Boys on the Side (1995) - full transcript

Jane is a night club singer, out of work. Robin is a quirky real estate agent looking for a ride-share to accompany her to California. Her advertisement is answered by Jane, who at first was uncertain about her. A stop in Pittsburgh picks up a third, Holly, escaping a violent and drug-dealing partner. Girls on the road, reaching understanding, respect, and care for each other. But this trio is different - Jane a lesbian, Robin suffering with AIDS, Holly running from her past, seeking one-night stands and a good man.

♪ EACH TIME I TELL MYSELF

♪ THAT I JUST
CAN'T STAND THE PAIN ♪

♪ BUT THEN YOU
HOLD ME IN YOUR ARMS ♪

♪ AND I'M
SINGIN' ONCE AGAIN ♪

♪ SO WON'T YOU
JUST COME ON ♪

♪ COME ON

♪ COME ON

♪ COME ON AND TAKE IT

♪ TAKE ANOTHER LITTLE
PIECE OF MY HEART NOW, BABY ♪

♪ OHH,
BREAK IT ♪

♪ BREAK ANOTHER LITTLE
PIECE OF MY HEART ♪



♪ DARLIN', YEAH YEAH

♪ HAVE A

♪ HAVE ANOTHER LITTLE PIECE
OF MY HEART NOW, HONEY ♪

♪ OHH, OHH, OHH

♪ 'CAUSE YOU
KNOW YOU GOT IT ♪

♪ 'CAUSE IT
MAKES YOU FEEL GOOD ♪

♪ OH, YES, INDEED

♪ YEAH ♪

OWW!

THANK YOU.

I'M JANE DeLUCA.
THIS IS JOHNNY FIGGIS
AND OUR BAND.

I GOT TO
TAKE A LEAK.

FINE.

DID YOU SEE
THAT BITCH, MAN?



FUCK HER.

I'M GOING
TO FUCK HER.

WAIT. J-J-J-JANE.

GIRL, THAT MAN
IS SO FINE.

YEAH, ACTUALLY, HE IS.

IS THIS
YOUR FIRST DATE?

MM-HMM. DO YOU NEED
TO CLEAR SOMETHING?

TAKE EVERYTHING,
JUST LEAVE THE GLASSES.

NO. I WAS THE SINGER
UP THERE.

YOU DIDN'T SEE ME?
I WAS SIGNALING,
GOING LIKE THIS.

WHAT ARE YOU
TALKING ABOUT?

YOU DON'T KNOW?

YOU HAD THE BIGGEST,
GREENEST THING
HANGING FROM YOUR NOSE.

I KEPT GOING LIKE THIS.

YOU COULD SEE IT
FROM THERE?

IT LOOKED LIKE
GUMBY DOING TARZAN.
IT WAS HUGE.

OH, MY GOD.

I INVITED THIS
IMPORTANT A&R GUY DOWN,

AND YOU FUCKED ME.

LISTEN,
YOU'RE OUT OF HERE.
YOU'RE CANCELED.

YOU CAN'T--
HEY, WAIT.

WAIT FOR WHAT?
TILL YOU LEARN
TO SING?

WHAT'S
UP WITH HIM?

YOU WANT TO KNOW
WHAT'S UP WITH HIM?

HE JUST FUCKED US.

THIS TOWN IS
DEAD FOR ME ANYWAY.

WE GOT THAT GIG IN L.A.
WE'LL JUST LEAVE EARLY.

MAYBE THIS IS TRYING
TO TELL US SOMETHING.

IT'S TELLING US
WE'RE FUCKING FIRED.

NO, NOT JUST THIS.

MAYBE L.A.
ISN'T THE ANSWER
TO OUR PROBLEMS.

WHAT DOES THAT MEAN?

TOMMY HOOKED ME
WITH SOME STUDIO WORK
IN THE CITY.

IT'S GOOD MONEY,
IT'S IN THE CITY,

AND I GOT TO THINK
OF DEBBIE HERE.

THE LITTLE GIRL
IN QUEENS WHO SETS
HER HAIR EVERY DAY?

THIS IS SUDDENLY
A FACTOR?

GET THE FUCK
OUT OF THE WAY!

YOU GET THE FUCK
OUT OF MY WAY!

GO BACK TO PAKISTAN!

LOOK, I GOT TO BE
REALISTIC HERE, RIGHT?

I GOT TO LOOK AHEAD.

HOW LONG YOU BEEN
DOING THIS

LOOK--

LOOK, WHAT?
LOOK, WHAT?

I DON'T WANT THAT
TO HAPPEN TO ME, O.K.?

YOU SHOULD BE SO LUCKY.

I GOT PRIORITIES HERE,
YOU KNOW?

YOU KNOW, SHE'S
HOLDING YOU BACK, MAN.

EVERYBODY SAYS IT.
SHE'S LIKE YOKO WITH BANGS.

THEY DON'T SAY SHE'S
HOLDING ME BACK, O.K.?

ALL I'M SAYING IS
DON'T GO TO L.A.,
ALL RIGHT?

EVEN IF YOU DON'T GOT
THE SHIT GOING ON HERE,

YOU GOT
THE VOICE OVER STUFF--

YOU STAY HERE AND
YOU PLAY DADDY, O.K.?
I'M GONE.

JANE?

♪ WHY

♪ WHY

♪ HOW MANY TIMES
DO I HAVE TO TRY ♪

♪ TO TELL YOU

♪ THAT I'M SORRY FOR
THE THINGS I'VE DONE? ♪♪

THAT WAS IN '78, RIGHT?

I WAS SUPPOSED
TO BE THE NEW ARETHA.

BUT THE OLD ARETHA
WAS THE NEW ARETHA.

I WAS SOMETHING NOBODY'D
EVER SEEN BEFORE.

SO I'M GETTING
THE FUCK OUT.

CAN I GET
SOME FRENCH FRIES?

YOU KNOW,
HEAD DOWN TO L.A.,
GET SOME GIGS GOING.

THAT'S PERFECT.

I CAN DROP YOU THERE
AND HEAD ON TO SAN DIEGO.

GREAT.

I USED TO SING, TOO.

OH, REALLY?

MM-HMM.
NOTHING PROFESSIONAL.

MOSTLY AMATEUR
TALENT COMPETITIONS.

LIKE STAR SEARCH
OR SOMETHING?

SORT OF. ONLY I
NEVER MADE IT THAT FAR.

I PLAYED THE PIANO
AND SANG.

WHAT'D YOU SING?

WAY OVER YONDER--CAROLE KING,

CLOSE TO YOU--CARPENTERS.

IT WAS THE SEVENTIES.

CLOSE TO YOU?

YEAH, YOU KNOW?

WHY DO BIRDS SUDDENLY
APPEAR EVERY TIME
YOU ARE NEAR...

♪ JUST LIKE ME

♪ THEY LONG TO BE-- ♪

NO, NO, I KNOW.
I KNOW.

WHY SAN DIEGO?

WELL, WHY NOT?
I MEAN--

HERE YOU GO.

I'M IN REAL ESTATE.

AND RIGHT NOW
THE MARKET IS JUST
UNBELIEVABLY BAD.

SOMETIMES YOU
HAVE TO MAKE A CHANGE.

YOU HAVE TO
TAKE CONTROL AND SAY,

"THINGS ARE
GOING TO BE DIFFERENT.

I CAN MAKE THEM DIFFERENT
IF I BELIEVE IT IN MY HEART."

FUCK STAR SEARCH.
YOU SHOULD HAVE
BEEN MISS AMERICA.

O.K., BRING IT
ON UP.

MORE. GOOD!

I HOPE YOU DON'T MIND
MY MENTIONING THIS--

NO SMOKING IN THE CAR.

WHAT DO YOU MEAN?

NO SMOKING IN THE CAR.

WHATSOEVER?

I'M GOING UPTOWN.
CAN I GIVE YOU A LIFT?

WHOO! TAXI!

NO, I HAVE A CAR.

WHAT DO YOU THINK?
IT COULD WORK.

I'LL LET YOU KNOW
IN A COUPLE OF DAYS.

BECAUSE I REALLY
NEED TO LEAVE AS
SOON AS POSSIBLE.

I DON'T WANT
TO DO IT ALONE.
THAT'S NOT SAFE.

AND YOU'RE THE FIRST
PERSON THAT ANSWERED
THE AD.

I THINK THAT'S
A SIGN OF SOMETHING.

AND I THINK
YOU'D BE FINE.

I MEAN, I THINK
OUR PERSONALITIES
WOULD MESH.

LOOK...ROBIN, RIGHT?

YOU'RE A NICE LADY.

I'M SURE THERE ARE
THINGS ABOUT YOURSELF
YOU JUST CAN'T HELP,

AND I UNDERSTAND THAT,

BUT I DON'T
THINK WE MESH AT ALL.

I'M SURE THERE'S
SOMEBODY WHO WANTS
TO GO CROSS COUNTRY

WITH THE WHITEST
WOMAN ON EARTH,

SINGING CARPENTER SONGS,
AND RELIVING
CHILDHOOD MEMORIES,

BUT IT AIN'T ME.

HEY, THAT'S MY CAR!

HEY, THAT'S MY CA--

HEY, THAT'S MY CAR!

THAT'S GOING
TO COST AT LEAST $200

TO GET YOUR CAR BACK.

O.K., JANE,
GOOD LUCK IN L.A.

EARTHQUAKE, FIRES,
RIOTS--

THEY GOT SOME CRAZY
BASTARDS OUT THERE
IN CALIFORNIA.

I DON'T KNOW WHY
YOU WANT TO GO THERE.

HEY, CAREFUL! EASY!
EASY WITH THAT PIANO.

♪ I MAY NOT
BE THE BEST ♪

♪ YOU KNOW GOOD ONES
DON'T COME BY THE SCORE ♪

♪ YOU GOT
SOMETHING MISSIN' ♪

♪ I'LL HELP YOU LOOK,
YOU CAN BE SURE ♪

♪ AND IF YOU
WANT TO BE ALONE ♪

♪ OR SOMEONE
TO SHARE A LAUGH ♪

♪ WHATEVER
YOU WANT ME TO ♪

♪ ALL YOU
GOT TO DO IS ASK ♪

♪ WILLING TO BE

♪ A-SHELTERED IN A STORM

♪ YOUR WILLOW

♪ A WILLOW

♪ WHEN THE SUN IS OUT ♪

GOOD MORNING.

I HAVE A FRIEND
IN PITTSBURGH.

CAN WE STOP AND
TAKE HER TO LUNCH?

NO PROBLEM.
IT'S A DEAL.

SMILE!

♪ LA LA

♪ LA LA

♪ LA DA DA

♪ LA LA

♪ LA ♪

MY BROTHER THREW UP
RIGHT HERE,
NEAR EXIT 7.

I REMEMBER.
WE PULLED OVER.

HOW COME HE'S NOT MAKING
THIS TREK WITH YOU?

OR DOES HE HAVE A LIFE?

HE DOESN'T.
HE DIED OF CANCER
WHEN HE WAS 6.

OH, MAN.

I'M SORRY. I'M SORRY.

DAMN.

YOU MIND IF I
USE YOUR HEADPHONES?

NO, GO AHEAD.

THANK YOU.

HI, YOU'VE REACHED
NICK AND HOLLY.
LEAVE A MESSAGE--

THERE'S A SICK LADY
IN THE BATHROOM.

IS SHE WITH
SOMEBODY HERE?

SHE'S OUTSIDE!

IS THAT YOUR FRIEND IN
THERE IN THE BATHROOM?

YEAH.

GIRL, YOU BETTER
GET IN THERE.

SHE IN THERE
THROWING UP.

THANKS.

HEY, YOU ALL RIGHT?

THAT STUPID WOMAN.
I TOLD HER I WAS FINE.

YOU LOOK LIKE SHIT.

THANK YOU.

ALLERGIES.
I HAVE ALLERGIES.

THEY COME AND GO.

SOMETIMES I THINK
IT'S ALL IN MY HEAD.

DO YOU EVER KNOCK?

NOT IN A PUBLIC
TOILET, NO.

I'M REALLY SORRY.
IT'S PROBABLY BECAUSE I
BROUGHT YOUR BROTHER UP.

OH, NO, NO.
UH, I'M FINE.

I'LL BE FINE IF
WE JUST KEEP MOVING.
IT'S NOTHING.

YOU SMELL
LIKE AN ASHTRAY.

I'M GOING TO L.A.
TO SEE WHAT I CAN FIND.

WHAT?

ARE YOU GETTING HBO?

WE'RE SUPPOSED TO,
AND IT'S NOT ON MINE.

I DON'T KNOW.
I'M ON THE PHONE HERE.

I'M SORRY.

NO. COME IN
AND CHECK.

COME IN.

YES, I'M ON
MY WAY TO L.A.

I THOUGHT I'D
STOP BY AND SEE YOU.

NO, I SAID
TUESDAY OR WEDNESDAY.

ARE YOU O.K.?

NO, IT'S JUST--

ALL RIGHT.
NO, I'LL WAIT.

THE WAY WE WEREIS ON.

ROBERT REDFORD,
BARBARA STREISAND.

THE WAY WE WERE.

I DON'T
GET OUT MUCH.

IT WAS 20 YEARS AGO.

OH, GREAT, YOU GOT IT.

DO

NO, PLEASE. PLEASE.

NO, I'M HERE.

NO, I FIGURED
WE'D COME BY TOMORROW
AROUND NOON.

ARE YOU O.K.?

I MEAN, IS IT NICK?

NO, FINE. FINE.
ALL RIGHT.

YEAH. NO, I'LL
SEE YOU THEN. GOODBYE.

DAMN.

IS THAT YOUR FRIEND
IN PITTSBURGH?

YEAH. IF SHE IS
STILL MY FRIEND.

THAT'S NICE.

I DON'T REALLY
HAVE ANY GIRLFRIENDS.

MY MOM ALWAYS FELT,
YOU KNOW,

YOU CAN'T TRUST WOMEN.

I DON'T KNOW
ABOUT THAT.

OH, COME ON.
MEN KNOW ALL ABOUT PMS.
SOMEBODY TALKED.

YOUR GIRL IS LOVELY,
HUBBEL.

WHY DON'T YOU
BRING HER FOR A DRINK
WHEN YOU COME?

I CAN'T.

I KNOW.

HA HA HA HA HA HA!

THAT--THAT KILLS ME,
THE WAY SHE, LIKE,

BRUSHES HIS HAIR
OFF HIS FOREHEAD.

IT REALLY...GETS ME.

SO, UH, WHICH ONE
OF THEM WERE YOU--

THE ONE WHO
LOVED TOO MUCH
OR TOO LITTLE?

NEITHER.

I'M THE ONE WHO
SPENT THREE YEARS
AT HAPPY HOUR

AND NEVER WENT
HOME WITH ANYBODY,
EXCEPT THE BARTENDER.

YEAH, WELL,
THE BARTENDER'S SOMEBODY.

YEAH,

HE WAS SOMEBODY,
ALL RIGHT.

I DON'T KNOW.

I DON'T
KNOW ABOUT MEN.

I JUST DON'T GET IT.

MAYBE YOU'RE
NOT INTO THEM.

YOU MEAN...

EWWW! NO.

WHAT DO YOU MEAN
"EWWW, NO"?

I THINK I
SCARE THEM AWAY,

'CAUSE I
KNOW WHAT I WANT.

OH, WELL, TELL ME.
WHAT DO YOU WANT?

IT'S NOT VERY
LIBERATED, I KNOW.

I WANT A HUSBAND
WITH A DECENT JOB,

YOU KNOW,

AND...

I WANT TWO KIDS,
A BOY AND A GIRL,

IN THAT ORDER,

AND A SALT BOX COLONIAL
WITH THREE BEDROOMS,

A SUN PORCH,
A STAIRWAY WITH
A WHITE BANISTER,

AND A CONVERTIBLE DEN.

YOU COULD HAVE BEEN
DONNA REED IN ANOTHER LIFE.

ANYWAY,
I DIDN'T GET IT.

IT'S ALL RIGHT.
THERE'S ALWAYS TIME.

YEAH.

IS THAT WHY
YOU LEFT NEW YORK,

'CAUSE THAT BARTENDER
DID YOU WRONG?

SOMETHING LIKE THAT.

8:00 TOMORROW,
O.K.,

IF YOU WANT TO
GET TO PITTSBURGH
BY 12:00.

GOOD NIGHT.

GOOD NIGHT.
THANKS FOR THE MOVIE.

HMM.

♪ LAST NIGHT I
HELD ALADDIN'S LAMP ♪

♪ AND SO I WISHED
THAT I COULD STAY ♪

♪ BEFORE THE THING
COULD ANSWER ME ♪

♪ WELL, SOMEONE CAME
AND TOOK THE LAMP AWAY ♪

♪ I LOOKED
ALL AROUND ♪

♪ LOUSY CANDLE'S
ALL I FOUND ♪

♪ WELL, YOU
DON'T KNOW WHAT... ♪♪

I LOOKED AROUND,
GOT INTO REAL ESTATE.

THAT'S WHERE
THE PERFORMING
REALLY PAID OFF,

SIZING UP SITUATIONS,
HANDLING PEOPLE,

GETTING WHAT YOU
WANT FROM THEM

WITHOUT THEM
REALLY KNOWING,.
YOU KNOW, CONTROL.

DON'T WORRY, YOU
DON'T HAVE TO COME IN.

UH, MAN,
I HATE THIS BELT.

FOR YOUR
OWN PROTECTION.

YES, I KNOW.

YEAH.I'LL WAIT HERE.

HEY, HOLLY.

HOLLY?

HEY! HEY!

HEY.

JANE.

HI.

HI.

YOU LOOK GOOD.

THANKS.

THANKS. YOU, TOO.

THANK YOU.

WHAT'S THE MATTER?

HOLLY!

LOOK, SOMETHING'S
COME UP.

NICK'S IN A MOOD.

COULD WE DO THIS
ANOTHER TIME?

WE'RE ON THE ROAD HERE.

FUCK IT.
I'LL HANDLE IT.
I'LL FIX IT.

LET ME TALK TO HIM.

JANE.

JESUS CHRIST!

HOLLY!

HA HA.

HE THINKS HE'S
LOST SOMETHING.

I THOUGHT YOU
SAID HE WAS CLEAN.

HE IS. HE HAS
NINE MONTHS IN N.A.
HE'S DEALING.

BUT THEN, YOU KNOW,
HE HAS A DRINK,

AND HE GETS...

CONFUSED.

HOLLY, IF YOU'D CLEAN
THIS FUCKING PLACE,

MAYBE I'D FUCKING BE
ABLE TO FIND MY SHIT!

WHAT ARE YOU
DOING HERE?

HELLO, NICK.
I'M JUST PASSING THROUGH.

WE'LL CATCH YOU LATER.

YOU GOING SOMEWHERE?

HEY, NICK! NICK!

DON'T BE A PRICK.

STICK TO WHAT
YOU KNOW, JANE.

THAT'S SOMETHING
ABOUT YOU GIRLS I
COULD NEVER FIGURE OUT.

WHAT'S SEX LIKE
WITHOUT A DICK?

I DON'T KNOW, MAN.
YOU TELL ME.

FUCK YOU.

YOU WISH. COME ON.

YOU AIN'T
GOING NOWHERE.

OW! OW! OW!

HEY, MAN.

YOU DYKE!

ASSHOLE!

NICK,
STOP THAT!

BITCH!

NICK, DON'T
HURT HER!

YOU FUCKING WITH ME!

NICK!

JESUS!

YOU FUCK!

BULLSHIT!

ARE YOU ALL RIGHT?

UH-HUH.

WHO THE FUCK
ARE YOU?

HI. HOW ARE YOU?

ARE WE GOING?

YES.

NOBODY'S GOING
ANYWHERE UNTIL I
GET MY COKE.

THIS BITCH--
SHE STOLE IT.

SHE AIN'T SEEING DAYLIGHT
UNTIL SHE GIVES IT UP.

YOU DON'T REMEMBER
SHIT WHEN YOU'RE
DRINKING, ASSHOLE!

YOU SOLD IT
TUESDAY NIGHT.

REMEMBER THE LAST TIME
I CAUGHT YOU LYING?

IS THAT HOW YOU
WANT ME TO PLAY THIS?

GUYS, GUYS.

MY HUNCH IS
OUR TWO POSITIONS

MIGHT BE A LOT CLOSER
THAN WE THINK.

WHO DO YOU BELIEVE
HE SOLD IT TO?

FRANK. THIS
GUY UPTOWN.
A FRIEND.

HEY, NICK!

JANE,
LET ME CLOSE THIS.

WHERE'S HIS NUMBER?

IT'S ON
THE WALL.

I'M ROBIN,
BY THE WAY.

YOU MUST BE HOLLY.

HI. IT'S REALLY
NICE TO MEET YOU.

YOU, TOO.

I, UM, REALLY
LIKE YOUR HAIR.

OH, THANKS.

THE HUMIDITY REALLY
MESSED WITH IT.

I UNDERSTAND.

IS FRANK THERE?

YEAH.

FRANK,
YOU SCORE AN EIGHTH
OFF ME TUESDAY NIGHT?

YEAH.

HOW MUCH?

HA HA. THAT'S
WHAT I THOUGHT.

HOLLY'S SAYING
YOU DIDN'T.

ALL RIGHT,
LATER.

SO I SOLD IT
TO HIM?

O.K., FINE.
LET'S GO.

WHERE'S
THE FUCKING MONEY?

OH, MAN.

GIVE US
A FUCKING BREAK.

WHERE'S THE MONEY?

HE HIDES IT.

HE ALWAYS DOES,

THE SAME THREE
OR FOUR PLACES.

AND I'M
NOT TELLING.

TELL ME WHERE.

I TELL YOU
TO WRITE IT DOWN.
YOU NEVER DO.

YOU STOLE IT.

JANE,

YOU KNOW HER.

SHE'S A LIAR
AND A THIEF.

IT'S NOT HER FAULT.

IT'S HER
FUCKING NATURE.

GET THE FUCK
AWAY FROM ME.

FUCK YOU, TOO, MAN.

NO FUCKING TRUST HERE!

GET THE FUCK UP!

THAT'S WHAT FUCKING HURTS!

AAH!

JESUS FUCK!

AAH!

WHAT THE FUCK'S
WRONG WITH YOU?
ARE YOU CRAZY?

DID I HURT HIM?

WHAT DO YOU MEAN?

YOU HIT HIM
WITH A BAT.

I'M CALLING
THE COPS.

OH, FUCK.

HE'S ALIVE.

AAH!

GIVE ME THE BAT.

GIVE IT
TO ME RIGHT NOW.

I'M GOING
TO KILL YOU, HOLLY.

I'M GOING
TO FUCKING--

TIME OUT!NO!

NOBODY MOVE.

JANE, GIVE ME
THE BAT, PLEASE.

THANK YOU. HEY!

HOLLY, DON'T--DON'T
TEASE HIM.

AND, NICK,

YOU'VE GOT SOME REAL
LIKABILITY ISSUES.

NOW, WHO HAS TAPE?

GRRRRR!

I DON'T FEEL
GOOD ABOUT THIS.

WHAT WOULD
YOU LIKE TO DO,
CALL THE POLICE?

THEY'D ARREST THEM.
THERE'S DRUGS
EVERYWHERE.

WHAT ARE YOU DOING?

OH, NOTHING.

WHAT ARE YOU DOING?

JUST THE CASH.
I'M CLEAN.

WE'RE NOT TAKING
DRUG MONEY ON THE ROAD.

PUT IT BACK.

IT'S NOT LIKE YOU CAN
TELL BY LOOKING AT IT.

O.K., YOU HAVE A POINT.
WE'LL JUST TAKE HALF,

AND WE'RE
NOT TAKING DRUGS
ON THE ROAD WITH US.

SO GIVE THEM BACK.

THANK YOU.

YOU'RE WELCOME.

MMMMM!

GRRRR!

SHH! SHH!
WE'LL TAKE THE GAG OFF
WHEN WE LEAVE.

THERE'LL BE FOUR HOURS
OF LOUD MUSIC,

AFTER WHICH, YOU
CAN SCREAM FOR HELP.
WORK ON THE TAPE.

PHONE'S IN
THE KITCHEN. WATER?

THANKS, HON.
RIGHT HERE.

EVERYONE GO POTTY.

WE DON'T WANT
TO HAVE TO STOP.

I WENT.

LOOK WHAT
SHE'S DOING!

DON'T TEASE
THE ANIMALS.

COME ON, GO! GO!

LET'S GO.

I'M GOING TO
KILL YOU, HOLLY!

I'M GOING TO
KILL YOU! HOLLY!

COME ON, COME ON.

I'LL DRIVE.

I FEEL REALLY
STRONGLY ABOUT IT.

ALL RIGHT,
BUCKLE UP.

WILL YOU
CLOSE THE DOOR?

♪ I WENT DOWN
TO THE CROSSROADS ♪

♪ FELL DOWN ON MY KNEES

♪ I WENT DOWN
TO THE CROSSROADS ♪

♪ FELL DOWN ON MY KNEES

I AM NOT GOING OVER
A CLIFF FOR YOU TWO.

SO JUST FORGET IT.

UHHHHHH!

♪ STANDIN' DOWN
AT THE CROSSROADS ♪

FUCK!

♪ TRYIN' TO
FLAG A RIDE ♪

♪ AIN'T NOBODY
SEEM TO KNOW ME ♪

♪ EVERYBODY
PASSED ME BY ♪

I'VE GOT SOME FRIENDS
IN ST. LOUIS.

YOU REMEMBER LINDA?
I CAN STAY WITH HER.

SO, WHERE ARE
YOU GUYS GOING?

LOS ANGELES,
THEN SAN DIEGO.

YEAH, AND YOU'RE
NOT COMING.

BUMMER.

LISTEN, WHY DID YOU
STAY WITH THIS GUY
SO LONG?

A LOT OF THAT
BACK THERE WAS DRUGS.

THEY REALLY
FUCK HIM UP.

BUT HE'S A REALLY
NICE GUY UNDERNEATH?

WELL, I WOULDN'T
GO THAT FAR.

IT'S THE SEX. LET'S
BE FRANK, O.K.?

HE WAS GREAT IN
BED, AM I RIGHT?

SOMETIMES.
I DON'T KNOW.

I THINK THAT THERE'S
SOMETHING BEYOND SEX.

YEAH, ME.

WELL,
I DON'T KNOW,

BUT I CERTAINLY DIDN'T
LIKE HIS ATTITUDE.

I'LL THINK
LONG AND HARD BEFORE
I TAKE HIM BACK.

YOU GO, GIRL.

♪ NOW RUN,
YOU CAN RUN ♪

♪ TELL MY FRIEND, BOY,
WILLIE BROWN-- ♪♪

HI, YOU'VE REACHED NICK AND HOLLY.

LEAVE A MESSAGE AT THE SOUND OF THE BEEP.

OW! MY FUCKING HEAD!

NICK, I'LL BE BY TONIGHT, O.K.?

OHH! UHH!

UHH! UHH!

THANK YOU.

REALLY?

OH, MY GOD,
ARE YOU KIDDING?

DANCE FEVER
WAS MY FAVORITE.

I THOUGHT DENEY TERRIO

WAS THE COOLEST GUY
ON THE EARTH.

WILL YOU LOOK
AT HER?

IT'S PATHOLOGICAL,
MAN.

SHE'S YOUNG.

I GUESS.

HOW YOU DOING?

HMM?

I'M FINE.

A LITTLE TIRED.

YOU WERE GREAT
BACK THERE.

YOU MUST HAVE SOLD
A TON OF CONDOS.

IT WAS KIND OF FUN...
ADRENALINE.

WELL, YOU WERE
VERY FRIGHTENING.

I WAS VERY PROUD
OF YOU.

AND IT WAS REALLY NICE
MEETING YOU.

BYE.

YES!

IS ROBIN ASLEEP ALREADY?

YEAH. SHE GETS TIRED
REAL EASY.

SHE DOESN'T LOOK
SO GOOD.

SHE'S GOT
ALL THOSE ALLERGIES.

YOU KNOW,
THEY COME AND GO.

DID YOU CALL LINDA YET?

YEAH. I WAS THINKING,
THOUGH.

YOU GUYS GO AHEAD
AND LEAVE TOMORROW,

AND I'LL JUST GRAB
A BUS.

WHY? WE'RE GOING
RIGHT THROUGH ST. LOUIS.

IT'S NO BIG DE--

OHH!

YOU GOING BACK,
AREN'T YOU?

MIGHT AS WELL.

WHAT DO YOU MEAN?

THIS GUY
KICKS YOUR ASS
ALL THE TIME.

THIS IS NOT LOVE,
HONEY.

YEAH.
MAYBE YOU'RE RIGHT.

THE MAN'S GOING
TO KILL YOU.

WE HUMILIATED HIM.

WE TIED HIM UP.

COME ON!

I MEAN...

I CAN'T ALWAYS DO WHAT
YOU THINK I SHOULD DO.

WE'VE BEEN THERE, JANE.

FINE.

I JUST DON'T UNDERSTAND

WHY YOU KEEP
SETTING YOURSELF UP
TO GET HURT, THAT'S ALL.

YOU SHOULD TALK.

WHAT DOES THAT MEAN?

LOOK, YOU'VE BEEN GREAT,

AND I REALLY LIKE ROBIN
AND...

I JUST HOPE YOU KNOW
SHE'S NOT GAY.

WELL, SO WHAT?

SO, THAT'S WHAT I MEANT

BY SAYING
"YOU SHOULD TALK."

NICK!

NICK.

NICKY?

OH, SHIT!

THE BUS TO PITTSBURGH
IS NOW ARRIVING.

PASSENGERS WITH TICKETS,

PLEASE GO DIRECTLY
TO THE BOARDING AREA.

THOSE PASSENGERS
STILL NEEDING TICKETS,

PLEASE PURCHASE THEM
AT THE TICKET WINDOW.

PLEASE TAKE ALL LUGGAGE TO
THE BAGGAGE LOADING AREA.

HERE WE ARE.

O.K.

TAKE CARE
OF YOURSELF.

YOU, TOO.

GET SOME SUNSHINE,
O.K.?

O.K.

PROMISE?

YEAH.

TAKE CARE
OF YOURSELF.

O.K.

BYE, JANE.

BYE.

SHE'LL GET OVER IT.

SEE YA.

THANK YOU.

IT'S HER LIFE,
YOU KNOW.

BUT SHE GIVES US ALL
A BAD NAME

WITH THAT "I'M ADDICTED
TO A BAD GUY" STUFF.

I HOPE EVERYTHING
WAS SATISFACTORY.

UM, ACTUALLY...

THE GREEN ON NUMBER EIGHT
IS A LITTLE ROUGH.

OH, REALLY?

WE'LL CHECK IT OUT
AS SOON AS WE CAN.

IS THERE
ANYTHING ELSE?

JANE!

WHAT?

WHAT?

SCREAMING LIKE THAT.

WHAT?

OH, SHIT.

MOVE CLOSER.

JUST A LITTLE BIT CLOSER.

ALL RIGHT.
THERE SHE IS.

HOLLY!

HOLLY!

HOLLY!

HOLLY!

H-HOLLY!

HOLLY!

HOLLY!

NICK'S...

DEAD.

NICK'S...

YEP--

SOUNDS LIKE...

HEAD.

HE'S--

WAIT A MINUTE.
I HAVE AN IDEA.

NO.

WHAT ARE YOU
WRITING?

MORTE.

SHE WON'T KNOW--

IT'S FRENCH FOR "DEAD."

I CAN'T WRITE DEAD.

WHO'S MORTE?

DEAD.

GET OFF THE BUS!

I CAN'T BELIEVE THIS.

I MEAN, HE WAS ALIVE
WHEN WE LEFT.

I HAVE A PHOTO.
DO YOU THINK
IT WOULD HELP?

POOR NICK.

HE WAS SUCH A NICE GUY
ONCE IN A WHILE.

STOP WITH
THE NICE GUY STUFF.

THEY HAVE TO BELIEVE
THIS WAS SELF-DEFENSE.

WHO'S THEY?

WHO'S THEY?
THE COPS IN PITTSBURGH.

YOU WANT ME
TO GO BACK THERE?

YEAH.

NOW?
YES.

I COULDN'T.

WHY NOT?

THE MEMORIES.

WHAT FUCKING MEMORIES?

WHY DON'T WE PRETEND
WE NEVER SAW IT?

PLEASE TELL ME
YOU'RE KIDDING.

WHEN WE LEFT,
HE WAS ALIVE.

HOW DO WE KNOW
WHAT SHE DID KILLED HIM?

EXACTLY. HE COULD HAVE
TRIPPED AND HIT HIS HEAD.

IT COULD HAPPEN.

NO. YOU'RE GOING BACK.

THIS IS NOT A GAME.

I CAN'T GO TO JAIL
WITH A BABY.

WHAT BABY, HONEY?

I'M EIGHT WEEKS PREGNANT.

YOU WERE GOING
TO BRING A BABY
INTO THAT HOUSE?

WHAT WERE MY OPTIONS?

HOW ABOUT ABORTION?

I'D FEEL LIKE
A MURDERER.

HONEY, YOU ARE
A MURDERER?

OH, GOD.

TO THINK
IT'S POSSIBLE

I KILLED
MY BABY'S DADDY.

YOU HIT HIM WITH
A BASEBALL BAT.
HE'S DEAD.

NO. I MEAN IT'S POSSIBLE
THAT NICK IS THE DADDY.

WE NEVER SAW THE NEWSPAPER.

SHE HIT HIM
IN SELF-DEFENSE.

SHE'S NEVER GOING
TO SEE HIM AGAIN.

MY LAWYER IN NEW YORK
WILL TELL US WHAT TO DO.

IF WE HAVE TO GO BACK,

WE'LL SAY WE CAME
AS SOON AS WE FOUND OUT.

WE'LL KEEP DRIVING,
SLEEP IN SHIFTS.

THE FURTHER AWAY
FROM THAT BODY I GET,

THE HAPPIER I'LL BE.

TRY THIS.
IT'S REALLY GOOD.

IN CELEBRATION
OF MY UTERUS...

AAH!AAH!
AAH!

I'M WET.

♪ I WASN'T NOWHERE

♪ DIDN'T KNOW ABOUT IT...

OH, NO.
HOLLY, STOP THE CAR.

STOP. BACK UP.

OH, FINE.

I'LL GO GET IT.

YOU GO AROUND LEAVING
MESSES EVERYWHERE.

I DON'T KNOW WHAT
YOU'RE BITCHING ABOUT.

IT'S ALL BIODEGRADABLE.

IT'S PLASTIC!

NOW, DON'T YOU KNOW THAT?

♪ TOLD ME HE'D NEVER
FIND A WAY ♪

♪ FIND A WAY

♪ GOTTA KEEP ON GROWIN'

♪ KEEP ON GROWIN'

♪ GOTTA KEEP ON GROWIN'

♪ YEAH, YEAH, YEAH ♪

NICK HAD THIS HOUSE
WITH THIS DRUMMER
THAT JANE KNEW.

WE'D ALL HANG OUT TOGETHER.

THEN NICK
PISSED SOME PEOPLE OFF,

SO WE HAD TO MOVE
TO PITTSBURGH.

CAN I HAVE A BITE OF THAT?

YEAH, WELL...

IT'S BEEN A LONG
COUPLE OF DAYS.

YEAH...
TELL ME ABOUT IT.

JANE'S BEEN SO GREAT
TO ME.

AT FIRST I THOUGHT
SHE JUST LIKED ME

BECAUSE OF THE WHOLE...
GAY THING.

JANE'S GAY?

LIKE, HELLO?

YOU DIDN'T KNOW?

I DON'T KNOW. WE'RE
JUST--OH, DON'T LOOK.

OH, MY GOD.

DOS CAFáS, POR FAVOR.

Sí.
UN MOMENTO.

IT'S O.K.
IT'S O.K.

ANYWAY, SHE
JUST GOT DUMPED,

SO, YOU KNOW,
REBOUND TIME.

OH.

I KNOW
YOU WERE GROSSED,

BUT SHE WON'T
TRY ANYTHING,

ESPECIALLY
NOT AFTER ME.

I TOLD HER IT WAS
A SELF-HATING THING

TO GET CRUSHES
ON STRAIGHT GIRLS.

BUT THIS--THIS PERSON
WHO DUMPED HER,

SHE WAS GAY...RIGHT?

YEAH, BUT EVEN WITH
GAY GIRLS

THERE ARE NO GUARANTEES.

THEY'RE VERY EMOTIONAL.

THAT'S ABOUT ALL I KNOW.

THEY LOVE UNIFORMS

AND DON'T BREAK
THEIR HEARTS.

UNIFORMS?

OH, YEAH, ALL KINDS...

ESPECIALLY U.P.S.

WILL THAT BE ALL?

YEAH.

I'LL GET THE CHECK.THANKS.

NOT THAT I'M AN EXPERT.

SHE'S THE ONLY ONE
I'VE EVER SEEN,

EXCEPT FOR THE GIRLS
IN THE PORNO TAPES
NICK USED TO RENT.

I'M SORRY.

IT'S JUST EVERY TIME I THINK
OF HIS LITTLE WAYS...

♪ MY BODY NEEDS ACTION

♪ AIN'T GONNA BLOW

♪ YES, I'M GOIN' OUT

♪ AND FIND
A DANCIN' MAN ♪

♪ IF YOU REALLY THINK
YOU'RE FAST ♪

♪ TRY TO CATCH ME
IF YOU CAN ♪

♪ IT'S A SHAME,
SHAME, SHAME ♪

♪ WHOA

♪ SHAME ON YOU

♪ GIRL

♪ IF YOU CAN'T DANCE, TOO

♪ I SAID SHAME, SHAME,
SHAME, SHAME, SHAME ♪

♪ SHAME, SHAME

♪ SHAME ON YOU

♪ IF YOU CAN'T DANCE,
TOO ♪♪

TRY TO LOOK
A LITTLE MORE WESTERN.

TAKE THE PICTURE.

YOU NEED
TO DO SOMETHING.

WILL YOU--

HERE.

THAT'S CUTE.

HEY.

HEY,
WHO YOU CALLING?

WHO YOU CALLING?

I WAS CALLING
A FRIEND.

UH-UH. YOU CAN'T CALL
THAT FRIEND. HE'S DEAD.

AND YOU'RE NOT SUPPOSED
TO KNOW HE'S DEAD.

BUT I--I WANT
MY FRIENDS.

I WANT NICK.

HEY, WILL YOU COME TALK
TO HOLLY?

DON'T COME IN!

WHAT'S WRONG?

MS. DeLUCA?

YEAH.

SUSAN NEWBAUER.

SHE ASKED ME
TO TALK TO YOU.

IT'S PNEUMONIA. SHE'LL HAVE
TO STAY A FEW DAYS.

CAN WE SEE HER?

TOMORROW, AFTER 11:00,
ON THE 8th FLOOR.

IT'S TYPICAL IN
AIDS-RELATED PNEUMONIA.

AIDS?

ARE YOU TELLING ME
SHE'S GOT AIDS?

YES.

I'M SORRY.
I THOUGHT YOU KNEW.

NO, I DIDN'T.

SHE'S O.K. SHE'LL BE OUT
IN LESS THAN A WEEK.

GET THIS FILLED RIGHT AWAY.

THANK YOU.

HOW YOU DOING?

I'M O.K.

I'M SORRY.

FOR WHAT?

IT'S NOT LIKE YOU KNEW
THIS WAS GOING TO HAPPEN.

NO.

I THOUGHT...

IF I COULD JUST GO
SOMEWHERE ELSE...

I COULD MAKE IT...

NOT HAPPEN.

I SHOULDN'T HAVE LIED
TO YOU.

IT WASN'T A LIE EXACTLY--

MORE LIKE A SINFUL OMISSION.

CAN I SIT DOWN?

SURE.

SO, I GUESS NOW
WE'RE EVEN, HUH?

HOW SO?

HOLLY TOLD ME
YOU DIDN'T KNOW I WAS GAY.

BUT I DON'T WANT YOU
TO WORRY ABOUT ANYTHING,
'CAUSE...

YOU KNOW
I'M NOT AFTER YOU.

I'M NOT WORRIED.

WHY?

LUCK OF THE DRAW,
I GUESS.

NO, I MEAN,

WHY AREN'T YOU
AFTER ME?

'CAUSE YOU'RE NOT MY TYPE.

OH.

THIS IS
A BLACK

NO.

IT'S MORE LIKE A...

A BLONDES-CARPENTER THING.

YOU'RE SAFE WITH ME.

UM...

IS THERE SOMEBODY
I SHOULD CALL,

YOU KNOW, LIKE FAMILY?

OH.

MY MOTHER...

BUT--BUT WE DON'T
COMMUNICATE MUCH,
NOT ANYMORE.

WHAT ABOUT YOU?
YOU'VE GOT TO GET
TO L.A.

WOULD YOU GET ME
SOME...ICE?

SURE.

AAH!

WHAT IS IT?
WHAT IS IT?

COME ON, DAMN IT.

WAIT! WAIT! WAIT!

WAIT! WAIT!

WHAT IS IT?

ARE YOU IN PAIN?

NO.

WHAT IS IT?

I DON'T KNOW
WHERE TO GO.

I DON'T...

I DON'T HAVE ANY...

P-PLACE TO GO.
I DON'T...

O.K.

I DON'T KNOW ANY PLACE,
JANE.

O.K.

O.K. O.K.

O.K. O.K.

O.K. LOOK...

SOMETIMES IF YOU DON'T
HAVE ANY PLACE TO GO,

IT'S PROBABLY
A GOOD IDEA TO STAY
WHERE YOU ARE.

OH, YEAH?

YEAH.

ALL RIGHT?

YEAH. O.K.

O.K.

RIGHT.
HERE, UH...

PUT YOUR ARM UP.

OH, JESUS.

THIS MAY BE
THE WRONG TIME
TO BRING THIS UP, BUT...

WHERE THE FUCK ARE WE,
I MEAN, REALLY?

WHERE ARE WE?

TUCSON.

AS IN ARIZONA?

ARE YOU SERIOUS?

NOW, YOU KNOW
WHAT THIS MEANS?

I'M GOING TO HAVE TO GET
SOME COWBOY BOOTS.

WHAT ABOUT A HORSE?

♪ SO WE'RE O.K.

♪ WE'RE FINE

♪ MAYBE I'M HERE
TO STOP YOUR CRYIN' ♪

♪ CHASE
ALL THE GHOSTS... ♪♪

O.K., GOOD.

NO, I'M GOING TO GO
STRAIGHT FROM WORK.

YEAH.

YEAH!

O.K.

I'M LEAVING NOW,
SO GET OFF THE PHONE.

O.K.

He's coming.

O.K. I GOT TO GO.

YEAH. GOODBYE.

HURRY. WE STILL HAVE
TO PICK UP THE CAKE.

DO YOU THINK SHE'S
GOING TO BE SURPRISED?

THAT'S THE IDEA.

HURRY UP.

O.K.

I'LL PICK UP THE CAKE,

'CAUSE I HAVE
TO DROP BY THE HOSPITAL
FOR A BLOOD TEST.

I TOLD ABE
TO MEET US THERE
AROUND--

OH.

ARE YOU O.K.?

KICKING
ALL MORNING LONG.

ANYWAY, I REALLY THINK
YOU'RE GOING TO LIKE HIM.

I LIKE ANY MAN WHO DATES
A PREGNANT WOMAN.

I WONDER ABOUT HIM,

BUT I LIKE HIM.

ARE YOU READY?
YEAH.

♪ WE TALKED
ABOUT OUR MOTHERS ♪

♪ KISSED THE WOUNDS
OF OUR FATHERS ♪

♪ I COULD HAVE BEEN
YOUR SISTER ♪

♪ I WOULD HAVE BEEN
YOUR BROTHER... ♪

YOU'RE LOOKING GOOD
TONIGHT.

HEY, YOU LOST WEIGHT.

TWO HANDS,

IN THIS BAR WE WASH
THE GLASSES WITH TWO HANDS.

THAT'S THE DIFFERENCE
BETWEEN CLEAN

AND ABSOLUTELY
FUCKING DISGUSTING.

WATCH YOUR LANGUAGE.
YOUR BAMBINOS ARE COMING.

HI, MOM!

GET IN THE KITCHEN
AND STAY THERE.

IF SHE SEES YOU,
THE CAT'S OUT OF THE BAG.

GIVE ME A BEER.

IS THERE NO MERCY?
I CAN'T BELIEVE IT.

A BODY LIKE THAT
ON A 12-YEAR-OLD.

♪ WE WERE GIRLS IN BARS

♪ BOYS ON THE TOWN

♪ BUMPIN' LIKE A PINBALL
OFF A CHEERLESS CROWD ♪

♪ YOU SAID GOOD FRIENDS
ARE HARD TO COME BY... ♪

TH-THAT'S
ENOUGH CANDLES.

iBASTA! iBASTA! iNO MAS!

COME ON, WE ALL KNOW
SHE'S NOT 12.

IT'S NOT POLITE.

I THOUGHT I'D NEVER
GET HERE. AM I LATE?

NO, NO.

HEY, YOU READY?
UM, OH.

♪ OH, YEAH ♪

BLOW OUT THE CANDLES!

♪ SAD SACK WAS SITTIN'
ON A BLOCK OF STONE ♪

♪ BUT OVER IN THE CORNER
WEEPIN' ALL ALONE ♪

♪ THE WARDEN SAID, "HEY, BUDDY, DON'T YOU BE NO SQUARE ♪

♪ IF YOU CAN'T FIND A PARTNER, USE A WOODEN CHAIR" ♪

♪ LET'S ROCK

♪ EVERYBODY, LET'S ROCK

♪ EVERYBODY
IN THE WHOLE CELL BLOCK ♪

♪ WAS DANCIN'
TO THE JAILHOUSE ROCK... ♪

CAN I HAVE A LIGHT?

♪ SHIFTY HENRY
SAID TO FOLKS ♪

♪ "FOR HEAVEN'S SAKE

♪ NO ONE'S LOOKIN', NOW'S OUR CHANCE TO MAKE A BREAK..." ♪

GIVE ME THAT BACK.

♪ AND HE SAID "NIX NIX

♪ I WANNA STICK AROUND
WHILE I GET MY KICKS" ♪

♪ LET'S ROCK

♪ EVERYBODY,
LET'S ROCK ♪

YOU'RE SUCH A SLUT.

♪ EVERYBODY
IN THE WHOLE... ♪♪

♪ IN GEORGIA, NIGHTS ARE
SOFTER THAN A WHISPER ♪

♪ BENEATH A QUILT SOMEBODY'S
MOTHER MADE BY HAND ♪

♪ WITH THE FARMLAND
LIKE A TAPESTRY... ♪

IT'S LIKE GAY PEOPLE

ARE THE ONLY PEOPLE
GETTING LAID ANYMORE.

MAYBE YOU OUGHT
TO TRY IT.

I LIKE BEING STRAIGHT.

I THINK HETEROSEXUALITY'S
GOING TO MAKE A COMEBACK.

NOT IF YOU HAVE ANYTHING
TO DO WITH IT. GO DANCE.

EXCUSE ME.

AHEM...

EXCUSE ME. ROBIN.

WOULD YOU LIKE
TO DANCE?

YEAH.

♪ AND THE SMOKE
FROM THE CHIMNEYS ♪

♪ MEETS ITS MAKER
IN THE SKY ♪

♪ WITH A SONG
THAT WINTER WROTE ♪

♪ WHOSE MELODY LINGERS

♪ AND THERE'S SOMETHIN'
'BOUT THE SUN... ♪♪

OH, JESUS.

SHE DID IT!

HE DID IT.
HE DID IT.

MY DREAM EVENING.
LESBIANS ANDCOPS.

WHAT'S NEXT--
REPUBLICANS?

There's a cop.

A cop.

A cop.

It's a cop.

EVENING, LADIES.

SIR.

I'M LOOKING FOR
A HOLLY PULCHIK.

UH...

WHO?

HOLLY PULCHIK.

BLONDE HAIR, GREEN EYES,

ABOUT 5'4".

GEE...

HEY!

YOU MADE IT.

THERE SHE IS.

I WAS AFRAID SOME CRIME
WOULD KEEP YOU AWAY.

IT HAPPENS TO BE
A SLOW NIGHT.

BUT FRIDAY
IS THE 1st,

AND WHEN THEY GET
THEIR CHECKS...

IT'S TIME TO GO.

GOODNIGHT.
WE'RE GOING TO CLEAN UP.

EXCUSE ME.
NICE TO MEET YOU, OFFICER.

NO, PLEASE.

CALL ME ABE.

OH. HA HA...ABE.

AS IN ABE LINCOLN.
IS THIS A JOKE?

NO, IT'S HIS NAME.

ISN'T THAT A COINCIDENCE?

JUST LIKE THE PRESIDENT.

I WONDER WHY HIS PARENTS

THOUGHT ABRAHAM AND LINCOLN
SOUNDED GOOD TOGETHER?

NOW, LET ME GUESS.

YOU MUST BE ROBIN.

NICE TO MEET YOU,
ROBIN.

AND--AND THIS
IS JANE.

HELLO.

HI, JANE.

HAPPY BIRTHDAY.

OH, THANK YOU.

PEPPERS.

YES, THEY'RE FROM
MY GARDEN.

OH!
ISN'T HE SWEET?

HOLD ON, BABE.

YOU KNOW THAT I'M
STILL IN UNIFORM.

ISN'T THAT CUTE?

HE TAKES IT
SO SERIOUS.

AHH!

COME ON, HONEY,
LET'S GET A DRINK.

WHAT WILL
YOU HAVE, BABE?

IS IT ME, OR IS SHE
WORKING HER WAY DOWN

SOME WEIRD LIST
OF GUYS WHO CALL
WOMEN "BABE"?

I HOPE SHE KEEPS
HER MOUTH SHUT.

RIGHT.

WHERE ARE YOU
AND ANNA GOING?

SHE'S TAKING ME
TO SEE SOME TYPE
OF PSYCHIC.

HERE'S YOUR BUDDY.

ROBIN, UH...
DO YOU NEED
A RIDE HOME?

I HAVE A CAR.

NO. DIDN'T I
TELL YOU?

HOLLY CAME
UP TO ME INSIDE

AND SAID SHE
NEEDED THE CAR.

IT'S RIGHT ON MY WAY.

OH, COULD YOU
TAKE THESE
FOR ME?

THANKS.

GOOD NIGHT.

THANKS.

[HORN HONKS
LA CUCHARACHA]

JANE, VAMANOS, MI AMOR.

I DON'T WANT TO
BE LATE FOR THIS WOMAN.

SHE SCARES THE SHIT
OUT OF ME.

SHE IS REALLY GOOD.

YOU HAVE TO BE PREPARED
WHEN YOU GET THERE.

HERE WE GO.

THERE'S A LONG
TRIP HERE.

TRAVELING.

MMM!

THIS IS NICE.
YOU'RE IN LOVE.

THIS IS
VERY NICE. YES.

AND...

OH.

OH.

WHAT?

MMM!

THIS IS A FRIEND.

I FEEL...

THIS IS NOT GOOD
AT ALL.

THERE'S
A SICKNESS HERE.

THERE'S A CURSE.

YES?

YES.
THIS IS A CURSE.

I CAN FEEL IT.

CAN YOU DO ANYTHING
TO REMOVE THE CURSE?

SHE CAN DO THAT.

LAST YEAR--

ANNA, SIT DOWN.

LET ME TALK TO
MY GUIDES.

YOU GOING TO TALK
TO THESE ROCKS?

ARE YOU TALKING
TO THESE ROCKS,

AND THEY'RE GOING TO
SAY SOMETHING TO YOU?

UNCROSS YOUR LEGS,
DEAR.

GOOD NIGHT, MI AMOR.

YOU WANT SOME?

OH, YEAH. YEAH.

THANKS.

HOW WAS THE PSYCHIC?

DON'T ASK.

HOW WAS ALEX?

HE LEAVE FINGERPRINTS
ALL OVER YOU?

WHAT IS IT
WITH ME AND BARTENDERS?

I DON'T KNOW.

HE'S COMING WITH US
SATURDAY NIGHT

TO THE STREET FAIR.

WELL, GOOD.
THERE'S SAFETY
IN NUMBERS.

JUST DON'T LET HIM
GET YOU BY YOURSELF.

I CANNOT BELIEVE
IT'S A COP.

HE'S CUTE, THOUGH,
HUH?

WELL, FOR A COP.

HE DOES HAVE
A NICE HEINIE.

HEINIE?

WHAT, SHE'S 2 YEARS
OLD?

HE HAS
A NICE HEINIE?

DON'T LAUGH.

AND DON'T THINK
THAT I DIDN'T SEE YOU

CHECKING OUT
THAT MAN'S BASKET.

EEW!

"EEW"?

WHAT DO YOU CALL IT?

I DON'T CALL IT
ANYTHING.

I WASN'T BROUGHT UP
TO TALK ABOUT
A PERSON'S ANATOMY.

THAT'S PROBABLY
'CAUSE YOU DON'T
HAVE A WORD FOR IT.

RIDICULOUS. I DO, TOO.
IT JUST DOESN'T
COME UP.

O.K. WHAT IS THIS
BELOW THE BELLYBUTTON?

I'M NOT GOING TO SAY
pussy

IF THAT'S WHAT
YOU'RE AFTER.

O.K.? I HATE THAT.

O.K. SO WHAT
DO YOU CALL IT?

DOWN THERE.

OH, COME ON.
DOWN THERE.

WELL, VAGINA SEEMS
SO FORMAL.

BUT YOU MAKE IT
SOUND LIKE
A BASEMENT.

O.K. HONESTLY? FINE.

HOO-HOO OR CISSY.

YOU'RE KIDDING, RIGHT?
A HOO

THAT'S WHAT
MY MOTHER CALLED IT.

I HAD A HOO-HOO
OR A CISSY

AND MY BROTHER
HAD A NOODLE
OR A DINGLE.

AND THAT'S WHAT
YOU STILL CALL IT?

WELL, IT'S BETTER
THAN PUSSY OR...
BEAVER.

WHAT'S THAT ABOUT?
I NEVER GOT THAT.

OR WORSE--

WORSE?

DID YOU SAY WORSE?

NOW WHAT COULD BE
WORSE?

I HAVE TO
HEAR YOU SAY IT.

YOU KNOW.
I'M NOT GOING
TO SAY IT.

OH, COME ON!
C

I DON'T THINK SO.

PLEASE?
IT'LL FREE YOU.
TRY IT.

THERE'S A POLICEMAN
HERE.

GIVE HIM A THRILL.

I'M GOING TO
WET YOU.

NO! YOU'RE
SUCH A BABY.

O.K. COME ON.

ALL RIGHT.
cunt.

HA! WHAT WAS THAT?

I SAID IT.

NO, YOU BREATHED IT.

I WANT TO HEAR YOU
SAY IT.

ALL RIGHT, ALL RIGHT.
C-U-N-T. CUNT.

CUNT. CUNT.

CUNT. CUNT!
FREE! FREE!

CUNT!

CUNT! CUNT.

CUNT.

♪ CUNT, CUNT ♪

DIRTY MOUTH.

YOU'RE RIGHT.

I FEEL...

I DON'T KNOW...
DIFFERENT.

THAT'S 'CAUSE
YOU FREE, MISS SCARLETT.

YOU FREE!

LET'S GET EVERYBODY
AND TELL THEM!

CUNT! CUNT!
CUNT, CUNT, CUNT.

CUNT!
CUNT!

THAT CAN'T BE GOOD
FOR THE BABY.

THEY'LL PROBABLY
TAKE A BREAK IN
THE DELIVERY ROOM.

MAYBE.

YOU MISS IT?

WHAT?

SEX.

YEAH, I DO.

YOU KNOW WHAT'S
WEIRD?

YOU NEVER KNOW
THE LAST TIME
YOU SLEEP WITH SOMEBODY

THAT IT'S
THE LAST TIME.

YOU'RE THINKING,

OH, WE'VE GOT PROBLEMS.
WE'VE GOT WORK TO DO.

YOU KNOW, BUT...

YOU NEVER THINK...

AND THEN YOU BREAK UP

AND A MONTH LATER
YOU LOOK BACK AND YOU GO,

OH, THAT WAS IT...

THAT TUESDAY OR FRIDAY
OR WHATEVER.

AND YOU WISH
YOU'D PAID ATTENTION...

'CAUSE IT WAS
THE LAST TIME, YOU KNOW.

YEAH.

OH, WELL.

HEY, LISTEN, THANKS
FOR MY BIRTHDAY
PRESENT.

A GIRL CAN NEVER HAVE
TOO MANY THIGH MASTERS.

I KNOW. I'M SORRY.

NO, NO. I LOVE IT.

WELL, HAPPY BIRTHDAY.

THANK YOU.

YOUR MAIL'S
IN THE LIVING ROOM.

GOOD NIGHT.
I DRANK TOO MUCH.

GOOD NIGHT.

♪ LONG AGO

♪ AND SO FAR AWAY

♪ I FELL IN LOVE WITH YOU

♪ BEFORE THE SECOND SHOW

♪ YOUR GUITAR

♪ JUST SOUNDS
SO SWEET AND CLEAR ♪

♪ BUT YOU'RE NOT
REALLY HERE ♪

♪ IT'S JUST THE WAY
IT GOES ♪

♪ DON'T YOU REMEMBER

♪ YOU TOLD ME
YOU LOVED ME, BABY? ♪

♪ SAID YOU'LL BE
COMIN' BACK ♪

♪ THIS WAY AGAIN, BABY

♪ YOU CALLED ME BABY,
BABY, BABY, BABY ♪

♪ OH, BABY

♪ I LOVE YOU ♪

WHAT'S THE DEAL?
DO YOU LIKE HER
OR WHAT?

YEAH, I DO.
AND I'VE BEEN
TRYING.

BUT SHE'S GOT THAT
BACK-OFF THING
GOING ON,

SO I ASSUMED
THAT SHE WAS
ONE OF THE GIRLS.

NO, UH,
SHE'S NOT THAT.

SHE'S DEFINITELY
NOT ONE OF THE GIRLS.

NO KIDDING.

NO KIDDING.

SHE'S SHY, YOU KNOW.

YEAH?

YEAH.

YOU'RE GOING WITH US
SATURDAY?

I AM NOW.

WE SHOULD HAVE
A LITTLE TALK.

COME ON,
I'LL GIVE YOU A BEER.

COME ON.

YEE-HA!

YA HA HEY!

RRRR! YA YA YA!

YA HA HA!

READY?

O.K.

ALL RIGHT.

1...

2...

3...

HERE YOU GO.

RIGHT THERE.

HIGHER.

HIGHER!

A...

UNA BLANCA?

BLANCA?

O.K. BLANCA.

YOU WANT A DRINK?

UH-HUH.

HEY.

YOU O.K.?

MM-HMM. JUST TIRED.

SHE'S HAVING
A GOOD TIME.

YEAH.

THAT'S GOOD, NO?

IT'S WHAT YOU WANTED.

YEAH.

HOLLY?

HEY, BABE.

SOMETHING THE MATTER?

NO.

SMELLS LIKE
MARIJUANA OUT HERE.

HA.

CLOVE CIGARETTES.

HA HA.

YOU KNOW THAT'S NOT
GOOD FOR THE BABY.

YEAH, WELL, HAVING HIM
COME OUT THAT TINY HOLE

IS NOT GOOD FOR ME
EITHER, SO...

WE'VE EVEN.

WHAT IS WRONG?

I GOT THINGS ON MY MIND.

IT'S THAT GUY, RIGHT?

NICK?

WHO TOLD YOU
ABOUT HIM?

WELL, IT HAD TO BE
SOMEONE.

AND BESIDES,

YOU KEEP CALLING OUT
NICK IN BED.

I DO?

WELL...

MAYBE IT'S SOMETHING
THAT SOUNDS LIKE NICK.

DOES HE KNOW ABOUT
THE BABY?

YOU KNOW...

I'M ONLY HERE
TEMPORARILY.

I MIGHT GO BACK.

I KNOW THAT.

AND I WILL NOT
STAND IN YOUR WAY,
BUT...

IF HE LOVES YOU
SO MUCH,

WHY DOESN'T HE CALL?

MAYBE HE CAN'T
GET TO A PHONE.

COME ON BACK
TO THE PARTY.

I WANT TO GET ONE DANCE
BEFORE WE GO.

ALL RIGHT.

♪ I DON'T KNOW WHY

♪ I FEEL LIKE I DO

♪ FOR ALL THESE CHANGES

♪ YOU PUT ME THROUGH

♪ YOU STOLE MY MONEY

♪ AND MY CIGARETTES

♪ AND I HAVEN'T SEEN

♪ HIDE OR HAIR OF YOU YET

♪ I WANNA KNOW

♪ WON'T YOU TELL ME

♪ I WOULD LOVE TO SEE

♪ TAKE ME TO THE RIVER

♪ TAKE ME TO THE RIVER

♪ WASH ME DOWN

♪ WASH ME IN THE WATER

♪ TAKE ME TO THE RIVER

♪ TAKE ME TO THE RIVER

♪ WASH ME DOWN

♪ WASH ME
IN THE WATER, WATER ♪♪

NO, STOP.

WHY?

I DON'T KNOW.

YOU DON'T LIKE IT?

OH, I DO.
I DO LIKE IT.

YEAH. SO DO I.

MMM.

FEEL ME, TOO.

PUT YOUR HANDS ON ME.

YEAH, FEEL ME.

IT'S BEEN
A LONG TIME.

YEAH, ME, TOO.

REAL SLOW.

W-W-W-WHOA, WHOA.

WAIT.

WHAT'S THE MATTER?

UM...

I'M A LITTLE DRUNK.

WAIT.

YOU ARE SO BEAUTIFUL.

NO, I'M NOT.

OH, YES, YOU ARE.

YOU ARE SO FUCKING
BEAUTIFUL.

YOU TASTE SO GOOD.

ALEX.

TALK TO ME.
TELL ME WHAT
YOU LIKE.

LISTEN...

I WANT TO MAKE YOU
COME SO HARD.

I GOT TO--I HAVE TO
TELL YOU SOMETHING.

YEAH, I KNOW.

YOU NEED TO
KNOW SOMETHING.

IT'S O.K. I KNOW.
I'M GOING TO
USE SOMETHING.

WHAT?

I'M GOING TO USE
SOMETHING.

WE'LL BE SAFE.
DON'T WORRY ABOUT IT.

ABOUT WHAT?

COME ON.
IT'S JUST O.K.

NO, YOU DON'T--
YOU DON'T UNDERSTAND.

I'M--

POSITIVE. I--
I TESTED POSITIVE.

YEAH, YEAH. I KNOW.

I JUST DON'T WANT
TO TALK ABOUT IT,
ALL RIGHT,

'CAUSE I ALREADY KNOW.

WHAT?

WHAT'S THE MATTER?

WHO TOLD YOU?

NOBODY.
NOBODY TOLD ME.
COME ON.

YOU KNEW.
SHE TOLD YOU.

YEAH, SHE TOLD ME.

WHY?

IT WAS NO BIG DEAL.

SHE SAID
YOU WERE SHY

AND HAD A BAD TIME
WITH SOME GUY,

AND I GUESSED
AND SHE DIDN'T
DENY IT.

IT CAME OUT
REAL CASUAL,

LIKE IT'S JUST
PART OF YOUR HISTORY,

LIKE, HEY,
SHE'S ON THE REBOUND.
BE CAREFUL, YOU KNOW?

COME ON.
IT'S JUST LIKE A DETAIL.

WHAT DOES THAT
MAKE YOU,

A BIG HERO,
BRINGING--BRINGING SEX
TO THE UNFUCKABLE?

YOU MUST FEEL
REALLY GOOD ABOUT
YOURSELF.

OH, GOD.

THAT'S NOT IT.

I JUST WANT THINGS
THE WAY THEY USED TO BE,

YOU KNOW?

I WANT TO MEET SOMEONE,

SOMEONE I LIKE,

GET DRUNK,
HAVE A GOOD TIME,
AND FUCK MY BRAINS OUT.

WHY CAN'T WE DO THAT
ANYMORE?

BECAUSE YOU CAN'T.

THAT'S ALL.

JUST CAN'T.

I THINK YOU SHOULD
GO HOME.

ROBIN...

NO, PLEASE.
DON'T MAKE ME BEG.

JUST GO.

HEY. GOOD MORNING.

HOW'S IT GOING?

GREAT.

HOW WAS LAST NIGHT?

IT WAS GOOD.

GOOD.

IS ALEX STILL HERE?

NO, HE'S GONE.

SO YOU HAD
A GOOD TIME, HUH?

REAL GOOD
TILL I FOUND OUT
YOU TOLD HIM

I'VE GOT HIV.

I DIDN'T EXACTLY
TELL HIM, YOU KNOW.

NO, I KNOW.
HE GUESSED.

YOU KNOW, SHE LOOKS
LIKE THE KIND OF GIRL

THAT TESTED POSITIVE
FOR THE AIDS VIRUS.

SHE'S GOT THAT
KIND OF...GLOW.

IT SLIPPED OUT.

WHAT WERE YOU DOING,
SETTING ME UP
LIKE THAT?

I THOUGHT
I WAS DOING GOOD.

YOU LIKE HIM.
HE LIKES YOU.

GREAT. MAYBE WE'LL
GO STEADY.

MAYBE HE'LL TAKE ME
TO THE PROM.

COME ON.

WHAT DO YOU THINK
I AM, STUPID?

NO, I DON'T
THINK THAT AT ALL.

YOU THINK YOU CAN
JUST PUT A MAN
IN MY BED

AND I'LL FORGET?

ALL IT DOES
IS REMIND ME.

ALEX, YOU,
HOLLY AND HER BABY--

EVERY LIVING THING
I SEE REMINDS ME.

SO WHAT ARE YOU
GOING TO DO?

HIDE OUT,
LOCK YOURSELF AWAY?

COME ON!

YOU DON'T KNOW
ANYTHING ABOUT IT.

ANYWAY, IT'S NONE
OF YOUR BUSINESS.

YOU'RE THE ONE
THAT'S IN LOVE

WITH SOMEBODY
YOU CAN NEVER HAVE.

DO ME A FAVOR, O.K.?

I'LL STAY OUT OF
YOUR LOVE LIFE,

AND YOU STAY
OUT OF MINE.

NOT JUST
MY LOVE LIFE--MY LIFE.
STAY OUT OF MY LIFE.

MEANING WHAT?

THAT MEANS MAYBE
THIS ISN'T WORKING.

MAYBE YOU SHOULD MOVE.

O.K.

TAKE THE FUCKING
PIANO.

IF YOU DON'T,
I'LL LEAVE IT OUT
IN THE RAIN.

I SWEAR TO GOD,
I WILL.

ALL RIGHT.

ALL THE WAY BACK
ACROSS THE ROOM.

HI!

HOW ARE YOU?

YOU GOING TO TEACH ME
HOW TO PLAY PIANO?

IS THIS GOOD?

IT'S FINE.

DON'T SCRATCH IT,
PLEASE.

AHH.
AHH.

HEY, BABE?

YEAH?

MARRY ME.

GET SERIOUS!

I AM SERIOUS.

GET OUT OF TOWN!

LOOK.

FREEZE, SUCKER.

I GOT YOU.

DIDN'T I GET YOU?

AAH!

STOP!

MARRY ME.

MARRY ME TOMORROW.

I CAN'T MARRY YOU,
ABE.

YOU'RE NOT...

YOU'RE NOT OVER HIM YET,
ARE YOU?

WELL...

WE'RE ALL
OVER HIM...

LIKE 6 FEET
OVER HIM.

MOM?

BUT IT WAS
AN ACCIDENT

OR SELF-DEFENSE.

I WOULD NEVER KILL
ANYBODY ON PURPOSE,

OR, LIKE,
IN COLD BLOOD.

DID YOU EVER SEE
THAT MOVIE?

SHH, SHH, SHH.

LET'S GET SOME REST,
O.K.?

YOU DON'T WANT TO
MARRY ME NOW, DO YOU?

SHH.

WE'RE TOGETHER NOW.

WE'RE TOGETHER.

AND THAT'S NOT
CHANGING.

OH, SHE LOOKS
SO THIN.

LOOK AT YOU, HONEY!

OH!

THEY GAVE US
A TERRIBLE MAP AT HERTZ.

I HAVE BEEN DRIVING AROUND
FOR AN HOUR AND A HALF.

THIS YOUR HOUSE? OH!
ISN'T IT QUAINT?

WELL, I NEED TO USE
THE LITTLE GIRL'S ROOM,
DARLING.

THIS HEAT...OH!

AND THE AC IS NG.
RIGHT, JER?

YOU KNOW ME.
I LIKE IT SO YOU
NEED A SWEATER.

IT'S TWO DAYS.
IT'LL BE FINE.

I'M JERRY.

I'M SORRY!
JERRY, ROBIN,
MY DAUGHTER.

PLEASED TO MEET YOU.

I TOLD HER I COULD
HAVE PICKED YOU UP.

YOU DIDN'T NEED
TO GET A CAR.

YOU KNOW ME.
I'M SO DAMNED
INDEPENDENT.

RIDING IN OTHER
PEOPLE'S CARS--
FORGET IT!

WELL, ISN'T THIS NICE?

OH! OH, LOOK, JER.

A CACTUS FLOWER.

THEY BLOOM ONCE
EVERY HUNDRED YEARS.

QUICK, SHOW ME
THE POTTY, DARLING.

I'M ABOUT TO BURST.

ANYWAY, UM,
JANE CALLED ME
AT WORK.

WANTS TO KNOW
HOW YOU ARE.

I'M FINE.

WHO'S JANE?

JANE LIVED HERE
UP UNTIL A FEW
DAYS AGO.

THIS IS BETWEEN
ME AND JANE.

SHE ASKED
FOR MY ADVICE,

SO I TOLD HER
SHE'S ANTILESBIAN.

I AM NOT.

WHO'S A LESBIAN?

JANE IS.

AND SHE WAS
LIVING HERE?

YES, MA'AM.

I AM NOT
ANTILESBIAN.

NOT YOU. HER.

WHO?
JANE.

THIS IS
HER OLD PROBLEM.

SHE CREATES A SITUATION
WHERE SHE GETS THIS
REJECTION.

SHE JUST WASN'T
BEING HONEST.

IT'S A BLACK THING,
TOO.

JANE IS BLACK?

YES, MA'AM.
SHE SURE IS.

AND YOU CAN'T
LIVE A LIE.
YOU JUST CAN'T.

WELL, THERE'S LYING,
AND THERE'S
JUST NOT TELLING.

BIG DIFF.

SHE'S A BLACK
LESBIAN?

YES, MA'AM.
THAT IS RIGHT.

AND SHE WAS
LIVING HERE...
WITH YOU?

NO, NO, NO.
SHE WAS JUST
LIVING HERE.

THEY WEREN'T,
LIKE, FUCKING
OR ANYTHING.

WERE YOU?

WERE YOU?

WERE YOU?

I'LL GET THE COFFEE.

I HAVE TO GET GOING,
BABE.

WHY? YOUR SHIFT DOESN'T
START TILL 10:30.

DON'T YOU WANT TO GO
UPSTAIRS FOR A WHILE?

OH, NOT TONIGHT.

IT WAS NICE
MEETING YOU, MA'AM.

YOU GOING ALREADY?
WE HAVE DESSERT.

MAYBE NEXT TIME.
THANK YOU.

WELL, GOOD NIGHT.

ROBIN.

GOOD NIGHT.

MAYBE I'M JUST
TOO FAT NOW.

DON'T WORRY, DEAR.

IT'S
A NATURAL THING.

WILL THEY LIVE HERE
AFTER THEY GET MARRIED?

WHO?

HOLLY AND, UH...

OH, THAT NICE YOUNG MAN.
WHAT IS HIS NAME?

OH, ABE. UM...

I'M NOT SURE
SHE WANTS TO MARRY HIM.

A PREGNANT GIRL?

IS SHE CRAZY?
SHE SHOULD GRAB HIM.

WELL...

IT'S NOT REALLY HIS BABY.

SO WHAT?

SHE STILL
SHOULD GRAB HIM.

BELIEVE ME,
I KNOW WHAT SHE'LL
HAVE TO GO THROUGH.

YOU KNOW,
I'M A FEMINIST, TOO.

I WAS A SINGLE MOTHER
AFTER YOUR FATHER LEFT.

YOU THINK THAT WAS EASY?

I EVEN VOTED
FOR CARTER TWICE.

BUT YOU CAN'T
FIGHT NATURE.

GOD KNOWS YOU GIRLS
KEEP TRYING,

TREATING YOUR MEN
LIKE SIDE DISHES

YOU STICK A FORK IN
WHEN NEEDED,

JUST LIKE MEN TREATED US.

MOTHER,
WHO AM I TREATING?

DO YOU SEE A MAN
HERE ANYWHERE?

NO. I DON'T.

AND I THINK
IT'S A PROBLEM.

I DON'T UNDERSTAND
WHY YOU DON'T COME HOME.

I LIKE IT HERE, MOM.

IT'S SO STRANGE.

YOU'RE NOT EXACTLY
BUBBLING OVER
WITH HAPPINESS.

IT'S A LIFE, MOM,
NOT A HAYRIDE.

HONEY, WHAT IS THIS?

OH, MY GOSH.
THE POLICE ARE HERE.

YES, I SEE
THE POLICE, MOTHER.

WHAT THE FUCK
IS GOING ON?

HOLD IT.

OH. O.K.

WHAT ARE YOU DOING HERE?

I CALLED HER.

I THOUGHT
SHE SHOULD KNOW.

KNOW WHAT?

HE'S ARRESTING ME.

WHAT FOR?

YOU KNOW WHAT FOR,
ROBIN.

PITTSBURGH.

YOU TOLD HIM?

YES.

I TAKE THIS NAME
SERIOUSLY.

I CANNOT TELL A LIE.

THAT WAS WASHINGTON,
SCHMUCK.

WELL, WHATEVER.

ANYWAY, I'M GOING
TO STAND BY HOLLY 100%,

BUT I'M SWORN
TO UPHOLD THE LAW.

I DON'T BELIEVE
I'D BE ANY USE TO HER

IF I BROKE MY OATH.

HE REALLY LOVES ME.

OH, YEAH.
I CAN TELL

BY THE MANACLES
ON YOUR WRISTS.

RIGHT THIS WAY,
MISS.

DON'T SAY A WORD,
NOT TO ANYBODY.

WE'LL GET YOU A LAWYER.

I'LL MISS YOU GUYS.

I PROMISE YOU
THEY'RE GOING TO
TREAT HER RIGHT.

THEY KNOW
THAT SHE'S GOING TO
BE MY FUTURE WIFE.

SON OF A BITCH.

HONEY, WHAT IN THE WORLD
IS GOING ON?

I FEEL LIKE I'VE SEEN AMERICA'S MOST WANTEDIN PERSON.

THIS HAS GOT
TO BE THE MOTHER.

JANE, PLEASE.

YES, I AM.
AND WHO ARE YOU?

THE LESBO
WHO LIVED HERE

TILL YOUR DAUGHTER
THREW ME OUT.

WELL, I'M SORRY.

MOTHER.

I THINK THIS MAKES HER
REAL HAPPY

'CAUSE NOW SHE'S GOT
THE HOUSE ALL TO HERSELF.

CUT IT OUT. YOU'RE
JUST BEING MEAN.

JANE, STOP.

SHE'S GOING TO NEED
OUR HELP.

NO, NOT OUR HELP.

I'LL TAKE CARE OF THIS.

O.K.

O.K.

FINE. FINE,
FINE, FINE, FINE.

THEY DO THAT NOW,
DON'T THEY?

WHAT?

CALL THEMSELVES LESBOS.

OH, MOM.

AND SHE MAKES IT
SOUND LIKE A COMPLIMENT.

SHE WANTS TO CONFESS.

SHE DOESN'T WANT
TO BRING HER CHILD

INTO A WORLD OF LIES.

YOU HAVE NOTHING
TO WORRY ABOUT, HENRY.

HOLLY HAS PROMISED ME

SHE'LL
KEEP HER MOUTH SHUT

AS LONG AS SHE DOESN'T
HAVE TO LIE.

WE WOULDN'T
EVEN BE HERE

IF IT WASN'T
FOR YOU.

I TOOK AN OATH,
JANE.

AND NOW WE'RE
STUCK IN PITTSBURGH.

HOLLY'S ON TRIAL
'CAUSE OF YOUR OATH.

SO WHAT EXACTLY
DO THEY HAVE?

NOTHING, EXCEPT
FOR ABE'S TESTIMONY,

AND
THAT'S JUST HEARSAY.

THAT
IS THE TRUTH.

SHUT UP. NOBODY WANTS
TO HEAR THE TRUTH.

BUT ASIDE FROM THAT,
WHAT DO THEY HAVE?

THEY--THEY HAVE
THE POLAROID.

THE POLAROID?

YES.

I MENTIONED
THAT I HAD SEEN
A SNAPSHOT.

IT'S ON THE LIST
OF EXHIBITS.

WHAT CAN THEY
DO WITH THAT?

COLD

CRUEL?

INHUMAN?

WHAT WORDS WOULD YOU USE

TO DESCRIBE
THE WOMAN WHO POSED

AND TOOK THIS PHOTOGRAPH?

THIS IS A PHOTOGRAPH...

OF A MAN WHO
IN A FEW SHORT HOURS

WILL BE DEAD FROM WOUNDS

INFLICTED BY THIS WOMAN
YOU SEE BEFORE YOU.

AND NOT SURPRISINGLY,

EVERYTHING THAT YOU SAY
TENDS TO EXONERATE
YOUR FRIEND.

SORRY. IT'S THE TRUTH.

PERHAPS NOT COINCIDENTALLY,
IT TENDS TO EXONERATE YOU.

THERE ARE NO CHARGES
AGAINST ME.

YET.

OH, COME ON.

YOUR HONOR,
IS HE ALLOWED

TO INTIMIDATE ME
LIKE THIS?

MR. MASSARELLI, PLEASE.

I APOLOGIZE, YOUR HONOR.
IT WAS UNINTENTIONAL.

WHAT IS THE NATURE

OF YOUR FRIENDSHIP
WITH HOLLY PULCHIK?

EXCUSE ME?

I'M SORRY. LET ME
REPHRASE THE QUESTION.

HOW WOULD YOU CHARACTERIZE
YOUR FRIENDSHIP?

I WOULD CALL HER
MY FRIEND.

I MEAN, COME ON.

WHAT IS THIS
FRIENDSHIP STUFF?

I'M TRYING TO FIND OUT.

LET ME
PUT THIS DELICATELY

TO AVOID
OFFENDING THE COURT.

IS THERE
A ROMANTIC CHARACTER
TO YOUR FRIENDSHIP?

OBJECTION.

OVERRULED. YOU MAY
PROCEED, MR. MASSARELLI.

THANK YOU.

IS THERE
A ROMANTIC CHARACTER

TO YOUR FRIENDSHIP
WITH THE DEFENDANT?

NO, MR. MASARATI,
THERE IS NOT.

MASSARELLI.

OH, SORRY.
UNINTENTIONAL.

YOU ARE ONE
OF THESE GAY WOMEN--

DO YOU PREFER LESBIANS?

TO YOU?

ARE YOU GAY?

DO I LOOK GAY?

YOUR HONOR.

PLEASE
ANSWER THE QUESTION.

ARE YOU GAY?

YES, I AM.

I'M SURE
YOU HEAR THAT

FROM WOMEN
ALL THE TIME.

BUT IN MY CASE,
IT HAPPENS
TO BE TRUE.

SHE'S
SCARED SHITLESS,

JUST LIKE I WOULD BE
AFTER TODAY.

NO, I DON'T WANT YOU
TO DO THAT, ANNA.

I DON'T WANT YOU
TO DO THAT.

I'LL CALL YOU
TONIGHT, ALL RIGHT?

BYE.

SCHMUCK.

YOU DID
YOUR BEST.

WHICH IS MORE
THAN I CAN SAY FOR YOU.

JUSTICE IS HARD.

JUSTICE?

YOU CALL THIS JUSTICE?

THIS GIRL
PROTECTS HERSELF

AGAINST
SOME MARAUDING ASSHOLE

WHO USES HER BODY
AS A PUNCHING BAG,

AND SHE'S GOING TO JAIL.

IS THAT WHAT YOU WANT?

I WANT HOLLY
TO BE MY WIFE.

I WANT US
TO BE A FAMILY.

WHERE, IN THE JOINT?

I DON'T KNOW THAT.

BUT I DO KNOW

THERE'S
NO KIND OF FAMILY
WITHOUT THE LAW.

NONE WHATSOEVER,

'CAUSE THE LAW THAT
GOVERNS THE SOCIETY

IS THE SAME LAW

THAT HOLDS
THE FAMILY TOGETHER.

WHERE'D YOU READ THAT,

ON THE SIDE
OF A CHEERIOS BOX?

YOU THINK
I LOVE HER LESS NOW.

BUT I DON'T.

I LOVE HER MORE,

AND THAT IS WHY
I HAD TO DO THIS.

COME ON.

COME ON, COME ON.

WAY TO GO, PAULA!

WAY TO GO!

AND THEY LIVED
HAPPILY EVER AFTER.

DID I WAKE YOU?

NO.

I--I WAS JUST
LOOKING FOR A DRINK.

THERE'S BEER.

NO.

I HAD SOME BOURBON
FROM THE PLANE,

BUT I SEEM TO HAVE
FINISHED IT.

WHAT ARE YOU DOING?

I THOUGHT SOMEHOW
IF I MADE THIS TRIP AGAIN,

WE'D ALL BE HERE
AT THE END LIKE THIS.

OH, HONEY, NOBODY WAS HAPPY
IN THESE PICTURES,

EXCEPT MAYBE YOU.

TOMMY WAS ALREADY
SO FRAIL,

AND YOUR FATHER...

WELL, YOU LOVED HIM,
DIDN'T YOU?

YES, I DID,

WITH ALL MY HEART.

BUT I LOST HIM,

AND TOMMY, TOO,
AND THAT'S THAT.

YOU JUST HAVE
TO LET IT GO, ROBIN.

JUST LET IT GO.

I CAN'T.

YOU HAVE TO,
DARLING,

BECAUSE IT'S NEVER
GOING TO COME OUT
ANY DIFFERENTLY,

NO MATTER
HOW MANY TIMES
YOU MAKE THIS TRIP.

I KNOW THAT.

WHEN WE LOST TOMMY...

WELL, YOUR FATHER JUST
COULDN'T LIVE WITH THAT.

I DON'T BLAME HIM.

IT'S NOT RIGHT,
LOSING YOUR CHILDREN.

CHILDREN ARE SUPPOSED
TO LIVE AFTER YOU.

OH, HONEY.

ARE YOU CRYING?
OH, MY GOSH.

DO YOU KNOW
I DON'T EVER
REMEMBER YOU CRYING,

EVEN WHEN YOU
WERE A BABY.

ISN'T THAT FUNNY?

HA HA.

I'M SORRY.

I KNOW YOU'RE
NOT WELL, DARLING.

I DON'T KNOW
WHAT IT IS,

AND I DON'T
WANT TO KNOW.

BUT I KNOW
YOU'LL GET BETTER.

YOU WERE ALWAYS
THE STRONG ONE.

I CAN'T LOSE YOU.

I CAN'T
JUST LOSE EVERYBODY.

I DO THE BEST I CAN.

I KNOW
IT'S NOT ENOUGH,

AND I'M SORRY,

BUT THAT'S WHAT YOU
GET IN LIFE,
YOU KNOW?

YOU GET WHOEVER
YOU END UP WITH,

WHOEVER IS WILLING
TO STICK BY YOU

AND FIGHT FOR YOU

WHEN EVERYONE ELSE
IS GONE...

AND IT AIN'T ALWAYS
WHO YOU EXPECT,

BUT YOU JUST HAVE
TO MAKE DO.

I'M NOT COMPLAINING,
MOM.

NEVER COMPLAIN,
NEVER EXPLAIN.

KATHARINE HEPBURN.

SHE SAID THAT
IN REDBOOKLAST MONTH.

IT'S A GOOD MOTTO,
ISN'T IT?

THE BEST I CAN DO

IS PRETEND
YOU NEVER TESTIFIED,

GO ON LIKE IT
NEVER HAPPENED.

GO ON TO WHAT?

HONESTLY?
I DON'T KNOW.

ALL RIGHT.
THIS IS THE SITUATION--

I AM STILL ANGRY,

I DO NOT FORGIVE YOU
FOR ANYTHING,

AND I DON'T WANT
TO TALK ABOUT IT.

ANNA FILLED ME IN.

SHE TOLD ME EVERYTHING
I NEEDED TO KNOW

ABOUT THE TRIAL SO FAR,

AND I KNOW I CAN HELP

'CAUSE I COULDN'T
MAKE IT ANY WORSE.

AND HOLLY IS AS MUCH
MY RESPONSIBILITY

AS ANYONE ELSE'S,

AND SO ARE YOU.

YOU ARE MY FAMILY,
AND I LOVE YOU.

NOW,

I FEEL FINE.

MY T-CELLS
ARE OVER A HUNDRED,

AND I'M RARING TO GO,
SO...

UNLESS YOU WANT TO WASTE
TIME BEING STUBBORN,

I SUGGEST
WE GET ME ON THE STAND

AS SOON AS POSSIBLE.

YOU EXPECT US TO BELIEVE

THAT THE DEFENDANT, PREGNANT
WITH THIS MAN'S CHILD,

WOULD LEAVE HIM
AND NEVER LOOK BACK?

IT WAS OVER.

HE BEAT HER
AND ABUSED HER.

I SAW HOW HE TREATED HER.

BUT NOT
TO LEAVE AN ADDRESS

SO HE COULD
FORWARD HER MAIL.

AND PRACTICAL
REASONS ASIDE,

LET'S SAY SHE DID
STRIKE A BLOW

FOR SELF-DEFENSE,

AND SHE DECIDES
TO LET HIM STEW
IN HIS OWN JUICES.

BUT A FEW DAYS
LATER,

SHE REALIZES, HE'S--

HE'S MY LITTLE
BABY'S DADDY.

AND HE'S NOT SO BAD.

MAYBE
HE'S GOT A TEMPER,

BUT--SHE KNOWS
SHE NEEDS HIM.

SHE NEEDS
TO CALL HIM.

BUT--BUT IT WAS
OVER BETWEEN THEM.

I KNOW YOU THINK
A GIRL LIKE HER,

THE MOST IMPORTANT THING
IS A MAN,

BUT SHE DIDN'T NEED HIM.
SHE HAD US.

WELL, I HARDLY THINK

YOU'RE A REPLACEMENT
FOR A FATHER.

I DON'T KNOW WHAT IT IS,
BUT...

THERE'S SOMETHING
THAT GOES ON BETWEEN WOMEN.

YOU MEN KNOW THAT

BECAUSE IT'S THE SAME
FOR YOU.

I'M NOT SAYING ONE SEX
IS BETTER THAN THE OTHER.

I'M JUST SAYING...

LIKE SPEAKS TO LIKE.

LOVE OR WHATEVER
DOESN'T ALWAYS KEEP,

SO YOU FIND OUT WHAT DOES,
IF YOU'RE LUCKY.

MM-HMM.

WELL, THANK YOU FOR THAT
VERY ILLUMINATING VIEW

OF THE WAR
BETWEEN THE SEXES.

ARE YOU A LESBIAN,
TOO, MS. NICKERSON?

NO, SIR,

BUT AT TIMES I UNDERSTAND
THE INCLINATION.

SUPPOSE THERE IS
THIS BOND BETWEEN WOMEN.

SUPPOSE MEN ARE DISPOSABLE.

I DIDN'T SAY THAT.

IF THAT'S THE CASE,
WHY SHOULD WE BELIEVE YOU?

WOULDN'T YOU SAY ANYTHING
TO KEEP YOUR SISTER,

YOUR BOSOM BUDDY,
SO TO SPEAK, OUT OF JAIL?

I AM UNDER OATH.
I WOULDN'T
PERJURE MYSELF.

I'M GLAD I DON'T
HAVE TO REMIND YOU.

AND, JUST FOR THE RECORD...

YOU DIDN'T KNOW--

YOU DIDN'T KNOW
UNTIL THE POLICE TOLD YOU

THAT THIS MAN
WAS DEAD OF HIS WOUNDS?

IF I'M LYING,

MAY I BE STRUCK DOWN
WITH SOME TERRIBLE DISEASE.

O.K. ALL RIGHT.

GOOD NEWS.
I GOT AN OFFER--

INVOLUNTARY MANSLAUGHTER.
EXTENUATING CIRCUMSTANCES.

ONE TO TWO YEARS.

PAROLE
AFTER SIX MONTHS.

I GOT YOU MINIMUM
SECURITY IN ARIZONA.

TWO HOURS FROM HOME

AND GOOD MEDICAL CARE.

I'D HATE TO HAVE
MY BABY IN JAIL.

WHAT ARE THE CHANCES
FOR AN ACQUITTAL?

HE'S DEAD
FROM HER ACTIONS,

AND JURIES WANT TO MAKE
SOMEONE PAY FOR THAT.

SHE DIDN'T TESTIFY,

AND I DON'T KNOW
HOW MUCH GOOD
YOU DID HER.

I MEAN, UH...

MY BABY
WILL HAVE A MOTHER

WHO'S
A CONVICTED FELON?

I DON'T KNOW.
WHAT DO YOU THINK?

WELL--

UNDER
THE CIRCUMSTANCES--

THEY'D HAVE TO--

I MEAN ABE.

WHAT DO YOU THINK
ABOUT THAT, BABE?

I THINK THAT YOU
SHOULD TAKE IT,

AND I WILL
KEEP THE BABY

TILL YOU GET OUT.

YEAH, BUT--

THAT'S WHAT I'LL
DO, THEN.

FINE.

I'LL TELL THEM
WE TAKE IT.

I LOVE YOU.

I GOT TO GET
IN THERE WITH YOU.

DO YOU?

I WANT YOU
SO MUCH, BABE.

COULD WE
HAVE A MINUTE?

YEAH.YEAH.

WE'LL
SEE YOU LATER.

STAND OVER THERE
A SECOND.

COME IN HERE.

THAT'S MY BABY.

HONEY.

OH, BABE,
I MISSED YOU SO MUCH.

ME, TOO.

WELL, SO MUCH
FOR THE BONDS
BETWEEN WOMEN.

I LOVE YOU.

YOU CAN'T
FIGHT THAT.

I LOVE YOU SO MUCH.

PRETTY GOOD IN THERE.

WHATEVER
HAPPENED TO HONESTY
IS THE BEST POLICY?

YOU DON'T WANT
TO GO OVERBOARD.

HA HA. HA HA.

YOU KNOW, I'VE BEEN
THINKING AND THINKING

AND THINKING
ABOUT THIS,

AND I WANT TO SAY IT--

I AM REALLY, REALLY SORRY.
I TRULY AM.

YEAH, ME, TOO.
I GET SO ANGRY SO FAST.

IT'S JUST--

IT'S LONELY.

BETWEEN ME
AND EVERYBODY ELSE,

THERE'S ALL THIS...

SPACE ALL THE TIME,

AND IT GETS...
BIGGER AND BIGGER,

AND...

I'M ON ONE SIDE,
YOU KNOW? AND--

SCREAMING,
AND THEY'RE...

WAVING.

AND THE ONE PERSON
I THINK I'M HOLDING

IS...WAVING, TOO.

I'M HOLDING YOU.

THERE WON'T BE
ANY MORE LIES...

BETWEEN US,

N-NOT EVEN
FOR MY OWN GOOD.

NO, MA'AM.

GOOD.

I'M GOING TO GO
CALL ANNA. SHE'S GOT--

JANE.

YEAH?

WHAT--

HEY, WHAT'S THE MATTER?

WHAT'S THE MATTER?
HEY, HEY!

ABE! ABE!

ELAINE. JANE.

LISTEN, UH,
I'M SORRY TO WAKE YOU,

BUT WE'RE BACK IN TUCSON,

AND...SHE'S
IN THE HOSPITAL.

WHAT CURSE, HONEY?
WHO?

THE ONE ON MY FRIEND.

REMEMBER WHEN I
CAME TO SEE YOU,

YOU SAID THERE WAS
A CURSE ON MY FRIEND?

IT'S MY FRIEND ROBIN.
SHE'S...

LOOK, I DON'T BELIEVE
IN THIS STUFF.

I JUST THOUGHT
IT COULDN'T HURT

TO COME SEE YOU.

OH, ROBIN.

THAT'S
THE GIRL WITH AIDS.

ANNA'S FRIEND.

SHE'S MY FRIEND.

OH.

OH, UH, I SEE.

SO CAN YOU DO IT?

DO WHAT?

TAKE THE CURSE OFF OF HER.
YOU SAID YOU COULD...

IT'S AIDS, HONEY.

I KNOW THAT,

BUT RIGHT NOW
IT'S JUST A LUNG INFECTION,

AND I--

I DON'T WANT A MIRACLE.

I JUST WANT TO GIVE HER
A 51/49 SHOT.

I MEAN, LOOK,
I--I BROUGHT MONEY.

I COULD PAY YOU NOW.

PAY WHEN IT WORKS.

I CAN'T
PROMISE ANYTHING.

DON'T WAKE HER UP.

JUST DOING MY JOB.

IS THAT A COLD?

SHE CAN'T AFFORD
AN INFECTION.

I'LL HAVE
TO MASK YOU.

CAN'T YOU SEE
SHE'S BEEN CRYING?

IT'S HER MOTHER.

PEOPLE THINK
THEY'RE BEING NICE,

BUT THEY COME IN HERE
WITH COLDS.

IT'S NOT
A GODDAMN COLD.

YOU'RE
SUCH A HOO-HOO.

AND WHAT'S A HOO

IT'S A CUNT, DEAR.

NOW WHY DON'T YOU
LEAVE US ALONE?

TOMMY?

TOMMY.

HEY.

IT'S JUST ME.

I KNOW.

O.K.

WHERE'S MOM?

SHE HAD TO GO
BACK TO THE HOUSE.

WILL YOU CALL HER?

SURE.

Yeah. Hi.

Uh...

She's asking for you.

Bye.

DO YOU WANT ME
TO GET A DOCTOR?

UH-OH.

N...

I HAD A CRUSH
ON A WOMAN ONCE.

I WAS 10.

OH, THAT'S WHEN I HAD
CRUSHES ON BOYS.

SHE...

SHE WAS
A STRAWBERRY BLONDE.

THAT'S WHAT MY MOM
CALLED HER.

SHE WAS
THE BABYSITTER...

AT A HOTEL
WE STAYED AT

RIGHT BEFORE MY DAD
WENT TO VIETNAM.

SHE WAS BEAUTIFUL.

STRAWBERRY BLONDE.

I USED TO BE
A STRAWBERRY BLONDE, TOO.

IT WAS ME YOU LOVED,
WASN'T IT?

YEAH.

STILL.

WELL, I LOVED YOU, TOO.

I WON'T WANT A FUNERAL,
BUT...

MOM WILL.

BUT IT'S GOT TO BE HERE.

DON'T LET HER TAKE ME
BACK TO SAN DIEGO.

O.K.

AND AFTERWARDS...

YOU CAN HAVE A BIG PARTY
AT THE HOUSE.

O.K.?

O.K.

BIG PARTY.

O.K.

BIG PARTY.

AAAH!

GOOD, HOLLY.
YOU CAN DO IT.

PUSH RIGHT INTO IT.

UNHH!

PUSH, HOLLY. COME ON.
YOU CAN DO IT.

PERFECT, PERFECT,
PERFECT. COME ON.

REAL GOOD PUSH NOW.

UNNHH!

AAAHH!

I WANTED TO BE HERE
FOR IT, YOU KNOW,

TO HELP WITH
THE BREATHING
AND EVERYTHING.

NEXT TIME. YOU EVER SEEN
ONE OF THESE THINGS?

UH-UH.
THEY'RE REALLY UGLY.

WHERE ARE THEY?

WHOA, WAIT A MINUTE.

DON'T LOOK AT ME.

WELCOME BACK.

WE MADE IT.

WE'RE BACK HOME.

ROSITA.

LET ME SEE HER.
LET ME SEE HER.

THANK YOU.YOU LOOK GREAT.

ISN'T SHE BEAUTIFUL?

HI, LITTLE ONE.

OHH.
COME ON.

WELCOME.

WELCOME,
MARY TODD.

OH. OH.

WHAT

WHAT
SHH.

OHHHH.

PUSH IT RIGHT
OUT OF THERE.

AHHHH!

♪ THEY CALL ME
MELLOW YELLOW ♪

♪ BOP BOP BOP BOP BAH

♪ I'M JUST MAD ABOUT 14

♪ 14's MAD ABOUT ME... ♪

IT WAS
ROUGH GOING THERE.

BUT SHE MANAGED
TO PULL HERSELF
THROUGH.

AND THE NEXT DAY
THE PENTAMIDINE
KICKED IN, SO...

WELL, WHAT ARE
HER T

MMM,
THEY'RE ABOUT 35.

THEY WERE UNDER 20
BEFORE.

NAH.

SHE DOESN--
SHE DOESN'T LOOK GOOD.

SHE LOOKS GREAT.

WE WANT TO WELCOME
HOLLY HOME,

WITH HER NEW BABY
AND HER NEW HUSBAND ABE.

WE'RE ALL GLAD TO BE HERE
WITH OUR FRIENDS.

AND I WANT YOU RIGHT NOW,
LADIES AND GENTLEMEN,

TO PUT YOUR HANDS
TOGETHER

AND GIVE A ROUND
OF WARM APPLAUSE

TO 1983's
FOURTH RUNNER-UP

IN THE STAR SEARCH
TALENT COMPETITION...

NO, NO, JANE, JANE,

IT WAS THIRD RUNNER-UP.
I TOLD HER.

FOURTH WAS THIS TERRIBLE
LITTLE BOY TAP-DANCER
WITH PIMPLES.

HE ONLY GOT THAT FAR
BECAUSE HE CHEATED.

THAT'S THE ONLY REASON
I--

ELAINE.

WHAT?

SHUT UP.

JERRY...

♪ EVERY TIME I LOOK
INTO YOUR LOVELY EYES ♪

♪ I SEE A LOVE
THAT MONEY JUST CAN'T BUY ♪

♪ ONE LOOK

♪ FROM YOU

♪ I DRIFT AWAY

♪ I PRAY

♪ THAT YOU

♪ ARE HERE

♪ TO STAY

♪ ANYTHING YOU WANT

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT

♪ ANYTHING AT ALL

♪ YOU GOT IT

♪ BABY

♪ EVERY TIME I HOLD YOU

♪ I BEGIN TO UNDERSTAND

♪ EVERYTHING ABOUT YOU

♪ TELLS ME
I'M YOUR BEST FRIEND ♪

♪ SO I LIVE MY LIFE

♪ TO BE WITH YOU

♪ 'CAUSE NO ONE

♪ CAN DO

♪ THE THINGS YOU DO

♪ SO ANYTHING YOU WANT

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT

♪ ANYTHING AT ALL

♪ YOU GOT IT

♪ BABY

♪ ANYTHING YOU NEED

♪ ANYTHING YOU WANT...

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT ♪

READY TO GO?

YEAH.

YOU BETTER BE BACK
FOR CHRISTMAS.

MARY TODD'S EXPECTING YOU.

I WILL.

CALL ME WHEN
YOU GET TO L.A.

TELL ME HOW
THE AUDITION WENT.

HA HA.
O.K., MOM.

♪ DOWN THE ROAD
OF MY DESIRES ♪

♪ TO THE OCEANS
OF MY PEACE ♪

♪ TO THE FUELING
OF MY FIRES ♪

♪ UNTIL MY YEARNINGS
CEASE ♪

♪ I HEAR YOUR VOICE

♪ I KNOW YOU

♪ IN YOUR ARMS I SLEEP

♪ MY LOVE,
WHEREVER I GO ♪

♪ I TAKE YOU WITH ME

♪ WHOA-HO

♪ WHOA-HO

♪ WHOA-HO-OHH

♪ OHH-OHH-OHH

♪ EVEN THOUGH
I'VE FED MY HUNGER ♪

♪ EVEN THOUGH I'VE NAMED
MY FEAR ♪

♪ I'LL NEVER
UNDERSTAND IT ♪

♪ HOW THE JOURNEY
LED ME HERE ♪

♪ BUT I HAVE MADE
A PROMISE ♪

♪ THAT I INTEND TO KEEP

♪ MY LOVE,
WHEREVER I GO ♪

♪ I TAKE YOU WITH ME, OHH

♪ MY LOVE,
WHEREVER I GO ♪

♪ OHH, I,
I TAKE YOU WITH ME ♪

♪ TAKE YOU WITH ME

♪ I TAKE YOU WITH ME,
OHH ♪

♪ OHH-OHH

♪ OHH

♪ MY LOVE

♪ MY LOVE ♪

CAPTIONING MADE POSSIBLE BY
WARNER BROS.

CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.

CAPTIONS COPYRIGHT 1995
WARNER BROS.

♪ EVERY TIME I LOOK
INTO YOUR LOVELY EYES ♪

♪ I SEE A LOVE THAT MONEY
JUST CAN'T BUY ♪

♪ ONE LOOK

♪ FROM YOU

♪ I DRIFT

♪ AWAY

♪ I PRAY

♪ THAT YOU

♪ ARE HERE

♪ TO STAY

♪ ANYTHING YOU WANT

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT

♪ ANYTHING AT ALL

♪ YOU GOT IT

♪ BABY

♪ EVERY TIME I HOLD YOU

♪ I BEGIN TO UNDERSTAND

♪ EVERYTHING ABOUT YOU

♪ TELLS ME YOU'RE MY MAN

♪ I LIVE ♪ I LIVE

♪ MY LIFE ♪ MY LIFE

♪ TO BE ♪ TO BE

♪ WITH YOU ♪ WITH YOU

♪ NO ONE ♪ NO ONE

♪ CAN DO ♪ CAN DO

♪ THE THINGS ♪ THE THINGS

♪ YOU DO ♪ YOU DO

♪ ANYTHING YOU WANT

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT

♪ ANYTHING AT ALL

♪ YOU GOT IT

♪ BABY

♪ ANYTHING AT ALL, BABE

♪ I'M GLAD ♪ I'M GLAD

♪ TO GIVE ♪ TO GIVE

♪ MY LOVE ♪ MY LOVE

♪ TO YOU ♪ TO YOU

♪ I KNOW ♪ I KNOW

♪ YOU FEEL ♪ YOU FEEL

♪ THE WAY ♪ THE WAY

♪ I DO ♪ I DO

♪ ANYTHING YOU WANT

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT

♪ ANYTHING AT ALL

♪ YOU GOT IT

♪ BABY

♪ ANYTHING YOU WANT

♪ ANYTHING YOU NEED

♪ I'M GLAD

♪ TO GIVE

♪ MY LOVE

♪ TO YOU

♪ I KNOW

♪ YOU FEEL

♪ THE WAY

♪ I DO

♪ ANYTHING YOU WANT

♪ ANYTHING
YOU WANT, BABY ♪

♪ ANYTHING YOU NEED

♪ ANYTHING AT ALL

♪ ANYTHING AT ALL

♪ BABY

♪ YOU GOT IT ♪