Breaking Home Ties (1987) - full transcript

Inspired by a Norman Rockwell painting, this 1950s coming of age drama centers on a young man leaving home to attend college, where he will learn the lessons in becoming a man. While his family must deal with a life threatening illness.

( train horn blowing )

( signal bell clanging )

>> She's coming.

>> Sure is.

>> 10:14 like I told you,

Lonnie, right on the button.

>> How about that, boy, huh?

Big old train just like the ones

you used to chase, huh?

( air horn blows )

Come on, boy, get in there.



Got a dome car!

>> Yeah, I see it.

Got your ticket?

>> In my pocket.

>> Dig into these, will you?

>> Half through them already.

>> Yeah, the easy half.

>> Oh, that's pretty heavy.

Better let me carry it.

>> There you go.

You got it?

>> Climb aboard, Lonnie.

>> Yes, sir.

>> Yep, look like a city feller,



all right.

>> ( chuckles )

A college man, huh?

>> Yes, sir.

>> Lonnie, good luck to you.

>> Thank you, Mr. Sears.

>> You make your own luck, hear?

>> Thanks, Dad.

>> Git.

>> All aboard!

>> Mr. Sears, is it all right if

I go up to the dome car?

>> That's what it's for!

>> Bye, Dad.

>> Bye, son.

>> He sure is excited about

leaving, isn't he?

>> Sure is.

( signal bell clanging )

>> This is for the pain.

>> Percodan.

>> It's powerful.

You use it whenever you need it.

And this is a drug called

6-mercaptopurine.

It may help retard the

deterioration of cell tissue.

>> I'm not sure I want it

retarded, Barton.

>> Emma, I wish there were

something else I could do,

something anyone could do.

But leukemia is still a mystery

disease.

>> Well, maybe Lonnie will go on

to medical school and find a

cure.

>> He might.

He's a good one.

>> There is something, though.

>> Name it.

>> Lloyd...

I don't want them to know.

>> Emma, I told you, there'll be

infection, anemia, you'll bruise

badly, have internal bleeding.

The bare truth is I don't think

you can make it very long alone.

>> I understand that, Barton.

There's no need for him to

suffer, too.

>> Well, well.

You look a whole sight better.

( chuckles )

What'd he have to say?

>> I need iron.

>> Iron?

>> Mm-hmm.

Gave me a prescription.

Lonnie got off all right?

>> Yeah, probably put away that

lunch you packed by now.

He sure was burning fuel.

>> It's wonderful he's so

eager.

>> Yeah.

You know, Em, turning them loose

is what raising them's all

about.

If we've done our job right up

to here, he'll be fine.

( engine starts )

( woman laughs )

>> Oh, my!

How about that hair?

>> Goes with the tie.

>> Burn it.

>> I can't do that.

My dad bought it.

>> Let him wear it.

Hey, you see this month's

"Esquire"?

>>"Esquire"?

>> The magazine.

>> Oh, yeah.

No.

>> Well, I got a copy.

You're not gonna believe it.

Here, check this out.

What about that?

>> Golly.

>> What you think?

I told you you wouldn't believe

it.

Pre-med All State.

>> Second team.

>> Well, hey, second team All

State, got a couple of numbers.

Wanna see if you can score some

points tonight?

>> Come on, Roy, I can't just

call up a girl I don't even

know.

>> Hey, this is college.

The girls here are after the

same thing you are.

>> I don't think I can.

I mean, I've never done it

before.

I mean, you know, call up a girl

I don't know.

>> Sure, you can.

I did.

She sounded great, too.

Name's...

Bonnie Jo Jensen.

Here, I'll give you the number

of the girl that wasn't home.

>> No, Roy, that's okay.

>> Yeah, take it.

>> I gotta get down to Bubba's

anyway.

>> Bubba's?

That's a hamburger joint, isn't

it?

>> Mm-hmm.

I'm gonna be working there.

Coach Davis set it up for me.

I figure I get frites and

spending money.

And if I make the team, my dad

won't have to worry about me,

so...

>> Yeah, I guess, but with

classes and homework,

basketball, and work, too...

whew, sure doesn't leave a lot

of time for all the

great-looking women round the

place.

( ratchet clicks, dog barks )

>> Lloyd.

>> Grace.

( dog barks )

>> Well, Shep, hi, boy, hi.

Yes, he's a good boy.

Emma home?

>> In the kitchen.

>> Then he's not homesick, hmm?

>> Well, he didn't sound it.

He was just bubbling over like a

spring.

He likes the campus.

He likes the boardinghouse.

He likes his roommate.

He likes his job.

>> And what about his classes?

>> Oh, I'm embarrassed to say I

didn't even ask, Grace.

I mean, I was so glad to hear

his voice and to know he was all

right.

>> I'm not saying his adjustment

is not important, but I want to

hear about those classes pretty

soon and his marks.

>> I'll tell him to write to

you.

>> Oh, good heavens, no, he's

got enough writing to do, and

he's had enough questions from

me to last him a lifetime.

No, just remember to ask him

about it next time you talk, and

then remember to tell me what

he says.

>> I will.

( truck engine running )

>> Lloyd missing him much?

>> You know how close they are.

>> He's proud, though?

>> Proud as the first day he

held him.

>> I'm so happy for you both,

Emma.

You're good parents.

>> Thank you, Grace.

( Shep barks )

You've taught so many children.

You ever wish you'd ever had

your own?

>> What do you mean?

They're all mine.

Part of them, anyway.

But your son, Lonnie, he's the

one I would've wanted if I

could've had my choice.

( Shep barking )

>> All right, I hear you, I

hear you.

He's working, too, you know.

>> ( grunts )

I'm sorry.

Hey, Welles, don't mess with the

linebackers.

They were undefeated last year.

>> Yeah, I bet.

>> You really like that pink

sweater, huh?

>> I think she's in my American

lit class.

>> She is, and there's more

poetry in that walk than you're

going to come across all year.

>> You know her?

>> That is Bonnie Jo Jensen.

>> The one you called?

>> The one I'm taking out

Friday night.

>> Are you serious?

>> Better than that-- she's

serious.

>> Gotta do me a favor, Welles.

>> Roy, I got two favors of

my own I gotta get done.

>> No paper, this is important.

>> What is it?

>> I need the room.

>> What?

>> I need the room Friday night.

>> The room, what for?

No. My room?

Unh-unh.

>> Your room?

It's our room, remember?

>> What happens if you get

caught?

>> Caught?!

I won't get caught!

>> I got your word on that,

right, Roy?

>> Come on, Welles, you saw her!

The pink sweater, she's a

walking, talking pinup, for

crying out loud!

>> Roy!

>> And she wants to walk right

into this house Friday night,

right into our room!

>> Shh!

>> Our room!

( rockabilly music playing )

>> You really think she looks

like that, huh?

>> I'm telling you, Welles,

twins.

>> Wow.

>> You're not gonna make me pass

that up, are you?

>> ( sighs )

>> Morning, Emma.

>> Morning, Clyde.

>> Letter from Lonnie.

>> Oh, thank you.

>> Nothing else but some

advertisers.

>> Well, nothing else I need.

>> Missed you in church on

Sunday.

That cold's really got a grip on

you, huh?

>> Well, I'm feeling better now,

thanks.

>> Well, you take care, Emma.

>> Thank you, Clyde.

Say hello to Ruth.

We'll be looking for you on

Sunday and Lloyd, too, if you

can collar him.

>> ( chuckles ) I don't think

that collar's been made yet.

>> ( laughs ) Oh, we'll get him

there one day, Em!

>> Tell you what, Welles, I'm

not set up for that sort of

thing.

Insurance and all, you know

what I mean?

>> Bubba, it's only for tonight.

You're gonna be through painting

the room and all tomorrow, and

you got that extra cot set up in

the back.

>> Hey, Welles, you got

something cooking, that's none

of my business.

You want to start cooking at my

place, though, itismy

business, you know what I mean?

>> What?

>> Hey, if you're short, I can

advance you enough to get a room

down at the Wagon Wheel.

It's not gonna cost much.

It ain't much.

>> But that's not it, I swear.

I'm not the one who-- well, it's

just kind of complicated--

>> Just you don't know how to

register, right?

>> Register?

>> Mister and Missus usually

does it.

Serve this, okay?

( chuckles )

>> Yeah, sure.

>> Bubba called you Welles.

You Lonnie Welles?

>> Yeah.

>> I'm--

>> Brad Sheldrick, I know.

I've seen you play.

>> Coach Davis says you're the

best freshman he's ever

recruited.

>> Really?

>> No, no.

But you looked like you could

stand some good news.

Oh, hey, listen, what-- what you

heard Bubba talking about,

that-- that's not what you

think.

>> What happen, that flake Gibbs

con you out of the room?

>> How'd you know that?

>> I heard you lived together.

He's hustling somebody I know

pretty well myself.

Fact is, if I hadn't of bailed

out on a date with her tonight,

you wouldn't be an orphan.

Hey, maybe I can help you out.

>> You sure your sister won't

mind?

>> Hey, she's cool.

She'd have to be to share an

apartment with her kid brother,

right?

>> I guess.

You're sure she's going with you

to your folks' tonight, right?

>> Hey, it's a party, 40th

anniversary.

Can't miss that.

Come on.

Carol?

Brought company.

( upbeat jazz music playing )

Just a sec.

( song ends, applause )

( slow jazz music playing )

Hey, Welles?

This is my sister Carol.

Carol, this is Lonnie Welles.

>> Hi.

>> Lonnie?

Nice to meet you.

>> Yeah.

Yes, it is.

Nice to meet you, I mean.

>> He's a freshman.

>> Brad told me about your

roommate.

Well, you're welcome to stay the

weekend if you want.

We won't be back till late

Sunday night.

>> Thanks, no, it's just tonight

that got all fouled up.

>> Well, I've got to get myself

put together.

Brad, show Lon where to find him

what he needs.

>> Sure.

So you like jazz?

>> Huh?

>> Jazz.

Carol's got a great collection.

>> Oh, uh...

I don't know much about it.

>> Well, just treat yourself.

Hi-fi works just like any record

player.

And there's TV.

>> Neat.

>> Yeah.

All this stuff's Carol's.

She's got a lot of class.

>> Yeah, I can tell.

>> Well, I gotta tellyou

something.

The coach did say you're the

guard we need to take us all the

way.

I'm really glad you decided to

come here.

>> Oh.

So am I.

>> How-- how's that?

>> Fine.

>> Oh!

>> That's when you have to take

the little cousin home...

>> Oh, yes, dumb.

It's a good thing Lonnie didn't

inherit my coordination.

He'd never have a scholarship to

play basketball.

>> Let me have a look at that.

>> No, no, it's nothing.

I keep banging myself up like

this, you're liable to trade me

in for a new model.

>> Yeah?

Take a good look at that truck I

drive?

>> Lloyd Welles, are you

comparing me to a truck?

>> No, I'm just saying that

you're both pretty well built.

>> ( laughs )

You want anything?

>> Another cold one.

( indistinct talking on

television )

( Lloyd laughs )

>> Who put my wallet on the

sink?

>> I did, I found it on the

floor.

( audience laughs )

( Lloyd laughs )

>> Let's see now, my car keys.

>> They're in the car.

>> Car keys in the car.

( Lloyd laughs )

( audience laughs )

>> Harriet, I know that.

Are you going to stay here and

help Ricky?

>> I think I'd better go and

help you.

( Lloyd laughs )

( indistinct conversations )

>> Welles!

Welles!

Hey, Welles, I gotta talk

to you.

>> I gotta get to class, Roy.

>> Hey, listen, let me tell you

what happened the other night.

You're not gonna believe it.

>> I don't want to know about

the other night, okay?

>> Are you sore?

Hey, you didn't have to do it,

you know.

I mean, if you really didn't

want to, you could've said--

okay, okay, I muscled you a

little, maybe.

>> Yeah.

>> I'm sorry, all right?

>> Forget about it.

>> Forget it?

How can I forget it?

You're my best friend.

>> What about Bonnie Jo Jensen?

>> Hey, listen, you're not gonna

believe it.

>> I still don't want to hear

about it.

>> Oh, yes, you do, Welles, yes,

you do.

God, you're not gonna believe

it.

I mean, I didn't believe it, and

I was there!

You know that "Esquire"?

Bonnie Jo sees it laying there,

see, and she says-- oh, man,

you're not gonna believe it.

I know you're not.

You're not gonna believe it.

She says...

>> ( laughs )

You're a liar, Roy!

She did not say that!

>> Yes, she did!

>> I don't believe it.

( laughs )

I don't believe you.

( school bell rings )

>> Hi.

>> Hi.

>> This is your next assignment.

It's by a contemporary author,

J.D. Salinger, and it's called

"The Catcher in the Rye."

How many of you have heard of

it?

How many have read it?

What prompted you, Mr... Welles?

>> Uh, yes, sir.

Um... my, uh, high school

teacher, Miss-- Miss Ferris.

She said it was the best

American novel written in a long

time, so...

>> I happen to agree with her.

Did you like it?

>> Well, yes, sir, I did.

It sort of reminded me of

"Huck Finn," in a way.

>> And what way is that?

>> Uh, well, this-- this Holden

Caulfield, he's the character

that tells the story, the one

that wants to be a catcher in

the rye, well, he-- he's sort of

a rebel like Huck.

He runs away, too.

Well, he-- he runs away from a

private school he goes to back

East.

That's all different and all,

you know, where he comes from,

the kind of adventures he has,

but, um...

uh, it still reminded me of--

of Huck, in a way.

>> Mm-hmm.

And what would you say the theme

of the book is?

>> The theme, sir?

The abstract concept that

Salinger is asking us to examine

in the light of our contemporary

social values.

>> Um...

honesty?

>> Not bad, Mr. Welles.

Not bad.

>> Pass it!

>> Go, go!

>> Pick them up, pick them up,

pick them up!

Take it!

Nice job, Welles.

All right, let's go, bring it on

down!

Let's go, get your hands up!

That's it, work around, work it!

Work it, come on!

Pass it, that's it!

Move it around!

Move it around!

That's it, pass it!

Pass it!

( whistle blows )

All right, huddle up right here.

Mars, you held it too long.

That's gonna happen over and

over.

I want you to move that ball

around.

Pass, pass, find the open man

and hit him!

All right?

Okay, hit the showers,

then the books.

I'll see you tomorrow.

2:00 sharp.

( players shout )

>> Hey, roomie,

looking good today.

I think you scored some heavy

points with old man Davis.

He was licking his chops

watching you sink those 20-

footers.

>> You weren't so bad yourself.

>> Shoot, man, Corbett would cut

me tomorrow if he had a bigger

turnout.

>> Roy, you got the size.

You just need to work, that's

all.

>> There's that word again.

>> Come on, let's go one-on-one

for a while.

>> I can't, I got a date.

>> With Bonnie Jo?

>> Eat your heart out.

>> Hey.

>> Hey, Welles, come on.

Let's go 20.

>> Oh, yeah?

>> Yeah.

Bring it in.

Hey, Carol says thanks for

cleaning up the place.

>> I didn't do much.

>> It made you look good.

I never do anything.

Hey, I told you she's working on

her PhD, didn't I?

>> No, really?

>> Yeah, psych.

>> That's great.

>> Yeah, except she's always

analyzing everybody.

You know what she said about

you?

>> Me?

>> Psyched you, Welles.

I bet you really want to know

what she said about you now,

don't you?

>> She didn't say anything.

>> Oh, yes, she did.

>> What?

>> She said she thinks you're

cute.

>> Cute?

>> That's two-zip, cutie.

>> Damn!

Damn!

( truck approaching )

>> Oh...

what happened?

>> Oh, those pills Dr. Hendricks

gave me, I dropped them.

>> Well, 6-mercaptopurine.

What's that?

>> Well, that's iron.

It's fortified.

There's something I want to show

you.

>> What's this?

>> Well, that's for headaches.

Come on, Lloyd.

>> Percodan.

>> Lloyd, there is something I

want you to see.

>> Oh.

>> Well?

What you think?

>> Where'd all this come from?

>> Mail order.

Curtains, slipcovers, lampshade,

new rug?

>> You like it?

>> Well, it's real nice.

>> Well, you always said it

should be green.

>> Well, what brought all this

about?

>> Well, holiday time is coming

up, and Lonnie's gonna be coming

for Thanksgiving.

I just thought I'd liven things

up a bit.

>> How about you?

You feeling a little more

lively?

>> Well, those pills are helping

a lot.

>> Not that I can see.

That knot on your leg isn't

looking any better at all.

>> Well, Southern belles are

supposed to be delicate,

remember?

>> You've been a Southern belle

all your life.

You've only been black and blue

like this lately.

Now if those pills are having

some effect they're not supposed

to, I want to know about it, and

I want it stopped.

>> Lloyd, I'm fine.

I just need a little rest.

>> You call this rest?

>> If you want to keep me in bed

all day, Lloyd Welles, you're

just going to have to keep me

there yourself.

>> Well, maybe you are feeling a

little better at that.

>> I thought we could even give

the house a fresh coat of paint.

>> Paint?

Hasn't been but three years

since I last painted.

>> Well, we could change the

trim, something bright and

happy.

>> Emma?

Are you happy?

>> You always make me happy.

>> Now I know you're stringing

me.

>> Well, almost always.

Could we, Lloyd?

Please?

We'll see.

( both chuckle )

( car horn honks )

>> Lloyd.

>> Ah, Grace.

>> You all right?

>> Just some back pain.

Guess I forgot how much work

Lonnie did around the place till

I started trying to do it all

myself again.

>> No complaints about growing

old, Lloyd.

I got a head start on you, you

know.

>> No complaints.

>> How's Lonnie?

>> No complaints from him

either.

>> Emma?

>> Well, you know Emma.

Any trouble she has, we'd be the

last to know about it.

>> Well, tell Lonnie I said

hello.

>> Well, he'll be coming home

for the holidays.

You can tell him yourself.

>> Oh, good, I'm looking forward

to that.

>> Always good to see you,

Grace.

>> You too, Lloyd.

>> She told me they were iron

pills.

Doug Bunting at the drugstore

told me that Percodan stuff is

for pain.

And that other bottle, that

6-mercaptopurine is for a

disease.

Now I want to know what that

disease is.

>> Doug didn't tell you.

>> He told me to ask you.

Now I'm asking you, Bart.

What the hell's going on?

>> Lloyd, I understand how you

feel.

>> Oh!

>> No, no, I really do.

But you've got to understand my

professional position.

I cannot discuss Emma's medical

problems without her permission.

You're supposed to use that

profession of yours, Bart, not

hide behind it.

>> Emma is my patient, Lloyd,

not you.

>> I pay the bills!

>> Is that a threat?

>> No.

No.

Hell, no.

>> I'm sorry, Lloyd.

>> I can understand whyyou

can't say anything, but why

should she shut me out after all

these years?

Unless she's as scared as I am.

>> Paint?

Well, I don't mind taking your

money, Lloyd.

But you ain't worn out the

guarantee on the paint I sold

you three years ago yet.

>> I don't want the paint I got.

I want something bright.

I want the brightest gall-darned

color you got.

>> Bright, huh?

>> Yeah.

>> How about chartreuse?

>> Chartreuse?

>> Yeah.

>> What the hell is that?

>> Oh, sort of a hot

yeller-green.

Bright as hell, like electric

limeade.

>> Limeade, huh?

>> Trim it out with some of that

Chinese red, you got yourself

one fancy eye-stopper, I tell

you.

>> Or an upset stomach.

How about a nice shade of

lemonade instead?

>> Pink or yeller?

( laughs )

>> Oh, it looks great, Lloyd!

>> Yeah!

( both laugh )

>> ( inhales ) Mmm.

Boy, oh, boy, there's nothing in

the whole world smells that

good.

>> Or tastes as good as it

smells.

>> Well, I know most people are

having pumpkin tonight or

mincemeat.

>> There's not a lot of people

that has a mom that cooks your

apple pie.

>> Well, we've had so much

turkey, we don't have to eat it

right away.

>> Well, maybe we don't, but I

do, thank you.

>> Lloyd?

( all laugh )

>> Just not strong enough to

push myself away.

( all laugh )

>> Emma, whoa, whoa, let Lonnie

have that piece, yeah.

I just want a sliver.

>> Yeah, till we all go to bed,

huh?

>> Well, you don't have to worry

about it all disappearing

tonight.

I baked two.

>> Thanks, Mom.

>> Well...

anything special you want to do

while you're home?

>> Yeah.

Dad?

How about packing into the lake

for a couple days, huh?

See if those brownies are as big

as last year.

>> Yeah, sounds like a good idea

to me.

But I'm not so sure I can get

away.

>> Why not?

>> Well, I got to get that old

tractor running.

>> I can do that for you.

>> No, no, it's your vacation.

Besides, you know Clem Barker?

>> Yeah.

>> Yeah, well, he's got trouble

with his generator, and I told

him I'd give him a hand and see

if I couldn't get the thing

working right.

>> Well, Lloyd, it's the

Thanksgiving holiday.

You didn't say anything about

helping Clem.

>> ( chuckles )

Forgot about it.

>> Well, it couldn't be all that

important, then.

>> Well, not to me, maybe, but I

imagine it is for Clem.

>> Well, how many times is your

son going to ask you to spend a

few days with him?

>> There'll be more days, right,

Lon?

>> Yeah, sure.

>> Not enough.

>> You spend them with him, Em.

Way I figure it, you got days

and days to catch up for all the

time we spent together hunting

and fishing and working side by

side.

>> He didn't do that to hurt

you, you know.

>> Doesn't matter.

>> Well, it matters that you

don't hold it against him.

>> I just thought he'd be happy

to see me, that's all.

>> He's been like you used to be

on Christmas morning.

>> Sure took down the tree in a

hurry.

>> He loves you.

>> I know.

>> And don't ever doubt it.

>> Okay.

>> Promise me that.

>> Mom.

>> Promise.

>> Okay.

>> Cross your heart.

>> Cross my heart and hope to

die, okay?

May I have this, please?

>> You know what I think?

>> What's that?

>> I think we ought to pay a

visit to Miss Ferris first thing

in the morning.

>> What for?

>> Because you wouldn't be going

to college at all if she hadn't

helped you get ready for it.

>> Yes, ma'am, I know that, I

just-- I meant why tomorrow

morning?

>> Because there's no reason

not to, and you never know if

you'll ever get around to the

things you put off.

>> Pretty heavy philosophy

there.

>> A simple truth.

>> Lon, I'm so happy you thought

to call.

>> Well, yes, ma'am.

>> Emma?

>> Oh, thank you.

>> We were just glad you were

home.

>> The odds of me being here are

pretty good.

>> Sure have been a lot of

places, though.

>> Yeah, traveling's meant a lot

to me.

>> All those came from different

countries?

>> Mm-hmm.

>> You know, I lived in Europe

for two years before I came back

here to teach.

Then I cruised the South

Pacific.

That's where all those masks

come from.

>> Huh.

Where did those come from?

China?

>> No, Burma.

Yeah, and these are from Sierra

Leone.

And this little ivory piece's

is from India.

This is from Nairobi.

Ah, but this, this is from

China.

It's 11 centuries old.

Here, hold it.

>> ( chuckles )

No, I don't want to hold it.

I don't even want to touch it.

( laughs )

>> Why?

Go ahead.

Go on, feel how delicate it is.

>> Wow.

It's-- it's really light.

>> Yeah.

>> Never been so scared I'd drop

anything since the last pass in

the state finals.

>> ( laughs )

It's only a thing, Lon.

>> Well, it's got to be a

priceless thing, though.

>> Well, it's worthless if it

can't be shared, like any work

of art.

>> Well, I'd still feel better

if you held it.

>> ( chuckles ) Okay.

Now, how'd you like a cup of

tea?

>> I envy you, Grace.

>> The travel?

>> There's so much to see, so

much to do.

>> And the grass is always

greener.

>> Now, don't tell me you

would've ever traded what this

represents.

>> In the blink of an eye.

For the right thing.

>> What would that be?

>> Now?

Nothing.

But there was a time.

>> I can't imagine anything

being better than traveling

around the whole world.

>> Of course you can't, but you

will.

Emma, how about I warm that up

for you?

>> Thanks.

There's just something in the

way she looks at him, Lloyd.

You can just tell she cares.

She's proud, as proud as we are.

>> Probably pretty proud of all

of them that turn out.

>> Well, I guess.

She did have pictures of other

students in with the snaps of

her family.

She even had one of you.

>> Me?

I can't recall my ever being

much of a student.

>> Well, she said you were.

>> Well, that was a long time

ago.

>> Well, she told Lon you were

one of those young gifted people

who never had the opportunity to

explore his potential.

>> Well, that right?

>> And then on the way home,

Lon said he thinks that may be

why you seemed so distant to him

lately, that maybe you envy what

he's doing.

Is there any truth to that?

>> Could be, I suppose.

>> Now don't you go playing word

games with me, Lloyd Welles.

You might not use many words at

one time, but you know exactly

what each one means when it

comes out of your mouth.

>> Do you mean like you and the

curtains, slipcovers, and the

new paint?

You want to talk, Emma?

I do.

I want to talk about the bruises

you've been getting and the

infections and how tired you've

been.

I want to talk about the pills

you take.

>> Lloyd...

>> I went down to the pharmacy,

and I talked to Doug Bunting,

and he told me what the Percodan

was for.

And then he told me that that

purine stuff was for a disease.

And I talked to Doc Hendricks.

He said he couldn't tell me

anything until he discussed it

with you, until you said it was

all right.

Is it all right, Em?

Is-- isn't it something we ought

to talk about?

>> You won't tell Lon, will you?

>> If you can trust Doc

Hendricks, you ought to be able

to trust me.

>> Oh, Lloyd, hold me.

>> I've been to the library,

too.

Leukemia?

How long have you known?

>> Not long.

Summer.

>> And, how long...

>> Not long.

>> State finals, Lonnie Welles

versus Shep Welles.

( Shep barks )

( imitates crowd cheer )

We scored!

We did it, boy!

We did it! We win!

( indistinct conversations,

"Earth Angel" playing )

>> Hi.

>> Hi.

>> I think that's where I got

stuck last time, too.

>> That's right, you did.

>> Well, can I help you?

>> I just wanted to thank you

for helping Roy with that

history report.

>> Oh.

I didn't think anybody was

supposed to know about that.

>> He told me when he had to go

home.

>> He went home?

>> For the weekend.

He was supposed to take me to

the flicks tonight, too.

"The Wild Ones" playing.

Have you seen it?

>> No.

>> Marlon Brando, he's the most.

>> Yeah, I hear he's pretty

good.

I haven't seen it, so--

Can I help you, please?

I got to keep hustling here.

>> I'll have a coffee.

>> Coffee, okay.

>> How late do you have to work?

>> Tonight?

Uh, 7:30.

>> The show doesn't start till

8:00.

Why don't we go together?

>> Together?

>> You worried about Roy?

>> Well...

>> Why would he be mad?

It's not like you asked me out

or anything.

>> Uh...

>> It's just something we both

want to do.

Don't we?

>> Well, yeah.

Sure.

>> Good.

( announcer talking

indistinctly )

>> Fasten your side.

>> It might be kind of nice to

leave it down, don't you think?

>> Too bright.

>> You want to trade sides?

>> No, this is fine.

You could put the speaker

inside.

>> Oh.

Right.

Oh, I-I'm sorry.

>> I'll hold it for you.

>> Why?

>> Well, you roll up the window.

>> Oh.

Thanks.

Kiss me.

>> All of your snack bar

favorites are there including

fresh peanuts, hot popcorn, and

candy of all kinds.

And, believe us, you've never

eaten better hot dogs...

>> You want something from the

snack bar?

>> No.

Let's get in back.

>> In back?

>> There's more room.

>> Oh! Oh!

I-I'm sorry.

Are you okay?

>> I'm fine.

>> I'm sorry.

>> It's fine.

( announcer continuing )

What's the matter?

>> Bonnie Jo...

>> What?

>> Nothing, i-it's wrong.

>> What's wrong?

>> Well, not you, not you.

I mean, you're fine.

Just-- just us.

I-I mean me.

>> What?

I- I can't.

>> You can't?

What do you mean you can't?

>> I-I mean I-I-I can't.

I can't do this.

>> Come here.

>> One minute left to top off

the evening with a treat from

our snack bar.

>> No, no.

>> What's the matter with you?

>> I don't know.

>> I do.

Ithoughtyou were too

goody-goody.

>> Bonnie Jo, listen--

>> Listen?

You're a talker, all right.

A real big talker.

>> I-I never said anything.

>> You said plenty.

>> Bonnie Jo, I never told you--

>> You knew what you were doing

going out, coming here.

You knew.

Now I know why you were so shy,

don't I?

>> ( laughs ) Bonnie Jo!

>> Get out!

>> Bonnie Jo, wait a minute,

okay?

Just listen, all right?

I'm sorry, I really am, I didn't

mean to--

>> Get away from me, I mean it.

>> Hey, Bonnie Jo!

>> Just get away from me.

Get out.

>> Here?

>> Get out!

>> Bonnie Jo!

Hey!

Bonnie Jo!

Oh, great.

Bonnie Jo, come on.

I'm sorry!

>> Enjoy the show!

>> Wait!

How am I supposed to...

get home?

>> Guess who?!

( Woody laughs )

>> Great.

>> Lloyd?

>> There are other specialists!

We could go to-- what's the name

of that place back East, that

clinic?

We'll see whoever it takes, pay

whatever they want.

>> Lloyd, Lloyd, please, don't.

>> This is the 20th century, the

age of miracles.

They can do anything--

>> Shut up!

Please, Lloyd.

I can't make it if you can't.

>> I'm sorry.

Sorry.

I want Lon home.

>> No.

>> He'd want to be with you, Em.

Lloyd, Lonnie's life is just

beginning, and it's the life we

always wanted for him.

Now we'll do what we have to do.

>> Emma--

>> And Lonnie will just keep on

doing what he has to do.

>> Emma!

>> Now his education is the one

thing we can give him that

nobody can ever take away.

We can't take it away from him

now.

Lloyd, we can't.

>> Welles, stay out of the trees

till you know you've got the

lane!

Switch!

Watch the hands, Gibbs!

Hustle, Welles!

>> Yeah, come on, Welles,

hustle!

You're good at that when I'm

not around, right?!

>> Shake him, Welles, shake him!

>> All hustle, no score, though,

right, Welles?!

>> Back off, Gibbs.

You okay, Welles?

>> Yeah.

>> Listen, you two got something

going--

>> You want to get something,

candy.

You couldn't get it going with

her, could you?

>> Gibbs!

>> Come on, let's go, cupcake!

>> Gibbs, move it out, ten laps!

>> Stuff it!

>> Who you talking to?

>> Me.

>> Welles!

Welles!

>> Welles, Corbett bounced Gibbs

off the squad.

Old man Davis wants to see you

Monday.

>> I don't know.

>> Don't know what?

It's your scholarship.

>> I don't know if I even belong

here at all, Brad.

>> Of course you belong here.

What would you be doing if you

weren't here?

>> I don't know.

I never even thought about

anything else.

Maybe I should have.

Maybe that's what's wrong.

>> Wrong?

Hell, Welles, the only thing

that's wrong is you should've

knocked that flake on his can.

How'd you let him put you down

like that?

>> Because he had a right.

>> Why, because of Bonnie Jo

Jensen?

>> I knew how he felt about her,

Brad.

>> Him and half the campus.

>> It was wrong.

>> So you say you're sorry and

get your tail back out to

practice on Monday.

>> I can't, not after what he

said.

>> Look, that bull he was

throwing, nobody was buying

that.

Forget about it.

>> It wasn't bull.

I couldn't do it.

>> Lonnie, every chick doesn't

hit every guy the same way, you

know?

>> Ever happened to you?

>> Well...

no.

>> Anyone else you know of?

>> No.

>> And you took out Bonnie Jo?

>> Well, yeah, but--

Listen, how about if I line

something up for you tonight?

Okay, okay, it was a bad idea.

>> Yeah, a bad idea.

Brad, I appreciate what you're

doing for me.

I gotta get all these other

tables set up, okay?

>> Hey, you want to sleep at the

apartment?

>> No, thank you.

>> Come on, what are you gonna

do, go back to the boardinghouse

and bunk with the flake?

>> I don't know.

>> Man, you don't even know your

own name right now.

Here's the key.

Use it.

>> What about your sister?

>> She's going off to a seminar

somewhere.

I won't be home till late, so

don't wait up.

>> Thanks, Brad.

>> Hey, if you change your mind

about the flake, I'll hold your

coat.

>> Not in?

Oh, you know when he'll be back?

I see.

Well, this is his father.

I want to leave a message.

Tell him I want him home on

tomorrow's train.

It's important.

Yeah, tell him that, too.

That's right.

Tomorrow's train.

( jazz playing, door unlocks )

>> Brad?

>> It's just me.

>> Oh, hi.

Uh, Brad said you wouldn't be

home tonight, I--

>> Oh, well, it got so late, I

decided not to go.

>> Oh.

Uh, I can clear out of here.

>> What happened?

More roommate trouble?

>> Yeah.

>> Might be time to find a new

one.

>> Might be time to pack it in.

>> What?

>> School.

>> I thought you liked it here.

>> Oh, I do.

I do, but, um...

I don't know.

( chuckles )

Listen to me.

I'm dumping all my problems on

you, I'm sorry.

I just better go.

>> Go where?

>> Uh...

I'll find someplace.

>> I got an idea.

Why don't you go with me?

>> What?

>> Well, the seminar's at Lake

Hollister.

Ever been there?

>> No.

>> Oh, it's quiet and peaceful.

It's a good place to think.

Well, they got plenty of rooms

and a discount rate for

students.

Well, if you need a loan, I can

cover you till we get back.

>> No, no, that's okay.

I've got money.

I-- I just thought, you know...

uh...

Well, if it's okay with you,

I...

I-I'd-- I'd love to.

To, you know, see the lake and

all.

We've got a lake at home.

Beautiful lake.

I sometimes go there when I have

to sort out my problems and

stuff.

>> Well, then let's go.

>> Okay.

>> Okay.

( dog barks, children and women

shouting indistinctly )

>> So your father never went to

college?

>> No.

My dad had an older brother, my

uncle Finlay.

>> Yeah.

>> Well, he went on to college,

and the deal was that my dad

would work to help him through,

and then afterwards, he'd work

to help my dad get through.

Well, my dad worked and sent

Finlay his money, but when

Finlay graduated, it was during

the Depression.

And he got this girlfriend of

his...

pregnant, and they got married.

And so...

>> So you think your father

resents you now for what you're

doing?

>> You think that's possible?

>> Well, I suppose.

>> I-- I really wanted to share

this with him, you know?

I mean, I really did, Carol.

>> It's a big adjustment.

Leaving home, I mean.

It takes everybody some getting

used to, even parents.

>> When you left, was it hard?

>> Well, when I left, I went to

live with somebody else.

>> The guy in the picture?

>> Picture?

The one in your place?

You know, that guy and you.

It looked like you were on

vacation or something.

I don't know, I figured it was a

honeymoon or something.

>> Yes.

Dusty.

We went to Hawaii.

>> Mm.

What happened?

>> Normandy.

>> Oh, I'm-- I'm sorry, Carol.

>> Oh, it's all right.

I was sorry, too, myself, for a

long time.

Oh, hey.

That meeting's about to start.

>> Yeah, um...

thanks.

>> For what?

>> Well, talking to a kid.

>> Oh.

We're all kids, Lon.

Some of us are just older.

>> May I?

>> Sure.

>> No passengers, Lloyd.

>> Thanks, John.

( air horn blows )

>> Hey.

>> Hi.

>> Well?

Learn anything you didn't know

before?

>> Hmm, couple things.

>> Yeah?

>> How about you?

>> Well, yeah, maybe.

>> Yeah?

Like?

>> Let me ask you something

first.

>> What's that?

>> Why'd you ask me here?

>> I told you.

It's a good place to think.

>> Well, then I think it's

because you feel sorry for me.

>> No, no, I'm not the type to

feel sorry for people.

>> No, huh?

>> No. ( chuckles )

>> Well, then why?

>> I like you.

>> W-well, uh...

how do you like me?

I mean, um...

the same way I like you?

>> What do you mean?

>> Come on, Carol.

>> Lon, um...

>> Oh, shoot.

I'm...

( chuckles )

What's the matter with me?

What the hell's the matter with

me?

>> There's nothing the matter

with you.

>> Yes, there is.

I-I thought--

I don't know what I thought.

I'm feeling so many things I

don't even understand right now.

I'm sorry.

I'm very-- I'm going to leave.

>> Well, I can drive you back.

>> No.

I'll take a bus.

You don't have to do that, I

can--

>> Carol, please.

You've done enough.

Thanks, okay?

>> Okay.

( telephone rings )

>> Hello?

( rock and roll music playing,

indistinct conversations )

>> Dad?

It's Lonnie.

>> Where the hell are you?

>> What?!

Hold on.

Dad, I can't-- okay, guys,

please?

Just lower the hi-fi.

Dad, I'm sorry.

I'm at a pay telephone.

I can't hear you too well.

What'd you say?

>> I left word for you to get

home.

>> Yeah, I-- I know.

I got the message-- I got--

please don't do that, Cletus!

Dad, listen to me--

>> No, now you listen.

Wherever you are and whatever

you're doing, you get your tail

out of it and get on home.

>> Dad, wait a minute, I--

>> You be on the train!

>> Hello, Lonnie.

>> Hey, Mr. Sears.

>> I understand you're knocking

them dead up there.

>> Getting by.

>> Your daddy's waiting.

>> I see him.

Thank you.

Where's Mom?

>> She's been sick.

>> Again?

>> It's the reason I called.

She needs to see you.

>> What do you mean?

Is something--

>> What I mean is what I say.

Seems maybe you've been

forgetting about that lately.

Get in.

( air horn blows )

>> She's all right, then?

It's nothing serious?

>> Doc Henderson's looking after

her.

She's got medicine.

She's got one son, though.

Figure that may be the best

medicine she could have.

( signal bell clanging )

>> Oh, what a wonderful

surprise.

Your daddy told me what you said

about wanting to come home.

>> What he actually said was how

much he missed your cooking.

So why don't you get him fed

while I go work on the corral?

>> Well, let me fix something

for you, too.

>> No, I'm not hungry.

Feed him.

>> Split pea soup on the stove.

>> Great.

>> Tired of Bubba burgers, are

you?

>> Beginning to feel like one.

>> Well, I'm not sure that's a

reason to spend good money

coming home.

But I'm happy to see you.

>> What's wrong with her, Dad?

>> Told you.

Been down a while.

>> She looks awful.

>> Yeah?

She says she feels better.

>> You told her it was my idea

to come home.

Why?

>> She missed you.

>> Why didn't you just tell me

how sick she was?

>> Can't always find you these

days.

>> You want me to say I'm sorry

for that?

>> Well, that's up to you.

>> S-sorry for what?

For not checking on the two of

you all the time?

When was I supposed to start

doing that?

I mean, you're my-- you're my

parents, Dad.

You're the grown-ups.

Just because I go away, we have

to go through some kind of role

reversal or something?

>> Role reversal?

I'll grant you're learning

things I never even heard of!

I hate you think you're

forgetting the things your mom

and me spent a long time

teaching you ourselves.

>> Dad...

>> Look, you want to talk, Lon?

Your mom's been wanting to talk

with you for quite a spell.

>> I need to talk to you.

>> Your mom's the one needs you

home!

>> You...

bastard.

>> Get in the house, Lon.

Get.

>> Ah, damn.

( rooster crows )

>> Lon?

Thanks for coming.

>> Just wish I could do it more

often, that's all.

>> Well, you'd better go.

>> See you, Mom.

>> See you!

>> Board!

( air horn blows )

>> Well, that's me, boy.

I got it.

>> Lon?

>> Yeah?

>> I got something to say to

you.

Your mother...

Your m--

Well, your coming home meant

a lot to her.

I'm sorry for putting the spurs

to you the way I did.

>> It's okay.

I'm sorry for what I said to

you, too.

>> What was that?

>> Lonnie!

>> I gotta go.

>> Right.

>> See you, boy.

( Shep whimpers )

( indistinct conversations )

( air horn blows )

>> So long, Lloyd.

>> Lonnie?

>> Oh, hi.

>> Hi.

I thought you were going home.

>> I did.

>> Not good?

>> Uh, well...

lack of communication, I guess

you'd call it.

>> You're not dropping out of

school, are you?

>> No.

No, I'm gonna finish out the

semester anyway.

>> And then?

>> I'm not sure.

I'm trying to look at all the

alternatives.

>> Like?

>> Got my military obligations.

Thought maybe I should enlist

now and use that time to find

out what I want to be when I

grow up.

>> You want my reaction to that?

>> No, ma'am.

I can guess what that'd be.

We're not in any war right now,

though.

>> Lonnie, maybe we should

continue that talk we started at

Lake Hollister.

>> I think I embarrassed the

both of us enough up there,

don't you?

>> There's no need to be

embarrassed about anything.

>> You sure?

>> As sure as I am about the

Army.

( slow jazz playing )

>> How could I say that to him,

Carol?

>> Maybe he deserved it.

>> He's my father.

>> He's obviously having a hard

time coping with something right

now.

>> Yeah, me.

>> You're changing right now,

Lon.

That's what life is, change.

Nothing ever stays the same.

>> Kind of liked it the way it

was, that's all.

>> Yeah, but you can't control

everything.

You should've learned that with

your roommate and that girl you

were with.

What was her name, Bonnie Jo?

>> Brad told you about that?

>> I wanted to know.

>> Oh, great.

Well, that's just great.

I thought I could trust him.

>> Youcantrust him and me.

>> I'd just better go.

>> I'm not going to let you run

away, Lon, especially not to

some recruiting office.

The answers aren't out there.

They're inside you.

>> What's inside me right now is

all...

fouled up.

You must think I'm the biggest

baby you've ever known.

>> No.

No, you're very much like--

like somebody I loved very much.

How old are you, Lon?

>> 18.

>> Dusty was just a few months

older...

and going off to war to die.

I hardly got a chance to know

him.

But I liked what I knew.

And you--

you remind me of him.

>> I do?

>> Yes.

Very much.

>> How?

>> Oh...

well, you're kind, and you're

gentle...

and caring.

And that's why your first time

couldn't be with a girl like

that in a place like that.

The experience was distasteful

to you because-- because there

has to be more.

There has to be a lot more for

anyone with any depth.

Your roommate wouldn't know

that.

>> I-- I didn't fight back.

>> Oh, that doesn't make you any

less of a man.

>> Well, the guys thought so.

The coach did, too, I think,

Brad.

>> Well, they wouldn't know who

is a real man and who isn't.

That is something only a woman

knows.

You asked me a question.

I never answered.

>> What?

You asked me if-- if I liked you

the same way you liked me,

remember?

>> Carol...

>> What do you think the answer

is, Lon?

Yes.

Yes, Lon.

Exactly the same way.

>> Em?

( car approaches )

( engine stops )

>> You knew, didn't you?

You knew she was dying.

Come on, Dad, talk to me.

Damn you!

Talk to me!

No, I-- I don't want to hear

anything you have to say to me,

okay?

You listen to me.

I'm gonna be at the motel.

And after the services, I'm

leaving.

Don't look for me to come back.

You listening to me?

( groans )

There's nothing here for me now

that she's gone.

( car approaches )

( engine stops )

( car door opens, closes )

( footsteps )

( knock on door )

( knocking continues )

>> ( groans )

( angrily ) I told you I

didn't--

Come in.

I'm sorry.

What is it?

>> Your roommate gave this to

Brad.

He drove me down.

It's from your mother.

>> "Dear Lonnie, you will have

learned by now that we have seen

each other for...

the last time...

in this life.

I want you to understand why I

chose to say goodbye to you in

this way."

I'm sorry.

>> It's okay.

It's for you, not me.

>> ( thinking ) "And I will try

to explain my reasons for that

choice in a way that can make

clear the desperate need to end

my time with you and your father

with some degree of dignity."

( Emma's voice fades in )

>> But the most important thing

for me to know as I leave you is

that you understand how hard

this has been for him.

His not sharing time with you

was really his way of trying to

be sure I had as much time with

you as possible.

He's a simple man, Lon, you know

that, and that was simply his

way of keeping us together as

much is possible without

breaking his vow to me that he

wouldn't tell you about this

dreadful disease called

leukemia.

Before I go on, I want your

promise to forgive him if he

hurt you in any way while he was

trying to help me.

I want your to promise, too,

that you will look after him now

that I no longer can.

>> You know what I think?

>> What's that?

>> I think we ought to build

ourselves a cabin up here.

>> What?

>> Yeah, we could drop it down

in that stand of trees right

over there.

>> I'm sorry, but I don't think

what she did was right.

>> I don't either, Lon, but it

wasn't your life or mine.

It was hers.

Right and wrong in any subject,

that's something we all got to

find for ourselves.

You know, most of us go through

life thinking we're the only

ones that ever did something or

other that we've been told is

wrong, the only ones that commit

some particular sin.

( chuckles softly )

I don't want you to ever feel

like that.

>> I did do wrong by you,

though, Dad.

>> Doing what, growing up?

>> Fooling around while you're

back here working twice as hard.

>> Well, I had twice as much to

work for, and I just hope that

this woman you met cares half as

much about you as my first woman

cared about me.

>> Well, I sure know how much

Mom cared about you.

>> I'm not talking about your

mother.

Got to be a first time for

everyone, son.

>> Did Mom know about her?

>> No.

Nobody knew.

>> ( chuckles ) No.

You think maybe you have to

leave home just to find out

things about your own family?

>> Maybe.

>> Dad, you know everything

there is to know about me.

I mean, you've been with me all

the time, but...

gall darn, there's so much I

don't even know about you.

>> All you have to know is that

you're not alone, not in

anything you ever do.

>> You mean like with Carol?

>> That's what's troubling you

right now, isn't it?

>> Well, yeah.

You think Mom would have

understood?

>> About you, maybe.

About me, I don't know.

>> She knew that you loved her,

though, Dad.

>> Yeah.

She knew how much I loved her.

>> What about the other woman?

Did you love her, too?

>> At the time.

Used to think I couldn't live

another day when she told me we

had to stop seeing one another.

Shows you how wrong I was and

how right she was.

And maybe being older gave her

the edge, being a whole hang of

a lot more experienced in what

makes people tick, probably all

the traveling she did,

suffering, too, I suppose.

>> She used to travel?

>> Mm, all over the world.

I used to wish I'd been in half

the places she'd been, knew half

as much.

I wanted to be older, smarter,

richer, just plain better so I

could be with her forever.

>> I know her, don't I, Dad?

>> You do.

>> When I came back here to this

town that my father's family had

put on the map after all the

opportunities that he'd made

available to me through friends

in the East, well, he was just

dead certain I was a failure.

And, of course, that meant he'd

failed, too.

>> You stayed here anyway, huh?

>> Well, I learned a lot out

there, especially about myself.

I-- I knew I didn't like the

pain in a world that never quite

accepted me.

I knew I belonged here, and I

was right.

>> You never miss those

opportunities you mentioned to

me?

>> Well, they didn't match the

opportunities that I found here.

No, it was a joy to share what

I'd learned with the young

people born in a small,

unsophisticated community like

this.

I've found a couple of other

important things here, too.

Like acceptance and...

and love.

>> My dad?

>> Yes.

It was a love so-- so fine.

But it couldn't have gone on

from there, couldn't have been

more than it was.

>> Because of what people would

say if they knew, huh?

>> If one parent had found out

that I was in love with an

ex-student, they all would've

felt that no child was safe in

my hands.

No, that love would've come

between me and the young minds I

wanted to help.

But-- but it was mainly because

your father had already lost so

much of what he wanted in life

and had already assumed such a

burden that, well, I just

couldn't handicap him with a

reputation he never would've

been able to live down in a town

this small.

>> He's the reason you helped me

so much, isn't he?

I mean, why you got me ready for

college.

>> I knew what it meant to your

father.

It's what he always counted on

and never had a chance to try.

Yeah.

You know, it just might be that

you're the first one of all of

us who's really ready to leave

this place, Lon.

>> ( chuckles )

What do you mean?

>> Well, your roots are deep and

firm, your views are

uncluttered.

>> They've been feeling pretty

cluttered lately.

>> Well, they're emotions we've

all felt, part of growing up and

breaking home ties.

That's exactly what your father

is trying to make you see right

now.

>> Why he told me about you.

>> Yeah, and called to tell me

that you'd be coming over here

with a can opener.

( both chuckle )

It's not always a pretty world,

Lon, you know that, or a happy

one.

There's a part of all of us we

don't want revealed for some

reason or other.

Then we grow old and get

freckles and warts and lines in

places we certainly don't want

them.

We also begin to realize maybe

we're not as wonderful and as

good as we wanted to be or even

should be, but no use dwelling

on that.

No, it's better to think of all

the beautiful things, things

that put a smile on your face.

You know, if you concentrate on

those things, Lon, you'll find

it makes whatever you do in life

a whole lot easier.

You may even find that the

people you live with and work

with and share with have a

better time of it, too.

Better times, lots of smiles,

better memories.

And in the end, they're about

the most important things we

have left, memories.