Dancing at the Harvest Moon (2002) - full transcript

English literature teacher Maggie Webber accidentally sees her husband, lawyer Tom Webber, kiss Brigitte. When she confronts him, he says to love another, after 25 years of happy marriage, with a daughter in college, Diane. After Maggie learns from a friend Tom's numerous adventures were widely known, she returns for the summer holiday to Little Bear Lake, where she had her best summer at 18, and met, working as dance hall waitress, her first love, Patrick Fleming, a handsome romantic whom she left to return to her sick, widowed father. After learning Patrick married the next year and died years ago, Maggie decides to take sabbatical year and a bank loan to buy and reopen the Lake's old dance hall, The Harvest Moon, to great local acclaim. At the mooring dock, which Patrick built in their days, she meets his handsome young adult son, John Keats Fleming (middle name after her favorite poet), who is engaged to Amy and a woodcarver, so he works as foreman at the Moon's restoration. At first Maggie keeps an uncomfortable distance from kind, efficient, helpful John because he reminds her too much of his dad, but they naturally grow closer. After John refuses to move to Chicago with Amy and the Moon's successful reopening, things can change, but the past still weighs heavily...

[♪♪]

I LOVE THESE SHOES.

GOR-GEOUS.

RIGHT?

[GASPS]

OH...

GOOD BONES,

EXCELLENT DESIGN,

FLAWLESS STYLE.

I FEEL LIKE THESE SHOES SAY,"I AM JENNIFER STONE."

THEY SHOULD--YOU ALREADY OWN THEM.



HMM?

YOU BOUGHT THE SAME PAIRLAST WEEK.

OH... I FORGOT.

DISAPPOINTED.

YOU KNOW, THAT'S WHAT I LOVEABOUT YOU BEST, JEN.

ANY TIME I FEEL GUILTY

ABOUT HOW MUCH MONEYI'M DISHING OUT

ON CLOTHES, OR SHOES,OR HANDBAGS--

YOU'RE ALWAYS THERETO OUTSPEND ME.

WELL, WHAT ARE FRIENDS FOR?

THANK YOU.

OKAY, NOW FOR THE BIGGESTDECISION OF THE DAY...

WHERE TO HAVE LUNCH.

OH, I DON'T KNOW.



I DON'T KNOW IF I HAVE TIME.

I NEED TO UPDATEMY FASHION BLOG

THIS AFTERNOON.

OH, HONEY, THE WORLD CAN WAITA FEW MORE HOURS

FOR YOUR NEXT FASHION POST.

OOH! HOW ABOUT

MAISON DE SALADE?

NO, THEY'RE UNDER RENOVATIONS.

HERE. SELFIE!

YOU KNOW, IT'S NOT JUST ABOUTFASHION, THOUGH.

I DO WRITE ABOUTOTHER IMPORTANT THINGS,

LIKE WHAT'S TRENDINGIN HAIR AND MAKEUP.

OH, RIGHT.

OH, WHAT ABOUT FONTAINE NOIRE?

NO! THEY HAVETHAT AWFUL HOSTESS.

SHE WAS SO RUDELAST TIME.

YEAH.

WELL, THERE'S ALWAYSAVENUE 99.

THEY HAVETHAT REALLY CUTE WAITER,

JEAN-PAUL.

I'M SORRY, MISS STONE,

DO YOU HAVE ANOTHER CARD?

THERE WAS A PROBLEMWITH THIS ONE.

PARDON ME?

YOUR CHARGE CARD,

IT WAS DECLINED.

TRY IT AGAIN, PLEASE.

I TRIED IT TWICE.

MAYBE YOU HAVE ANOTHER ONE.

OKAY. HERE.

THANK YOU.

OKAY, WAIT,

I THOUGHT YOU WEREOFF THE MARKET.

HAVEN'T YOU BEEN SEEINGTHAT "TIM" GUY

FOR ALMOST A MONTH?

TED AND I ARE SO OVER.

WHAT HAPPENED?

HE CALLED ME IRRESPONSIBLE.

CAN YOU IMAGINE?

I'M...

TERRIBLY SORRY,MISS STONE.

THIS ONE WAS DECLINED AS WELL.

WHAT?

OKAY. I TOLD YOUTHIS PLACE HAS GONE DOWNHILL.

JUST LEAVEYOUR BAGS

AND WE'LL GO SHOPSOMEWHERE ELSE.

NO, I DON'TUNDERSTAND.

HOW COULD BOTH OF THESEHAVE BEEN DECLINED?

[CELL PHONE RINGS]

DADDY?

YOU WON'T BELIEVEWHAT JUST HAPPENED.

WHAT?

WHAT?

WHAT?

WE'RE BROKE?

DADDY, YOU'RE JOKING, RIGHT?

I WISH I WERE,SWEETHEART,

BUT IT'S TRUE.

I'M FILING FOR BANKRUPTCYIN THE MORNING.

MR. GORDON, YOU'RE HIS LAWYER.

HOW COULD YOU LET THIS HAPPEN?

WELL, JEN, THE FOREIGNEXCHANGE MARKETS,

I'M AFRAID,

ARE A LITTLE BITOUT OF MY CONTROL.

I MEAN, WE HADA CONTINGENCY,

BUT WHAT WITHTHE FINANCIAL SITUATION

IN EUROPE RIGHT NOW,

AND SOME OF YOUR FATHER'S LARGERINVESTMENTS UNDERPERFORMING--

[DAD]: THE TRUTH IS,

I TOOK SOME RISKS

THAT I, YOU KNOW,PROBABLY SHOULDN'T HAVE,

AND ONCE THE DOMINOESSTART FALLING,

THEY CAN BE PRETTY HARDTO STOP.

SWEETHEART,I'M REALLY SORRY, OKAY?

DON'T WORRY, DADDY,WE'LL GET THROUGH THIS.

I MEAN, I STILL HAVEMY TRUST FUND.

WE CAN LIVE ON THAT

UNTIL YOU GET YOUR FEETBACK ON THE GROUND.

I DO STILL HAVE MY TRUST FUND,DON'T I?

I DIDN'T WANTTO TELL YOU THIS, SWEETHEART,

BUT YOU SPENT YOUR WAYTHROUGH ALL OF THAT

ABOUT A YEAR AGO.

BUT YOU ALWAYS LOOK FABULOUS.

WHAT...

NO, I'M SUREI STILL HAVE MONEY IN IT.

YOUR FATHER HAS BEEN TOPPINGTHAT ACCOUNT UP FOR MONTHS NOW,

AND NOW THAT'S GONE, TOO.

BANKRUPT...

I CAN'T BELIEVE THIS.WE'VE LOST EVERYTHING?

WELL, NOT QUITE.THERE'S THE FARM...

WHAT FARM?

I FORGOT ABOUT THE FARM.

JUST A LITTLE PIECE OF PROPERTY

THAT I BOUGHTABOUT A YEAR AGO.

IT WAS LIKE, WHAT 50?

50.

50 ACRES.

IT'S JUST TWO HOURSNORTH OF THE CITY.

AND IT'S IN YOUR NAME.

A PUMPKIN FARM?

I THOUGHT IT WOULD BE

A NICE LITTLE INVESTMENTFOR YOU.

YOU KNOW,THEY WERE TALKING ABOUT

DOING SOME CONDOS ON THE LAND,

AND THEN THE LOCAL GOVERNMENTWOULDN'T REZONE IT,

SO THE LAND CAN'T BE DEVELOPED.

NOW IT'S ALL YOURS.

I OWN A PUMPKIN FARM.

YOU OWN A PUMPKIN FARM?

[JEN]:YEAH, BUT NOT FOR LONG.

I'M JUST GOING UP THERETO CHECK THE PLACE OUT,

SIGN SOME PAPERS,

AND SELL IT AS SOON AS I CAN.

I HEARD ABOUT YOUR DAD.I AM SO SORRY.

EVERYTHING WILL BE OKAY.

AND AFTER ALL,IT'S JUST MONEY, RIGHT?

BROOKE, DID I LOSE YOU?

NO! STILL HERE.

UM... ANYWAY... GOOD LUCK.

LUNCH THIS WEEK?

I'LL CALL YOU.

[♪♪]

[♪♪]

OH, HERE, LET ME.

-THANK YOU, MA'AM.-MM-HMM.

POOR FRED.

TOOK A BAD FALLOFF HIS BACK PORCH.

IT'S GONNA BEA TOUGH HARVEST

FOR HIM THIS YEAR.

GRAB A SEAT ANYWHERE YOU'D LIKE.

SPECIAL TODAYIS THE HOT CHICKEN SANDWICH.

OH, NO THANK YOU.I DON'T DO CARBS.

MY GPSDOESN'T SEEM TO BE WORKING

THIS FAR OUT OF THE CITY.

I WAS WONDERING

IF ANYONE CAN HELP ME FINDTHE JARRETT FARM?

BRETT JARRETT?

I THINK THATTHAT'S HIS NAME.

HOW DO I GET THERE?

UM...

MIND IF I ASK WHY?

OF COURSE.I OWN THE PLACE.

-YOU?-MM-HMM.

I HAVEN'T BEEN THERE,

SO I FIGURED I'D GO CHECK IT OUTBEFORE I SELL.

YOU'RE GONNA SELLTHE JARRETT PLACE?

GOING TO TRY.

KEEP GOING DOWN THIS ROAD,

SECOND LEFT,ALL THE WAY TO THE END,

ONE MORE RIGHT TURN,AND YOU'RE THERE.

GOT IT. THANK YOU!

AND, UM...

YOU MAY WANT TO RETHINKTHOSE SHOES.

I THINK THEY'LL BE FINE.

WHO WAS THAT?

TROUBLE.

[♪♪]

[♪♪]

[KNOCKS]

HELLO?

[♪♪]

[HORSE WHINNIES]

[HORSE WHINNIES]

OH, HELLO!

HELLO?

OH!

I AM SO SORRY!

SORRY?

YOU JUST RUINEDA $2,000 OUTFIT!

WHY ARE YOU WEARINGA $2,000 OUTFIT ON A FARM?

WHY ARE YOU NOT LOOKINGWHERE YOU'RE GOING?

UH...WHY ARE YOUON MY PROPERTY?

BECAUSEIT'S NOT YOUR PROPERTY, SIR,

IT'S MY PROPERTY.

OH.

YOU'RE THE GIRL FROM THE CITY.

THE ONE WHO OWNS THE PLACE.

YEAH, I AM.

AND I AM GOINGTO HAVE TO HAVE A LITTLE TALK

WITH YOUR BOSS,MR. JARRETT.

YOU ARE.

OH.

WELL THEN.

HELLO. I'M JENNIFER STONE.

BRETT JARRETT.

LOOK, I'M SORRYABOUT THAT, OKAY?

I DIDN'T SEE YOU THERE.

WHY DON'T YOUCOME ON UP TO THE HOUSE,

WE'LL GET YOUDRIED UP.

I AM FINE, MR. JARRETT.

JUST BECAUSE I'M FROM THE CITY

DOESN'T MEAN THAT I CAN'T HANDLEA LITTLE MUD.

SUIT YOURSELF.

-HEY, MISS STONE?-YES?

I'VE GOT SOME CLOTHES HERETHAT YOU CAN BORROW

UNTIL AUNT ROSIE DRIES YOURS.

THANK YOU.

JUST LEAVE THEMOUTSIDE.

WE'LL SEE YA DOWNSTAIRS.

THANK YOU.

HI.

THIS IS PRETTY FANCY STUFF.

THE NEXT TIME

YOU DECIDE TO THROWA COMPLETE STRANGER IN THE MUD,

YOU'D BETTER PICK SOMEONE

WHO DOESN'T HAVESUCH EXPENSIVE TASTE.

WELL, I DIDN'T "THROW" HERINTO THE MUD, AUNT ROSIE.

SHE BUMPED INTO ME AND FELL.

REALLY?

REALLY.

LOOK, IS IT MY FAULT

THAT SHE DOESN'T KNOW HER WAYAROUND A FARM?

WHOA.WHOSE SWEET CAR IS THAT--

BOOTS!

IT'S MISS STONE.

THE ONEFROM THE CITY?

THEY DON'T GROW 'EMTHAT WAY OUT HERE.

WHERE IS SHE?

SHE'S IN THE BATHROOM,CHANGING,

'CAUSE WE HAD AN ACCIDENT.

YOU ALREADY TALK TO HER ABOUTNOT SELLING THE PLACE YET?

NO. I HAVEN'T HAD A CHANCE.

TO BE HONEST WITH YOU,

I DON'T THINKIT'S GONNA DO MUCH GOOD.

SHE KIND OFSEEMS LIKE THE GIRL

WHO'S USED TOGETTING HER OWN WAY.

YOU JUST HAVE TOTALK SOME SENSE INTO HER,

BIG BROTHER.

TELL HER THAT JARRETTSHAVE BEEN ON THIS FARM

FOR 75 YEARS,

AND AS SOON ASWE CAN PUT THE MONEY TOGETHER,

WE'RE GONNA BUY IT BACK.

YEAH, WELL, IF WE HAVE

ANOTHER YEARLIKE WE DID LAST YEAR,

WE'LL BARELYKEEP THE LIGHTS ON.

IF YOUR MOTHERHEARD YOU TALKING LIKE THAT,

SHE WOULD WASH YOUR MOUTH OUTWITH SOAP.

WELL, IT'S JUST NOT FAIR,THAT'S ALL, AUNT ROSIE.

I MEAN, SOME "LADY,"

LIKE THIS MISS STONECOMES ALONG,

DOESN'T KNOWNOTHING FROM NOTHING,

THINKS SHE CAN JUST

UP AND SELLOUR HOME OUT FROM UNDERNEATH US?

YEAH, WELL,

IT DOESN'T NEED TO BE FAIR,NOT FOR HER.

THEY DON'T LIKEPEOPLE LIKE US,

THEY DON'TLIKE FARMING.

'KAY? THEY'RE JUSTGOING TO COME IN HERE

AND SELL THIS PLACETO THE HIGHEST--

WELL!

YOU MAKE THOSE CLOTHES LOOKA LOT BETTER THAN I DO.

MISS STONE.THIS IS OUR AUNT ROSIE.

HOW DO YOU DO,MISS STONE?

OH, JUST JEN, PLEASE.

THANK YOU FOR THE LOANERS.

HOW AREMY CLOTHES DOING?

WELL, I'M GOINGTO HANG THEM OUTSIDE,

BUT THEY'LL--THEY'LL LIVE.

HI, I'M HARRY.

THE BETTER-LOOKINGYOUNGER BROTHER.

HI.

[GIRL GIGGLES]

AND THAT LITTLEMUNCHKIN RIGHT THERE

IS MY DAUGHTER, ABBY.

HI, ABBY.

HEY.

SHE'S A LITTLE SHY.

OH, THAT'S OKAY.

WHERE'S YOUR MOMMY?

MY MOMMY'S IN HEAVEN.

I'M... I'M SORRY...

CAN I GET YOU SOME COFFEE,MISS STONE?

AUNT ROSIE

MAKES THE BEST IN THE COUNTY.

ACTUALLY, UM...

IF YOU DON'T MIND,

I'D LIKE TO JUST STARTSURVEYING THE PROPERTY NOW.

YOU RIDE, MISS STONE?

RIDE?

HORSES.

I'VE RIDDEN, YEAH.

LET'S GO HAVE A LOOKAT YOUR FARM.

IT WAS NICEMEETING YOU GUYS.

OKAY.

YOU ALL RIGHT, MISS STONE?

I'M FINE, THANK YOU.

YOU REALLY THINK

HE'S JUST GONNA LET HERSELL THE PLACE?

I DON'T SEE THAT HE HASMUCH OF A CHOICE.

BUT KNOWINGYOUR BROTHER...

HE'S NOT GOINGTO MAKE IT EASY.

SHALL WE?

I THOUGHT YOU SAID YOU RODE?

I'VE RIDDEN IN GRIFFITH PARK.

THEY WERE PONIES!

HUH.

NICE.

GO.

GO. YES. OOH!

OKAY.

OH, NO. OH!

[BRETT]: OVER THERE'STHE EAST FIELD.

IT'S WHERE WE ROTATE THE CROPS.

CORN, HAY, BARLEY,

YOU KNOW,DEPENDS ON THE WEATHER,

OR WHATEVER'S IN DEMAND.

BUT THIS HERE'SWHERE WE MAKE OUR REAL MONEY.

THAT ISA LOT OF PUMPKINS.

YOU KNOW, PEOPLE CARVE 'EM UPFOR HALLOWEEN,

EAT 'EM FOR THANKSGIVING.

AFTER THAT,YOU CAN'T GIVE 'EM AWAY.

COME ON.

OH, OKAY.

OH, THAT'S CUTE.WHAT'S THAT?

IT'S NOTHING.

HMM.

OKAY...

LOOK. THERE'S OIL EVERYWHERE.

THAT'S--THAT'S GOT TO BE--

I CAN SEE THE OIL.I CAN--

WELL, WHERE'S THAT COME FROM?THE INJECTOR PUMP.

IS NOT.

DO YOUHAVE TO ARGUE--

I JUST HAPPENTO BE RIGHT--AGAIN.

WHAT'S UP?

DARN THINGKONKED OUT AGAIN.

THE INJECTOR PUMP'SGOTTA BE FIXED.

NOT THE INJECTOR PUMP.

THE CYLINDERS,VALVES NEED REPLACING.

YOU DON'T KNOWWHAT YOU'RE TALKING ABOUT.

I KNOW MORE THAN YOU.

NO, YOU DON'T.

LOU, PHIL,

HEY, THIS IS MISS STONE.

MISS STONE,THIS IS LOU AND PHIL.

THESE ARE MY LEAD HANDS.

AND AS IF YOU CAN'T TELLBY THE BICKERING.

HUSBAND AND WIFE.

[LOU]: RIGHT, RIGHT.

YOU'RE THE ONE BRETT SAIDIS GONNA PUT US OUTTA WORK?

I'M NOT SO SURE ABOUT THAT.

I AM.

COME ON,

YOU SELL THIS FARM,

YOU THINK THEY'RE GONNA

WANNA KEEP A COUPLE OFOLD GOATS LIKE US AROUND?

ALL RIGHT, YOU KNOW WHAT,

I'LL FINISH UP,

AND THEN COME HAVEA LOOK AT THAT.

IT WAS VERY NICEMEETING YOU BOTH.

-MM-HMM.-MM-HMM.

GO.

THAT WAY. YEAH.

IT'S THE INJECTOR PUMP.

IS NOT.

-IS TOO.-IS NOT.

-IS TOO.-IS NOT.

WELL, WHERE DOESTHE OIL COME FROM?

WHOA. WHOA, WHOA.

WAS THATREALLY NECESSARY?

WHAT?

YOU TOLD THEM

THAT I MIGHT BETHE REASON

THAT THEY LOSETHEIR JOBS?

WELL, IT'S THE TRUTH,ISN'T IT?

DON'T YOU HAVEOTHER FARM HANDS HERE?

I CAN'T HIRE 'EMFULL-TIME.

WE JUST BRING 'EM INWHEN IT'S HARVEST--

AW, REALLY?COME ON!

OKAY... WHOA. OKAY! OKAY!

I'M COMING! OKAY!

WHOA! OH.

DO YOU REALLYNEED TO DO THAT NOW?

I HAVE TO GET GOING.

WELL, WE NEVERLEAVE A FENCE BROKEN, OKAY?

IT'S KIND OFA TRADITION AROUND HERE.

I'M NOT REALLY BIGINTO TRADITION.

WELL, MAYBE NOT,

BUT WHEN YOUR NEIGHBORS' CATTLECOME INTO YOUR PROPERTY,

THEY CAN EAT YOUR BOTTOM LINEFASTER THAN YOU CAN SAY "MOO."

WELL, IF YOU ASK ME,

THIS WHOLE PLACENEEDS FIXING.

YOU'VE REALLY LET IT GO.

WELL, MAYBE I'VE HADA FEW THINGS ON MY MIND.

WELL, THAT TRACTOR BACK THERE

LOOKS LIKE IT'S ONITS LAST LEGS.

YOU GUYSSHOULD JUST GET RID OF IT

AND BUY A NEW ONE.

LET ME TRYAND EXPLAIN SOMETHING TO YOU,

MISS STONE.

OKAY, ON THE FARM,

WHEN SOMETHING'S BROKEN,

WE DON'T JUSTGET RID OF IT, OKAY?

WE TRY TO FIX IT.

[WHINNIES]

YOU ALL RIGHT?

YOU DID THAT ON PURPOSE!

WHAT?

I GET THAT YOU DON'T LIKE ME,MR. JARRETT,

AND QUITE FRANKLY,

I AM NOT SO FOND OF YOU EITHER,

BUT WE ARE STUCKIN THIS TOGETHER,

AND I WOULD APPRECIATE IT

IF YOU DIDN'T TRY TO KILL ME.

I DID NOT TRY TO KILL YOU.

I'M GOING TO GOFIND A REAL ESTATE AGENT,

FILL OUT WHATEVER PAPERS

A REAL ESTATE AGENTNEEDS ME TO FILL OUT,

AND I'M GOINGTO SELL THIS PLACE,

AND WE NEVER NEEDTO SEE EACH OTHER AGAIN.

THE HOUSE IS THE OTHER WAY.

GOODBYE.

I'M SORRY I COULDN'T HAVE BEENMORE HELP, MISS,

BUT WITH THINGS BEINGTHE WAY THEY ARE AND ALL,

AND WHAT NOT,

WELL, YOU KNOW,IT'S JUST THE WAY IT IS,

LIKE THAT,

AND THAT'S ALL THERE IS TO IT.

I'M SORRY, TOO.

[DAD]: I'M IN HERE, SWEETIE.

SO HOW'D IT GOWITH THE REAL ESTATE AGENT?

IT WENT... GREAT.

THEY WERE REALLY HELPFUL.

THAT'S GOOD, THAT'S GOOD.

SO DID YOU FIND OUT

HOW MUCHYOUR LITTLE FARM IS WORTH?

NOT THE EXACT AMOUNT,

BUT...

IT IS WORTH...

A LOT OF MONEY.

NOW ALL WE HAVE TO DOIS FIND YOU A BUYER, RIGHT?

EXACTLY.

UM...

I LEFT YOUR OLD BEDROOMFOR YOU TO PACK.

I WOULDN'T KNOWWHAT YOU MIGHT WANT TO KEEP

AND WHAT YOU MIGHT WANTTO THROW AWAY, YOU KNOW?

IT'S GOING TO BE OKAY, DAD.

OF COURSE IT IS.

[♪♪]

[♪♪]

HOW MUCHIS THE FARM WORTH?

ARE YOU GUYSRICH AGAIN?

LET'S JUST SAYIF I WERE TO SELL TOMORROW,

THE LAND, THE BUILDINGS,ALL THE EQUIPMENT...

IT WOULDN'T BUY ME

A FIRST-CLASS BUS TICKETTO BAKERSFIELD.

WAIT, WHAT?

HOW IS THATEVEN POSSIBLE?

THEY'VE GOT A LOT OF BILLS,

AND THEY'VE GOT ALL THESEOUTSTANDING DEBTS IN THE TOWN.

IT'S JUST--IT'S A MESS.

I'M SO SORRY, HONEY.

WHAT ARE YOUGOING TO DO?

MAYBE I SHOULD GET A JOB?

A JOB?

WHAT WOULD YOU DO?

[SIGHS]

I DON'T KNOW.

I'M SO DEPRESSED.

I CAN'T EVEN AFFORDTO GO SHOPPING TO GET OVER IT.

LET'S GO DOWN TO THE SALONAND GET MAKEOVERS.

I CAN'T...

COME ON, IT IS MY TREAT.

AND IT ALWAYS HELPS

WHEN YOU'RE INA BAD MOOD.

LET'S GO.

THANK YOU, BROOKE,

BUT I REALLY DON'T THINK

THAT THIS PROBLEMCAN BE SOLVED WITH A--

BROOKE!

WHAT?

THAT'S IT.

THAT'S WHAT I'M GOING TO DO!

SEE, I TOLD YOU.

THERE IS NOTHING IN LIFE

THAT A FEW NEW HIGHLIGHTSCAN'T FIX.

NO, NOT FOR ME.

I'M GOING TO GIVETHE PUMPKIN FARM A MAKEOVER!

OH! HA-HAH.

THAT'S SO SMART.

[♪♪]

[GUITAR PLAYING]

DON'T STOP ON MY ACCOUNT.

THAT WAS YOUR MOM'SFAVORITE SONG.

I NEVER COULDGET IT RIGHT, THOUGH.

YOU ALWAYS GOT IT RIGHT ENOUGHFOR HER, I BET.

[CAR APPROACHES]

WELL WELL.

BRETT!

WE'VE GOT COMPANY.

HI!

[♪♪]

I WORE SENSIBLE SHOESTHIS TIME.

OH, WAIT.I FORGOT MY SUNGLASSES.

THERE WE GO.

THIS IS ALREADY LOOKING BETTER.

IT'S REALLY PRETTY,

ISN'T IT, DADDY?

YEAH.

SO WHAT YOU'RE SAYINGIS YOU WANT US TO WORK TOGETHER?

ALL OF US.

ROSIE, HARRY, PHIL, LOU.

I BET THERE'S EVEN SOMETHING

THAT ABBY CAN DO.

I WANT TO BETHE PUMPKIN PRINCESS.

THE WHAT?

[HARRY]: SOMETHINGGRANDMA WOULD DO WITH HER

DURING THE HARVEST.

ABBY'D RIDEON TOP OF THE TRACTOR

WITH A LITTLE CROWN ON HER HEAD.

IT WASN'T A CROWN, UNCLE HARRY,IT WAS A TIARA.

I STAND CORRECTED.

YES, YOU DO,

BUT WE DON'T DO THAT ANYMORE.

OKAY, SO LET'S SAY WE HELP YOU,WE FIX THE PLACE UP,

MAKE IT MORE PROFITABLE.

AND MORE VALUABLEFOR POTENTIAL BUYERS.

AND THEN YOU TURN AROUND

AND YOU SELL ITFOR A HIGHER PRICE?

EXACTLY.

OKAY, WELL, LET ME STATETHE OBVIOUS, THEN.

WHAT'S IN IT FOR US?

I'M GLAD THAT YOU ASKED,

BECAUSE RIGHT HERE--

EXCUSE ME--

UM, OKAY...

HERE.

"IF PARTY A", THAT'S YOU,

"AGREES TO THE TERMS SET OUTBY PARTY B," THAT'S ME,

"THEN AS A CONDITIONOF ANY SALE OF THE PROPERTY,

"PARTY A WILL BE ENTITLED

"TO CONTINUE RESIDINGAND WORKING ON THE PROPERTY

"AS AN EMPLOYEEOF ANY NEW OWNER.

IN PERPETUITY."

THAT SOUNDS REALLY OFFICIAL.

[JEN]: MY DAD'S LAWYERHELPED ME WITH IT,

BUT I CAME UP WITH EVERYTHING.

SO WHAT DO YOU SAY?

WELL, WHEN WOULD YOU WANTTO START SOMETHING LIKE THIS?

HOW ABOUT NOW?MY BAGS ARE IN THE CAR.

WAIT... SO...

YOU WANT TO STAY HERE?

WITH US?

WELL, WHY NOT?

I KIND OF OWN THE PLACE.

I THINKTHAT AT LEAST

GIVES HER RIGHTSTO THE GUEST ROOM?

HARRY,

WOULD YOU LIKETO HELP ME

WITH MY SUITCASES?

ALL RIGHT.

WHAT?

THIS WASMR. AND MRS. JARRETT'S ROOM.

I PUT FRESH LINENS ON,THERE'S TOWELS BY THE BASIN.

I HOPE IT'LL BE ALL RIGHT?

IT'S LOVELY.

AND SO AUTHENTIC!

I THINKWITH SOME NEW WALLPAPER,

MAYBE A BRIGHT RUG,A COUPLE OF THROW PILLOWS,

IT'LL BE PERFECT.

HELP.

OH, JUST PUT IT

THERE.

OKAY.

THANK YOU!

THAT'S A LOT OF LUGGAGE.

AUNT ROSIE, CAN YOU HELP MEGET THE REST OF IT?

WELL, I DIDN'T KNOW HOW LONGI WAS GOING TO BE STAYING.

I CAN'T VERY WELL BE CAUGHTWEARING THE WRONG SEASON,

COULD I?

NO. NO, I GUESS NOT.

BRETT.

I JUST...

I WANTED TO APOLOGIZEFOR BEFORE.

I MIGHT HAVE OVERREACTEDA LITTLE BIT.

JUST A LITTLE?

ALL RIGHT,MAYBE MORE THAN A LITTLE,

BUT I JUST WANTED TO SAYTHAT I'M SORRY

AND I HOPE THATWE CAN PUT IT ALL BEHIND US.

YEAH.

YEAH. ME TOO.

WELL, I APPRECIATE THAT.

NO PROBLEM.

I SHOULD CHECK ONLOU AND PHIL.

THE TRACTOR,YOU KNOW,

IT'S ACTING UP.

OKAY.

OKAY.

OKAY.

IS SHE REALLYJUST STAYING WITH US

OR IS SHE MOVING IN WITH US?

GIVE ME THAT.

I CAN'T BELIEVE YOU'RE REALLYGOING TO GO THROUGH WITH THIS.

DON'T WORRY ABOUT IT.

LOOK, A COUPLE OF WEEKSOF FARM LIVING,

SHE'S GONNA GIVE UP,SHE'S GONNA GO BACK TO THE CITY.

YEAH, BUT WHAT ABOUT THE FARM?

SHE'LL SELL IT,

AND THEN WHEN NOBODY'S BUYING,WE'LL PICK IT UP FOR A SONG,

AND THE JARRETT FARM

WILL BE IN

THE JARRETT FAMILYONCE AGAIN.

BUT WHAT MAKES YOU SO SURESHE'S GONNA QUIT?

YOU KNOW HOW HARDTHE WORK CAN BE AROUND HERE.

[♪♪]

[ROSIE]: IT'S OCCUPIED!

SORRY, SORRY!

[ABBY]: ...AND BLESSCOUSIN HANNAH,

AND AUNT PAULA,

AND UNCLE RORY,

AND MRS. CARMICHAEL,

AND DR. WILSON,

AND GRANDMA AND GRANDPA,

AND BUSTER THE CAT,

AND WONDER WOMAN,

AND ESPECIALLY BLESS MOMMY.

AMEN.

OKAY, INTO BED.

THERE WE GO.

HOW LONGIS SHE GOING TO STAY?

WHO?

YOU KNOW WHO.

JENNIFER.

I'M NOT SURE, HONEY.

NOT LONG.

I LIKE HER.

DO YOU LIKE HER, DADDY?

YEAH. SHE'S VERY NICE.

NO. I MEAN DO YOU LIKE HER?

GOODNIGHT, HONEY.

[ABBY]: GOODNIGHT, DAD.

[ROSIE]: BATHROOM'S FREE.

I WAS, UM...

UH-HUH.

WELL, IF YOU NEED ANYTHING,

FRESH TOWELS OR SOMETHING,

LET ME KNOW.

THANK YOU.

AM I INTERRUPTING SOMETHING?

NO. JUST GIRL TALK.

WELL, MAKE SURE YOU GETLOTS OF SLEEP TONIGHT.

WE START PRETTY EARLYIN THE MORNING.

OH, I'M USED TO THAT.

I DO A MORNINGYOGA CLASS

BACK IN L.A.,

IT STARTS AT 9:00 A.M.

YEAH.

SEE YOU IN THE MORNING.

-'NIGHT.-NIGHT.

EXCUSE ME.

[CRICKETS CHIRPING]

[OWL HOOTING]

[CRICKETS CHIRPING]

[CRICKETS CHIRPING]

[BIRDS TWITTERING]

[ROOSTER CROWING]

[HORSES WHINNYING]

[ROOSTER CROWING]

WHAT IS THAT?WHAT IS THAT SOUND?

WHAT IS HAPPENING?WHAT'S GOING--

UM, I...

-WHOA. HEY...-I WAS, UH...

-SORRY, I...-ARE YOU ALL RIGHT?

YEAH. YEAH.

WHAT WAS THAT NOISE?

-WHAT NOISE?-[ROOSTER CROWS]

THAT.

[CHUCKLES]

THAT'S OLD FRANKIE.HE'S TELLING US IT'S MORNING.

ALREADY?

IT'S 5:00 A.M.!

YEAH. RISE AND SHINE!

[FRANKIE CROWS]

GOOD MORNING!

YEAH.

MORNING.

GOOD MORNING, EVERYBODY.

[GROUP]: GOOD MORNING.

FANCY.

COMING FROMA FASHION PLATE LIKE YOU,

THAT'S A COMPLIMENT.

LOU, IF YOU EVERWANT ANY TIPS,

I'D BE HAPPY TO HELP.

THAT'LL BE THE DAY.

-[LOU STOMPS HER FOOT]-OW!

I'VE GOTA BIG STACK OF PANCAKES

WITH YOUR NAME ON IT.

OH, ROSIE!

NO THANK YOU.

I DON'T REALLY DO BREAKFAST.

MAYBE JUST A SMOOTHIE?

I'LL PUT THESEIN THE BLENDER.

YOU KNOW, I THOUGHTMAYBE WE COULD START THE DAY

BY SHOWING YOUHOW WE DO THINGS AROUND HERE.

YEAH, GET YOU A FEELFOR HOW THE FARM WORKS,

GET YOUR HANDS DIRTY.

IF YOU'RE UP FOR IT.

OH, I AM NOT AFRAIDOF HARD WORK,

THAT'S FOR SURE.

THAT'S GREAT.LET'S GET TO IT!

O...KAY.

[BRETT]:ALL RIGHT, FIRST THING,

I THINKYOU SHOULD GET ACQUAINTED

WITH OUR IRRIGATION SYSTEM.

SOUNDS GOOD.

WATER IS VERY IMPORTANT.

WE'RE SUPPOSED TO HAVEEIGHT GLASSES A DAY, YOU KNOW?

SURE.

NOW, IT IS AUTOMATIC,OF COURSE,

BUT EVERY SINGLE MORNING,

IT'S GOT TO BE CHECKED FOR LEAKSOR CRACKS IN THE DRIBBLER HEADS.

OKAY,

SO HOW DO WE DO THAT?

OLD-FASHIONED WAY'S BEST.

UP AND DOWN THE ROWS,

ONE LINE AT A TIME.

THE WHOLE THING?

THE WHOLE THING.

I MEAN, UNLESSYOU'RE NOT UP FOR IT.

I'VE DONE THE WAREHOUSE SALEAT BARNEYS EVERY SPRING.

I THINK I CAN DO THIS.

OKAY.

THANK YOU.

YOU'RE WELCOME.

YOU KNOW, SHE DOESN'T NEEDTO CHECK THE IRRIGATION.

WE HAD THAT ALARM SYSTEMINSTALLED LAST SUMMER

IN CASE OF LEAKS?

YEAH. I KNOW.

YOU POOR THING.

HOW LONG ARE YOU GOING TO BESTUCK UP THERE FOR?

I'M NOT SURE EXACTLY.

I MEAN, I GUESS UNTIL WE GETTHIS PLACE ON ITS FEET.

WELL, IT SOUNDSABSOLUTELY HORRIBLE.

IT'S NOT THAT BAD.

LOOK. I'M IN THE FIELDLIKE A REAL COUNTRY GIRL!

[SNAP, WATER HISSING]

WELL...

JUST MAKE SUREYOU'RE USING A GOOD SUNBLOCK.

I HAVE TO GO.TALK TO YOU LATER.

[SHRIEKS]

[SHRIEKING]

THIS IS GOING TO BE EASIERTHAN I THOUGHT.

[RADIO PLAYS COUNTRY MUSIC]

[LOU]: I'M STARVING.

YOU ARE ALL GONNA WASH UPBEFORE YOU SIT AT MY TABLE.

YEAH! CHILI CON CARNE,MY FAVORITE!

OW.

YOU NEVER GET THAT EXCITEDWHEN I MAKE CHILI CON CARNE.

THAT'S 'CAUSE YOURS

TASTES LIKE THE CARNE'STRYING TO GET OUTTA THE POT.

[LOU]: OH, YOU ZIP IT.

WHERE'S JEN?

SHE'S ON HER WAY.

YEAH, AFTERSHE FED THE CHICKENS

AND DID THE PUMPKIN COUNT.

PUMPKIN COUNT?

AUNT ROSIE, YOU KNOWHOW IMPORTANT IT IS

THAT WE KNOW EXACTLY

HOW MANY PUMPKINSARE ON THE VINE.

OH, YOU POOR THING.

LOOK AT YOU!

I'M OKAY.

I MEAN, I WILL BE,

AS SOON AS I GET SOME FEELINGBACK IN MY LEGS.

YOU GO ON UPAND SOAK IN THE TUB.

I'LL FIX YOU A TRAY.

OH, NO, ROSIE,I DON'T WANT TO BE A BOTHER.

NO BOTHER.YOU GO ON NOW.

WHAT?

[GROANS]

AI.

OH!

OH...

WOW.

YOU'VE GOTA BAD SUNBURN.

UH-HUH.

LOOKS LIKEMY JAR OF L'OUBLIER MOISTURIZER

IS NO MATCHFOR YOUR COUNTRY SUNSHINE.

YOU SHOULD TRYSOME OF GRANDMA'S CREAM.

WHAT'S GRANDMA'S CREAM?

COME ON.

MY GRANDMA USED TO MAKE IT.

THERE'S STILL A LITTLE BIT LEFT.

PUMPKIN-Y.

IT IS.

GO AHEAD, TRY IT.

MY MOMMY USED ITALL THE TIME.

DO YOU THINK YOUR MOMMYWOULD LIKE IT?

WELL, MY MOMMY'S IN HEAVEN,LIKE YOURS.

OH.

YOU THINK THEY'RE FRIENDS?

[JEN]: I'M SURE THEY ARE.

I GAVE JENSOME OF GRANDMA'S CREAM, DADDY.

THAT'S NICE, HONEY.

FOOD'S GETTING COLD.

OH! KISS TO MAKE IT BETTER.

SHE IS A SWEETHEART.

THAT SHE IS.

I THOUGHT YOU SAIDTHAT THIS PLACE WAS "NOTHING".

WELL, MY DADBUILT IT FOR MOM.

WITH A HOUSEFUL OF BOYS

AND A BUNKHOUSEFULL OF FARM HANDS,

YOU CAN IMAGINESHE NEEDED HER OWN SPACE.

YEAH. MAGGIE LIKED ITIN HERE, TOO.

MAY I?

YEAH.

"HARVEST MOON."

WHAT'S THAT?

IT WAS A BIG PARTY

THAT WE USED TO HAVE

AT THE STARTOF HARVEST SEASON.

YOU KNOW, WHEN ALL THE FARMHANDSWOULD COME BACK TO TOWN,

THEY PROBABLY WOULDN'T HAVE SEENEACH OTHER FOR ABOUT A YEAR,

AND MY MOM AND DAD,THEY'D THROW A BIG OLD SHINDIG,

WITH FOOD AND DRINKS,

DANCING.

THE WHOLE TOWNWOULD PRETTY WELL SHOW UP.

IT WAS A LOT FUN...

SOUNDS LIKE IT.

THAT'S ABBYBEING THE PUMPKIN PRINCESS.

YEAH.

YEAH, I MISS IT.

WHY DON'T YOU GUYSDO IT ANYMORE?

IT JUST WOULDN'T SEEM RIGHT.

NOT NOW.

LISTEN, I KNOW TODAY WAS ROUGH.

WE'LL MAKE SURETOMORROW'S A LITTLE EASIER.

OH, DON'T DO ITON MY ACCOUNT.

IF WE'VE GOT TO GET THISPLACE UP AND RUNNING,

I NEED TO WORK JUST AS HARDAS ANYBODY ELSE--

INCLUDING YOU, SIR.

YES, MA'AM.

HMM.

[KNOCKING ON DOOR]

COME IN!

JEN, I WAS FIGURING,

IF YOU'RE GOINGTO STICK AROUND HERE,

YOU'RE GOING NEED SOMETHING

THAT'LL TAKE THE WEAR AND TEARA LITTLE BETTER

THAN THOSE MY LITTLE FARMEROUTFITS OF YOURS,

SO HERE.

ROSIE...THANK YOU.

YOU CAN THANK MEBY TAKING CARE OF YOURSELF.

I GET SORE JUST LOOKING AT YOU.

HOW'S YOUR SUNBURN?

OH, IT'S SO MUCH BETTER,

THANKS TO THIS STUFFTHAT ABBY GAVE ME.

ABBY NAMED IT"GRANDMA'S PUMPKIN CREAM."

THAT'S THE VERY LAST OF IT, TOO.

I LOOKED IT UP ON THE INTERNET,I CAN'T FIND ANYTHING ON IT.

OH, YOU WON'T.

MY SISTERKEPT THE RECIPE TOP-SECRET.

I MEAN,SHE WROTE IT DOWN SOMEPLACE,

BUT I HAVEN'T BEEN ABLETO FIND IT SINCE...

YOU KNOW.

DO YOU MIND ME ASKING...

WHAT HAPPENED?

CAR ACCIDENT...

RAINY NIGHT...

MY SISTER, HER HUSBAND,

AND BRETT'S WIFE, MAGGIE.

IT HAPPENEDVERY FAST.

I'M SO SORRY.

YEAH, IT WAS A TOUGH THING.

IT STILL IS.

BUT YOU GOTTA KEEP GOING.

THAT'S WHAT WE DO AROUND HERE.

WELL, I THINK THAT'S ENOUGHOF ME PONTIFICATING.

GOOD NIGHT, DEAR.

GOOD NIGHT.

SWEET DREAMS.

[CRICKETS CHIRPING,OWL HOOTING]]

[HOWLING]

[PLAYING OCEAN SOUNDS]

[OCEAN SOUNDS PLAYING]

[JEN SIGHS, RELAXED]

[RESTAURANT PATRONS CHATTING]

[♪♪]

HARRY. HI.

HEY.

I HAVE BEEN ASKINGALL OVER TOWN,

BUT NOBODY SEEMS TO KNOW.

IS THERE SOMEPLACE

THAT WE CAN GETA PUMPKIN LABELER?

A WHAT?

YOU KNOW, TO LABEL OUR PUMPKINSWITH OUR OWN LOGO.

IF WE'RE GOINGTO CREATE

A JARRETT BRANDPUMPKIN,

WE'RE GOING TO NEEDOUR OWN LOGO.

CATCHY, BUT--

SHE'S PRETTY.

WHAT'S HER NAME?

VALERIE.

ARE YOU TWO, YOU KNOW?

ME AND HER?

NO. SHE'D NEVER GO OUT WITH ME.

WELL, HAVE YOU ASKED HER?

NO. I COULDN'T DO THAT.

HEY. COFFEE?

YES.

HI, HARRY.

UH... HI.

ARE YOU GOING TO THE DANCEFOR MR. JENKINS THIS WEEKEND?

UH... NO.

THERE'S A DANCE?

[VALERIE]: UH... YEAH.

HE BROKE HIS LEG,

SO THEY'RE DOING A FUNDRAISERAT THE COMMUNITY CENTER

TO HELP HIM OUT.

I THOUGHT MAYBE YOU WERE GOING.

ANYWAY, I WILL BE BACKTO TAKE YOUR ORDER IN A SEC.

HARRY.

SHE OBVIOUSLY WANTS YOUTO ASK HER TO THE DANCE.

I CAN'T DANCE.

WELL, YOU AREGOING TO HAVE TO LEARN.

[♪♪]

♪ I GOT A FEELIN' INSIDE

♪ I GOT AN ACHE IN MY BONES

♪ IT KEEPS TELLING ME

♪ I JUST OUGHT TOLEAVE YOU ALONE ♪

♪ I'VE GOT A SONG IN MY HEAD

♪ SOUNDS LIKETHE ROLLING STONES ♪

♪ SINGING "BROWN SUGAR"

[♪♪]

♪ I'M THINKING YEARS FROM NOW

♪ ABOUT THE TWO OF US

♪ MAYBE I'M THINKINGI'M THINKING TOO MUCH ♪

♪ MAYBE I'M THINKINGI'M THINKING TOO MUCH ♪

[♪♪]

RIGHT IN HERE IS WHEREWE PLANT THE SEEDLINGS,

TO START THE CROPFOR NEXT HARVEST.

AW, LITTLE BABY ONES.

THAT MUST BEWHY THEY CALL IT A NURSERY.

MUST BE.

OKAY, SO WHAT YOU DOIS YOU MAY AN IMPRESSION.

OKAY.

MM-HMM.

GOT IT.

AND THEN YOU KIND OF DOA LITTLE SCISSOR GRAB.

OKAY, I THINKI CAN DO THIS.

SCISSOR GRAB.

OKAY, YOU WANT TO PRESSTHE EARTH DOWN FIRMLY AROUND IT.

-JUST LIKE THIS.-OKAY.

YEAH. HERE YOU GO.

AND THEN YOU JUST WANTTO PLANT THE REST OF THEM.

OKAY.

OKAY.

HOW'S MY FAVORITEPUMPKIN EXPERT?

GREAT, DADDY.JUST GREAT.

WE ARE REALLYGETTING IT INTO SHAPE.

HOW ABOUT YOU?

EVERYTHING OKAY?

GOOD.

GOOD...

AS WELL AS CAN BE EXPECTED,I SUPPOSE.

WE'RE WORKING OUT A DEALWITH THE CREDITORS,

AND I CAN SEE SOME LIGHTAT THE END OF THE TUNNEL.

DON'T WORRY, DADDY.

ONCE I GET THIS PLACERUNNING SMOOTHLY,

THERE WILL BE BUYERSLINED UP DOWN THE STREET.

YOU'LL BE BACK ON YOUR FEETIN NO TIME.

OKAY, HON'.

LOVE YOU.

LOVE YOU.

OH. [GROANS]

[♪♪]

[♪♪]

HEY! BRETT.

I THINK SHE'S STARTING

TO GET THE HANG OF ITAROUND HERE.

[♪♪]

YEAH, SHE SURE IS.

[♪♪]

IT'S GOT TO BEHERE SOMEWHERE.

WHAT IF IT'S NOTA WRITTEN RECIPE?

WHAT IF THE SKIN CREAM

IS JUST SOMETHING THATSHE REMEMBERED HOW TO MAKE?

NO, SHE DEFINITELYWROTE IT DOWN.

SHE USED TO SAY

SHE KEPT THE RECIPEIN A PLACE CLOSE TO HER HEART.

IF WE FIND

GRANDMA'S SECRET RECIPE,

DO I GET TO BEA PRINCESS AGAIN?

ABBY...

YOU GET TO BE THE PRINCESSALL YOU WANT...

[GASPING]

YOU CLEVER GIRL!

-THIS IS IT!-YES!

THIS IS IT!

YOU TAKIN' OVERFOR ROSIE NOW, TOO?

LOU!

YOU ARE JUST THE PERSONI WANTED TO SEE!

CAN I STEAL YOU FOR A MINUTE?

OKAY.

OKAY...

THERE WE GO.

HOW IS THIS FEELING?

UH... IT'S NICE.

YEAH, YEAH.IT'S NICE.

IT'S TINGLY.

REALLY TINGLY.

MM-HMM.

OOH...

OOH, GOOD?

OOH, BAD.

NO GOOD?

YEAH, NO GOOD.

OKAY, OKAY. SORRY.

OKAY, SORRY.

TOO MUCH LEMON.

MAYBE IT'S JUST TOO LATETO HELP SOMEBODY LIKE ME.

NO, NO.

IT IS NEVER TOO LATE.

WE'RE GOING TO START OVERAND TRY AGAIN.

OKAY.

LESS LEMON.

SAY NO TO LEMON.

IT LOOKS GOOD.

GOT HER UP AND RUNNING.

ATTA BOY.

YEAH, BUT FOR HOW LONG'SANYBODY'S GUESS.

HEY, YOU SEE THAT WIFE OF MINEAROUND ANYPLACE?

[LOU]: RIGHT HERE,YA OLD FOOL.

OH, THERE YOU ARE.

NOTICE ANYTHING DIFFERENTABOUT ME?

YOU SMELL LIKE PUMPKINS.

THAT'S IT?

WHAT DO YOU WANT FROM ME?

OKAY, JEN, YOU'RE ON

FENCE INSPECTION DUTYTHIS AFTERNOON.

NOT THE HORSES AGAIN?

WELL, THAT DEPENDS.

DO YOU KNOWHOW TO DRIVE A STICK?

ABSOLUTELY.

MY DADDY ONCE BOUGHT ME

THE MOST ADORABLELITTLE VINTAGE ASTON MARTIN

ONE SUMMER.

THIS ISA LITTLE DIFFERENT,

THOUGH, RIGHT?

GOT THIS, YOU SEE,HAS TWO STICKS.

ALL RIGHT, GUYS,

I'M NOT COMPLETELYHELPLESS, YOU KNOW?

IF I CAN MANAGETHE TRAFFIC

ON PACIFIC COAST HIGHWAYIN THE SUMMER,

I THINK I CANFIGURE OUT A TRACTOR.

OKAY?

-ALL RIGHT.-THANK YOU.

[ENGINE CHUGS TO LIFE]

OH, YEAH.

HERE WE GO.

[TRACTOR CRASHING]

I'M SORRY, I'M SORRY!I'M SO SORRY!

-JEN!-SORRY!

YOU ALL RIGHT?

I'M OKAY, I'M OKAY.

I JUST-- I FEEL LIKE--

A COMPLETE...

IDIOT.

WHAT WERE YOU THINKING,LETTING HER DRIVE THIS THING?

SHE SAIDSHE KNEW HOW.

NO, IT WAS NOT HIS FAULT.

DO NOT BLAME HIM.

NO, YOU KNOW WHAT?NO, IT'S MY FAULT.

IT'S MY FAULT FOR AGREEING

TO THIS WHOLE DEALIN THE FIRST PLACE!

WHY DON'T YOUGO BACK TO THE HOUSE

AND PACK UP YOUR 300 SUITCASES,

AND GO BACK TO THE CITY...

BECAUSE THAT'S WHERE YOU BELONG.

[♪♪]

DON'T WORRYABOUT HIM, HON'.

MEN ARE LIKE THAT SOMETIMES.

THEY'VE GOT TO BLOW OFF STEAM,I GUESS.

I'M NOT...

I'M NOT UPSET ABOUT HIM.

I JUST--

I RUINED YOUR BEAUTIFUL FLOWERS.

DON'T WORRY ABOUT THAT.

THERE ARE PLENTY MOREWHERE THOSE CAME FROM.

COME ON.I'LL SHOW YOU.

YOU'RE GOINGTO LIKE THIS.

OH...

YEAH.

MAGGIE, THAT WASBRETT'S WIFE,

SHE LOVED HER VIOLETS.

THEY'RE SO BEAUTIFUL...

THEY'RE HER VERYOWN VARIETY, TOO.

SHE KEPTCROSS-POLLINATING

DIFFERENT TYPES

UNTIL SHE GOT

JUST THE RIGHT COLORAND FRAGRANCE.

DO YOU GUYSSELL A LOT OF THEM?

OH, NO. NO. WE'VE NEVERSOLD A SINGLE ONE.

WHAT DO YOU MEAN?

I SAW THEMAT DOT'S CAFE.

HE GIVES THEM AWAY...

TO KEEP MAGGIE'S MEMORY ALIVE.

SO WHAT WAS THATALL ABOUT?

WHAT WAS WHAT ALL ABOUT?

YOU KNOWWHAT I'M TALKING ABOUT.

JEN AND THE TRACTOR.

IT WAS AN ACCIDENT.

YOU DIDN'T HAVE TO GOALL BALLISTIC ABOUT IT.

YEAH, WELL,

SHE COULD'VE WRECKED THE PLACE.

SHE COULD'VE HURT HERSELF.

OR WORSE.

YOU'VE BEEN TALKING A LOTABOUT GETTING RID OF HER

FOR THE FARM'S SAKE.

YUP. THAT'S RIGHT.

YOU SURE THIS ISN'T ALLABOUT SOMETHING ELSE?

LIKE WHAT?

LIKE MAYBE SHE'S BRINGING BACKSOME BAD MEMORIES FOR YOU.

YOU KNOW WHAT?

WHY DON'T I JUST LEAVETHE TWO OF YOU ALONE THEN?

WHAT?

THE TWO OF YOU.

YOU CAN DANCE ALL YOU WANT.

FOREVER.

[KNOCKING]

I THINK YOU GOT COMPANY.

HEY, I NEED TO TALK TO YOU.

YOU'RE STILL HERE?

I THOUGHTYOU WERE SELLING THE PLACE.

BRETT AND I ARE...

KIND OF WORKING TOGETHER.

I'LL GET RIGHT ON THAT.

SHE REALLY DOESN'T LIKE ME,DOES SHE?

NAH. YOU'RE JUSTFROM OUT OF TOWN

AND SHE'S A LOCAL.

THAT'S ALL.

LOOK, IF THIS ISABOUT YESTERDAY,

I AM SORRY.

I WAS OUT OF LINE.

NO. IT'S ABOUT THESE.

I'VE BEEN DOING SOME RESEARCH

AND VIOLETS AREA SERIOUSLY LUCRATIVE CASH CROP.

PEOPLE LOVE THEM.

AND YOU HAVE AN ENTIREGREENHOUSE FULL OF THEM.

NO.

BUT IT'S ALL ABOUTTHE BRANDING.

IF WE STARTED MARKETING THESEAS THE JARRETT VIOLET,

THAT WOULD GIVE THE FARM

ANOTHER IDENTIFIABLEREVENUE STREAM,

WHICH COULD HELP MESELL THE PROPERTY--

WHAT PART OF "NO"DON'T YOU UNDERSTAND?

THE VIOLETS ARE NOT FOR SALE.

OKAY...

BRETT, I UNDERSTANDWHAT THEY MEAN TO YOU--

NO. I DON'T THINK THAT YOU DO.

HANNAH, CAN YOU CANCELMY ORDER, PLEASE?

I'VE LOST MY APPETITE.

HI, JEN.

WE'RE MAKING SOME PIES.

JENNIFER DOESN'TDO PIES, DEAR.

YOU KNOW WHAT?

I WANT PIE.

I'M TRYING TO HELP,BUT HE'S NOT HELPING BACK.

IT'S LIKE HE DELIBERATELYWANTS US TO FAIL OR SOMETHING.

I DON'T--I DON'T UNDERSTAND.

WELL, SOMETIMES,PEOPLE GET STUCK IN LIFE,

AND ALL THEY REALLY NEEDIS JUST A LITTLE... PUSH.

YEAH, WELL, I'D LIKETO PUSH HIM OFF THAT SWING.

[HARRY]:JEN, I NEED TO TALK TO YOU.

[JEN]: NOT RIGHT NOW, HARRY.I'M A LITTLE BUSY.

WHAT ARE YOU DOING?

SOMETHING THAT SHOULD'VEBEEN DONE A LONG TIME AGO.

HI, DADDY!

HEY.

YOU LOOK GOOD ON THAT.

WHAT'S THIS?

DID YOU FIX THAT?

NO, JEN DID IT.

JEN?

YOU KNOW WHERE JEN IS?

I DON'T KNOW EXACTLY.

BUT IF YOU ASKED,

I WAS SUPPOSED TO SAY

SHE WAS MAKING SURE THATNOBODY ATE YOUR BOTTOM LINE.

ALL RIGHT, KIDDO.

[♪♪]

WHOA.

THAT'S NICE WORK,MISS STONE.

I WAS ALSO IMPRESSEDWITH THE PORCH SWING.

THANK YOU.

AT LEAST I CAN DOSOMETHING RIGHT AROUND HERE.

I WANTED TO SAYTHAT I'M SORRY.

I'VE BEEN ACTING LIKE A JERK.

YEAH. KINDA.

LOOK, THE THING IS...

ALL RIGHT, THE THINGIS I SHOULD JUST BE HAPPY

THAT YOU'RE MAKINGMY BROTHER HAPPY.

WHAT?

YEAH, HE'S SHY AROUND GIRLSAND IT'S NICE

THAT YOU'VE TAKEN AN INTERESTIN HIM, SO...

YOU THINK... ME AND HARRY?

WELL YEAH, I SAW YOU TWODANCING IN THE BARN.

I WASN'T GONNA SAY ANYTHING,BUT--

NO, I WAS TEACHING HIMHOW TO DANCE.

HE WANTS TO ASK VALERIETO THE JENKINS' FUNDRAISER

AT THE COMMUNITY CENTER.

HE WAS EMBARRASSED, SO IDECIDED TO HELP HIM OUT.

YOU THOUGHT HARRY AND I...

YUP... WOW.

OKAY. WELL, NOW I FEELLIKE A REAL JERK.

MM-HMM.

IT'S GONNA RAIN SOON.

GREAT.

SOON.

WHY DON'T YOULEAVE THAT STUFF HERE?

COME ON.

-OKAY.-GRAB THE HORN IF YOU LIKE.

-OKAY. CAN I HOLD YOU?-SURE.

WHOA. WHOA.

-OKAY.-OKAY?

[JEN]: I'M ON IT.

-NICE AND EASY.-OKAY.

[JEN]: HERE WE GO.

[♪♪]

[THUNDER RUMBLES,RAIN FALLING]

HERE COMES THE RAIN.

YEAH, I USEDTO LOVE THE RAIN.

IT ALWAYS MEANTTHINGS WERE GONNA GROW.

YOU KNOW,YOU'RE ALLOWED TO MOVE ON.

YEAH, I KNOW.

I JUST DON'T KNOW IF I CAN.

SOMETIMES, IT HELPS...

...IF YOU DON'T HAVE TODO IT ALONE.

YEAH. I THINK YOU'RE RIGHT.

[♪♪]

[CRICKETS CHIRPING]

[HOWLING]

[CRICKETS CHIRPING]

[CRICKETS CHIRPING]

[JEN SIGHS, OWL HOOTS]

YOU STILL UP?

YEAH, I COULDN'T SLEEP.

PUDDING.

I THINK JEN MADE THIS.

YOU KNOW,I'M STARTING TO THINK

THAT I MISJUDGEDTHIS WHOLE SITUATION.

WHAT DO YOU MEAN?

MM! THIS IS REALLY GOOD!

IT IS GOOD.

I DON'T KNOW,

I JUST THINK

MAYBE THINGS HAVE BEENTHE SAME AROUND HERE

FOR TOO LONG, HUH?

MAYBE.

I WAS THINKING,

OKAY, WHAT IF WE CAN TURNTHIS PLACE AROUND,

MAKE A PROFIT?

MAYBE WE COULD HIRESOME MORE FULL-TIMERS.

YEAH. I COULD USE THE HELP.

NOT JUST TO HELP YOU.

TO REPLACE YOU.

WHERE AM I GOING?

SCHOOL, MAYBE?

THE REST OF THE WORLD?

I DON'T KNOW.

LOOK, I JUST WANT YOU TO KNOWYOU'VE GOT A CHOICE,

ALL RIGHT?

YOU KNOW, JUST BECAUSE

JARRETTS HAVE BEENON THIS PROPERTY FOREVER

DOESN'T MEANTHEY'VE GOTTA BE HERE FOREVER.

IT'S JEN, ISN'T IT?

SHE'S HAVING AN EFFECT ON YOU.

ALL OF US.

DID SHE REALLYMAKE THAT?

I THINK--I MEAN, WHO ELSE?

[OLD FRANKIE CROWS]

[OLD FRANKIE CROWS]

GOOD MORNING!

GOOD MORNING.

[JEN]: YES, LET THE BANK KNOW

THAT WE WILL HAVE

THE UPDATED FINANCIALSIN A FEW WEEKS.

WELL, WE HAVESEVERAL NEW REVENUE STREAMS

THAT WE ARE VERY EXCITED ABOUT,

INCLUDING A RARE FLOWER

THAT IS EXCLUSIVETO THE JARRETT FARM.

YEAH. OKAY, THANK YOU. BYE.

WHERE'S THE JARTHAT WAS IN HERE?

I DON'T KNOW, DEAR.IT WAS THERE LAST NIGHT.

HUH.

I HAD NO IDEA

THAT GRANDMA'S PUMPKIN CREAM

WAS GOING TO BESO POPULAR AROUND HERE.

LOU! WHAT'S UP?

UH... WELL...

SEE, THE THING IS,

WE'VE GOT THIS DANCE TONIGHT,

FOR FRED JENKINS.

AND PHIL THINKS WE OUGHTA GO.

THAT WILL BESO MUCH FUN FOR YOU GUYS!

[GROANS]

YEAH.

I JUST WONDERED

IF MAYBE YOU HAD SOME MOREOF THAT PUMPKIN JELLY?

MAYBE YOU COULDGIVE ME A HAND?

I WOULD LOVE TO, LOU.

I'M GONNA GIVE YOU THE WORKS.

WOW.

COME ON.

OH, ONE MORE THING--

I HOPE YOU DON'T MIND,

BUT I BROUGHTA FEW FRIENDS WITH ME.

ALL RIGHT, WE'RE DONE.

HOW DOES THAT FEEL?

OH, MY.

HOW WAS IT?

THAT FELT HEAVENLY.

YAY!

OKAY, NEXT?

I HOPE YOU DON'T MIND,

ESPECIALLY AFTERTHE WAY I WAS TO YOU,

BUT CITY GIRLS AND COUNTRY GIRLSDON'T ALWAYS MIX.

WELL, IN HERE,WE'RE JUST GIRLS.

[PATS CHAIR]

ALL RIGHT.

HAVE YOU EVER HAD A FACIAL?

NO, I HAVEN'T.

NO. OKAY.

SO, STEP NUMBER ONE--

CLEAN YOUR FACE.

OKAY.

YOU WANT ITALL GONE.

[♪♪]

THIS IS FUN.

BEAUTIFUL!

THANK YOU.

[♪♪]

[♪♪]

[CRICKETS CHIRPING]

[BRETT]: HARVEST MOON.

FULLEST MOON OF THE YEAR.

USED TO REMIND THE FARMERS

IT WAS TIMETO BRING IN THE CROPS.

IT'S SO BEAUTIFUL.

'COURSE NOW WE'VE GOT

ALL THIS SCIENTIFIC STUFFTO HELP US DO THAT,

BUT I DON'T KNOW,I KIND OF LIKE THE TRADITION.

A LITTLE SOMETHINGI CAN PASS ON TO ABBY.

YOU'RE DOINGA WONDERFUL JOB WITH HER.

I BET IT'S NOT ALWAYS EASY.

WELL, YOU KNOW,WHEN IT HAPPENED,

MY LIFE...

OUR LIVES CHANGED FOREVER.

I NEVER THOUGHT I'D LET MYSELFFEEL ANYTHING EVER AGAIN.

I THINKTHAT'S HOW MY DAD FELT...

WHEN MY MOM DIED.

MAYBE THAT'S WHYHE SPOILED ME HERE AND THERE,

TO MAKE UP FOR IT.

BUT HE KEPT GOING, YOU KNOW?

BECAUSE I NEEDED HIM TO.

LIKE YOU'RE DOING FOR ABBY.

WELL, THERE ARE SOME DAYSTHAT I COULD USE SOME HELP.

ROSIE'S WONDERFUL.

I WASN'T TALKING ABOUT ROSIE.

[BIRDS TWITTERING]

[JEN]: I'LL GET IT!

KNOW WHERE A GIRL CAN FINDA PUMPKIN AROUND HERE?

BROOKE! YOU MADE IT!

OKAY, WHAT ISTHAT HORRIBLE SMELL?

THAT'D BE NATURE.

BROOKE, THIS IS BRETT JARRETT,

THE ONE I WASTELLING YOU ABOUT.

HI.

MY, THEY GROW THEMBIG AROUND HERE.

PLEASURE TO MEET YOU, MA'AM.

YEAH. MM-HMM.

I'LL TAKE THATUPSTAIRS FOR YOU.

THANK YOU!

OH, I JUST HAVE A COUPLE MOREIN THE CAR, IF YOU DON'T MIND.

PLEASE?

HAH... HMM.

-I'LL SEE YOU DOWNSTAIRS.-YEP.

IT WAS NICE MEETING YOU, BROOKE.

LIKEWISE.

SO WHAT DO YOU THINK?

OF THE MANOR THE ROOM?

BOTH.

I'M SERIOUS, THOUGH.

OKAY, LOOK,

JEN, THIS IS ALL VERY CHARMING,

BUT LET'S BE HONEST,

YOU'RE A CITY GIRL.

I'M NOT SO SUREABOUT THAT ANYMORE.

YOU CAN'T TELL MEYOU DON'T MISS CIVILIZATION.

FLUSH TOILETS.

ELECTRIC LIGHTS.

THE WHEEL.

IT'S NOT THAT BAD.

AND BESIDES, COUNTRY LIFEHAS ITS PERKS.

MM-HMM.

FOR EXAMPLE,

I HAVE BEEN DYINGTO SHARE THIS WITH YOU.

IT'S SKIN CREAM.

BRETT'S MOM USED TO MAKE IT

OUT OF THE PUMPKINSTHAT THEY GROW HERE.

HOW INVENTIVE.

TRY IT.IT'S AMAZING.

AND THAT LITTLE JAR

WOULD BE A FORTUNEBACK IN THE CITY.

ALL RIGHT, OKAY,SO THE CONDIMENTS ARE CHEAPER.

BUT WHAT ABOUT THE CULTURE?

WHAT ABOUT THE NIGHTLIFE?

I AM SO GLAD YOU ASKED.

[♪♪]

♪ I'VE GOT A SONG IN MY HEAD

♪ SOUNDS LIKETHE ROLLING STONES ♪

♪ SINGING "BROWN SUGAR"

[♪♪]

♪ WHEN I'M LOOKIN' AT YOUAS YOU'RE DANCIN' LIKE THAT ♪

♪ I LIKE THE SUMMER DRESS

♪ I DIG THE COWBOY HAT

♪ MY MIND'S SAYING

♪ "SHE'S SOMETHINGTHAT YOU'LL REGRET" ♪

♪ MY HEART'S SAYING"WHATEVER"... ♪

I DIDN'T KNOW IT WASGOING TO BE A COSTUME PARTY.

OH, IT'S NICE.

I MEAN, LOOK AT EVERYONEFROM THE COMMUNITY,

COMING TOGETHER

TO HELP OUTONE OF THEIR OWN.

♪ ...I'M THINKINGYEARS FROM NOW ♪

♪ ABOUT THE BOTH OF US...

THIS KIND OF THINGWOULD NEVER HAPPEN IN L.A.

OH, IT'D HAPPEN...

ONLY EVERYBODYWOULD BE WEARING BLACK

AND IGNORING EACH OTHER.

♪ ... I'M THINKING TOO MUCH

EVENIN', LADIES.

GOOD EVENING.

MA'AM, MAY I HAVETHIS FIRST DANCE?

DO YOU MIND?

GO! GO!

THANK YOU!

YEAH, GO AHEAD.

♪ ...GIRL, YOU'LL LOOK REAL GOODON THE BACK OF MY BIKE ♪

♪ I SEE YOU GETTIN' YOUR WAYWHEN YOU WANNA START A FIGHT ♪

♪ AND ME SAYIN' "BABY, PLEASE"

♪ I SEE ME BUYING YOU ROSESAND US DRINKIN' FINE WINE ♪

♪ GOIN' FAR-OFF PLACESHAVIN' US A GOOD TIME ♪

♪ WALKIN' DOWN SOME BEACH

♪ I'LL TAKE YOUR HAND IN MINE

♪ AND GET DOWN ON ONE KNEE

♪ I'M THINKIN'ABOUT YOUR SMILE ♪

♪ I'M THINKIN'ABOUT YOUR TOUCH ♪

♪ I'M THINKIN' THIS AIN'T LOVEBUT IT'S CLOSE ENOUGH ♪

♪ I'M THINKIN' YEARS FROM NOWABOUT THE BOTH OF US... ♪

COME ON, MAN.YOU CAN DO THIS.

♪ ...MAYBE I'M THINKIN'I'M THINKIN' TOO MUCH... ♪

SO? ARE YOU EVERGOING TO ASK ME TO DANCE?

UM...

YES.

♪ ...I'M THINKIN'HERE MY CHANCE ♪

♪ WHY WAIT?

♪ YEAH, I'M TALKIN' TO YOUASKIN' WHAT'S YOUR NAME ♪

♪ AND I'M THINKIN' I'M CRAZYWHEN I HEAR YOU SAY... ♪

♪ I'M THINKIN'ABOUT YOUR SMILE ♪

♪ I'M THINKIN'ABOUT YOUR TOUCH ♪

♪ I'M THINKIN' THIS AIN'T LOVEBUT IT'S CLOSE ENOUGH ♪

♪ I'M THINKIN' YEARS FROM NOWABOUT THE TWO OF US ♪

♪ MAYBE I'M THINKIN'I'M THINKIN' TOO MUCH ♪

♪ MAYBE I'M THINKIN'I'M THINKIN' TOO MUCH ♪

[♪♪]

WHOO!

YOU DID SO GOOD!

YEAH, I DON'T KNOWWHAT'S KEEPING HER.

IT'S JUST LIKE A WOMAN, RIGHT?

♪ ...YOUR SMILE GOESFROM ZERO TO 60 ♪

GEEZ LOUISE!

IS THAT YOU?

YOU DON'T LIKE IT?

WOULD YOU...

DO ME THE HONOROF THIS DANCE?

YES, OF COURSE, PHIL.

COME ON. LET'S GO.

[♪♪]

♪ ...IT DOES SOMETHING TO MEJUST WATCHING ♪

♪ I LOVE HOW YOU LAUGH

[♪♪]

I'VE GOTTA WARN YA.

SINCE THE LAST TIME I DANCED...

IT'S... IT'S BEEN A WHILE.

DANCING WITH A CITY GIRL,MR. JARRETT.

PEOPLE ARE GOING TO TALK.

LET 'EM TALK.

♪ THERE'S NOTHING ON EARTHMORE PLEASING ♪

♪ THAN THE SWEET UP AND DOWNOF YOUR CHEST ♪

♪ YOU'RE EYES CRINKLE UP

♪ AND I'M SO IN LOVE

♪ PRAYING THE MOMENTWON'T PASS ♪

[♪♪]

♪ IT'S THE SOUND...

OKAY, THE FIRST TIMEI MET HER WAS IN THE DINER.

SHE OWNS MY COUSIN'S FARM,

BUT SHE CAME UP FROM THE CITYTO SELL IT.

BUT HARRY TOLD MEBRETT'S BEEN MESSIN' WITH HER

AND GIVING HER ALL SORTSOF REALLY HARD, FAKE JOBS,

HOPING THAT SHE'LL QUIT,

AND THEY'LL BE ABLE TO BUY BACKTHE FARM FOR NOTHING.

BUT I FEEL BAD ABOUT IT

BECAUSE I'M REALLYSTARTING TO LIKE HER.

♪ ...YOUR KISS MAKES ME WHOLE

♪ THERE'S SOMETHING ABOUTHOW THE LAUGHTER COMES OUT ♪

♪ THAT GOESSTRAIGHT TO MY SOUL ♪

♪ IT FADES OUTAND THINGS BECOME QUIET... ♪

AHEM.

CAN I TALK TO YOU?

RIGHT NOW?

YEAH, RIGHT NOW.

YEAH, SURE.

I'LL GRAB USSOME PUNCH.

SO, YOU AND VALERIE, HUH?

CAN YOU BELIEVE IT?

YEAH, WITH THOSEDANCE MOVES...

YEAH, HE IS.

NO, THAT'S NOT TRUE.

THAT...

THAT CAN'T BE TRUE.

WHAT'S NOT TRUE?

BROOKE JUST TOLD ME

HOW SHE OVERHEARD YOUR COUSIN

TALKING ABOUTWHAT YOU'VE BEEN DOING.

HAVE YOU REALLY BEEN TRYINGTO CHEAT ME OUT OF THE FARM?

NO, IT'S NOT LIKE THAT.

OKAY... HOW WAS IT, THEN?

TELL ME.

WELL, MAYBE IN THE BEGINNING,BUT, I MEAN, NOT NOW.

GOOD NIGHT.

I TOLD YOU I DIDN'T LIKETHESE PEOPLE.

WE'RE GOINGTO GET YOU BACK TO THE CITY,

WHERE YOU KNOWYOU CAN'T TRUST ANYONE.

WHY ARE YOU LEAVING, JEN?

GO BACK TO BED, ABBY, OKAY?

ARE YOU MAD AT ME?

NO.

NO, OF COURSE, I'M NOT.

IS IT MY DADDY?

YOUR DADDY... IS A GOOD GUY.

HE'S A REALLY GOOD GUY.

SOMETIMES, GROWN-UPS DOJUST DUMB THINGS.

ALL OF US.

THEN I DON'T THINKI EVER WANT TO GROW UP.

I MADE THIS FOR YOU.

ABBY...

I WISH YOU DIDN'T HAVE TO GO.

SHE'S NOT THE ONLY ONE.

YOU GO ONBACK TO BED NOW, HONEY.

I'LL COME TUCK YOU IN.

GOODBYE, JEN.

ARE YOU SUREYOU WANT TO DO THIS?

I HAVE TO.

WELL, AT LEAST TALK TO BRETTBEFORE YOU GO,

GIVE HIM A CHANCE TO EXPLAIN.

CAN I ASK YOU SOMETHING, ROSIE?

DID YOU KNOW?

[SIGHS]

IT'S OKAY.

YOU DON'T HAVE TO SAY ANYTHING.

THANK YOU ANYWAY.

OKAY.

LOOK, THERE'S PROBABLYNOTHING I CAN SAY

TO MAKE THIS RIGHT.

BUT I NEED YOU TO UNDERSTAND

THAT I DIDN'T DO THISTO HURT YOU.

WHEN IT STARTED,

IT SEEMED LIKETHE ONLY THING I COULD DO.

THEN YOU BECAME PART OF US.

YOU BECAME PART OF OUR LIVES.

BY THE TIME I REALIZED THAT,I WAS TOO STUBBORN TO OWN IT.

AND FOR THAT,I AM DEEPLY SORRY.

I'M SORRY, TOO.

I JUST...

I NEED SOME TIME.

YOU KNOW,TO FIGURE ALL THIS OUT.

SOMETIMES,THEY SAY IT'S EASIER

IF YOU DON'THAVE TO DO IT ALONE.

[LAWYER]:THAT'S THE BANK'S FINAL OFFER.

IT'S CERTAINLY NOT AS MUCHAS WE WERE HOPING FOR...

NO.

BUT IT'S A START.

OKAY, HERE WE GO.

[BROOKE]:DON'T SIGN IT! DON'T SIGN IT!

DON'T SIGN IT!

DON'T SIGN IT!

OKAY!

BROOKE, WHAT'RE YOU DOING?

SAVING YOU FROM MAKING

THE BIGGEST MISTAKEOF YOUR LIFE.

BROOKE, WHAT ARE YOUTALKING ABOUT?

THIS CREAM OF YOURS.

I TRIED IT.

YOU WERE RIGHT, IT'S AMAZING.

SO I HAD A GUY

IN THE COSMETICS LABAT MY COMPANY

TRY TO FIGURE OUTTHE INGREDIENTS.

THERE IS SOMETHING IN THE EARTHAT YOUR FARM,

SOME SPECIAL MINERAL

OR SOMETHINGTHAT MUST GET INTO THE PUMPKINS.

THAT'S WHATMAKES THIS STUFF WORK.

THE THING IS,

WE CAN'T FIGURE OUT WHY,

BUT IT DOESN'T WORKANYWHERE ELSE

EXCEPT AT YOUR FARM.

MY FARM.

EXACTLY.

THE CEO OF MY COMPANYWANTS THE FORMULA

AND THE COPYRIGHT,

AND IS WILLING TO PAY.

HOW MUCH?

-WHOA.-THAT MUCH.

SO, WHERE'SGRANDMA'S SECRET RECIPE?

[JEN]: GOOD EVENING, EVERYONE!

[CHEERING]

WELCOME!

ON BEHALF OFJARRETT FARMS INCORPORATED,

WE WOULD LIKE TO THANK YOU

FOR COMING TO THE LAUNCH

OF OUR NEW HARVEST MOONHEALTH AND BEAUTY LINE.

AS MOST OF YOU KNOW,

WE'VE WORKED VERY HARDON THESE PRODUCTS

FOR OVER A YEAR NOW,

AND I WOULDJUST LIKE TO TAKE A MOMENT

TO ACKNOWLEDGE

SOME OF THE PEOPLE

THAT ARE RESPONSIBLEFOR ALL OF IT HAPPENING.

FIRST, MY VERY GOOD FRIEND,

BROOKE SCHRAFFT,

AND VICE PRESIDENT OF MARKETING.

MY MANAGEMENT DIRECTORS,

LOU AND PHIL.

OUR VICE PRESIDENTOF PRODUCTION, AUNT ROSIE.

AND TO OUR SUPERINTENDENTOF TECHNICAL SERVICES,

WHO I'M SAD TO SAY

WILL BE LEAVING USFOR GREENER PASTURES...

BUT I'M HAPPY TO SAY

THAT IT WILL BEON FULL MUSICAL SCHOLARSHIP.

HARRY JARRETT.

[CHEERING]

AND NOWI'D LIKE TO INTRODUCE TO YOU ALL

SOMEONE WHO ISVERY, VERY IMPORTANT IN MY LIFE.

HE HAS SHOWED ME THAT COURAGE,

EVEN IN THE HARD TIMES,

IS THE MOST VALUABLE THINGTHAT YOU CAN GIVE YOUR CHILD.

EVEN MORE VALUABLETHAN A TRUST FUND...

MY FATHER, WILLIAM STONE.

[CHEERING]

AND NOW,

LAST BUT DEFINITELY NOT LEAST,

I WOULD LIKE TO THANKA VERY SPECIAL MAN.

OVER THE LAST YEAR,HE HAS HELPED ME DISCOVER

STRENGTHS WITHIN MYSELFTHAT I NEVER KNEW EXISTED.

HE HAS TAUGHT ME

THAT THE MOST IMPORTANT THINGTHAT YOU CAN DO IN YOUR LIFE

IS TO MEND A FENCE.

AND HE HAS MADE ME BELIEVE

THAT INSIDE EVERY CITY GIRL,

THERE'S JUST A LITTLE BITOF COUNTRY

ACHING TO GET OUT.

MY CO-CEO AND MY BEST FRIEND,BRETT JARRETT.

COME ON!

AND NOW, IN HONOROF THE HARVEST MOON FESTIVAL,

I'D LIKE TO ANNOUNCE

THAT WE ARE BRINGING BACKAN OLD TRADITION,

ONE THAT I HOPE

YOU ALL WILL ENJOY WITH USFOR MANY MORE YEARS TO COME,

THE CORONATIONOF THE PUMPKIN PRINCESS!

[CHEERING]

HAPPY HARVEST MOON FESTIVAL,EVERYBODY!

HAVE FUN!

COME ON!

[♪♪]

[♪♪]

♪ STARS IN THE SKY

♪ BIRD ON THE WING

♪ YOU AND IGOT A SONG TO SING ♪

♪ ABOUT LIFE IS GOOD

♪ HEARTS ARE FREE

♪ YOU TAKE THE NIGHT

♪ AND YOU...YOU MAKE IT SWEET ♪

♪ OH, YEAH

♪ YOU MAKE IT SWEET

♪ OH, YEAH

♪ YOU MAKE IT SWEET...

SO LAST YEAR,YOU BROKE YOUR KNEE,

AND NOW THIS YEAR,YOUR WRIST?

♪ ...LITTLE RAIN'SBOUND TO FALL ♪

♪ TIMES OF TROUBLEGONNA FIND US ALL ♪

♪ MAYBE BLUE TURNS TO GRAY

♪ A SMILE CAN CHASETHE CLOUDS AWAY ♪

♪ AND IT'S A LONG ROAD

♪ BUT I KNOW

♪ THAT WE'RE GONNA MAKE IT...

[♪♪]

IT SEEMS LIKE

THE HARVEST MOONFESTIVAL IS A HIT.

YEAH.

YOU KNOW, I THINK DEEP DOWN,PEOPLE REALLY LIKE TRADITIONS.

YOU KNOW,SPEAKING OF TRADITION...

THERE'S AN OLD ONE IN MY FAMILY.

WHEN YOU FINDSOMEONE THAT YOU LOVE...

YOU ASK THEM TO MARRY YOU...

I REALLY LIKE THAT TRADITION.

♪ ...AND IT'S A LONG ROAD

♪ BUT I KNOW...

♪ THAT WE'RE GONNA MAKE IT

♪ YOU MAKE IT SWEETOH, YEAH ♪

♪ YOU MAKE IT SWEETOH, YEAH ♪

♪ YOU MAKE IT SWEET ♪