Daliland (2022) - full transcript

And now, let's

meet our first contestant.

Will you come in and sign in,

please?

All right.

Now with that, let's begin

the general questioning

with Arlene Francis.

Are you associated

with any of the arts?

Yes.

Would you ever

have been seen on television?

Yes.

Are you a performer?

Yes.

Would you be

considered a leading man?

Yes.

I think the last answer

is misleading, and we could not

accurately describe our guest

- as a leading man.

- He's a misleading man.

Do you have anything

to do with...

sports or any form

of athletic endeavor?

Yes.

No, I think

it would be too misleading

to suggest that our guest had a

basic affiliation with sports.

Do you use

anything in your hands

for your job?

Like a pencil or a typewriter

or anything like that?

- Yes.

- Oh,

would you be considered

a writer?

- Yes.

- Yes.

There's nothing

this man doesn't do.

Have you had...

I'm terribly lost.

- Does he write humorously?

- Do you write humorously?

Yes and no.

Oh.

Um...

Does he ever do

any drawing like comic strips?

Yes.

Yes?

Is there something

quite unusual about our guest?

Because everything that

he does,

the audience laughs about.

You are a human being?

Very much so, Bennett.

- Very much so.

- Yeah.

He's still maintaining

that he's a performer?

Well, yes, in the degree

that he was asked

if he had anything

to do with the arts

and then was asked

if he was a performer.

Oh! Ask if he could use

his mustache to paint.

Oh!

Uh, have you a, uh, a mustache

that is rather well known?

In fact, could you be almost

caricatured just by that?

- Yes.

- Oh, well thank you, Arlene.

Are you Salvador Dalí?

Salvador Dalí is right!

Salvador Dalí

on the 1950s game show,

What's My Line?

The world's most famous

living artist

has been gravely injured

in a fire at his home.

Dalí is now

in critical condition

in hospital in Figueres, Spain.

And Catalonia.

Yes, Gala. Yes, I understand.

You need the money now, but...

No, no, that was not

what we agreed in the contract.

But I can't come

with it now myself. I have...

Bring it now,

you understand?

Yes, Gala.

- Yes.

- You owe money.

Dalí's money. Bring it!

You bring money!

This is your first time,

so this is very, very important.

You are going

to the St. Regis Hotel.

Salvador Dalí and his wife

spend every winter there.

He is a man of rituals.

Always the same suite, 1610.

For 20 years, that has been

his home in New York.

Thank you.

Are you here for Gala?

How did you know?

They weren't supposed

to send anybody until tomorrow.

- I'm sorry?

- You're going to have to...

zhuzh yourself up a bit.

I work at Dufresne,

I have a package for Gala Dalí.

Oh, you're from Dufresne.

Forgive me.

I'm Captain Peter Moore.

I'm Dalí's secretary.

James.

- Hi.

- James Linton.

I can take this if you want.

Christoffe said

I had to give it to Gala, so...

Very well.

How long have you been

at Dufresne?

Just a few months.

What's your experience?

None, really.

I was at art school.

- I... I dropped out.

- Oh, why?

I realized I'm not an artist.

I just love art.

Well, someone has to.

Well, James,

welcome to Dalí land.

Wait here.

Well, Dalí,

we all know you're a genius.

Are you comparing yourself

to God?

No, no.

I do not compare myself to God.

Dalí is almost God.

Almost?

Not quite.

If Dalí was God,

there would be no Dalí.

That would be a tragedy.

At least when you die,

you get to see

if God looks like you.

Death.

It frightens me most,

and this is the basis

of my inspiration,

of my creativity.

Every moment,

death watches to catch me.

And every five minutes

death no catch me,

I enjoy it tremendous.

I take some Vichy water,

you bring me some tea,

a little bread or something,

everything becoming

one tremendous pleasure

because... death surround me.

And because death is so close,

it's possible make erotic

every single piece of my life.

You see? Hmm. I see. Do you see?

Who are you?

I'm James Linton from Dufresne.

Christoffe is coming

to dinner tomorrow.

He will bring you.

He will?

You tell him.

It's important

you can tell the difference

between an offset print

and a lithograph.

Marks from a hand lithograph

will show a random dot pattern

created by the tooth

of the surface it's drawn on.

The detail, every stroke.

Amazing.

But prints made

from an offset press

have a mechanical dot pattern.

All the dots in the drawing,

see?

A sure sign

it's not an original.

- So, this is a fake?

- No, no.

It's fine,

unless someone tries

to sell it as a lithograph.

And that's fraud.

Exactly.

You know, you really don't need

to be at this dinner tonight.

I don't know

why Gala invited me.

You are a beautiful boy.

And she has the libido

of an electric eel.

Really?

Yeah.

Back in the '30s, in Paris,

she was quite the sex siren.

The surrealist femme fatale.

The great muse.

Take this home.

But really, all you need to know

is Gala is the power.

She does the deals

and handles the money.

Always cash.

If she makes a pass at you,

turn her down nicely.

Whatever you do,

you must not insult her.

- No, I won't.

- I know.

Because if you do, you are out.

No, no,

Dalí does not want spinach.

Dalí abhors spinach.

Dalí can only eat food

with well-defined shapes

that the mind can clearly grasp,

like oysters.

Dalí needs money.

Then Dalí

better start painting more.

There isn't enough

to fill the gallery,

and we open in three weeks.

Dalí paint every day.

You give us money,

we give you paintings.

Christ.

You enjoy this?

Yeah.

Christoffe is an idiot,

but always, I work with fools.

But you...

you have a mind.

I see.

Oh, um, thank you.

You just begin work

for Dalí's gallery?

- Just a... a few months.

- Good.

We won't let Christoffe

ruin you.

- Tanqueray martini.

- Amanda.

Amanda,

mon ange.

Mwah, mwah.

Come, sit. Sit.

That's Amanda Lear,

his new muse.

The rumor is

when he first met her,

she was performing

at a drag club in Paris.

And she was a he.

- But not for long.

- Dalí,

what are you working on now?

At last, someone asks.

I will tell you.

The world's largest penis.

- Really?

- Yes.

There is a universal fixation

on penis length.

No mortal penis can hope

to live up to this expectation.

Therefore, I, Dalí,

will build the ultimate penis

to relieve the world

of its anxiety.

And how will Dalí

make his penis?

Dalí's penis will be constructed

of pink nylon mesh.

It will have a diameter

of approximately two meters.

You will be encouraged

to stand inside it.

And how long

will Dalí's penis be?

It will circle the planet.

And how will

your penis cross the ocean?

Like telephone cables

on the floor of the ocean.

And when the penis,

it is finished,

it will ejaculate

over the United Nations.

My contribution to world peace.

Mais qu'est-ce que tu...

No, no, no.

He's autographing it.

They never cash the check.

Are you here for Gala?

Why does everyone

seem to think that?

This face maybe?

I... I work at Dalí's gallery,

actually.

But that's not why you're here.

If you're not here for Gala,

then you must be here for Dalí.

There's always a reason.

What's your reason then?

Oh, I'm like Dalí's jewelry.

Something pretty.

Nice to wear at parties.

There she is.

Come on, darling.

The ship is leaving.

Okay, sure.

Goodnight.

I'm coming.

- Did you see this?

- He did that now?

Yeah, right in front of me.

- Just before he signed.

- Wow.

Is this some

little conceptual art piece?

Maybe you should

be working downtown.

So, the whole idea

of a signature

is that it should identify

an artist definitively. Right?

- Uh, yeah.

- But Dalí...

has a few dozen signatures.

Why?

What does that say about him?

My dear boy, Dalí adores,

as he calls it,

"to cretinize the world."

- Cretinize?

- Yeah.

He wants to confuse,

to obfuscate,

to fuck with people.

Or... to show people

that nothing is what it seems.

Including himself.

Well, we're off to lunch...

...but first, Gala wants to see

how you plan

to hang the new works.

Right.

But we can expect more prints

and paintings this week?

- Yes, yes, yes, yes.

- Show me the room.

How do you plan

to hang the show?

Here, follow me.

"It's our pleasure

to serve you."

This is a beautiful blue.

Blue is the color of oxygen.

- Excuse me, Señor Dalí.

- Hmm.

- This is for you.

- Hmm.

What is this?

All these, "Dalí, Dalí, Dalí"?

I made it for you.

I'm so sorry, Dalí. Dalí.

My new assistant,

he's a fan.

Don't let him bother you.

I saw

that they were all different...

as if each one

was a new version of you,

as if you became a new person

each time you painted.

You have a face of an angel.

I do?

Not boy, not girl.

Are you Raphael?

No!

You are San Sebastian,

by Gustave Moreau.

Dalí can keep this,

San Sebastian?

Yeah.

I need a new assistant.

I will borrow this boy

until the show,

then you have him back.

Please let me do this,

Christoffe.

One of the great artists

of the twentieth century

wants me to work with him.

Oh, look at you.

No one works with Dalí.

- They work for him.

- Christoffe.

Come on, just think about this,

okay?

I mean, I will... I will do

overtime later, all right?

Look, I'll work free for a week.

Two weeks, whatever.

I will make it up

to you somehow, I promise.

All right.

Gala has committed him

to too many contracts

that have nothing

to do with the show

and now he's exhausted.

But we open in three weeks,

and I still have a whole wall

to fill with paintings.

So, here's the deal.

You are going

to keep an eye on him,

and tell me everything,

and make sure he paints.

He gets so sidetracked

by his holograms...

- his parties and orgies.

- Orgies?

Not part of the job.

Come.

Bring it here.

The Queen of Cups...

- I'll just leave this here.

- Wait, wait.

Page of Cups.

Open it.

Sit down.

I'm sorry,

I don't... I don't think I'm...

I just... I just...

I don't, um...

I have a lot of errands

and things, so, um...

Idiot!

Go.

Go work for Dalí.

Stop, stop, stop! Too much!

Gala!

I could find her if you'd like.

Galushka!

Gala!

Help.

Idiot. You don't learn?

One part linseed, one varnish,

three paint.

What do you see?

There's more energy on the left

than on the right.

Hmm.

- Hmm.

- Your medicine.

- Take it.

- Yes, yes, Galina.

Will you join us for lunch,

my olivetta?

No. I go to the theater,

but keep working.

Keep painting.

I need her

to push me.

Without my Gala,

I would end up in an asylum

or be a tramp under a bridge.

Bring me Naples Yellow.

It's my favorite color.

Yellow is the color of proteins.

To find me the Naples Yellow,

Gala would walk all over Paris.

- Is that where you met?

- No.

We met in Cadaques,

the most beautiful place

on Earth.

The first thing I saw of Gala

was her wonderful back.

I was so beautiful.

See? Luis Buñuel was visiting.

And René Magritte

and his boring wife.

And Gala!

My friend, the poet,

Paul Éluard.

Gala's husband.

I had many terrors

and strange fits of laughter

when I was young.

People whispered I was mad.

Water.

That happens sometimes

when I am tired.

Don't worry, San Sebastian.

Dalí only need a little air.

This will give me strength.

Are you sure?

Won't Gala be upset

if you leave?

She is with Jesus.

She'll be gone for hours.

- Jesus?

- You will meet him.

Tomorrow.

San Sebastian, you will join us

at the Prince and Pauper's tea.

- Prince and Pauper's?

- Yeah.

You, of course, are a pauper.

You are young.

The old are there

strictly for business,

otherwise, I cannot

bear to look at them.

Where have you been?

It was my day at the gallery.

Dalí's done nothing today.

He's over there

talking to Alice Cooper

about another hologram.

How do you sell a hologram?

Yes, it is true.

Holographics

is the ultimate art form.

What about painting, Dalí,

and sculptures?

Yes, yes, Alice.

But Dalí create,

at one and the same time,

the external

and internal reality

through different methods.

Double images, stereoscopy,

holograms for seeking

the fourth dimension,

penetrating more and more

into the compressed nature

of the universe.

Compress-ed?

Compressed, compressed.

Did he say compressed?

Come, San Sebastian.

Meet my Ginesta.

She's very Dalínian.

Ginesta.

You take care of San Sebastian.

- He is a new boy.

- We've already met, Dalí.

So, are you a prince

or are you a pauper?

Pauper, for sure.

I thought so.

Where are you from, James?

- Uh, Idaho.

- Oh, my.

What was that like?

All I knew about art was

from books and magazines,

so being here is kind of

like a dream, I guess.

Do your parents know

what you're up to in New York?

My mother says

seven-layer cake is sinful,

so you can guess

what she would say

about Dalí and... and all this.

My father thinks

Dalí is a pornographer,

which I love.

Jeff!

Who's that?

Oh, that's Jesus Christ.

Jesus Christ Superstar.

He plays him on Broadway.

- Dalí doesn't mind.

- I'm so glad you made it!

A new lover will distract Gala,

give Dalí more time to play.

Like I told you,

everyone is here for a reason.

You just don't know

what yours is yet.

Well, I had a show.

I'm going to get a whiskey.

You want a vodka?

Yeah, no.

Beautiful.

Sometimes I get very bored

at these things.

But you're not boring.

Do you want to get outta here?

You can't keep doing this, Gala,

this is an impossible situation!

Americans are all porks.

Greedy, Grade A U.S. porks.

You fix this, you call Desmond.

People are waiting

for me downstairs. Dammit!

James, come in here, I need you.

Take this briefcase.

You're gonna need it.

- What for?

- Twenty thousand dollars.

Hmm, I shouldn't have said that,

but it's all for Jesus Christ.

You'd think

he'd have enough money

from that stupid show.

I'm sorry.

Can you explain a little bit?

Gala has given her boyfriend,

Jeff Fenholt,

the money meant to pay

for Dalí's hotel bill

this month.

It costs 20,000 a month

to live here?

Well,

with room service and parties

with caviar

and champagne flowing.

Plus, what Gala loses

gambling in Chinatown.

So, take the briefcase

to Desmond Carter, this address.

Get the money

and bring it straight back.

These are all personally signed

by the artist himself.

A few years ago,

I sold a Dalí print

for 750 dollars.

Do you know

what it's worth today?

- Ten times that.

- Excuse me?

Captain Moore sent me.

Yes. He called.

Uh, I'll be a minute.

Well,

the price is really more than...

Did you know

Picasso died last year?

Since then,

the value of his work

has soared.

Salvador Dalí is 70,

and he can't live forever.

That's awful,

making money from someone dying.

It's the physics of art,

Mrs. Thomas.

An artist dies

and the prices go up.

It's how it is.

Excuse me, I'll be a minute.

Carter Gallery.

Okay, no, we're...

we're not open then.

Hmm. Uh-huh. Sure. Sure.

You... like it?

I find it upsetting.

I mean, I can't figure

how it's pulling me in,

but somehow it takes me

inside of his dreams.

Just paint on paper, but...

it's so powerful.

It's kind of like magic.

I don't think I want to live

with someone else's weird dream

on my wall.

But that weirdness,

that's what makes it original.

It got to you.

That's why

you'll never get tired of it.

And you'll never forget it.

That's Dalí.

You were fantastic in there.

Turns out her aunt

left her 15,000 dollars.

Now she's going

to spend it all on prints.

That's great.

Would you like some more light,

Dalí?

No.

When I compare myself,

San Sebastian,

to present day painters,

I am way up,

up on the pinnacle.

But when I compare myself to...

Vermeer or Velázquez,

my work is a catastrophe.

Modern painting

has left behind Vermeer

and now goes about making

things that are like posters.

Once you start...

...talking

about squirting the paint

straight from the tube

onto the wall,

the whole spiritualization

process of art is lost.

It becomes an absurdity.

The paint,

it doesn't count

until it disappears,

and becomes

an illusion of reality.

Abstract painting will one day

be seen as a total disaster.

Now, San Sebastian,

Dalí needs

a few hundred live ants,

some dead grasshoppers,

four dwarfs,

and a suit of armor.

Spanish armor.

- For a painting?

- No, a party.

A party?

I could kill him.

I wish he didn't make us

so much money.

Is he getting any work done?

Yeah, he works every day.

Really.

Salut.

The Dalí... is... here!

Where is Gala?

Uh, Gala was a bit tired.

I think she's in her room,

resting.

Jeff's songs

will change the world.

Focus! I pay you to work.

Bravo, bravo.

Hey, help me.

I can't do this myself.

This is like armor.

Well, a woman

does need her protection, James.

You know my name?

I know everyone's name.

Come on.

How is it working for Dalí?

It's like I landed

on another planet.

But I belong.

Me too.

Do you have to work today?

Every day until the show.

- I can see you tonight, though.

- I can't.

My parents are in town.

They're taking me to 21.

Fancy.

It's suffocating.

But I have to make a showing

every now and then

or they won't pay my rent.

Hey, so, um, last night, um...

was Dalí, like, you know,

watching us?

He likes to watch.

Don't you find that weird?

He is the man that painted

The Great Masturbator.

So, is he gay?

I don't think

they've invented a word

for what Dalí is.

What about him

and Amanda? Do they ever...

The whole point about Dalí

is that he doesn't have sex.

All of his paintings

are about sex.

Well, maybe that's why.

He and Gala...

I think they had sex

like a million years ago.

And I think she's the only one

that he could ever do it with.

It must be so lonely.

Still...

his parties are fucking great.

Ooh! James, James.

You need to...

Listen, boy. You will work.

You will not shave,

no going home.

Stay with Dalí every hour

until the show is finished.

- I lock you in, both.

- Gala, I...

Shut up!

Shut your ugly mouth.

Do you want us

thrown out of the hotel?

Into the streets?

Eat bones in the alley

like dogs?

I will not eat from tin spoons.

I will never again live

in a house that stinks of onion

or eat pig blood for breakfast.

I will not be poor!

- Olivina, please.

- No, "please."

We need money!

Money, money!

We need paintings and drawings

for this fucking show!

And you will paint,

and paint, and paint

for the next three days,

nothing but painting!

No more parties!

No more play, no stupid friends!

The show is in three days.

Go!

Paint!

Um... Dalí?

Can I get you anything?

Is she magnificent, my Gala?

Did you hear her yell?

She slapped The Captain,

then she kicked me.

Such rage, like a fire.

I thought you would be upset.

Inspired!

I am inspired.

You young people

think all you need

is peace, and love, and harmony.

No! It is anger makes us strong.

All fresh ideas

burst from the shell of hatred.

Now, call my Ginesta.

Ginesta? Why?

For the angel's wings.

Dalí's angel's wings

hang in the Vatican.

These wings I create

with the perfect ass of a model,

so call Ginesta and some models.

And Amanda,

tell her to come too.

I need many beautiful asses!

In here.

If it's here, add some.

So, quick down

and then quick up.

Up.

No, no, no.

On the paper, Olivia.

Down. Up!

Perfect!

Good, good, good.

Up! Up! Perfect!

Every detail.

Now the paint will disappear,

we have angel's wings.

James, James, it is not a party.

It is beautiful.

Maestro, what do you love more?

Painting or money?

Liking money the way I like it

is nothing less than mysticism.

Money is a glory.

Señor Dalí,

are you happy tonight

to be showing in New York?

I'm always happy.

Sometimes I positively drool

with happiness.

Aw.

And I have here my queen.

Gala!

She's my oxygen.

It is with her blood

that I create my art.

I dedicate this exhibition

to Gala.

So, that's Alice Cooper's brain.

What's Dalí trying

to say with this?

Don't ask me, man.

I haven't understood

a single word he said

since I met him.

Everything's going really well,

huh?

You are so self-involved.

Nothing is going well

until I sell all these.

Go and look after Fenholt.

I need to keep him

away from Dalí.

What I'm really

missing in here is,

like, a Pietà, you know?

These are beautiful.

You know,

I do a little painting myself.

Thank you.

And I'm making an album too.

All my own material.

Not just pop songs, but...

poetic, meaningful things.

I'm building a home studio

for the demos.

Cool.

I'm in Jesus Christ Superstar.

I was on the cover of Time

last month.

Oh. Right, right.

You're Jesus, right?

Yeah, so you're going to...

perform miracles?

Jeff makes music

that people will listen to

for hundreds of years.

Your music is ugly and dull.

I don't know why people buy it.

His act is just a gimmick.

Anyone could put on

freaky makeup

and spray blood

all over the stage.

That's not music.

No one will remember him,

no one.

Gala, this has been wild,

but, um...

but I really gotta go.

- Oh...

- Okay?

There's another party,

and some of the cast is...

I come with you!

No, no, no.

Gala, it's Dalí's night.

Right?

It's cool.

Come down

to the studio tomorrow.

Okay?

Hey, I thought you were

going to be here hours ago.

Uh, this is Renaldo.

Renaldo,

this is my friend James.

- He works here at the gallery.

- Oh. Nice to meet you, James.

Great opening, don't you think,

Lucy?

Lucy?

Oh, Ginesta is just a name

Dalí uses

for all the blonde girls.

You never told me

your real name.

Renaldo, I've barely seen

any of the new work.

Let's look around.

Oh, here, drown your sorrow.

Where have you been?

They won't come out.

We have to do something.

It's about Fenholt.

Get them out of there.

Oh! Oh, pardon!

Pardon. Chérie, pardon.

Another great Dalí performance!

But all good things

must come to an end. Señor.

Perfect.

Huh? Perfect.

Chérie, pardon, Chérie.

Tremendous.

Perfect.

Beautiful. Perfect.

Sometimes, San Sebastian,

it is so hard being Dalí.

Christoffe, I'm sorry.

Trains were delayed.

It was raining.

The reviews?

- They're not good?

- Worse.

"Who could imagine

a day would come

when a Salvador Dalí

exhibit comes to New York

and is almost ignored

by the critical press?"

"The cause for such resistance

can be attributed perhaps

to the... to a dismay

with the artist's perennial

high jinks,

and that is a real shame,

because the new show at Dufresne

has some remarkable pieces

by an artist

who is in a category

and class by himself."

But they're saying it was great.

She's saying none

of the big critics reviewed it.

Not The New York Times,

not Artforum.

The critics don't take him

seriously anymore.

We sold almost nothing.

That's not your desk anymore,

James.

It now belongs to her.

You're firing me?

For doing

what you told me to do?

I told you to keep him painting,

not to become

his adoring little acolyte.

You know, Christoffe,

I learned more about art

from Dalí in three weeks

than I would have learned

from you in three years.

I doubt that.

You have an eye, you know.

If you decide you're

serious about gallery work,

come back and we'll talk.

Go fuck yourself.

The critics, San Sebastian,

the bureaucrats,

they've never liked me.

I'm sorry, Dalí.

The critics attack

any tremendous original idea.

My problem,

never with the people.

No.

They always know

where to find true poetry.

Pack all the things,

paint, pencils, charcoal,

brushes.

You're not painting today?

I go home to Portlligat.

I kiss the soil when I arrive.

This is where

my painting is best.

Gala and I

are always better there.

I hope you'll take this too.

You are sad Dalí is leaving?

Yeah.

Also, Christoffe just fired me.

I'm sorry.

James, James, James, James!

I've just heard from Christoffe.

What a wanker!

Now...

you've always worked

hard for Dalí and me, I know.

And I owe you, so...

Do you have a passport?

There are a couple of things

to deal with in Europe,

and I need somebody

that I can trust.

So, I think that you

could be of use in Paris

and Spain.

If you want

to continue the ride.

You're going

to have to collect some...

special paper.

A lot of special paper,

from a man in Paris.

His name is Gilbert Hamon.

- Bonjour.

- Hi.

There is a lot to carry.

You have a car, yes?

Yeah, I'm parked out front.

I thought these were all

supposed to be blanks?

On this side, blank.

On this, lithograph.

Well, they kind of

look like prints, not lithos.

Oh, you... you think so?

Yeah, I worked in a gallery

for a while.

Ah! So you're an expert?

Well, no.

My friend,

I'm the only print agent

for Salvador Dalí in Europe.

I think I know

what I have to sell, huh?

Right.

He is smart, huh?

The Captain.

Your face is so fresh.

No one will bother

the young American tourist.

What's that supposed to mean?

Nothing. It's just smart.

Now, come on.

Help me with those.

James, how are you?

Oh, I've been better.

- Was the drive good?

- Yeah, it was all right.

Here we go.

All right.

You want me to bring the rest?

No, no, no.

Bring the rest in the morning

when you come to the house.

You look exhausted.

Get some sleep.

The, uh,

the room's in your name.

It's not The Ritz,

but it's... comfortable.

No!

It's already infected.

It's already infected.

Look!

It's beginning to swell.

Tetanus.

There was something disgusting

on that glass.

Some dirt has infected me. Look.

My finger is rotting.

I can feel the putrefaction

like worms writhing inside.

The entire hand of the painter,

Salvador Dalí...

will have to be cut off!

What will they do

with my cut-off hand?

Will they bury it?

Where will they put it?

In a little box?

Do they make coffins for hands?

You'll have to go and get Gala.

She's the only one that can

calm him when he's like this.

- Why? It's just a little cut.

- To him, it's life threatening.

Total hypochondriac.

You have no idea.

- Where's Gala?

- In Púbol.

No, no, no!

Dalí bought her a castle

for her private time.

He's not allowed to go there

without a written invitation.

♪ I don't wanna die ♪

♪ Cocaine in my veins

Got me feeling all right ♪

♪ Devil on the line ♪

♪ His red is holding me

Showing you my dark side ♪

All right.

I'm doing some heavy songs

right now.

So, Dalí's bad shape, huh?

Yeah. Uh, it's quite the setup

you got here.

It is.

This is my special place,

where I find my sound.

♪ Devil on the line ♪

Amazing fucking acoustics, huh?

We're recording the album

right here.

Album?

Well,

I do the road tour of Superstar,

then I come back

and make some magic.

All thanks to this amazing lady.

This is shit!

This is my time.

Go there. Wait!

I'm fine, Gala.

It's fine. Go, really.

No, it's unfair.

He makes me leave you.

Spend a couple days,

then come back.

- I'll be here all week.

- Worry you get depressed.

Stupid record companies,

the people don't see

your amazing talent.

But do not... do not take drugs.

They only make it worse.

I promise.

I believe in you.

And soon, the world too.

Dalí does not remember

how I walked

the streets of Paris

until my shoes filled with blood

to sell his paintings

that no one wanted.

Knocking up on doors of...

fat, rich dealers.

I tell them...

"Salvador Dalí is a genius."

No one cared. Not in Paris.

They say, "Surrealism is over."

Idiots.

But that all changed

when you came to America, right?

Yes, they loved Dalí.

We were in Hollywood,

cameras go flash, flash.

They make Dalí like movie star.

But me?

They look through me.

Like I am not there.

They say to each other,

"Why does Dalí have old wife?

- And Dalí?

- Ah.

Dalí love Hollywood.

Like a child, of course.

This man, um...

...uh, with stupid

cartoon mouse...

Uh, Walt Disney?

Disney. He wants Dalí

to make a film for him.

He does no painting there.

Nothing.

Nothing for me to do

but squeeze his orange juice.

Hmm.

Gracias.

Dalí!

San Sebastian.

Welcome.

You bring my Gala to me.

I am forever grateful.

Behold, La Emporda!

This sacred land that feeds me.

Nothing changes.

They fix their nets

as they did forty years ago.

I feel like

I'm in one of your paintings.

This place

is of tremendous importance

to me and Gala.

Here is where we fused together

and became one.

Gala was a married woman

and a Russian.

My father threw me out.

We came here.

We lived

in a fisherman's cottage.

We work, we ate, we slept,

all in one room.

One night,

we were invited to the cinema,

but I was tired,

so I stayed home to paint.

I knew this landscape

would be the setting

for some spectacular idea.

Sit, please.

Everything's ready.

- We do this now?

- Oui, oui.

I don't know. Something

about signing that way

feels a little unusual.

What in the world of Dalí

and Gala is not unusual?

Yes, but...

It isn't practical

to sign after the prints

are made far away in France.

So, it's okay to sign the paper

before the prints are made?

As you see.

How do you know

they're printing

what they're supposed to?

Why would anyone print

anything other than a Dalí?

He's the most famous

living artist in the world.

- James.

- Hey!

- Good trip?

- Not too bad.

So, Jeff is at Púbol?

- Yeah.

- That's why Gala was pleading

to get me here.

Keep Dalí company,

so she can be with Fenholt.

You know, sometimes

I think Gala and Dalí don't like

to be around each other

because it reminds them

that they're old.

It's so difficult.

But tonight,

I think we'll have fun.

Dalí promised

to take us somewhere special.

Behold, San Sebastian...

The Cap de Creus!

Look there.

- This rock is in my painting.

- Uh-huh. Oh!

The Great Masturbator.

Oh, yes. I see it.

The Tramontana,

San Sebastian.

The wind is coming from Africa

down the mountains,

but we must be careful.

It can blow for days.

Make you mad.

What are you doing?

When I was a child,

and the Tramontana blew,

I'd go up on the roof,

and like this,

I conduct the wind!

Ah! Woah!

Dalí!

Oh, my God.

Am I bleeding?

No, no. Just a bruise, maybe.

We go to the doctor then,

to see.

No, Dalí. You are fine.

Just get your breath.

I wish Gala were here.

This is where she asked me

to kill her, you know?

I was very tempted

that day to throw her off.

Do you really think

Gala wanted you to kill her?

Even Dalí does not know

everything about Gala.

She's the secret

within my secret.

But that day,

I saw, in her heart,

the same madness as in mine.

I found my other half.

Hey, Captain?

Oh.

Sorry.

This is Sabater,

the new secretary.

Where's The Captain?

He's gone. He steals.

Sabater is also younger

and more intelligent.

What do you mean,

The Captain steals?

He's gone. This is all.

With the prints, it's a mess.

No proper controls.

Too many dealers,

unlimited limited editions.

Do you remember the...

the Carter Gallery in New York?

The place I went

to collect cash?

Well,

I suspect that most of his stock

is unauthorized reprints.

Photocopies of lithos

sold as originals.

When I was

at the Carter Gallery,

I convinced a woman

to buy some Dalí lithographs.

She spent 15,000 dollars.

You didn't know.

For that matter,

they may have been authentic.

But you don't believe that,

do you?

That was her inheritance.

God,

how did they let this happen?

Gala never keeps track

of the signed blank sheets.

Out of sight, out of mind.

Hamon in Paris.

He prints cheap copies too,

doesn't he?

Passes them off as lithographs.

I mean,

I try to keep some order,

but Gala's hunger

for cash is insatiable.

And what does Dalí know?

Dalí doesn't want to know.

He wants Gala

to look after everything.

He can't even pay

for a taxi on his own,

- you know that.

- And you brought me into this?

Well, you wanted the job.

They wanted the money.

It's a hungry market out there,

James.

A painting's never

just a painting.

Not anymore.

What did you think was going on?

Well, I suspected something,

but...

But you stayed.

I stayed.

Dalí's hemorrhaging money,

you know,

between their extravagances

and the money

that Gala spends on Fenholt.

Do you know that she gave him

one of Dalí's paintings,

a portrait of Gala,

worth a fortune?

And I hear that

he's just sold it at Sotheby's.

He sold it?

I gave Dalí 20 years of my life,

and when I was with him,

he made millions.

But now I fear that he's...

he's going to die poor.

Gala told me

you stole from Dalí.

Is that true?

Certainly not.

Hello?

Hi, Christoffe.

It's James.

James.

How are you?

I have to ask you a question.

Rest your weight there.

Hmm. Yes. Yes.

San Sebastian.

Dalí, I found something out

from Captain Moore.

Thought it was something

you should know.

Please.

He told me Gala gave a painting

of yours to Jeff Fenholt.

What? What painting?

A portrait you did of Gala.

It isn't true.

Captain Moore told you

this to hurt Dalí.

Gala would never give

Jesus Christ

one of my paintings.

It's true.

How do you know?

I know

because I called Christoffe.

You called New York?

Yes.

On my telephone?

He confirmed it with Sotheby's.

How dare you call long distance

on my bill?

I employ you

for weeks and months.

I allow you

to be in the presence of Dalí,

of genius.

I give you this opportunity,

and you piss on me,

waste my money

by calling long distance

without permission!

How many of these calls

did you make?

Just one.

I give you everything!

I am the master!

I am the teacher!

I give, and give, and give!

And you betray me

with your phone calls.

He was trying to protect you.

Protect Dalí?

Ridiculous!

And you, Amanda,

are you with him?

I always knew

you'd be a traitor in the end.

Dalí, there are bad things

going on around you.

In the sale of your work,

the prints.

All lies. You must apologize.

No.

- Apologize.

- No.

I'm just trying

to tell you the truth.

It was one painting.

Jeff needs money

for his music and his demos.

What is "demos"?

I don't care, he's nothing.

You,

everyone's kissing your feet,

running to your parties.

What do I do?

I bring you coffee,

I cut your toenails.

Jeff needs me.

I do need you, my Olivina.

This is insanity.

I do need you. I do.

You say this...

but Jeff is young.

He has all his future.

I help him to be great.

- And you have Amanda.

- Me?

I spend nothing on Amanda!

And here, like a school girl,

you throw my paintings at him,

and he just takes money,

money, money!

You're a jealous old man!

You have no gift for music.

You cannot play guitar

like Jeff.

Stop!

- Stop it!

- But you know

- how I love this painting.

- You've done others better.

Much better.

I never liked that painting.

Rosa!

Never again

will I see you in this life.

Ja... James?

They won't let me in to see him.

- But he loves you.

- Just fucking vanity.

He doesn't want anyone

to see him like this.

With his burns?

He thinks he's old and ugly.

He doesn't paint.

He barely eats.

Ever since Gala died,

it's like he's lost himself.

She died

three years ago in Portlligat.

She always said

she wanted to be buried

at her castle in Púbol.

But the local authorities

would only allow that

if she died there.

So, they dressed up her body

and drove her

back to her castle

as if she was still alive.

So, she was buried in Púbol.

Sorry, I have a train to catch.

I have a...

show in Paris.

That's right. I heard.

You're a pop star now.

And you?

I have my own gallery

in the East Village.

It's small, but I love it.

After all

that happened with Dalí,

you still want

to work with artists?

Maybe I'm a masochist.

I guess I found my perversion.

Dalí would be proud.

No, this is not possible.

Please. I... I used to work

for Dalí. If you would give him

- my name...

- I'm sorry, no.

You don't understand

how important this is to me.

Dalí.

It's James.

James Linton.

I wanted to give you something.

San Sebastian.

I took this,

but it's yours.

It's your name.

You should have it back.

So, there. You're lucky,

you have seen Dalí.

He remembered me.

Oh.

He said, "San Sebastian."

That was his name for me.

This was a name Dalí used

for many young men

over the years.

I've known at least three

San Sebastians myself.

Perhaps he remembered you.

Gracias.