Creep (2004) - full transcript

(light unsettling music)

(light unsettling music continues)

(light unsettling music continues)

(light unsettling music intensifies)

(woman sobbing)
(blood squelching)

(woman gasping)

(woman yelling)

(woman grunting)

(woman panting)

(train brakes screeching)

(electricity buzzes)



(water dripping)

- [George] Is it me

or is the smell getting worse down there?

- [Arthur] I told you before,

it changes from one area to the next.

This is actually the fresh part.

- Fresh?
- Mm.

- [George] It's like,

how many different ways can shit stink?

- [Arthur] It depends
which area you're in.

If you're in the sewers under Chinatown,

there's a strange kind of
seafood smell to it all.

Whereas in Soho, you've got-

- [George] Whoa, whoa,
whoa. Stop right there.



This ain't the fucking Discovery Channel.

I only need to know the basics, man.

- [Arthur] I'm just trying to educate you.

- [George] Trust me,

there's nothing I wanna know about shit.

- Now, this is the kind of
thing we're on the look for.

You see, if this ain't cleared,

the people upstairs are
gonna be trading turds

through their kitchen sinks.

- [George] What is it?

- It's shit.

Uh, tampons, condoms,

pretty much anything
that'll fit down a toilet.

And since you're the new boy-

- Yeah, yeah, yeah, all
right, all right, all right.

I've got it.

I swear to God, man, if it
wasn't for my little girl

I'd tell 'em to shove
the parole up their arse.

(waste gushes)
(George yells)

(Arthur laughs)

Motherfucker!
(Arthur snorts)

What are you laughing at, man?

I could catch the plague or something.

- [Arthur] You just might.
(creature screeches)

- [George] What was that?

What was that?

- It's just echoes.

- Echoes? From what, the zoo?

(Arthur mimics creature screeching)

- [George] Very funny.

- [Arthur] So what did
you get sent to prison for

in the first place?

- [George] What?

- [Arthur] I said, "What
did you get sent down for?"

- A fucking travesty, that's what.

I mean, I get sent down for dealing weed

and that shit's legal now.

If I got busted now for
what I had on me then,

they would have thrown it
down the drain and not me.

- [Arthur] Oh, you're a drug dealer.

Chap I had last week was a pimp.

(unsettling music)

(footsteps sloshing)

- [George] Now what?

- I don't know.

- What do you mean you don't know?

- I don't know.

Only, I haven't been down
this tunnel for about a year,

but this wasn't here.

I'd have reported it.

This is amazing.

- [George] Am I missing something here?

- [Arthur] I've got a new tunnel.

- [George] So?

- So, I've been walking
these tunnels for 20 years

and now I've got a new one.

- [George] Well, if that's what
does it for you, I'm scared.

- Let's take a look.

- [George] I ain't going down
there! That shit's too deep.

- What's the matter with you?

- I can't swim.

And I don't share your
interest in pipes and tunnels.

- All right. You stay there.

- Yeah. You go for it,
Sherlock. (chuckles)

(unsettling music)

(water trickles)

(footsteps slosh)

(suspenseful music)

Arthur?

Are you okay, Arthur?

You'd better not be fucking with me.

Shit.
(unsettling music)

(footsteps sloshing)

Arthur?

(something splashes)

Oh, yeah.

Okay, I get it, I get it.

Forgive me-
(woman screaming)

(unsettling music intensifies)

(dramatic music)

(unsettling music)
Arthur!

Arthur!

Arthur, mate. Arthur.

What d'you see?

(footsteps slap)

(woman whimpers)

(woman screams)
(intense rock music)

♪ Madder, madder, madder ♪

♪ This one day bam bam bam ♪

♪ Bammer, bammer, bammer ♪

♪ Don't make you feel like ♪

♪ Madder, madder, madder ♪
- Have you seen Jemma?

♪ This one day bam bam bam ♪

♪ Bammer, slammer, bammer ♪
- Fine. How are you, Kate?

♪ This want to make you feel ♪

♪ Madder, madder, madder ♪

♪ Is one day bam, bam, bam ♪

♪ Bammer, bammer, bammer ♪

♪ Don't make you feel like ♪

♪ If I ever needed inspiration ♪

♪ Right about here's ♪
where I lose my patience ♪

- Hi, Kate.
- Hi.

- Hey.
- Hey, boys.

Have you seen Jemma?

- Yeah, yeah, I have.

She's in the back office.

- Now, why did I have a
feeling you would know?

- Because you have a lot
of feelings for me, Kate.

- No, I have two. Pity and disgust.

- Well I hope you remember that

when you're trying to score later.

- What do you mean, I have to
flirt with you to get a line?

- Just a few compliments maybe.

- Guy, I'd rather sniff glue.

- Where are you going after this, Kate?

- Why, what are you doing?

- I haven't made up my mind yet.

- Well, why don't you make
a list of possibilities

so I know where to avoid?

- She'll be back.

- Yeah. Looks like you
nailed that one, mate.

♪ Do it now, do it now ♪

- Oh my God.That dress is amazing.

- Hi.

- Where's the party and
why aren't I invited?

- Jemma and I are on a
secret mission tonight.

- Go on.

- Two words. George Clooney.

- What, he's in town?

- Yep. And I know where
he's hanging out tonight.

- Are you gonna try to pull him?

- My God, no, I'm just
gonna ask for his autograph.

What do you think?

- So, what are you gonna say?

- I don't know yet. I haven't
got that far with the plan.

But, you know what? In
the end, he's a man.

Men are simple creatures.

Watch this.

Guy!

See? So simple.

- Hey Karen, Kate's gonna
shag George Clooney.

- Whoa, whoa, whoa, whoa, whoa.

I know where he's hanging out tonight

and Jemma has tickets to the VIP lounge

and, you know, hopefully
nature's gonna run its course.

- But Jemma's already left.

- What are you talking about?

- I put her in a cab.

- Don't joke.

- [Karen] Swear to God.

- Kate, please. Tell
me you're still going.

♪ Do it now, do it now ♪

♪ To make you feel one ♪

♪ Madder, madder, madder ♪

- Taxi!
(horns blare)

Taxi!

- Spare us some change, please?

- This machine dispenses notes.

If you're looking for change,

why don't you hang round a phone box?

- [Announcer] The Northern
Line between Charing Cross

and Golders Green, and between
Euston and East Finchley,

in both directions.

- It's exact money only.
It's not giving change.

You'll have to go to the booth.

- Er, do you have any change?

I don't care if it's the correct
amount. I'm in a real rush.

- No, I'm sorry. You'll
have to go to the booth.

- Are you enjoying this?

- I just want to get to the machine.

- Excuse me, do you need a Travelcard?

- Yes, I do. How much?

- [Mandy] Pound fifty.

- I'll give you 20.

- [Mandy] Are you serious?

- Absolutely, 100%.

- It's illegal to buy off tramps anyway.

- Thanks very much.

(escalators squeaking)

(metal bench clangs)

(soft ethereal music)

(soft ethereal music continues)

(footsteps padding)

- Hello?

(gate rattles)

Hello? Hello!

(phone buttons beep)

Scheisse.

Hello?

Hello?

(train clatters)

(train screeches)

(train brakes screech)

(fluorescent bulbs buzzing)

Hello?

Hello?

(unsettling music)

Anybody in there?

Hello?

Hello?

Excuse me. I fell asleep on the platform.

Don't you check them before you lock up?

Huh?

I mean, it's a little weird to me.

There's nobody in charge here?

Excuse me, do you mind answering me?

You're starting to freak me out.

Well, fine. My boyfriend's up the front.

I'll just go get him.

(Kate yelps)

- Kate, it's me. It's Guy.

- Guy? You scared me to death.

- I'm sorry. I was just
playing with you, that's all.

- Hang on, what are you doing here?

- What do you mean, what am I doing here?

This is what you wanted.

- [Kate] What?

- Come on. You wanted me to come tonight.

- What are you talking about?

- You know exactly what I'm talking about.

- Guy, you're mentally
ill, do you know that?

Freak.

- Kate, where are you going?

- [Kate] Out of here.

- Good luck.

- Now, what's that supposed to mean?

- I think we might be here
'til morning, that's all.

- No. You might, we won't.

- You could always look
on the bright side.

- [Kate] How much of that have you had?

- Not much. There's plenty left.

(sniffs) Want some?

- No, I don't.

Hello?

Did you kill the driver?

- I don't think any
knight in shining armor's

gonna come and rescue you, Kate.

Now, what say you take that dress off?

- What did you just say?

- [Guy] Come on, you heard me.

- Yeah, I did hear you but
I'm going to forget about

what you just said because
you're not thinking straight.

- I am thinking straight. It's
you that's confused, Kate.

- [Kate] Whoa, whoa! What are you doing?

- I'm just breaking the ice.

Come on. Admit that you want my dick.

- You're joking, right?

- [Guy] But you like it, don't you?

- I don't know what to say. (laughs)

Uh, it's like a penis, just smaller.

(Kate yelps)

Guy, what are you-
- Don't fuck with me.

- What are you doing? (yelps)

Get off me!

- [Guy] You fucking bitch!

- Ah, damn it!

(Guy grunts)

(Kate yelps)

Guy! Ah!

- [Guy] No, no, no. Ah!

No!

(Kate pants)

(footsteps patter)

- Guy?

Guy?

(dramatic music)

- [Guy] Run.

- [Kate] What?

(dramatic suspenseful music)

(Kate panting)

(electricity buzzing)

(unsettling music)

(dramatic music)

(suspenseful unsettling music)

(suspenseful unsettling music continues)

Come on. No.

(dramatic music)

(gate clatters)

Hello! I'm trapped in here!

Hello? Hello.

(Kate panting)
(fluorescent bulbs buzzing)

(unsettling music)

(metal creaks)

(Kate gasps)

(dog barks)
(Kate gasps)

Oh, I know you. Hi.

Oh, wait. Wait a second!

Wait, wait.

(metal creaks)

(unsettling music)

Hello?

(lighter clicks)

Hello?

(suspenseful music)

Hello?

Hello?
(Jimmy yells)

- [Jimmy] Who's there?

- [Mandy] Jimmy, what's going on?

- I'm sorry.
- Who is it?

- Turn the fucking light on.

- I'm sorry. I'm stuck down here.

- [Mandy] Who is it, Jim?

- I'm the girl that gave you 20 pounds

for the Travelcard, remember?

- What, do you want your
money back or something?

- Oh, no, no. No, no, no, no.

I'm stuck down here. I got locked in.

Someone's chasing me.

- She's fucked. You'll not
get any sense out of her.

You'll be lucky to get
any sense out of me.

- Look, someone's been attacked, okay?

- What are you going on about?

- I got stuck on a train with
this guy from work, right?

And he was attacking me.

- What, the guy from work?

- Yeah, he went crazy and he, he was,

he was trying to rape me and
then the train doors opened

and someone got him.

- What do you mean they got him?

- Pulled him off me!

And I don't know, look-

- Hey, hey, all right, all right.

What's your name?

- Kate.

- Kate. All right, Kate.

Well, look, I'm Jimmy, right?

My wee beautiful wee
lady here, this is Mandy.

Have you got a cigarette?

- Yeah, but-

- No, no, nay buts, all right.

Let's just have a cigarette, all right?

Have a seat.
- Okay. I'll have a seat.

Okay.

(lighter clicks)
(Kate sighs)

- First off, you can't
get out of here at night.

- What?
- It's true.

Once you're in, you're in.
It's totally locked up.

- But isn't there a guard?

- There's one that works the control room,

but we're not messing with him.

- What do you mean? Why not?

- 'Cause he don't mess with us.

- Don't you listen?
There's a maniac out there.

- Nah, you don't know that.

It sounds to me like some
vigilante train driver's

got a wee bit carried away.

The way I see it, you
should be thanking the man,

not running away from him.

- Oh no, no, no, no, no,
no. You have no idea.

You didn't see what he did to Guy.

- The rapist?

- [Mandy] You got a fag, Jim?

- I'm telling you, something
is not right down here.

- There's a lot of things not
right down here, sweetheart.

- [Mandy] Can I have a fag, Jim?

- You've got one in your fingers, babe.

Now, if you don't mind I
wanna get good and messy

with my wee lady here.

You're welcome to stay if
you'll not mind my habit.

- So, uh, you're just gonna do nothing?

- Well, I wouldn't say that.

Here, move.

That's sleeping bag's
not as damp as it looks.

You can sit there.

- All right, okay.

I'm gonna pay you, all right?

I'm gonna pay you if you get
me to the control room, okay?

- I've already told you,
we're not messing with him.

How much?

- Uh, 50 pounds?

- Well, uh, you know...

I guess rules are made to be broken, eh?

- [Kate] Thank you.

- Babe. Mandy.

Gonna go and help the wee lady here.

- Who?

- I'm gonna help our friend Kate, here.

I'm gonna take her to see the guard.

- Do you fancy her?

- No, I fancy you.

So, what are you, French?

- [Kate] No, I'm German.

- [Jimmy] German?

I support Germany when they're playing

against England at football.

Come to think of it,

I support anyone who's playing
against England at football.

- [Kate] How much further to the guard?

- [Jimmy] Oh, it's quite a way yet.

This place is a rabbit warren.

Do you know, there's 400
miles of track down here?

Plus loads more that ain't in use.

- Really?

- Aye, really.

(unsettling music)

(metal creaks)

(suspenseful music)

- Jim?

- I think I might know what
happened to your friend.

- [Kate] What?

- Well, a while back, some
homeless people went missing.

- What do you mean missing?

- Disappearing.

There was these rumors that something

was creeping up on them
at night and taking them.

- Are you joking?

- Course I'm fucking joking.

Homeless people don't go missing.

Homeless people are missing.

- Jim?
(suspenseful music)

(something clatters)

Jim?

(dramatic music)

Shit.

Ray!
(dog barks)

Ray, come here!

(rat squeaks)
(dog snarls)

Ray, come here!

(suspenseful music builds)
(rats squeak)

(Mandy screams)

(electricity buzzes)

- I've been trying to get
me and Mandy in a hostel

'cause the weather's getting cold.

But the housing man, he's
not been round for months.

But he can't get in touch
with me on the phone

'cause I've not got a phone.

We were gonna stay at my mate Tommy's,

but he got busted, he
got done for dealing.

- Okay listen, sweetie. I'm sorry.

I really don't mean to be rude,

but I don't care about your
lifetime story right now, okay?

We have to get to the security
guard as soon as possible.

- You're a cheeky fucking
bitch. Do you know that?

- [Guy] Kate.

- Guy? Oh, my God, it's Guy.

(Guy coughs)

We're just gonna get help.

We'll be right back, okay?

- [Jimmy] What are you looking at me for?

- I don't know. Can't we
just get him off the rails?

- He tried to rape you. Let him rot.

- [Guy] Please, help me.

- Fuck off.

- Okay, listen. Listen.

Will another 50 do it, huh?

- You're lucky she's a
soft touch, you know.

If you tried to do that to my girl,

I'd cut your fucking balls off.

Fucking hell.
(suspenseful music)

All right, put your arms around my neck.

(Jimmy groans)
Fuck!

- Jimmy, is that your dog?

- Mandy?

- Jimmy? We should stay together!

Oh, Guy.

(Guy whimpers)

Who did this to you?

- I'm sorry, Kate. I'm sorry.

- Mandy!

(suspenseful music)

Mandy!

Where is she?

(Jimmy yells)

Mandy!

Mandy!

Fuck!

(Jimmy pants)

- Guy, listen.

I'm gonna go and get Jimmy, okay?

And then I'm gonna go and
get the security guard

and then we'll get out of here, okay?

Just stay here. You'll be fine.

You'll be fine.

Just stay awake and you'll be fine.

- [Guy] Kate.

- You'll be fine. You will...

(electricity buzzing)

(intercom buzzes)

(classical music)

(intercom buzzing)

- Hello?

- Hello?

- [Security Supervisor] Who is that?

- Hello. Are you the security guard?

- [Security Supervisor] I'm
the security supervisor.

Now who are you?

- Um well, I got locked in here and...

Look, you have to help me.

Somebody's really badly hurt
down here and he's dying.

- Are you part of the homeless crowd?

- What? No, no.

Well, yes, but no.

- [Security Supervisor] Well, which is it?

- [Kate] What difference does it make?

Call an ambulance!

- [Security Supervisor]
Where is this person?

I don't see him.

- Where are you?

Uh, is that you? Well, he's down here.

- [Security Supervisor]
Well, you'll have to

pull him into view.

- Are you kidding me?

Just call an ambulance for God's sake.

- I'm not calling anyone
until I've established

exactly what it is I'm dealing with here.

For all I know there could
be a gang of crackheads

down there with you.

- Do I look like a crackhead to you? Huh?

- It's hard to tell.

I'm watching you on a
black-and-white monitor

in a long shot.

- [Kate] Listen, just
call a fucking ambulance.

The guy's bleeding to death.

- And as soon as you confirm that, I will.

- [Kate] Asshole.

- I heard that.
- Well, good.

I'm going to get him, okay?

Okay, Guy. I'm sorry.

I'm gonna have to move you one more time.

You'll be fine, okay?

Guy? What are you...

Guy?

Guy?

Okay, okay, okay, okay.

Into shot so the fucker can see you.

Look, asshole! Is this enough?

He's dead!

Now get me out of here!

- Okay, uh, wait there.

Get off!

Go on, get out you filthy...
(suspenseful music)

Shoo! Get away.

(dramatic music)

(Security Supervisor gargles)

(blood trickles)

(classical music)

- Oh, fuck.

(dramatic music)

(suspenseful music)

(dramatic music)

Jimmy.

(suspenseful music)

Jimmy. Where's Mandy?

Did he get Mandy?

The security guard's
killed and Guy's dead.

We have to leave right now.

Jimmy. (pants)

Oh no. No!

Listen, can you hear me?

Can you hear me?

I'm making it very simple for you, okay?

If, if I go through the next
tunnel to the next station,

is there gonna be another guard?

Huh? Answer me, please.

Fuck you, I'll do it by myself.

- Are you finished?

There's a torch over there.

You'll need a pair of boots.

(suspenseful music)
(rat squeaks)

(creature growls)

(electricity buzzing)

- Jimmy.

How far is it to the next station? Huh?

Jimmy, how far is it?

- Uh, dunno.

- What about the live track?

- Uh, you'll be all
right if you don't touch

that one, that one.

- Wai-wait. Whi-which one?

- Um, don't touch any of them.

- Ah, okay. Wait!

Wait.

(unsettling music)

- I was gonna take her home.

I was gonna take her back to Scotland

and get her off the gear.

I was gonna let my mam look after her.

But I didn't.

(metal creaks)

- What was that? Jimmy, what was that?

(suspenseful music)
- A train.

- Don't joke.

- Don't joke on railway lines.

- Come on then. Shit!

(train brakes screeching)

It's stopping. It's stopping!

What if it's him?

- [Jimmy] It'll just be a driver.

- We don't know that, do we?

- What are you going on about?
They drive trains all night.

They have to stop if they
see someone on the line.

Kate, are you not listening?

The driver's gonna get us out of here.

- No, I'm not listening to you

'cause you're not thinking straight.

You're fucked out of your head.

We have to assume it's
him, do you understand?

Maybe you're right, but we have to assume.

Look, there's a passageway
back here. Let's go.

Do you think whosever driving
the train killed Mandy?

- I don't know, but I really
don't wanna stay and find out.

- I think I do.

- [Kate] No, come on.
(metal clatters)

Seriously. Come on!

- You don't understand. I wanna meet him.

- Don't be stupid. Come with me.

- Look, if it's the driver,
I'll call for you, all right?

If it's not, I won't.

- No, I'm not leaving you here.

- That's exactly what you're gonna do.

Take Ray and go. Go!

- Okay, okay. Fine, okay.

(Kate panting)

(water trickling)

- [Jimmy] Here I am!

Where are you, you fucker?

(suspenseful music)

(roof bangs)

(creature screeches)
Come on, you fuck!

(Jimmy yells)
Fucking come on!

Mate. Mate?

- [Kate] Jimmy. Jimmy!

(Jimmy yells)
(metal clangs)

(flesh squelches)

(Kate screams)

(body thuds)

(Kate panting)

(water gushing)

(Kate yelps)

(water splashes)

(Kate gasps)

(unsettling music)

Ah.

(dramatic music)
(Kate yells)

(Kate panting)
(electricity buzzing)

(suspenseful music)

Hello?

(dramatic music)

(metal bangs)

(footsteps padding)

(creature shrieks)

(Kate yelps)

(footsteps pad)
(Kate panting)

(torch clicks)

(torch clicks)

(Kate screams)
(dramatic music)

(metal creaks)
(unsettling music)

(water dripping)

(chain rattles)

(metal gate creaks)

(flesh squelching)

(tool clangs)

(bones click)

(suspenseful music)

(creature shrieks)

(rat crunches)

(creature shrieks)

(water trickles)

(metal tool scrapes)

(electricity buzzing)
(water trickling)

(water splashes)

- Get that thing away from me.

I ain't dead.

(spear slices)

(body splashes)

(body thuds)
(metal clatters)

(creature grunts)

(unsettling music)

(Kate coughs)

(Kate gasps)

(water splashes)

I thought you was dead
when he brought you in.

Look, are you injured?

- No I don't think so.

- [George] Well, check yourself.

- I think I'm all right.

What is this place?

- The sewage system.

(Kate coughs)

(Kate gasps)

- What's your name?
- George.

- George, really? (laughs)

- What's so funny?

- I, I was supposed to
meet a George tonight.

This is not quite what I had in mind.

(metal clangs)
(dramatic music)

(water gushes)

(unsettling music)

(girl screams)

What was that? Huh?

- [George] Ignore it.

- What do you mean ignore it?

Has the girl been here? Huh?

- [George] I dunno.

(suspenseful music)
(George yells)

- What? What?

- [George] There's something in here.

Something just touched my leg.
There's something in here!

- What is it?

- It's just some blockage from the pipe.

- How'd it get in your cage?

- How should I know?

- Maybe it floated underneath.

- So?

- Maybe the bars in between the
cages don't touch the floor.

- So?

- So maybe we can swim underneath,

pull ourselves out, and get out.

You see, over there there's an open cage.

Swim through, haul yourself
out, then open mine.

- I can't.

- What?
- I can't swim.

- You don't need to swim. Just
pull yourself under, okay?

- I can't do that either.
- Are you kidding me?

- No, I can't hold my breath underwater.

- Listen, you better learn now,

'cause if you don't, the
only way you're gonna get out

is if he pulls you out.

- Sorry.

This ain't no time for swimming
lessons, all right, lady?

(Kate gasps)

(Kate gasps)

- Just one more cage. Go on.

(suspenseful music)

(tool slices)

(suspenseful music intensifies)

(water splashes)
(George yells)

(shoe thuds)
(creature yelps)

(George groans)

- Come on, come on.

(cages rattle)

(rats squeaking)

(Kate and George panting)

(wood clatters)

- [George] Go on.

(creature screeches)

- Come on, come on.

- Here, take this.

(suspenseful music)

(dramatic music)

(Kate panting)
(electricity buzzes)

What is this place?

(tools clatter)

(toy clanging)

- [Kate] That's Mandy.

- You know her?

- Yeah.

Do you think she's alive?

(unsettling music)
- What?

- Could you-
- No.

- [Kate] Can you please
check if she's breathing?

- Look at her.

- Please. Please check.

(unsettling music)

- Are you okay?

(somber unsettling music)

She's dead.

(Kate sobs)

Come on, come on, come on.

Ssh, ssh, ssh.

- (sobs) It's my fault!

- Listen, listen.
- I paid Jimmy

to come with me.
- It's no one's fault.

- All we've got to think
about getting out of here.

- He would have protected
her. She would not be dead.

- Listen, listen, I've got a daughter.

And I really wanna see her again.

All right? Ssh.

Listen we're gonna get out, okay?

Yeah? Come on.

(Mandy rasps)

- Please.

(electricity buzzing)

(fluorescent light clinking)

- Hang on. Give me a torch.

There's a tunnel behind this wall.

(metal door clangs)

The bricks are loose. Give me a hand.

- Fuck the bricks. Move, move,
move, move, move, move, move.

(George grunts)
(bricks clatter)

- Yeah, okay, okay. I'm sorry.

Hang on, hang on, hang on.

(creature chuckles)

- Quick! Quick, quick, move, move!

(metal clatters)

(Kate pants)

(creature shrieks)

(creature shrieks)

(Mandy sobbing)

(creature sighs)

- Please. Please.

(light creaks)

Jimmy! Jimmy!

Jimmy. Jimmy.

No, please no.

Please, please don't hurt me.

I'll do anything you want.

Please.

I'll do anything.

Please.

Please, no.

If you let me go, I won't
tell anyone, I promise.

Please don't hurt me.

No, no.

(creature blows)

No.

Jimmy!
(rubber gloves squeak)

Jimmy.

Jimmy.

Jimmy!

Jimmy.

(unsettling music)

(equipment clatters)

(somber unsettling music)

(equipment clatters)

(blade scrapes)

No! (sobs)

(suspenseful music)

Please.

Please.

(Flesh squelches)
(Mandy screams)

- What was that?

Was Mandy still alive? Huh?

- No, she wasn't.

- Wait! Was she alive?

- No! And I ain't going
back there to find out!

(footsteps pad)

(flesh squelching)
(blade sawing)

(creature pants)

(tools clatter)

(babies crying)

(Kate panting)

(metal gate clangs)

(metal clatters)

(unsettling music)

- [Kate] What do you see?

- [George] A dog in a birdcage.

(electricity buzzing)

- Ray.

Are you okay? Come on.

Look at this.

(something thuds)

(suspenseful music)

(dog snarls)

What was that?

(weapon thuds)
(dog yelps)

(glass smashes)

- Where are you? Huh?

Where are you, man? Come on!

Show yourself!

- [Kate] Stop it, George! Stop it!

- I can't take this shit no more.

- Calm down, calm down.

(George yells)
(glass smashes)

What are you doing?

- [George] Where are you hiding?

(tool clatters)
(George sobs)

Fuck.

I can't take this shit no more, man.

- You know what? I'd say let's
get the fuck out of here.

- All right, okay.

Can't take this shit any more.
(dramatic music)

(Kate screams)

(George yells)

(fist thuds)

Ain't so clever now,
are you, motherfucker?

- Wait, wait, wait.

You stand aside, I'll get
him with this. I'll kill him.

- Please. Please don't hurt me.

I'll do anything you want.

- [George] Kill it, Kate!

- If you let me go, I won't
tell anyone, I promise.

Jimmy, Jimmy,

Jimmy, Jimmy.

(Kate yells)

(George screams)

(dramatic music)

(George grunts)

(flesh squelches)

(Kate yelling)

(Kate panting)

(suspenseful music)

(train clatters)

(fist thuds)
(Kate yelps)

(Kate groans)

(creature screeches)

(Kate panting)

(dramatic music)

(Kate yelping)

(suspenseful music)

(Kate yells)

(creature growls)

(Kate grunts)

(Kate whimpers)

- Craig.

Is that your fucking name?

(Kate yelps)

(creature groans)

- Craig, Craig, Craig.

(chain clinks)
(Kate grunts)

(creature shrieks)

(suspenseful music)

(chain rattling)
(creature grunts)

(creature shrieking)

(Kate panting)

(Kate grunts)

(creature shrieks)

(suspenseful music builds)

(Kate grunts)
(chain clatters)

(creature shrieks)

(Kate grunting)
(chain rattling)

(creature gasps)

(train rumbles)

(Kate yelps)

No!

(flesh squelches)

(creature shrieks)

(creature coughs)

(creature shrieks)

(body thuds)

(creature groaning)

(creature yelps)

(somber unsettling music)

(creature rasps)

(somber music)

(footsteps padding)

(electricity buzzing)

(footsteps patter)

(coins clink)

(Kate chuckles)

(Kate sobbing)

(dramatic techno music)

(dramatic techno music continues)

(dramatic techno music continues)

(dramatic techno music continues)

(funky techno music)

(dramatic techno music)

(dramatic techno music continues)

(unsettling music)