Bridge to Nowhere (1986) - full transcript
Kids on an outing in the forest come up against a mysterious hermit who lives on the other side of a bridge, and he is definitely not happy to see them.
(wind blowing)
(subdued music)
- I'm not gonna go at
all if he has to come.
- I'm sick and tired
of repeating myself.
- You don't give me a chance.
- You will not go on this trip
unless you go with your brother.
Now there's nothing wrong
with Carl going with you.
- I don't have to take him!
- [Woman] Look, I'm sick
of arguing with you.
Good grief, you're
only 17 years old.
- Only 17?
Oh, that's wonderful, isn't it?
You know how many times
I've brought this moron?
- You get to do
a lot more things
than I ever did at your age.
- [Girl] Bloody only 17.
- Don't be so cheeky.
I will not be spoken to.
- Look, I don't
want to go, okay?
- Julie doesn't have to take
her little sister
along with her.
- Mom.
Mom.
You awake?
Mom, I have to go now.
I have to go.
- Have you got everything?
- Yeah.
- You look great.
Give us a kiss.
Take care, darling.
Have fun.
- [Girl] Yeah.
- [Boy] I'm off, Dad!
- Hold it.
Turn around.
Right round.
Stand up straight.
Off you go.
- Bye, Dad.
- Bye.
Have a nice time, son.
- He'll ruin the whole weekend!
- What the hell's going on here?
- Dad, I don't have to
take that pain, do I?
- Would you please
back me up on this?
- [Girl] Dad.
- Tanya, shut up.
Carl, get dressed.
You're going.
(uptempo music)
♪ Lights go from red to green
♪ Forget where you have been
♪ Change of clothes
and change of mind ♪
♪ You got nothing to lose
♪ Never know what
you might find ♪
♪ Nothing is
standing in the way ♪
♪ Clear your head,
you're living for today ♪
♪ Yesterday is dead and gone
♪ Tomorrow's a dream,
but today it's on ♪
♪ Let's go rocking
on the razor's edge ♪
♪ Let's go dancing
on the razor's edge ♪
♪ Come with me, I'll
take you for a ride ♪
♪ I've got high
expectations, no compromise ♪
♪ So high, I can
really get higher ♪
♪ Like the phoenix
rises from the fire ♪
♪ The day is long, the
nights are longer ♪
♪ At the end of the day
♪ Where we see which
one's the stronger ♪
♪ Let's go rocking
on the razor's edge ♪
(boy laughing)
♪ Let's go dancing
on the razor's edge ♪
(girl screaming)
♪ Come with me, I'll
take you for a ride ♪
♪ I've got high
expectations, no compromise ♪
- All right.
Woo-hoo!
- Woo, woo, woo!
- [Boy] All right, civilization.
- [Boy] Not tonight, boys.
(cows mooing)
(dogs barking)
(man yelling)
- Okay, let's get some
bearing around here.
- [Man] Finish, dog.
Speak up.
- G'day.
Do you know where the
Bridge to Nowhere is?
- Yeah.
- Where?
- Over there.
There's a track.
It's two-days walk, though.
- Oh, yeah?
Do you live around here?
- Yeah.
Over there.
- [Boy] I might see
you around then.
(dogs barking)
- Go on, Lise.
Go on home.
- [Lise] I've gotta go now.
- See you, Rocky.
Come on.
(dogs barking)
- Hey, Lise!
I'll see you around!
- [Man] Come on, dogs.
Come on.
- [Boy] All right, you guys.
Let's go.
Come on.
- Hey, catch this, mate.
- All right!
- Hey, watch out!
- Right here at this ranch.
- Woo-hoo!
All right!
(chattering)
Hey, Tanya, can I
borrow your top?
- [Boy] Get it up,
get it up, get it up!
(gun firing)
(chuckles)
- Gee, wish I
could be that cool.
(glass shatters)
- [Man] Go.
Come on.
(girl laughing)
- [Girl] Shake
those tail feathers.
- [Boy] Hey, check
out these happy feet.
These happy feet.
(uptempo music on radio)
Gotta keep bouncing, gang.
(girl laughs)
- [Girl] Check out my moves.
- [Boy] Hey.
Hey, what's the matter, Carl?
Got two left feet?
(people laughing)
(chattering in the distance)
- [Boy] All right!
Come on.
Beautiful.
- [Boy] That's cold!
Come on in!
- All right, woo!
- [Boy] Hurry up.
This is great.
It's great.
- [Tanya] Come on, Jules.
(imitating monkeys)
- Hurry up, Carl.
Hey, Carl.
Are you coming in?
- Uh, no.
I have to light a
fire or something.
- Carl!
- Hey, you guys!
Come on, come on in!
- [Boy] Hurry up!
- Jesus, Carl.
Don't be such a cunt.
Oh, Jesus, you lot.
For Christ's sake, come on.
- Hurry up, Julie.
- Come on, Julie.
- [Boy] Come on, let's go.
- [Boy] Don't worry
about that dork.
He couldn't swim in
a bath if he tried.
- Jesus.
(laughing)
- Ta.
- What do you write
in that thing?
- It's private.
Nobody's allowed
to look in here.
I write my secrets in here.
- Hmm.
- One day maybe I'll show
it to someone special,
but he'll have to
be very special
'cause my secrets are special.
- Like your little
secrets, don't you?
- They're mine.
- Hmm.
Is it a mouse?
(laughing)
- [Girl] Me expert
in origami arts.
(yelling)
- [Boy] Most honorable
death this way I feel.
- [Boy] You mind
if I sit with you?
- [Girl] Yeah, if you like.
- [Boy] Hey, take
it easy on Julie.
- Leon, don't give
me a hard time.
- I love you too, Gray.
Don't fight it, Marshall.
It's bigger than the both of us.
- Oh, Brad.
- Janet.
Oh, come on, now.
Cut it out, will ya?
- Story, story.
- No story, straight to bed.
- Julie.
- Yeah?
- Look, I know this is a
pretty funny situation.
- What do you mean?
- Leon's been trying to get
into Tanya for months, right?
And he's got us
along so he can...
I mean, we are expected to...
I just want you to know you
don't have to do anything.
What I mean is that...
Oh, shit.
Hello, I'm Gray.
- (laughs) Hi, I'm Julie.
- Leon, don't.
Okay.
- Hey, none of that.
(laughing)
Hey, do you want
to go for a walk?
- Why?
- Because I wanna look at
the natural environment
of the native birds of
nocturnal life of New Zealand.
(both laugh)
- Julie.
- [Julie] Yeah?
- Can I give you a kiss?
- [Julie] Yeah.
- Oh, come on.
- No, not tonight.
- Why not?
- Because.
- Is it the time of the month?
- No.
- Well, what's your problem?
- There's no problem.
I don't have to have
a problem to say no.
- Of course you don't have to
have a problem, but why not?
- I've got a choice, haven't I?
- Sure you've got a choice.
You've got heaps of choices.
- Well, good, good, good.
- Pick whichever one you want.
Great.
- Who wants to dance?
- Um, yeah, I do.
- Good one, Julie.
- Stick with Julie.
(uptempo music)
- [Lise] Mac, your turn.
Mac.
(plastic clatters)
- What happened?
- Took three of your men
and crowned one of mine.
- My turn?
- (laughs) You're too slow.
Don't worry.
They'll be gone soon.
(uptempo music)
- Hey, Carl.
Carl, mate.
Come and see.
Look what we found.
Put it away, hurry up.
It's amazing.
- Yeah, what is it?
- It's a skeleton.
A human skeleton.
- Bullshit.
- No bullshit, man.
Come and have a
look for yourself.
I reckon it's a
murder or something.
There's a big crack down
the middle of its forehead.
- [Carl] Yeah?
- Yeah, come on.
Could be a hundred
years old or so, man.
I mean, it could be the
Mary Walls or anything.
Mind you, it could
be recent, too.
Who knows.
An unsolved murder.
Christ.
Just around here.
(flatulating)
- Oh, yuck!
(laughing)
- Woo-hoo!
Ha-ha!
You like that, eh, boy?
Yeah, kiss my ass.
Eh, Carl?
- Pretty good, eh?
- Yeah, it reminded
me of your face, mate.
- Oh, did it, mate, eh?
Oh, eh?
You're quite a smart
lad, aren't ya, eh?
Hey?
Put one right through your ears.
Come on.
- Come on.
(Carl grunts)
- You're in the way here, mate.
You know that?
Your mommy and daddy
might want you here,
but I sure as hell don't.
Neither does your sister, mate.
You get the message?
- I think he's a little
deaf in one ear, Leon.
- Hey, you know
what causes that?
Seen the way he's been
looking at Julie Big Tits, eh?
- Fuck you!
- Hey, going for broke, eh?
- Why don't you
just leave me alone?
- We will leave you alone.
Eh, Gray?
- Yeah, we'll leave
you alone, mate.
- I'll tell you what.
You leave us alone,
we'll leave you alone.
Deal?
Deal, Carl?
- Deal.
- I knew you'd understand.
- [Gray] Good man.
- Hey.
You bathe for us tonight.
- Yeah.
(imitating spraying water)
♪ Lift your head up high
♪ Lift it to the sky
♪ Lift your head up high
(uptempo music)
♪ I'll be there the
same time to meet you ♪
♪ In the morning
- Choice, huh?
You know, this used
to be all farmland.
Now it's nowhere, just nowhere.
That's why they
built the bridge.
(laughs) Bridge to Nowhere.
(yelling)
- Shut up.
Think I can hear something.
- Let's go catch
up with the others.
- Get up!
Get up!
Get up!
(dogs barking)
Get away, Baxter!
Come on.
Gotcha, lazy little bugger.
Go dogs, go!
Get out of there, dogs!
Get here, dogs!
(laughing)
(speaking gibberish)
(laughing)
- Carl, why don't
you ever laugh?
- [Leon] Hey, you ever
seen a rhinoceros?
(grunting)
(imitating gunfire)
(laughs)
♪ It's no imagination
♪ They come from behind
- Meow.
♪ All the feelings are
for love and hate ♪
♪ Yet my mind knows
when to slow it down ♪
- Tell me what you're thinking.
♪ But you never
fail to fascinate ♪
(leaves rustling)
- I think I love you.
- [Gray] What is it?
♪ It's just fascination
(dogs barking)
- [Gray] Get out of here quick!
- [Tanya] Julie!
(yelling)
- Shit!
- Watch out!
Go!
- Leon, what are you doing?
- [Leon] Let's kill the bull!
- Don't!
- [Leon] Let's kill the bastard!
- Leon, put it down!
- [Gray] Cut it out!
- Woo-hoo!
(gun firing)
- [Tanya] Leon, don't!
- Let's have a
barbecue! (laughing)
(grunts)
- This isn't a
playground, sonny.
Now fuck off!
- [Leon] No!
- Mac!
- Shut up, Lise.
Want yourself a
bull, do you, boy?
Well, go catch one
with your bare hands
if you've got the balls.
And if one hair of
one dog is harmed,
I'll shove this peas
shooter right up your ass.
- I'm sorry, mister.
- You, take him home.
- Jesus.
Lise, your old man's crazy!
What the hell are
you staring at?
- Let's go home.
Please.
- I don't need any of your pity.
- Look, I'm not
pitying you, Leon.
Just forget about it.
It's all right, we'll go home.
- [Leon] Don't!
- Leon.
- We came to see the bridge.
Came to see the bridge, right?
Right?
- You did.
- Oh, great.
Well, I'm going
to see the bridge.
You coming, you guys?
Well, let's go see the bridge.
(tense music)
- [Gray] Hey, Leon.
Slow down.
- If you can't cut
it, you can stick it.
I'm going to the bridge.
- Oh, shit.
(bull mooing)
- [Mac] Shut up, bull.
(dogs barking)
(tense music)
- Well, there's your
Bridge to Fucking Nowhere.
Suppose he thinks
he owns that, too.
- [Tanya] Slow down, Leon!
- [Leon] What are
you, a bunch of wimps?
- [Gray] Hey, Leon.
Slow down.
- Come on, we've
gotta see the bridge.
Our route.
Well, where's the music, Gray?
This is what we
came for, isn't it?
Let's have some music.
Okay, we've made it.
We got here.
We've arrived.
The Bridge to Nowhere,
where nothing happens.
That's what you're
into, isn't it, Tanya?
Nothing happening?
Plenty of promises though, eh?
Nowhere, Tanya.
You know that place.
You like it?
I do.
Land of the wild man.
That's why you're
doing this, Tanya?
- Shut up, Leon.
- Well, stick that up
your ass, wild man.
♪ Let's go rocking
on the razor's edge ♪
♪ Let's go dancing
on the razor's edge ♪
♪ Come with me, I'll
take you for a ride ♪
♪ Let's go rocking
on the razor's edge ♪
♪ Let's go dancing
on the razor's edge ♪
(tense music)
- I want to get close to him,
but I just don't know how.
I just don't know what to do.
- [Julie] Do you want
me to talk to him?
- No, I've got to do it.
- What's the matter, Leon?
We've got a couple of
birds here, got a fire,
got some booze, we're
out in the bush.
Here we are just hanging around
like a couple of schmucks.
- You've gotta stop me.
- What?
- You've gotta stop me, mate.
- Leon, look, no one can
stop you when you get going.
You know that.
- It's going out
of control, man.
It's going crazy.
You've got to stop me.
- Hey, look, mate.
Why don't we just
have a good time, eh?
Have another drink and You'll
forget all about it, I bet ya.
- Okay, man.
Have a good time.
- Yeah, good time.
- Yeah, man.
Let's have a good time, eh?
- Yeah.
- You want a good time?
- Yeah.
- Yeah, then come on!
- [Gray] Hey, hey!
Stop it, stop!
- Hey!
- [Gray] Stop!
Stop it!
- Come on, everyone.
Do you want to have a party?
Party time.
Hey!
Hey, Tanya.
What's the matter with ya?
Huh?
Hey, Tanya.
I'm sorry.
I'm sorry.
Tanya, I'm sorry.
I'm sorry I've behaved like this
and it's upset you and
it's upset you, Julie.
I'm sorry that I've made
it hard for everyone
and just get on and
have a good time
and come to the bridge and
just enjoy it, you know?
I just want to...
Look, Tanya.
I just wanna be
away from everyone.
I don't mean that
rudely, you know?
I like you, Julie.
I just want to be
away from everyone.
Just you and I, okay?
Can we just go away
from everyone just
for a bit, you know?
- Okay.
- Will we?
- Okay, I want to have
a talk with you, Leon.
- Okay, come on.
Let's talk.
- Don't worry,
I'll be all right.
- Come on.
I want to talk to you, too.
I said I'm sorry.
I'm sorry, okay, Tanya?
I know I've gone over the top.
- [Tanya] It's fine.
- [Leon] No, come on.
Let's just get away from
the others a bit further.
- [Tanya] It's far enough.
I came here to talk
to you, all right?
Leon, listen to me.
- [Gray] Come on, then.
Let us have a party.
(uptempo music)
- Stop it!
Listen to me!
For once, listen.
Please.
Please, I think I love you.
Is that so terrible?
You don't have to be frightened.
Just be honest.
Just be you.
Look at me.
Look at me.
Just look at who I am.
I don't want to hurt you, Leon.
I just want you to love me.
Leon, just love me.
Just love me, please.
- No, I don't!
I don't know you!
I don't love you!
No, no, no, no, no!
I Know what you
want, bloody woman!
You're all the same!
You just want to make
it short, you bitch!
I'll show you what love is!
We're in love!
We're in love!
(Tanya crying)
(fabric rips)
- Julie!
Julie!
He tried to rape me.
- [Leon] Tanya!
- Don't you touch me!
- You bastard!
- I hate you!
- [Leon] You hate me, do ya?
- Hey, that's my sister, mate.
- Sister, is it?
- Hey, Leon.
Take it easy.
Take it easy.
Stop it, Leon.
- Stop it, eh?
What a mate you
turned out to be, eh?
You're just a joke, Gray.
Big-lipped dogs.
Bunch of girls.
- [Tanya] Go on, run away.
- [Leon] Well, fuck you, too.
- [Tanya] Don't come back.
- [Leon] Bitch!
(Tanya crying)
- Tanya, you all right?
- Just leave me alone!
- [Julie] Just leave
her alone, Gray.
- You're just the same!
(Tanya sobbing)
- Idiots, dogs.
You're a bunch of dogs!
Shit.
- I tried to talk to him, Julie.
He wouldn't listen.
- [Julie] Hey.
- Just threw me down
on the ground and.
- [Julie] It'll be all right.
- How could he tell me he loves
me and then turn around and?
- [Julie] I know.
- Why'd he have to
be so frightened?
- [Julie] It's okay.
- I shouldn't have done it.
I shouldn't have come.
We shouldn't have come, Julie.
- [Julie] No, it's
gonna be all right.
- Hey, is she all right?
- [Julie] Yeah, she'll be okay.
- Hey, don't worry
about it, sis.
He's not worth it.
- We can't just leave him here.
He'll get lost or something.
- Well, I hope he does.
- Leon!
Leon!
- Why'd you do that, mate?
Eh?
Why did I, man?
- [Gray] You're gonna
get lost out there, Leon!
- [Leon] You're a mug.
- [Gray] Come back, Leon!
Leon!
- [Tanya] Get lost, then!
- [Leon] Well, fuck
you too, you bitch.
- We don't have to have a
lousy time just because of him.
(soft jazz music)
Come on, Carl.
- You want to dance?
- Dance with me.
- Hey, let's dance.
(Tanya laughing)
(water sloshing)
- Mac.
Come here.
(chattering)
(Lise laughs)
(laughing)
Stop it.
Don't.
(Lise laughing)
Mac.
Mac, stop it.
Don't.
- [Mac] Come here.
(Lise laughs)
(board clatters)
Huh?
- No, Mac.
Don't, don't.
It's nothing.
Mac, don't!
Please, just leave him!
- [Leon] Aw, shit!
- [Mac] Got you now, pervert.
(grunting)
You bastard.
- [Leon] Who do you
think you are, mister?
Huh?
Just an old man, eh?
- I told you to fuck off, boy!
- Stop it, stop it, stop it!
Leave him alone!
(grunts)
Stop it!
Leave him!
Stop it!
Stop it!
- You knew.
You knew he was here.
- No, no, no.
- What?
What did you want?
- [Lise] Listen, I didn't know.
- Oh, yes, Lise.
Yes, yes.
No more little secrets.
- No, no, no, no, no!
- [Mac] You don't need
them, they're rubbish.
Get rid of 'em!
- No, no, no!
- Yes, yes!
- You bastard!
- No, don't!
- You bastard!
- Yes!
(gun fires)
- Hey, why did you turn
the music off for, Gray?
- I'm getting worried about him.
What do you think we should do?
- Well, what can we do?
Hey, look.
We'll suss it out in
the morning, okay?
- I'm going to bed.
Goodnight.
- [Gray] Leon!
Leon!
Leon?
Leon!
(tense music)
- Hey?
- Come on, Gray.
Up you get.
- Did he come back?
Jesus, it's funny.
It's funny without
Leon. (laughs)
- [Julie] We're gonna
have to look for him.
- Look where?
I mean, that's nowhere
land out there.
We're never gonna find him.
- Well, let's just
start for home.
He can catch us up.
- Tanya, don't.
Well, I'm gonna
look for him anyway.
You do what you like.
- Come on.
(can clatters)
- [Julie] Leon!
Come on, Leon!
Where are you?
Leon!
- [Tanya] Leon!
- Leon!
- [Julie] Leon!
- [Tanya] Leon!
- [Julie] Please, Leon.
Come on!
- [Gray] Leon!
- [Julie] Leon!
- [Gray] Leon!
Hey, Leon!
- [Julie] Leon!
- [Gray] Leon!
- [Carl] Hang on, this is crazy.
We're getting too far
away from the bridge.
I think we should go back.
- [Gray] Yeah, and get a drink.
- [Julie] We can't give up now.
We could find him any minute.
- [Tanya] Oh, look, Julie.
We've tried, all right?
Enough's enough.
- [Carl] Yeah, look.
He can't have got this
far in the dark, right?
So if we go back,
we're bound to find him
'cause he's gotta be somewhere
between here and there.
- If he is, we'll all stay.
- What do you mean?
- Well, what's the bet he's
back at the bridge right now
drinking the booze?
- The little prick.
- [Gray] Come on.
- [Tanya] Leon, you think
you're so smart, don't ya?
- [Carl] Come on Leon,
we've had enough!
- [Gray] We know
what your game is!
- [Julie] Leon!
Where's it gone?
- Look.
- Leon?
- [Gray] Leon!
Oh, come on, mate!
This isn't funny!
- Leon!
- Leon!
- [Julie] Leon!
- Hurry up, mate!
Come on!
- Leon, where are you?
- Leon!
- Leon!
- [Gray] Cut it out,
we've had enough!
Come on, quit it!
- [Julie] Leon!
- [Tanya] Quit
fucking around, Leon!
- [Carl] Hey, listen.
(uptempo music in distance)
- Come on, let's get him.
Hurry up!
- What's he doing?
Leon!
- Come on, Leon!
Change the tape!
(uptempo music in distance)
There he is.
That way.
Leon, you pull hard.
- Leon!
- [Gray] I'm after you now, boy!
- [Tanya] Leon!
I'll get a sprain, you moron!
Leon!
♪ Lights are green
except for gold ♪
♪ Save your dreaming
till your woke ♪
♪ Yesterday's dead and gone
♪ Tomorrow's a dream,
but today is on ♪
♪ Let's go rocking
on the razor's ♪
(gun fires)
- That's not fair!
How'd you like it if I
did that to your jeep?
- Okay, Leon.
Big joke.
Funny, ha-ha.
(gun firing)
- [Gray] You bloody idiot!
Stop it!
- You jerk!
Your bloody stupid games!
We're going home and
you can go to hell!
- [Gray] And you can
pay for my radio, too!
Damn thing cost a fortune.
- Stuff your bloody radio.
Well, come on.
- Come on where?
- The bridge.
The car, home,
where do you think?
- I don't know where
the bridge is from here.
- You what?
- I said I don't
know where we are.
- We're lost.
- Oh, man.
Leon!
Come on!
- Enjoying your pathetic
little game, eh?
Well, we don't need you!
- Oh, jeez.
His mom's gonna kill me.
- Right, who's got the map?
Eh?
Who's got the map?
Carl, who's got the map?
- I think Leon had it last.
- Hey, you saw it.
Where's the river?
- I think we're
east of the river.
- East.
Well, that means we
go west, doesn't it?
All right, we're
going west, okay?
Jesus, we can't
miss a whole river!
(tense music)
- Look.
- People.
Maybe hunters or something.
Could even be that old
man and his girlfriend.
Come on!
Come on!
- [Julie] Hey, come back.
- [Carl] Slow down, Gray.
You'll get us more lost.
- Gray.
- [Carl] Jesus, Gray.
Slow down.
- [Julie] Gray.
- [Gray] Come on, it's this way!
- [Tanya] Gray, come back!
- [Carl] Gray,
there's no one here.
- Help!
Can you hear me?
We need your help!
Can you hear me?
Help!
We're lost and we
need your help!
Help!
- This is Tanya's sleeping bag.
- Julie.
Julie.
- What?
- It's Leon.
I'll get the bastard.
Come on.
- Leon!
- You little prick!
- What about my
stereo, mate, hey?
- You better get us out of here!
I don't know who the hell
you think you are, man!
- What about my ghetto blaster?
(sobbing)
(screams)
(groans)
- What the?
What are you doing?
Jesus.
Come on, run!
Gray!
Damn it!
Move!
(gun firing)
(dramatic music)
(Tanya yells)
- Roy.
(gasping)
- Why?
- Hey, sis.
Hey, look.
Hey, you can't help him.
It'll be all right.
(laughing)
Shut up!
(blows raspberries)
(laughing)
What, have you gone crazy?
(blows raspberries)
Something funny, Gray?
No, there's nothing funny, mate.
- It's Leon's joke, mate.
- [Carl] Straighten
out, will ya?
- It's his joke.
- He's dead.
Leon's dead, mate.
He's dead, so shut up.
- Stop it!
Gray.
- Hey.
Hey, let's go find that river.
Come on.
Come on, let's go.
- [Julie] What if
he's following us?
- [Carl] Look, he's
not following us,
so let's get moving.
(dog growls)
(Julie gasps)
(dog barking)
- It's one of his, isn't it?
- Don't know.
- Beat it!
(dog whimpers)
(water splashes)
(dog barking)
Hey, I think we
should stop here.
We're not gonna get
anywhere tonight.
- Good idea.
- Julie, what about the dog?
- Get some sleep.
- [Tanya] What about you?
- I'm gonna sit up for a while.
- Well, wake me up later
and I'll take a turn.
- Yeah, okay.
(birds chirping)
- Why?
Why did he kill him?
He's trying to kill us all.
- No, he's not.
He could've killed us all
yesterday, but he didn't.
- You know, we're never
gonna get out of here.
- Look, all we have to
do is find the river.
Come on.
- Tanya, wait.
- [Tanya] We've
gotta keep going.
- Gray, Gray.
- Hey, don't worry.
We're gonna be all right.
- See?
Come on, Gray.
(tense music)
- [Carl] Hey, wait.
Listen.
(water bubbling)
- The river.
(laughing)
(dog barking)
(gasps)
- They're still
following, Julie.
- Don't worry about
that damn dog.
Come on.
Let's just get to the river.
Come on, hurry up.
(gun firing)
Jesus!
(yelling)
I need you to stop.
He's not shooting at us.
Gray, stop.
- He bloody is!
He's trying to get us!
- [Carl] Shut up!
- Stop it and you shut up!
- If he wanted us killed,
we'd be dead hours ago.
- He doesn't want us
to cross the river.
- [Julie] Where is the river?
- The river is over
that way somewhere.
We'll go find it, shall we?
(dog growling)
You bastard.
- Carl, come on.
- [Carl] Hey, that's farmland.
There'll be people there.
(dog barking)
Jesus Christ.
(dog barking)
- He's here.
(gun fires)
- Hey, let's keep going.
He's not shooting at us.
- Carl, wait.
(gun fires)
- Look, work it
out for yourself.
He's not trying to
drive us someplace,
he's trying to drive us noplace.
So we'll be wandering
around till we die.
Just die.
- [Gray] That could take weeks.
- [Tanya] For God's sake, Gray.
We've got no water,
we've got no food.
We don't even know where we are.
How long do you think we're
gonna survive without our gear?
- [Julie] We must be
able to do something.
- [Carl] Yeah, get rid
of that bloody dog.
- [Julie] Why?
- [Carl] 'Cause he keeps telling
that bastard where we are.
- You mean kill it.
- What would you rather do,
wander around feeling
sorry for yourself
till we die of
exposure or starvation?
'Cause that's your choice.
- I don't want to kill anything.
- Julie, we have to survive.
All right, how?
(tense music)
(dog whining)
- [Tanya] Hurry up!
(yells)
- Get the bastard!
- [Tanya] Kill it!
Kill it!
(dog whimpering)
(tense music)
(dog barks)
(cow moos)
- What if it's his, eh?
- What if we just sit here
and die of starvation, Gray?
(sighs)
(suspenseful music)
(dogs barking)
- [Gray] Shut up.
Hello?
(knocking on door)
Is there anyone home?
Jesus, food.
- [Tanya] Where are you?
- Hi.
- It's because of
you, wasn't it?
- No.
- You, bitch!
(screams)
- [Carl] Tanya, quit that!
- [Tanya] He killed
Leon because of you!
Didn't he?
- [Carl] Jesus.
- Give me that gun!
- He wouldn't have shot him!
- Shut up!
- Please, will you
take me with you?
- You're not coming with us!
You, bitch!
- Come on, we have to go.
Let's get out of here.
(dogs barking)
(sobbing)
(tense music)
- Lise!
Lise!
Lise?
They didn't take any shells.
Be dark soon.
They won't get far then.
What's that?
- What?
- [Mac] That.
- What?
- [Mac] They do this to you?
- [Lise] Hmm?
- That.
- Hey, please.
Don't be so rough.
It was just an accident.
Hey, I've got to shoot
off really quickly.
I completely forgot it's
Mom's birthday today
and I haven't seen her for ages.
You know those kids
that came past?
They came and they're
gonna come collect me.
They're gonna take
me in their car
and we're gonna go to all
these parties and stuff.
- Lise.
- [Lise] Hmm?
- Those kids.
- [Lise] So, I have to go now
and I really have to hurry
and pack all my things.
- Friends?
- [Lise] Yeah,
really good friends.
They're my best friends.
Hey, have you seen
my pink nail varnish?
You know, the one you
got for my birthday.
- Exactly how many of
these friends are there?
- Four.
- Could've sworn
there were five.
- Hmm?
- That little one, remember?
- [Lise] No.
- Yeah, you remember.
He had a headband.
- [Lise] No.
- Japanese symbol right
there on his forehead.
- [Lise] No.
- Right there.
Right there.
Right there, Lise.
- Oh?
- Yeah.
Remember, you liked it?
Yeah, you remember him.
- [Lise] No.
- Surely.
- [Lise] No.
- Oh, there was one
other thing about him.
- [Lise] No, Mac.
- He's got a bloody
great hole in his chest!
A hole you put there.
Don't you understand
what you did?
You've killed a boy!
I've just put him in the
bottom of a bloody river!
I've been chasing
these kids around!
Why do you believe
in all this bullshit?
This bullshit!
- [Lise] Mac, I don't want
to talk about that now, okay?
- This bullshit.
- [Lise] They'll
be waiting for me.
- Absolute bullshit.
It's junk, it's not you, Lise.
This is bullshit.
- [Lise] Mac, don't.
- [Mac] Oh, shit.
- [Lise] I've got
so many things.
I just don't know where
I'm gonna put everything.
I mean, I don't think my
suitcase is large enough, Mac.
I just.
- That is bullshit.
Your little secrets are lies.
- That is mine!
And don't you dare
touch it again!
And don't you dare touch me
again either 'cause you stink.
The whole place stinks!
- Yes, that's real.
- And I hate the place and I
hate you're bald and filthy.
- Okay, that's real.
- [Lise] I hate it!
- That's lies.
- I hate it, I hate it, I
hate it, and I hate you!
- Throw it away.
Throw it away!
Get rid of that bullshit!
(crying)
- And I hate myself.
I hate me!
(yells)
- Lise.
- No!
No, no, no, no, no, no!
No, no, no, no, no!
- [Mac] Lise.
No, no.
Lise.
Lise.
Oh, my god.
Easy now.
Easy.
Easy, girl.
Easy.
- We didn't take any food.
But we didn't take any food.
- Shut up.
- [Julie] He must've
seen we've got the gun.
Maybe he'll stop now.
- [Carl] No, he can't stop now.
(Gray crying)
- [Julie] Gray.
It's all right.
We're okay.
- [Mac] You probably do,
but just let me do it my
way and we'll be all right.
We'll see it through.
No more secrets.
No more lies, Lise.
Tomorrow, it'll all be over.
It'll just be another accident.
Bunch of kids lost in the bush.
Died of exposure.
(tense music)
- Hey.
Up you get.
Hey, Gray.
Hey, what's the story, Gray?
- [Tanya] Gray, come back!
- [Gray] He killed Leon!
- [Tanya] Carl, get
the gun off him!
- [Carl] Come on, Gray.
Take it easy.
- [Tanya] Get the gun!
- [Carl] Hey, Gary.
Slow up.
- [Tanya] Gray, stop!
(grunts)
- Whoa.
- You, stop.
You killed my mate Leon, eh?
Didn't you?
You tried to kill me.
- [Julie] Don't threaten him.
- Put the gun down.
Leave the old man alone.
Gray, come on.
We don't want any
more deaths, Gray.
- Gray, put it down.
- Please, Gray.
Gray.
- You fool.
You're gonna get us killed.
- Please, go away.
Please, leave us.
- [Carl] Put the gun down, Gray.
- Get off your horse.
Get off your horse.
- [Carl] Come on, put it down.
- Get down off your horse!
Get down!
Get back.
- Just give me back my gun, boy.
- [Tanya] Shoot him!
- [Julie] Shut up.
- [Mac] Give me the gun.
- [Tanya] You're insane, idiot.
- Don't do it.
Don't do it, okay?
Don't do it!
Get back.
- Stay put, Lise.
- Go back!
(gun cocks)
- Gray, don't!
(gun fires)
(tense music)
- [Gray] I got one.
- [Tanya] Leave him.
- [Gray] I got one.
I got one.
Yoo-hoo!
I got one!
I got one!
Woo-hoo!
I got one!
- [Carl] He's not coming, Gray.
He's not coming.
- [Tanya] What's he doing?
- [Carl] He's just
hanging onto her.
(grunts)
- [Tanya] Gray.
Gray, come on.
Get up.
Come on.
- [Carl] Come on, we'd
better keep moving.
- [Tanya] We can't stop now.
(Gray groaning)
- I just killed her.
I just killed her.
I just killed her.
- Yeah, so you
killed someone, Gray.
Don't like it much, huh?
So, why don't you
give me the gun?
So that way you won't
do it again accidentally
or something like that.
See, it's happened now, eh?
You've gotta accept
you've done it.
Can't undo it.
Just got to learn
to live with it, eh?
(dogs panting)
(gun firing)
(tense music)
(dramatic music)
(grunts)
- [Tanya] Gray, we're
not gonna wait for ya.
Come on!
(gasping)
We can't stop now.
- [Julie] Come on, Gray.
- [Gray] I can't.
- [Carl] Okay, we'll stop.
Just for a bit.
(horse whinnies)
- [Gray] Look out!
Get out of here!
(gun fires)
- [Tanya] Come on, let's go!
Hurry up!
- [Julie] Come on!
- [Gray] Come on!
(horse whinnying)
(gun cocks)
- Carl, come on!
Let's go!
(gun clicks)
- Tanya, it's the jeep!
- Come on.
(grunts)
- [Julie] Get up!
(breathing heavily)
- Get down!
- [Gray] Julie!
(gun fires)
(Julie screams)
- Gray!
- Gray!
Jesus Christ, he's dead.
He's still reloading.
'Cause of one arm,
he's really slow.
We've got to do something.
- [Tanya] We'll never make it.
- Ah, yeah?
- Is it time?
- I don't know.
(gun fires)
There's no time.
I can't do that, no way.
Are you crazy?
I'll never make it, man.
There's no way.
- Yes, you can.
We'll make him shoot again.
- What?
- You can do it.
- No, I can't.
- You can.
Listen to me.
As soon as he fires.
- What?
- As soon as he fires,
you go for gold.
(gun cocks)
- No, don't, man.
Don't do it, okay?
- I love you.
- What?
Tanya!
(gun fires)
Tanya!
- [Tanya] Now!
(dramatic music)
(gun fires)
(gun cocking)
(gun fires)
(sighs)
(subdued music)
(subdued music)
- I'm not gonna go at
all if he has to come.
- I'm sick and tired
of repeating myself.
- You don't give me a chance.
- You will not go on this trip
unless you go with your brother.
Now there's nothing wrong
with Carl going with you.
- I don't have to take him!
- [Woman] Look, I'm sick
of arguing with you.
Good grief, you're
only 17 years old.
- Only 17?
Oh, that's wonderful, isn't it?
You know how many times
I've brought this moron?
- You get to do
a lot more things
than I ever did at your age.
- [Girl] Bloody only 17.
- Don't be so cheeky.
I will not be spoken to.
- Look, I don't
want to go, okay?
- Julie doesn't have to take
her little sister
along with her.
- Mom.
Mom.
You awake?
Mom, I have to go now.
I have to go.
- Have you got everything?
- Yeah.
- You look great.
Give us a kiss.
Take care, darling.
Have fun.
- [Girl] Yeah.
- [Boy] I'm off, Dad!
- Hold it.
Turn around.
Right round.
Stand up straight.
Off you go.
- Bye, Dad.
- Bye.
Have a nice time, son.
- He'll ruin the whole weekend!
- What the hell's going on here?
- Dad, I don't have to
take that pain, do I?
- Would you please
back me up on this?
- [Girl] Dad.
- Tanya, shut up.
Carl, get dressed.
You're going.
(uptempo music)
♪ Lights go from red to green
♪ Forget where you have been
♪ Change of clothes
and change of mind ♪
♪ You got nothing to lose
♪ Never know what
you might find ♪
♪ Nothing is
standing in the way ♪
♪ Clear your head,
you're living for today ♪
♪ Yesterday is dead and gone
♪ Tomorrow's a dream,
but today it's on ♪
♪ Let's go rocking
on the razor's edge ♪
♪ Let's go dancing
on the razor's edge ♪
♪ Come with me, I'll
take you for a ride ♪
♪ I've got high
expectations, no compromise ♪
♪ So high, I can
really get higher ♪
♪ Like the phoenix
rises from the fire ♪
♪ The day is long, the
nights are longer ♪
♪ At the end of the day
♪ Where we see which
one's the stronger ♪
♪ Let's go rocking
on the razor's edge ♪
(boy laughing)
♪ Let's go dancing
on the razor's edge ♪
(girl screaming)
♪ Come with me, I'll
take you for a ride ♪
♪ I've got high
expectations, no compromise ♪
- All right.
Woo-hoo!
- Woo, woo, woo!
- [Boy] All right, civilization.
- [Boy] Not tonight, boys.
(cows mooing)
(dogs barking)
(man yelling)
- Okay, let's get some
bearing around here.
- [Man] Finish, dog.
Speak up.
- G'day.
Do you know where the
Bridge to Nowhere is?
- Yeah.
- Where?
- Over there.
There's a track.
It's two-days walk, though.
- Oh, yeah?
Do you live around here?
- Yeah.
Over there.
- [Boy] I might see
you around then.
(dogs barking)
- Go on, Lise.
Go on home.
- [Lise] I've gotta go now.
- See you, Rocky.
Come on.
(dogs barking)
- Hey, Lise!
I'll see you around!
- [Man] Come on, dogs.
Come on.
- [Boy] All right, you guys.
Let's go.
Come on.
- Hey, catch this, mate.
- All right!
- Hey, watch out!
- Right here at this ranch.
- Woo-hoo!
All right!
(chattering)
Hey, Tanya, can I
borrow your top?
- [Boy] Get it up,
get it up, get it up!
(gun firing)
(chuckles)
- Gee, wish I
could be that cool.
(glass shatters)
- [Man] Go.
Come on.
(girl laughing)
- [Girl] Shake
those tail feathers.
- [Boy] Hey, check
out these happy feet.
These happy feet.
(uptempo music on radio)
Gotta keep bouncing, gang.
(girl laughs)
- [Girl] Check out my moves.
- [Boy] Hey.
Hey, what's the matter, Carl?
Got two left feet?
(people laughing)
(chattering in the distance)
- [Boy] All right!
Come on.
Beautiful.
- [Boy] That's cold!
Come on in!
- All right, woo!
- [Boy] Hurry up.
This is great.
It's great.
- [Tanya] Come on, Jules.
(imitating monkeys)
- Hurry up, Carl.
Hey, Carl.
Are you coming in?
- Uh, no.
I have to light a
fire or something.
- Carl!
- Hey, you guys!
Come on, come on in!
- [Boy] Hurry up!
- Jesus, Carl.
Don't be such a cunt.
Oh, Jesus, you lot.
For Christ's sake, come on.
- Hurry up, Julie.
- Come on, Julie.
- [Boy] Come on, let's go.
- [Boy] Don't worry
about that dork.
He couldn't swim in
a bath if he tried.
- Jesus.
(laughing)
- Ta.
- What do you write
in that thing?
- It's private.
Nobody's allowed
to look in here.
I write my secrets in here.
- Hmm.
- One day maybe I'll show
it to someone special,
but he'll have to
be very special
'cause my secrets are special.
- Like your little
secrets, don't you?
- They're mine.
- Hmm.
Is it a mouse?
(laughing)
- [Girl] Me expert
in origami arts.
(yelling)
- [Boy] Most honorable
death this way I feel.
- [Boy] You mind
if I sit with you?
- [Girl] Yeah, if you like.
- [Boy] Hey, take
it easy on Julie.
- Leon, don't give
me a hard time.
- I love you too, Gray.
Don't fight it, Marshall.
It's bigger than the both of us.
- Oh, Brad.
- Janet.
Oh, come on, now.
Cut it out, will ya?
- Story, story.
- No story, straight to bed.
- Julie.
- Yeah?
- Look, I know this is a
pretty funny situation.
- What do you mean?
- Leon's been trying to get
into Tanya for months, right?
And he's got us
along so he can...
I mean, we are expected to...
I just want you to know you
don't have to do anything.
What I mean is that...
Oh, shit.
Hello, I'm Gray.
- (laughs) Hi, I'm Julie.
- Leon, don't.
Okay.
- Hey, none of that.
(laughing)
Hey, do you want
to go for a walk?
- Why?
- Because I wanna look at
the natural environment
of the native birds of
nocturnal life of New Zealand.
(both laugh)
- Julie.
- [Julie] Yeah?
- Can I give you a kiss?
- [Julie] Yeah.
- Oh, come on.
- No, not tonight.
- Why not?
- Because.
- Is it the time of the month?
- No.
- Well, what's your problem?
- There's no problem.
I don't have to have
a problem to say no.
- Of course you don't have to
have a problem, but why not?
- I've got a choice, haven't I?
- Sure you've got a choice.
You've got heaps of choices.
- Well, good, good, good.
- Pick whichever one you want.
Great.
- Who wants to dance?
- Um, yeah, I do.
- Good one, Julie.
- Stick with Julie.
(uptempo music)
- [Lise] Mac, your turn.
Mac.
(plastic clatters)
- What happened?
- Took three of your men
and crowned one of mine.
- My turn?
- (laughs) You're too slow.
Don't worry.
They'll be gone soon.
(uptempo music)
- Hey, Carl.
Carl, mate.
Come and see.
Look what we found.
Put it away, hurry up.
It's amazing.
- Yeah, what is it?
- It's a skeleton.
A human skeleton.
- Bullshit.
- No bullshit, man.
Come and have a
look for yourself.
I reckon it's a
murder or something.
There's a big crack down
the middle of its forehead.
- [Carl] Yeah?
- Yeah, come on.
Could be a hundred
years old or so, man.
I mean, it could be the
Mary Walls or anything.
Mind you, it could
be recent, too.
Who knows.
An unsolved murder.
Christ.
Just around here.
(flatulating)
- Oh, yuck!
(laughing)
- Woo-hoo!
Ha-ha!
You like that, eh, boy?
Yeah, kiss my ass.
Eh, Carl?
- Pretty good, eh?
- Yeah, it reminded
me of your face, mate.
- Oh, did it, mate, eh?
Oh, eh?
You're quite a smart
lad, aren't ya, eh?
Hey?
Put one right through your ears.
Come on.
- Come on.
(Carl grunts)
- You're in the way here, mate.
You know that?
Your mommy and daddy
might want you here,
but I sure as hell don't.
Neither does your sister, mate.
You get the message?
- I think he's a little
deaf in one ear, Leon.
- Hey, you know
what causes that?
Seen the way he's been
looking at Julie Big Tits, eh?
- Fuck you!
- Hey, going for broke, eh?
- Why don't you
just leave me alone?
- We will leave you alone.
Eh, Gray?
- Yeah, we'll leave
you alone, mate.
- I'll tell you what.
You leave us alone,
we'll leave you alone.
Deal?
Deal, Carl?
- Deal.
- I knew you'd understand.
- [Gray] Good man.
- Hey.
You bathe for us tonight.
- Yeah.
(imitating spraying water)
♪ Lift your head up high
♪ Lift it to the sky
♪ Lift your head up high
(uptempo music)
♪ I'll be there the
same time to meet you ♪
♪ In the morning
- Choice, huh?
You know, this used
to be all farmland.
Now it's nowhere, just nowhere.
That's why they
built the bridge.
(laughs) Bridge to Nowhere.
(yelling)
- Shut up.
Think I can hear something.
- Let's go catch
up with the others.
- Get up!
Get up!
Get up!
(dogs barking)
Get away, Baxter!
Come on.
Gotcha, lazy little bugger.
Go dogs, go!
Get out of there, dogs!
Get here, dogs!
(laughing)
(speaking gibberish)
(laughing)
- Carl, why don't
you ever laugh?
- [Leon] Hey, you ever
seen a rhinoceros?
(grunting)
(imitating gunfire)
(laughs)
♪ It's no imagination
♪ They come from behind
- Meow.
♪ All the feelings are
for love and hate ♪
♪ Yet my mind knows
when to slow it down ♪
- Tell me what you're thinking.
♪ But you never
fail to fascinate ♪
(leaves rustling)
- I think I love you.
- [Gray] What is it?
♪ It's just fascination
(dogs barking)
- [Gray] Get out of here quick!
- [Tanya] Julie!
(yelling)
- Shit!
- Watch out!
Go!
- Leon, what are you doing?
- [Leon] Let's kill the bull!
- Don't!
- [Leon] Let's kill the bastard!
- Leon, put it down!
- [Gray] Cut it out!
- Woo-hoo!
(gun firing)
- [Tanya] Leon, don't!
- Let's have a
barbecue! (laughing)
(grunts)
- This isn't a
playground, sonny.
Now fuck off!
- [Leon] No!
- Mac!
- Shut up, Lise.
Want yourself a
bull, do you, boy?
Well, go catch one
with your bare hands
if you've got the balls.
And if one hair of
one dog is harmed,
I'll shove this peas
shooter right up your ass.
- I'm sorry, mister.
- You, take him home.
- Jesus.
Lise, your old man's crazy!
What the hell are
you staring at?
- Let's go home.
Please.
- I don't need any of your pity.
- Look, I'm not
pitying you, Leon.
Just forget about it.
It's all right, we'll go home.
- [Leon] Don't!
- Leon.
- We came to see the bridge.
Came to see the bridge, right?
Right?
- You did.
- Oh, great.
Well, I'm going
to see the bridge.
You coming, you guys?
Well, let's go see the bridge.
(tense music)
- [Gray] Hey, Leon.
Slow down.
- If you can't cut
it, you can stick it.
I'm going to the bridge.
- Oh, shit.
(bull mooing)
- [Mac] Shut up, bull.
(dogs barking)
(tense music)
- Well, there's your
Bridge to Fucking Nowhere.
Suppose he thinks
he owns that, too.
- [Tanya] Slow down, Leon!
- [Leon] What are
you, a bunch of wimps?
- [Gray] Hey, Leon.
Slow down.
- Come on, we've
gotta see the bridge.
Our route.
Well, where's the music, Gray?
This is what we
came for, isn't it?
Let's have some music.
Okay, we've made it.
We got here.
We've arrived.
The Bridge to Nowhere,
where nothing happens.
That's what you're
into, isn't it, Tanya?
Nothing happening?
Plenty of promises though, eh?
Nowhere, Tanya.
You know that place.
You like it?
I do.
Land of the wild man.
That's why you're
doing this, Tanya?
- Shut up, Leon.
- Well, stick that up
your ass, wild man.
♪ Let's go rocking
on the razor's edge ♪
♪ Let's go dancing
on the razor's edge ♪
♪ Come with me, I'll
take you for a ride ♪
♪ Let's go rocking
on the razor's edge ♪
♪ Let's go dancing
on the razor's edge ♪
(tense music)
- I want to get close to him,
but I just don't know how.
I just don't know what to do.
- [Julie] Do you want
me to talk to him?
- No, I've got to do it.
- What's the matter, Leon?
We've got a couple of
birds here, got a fire,
got some booze, we're
out in the bush.
Here we are just hanging around
like a couple of schmucks.
- You've gotta stop me.
- What?
- You've gotta stop me, mate.
- Leon, look, no one can
stop you when you get going.
You know that.
- It's going out
of control, man.
It's going crazy.
You've got to stop me.
- Hey, look, mate.
Why don't we just
have a good time, eh?
Have another drink and You'll
forget all about it, I bet ya.
- Okay, man.
Have a good time.
- Yeah, good time.
- Yeah, man.
Let's have a good time, eh?
- Yeah.
- You want a good time?
- Yeah.
- Yeah, then come on!
- [Gray] Hey, hey!
Stop it, stop!
- Hey!
- [Gray] Stop!
Stop it!
- Come on, everyone.
Do you want to have a party?
Party time.
Hey!
Hey, Tanya.
What's the matter with ya?
Huh?
Hey, Tanya.
I'm sorry.
I'm sorry.
Tanya, I'm sorry.
I'm sorry I've behaved like this
and it's upset you and
it's upset you, Julie.
I'm sorry that I've made
it hard for everyone
and just get on and
have a good time
and come to the bridge and
just enjoy it, you know?
I just want to...
Look, Tanya.
I just wanna be
away from everyone.
I don't mean that
rudely, you know?
I like you, Julie.
I just want to be
away from everyone.
Just you and I, okay?
Can we just go away
from everyone just
for a bit, you know?
- Okay.
- Will we?
- Okay, I want to have
a talk with you, Leon.
- Okay, come on.
Let's talk.
- Don't worry,
I'll be all right.
- Come on.
I want to talk to you, too.
I said I'm sorry.
I'm sorry, okay, Tanya?
I know I've gone over the top.
- [Tanya] It's fine.
- [Leon] No, come on.
Let's just get away from
the others a bit further.
- [Tanya] It's far enough.
I came here to talk
to you, all right?
Leon, listen to me.
- [Gray] Come on, then.
Let us have a party.
(uptempo music)
- Stop it!
Listen to me!
For once, listen.
Please.
Please, I think I love you.
Is that so terrible?
You don't have to be frightened.
Just be honest.
Just be you.
Look at me.
Look at me.
Just look at who I am.
I don't want to hurt you, Leon.
I just want you to love me.
Leon, just love me.
Just love me, please.
- No, I don't!
I don't know you!
I don't love you!
No, no, no, no, no!
I Know what you
want, bloody woman!
You're all the same!
You just want to make
it short, you bitch!
I'll show you what love is!
We're in love!
We're in love!
(Tanya crying)
(fabric rips)
- Julie!
Julie!
He tried to rape me.
- [Leon] Tanya!
- Don't you touch me!
- You bastard!
- I hate you!
- [Leon] You hate me, do ya?
- Hey, that's my sister, mate.
- Sister, is it?
- Hey, Leon.
Take it easy.
Take it easy.
Stop it, Leon.
- Stop it, eh?
What a mate you
turned out to be, eh?
You're just a joke, Gray.
Big-lipped dogs.
Bunch of girls.
- [Tanya] Go on, run away.
- [Leon] Well, fuck you, too.
- [Tanya] Don't come back.
- [Leon] Bitch!
(Tanya crying)
- Tanya, you all right?
- Just leave me alone!
- [Julie] Just leave
her alone, Gray.
- You're just the same!
(Tanya sobbing)
- Idiots, dogs.
You're a bunch of dogs!
Shit.
- I tried to talk to him, Julie.
He wouldn't listen.
- [Julie] Hey.
- Just threw me down
on the ground and.
- [Julie] It'll be all right.
- How could he tell me he loves
me and then turn around and?
- [Julie] I know.
- Why'd he have to
be so frightened?
- [Julie] It's okay.
- I shouldn't have done it.
I shouldn't have come.
We shouldn't have come, Julie.
- [Julie] No, it's
gonna be all right.
- Hey, is she all right?
- [Julie] Yeah, she'll be okay.
- Hey, don't worry
about it, sis.
He's not worth it.
- We can't just leave him here.
He'll get lost or something.
- Well, I hope he does.
- Leon!
Leon!
- Why'd you do that, mate?
Eh?
Why did I, man?
- [Gray] You're gonna
get lost out there, Leon!
- [Leon] You're a mug.
- [Gray] Come back, Leon!
Leon!
- [Tanya] Get lost, then!
- [Leon] Well, fuck
you too, you bitch.
- We don't have to have a
lousy time just because of him.
(soft jazz music)
Come on, Carl.
- You want to dance?
- Dance with me.
- Hey, let's dance.
(Tanya laughing)
(water sloshing)
- Mac.
Come here.
(chattering)
(Lise laughs)
(laughing)
Stop it.
Don't.
(Lise laughing)
Mac.
Mac, stop it.
Don't.
- [Mac] Come here.
(Lise laughs)
(board clatters)
Huh?
- No, Mac.
Don't, don't.
It's nothing.
Mac, don't!
Please, just leave him!
- [Leon] Aw, shit!
- [Mac] Got you now, pervert.
(grunting)
You bastard.
- [Leon] Who do you
think you are, mister?
Huh?
Just an old man, eh?
- I told you to fuck off, boy!
- Stop it, stop it, stop it!
Leave him alone!
(grunts)
Stop it!
Leave him!
Stop it!
Stop it!
- You knew.
You knew he was here.
- No, no, no.
- What?
What did you want?
- [Lise] Listen, I didn't know.
- Oh, yes, Lise.
Yes, yes.
No more little secrets.
- No, no, no, no, no!
- [Mac] You don't need
them, they're rubbish.
Get rid of 'em!
- No, no, no!
- Yes, yes!
- You bastard!
- No, don't!
- You bastard!
- Yes!
(gun fires)
- Hey, why did you turn
the music off for, Gray?
- I'm getting worried about him.
What do you think we should do?
- Well, what can we do?
Hey, look.
We'll suss it out in
the morning, okay?
- I'm going to bed.
Goodnight.
- [Gray] Leon!
Leon!
Leon?
Leon!
(tense music)
- Hey?
- Come on, Gray.
Up you get.
- Did he come back?
Jesus, it's funny.
It's funny without
Leon. (laughs)
- [Julie] We're gonna
have to look for him.
- Look where?
I mean, that's nowhere
land out there.
We're never gonna find him.
- Well, let's just
start for home.
He can catch us up.
- Tanya, don't.
Well, I'm gonna
look for him anyway.
You do what you like.
- Come on.
(can clatters)
- [Julie] Leon!
Come on, Leon!
Where are you?
Leon!
- [Tanya] Leon!
- Leon!
- [Julie] Leon!
- [Tanya] Leon!
- [Julie] Please, Leon.
Come on!
- [Gray] Leon!
- [Julie] Leon!
- [Gray] Leon!
Hey, Leon!
- [Julie] Leon!
- [Gray] Leon!
- [Carl] Hang on, this is crazy.
We're getting too far
away from the bridge.
I think we should go back.
- [Gray] Yeah, and get a drink.
- [Julie] We can't give up now.
We could find him any minute.
- [Tanya] Oh, look, Julie.
We've tried, all right?
Enough's enough.
- [Carl] Yeah, look.
He can't have got this
far in the dark, right?
So if we go back,
we're bound to find him
'cause he's gotta be somewhere
between here and there.
- If he is, we'll all stay.
- What do you mean?
- Well, what's the bet he's
back at the bridge right now
drinking the booze?
- The little prick.
- [Gray] Come on.
- [Tanya] Leon, you think
you're so smart, don't ya?
- [Carl] Come on Leon,
we've had enough!
- [Gray] We know
what your game is!
- [Julie] Leon!
Where's it gone?
- Look.
- Leon?
- [Gray] Leon!
Oh, come on, mate!
This isn't funny!
- Leon!
- Leon!
- [Julie] Leon!
- Hurry up, mate!
Come on!
- Leon, where are you?
- Leon!
- Leon!
- [Gray] Cut it out,
we've had enough!
Come on, quit it!
- [Julie] Leon!
- [Tanya] Quit
fucking around, Leon!
- [Carl] Hey, listen.
(uptempo music in distance)
- Come on, let's get him.
Hurry up!
- What's he doing?
Leon!
- Come on, Leon!
Change the tape!
(uptempo music in distance)
There he is.
That way.
Leon, you pull hard.
- Leon!
- [Gray] I'm after you now, boy!
- [Tanya] Leon!
I'll get a sprain, you moron!
Leon!
♪ Lights are green
except for gold ♪
♪ Save your dreaming
till your woke ♪
♪ Yesterday's dead and gone
♪ Tomorrow's a dream,
but today is on ♪
♪ Let's go rocking
on the razor's ♪
(gun fires)
- That's not fair!
How'd you like it if I
did that to your jeep?
- Okay, Leon.
Big joke.
Funny, ha-ha.
(gun firing)
- [Gray] You bloody idiot!
Stop it!
- You jerk!
Your bloody stupid games!
We're going home and
you can go to hell!
- [Gray] And you can
pay for my radio, too!
Damn thing cost a fortune.
- Stuff your bloody radio.
Well, come on.
- Come on where?
- The bridge.
The car, home,
where do you think?
- I don't know where
the bridge is from here.
- You what?
- I said I don't
know where we are.
- We're lost.
- Oh, man.
Leon!
Come on!
- Enjoying your pathetic
little game, eh?
Well, we don't need you!
- Oh, jeez.
His mom's gonna kill me.
- Right, who's got the map?
Eh?
Who's got the map?
Carl, who's got the map?
- I think Leon had it last.
- Hey, you saw it.
Where's the river?
- I think we're
east of the river.
- East.
Well, that means we
go west, doesn't it?
All right, we're
going west, okay?
Jesus, we can't
miss a whole river!
(tense music)
- Look.
- People.
Maybe hunters or something.
Could even be that old
man and his girlfriend.
Come on!
Come on!
- [Julie] Hey, come back.
- [Carl] Slow down, Gray.
You'll get us more lost.
- Gray.
- [Carl] Jesus, Gray.
Slow down.
- [Julie] Gray.
- [Gray] Come on, it's this way!
- [Tanya] Gray, come back!
- [Carl] Gray,
there's no one here.
- Help!
Can you hear me?
We need your help!
Can you hear me?
Help!
We're lost and we
need your help!
Help!
- This is Tanya's sleeping bag.
- Julie.
Julie.
- What?
- It's Leon.
I'll get the bastard.
Come on.
- Leon!
- You little prick!
- What about my
stereo, mate, hey?
- You better get us out of here!
I don't know who the hell
you think you are, man!
- What about my ghetto blaster?
(sobbing)
(screams)
(groans)
- What the?
What are you doing?
Jesus.
Come on, run!
Gray!
Damn it!
Move!
(gun firing)
(dramatic music)
(Tanya yells)
- Roy.
(gasping)
- Why?
- Hey, sis.
Hey, look.
Hey, you can't help him.
It'll be all right.
(laughing)
Shut up!
(blows raspberries)
(laughing)
What, have you gone crazy?
(blows raspberries)
Something funny, Gray?
No, there's nothing funny, mate.
- It's Leon's joke, mate.
- [Carl] Straighten
out, will ya?
- It's his joke.
- He's dead.
Leon's dead, mate.
He's dead, so shut up.
- Stop it!
Gray.
- Hey.
Hey, let's go find that river.
Come on.
Come on, let's go.
- [Julie] What if
he's following us?
- [Carl] Look, he's
not following us,
so let's get moving.
(dog growls)
(Julie gasps)
(dog barking)
- It's one of his, isn't it?
- Don't know.
- Beat it!
(dog whimpers)
(water splashes)
(dog barking)
Hey, I think we
should stop here.
We're not gonna get
anywhere tonight.
- Good idea.
- Julie, what about the dog?
- Get some sleep.
- [Tanya] What about you?
- I'm gonna sit up for a while.
- Well, wake me up later
and I'll take a turn.
- Yeah, okay.
(birds chirping)
- Why?
Why did he kill him?
He's trying to kill us all.
- No, he's not.
He could've killed us all
yesterday, but he didn't.
- You know, we're never
gonna get out of here.
- Look, all we have to
do is find the river.
Come on.
- Tanya, wait.
- [Tanya] We've
gotta keep going.
- Gray, Gray.
- Hey, don't worry.
We're gonna be all right.
- See?
Come on, Gray.
(tense music)
- [Carl] Hey, wait.
Listen.
(water bubbling)
- The river.
(laughing)
(dog barking)
(gasps)
- They're still
following, Julie.
- Don't worry about
that damn dog.
Come on.
Let's just get to the river.
Come on, hurry up.
(gun firing)
Jesus!
(yelling)
I need you to stop.
He's not shooting at us.
Gray, stop.
- He bloody is!
He's trying to get us!
- [Carl] Shut up!
- Stop it and you shut up!
- If he wanted us killed,
we'd be dead hours ago.
- He doesn't want us
to cross the river.
- [Julie] Where is the river?
- The river is over
that way somewhere.
We'll go find it, shall we?
(dog growling)
You bastard.
- Carl, come on.
- [Carl] Hey, that's farmland.
There'll be people there.
(dog barking)
Jesus Christ.
(dog barking)
- He's here.
(gun fires)
- Hey, let's keep going.
He's not shooting at us.
- Carl, wait.
(gun fires)
- Look, work it
out for yourself.
He's not trying to
drive us someplace,
he's trying to drive us noplace.
So we'll be wandering
around till we die.
Just die.
- [Gray] That could take weeks.
- [Tanya] For God's sake, Gray.
We've got no water,
we've got no food.
We don't even know where we are.
How long do you think we're
gonna survive without our gear?
- [Julie] We must be
able to do something.
- [Carl] Yeah, get rid
of that bloody dog.
- [Julie] Why?
- [Carl] 'Cause he keeps telling
that bastard where we are.
- You mean kill it.
- What would you rather do,
wander around feeling
sorry for yourself
till we die of
exposure or starvation?
'Cause that's your choice.
- I don't want to kill anything.
- Julie, we have to survive.
All right, how?
(tense music)
(dog whining)
- [Tanya] Hurry up!
(yells)
- Get the bastard!
- [Tanya] Kill it!
Kill it!
(dog whimpering)
(tense music)
(dog barks)
(cow moos)
- What if it's his, eh?
- What if we just sit here
and die of starvation, Gray?
(sighs)
(suspenseful music)
(dogs barking)
- [Gray] Shut up.
Hello?
(knocking on door)
Is there anyone home?
Jesus, food.
- [Tanya] Where are you?
- Hi.
- It's because of
you, wasn't it?
- No.
- You, bitch!
(screams)
- [Carl] Tanya, quit that!
- [Tanya] He killed
Leon because of you!
Didn't he?
- [Carl] Jesus.
- Give me that gun!
- He wouldn't have shot him!
- Shut up!
- Please, will you
take me with you?
- You're not coming with us!
You, bitch!
- Come on, we have to go.
Let's get out of here.
(dogs barking)
(sobbing)
(tense music)
- Lise!
Lise!
Lise?
They didn't take any shells.
Be dark soon.
They won't get far then.
What's that?
- What?
- [Mac] That.
- What?
- [Mac] They do this to you?
- [Lise] Hmm?
- That.
- Hey, please.
Don't be so rough.
It was just an accident.
Hey, I've got to shoot
off really quickly.
I completely forgot it's
Mom's birthday today
and I haven't seen her for ages.
You know those kids
that came past?
They came and they're
gonna come collect me.
They're gonna take
me in their car
and we're gonna go to all
these parties and stuff.
- Lise.
- [Lise] Hmm?
- Those kids.
- [Lise] So, I have to go now
and I really have to hurry
and pack all my things.
- Friends?
- [Lise] Yeah,
really good friends.
They're my best friends.
Hey, have you seen
my pink nail varnish?
You know, the one you
got for my birthday.
- Exactly how many of
these friends are there?
- Four.
- Could've sworn
there were five.
- Hmm?
- That little one, remember?
- [Lise] No.
- Yeah, you remember.
He had a headband.
- [Lise] No.
- Japanese symbol right
there on his forehead.
- [Lise] No.
- Right there.
Right there.
Right there, Lise.
- Oh?
- Yeah.
Remember, you liked it?
Yeah, you remember him.
- [Lise] No.
- Surely.
- [Lise] No.
- Oh, there was one
other thing about him.
- [Lise] No, Mac.
- He's got a bloody
great hole in his chest!
A hole you put there.
Don't you understand
what you did?
You've killed a boy!
I've just put him in the
bottom of a bloody river!
I've been chasing
these kids around!
Why do you believe
in all this bullshit?
This bullshit!
- [Lise] Mac, I don't want
to talk about that now, okay?
- This bullshit.
- [Lise] They'll
be waiting for me.
- Absolute bullshit.
It's junk, it's not you, Lise.
This is bullshit.
- [Lise] Mac, don't.
- [Mac] Oh, shit.
- [Lise] I've got
so many things.
I just don't know where
I'm gonna put everything.
I mean, I don't think my
suitcase is large enough, Mac.
I just.
- That is bullshit.
Your little secrets are lies.
- That is mine!
And don't you dare
touch it again!
And don't you dare touch me
again either 'cause you stink.
The whole place stinks!
- Yes, that's real.
- And I hate the place and I
hate you're bald and filthy.
- Okay, that's real.
- [Lise] I hate it!
- That's lies.
- I hate it, I hate it, I
hate it, and I hate you!
- Throw it away.
Throw it away!
Get rid of that bullshit!
(crying)
- And I hate myself.
I hate me!
(yells)
- Lise.
- No!
No, no, no, no, no, no!
No, no, no, no, no!
- [Mac] Lise.
No, no.
Lise.
Lise.
Oh, my god.
Easy now.
Easy.
Easy, girl.
Easy.
- We didn't take any food.
But we didn't take any food.
- Shut up.
- [Julie] He must've
seen we've got the gun.
Maybe he'll stop now.
- [Carl] No, he can't stop now.
(Gray crying)
- [Julie] Gray.
It's all right.
We're okay.
- [Mac] You probably do,
but just let me do it my
way and we'll be all right.
We'll see it through.
No more secrets.
No more lies, Lise.
Tomorrow, it'll all be over.
It'll just be another accident.
Bunch of kids lost in the bush.
Died of exposure.
(tense music)
- Hey.
Up you get.
Hey, Gray.
Hey, what's the story, Gray?
- [Tanya] Gray, come back!
- [Gray] He killed Leon!
- [Tanya] Carl, get
the gun off him!
- [Carl] Come on, Gray.
Take it easy.
- [Tanya] Get the gun!
- [Carl] Hey, Gary.
Slow up.
- [Tanya] Gray, stop!
(grunts)
- Whoa.
- You, stop.
You killed my mate Leon, eh?
Didn't you?
You tried to kill me.
- [Julie] Don't threaten him.
- Put the gun down.
Leave the old man alone.
Gray, come on.
We don't want any
more deaths, Gray.
- Gray, put it down.
- Please, Gray.
Gray.
- You fool.
You're gonna get us killed.
- Please, go away.
Please, leave us.
- [Carl] Put the gun down, Gray.
- Get off your horse.
Get off your horse.
- [Carl] Come on, put it down.
- Get down off your horse!
Get down!
Get back.
- Just give me back my gun, boy.
- [Tanya] Shoot him!
- [Julie] Shut up.
- [Mac] Give me the gun.
- [Tanya] You're insane, idiot.
- Don't do it.
Don't do it, okay?
Don't do it!
Get back.
- Stay put, Lise.
- Go back!
(gun cocks)
- Gray, don't!
(gun fires)
(tense music)
- [Gray] I got one.
- [Tanya] Leave him.
- [Gray] I got one.
I got one.
Yoo-hoo!
I got one!
I got one!
Woo-hoo!
I got one!
- [Carl] He's not coming, Gray.
He's not coming.
- [Tanya] What's he doing?
- [Carl] He's just
hanging onto her.
(grunts)
- [Tanya] Gray.
Gray, come on.
Get up.
Come on.
- [Carl] Come on, we'd
better keep moving.
- [Tanya] We can't stop now.
(Gray groaning)
- I just killed her.
I just killed her.
I just killed her.
- Yeah, so you
killed someone, Gray.
Don't like it much, huh?
So, why don't you
give me the gun?
So that way you won't
do it again accidentally
or something like that.
See, it's happened now, eh?
You've gotta accept
you've done it.
Can't undo it.
Just got to learn
to live with it, eh?
(dogs panting)
(gun firing)
(tense music)
(dramatic music)
(grunts)
- [Tanya] Gray, we're
not gonna wait for ya.
Come on!
(gasping)
We can't stop now.
- [Julie] Come on, Gray.
- [Gray] I can't.
- [Carl] Okay, we'll stop.
Just for a bit.
(horse whinnies)
- [Gray] Look out!
Get out of here!
(gun fires)
- [Tanya] Come on, let's go!
Hurry up!
- [Julie] Come on!
- [Gray] Come on!
(horse whinnying)
(gun cocks)
- Carl, come on!
Let's go!
(gun clicks)
- Tanya, it's the jeep!
- Come on.
(grunts)
- [Julie] Get up!
(breathing heavily)
- Get down!
- [Gray] Julie!
(gun fires)
(Julie screams)
- Gray!
- Gray!
Jesus Christ, he's dead.
He's still reloading.
'Cause of one arm,
he's really slow.
We've got to do something.
- [Tanya] We'll never make it.
- Ah, yeah?
- Is it time?
- I don't know.
(gun fires)
There's no time.
I can't do that, no way.
Are you crazy?
I'll never make it, man.
There's no way.
- Yes, you can.
We'll make him shoot again.
- What?
- You can do it.
- No, I can't.
- You can.
Listen to me.
As soon as he fires.
- What?
- As soon as he fires,
you go for gold.
(gun cocks)
- No, don't, man.
Don't do it, okay?
- I love you.
- What?
Tanya!
(gun fires)
Tanya!
- [Tanya] Now!
(dramatic music)
(gun fires)
(gun cocking)
(gun fires)
(sighs)
(subdued music)