEY ALWAYS HAVE A BIBLE,
THESE GIRLS.
AND A LITTLE CRUCIFIX.
C.S.U. CHECKED THE PLACE.
THERE'S NO SIGN OF BLOOD.
SO, SHE WASN'T KILLED THERE.
AND OUR MAN KINGSTON STOPPED IN,
SEYMOUR HORACIO,
PROMOTIN' PROSTITUTION,
ASSAULT AND BATTERY,
POSSESSION OF NARCOTICS,
BLAH, BLAH, BLAH, BUT HE SEEMS
TO BE A CREATURE OF HABIT.
BUSTED ABOUT A DOZEN TIMES
AT SOME HOTEL CALLED THE KELLER.
THE KELLER?
I KNOW THE KELLER.
YEAH-- LET ME GUESS,
THE 2-7?
I UM, I SPOKE TO
GEORGEANNE TAYLOR.
SHE'S WILLIN' TO LOOK
AT MUG SHOTS-- SAID SHE'D SEEN
A COUPLE OF HER SISTER'S DATES.
SO, GUESS THE 2-7'S AS GOOD
A PLACE AS ANY TO LOOK AT MUGS.
READY FOR A REUNION?
Det. Lennie Briscoe: MIKE!
HOW YOU DOIN'?
HOW ARE THEY TREATIN' YOU
IN THE LESSER ANTILLES?
OH, ALL THAT SUNSHINE,
THE SEA AIR, THE GREEN GRASS,
YOU KNOW.
MIKE LOGAN, SAY HI TO
MY PARTNER REY CURTIS.
REY, HOW ARE YOU?
Det. Rey Curtis: MIKE,
HEARD A LOT ABOUT YA.
OH, YEAH?
WELL, I GUESS MEETIN'
EX-PARTNERS IS A LITTLE
LIKE MEETIN' EX-WIVES.
ACTUALLY, HE LIKES YOU
BETTER THAN HIS EX-WIFE.
WELL, YEAH, YOU DON'T
COST ME ANY MONEY.
SO, TO WHAT DO WE OWE
THE HONOR OF THIS VISIT?
BUSINESS OR PLEASURE?
FLOATER.
PROFILE HITS A HOOKER.
PROFACI, LOOK WHO'S HERE.
HEY, TONY.
Tony Profaci: HEY, MIKEY.
HOW ARE YA?
HOW YOU DOIN' BUDDY?
WHAT'S HAPPENIN'?
WAIT A MINUTE, LOOK AT THIS.
LOOK AT THIS.
HEY, HEY, HEY, COME ON.
SHIRLEY LOVES IT.
YOU'RE SUPPOSED TO BE
GETTIN' HER TO LOOK LIKE THAT.
YEAH, WELL, WE'RE GONNA KEEP
TRYIN' TILL WE GET IT RIGHT.
HEY, SAY HELLO TO MY
PARTNER, SAMMY KURTZ.
SAMMY, HOW ARE YOU?
HEARD YOU HAVE A HELL
OF A RIGHT CROSS, BUD.
OH, TAKE A LOOK AT THESE.
Det. Sammy Kurtz: WOW!
SLICE AND DICE.
YEAH-- GET THIS.
SHE HAD NO HANDS.
HOW DO YOU CUFF
A HANDLESS HOOKER?
HOW MUCH FOR A WRIST JOB.
Taylor: THIS IS
FUNNY TO YOU?
THAT'S MY SISTER
YOU'RE TALKING ABOUT.
THIS IS FUNNY TO YOU?
YIKES.
MISS TAYLOR!
MISS TAYLOR, WAIT A SECOND.
MISS TAYLOR, I'M
SORRY ABOUT THAT.
IS THAT HOW YOU'RE GONNA
FIND SUZANNE'S KILLER?
NO, I--
YOU KNOW, MAKING JOKES.
I'M SORRY.
ARE YOU REALLY THAT
INSENSITIVE, HMM?
I NEED YOUR HELP.
PLEASE, COME ON BACK INSIDE.
I NEED YOUR HELP ON THIS.
HOW ABOUT THESE GUYS?
ANYTHING?
LET ME ASK YOU TO LOOK AT
THIS PHOTO AGAIN, RIGHT HERE.
TAKE A LOOK AT THAT.
NOTHIN'?
OKAY, I'M GONNA
GIVE YOU MY CARD.
AND, UH, I'M GONNA PUT
ALL MY NUMBERS ON HERE.
IF YOU GET A THOUGHT OR A
QUESTION YOU WANNA-- GIVE ME
A CALL ABOUT, JUST, YOU KNOW.
NOTHIN'S GONNA
HAPPEN, THOUGH.
TELL ME THE TRUTH.
WHAT DO YOU MEAN?
I MEAN, SHE'S A DEAD HOOKER.
WHAT I'M SAYING IS,
SHE'S A DEAD, BLACK HOOKER.
HOW'S SHE DOIN'?
YOU CALM HER DOWN?
SHE'LL BE ALL RIGHT.
I MISS THE ACTION, YOU KNOW?
OH, COME ON.
IT CAN'T BE ALL THAT BAD.
WHAT, ARE YOU KIDDING ME?
I'M CHASING DOWN
STOLEN LAWN MOWERS.
I'M GOING OUT OF MY MIND.
Lt. Anita Van Buren:
HEY, LOGAN.
LIEUTENANT.
WHAT THE HELL YOU DOIN' HERE?
OH, YEAH, LIKE YOU DIDN'T
HEAR THEY TRANSFERRED HIM
BACK TO THE 2-7-- GOTCHA.
OH, LIEUTENANT,
CHIEF O'BRIEN ON THE HORN.
THANKS.
MAKE SURE YOU STOP BY MY OFFICE.
WE'LL REMINISCE.
Det. Tony Profaci: FRANKIE
WAS JUST TELLIN' US
ABOUT STATEN ISLAND.
SOUNDS LIKE A NICE
PLACE TO RETIRE.
OH, HE'S JUST JEALOUS
'CAUSE WE FIGURED OUT HOW
TO KEEP THE CRIME RATE DOWN.
WE SEND ALL OUR PERPS
TO MANHATTAN.
WELL, THAT'S ONLY FAIR.
WE SEND YOU OUR GARBAGE.
SO, UH, THE GIRL
WORKED AT THE CAT WALK?
YEAH.
MIKEY, YOU SHOULD HAVE
CALLED US LAST NIGHT, BROTHER.
ME AND PROFACI,
WE'VE BEEN WATCHING THE PLACE.
PROSTITUTION, GAMBLING,
AND WHATNOT.
YEAH, WHAT DO YOU GOT
SO FAR ON THIS, ANYWAY?
BELIEVE IT OR NOT,
ALL I GOT IS A PIMP
NAMED SEYMOUR STOCKTON.
OH, YEAH, KINGSTON.
YEAH, HE WORKS
OUT OF THE KELLER.
YEAH, I KNOW KINGSTON.
WHY ARE YOU LOOKING AT HIM?
HE'S ALL I GOT.
ANYBODY HERE NAMED LOGAN?
MIKE LOGAN?
HOW SOON THEY FORGET, HUH?
YEAH, THAT'S ME.
YOUR WARRANT'S READY.
THANK YOU, SIR.
GOT AN HOUR?
WHY DON'T YOU COME DOWN
TO THE KELLER WITH ME.
HOOKER HEAVEN?
YEAH, WHY NOT.
COME ON, MOE,
LET'S MAKE IT A PARTY.
REY, YOU WANNA TAKE A TRIP?
> NAH, WHY DON'T YOU SPEND
SOME QUALITY TIME WITH YOUR EX?
WHAT-- WHAT HAPPENED?
Det. Logan: WE'RE HERE FOR
THE DETECTIVES CONVENTION.
KNOW HER?
NO.
YOU KNOW WHAT THIS IS?
YOU UNDERSTAND THAT?
IT'S A SEARCH WARRANT.
I STILL DON'T KNOW HER.
Det. Briscoe: AH, GEE,
TOO BAD HE DOESN'T KNOW HER.
NOW, WE'RE GONNA HAVE TO
SEARCH EVERY ROOM IN THE JOINT.
THAT COULD TAKE ALL NIGHT.
Det. Kurtz: ALL NIGHT, AT
OUR AGE, IT COULD TAKE ALL WEEK.
JASMINE.
WHY SHE LOOK LIKE
THAT IN THE PICTURE?
PROBABLY BECAUSE SHE'S DEAD.
WHO WORKS NIGHTS?
AW, JEEZ-- I DO.
PULLIN' DOUBLE SHIFTS.
WHY DO YOU THINK I
WAS SLEEPING HERE.
YOU KNOW, THEY GOT ME
WORKING SEVEN DAYS A WEEK.
STOP-- SUNDAY NIGHT,
WAS SHE HERE?
YEAH, SUNDAY.
Det. Silvera: WHAT
ABOUT THIS GENTLEMEN?
KINGSTON, HE'S
HERE ALL THE TIME.
SUNDAY NIGHT?
YEAH, HE COULD HAVE BEEN
HERE SUNDAY NIGHT.
I DON'T REMEMBER.
HEY, HEY, HEY, COME ON,
COME ON.
GET WITH IT.
WE'RE HAVING AN
INVESTIGATION HERE.
NOW, JASMINE RENTED
A ROOM, RIGHT?
WHAT NUMBER?
TWENTY-FIVE.
GET THE KEY.
I DON'T KNOW.
LOOKS AWFULLY PRISTINE
TO ME, MIKEY.
I USUALLY LIKE
MY CRIME SCENES WITH
A LITTLE BLOOD.
YEAH, IT HELPS TO HAVE
AT LEAST ONE BODY AROUND.
I'LL CAL C.S.U.
WHEN'S THE LAST TIME YOU
SAW A PHONE IN A WHORE HOUSE?
Jessica Reed: WHAT'S
IT BEEN, FOUR DAYS?
YEAH.
SO, HELL, I CAN GET YOU
PRINTS, BUT IN A ROOM
THEY RENT BY THE HOUR,
ANY TRACE EVIDENCE IS
GONNA BE CONTAMINATED.
WELL, DO WHAT YOU CAN, REED.
YOU'RE THE EXPERT.
REMEMBER THAT SONG,
MUST HAVE BEEN THE
WRONG PLACE, WRONG TIME.
I THINK YOU'RE THERE, KEVIN.
HE'S ALWAYS IN THE WRONG
PLACE AT THE WRONG TIME,
AREN'T YOU, MIKEY, HUH?
LISTEN, I GOTTA
GET BACK TO WORK.
OKAY, COME ON,
LET'S GET THE BAG.
HEY, HEY, HEY, HEY.
TAKE IT EASY.
YOU GUYS ARE SUPPOSED TO BE
FORENSICS, NOT HOUSEKEEPING.
ARE YOU SEEING WHAT I SEE?
WHAT, A MATTRESS?
A NEW MATTRESS.
A NEW MATTRESS IN
A DUMP LIKE THIS.
I'M LOOKING FOR A MATTRESS.
LOOK, HONEY, ROOM.
NO, NO, NO-- DON'T WORRY.
WAS SHE WORKING HERE
SUNDAY NIGHT?
NO, CONSUELA IS THE DAY MAID.
MARITZA IS THE NIGHT MAID.
MARITZA, YOU GOT A LAST NAME?
FLORES.
GOT AN ADDRESS?
YEAH, THE PLAZA.
ALL RIGHT, LOOK,
IS MISS FLORES
GONNA BE HERE TONIGHT?
CAN I FIND HER HERE TONIGHT?
I HAVEN'T SEEN HER
FOR A COUPLE OF NIGHTS.
USUALLY THAT MEANS THEY
WENT BACK TO WHEREVER
THEY CAME FROM.
OKAY, BUT SHE IS THE ONE
THAT REMOVED THE MATTRESS.
THAT'S WHAT YOU'RE TELLIN'
ME RIGHT NOW, RIGHT?
OH, MARITZA WAS HERE
SUNDAY NIGHT, BUT CONSUELA
TOOK OUT THE MATTRESS
MONDAY MORNING.
YOU'RE KILLING ME.
ALL RIGHT, HONEY.
HOLD ON.
LISTEN TO ME.
YOU KNOW, YOU SLEEP ON IT!
MATTRESS.
YEAH.
IT'S OUT BACK.
.
TURN IT OVER.
WELCOME TO THE CRIME SCENE.
A RUSH JOB ON PRINTS
IS USUALLY THE NEXT DAY.
I JUST GOT THE DAMN MATTRESS
THREE HOURS AGO.
THIS IS RIDICULOUS.
WHAT HAVE YOU GOT SO FAR?
WELL, THAT YOU GUYS NEED
TO BE MORE CAREFUL.
I GOT ELIMINATION PRINTS
FROM THAT ROOM UP THE KAZOO.
YOUR PRINTS, LOGAN,
WERE ALL OVER THE PLACE.
I GOT SILVERA, KURTZ,
PROFACI, BRISCOE.
WHAT'S YOU GUYS DO?
RUN AROUND TOUCHIN' THE WALLS?
NOW, IF YOU WANT FELONS,
I MATCHED ELEVEN PRINTS ALREADY
AND I STILL HAVEN'T
FINISHED SCANNIN' 'EM ALL IN.
I EVEN TOOK PRINTS OFF
THAT MATTRESS,
WITH AN .
THAT STUFF EVER WORK?
WELL, SOMETIMES IT DOES,
AND SOMETIMES IT DOESN'T.
THIS TIME I GOT LUCKY.
SO, WHAT I CAME UP WITH,
AFTER ALL MY HARD WORK,
WAS YOU GUYS.
WHY THE HELL CAN'T YOU PEOPLE
LEARN HOW TO HANDLE EVIDENCE?
WELL, JEEZ, REED,
THANKS FOR THE LECTURE, BUT
THE PRINTS THAT I GAVE YOU,
SEYMOUR STOCKTON,
DID YOU GET A MATCH ON HIM?
WELL, I CAN'T TELL YOU
WHEN EXACTLY, BUT AT SOME
POINT SEYMOUR STOCKTON WAS
DEFINITELY IN ROOM 25
AT THE KELLER HOTEL.
THANK YOU, REED.
THANKS, REED.
YOU THINK KINGSTON
KEEPS HIS APPOINTMENTS?
HE'S GOTTA KNOW HE'S A SUSPECT.
HE'S GUILTY, HE'LL
SHOW UP TO LOOK INNOCENT.
IF HE'S INNOCENT HE'LL SHOW UP
TO KEEP FROM LOOKING GUILTY.
HOW'S THAT SOUND?
GENIUS.
WHAT THE HELL IS THIS?
GIORGIO, LONG TIME NO SEE.
Det. Jerry Giorgio: LOGAN,
I HEARD THEY SHIPPED YOU
TO STATEN ISLAND.
WHAT'S UP?
WE'RE LOOKIN' FOR SOMEBODY.
I HOPE IT WASN'T HIM.
NOPE-- WHAT HAPPENED?
HE SHOT HIM.
DETECTIVE PHIL GARBER,
UNDERCOVER NIGHT GUY.
HEY, PHIL-- HOW ARE YOU?
HOW YOU DOING?
Phil Garber: HOW'S IT GOING?
WHAT'S HIS STORY?
BILL AND I HAD A CUP OF
COFFEE AND THIS MUTT WALKS
IN CARRYING A GYM BAG, TAKES
OUT A BOWLING PIN, STARTS TO
BEAT THE CRAP OUT OF THIS GUY.
SO, I I.D. MYSELF, HE PULLS
OUT A CANNON, I GOT NO CHOICE
BUT TO TAKE HIM OUT.
YOU ASK ME, THE GUY
NEVER MEANT TO KILL HIM.
WELL, HE JUST CAME
TO DELIVER A MESSAGE.
WHO USES A BOWLIN' PIN
TO WHACK SOMEBODY?
OH, MAN.
IT'S KINGSTON.
SO WHAT DO YOU THINK?
IS THAT A STRIKE OR A SPARE?
Lt. Stolper: WELL, THE BODY
MAY HAVE WASHED UP HERE,
BUT, UH, IF THE CRIME SCENE
IS THE KELLER HOTEL,
AS FAR AS I'M CONCERNED,
IT'S A MANHATTAN CASE.
IF THERE'S ANY CASE AT ALL.
YOUR GUY'S DEAD.
FORTUNATELY IT'S FOUND IN
THE 3-5, SO YOU CAN'T LAY
CLAIM TO THAT HOMICIDE.
BOWLING PIN?
I'M NOT SO SURE
HE WAS MY GUY.
NOT SO SURE?
NO.
WELL, HE WAS KNOWN
TO BE VIOLENT.
HE WAS THE GIRLS PIMP AND UH,
HE WAS LINKED TO THE SCENE.
WHAT, UH, WHAT MORE DO YOU WANT?
YEAH, WELL, WHAT IF THE
HOMICIDES ARE CONNECTED?
LOGAN, NOT
YOUR CONCERN ANYMORE.
I DON'T THINK KINGSTON
KILLER THE GIRL.
OH, YOU TOO, NOW.
WHAT IS IT, CONTAGIOUS?
LOOK, GET EVERYTHING TOGETHER
AND GIVE IT TO THE 2-7,
ALL RIGHT?
JEEZ.
THEY NEVER HAVE ANY
TOWELS IN THOSE THINGS.
WHERE'S JAMIE?
BURN OUT ANOTHER ASSISTANT?
LOOK, I NEED TO
STAY ON THIS CASE.
Jack McCoy: WELL, I'D SAY
A TASK FORCE ISN'T WARRANTED
IN THE CASE YOU DESCRIBED
TO ME OVER THE PHONE.
WELL, THEN, I'D HAVE TO
SAY YOU DON'T UNDERSTAND
THE NATURE OF INVESTIGATION.
YOU TRY TO ANNOY PEOPLE
OR DOES IT JUST COME NATURALLY?
> IT'S A GIFT.
SETTING UP A TASK FORCE
TIES UP TWO PRECINCTS.
TO TIE UP TWO PRECINCTS IN
A HOMICIDE INVESTIGATION
INVOLVING THE MURDER
OF A PROSTITUTE--
OH, I SEE-- SO ONE LIFE
IS WORTH MORE THAN ANOTHER,
HUH, COUNSELOR?
DON'T TRY TO TELL ME THAT
I'M LABORING UNDER SOME KIND
OF MORAL DICHOTOMY HERE.
YOU HAVE AN AGENDA, DETECTIVE.
DON'T THINK I DON'T KNOW IT.
I'LL LET YOU KNOW IN A
COUPLE OF DAYS, BUT WHATEVER
THE DECISION IS, IT'LL BE
WHAT'S BEST FOR THE PEOPLE
OF NEW YORK.
NOT WHAT'S BEST FOR MIKE LOGAN.
Taylor: HELLO?
HELLO, MISS TAYLOR?
YES.
IT'S DETECTIVE MIKE LOGAN.
OH, HELLO, DETECTIVE.
I JUST THOUGHT I'D CHECK
AND SEE HOW YOU'RE DOIN'?
OH, THANK YOU.
I'M FINE.
OKAY-- UH, WELL, IF YOU DON'T
MIND I'D LIKE TO CALL YOU IN
A COUPLE DAYS AND MAKE
SURE YOU'RE ALL RIGHT.
WELL, I'D LIKE THAT.
OKAY.
Lt. Stolper: LOGAN.
SIT DOWN.
I THOUGHT I TOLD YOU TO HAND
THIS GARBAGE CASE OVER
TO 2-7, RIGHT?
WHY AM I EVEN HEARING
ABOUT A TASK FORCE?
Det. Logan: LOOK,
I CAUGHT THE CASE.
I GOTTA SEE IT THROUGH.
WAIT A MINUTE, LET'S
DON'T REWRITE HISTORY, OKAY?
I GAVE YOU THE CASE.
YEAH, I KNOW AND
I APPRECIATE IT.
YOU THINK I WANNA PISS YOU OFF?
ARE YOU KIDDING ME?
YOU PISS PEOPLE OFF JUST
SAYING GOOD MORNING.
WE HAD A PERFECT OPPORTUNITY
TO THROW THIS TURKEY
BACK ACROSS THE HARBOR,
WHERE IT BELONGS.
LET THEM CLOSE IT OUT.
THE CASE IS STILL WIDE OPEN.
LOGAN, LOOK, THE PIMP
KILLED THE GIRL AND HE'S DEAD.
IT IS OVER.
DON'T YOU GET IT?
LOOK, I DON'T KNOW
WHO KILLED THAT GIRL.
ALL I'M ASKING YOU IS
JUST TO LET ME KEEP DIGGIN'
TILL I DO KNOW.
LET YOU KEEP DIGGING?
YOU GOTTA KEEP DIGGING.
YOU KNOW WHY?
BECAUSE YOU DIDN'T
TURN IT OVER TO THE 2-7.
THAT'S THE PROBLEM.
AND THAT'S WHY YOU PISS ME OFF.
Det. Silvera: YEAH, RIGHT,
THANKS.
GET A LOAD OF THIS.
THAT WAS GEORGEANNE.
PIMP'S DEAD KILLER,
ONE SUNNY TENDATO RUSSO,
BURGLARY, GUN POSSESSION, AND
A STINT FOR ATTEMPTED MURDER.
NICE RESUME.
AND HE'S A MADE GUY,
UZIELLI FAMILY.
I'M TELLIN YOU, THIS THING
CONNECTS TO THE UZIELLI'S,
IT COULD BE HUGE.
YOU KNOW THE OLD MAN?
DON?
YEAH, I KNOW HIM, WHY?
Don Giancarlo Uzielli:
FRANKIE SILVERA.
YOU GREW UP NICE.
MR. UZIELLI, THIS IS
MY PARTNER, DETECTIVE LOGAN.
HOW YOU DOIN'?
YOU MISSIN' ONE OF YOUR BALLS?
EXCUSE ME?
OH, AN ASSOCIATE OF YOURS,
SUNNY RUSSO, HE LEFT
A BOWLING BALL IN A DINER.
YOU KNOW ANYTHING ABOUT THAT?
Jerry Kleinert: NO.
WHO MIGHT YOU BE?
I'M JERRY KLEINERT,
MR. UZIELLI'S ATTORNEY.
IN THE FUTURE, IF YOU'D
LIKE TO SPEAK TO MR. UZIELLI,
I APPRECIATE IF YOU
CALL ME FIRST, HUH?
I'VE KNOWN MR. UZIELLI
FOR MOST OF MY LIFE.
I CAN CALL HIM WHENEVER I WANT.
WHAT'S THIS ALL ABOUT?
A HOMICIDE, DEAD GIRL.
OUR PRIME SUSPECT WAS BEATEN
TO DEATH WITH A BOWLING PIN,
VERY STRANGE.
SO, WHAT'S
THE PROBLEM, FRANKIE?
HE GOT WHAT HE DESERVED.
MAYBE HE WASN'T OUR GUY.
MR. UZIELLI, SUNNY RUSSO IS
NOW, WE ALL KNOW WHAT AN
HONEST BUSINESS MAN YOU ARE.
WHAT CAN I DO?
CONSTRUCTION, WASTE REMOVAL,
TRUCKING, SOMETIMES
DISHONEST PEOPLE GET
INVOLVED IN THESE VENTURES,
JUST LIKE IN YOUR BUSINESS.
YEAH, BUT YOU SEE, IT'S
NOT BUSINESS, IT'S PERSONAL.
SO, WHAT'S WITH THE SISTER?
I FEEL SORRY FOR HER,
THAT'S ALL.
AND THAT MAKES IT PERSONAL?
YEAH, WHAT CAN
I TELL YOU, FRANKIE?
YOU CAN TELL ME YOU
KNOW WHAT YOU'RE DOING.
Reed: PRINTS FROM THE HOTEL.
EVERY SMUDGY ONE OF 'EM.
YOU SURE ABOUT THIS?
WHAT?
GIANNI UZIELLI WAS
IN THE ROOM?
I CAN GUARANTEE
HIS HANDS WERE.
IT'S ALL RIGHT, WE CAN COUNT.
SO, CHAD.
PUT YOUR HANDS ON THE TABLE
WHERE I CAN SEE 'EM.
BOTH OF 'EM, BOTH YOUR HANDS.
NOW, STAND UP.
Gianni: I CAN'T.
WHY NOT?
UH, OKAY, HONEY,
YOU CAN GO, NOW.
ZIP UP, GENIUS.
SHE WAS JUST
CHECKIN' MY INSEAM.
WHILE YOU'RE AT IT,
WIPE THAT POWDER OFF YOUR NOSE.
THIS IS PRIVATE PROPERTY.
WHAT'S YOUR PROBLEM?
I CAME BY TO GIVE YOU
A RIDE HOME TO STATEN ISLAND.
REALLY, WHAT FOR?
LEWD BEHAVIOR, SOLICITING
A PROSTITUTE, POSSESSION,
YOU NAME IT.
KISS MY ASS.
HEY, HEY!
GET OFF ME!
GET YOUR HANDS OFF OF ME!
LET GO OF ME!
PUNK!
YOU AIN'T GOT NOTHIN' ON ME,
YOU HEAR ME?
NOTHIN'-- YOU SEE THIS?
IT'S A FAMILY RUN BUSINESS.
GET THE CUFFS OFF, YA PUNK!
Det. Kurtz: HEY, HEY, HEY.
HEY, COME HERE.
COME HERE, COME HERE, COME HERE.
DRIVIN' ALONG AND
HEARING THE .
MIKE, WHAT THE HELL IS GOING ON?
WHAT DO YOU MEAN?
I TOLD YOU, WE GOT AN
INVESTIGATION GOIN' ON
IN THIS PLACE.
YEAH, WELL, I GOT
AN INVESTIGATION, TOO.
HEY, YOU'RE MESSING UP
MY THING, MOE.
HEY, SAMMY, THIS IS MY THING.
NOT YOUR THING.
YEAH-- OKAY, FINE.
YOU DO WHAT YOU GOTTA DO.
MY CLIENT'S SEAMSTRESS
JUST HAPPENED TO BE TAKING A
MEASUREMENT WHEN YOU CAME IN.
THAT'S GOOD.
WHAT WAS IT YOU THINK
YOU SAW, DETECTIVE?
WHAT A LOAD OF CRAP.
THIS IS HARASSMENT.
WHY DON'T YOU GET MY OLD MAN
DOWN HERE WITH SOME BAIL MONEY?
EVEN IF YOU
DID SEE SOMETHING,
THE WARRANT'S DEFECTIVE.
PRIVATE OFFICE ISN'T PART
OF THE CLUB, IT ISN'T EVEN
MENTIONED IN THE WARRANT.
ERGO, YOU HAD
NO RIGHT TO BE THERE.
SO, LEGALLY THE COCAINE
WAS INVISIBLE.
ALL RIGHT.
LET'S FORGET THE WHOLE THING,
BUT, UH, LET'S TALK
ABOUT SUZANNE TAYLOR.
WHO'S SUZANNE TAYLOR?
SHE WAS A YOUNG WOMAN,
WHO WAS BUTCHERED IN ROOM 25
OF THE KELLER HOTEL AND
YOUR CLIENTS PRINTS WERE
ALL OVER THE ROOM.
HE'S GOT NOTHING, JERRY.
HE'S JUST A PUNK COP LOOKIN'
FOR OVERTIME, YOU GOT ME?
SHUT UP-- SHUT UP.
DETECTIVE, MY CLIENT IS
GOING THROUGH A NASTY DIVORCE.
HE'S A LONELY MAN,
HE USES THE HOTEL
FOR AN OCCASIONAL LIAISON.
I'M SURE THAT IF YOU TOOK
THE TROUBLE TO CHECK ALL THE
OTHER ROOMS, YOU'D FIND HIS
FINGERPRINTS IN THERE AS WELL.
THE OTHER ROOMS DIDN'T
HAVE ANY DEAD WOMEN IN 'EM.
ALL RIGHT, LET'S
QUIT PLAYING GAMES.
YOU DON'T HAVE ENOUGH
TO CHARGE MY CLIENT WITH
ANYTHING OTHER THAN WHAT YOU
THINK YOU SAW AT THE CLUB.
YOU'RE RIGHT.
HE CAN GO.
IF YOU HAD A GOOD TIME WITH HER,
I HOPE YOU USED A CONDOM.
THAT'S A BIZARRE COMMENT,
DETECTIVE.
WELL, YOU SEE,
MY VICTIM HAD SYPHILIS
AND SHE WAS HIV POSITIVE.
IN THIS DAY AND AGE,
YOU GOTTA HAVE SAFE SEX.
Det. Briscoe: HEY, MIKE,
WE'RE RIGHT OVER THERE.
I'LL BE WITH YOU IN A MINUTE.
THE FUTURE MRS. BRISCOE?
FUTURE EX- MRS. BRISCOE.
HEY, MIKE, OVER HERE, MOE.
DID YOU GET MY MESSAGE?
YEAH-- LOOK, MAN,
I DIDN'T MEAN TO CROWD YA.
FORGET ABOUT IT, BROTHER.
WATER UNDER THE BRIDGE.
LET IT SLIDE.
ALL RIGHT.
HEY, SAM,
YOU GOT A PHONE CALL.
YEAH, RIGHT.
GET MY FRIEND HERE A DRINK.
SHUT HIM OFF.
LET ME GET A VODKA
ON THE ROCKS.
MAKE IT A DOUBLE, OKAY?
DOUBLE?
SO, UH, YOU COME
HERE OFTEN, PROFACI?
Det. Profaci: NO.
COUPLE OF TIMES WITH, SAMMY.
THIS IS SAMMY'S PLACE.
I DON'T COME HERE.
OH, YEAH?
TELL YOU, THIS CASE
IS DRIVING ME CRAZY.
CRAZY, I GOT NOTHING.
THAT OTHER HOMICIDE, YOU AND
SAMMY WERE WORKING, RIGHT?
YEAH, WE'RE ON
THE FOUR TO ONE.
HEAR ANY WHISPERS-- ANY?
NAH, NOT TOO QUIET.
IT WAS SO QUIET,
SAMMY LEFT AROUND MIDNIGHT.
I THINK HE GOT A CALL
FROM ONE OF HIS BIMBOS.
HMM?
YEAH, COVER FOR HIM,
HE COVERS FOR ME.
YOU KNOW HOW IT IS, HUH?
YEAH, I KNOW.
DID YOU GET HER NUMBER?
SHE HAD MY NUMBER.
THAT'S SOME SUIT
SAMMY'S GOT ON.
WHAT IS THAT, AN ARMANI?
NAH, CUSTOM-MADE.
HE ALWAYS WAS A DRESSER.
Taylor: HELLO?
Det. Logan: HEY, IT'S MIKE.
OH, HI.
IT'S NOT TOO LATE, IS IT?
WELL, I USUALLY
STAY UP PAST 9:30.
LISTEN, YOU EVER BEEN ON
THE STATEN ISLAND FERRY?
IT'S KIND OF LIKE
THE POOR MAN'S Q.E.2.
HERE'S THE POOR MAN'S CHAMPAGNE.
CHEERS.
DON'T TELL ANYBODY,
WE'RE BREAKING THE LAW.
I GUESS ALL WE NEED NOW
IS A FULL MOON.
WILL YOU SHOW ME
WHERE YOU FOUND HER?
OUT TOWARD THE BRIDGE.
YOU CAN'T SEE IT.
PRETTY FAR OUT THERE.
GEORGEANNE, DON'T LOOK
AT THE WATER.
COME ON.
DON'T LOOK AT THE WATER.
DON'T-- DON'T.
I'M SORRY.
I'M SORRY.
HOW YOU DOIN', CHAMP?
LET ME GET A COFFEE.
NOT TOO DARK,
NOT TOO LIGHT, OKAY?
YOU GOT IT.
DO YOU GOT SODA BREAD TODAY?
YEP.
HERE YOU GO.
GET DOWN-- GET DOWN!
YOU THINK YOU WERE
THE INTENDED VIC?
I DON'T KNOW.
YOU THINK THE SHOOTER
DIDN'T LIKE HIS BAGEL?
HAD TO BE ME.
MAYBE SOMEBODY
JUST GOT PAROLE.
PULL YOUR RECORD UP AT 2-7,
CHECK ANY PERPS WHO
MAY HAVE A GRUDGE.
OKAY.
DO YOU UH, HAVE AN
ACTIVE INVESTIGATION?
YEAH.
COPY ME ON THAT CASE,
WILL YA?
YOU GOT IT.
THANKS.
THANKS, FELLAS.
Capt. Cragen: BOY, OLD MAN
UZIELLI CAN SANCTION A HIT.
NO WAY HE'S GONNA WHACK A COP.
WHAT ABOUT GIANNI?
MY INSTINCTS TELL ME
HE'S CRAZY ENOUGH TO TAKE
A SHOT AT A COP.
OH, YEAH.
HE'S CRAZY ENOUGH, ALL RIGHT.
YOU SHOULD HEAR THE WAY HIS
OWN PEOPLE TALK ABOUT HIM.
REAL LOOSE CANNON,
OUT OF CONTROL.
HELL, HE'S AN ORGANIZED
CRIME VERSION OF YOU.
COUPLE OF MONTHS AGO
STATE TROOPERS PICKED
HIM UP ON A D.W.I.
TURNS OUT, HE WASN'T DRUNK,
BUT HIS HEART WAS PUMPIN'
MORE DRUGS THAN A PHARMACY.
WHEN THEY BROUGHT HIM
BEFORE THE JUDGE THE GUY
WENT BALLISTIC.
TOOK FIVE COURT OFFICERS
TO RESTRAIN HIM.
JUDGE ORDERED HIM
LOCKED UP IN BELLEVIEW
FOR MENTAL OBSERVATION.
NO SURPRISES THERE, HUH?
PSYCHOTIC, VIOLENT TENDENCIES.
THIS IS NOT THE MOST STABLE
OF WISE GUYS, MIKE.
LET ME SET YOU UP WITH TASK
FORCE PROTECTION, ALL RIGHT?
THEY'D GET IN MY WAY.
WHAT'D YOU ALWAYS USED
TO TELL ME, DONNY?
SOMEBODY REALLY WANTS TO
KILL YOU, NOBODY CAN STOP 'EM.
Gianni: YOU'RE A BITCH.
I NEVER SHOULD HAVE MARRIED YOU!
Gina Uzielli: YOU PIG!
GET OUT OF HERE!
HEY, HEY, HEY, HEY!
GET OFF OF ME!
HEY, HEY, HEY!
ARE YOU COPS?
SEE WHAT SHE'S DOIN'?
Det. Silvera: YEAH.
YEAH, GREAT.
WELL, ARREST THIS BASTARD.
YEAH, ALL RIGHT-- CALM DOWN.
GIANNI, YOU GOT A MINUTE?
WHAT?
JUST A FEW QUESTIONS.
ARE YOU CRAZY?
YOU'RE TRESPASSIN'.
THIS IS PRIVATE PROPERTY.
YOU KNOW, SOMEBODY
TOOK A POP AT ME TODAY.
YEAH, TOO BAD THEY MISSED.
I WANT A RESTRAINING ORDER
AGAINST THIS ANIMAL.
SHUT UP, YOU.
I SAID I WANT HIM ARRESTED.
I SAID, SHUT UP!
I WANT HIM DEAD!
TAKE IT EASY-- TAKE IT EASY.
MAYBE YOU OUGHT TO COME
DOWN TO THE PRECINCT, HUH?
TALK TO MY LAWYER.
YOU KNOW WHAT HE DID?
THE SON OF A BITCH
GAVE ME SYPHILIS!
TOLD YOU YOU SHOULD HAVE
WORN A CONDOM.
ALL RIGHT YOU, BASTARD,
JUST DRIVE AWAY.
YOU CAN'T LOOK AT ME?
WELL, I CAN'T LOOK AT YOU.
KEEP GOING-- KEEP GOING!
Lt. Stolper: WHAT'S
THE MATTER WITH YOU?
WE GOT NOTHING ON UZIELLI.
YOU WENT TO HIS HOUSE?
I GOT HIS PRINTS
AT THE MURDER SCENE.
HOW MANY OTHER PRINTS YOU
FIND THERE, A THOUSAND?
YOU GO TO ANYBODY ELSE'S HOUSE?
NOPE.
GOOD, VERY GOOD.
GOOD THINKING.
LIEUTENANT, THE GIRL
DID WORK AT UZIELLI'S CLUB.
NOT TO MENTION HE'S
A PERMANENT FIXTURE
AT THE KELLER HOTEL.
SO WHAT?
YOU DON'T UNDERSTAND,
THE PIMP, THE GIRL, UZIELLI
ALL HAVE ONE THING IN COMMON,
IT'S CALLED THE SEX BUSINESS.
ANYBODY IN THAT RACKET GOES
IN AND OUT OF THAT SEX CLUB
AND THE HOTEL.
CONNECTING UZIELLI
WITH A SLEAZY HOTEL,
THAT'S LIKE CONNECTING YOU
WITH AN IRISH PUB.
DON'T MEAN YOU KILLED
A BAR MAID.
STOLPER.
YEAH.
YEAH.
YEAH-- RIGHT-- HOLD ON.
THIS IS JERRY KLEINERT,
UZIELLI'S ATTORNEY, TWO
TO ONE HARASSMENT CHARGES.
WANTS TO TALK TO YOU.
YOU, I THOUGHT
YOU HAD MORE SENSE.
LOGAN-- I'M LISTENING.
WHERE-- WE'LL BE THERE
IN AN HOUR.
UZIELLI WANTS A MEETING.
SENIOR, NOT JUNIOR.
THEN YOU GO WIRED.
HE OFFERS YOU A BRIBE,
I WANT IT IN FULL STEREO.
MR. UZIELLI, WHAT DID
YOU WANT TO SEE US ABOUT?
Don Giancarlo: I WANT
TO HELP MY BOY ANYWAY I CAN.
SO, WHAT ARE YOU SAYING?
WHAT ANY FATHER WOULD SAY,
THAT'S ALL.
YOU KNOW, SOMEONE TOOK
A SHOT AT ME THIS MORNING.
YOU WOULDN'T HAPPEN TO KNOW
ANYTHING ABOUT THAT, WOULD YOU?
WHY DO YOU ASK ME?
ALLEGEDLY, YOU'RE
A GOD FATHER, RIGHT?
I AM A GODFATHER.
I'VE GOT GODCHILDREN
IN ALL FIVE BOROUGHS.
THERE ARE RULES, DETECTIVE.
I DON'T BREAK THEM.
IF MY BOY-IF MY BOY KILLS
A WHORE, IT'S UNFORTUNATE.
A TERRIBLE TRAGEDY FOR
HER FAMILY, BUT IF MY BOY
TAKES A SHOT AT A COP,
THAT'S A TRAGEDY FOR MY FAMILY.
I JUST WANTED TO ASSURE YOU
THAT IF THERE HAS BEEN
SOME PROBLEM IN THE PAST,
IT WON'T HAPPEN AGAIN.
YOU HAVE MY WORD.
COULD IT GET
ANY LOUDER IN HERE?
NO WONDER HE WORKS OUT
OF A BOWLING ALLEY.
NOT THAT HE SAID A DAMN
THING WORTH RECORDING ANYWAY.
ALTHOUGH HE DID ADMIT
HE WAS A GODFATHER.
YEAH.
MIKE.
WHAT?
Det. Logan: I DON'T KNOW WHO
THE DIRTY COP IS AND I DON'T
KNOW IF HE HAS ANYTHING
TO DO WITH OUR CASE,
BUT WHOEVER HE IS,
HE'S IN MY OLD PRECINCT.
I MIGHT EVEN KNOW THE GUY.
LOOK, I JUST THOUGHT
YOU NEEDED TO KNOW THIS,
'CAUSE WE'RE IN THIS TOGETHER.
Det. Silvera: YEAH, THANKS.
WOW, THIS IS GREAT.
WELL, AT LEAST YOU'RE
NOT DOING THE SISTER.
ENOUGH, WAIT.
ARE YOU GONNA-ARE YOU
GONNA WEAR A LEOTARD?
Taylor: WHY DON'T YOU COME
TO THE THEATRE AND FIND OUT?
WELL, WAIT, I LIVE
FOR THE DANCE, BABY.
I MEAN, BUT WHAT I WANNA
KNOW IS-WHAT I WANNA KNOW
IS WHAT ARE WE GONNA
DO AFTER THE DANCE?
KNOW WHAT I MEAN?
LET'S GET OUT OF HERE.
LET'S GO.
LISTEN, I WANT TO
TELL YOU SOMETHING.
I DON'T WANT YOU TO WORRY
ABOUT ANYTHING, ALL RIGHT?
I DON'T.
'CAUSE I'M GETTIN' THIS GUY.
COME HERE.
I'M GETTIN' THIS GUY.
I'M GONNA GET HIM.
I AM THIS CLOSE TO GETTIN' HIM.
YOU KNOW WHAT?
WHEN I GET THIS GUY, WHEN I
GET THIS CASE, FRONT PAGE OF
THE NEW YORK TIMES, DAILY NEWS,
NEW YORK POST, AND I'M BACK.
I'M GONNA BE BACK IN MANHATTAN.
SO-- WHAT-- WHAT?
IS THAT WHAT THIS IS ALL ABOUT?
GETTING BACK TO MANHATTAN?
WELL, NO.
NO, THAT'S NOT WHAT
IT'S ALL ABOUT.
WHAT DO YOU MEAN?
I'M TALKING ABOUT THE CASE.
YOU KNOW, IF I
GET THE CASE DONE--
I MADE A HUGE MISTAKE.
DON'T TAKE IT LIKE THAT.
THAT'S NOT WHAT I-- IF I GET
THIS CASE AND IT GOES THE WAY
I THINK IT'S GONNA GO--
I'VE MADE A HUGE MISTAKE.
GEORGEANNE, I'M NOT--
I DID NOT MEAN IT LIKE THAT.
GEORGEANNE!
PLEASE, JUST LET ME GO HOME.
WAIT A MINUTE.
MARITZA!
Maritza: NO!
MARITZA-- MARITZA,
IT'S ALL RIGHT.
NO, NO, NO!
THERE'S A FOX
IN THE HEN HOUSE.
WHICH HEN HOUSE
YOU TALKING ABOUT?
WHERE'S CAT WALK?
HEY, YOU'RE MESSIN' UP
MY THING, MOE.
Profaci: IT WAS SO QUIET,
SAMMY LEFT AROUND MIDNIGHT.
I USUALLY LIKE
MY CRIME SCENES WITH
A LITTLE BLOOD.
YEAH, I COVER FOR HIM,
HE COVERS FOR ME.
YOU KNOW HOW IT IS, HUH?
REMEMBER THAT SONG: "MUST
"HAVE BEEN IN THE WRONG PLACE
"AT THE WRONG TIME."
WHY ARE WE POINTING GUNS
AT EACH OTHER?
I DON'T KNOW.
WHY ARE WE?
AH.
JEEZ, I SAW THE DOOR OPEN,
I HEARD A NOISE IN THE ROOM.
YOU'RE OUT LATE, AREN'T YOU?
WHAT COULDN'T WAIT TILL MORNING?
I WAS JUST GONNA ASK
YOU THE SAME THING.
THIS IS MY TOUR, FOUR TO ONE.
ONE THIRTY.
YEAH, I GUESS IT IS, YEAH.
WELL, I STOPPED BY THE HOTEL.
TALK TO ONE OF MY SNITCHES.
I THOUGHT SHE MIGHT KNOW
SOMETHING ABOUT YOUR HOMICIDE.
DID SHE?
NO, SHE WAS IN
LOCKUP THAT NIGHT.
I'M JUST WONDERIN' WHY THE
SUDDEN INTEREST IN MY CASE.
JUST TRYIN' TO
HELP A BROTHER.
'KAY, SAMMY.
DO YOU MIND IF I RUN
SOMETHING BY YOU, THEN?
SHOOT-- HEY,
I DON'T MEAN THAT LITERALLY.
YOU EVER BEEN IN
THIS ROOM PRIOR TO THE DAY
WE WERE ALL HERE?
THIS ROOM?
NO, NO, NO.
NOT THIS ROOM-- NO, WHY?
WELL, IT'S JUST THEY
FOUND YOUR PRINTS IN HERE.
YOUR PRINTS FOUND AS WELL?
YEAH.
LENNIE'S, PROFACI'S,
YOUR PARTNER'S PRINTS?
YEAH.
SO, WHAT'S THE PROBLEM?
YOU LEFT AROUND 5:15,
WASN'T IT?
YEAH, FIVE, 5:15,
SOMETHING LIKE THAT.
ME, BRISCOE, PROFACI,
WE DROVE BACK TO THE HOUSE.
WHERE'S THIS GOIN'?
NO, I'M-I'M JUST RUNNING
THE SCENE THROUGH MY HEAD.
YOU KNOW HOW THAT IS.
YEAH, I KNOW HOW IT IS.
HEY, MIKE!
WHAT ARE YOU DOING HERE?
LISTEN, LISTEN, I NEED
SOME HELP ONE SOMETHING.
WHAT'S HAPPENIN'?
YOU GOT A MINUTE?
YEAH, YEAH-- COME ON IN.
COME ON IN-- SHIRLEY!
Shirley Profaci: HI, JEEZ,
I HAVEN'T SEEN YOU SINCE--
WELL, THREE YEARS AGO
FOURTH OF JULY.
YEAH, I'VE BEEN OVER SEAS.
YOU LOOK GREAT, KID.
OH, MIKE.
YEAH, SHE DOES, DOESN'T SHE?
OH, YEAH.
YEAH.
YOU SEE THE GLOW?
YEAH.
DO YOU SEE THE GLOW?
GUESS WHAT WE FOUND OUT
LAST NIGHT, HUH?
YOU'RE PREGNANT.
YEAH.
CAN I?
YEAH, YEAH, YEAH.
OH, YEAH.
IS IT GONNA KICK?
NO, MIKE, THEY DON'T
KICK AT FIVE WEEKS.
DID HE DO THAT TO YOU?
HMM, NOW, GET OUT
OF MY KITCHEN.
GO IN THERE-- I'LL BRING
YOU SOME COFFEE.
GO ON.
THANKS, HONEY.
CONGRATULATIONS.
THANKS, MAN, THANKS.
IS EVERYTHING ALL RIGHT?
YEAH, EVERYTHING'S GOOD.
SIT DOWN.
LISTEN, YOU REMEMBER
THE NIGHT WE WERE HAVING
DINNER AT THAT JOINT?
I WANTED TO CHECK SOMETHING
OUT WITH YOU.
REMEMBER YOU TOLD ME THAT SAMMY
GOT A CALL AROUND MIDNIGHT,
SUNDAY BEFORE LAST?
YEAH?
YOU SURE IT WAS MIDNIGHT.
WHAT DO YOU ASK ME THIS FOR?
WELL, I JUST NEED TO KNOW.
YEAH, WELL, I WAS WRONG.
I WAS WITH SAMMY UNTIL ONE.
COME ON, MAN.
YOU TOLD ME, I WAS RIGHT THERE,
YOU SAID MIDNIGHT, I REMEMBER.
HEY, I WAS WITH MY PARTNER
UNTIL ONE THAT NIGHT.
WHAT ARE YOU BEING
LIKE THIS FOR?
BEING LIKE WHAT?
I MUST HAVE BEEN THINKING
ABOUT SOME OTHER NIGHT,
THAT'S ALL.
ALL RIGHT, LOOK,
I GOTTA TELL YOU THE TRUTH.
I HAVE GOT SOME VERY SERIOUS
DOUBTS ABOUT SAMMY KURTZ.
I DON'T WANT TO HEAR IT.
YOU DON'T WANT TO HEAR IT?
I DON'T WANT TO HEAR IT.
DO YOU KNOW THAT
SOMEONE TOOK A SHOT AT ME?
GLAD YOU'RE OKAY, BUT IT'S
GOT NOTHING TO DO WITH SAMMY.
YOU INVESTIGATING
COPS NOW, MIKE?
THE BLUE WALL
STOPS AT HOMICIDE.
I GOTTA GO.
Det. Briscoe: BRING ME UP
HERE FOR THE VIEW?
I'VE SEEN IT.
Det. Logan: THERE'S
SOMETHING YOU NEED TO KNOW
AND IT STAYS BETWEEN US.
CROSS MY HEART
AND HOPE TO DIE.
WE GOT A PROBLEM AT THE 2-7.
OKAY, YOU GOT ME.
I HAD A FREE DOUGHNUT
AT THE KRISPY KREME.
AND I THINK IT'S SAMMY.
WHAT?
NO WAY.
I DON'T KNOW HOW, BUT I THINK
HE'S CONNECTED TO MY CASE.
YOU THINK?
HEY, A COUPLE OF YEARS AGO
PEOPLE THOUGHT THAT ABOUT ME,
AND I WAS GUILTY UNTIL I
PROVED MYSELF INNOCENT.
WHY ALL OF A SUDDEN YOU
BUSTIN' SAMMY'S ASS?
I'M NOT OUT TO BUST SAMMY.
I'M AFTER THE KILLER
OF SUZANNE TAYLOR.
SAMMY GETS RUN OVER,
I'M STILL MAKING THIS CASE.
WHEREVER IT LEADS?
WHEREVER.
YOU EVER HEAR
OF LOYALTY, MIKE?
LOYALTY-- OH, OH,
LET ME GET THIS RIGHT.
LENNIE BRISCOE LECTURING ME
ON LOYALTY.
YOU KNOW, I DIDN'T HEAR MUCH
FROM YOU WHEN I TOOK THAT
RIDE OUT TO STATEN ISLAND.
HEY, YOU SLUGGED
THE POLITICIAN.
WHAT THE HELL WAS
I SUPPOSED TO DO?
I DON'T KNOW, YOU TELL ME.
WHAT IF YOU-YOU DECIDE
TO JUMP OFF A BRIDGE I'M
SUPPOSED TO GO IN AFTER YOU?
OH, MIKE LOGAN'S DROWNING,
GET BRISCOE, THE LIFEGUARD.
UZIELLI'S GOT A COP
ON THE PAYROLL.
GUESS WHO WEARS EXPENSIVE SUITS?
THE KIND THAT DETECTIVES
LIKE YOU AND ME CAN'T AFFORD.
SAMMY-- I GO BY
THE KELLER LAST NIGHT.
GUESS WHO SHOWS UP
AFTER HIS TOUR?
SAMMY.
THE NIGHT SUZANNE TAYLOR
WAS KILLED, GUESS WHO
GETS A CALL AND LEAVES
HIS POST AT MIDNIGHT?
SAMMY.
YEAH-- THERE'S NO PHONES
AT THE KELLER IN THE ROOMS.
SO, I COULDN'T CHECK THE
PHONE RECORDS, BUT I DID
CHECK THE INCOMING CALLS
TO THE 2-7.
GUESS WHO'S CELL PHONE NUMBER
SHOWS UP ON THE CALLER I.D.
THAT NIGHT?
GIANNI UZIELLI.
I MEAN, YOU TELL ME, LENNIE.
UZIELLI, SAMMY, MY VICTIM,
THE PIMP, THE PIMP'S KILLER,
WHY DO THEY ALL SEEM
TO BE CONNECTED?
YOU WITH ME ON THIS?
DO IT RIGHT AND I'M WITH YA.
YOU DIVE OFF A BRIDGE,
YOU HIT THE WATER ALONE.
Lt. Van Buren: GREAT WAY
TO START THE DAY.
FIRST, I GET A CALL FROM
INTERNAL AFFAIRS TELLING ME
THEY WANT TO INTERROGATE
MY OFFICERS.
THEN, I FIND OUT YOU'VE
KNOWN FOR MONTHS THERE WAS
A DIRTY COP ON MY WATCH, BUT YOU
DIDN'T TELL ME, YOU TOLD HIM.
Capt. Cragen: WELL,
THAT'S BECAUSE--
SAMMY KURTZ IS ONE OF
THE FINEST OFFICERS WHO EVER
SERVED UNDER ME AND I HAVE
NOT HEARD ONE THING THIS MORNING
THAT CHANGES MY OPINION.
HEY, I DON'T HAVE AN
OPINION NO SAMMY KURTZ,
I'M JUST WORKING A CASE.
LOOK, YOU KNOW THE GUY, I DON'T.
SO, COULD BE THAT YOU'RE
TOO CLOSE TO HIM.
MAYBE I HAVE A CLEARER TAKE
ON HIM THAN YOU DO.
MM-HMM.
MAYBE YOU DO, OR MAYBE
IT'S JUST THAT YOU'RE
STILL AS SELF-OBSESSED
AS YOU ALWAYS WERE.
SHE SEEMS LIKE A NICE LADY.
I.A.B. IS NOT GOING ANY
FURTHER WITH THE WIRES.
THEY WANT TO START THE
INTERROGATIONS TOMORROW.
THEY FIGURE THEY CAN FERRET
OUT THE COP BY SWEATIN'
THE WHOLE PRECINCT.
I.A.B. COMES IN,
I'M OUT OF THE PICTURE.
WELL, YOU SAY THAT
LIKE IT'S A BAD THING.
OH, COME ON, YOU DON'T
REALLY WANT TO BUST A COP IN
YOUR OLD PRECINCT, DO YOU?
LOOK, IF SAMMY KURTZ IS
INVOLVED IN THIS THING,
LET I.A.B. DO THE DIRTY WORK.
CASE GETS SOLVED,
WHAT DIFFERENCE DOES IT MAKE
WHO SOLVES IT, RIGHT?
RIGHT?
YOU KNOW WHAT IT'S BEEN LIKE
FOR ME THE LAST THREE YEARS?
OKAY-- NOW, I GET IT.
IF I EVER WANT TO GET
BACK TO MANHATTAN, I NEED
TO GET CREDIT ON THIS CASE.
I.A.B. IS MEETIN' ME
AT THE 2-7 TOMORROW AT FOUR.
THEY WANT TO HIT
THE NIGHT GUYS FIRST.
I CAN TELL 'EM I CAN'T
MAKE IT TILL 4:30, MIKE,
THAT'S THE BEST I CAN DO.
THANK YOU.
NOW, MEANWHILE, I GOT
A BIGGER PAIN IN THE ASS.
I STILL GOT ONE TAP WORKIN'
AT THE HUNT AND FISH CLUB.
NOW, THREE YEARS OF LISTENIN'
TO GOOMBA GIBBERISH,
AND LAST NIGHT ON THE WIRE,
I HEAR SOMETHING THAT I HAVE
NEVER EVER HEARD BEFORE,
A SANCTIONED HIT
ORDERED BY THE OLD MAN
HIMSELF ON A WOMAN.
NOW, WE'RE TRYING
TO LOCATE HER, NOW.
IT'S A MARIA, MARISSA?
MARITZA FLORES.
OH, THAT'S RIGHT, I FORGOT,
YOU'RE THE PHYSIC DETECTIVE.
SHE WORKS AS A MAID
AT THE KELLER HOTEL.
SHE MIGHT BE A WITNESS TO
THE MURDER OF SUZANNE TAYLOR.
WELL, SHE'S ABOUT TO BE
A WITNESS TO ANOTHER MURDER,
HER OWN.
HELLO, REED.
YEAH, I KNOW WHAT TIME IT IS.
Det. Kurtz: HOLD ON.
PROFACI, YOU GOT A MINUTE?
WHY?
COME ON, LET'S GO
SOMEWHERE PRIVATE.
I GOTTA CALL YOU BACK.
YEAH, LET'S GO IN THE BACK.
Det. Profaci: PRIVATE
ENOUGH FOR YOU?
WHAT'S UP?
Det. Logan: I JUST LEFT
REED OVER IN FORENSICS.
WE'RE LOOKING AT THE PRINTS
FROM THE KELLER.
DID I TELL YOU THAT REED
EVEN GOT THE PRINTS OFF
THE MATTRESS MY VICTIM
WAS KILLED ON?
YEAH, WELL THAT REED'S
A REAL LAB RAT.
YEAH.
YOUR PRINTS, MY PRINTS,
FRANKIE'S, THEY WERE
ALL ELIMINATION PRINTS.
REED WASN'T TOO HAPPY.
SHE SAID WE SHOULD BE MORE
CAREFUL AT A CRIME SCENE.
MAYBE WE BETTER GO BACK
TO THE ACADEMY, HUH?
WE WERE ALL IN THAT ROOM
TOGETHER AT THE HOTEL.
SO, I WASN'T EVEN THINKING
ABOUT ELIMINATION PRINTS
TILL LAST NIGHT.
YOU KNOW, I WAS CONCENTRATING
ON THE PRINTS THAT
DIDN'T BELONG TO US.
SO, THEN I GET THE
ELIMINATION PRINTS.
AND THERE IT IS, NAME PROFACI,
PRINT LOCATION, MATTRESS.
I DON'T FOLLOW.
SO, I TOUCHED A MATTRESS.
NO, YOU DIDN'T, TONY.
WAIT A MINUTE,
YOU'RE TELLING ME I DIDN'T
TOUCH A MATTRESS, HUH?
YOU'RE SO DAMN SURE I
DIDN'T TOUCH A MATTRESS?
WHAT, ARE YOU WATCHING ME
EVERY SECOND?
THE MATTRESS ON
THE BED WAS NEW.
THE MATTRESS I'M TALKING
ABOUT, THE ONE SUZANNE TAYLOR
WAS MURDERED ON,
WE FOUND OUTSIDE THE KELLER
BEHIND A DUMPSTER.
LET ME SEE THAT.
YOU WANT TO TELL ME WHAT YOUR
PRINTS ARE DOING ON A MATTRESS
WE FOUND AFTER YOU LEFT?
INTERNAL AFFAIRS IS
GONNA BE HERE ANY MINUTE.
THEY DON'T HAVE A NAME,
BUT THEY GOT A TAPE.
THERE'S A LOT OF TALK ON
THAT TAPE ABOUT A DIRTY COP
IN THE 2-7.
WHAT THEY DON'T HAVE IS
THE COP'S PRINTS ON A MATTRESS.
I USED TO RUN INTO OLD MAN
UZIELLI AT AL'S CLAM BAR.
COPS AND WISE GUYS...
ALL LIKE RATS IN THE SAME MAZE.
WE EAT IN THE SAME RESTAURANTS.
HANG OUT IN THE SAME BARS.
SLEEP WITH THE SAME WOMEN.
SO, ONE DAY THE OLD MAN
ASKED ME TO FIX A
SPEEDING TICKET FOR GIANNI.
NEXT DAY I GET A LITTLE
ENVELOPE IN THE MAIL, NO
RETURN ADDRESS, 300 CASH INSIDE.
ALL OF A SUDDEN I'M LOOKING
OUT FOR THIS KID LIKE HE'S
MY OWN BROTHER, MIKE.
OKAY-- SO, I.A.B.
CATCHES YOUR HAND IN THE TILL.
A LOT OF COPS HAVE BEEN
CAUGHT WITH THEIR HAND IN
THE TILL, BUT NOT A LOT
OF COPS HAVE BEEN CAUGHT
KILLING A PREGNANT WOMAN.
I DIDN'T KILL HER.
I'M LISTENING TO YOU.
GIANNI WAS ALWAYS
SMALL STUFF.
UNTIL I WALKED IN
THE ROOM THAT NIGHT.
KINGSTON HAD BROUGHT
THE GIRL OVER TO THE HOTEL.
KINGSTON THERE, TOO?
NO, NO, NO, JUST GIANNI.
HE WAS STANDING
THERE BY THE BED.
HE WAS-HE WAS COVERED IN BLOOD.
I SAYS, GIANNI,
"WHAT THE HELL YOU DOING?"
HE SAYS TO ME, "THE BITCH
"WOULDN'T GET AN ABORTION,
"SO, I GAVE HER ONE."
HE TOLD ME HE'D KILL ME
IF I DIDN'T HELP HIM
GET RID OF THE BODY.
HEY, I BELIEVED HIM AFTER
WHAT HE DID TO THE GIRL.
ANYWAY, I WAS ALREADY
IN SO DEEP.
THE GIRL WAS ALREADY DEAD.
GIANNI CUT HER HANDS OFF.
CRAZY BASTARD SAID NO COPS
I COULDN'T BELIEVE IT WHEN
I SAW THE SISTER HERE.
YOU KNOW, FOR-FOR A MINUTE
I THOUGHT THAT--
GOD ALMIGHTY, PROFACI.
OF ALL THE COPS I EVER KNEW,
YOU'RE THE LAST I FIGURE
WOULD EVEN TAKE A CENT.
I'M LOOKING AT SAMMY KURTZ
THE WHOLE TIME.
AND YOU KNOW ME.
YOU KNOW I NEVER WOULD HAVE
DONE SOMETHING LIKE THAT.
YES, SIR, YOU TELL ME WHY.
SHIRLEY AND ME, WE WANTED
TO HAVE KIDS, BUT SHE-SHE
COULDN'T GET PREGNANT.
SO, WE TRIED THE
IN VITRO FERTILIZATION,
THAT'S TWELVE G'S A POP.
INSURANCE DON'T COVER IT.
SO, WE HAD TO USE OUR SAVINGS.
THE FIRST ONE DIDN'T TAKE.
YOU SEE THE IRONY HERE, MIKE?
TO GET RID OF A DEAD GIRL
WITH A DEAD FETUS WHEN
THE ONLY THING THAT I--
ME AND SHIRLEY WANT...
...IS A CHILD.
OKAY-- WITHOUT THOSE PRINTS
WORST CASE YOU DO THREE TO FIVE.
WHAT, SUPPRESS EVIDENCE?
THEY'RE ELIMINATION PRINTS.
NOBODY WOULD CATCH IT.
IT'S OVER, MIKE.
Det. Briscoe: HEY, PROFACI.
HEY, DONNY.
HOW YOU DOING?
HAD BETTER DAYS.
YEAH, ME, TOO.
SO, WHO'S OUT THERE?
INTERNAL AFFAIRS
IS ON THE WAY.
A REAL PARADE, HUH?
ALL FOR ME.
LET'S GIVE HIM A COUPLE
OF MINUTES, HUH?
ALL RIGHT, OUTSIDE.
I'LL SEE YOU AROUND, MIKEY.
ANYTHING YOU WANT TO TELL US?
Det. Logan: CAN'T THINK
OF ANYTHING RIGHT NOW.
MAYBE YOU'LL REMEMBER
SOMETHIN' TOMORROW.
DOUBT IT.
WE'LL BE IN TOUCH.
AREA CODE 718.
Lt. Van Buren: TO TELL YOU
THE TRUTH, I DON'T KNOW
WHAT TO SAY.
THAT MAKES TWO OF US.
SORRY.
HEY, WATCH HIS BACK.
Det. Silvera: HEY,
WE FOUND MARITZA FLORES.
THEY'RE BRINGING HER IN.
YEAH?
YEAH.
GOOD, BECAUSE WE GOT
SOMEBODY TO BRING IN, TOO.
RIGHT.
LET ME HAVE THE KEYS.
SON OF A BITCH, THAT'S HIM.
THIS IS EMBARRASSING.
WE JUST LOST A GUY
ON STATEN ISLAND.
NO, YOU WERE DRIVING.
YOU LOST A GUY ON STATEN ISLAND.
WELL, I MEAN,
IT'S YOUR ISLAND.
I DON'T KNOW THESE BACK ROADS.
YOU DON'T EVEN KNOW
THE MAIN ROADS.
HE WAS STABBING HER.
EVEN THOUGH SHE WASN'T MOVING.
TELL MR. KLEINERT THAT
IT'S DETECTIVE MIKE LOGAN
AND THAT IT'S VERY URGENT.
Lt. Stolper: NOW,
THE MAN IN THE ROOM,
DO YOU SEE HIS PICTURE
ON THIS PAGE?
THAT-- THAT'S THE MAN.
THIS ONE?
YEAH, YEAH, THAT'S THE MAN.
HOLD IT.
YOU SURE?
NO, I'M POSITIVE.
WE GOT HIM?
ABSOLUTELY.
MR. KLEINERT, THIS IS
DETECTIVE MIKE LOGAN AND AT
THIS VERY MOMENT I AM TAKING
A STATEMENT FROM A WITNESS WHO
WILL TESTIFY THAT SHE SAW YOUR
CLIENT MURDER SUZANNE TAYLOR.
HE'S A VERY BAD MAN.
THAT'S CORRECT.
WE'LL TAKE CARE OF YOU.
DON'T WORRY ABOUT THAT.
THAT'S CORRECT.
THAT'S WHAT WE'RE HERE FOR.
WE'LL BE THERE.
WE JUST GOT AN INVITATION TO THE
HOUSE OF DON GIANCARLO UZIELLI.
Don Giancarlo: IT'S
ALL RIGHT, GIANNI.
Gianni: NO.
IT'S NOT ALL RIGHT, POP.
WHAT ARE YOU DOING?
YOU INVITE A COP INTO
YOUR HOUSE AND YOU TELL ME
I GOTTA TALK TO HIM.
WHAT IS THIS THE '50s?
IT'S THE '90s.
YOU GOTTA BE TOUGH WITH
THESE PIGS, YOU UNDERSTAND ME?
JERRY, YOU TELL HIM, WILL YA?
HEY, YOU, YOU, DON'T PUSH ME,
YOU UNDERSTAND-- DON'T PUSH ME.
GIANNI.
WHAT-- WHAT DO YOU WANT?
IT HAD TO BE DONE.
WHAT?
WHAT ARE YOU TALKING ABOUT?
WHAT HAD TO BE DONE?
YOU SENILE OLD BASTARD.
YOU RAT OUT YOUR OWN SON?
GUN-- HEY, GUN!
DON'T SHOOT-- DON'T SHOOT!
DON'T MOVE!
PUT YOUR HANDS-- OKAY!
COME ON!
PUT YOUR HANDS-- THAT'S IT.
THAT'S IT.
STAY RIGHT THERE.
STAY RIGHT THERE.
COME ON.
IT'S WORSE THAN THE OTHER.
LET'S GO.
YOU ALL RIGHT?
YEAH, USE YOUR FEET, MAN.
COME ON.
.
THEY'LL SORT IT OUT.
YEAH, NO PROBLEM.
Taylor: MIKE?
HI.
WE GOT THE GUY.
I THOUGHT YOU'D LIKE
TO KNOW THAT.
I HEARD ABOUT IT.
TURNS OUT IT WAS
SOMEBODY SHE KNEW.
I HOPE THIS GETS
YOU BACK TO MANHATTAN.
YEAH, WELL, YOU NEVER KNOW
ABOUT THAT KIND OF THINGS.
GOOD-NIGHT, MIKE.
GOOD-NIGHT.
OUR TOP STORY TONIGHT,
AS POLICE ARRIVE TO ARREST
GIANNI UZIELLI OF STATEN ISLAND
FOR THE STABBING DEATH
OF AN EXOTIC DANCER.
UZIELLI SHOT AND KILLED
HIS FATHER, REPUTED MOB-BOSS,
GIANCARLO UZIELLI.
MAYOR GIULIANI CALLED FOR
A PROBE INTO THE BOTCHED BUST,
BUT TEMPERED HIS CRITICISM
BY PRAISING THE CITY-WIDE
TASK FORCE, WHICH HAD BEEN
FORMED TO HANDLE THE CASE
AND HE EMPHASIZED THAT
AN INVESTIGATION OF THIS
MAGNITUDE REQUIRED THE EFFORTS
OF NOT JUST ONE POLICE OFFICER,
BUT OF EVERYONE
ON THE DEPARTMENT.