Boys on the Side (1995) - full transcript

Jane is a night club singer, out of work. Robin is a quirky real estate agent looking for a ride-share to accompany her to California. Her advertisement is answered by Jane, who at first was uncertain about her. A stop in Pittsburgh picks up a third, Holly, escaping a violent and drug-dealing partner. Girls on the road, reaching understanding, respect, and care for each other. But this trio is different - Jane a lesbian, Robin suffering with AIDS, Holly running from her past, seeking one-night stands and a good man.

♪ EACH TIME I TELL MYSELF

♪ THAT I JUST

CAN'T STAND THE PAIN ♪

♪ BUT THEN YOU

HOLD ME IN YOUR ARMS ♪

♪ AND I'M

SINGIN' ONCE AGAIN ♪

♪ SO WON'T YOU

JUST COME ON ♪

♪ COME ON

♪ COME ON

♪ COME ON AND TAKE IT

♪ TAKE ANOTHER LITTLE

PIECE OF MY HEART NOW, BABY ♪

♪ OHH,

BREAK IT ♪

♪ BREAK ANOTHER LITTLE

PIECE OF MY HEART ♪

♪ DARLIN', YEAH YEAH

♪ HAVE A

♪ HAVE ANOTHER LITTLE PIECE

OF MY HEART NOW, HONEY ♪

♪ OHH, OHH, OHH

♪ 'CAUSE YOU

KNOW YOU GOT IT ♪

♪ 'CAUSE IT

MAKES YOU FEEL GOOD ♪

♪ OH, YES, INDEED

♪ YEAH ♪

OWW!

THANK YOU.

I'M JANE DeLUCA.

THIS IS JOHNNY FIGGIS

AND OUR BAND.

I GOT TO

TAKE A LEAK.

FINE.

DID YOU SEE

THAT BITCH, MAN?

FUCK HER.

I'M GOING

TO FUCK HER.

WAIT. J-J-J-JANE.

GIRL, THAT MAN

IS SO FINE.

YEAH, ACTUALLY, HE IS.

IS THIS

YOUR FIRST DATE?

MM-HMM. DO YOU NEED

TO CLEAR SOMETHING?

TAKE EVERYTHING,

JUST LEAVE THE GLASSES.

NO. I WAS THE SINGER

UP THERE.

YOU DIDN'T SEE ME?

I WAS SIGNALING,

GOING LIKE THIS.

WHAT ARE YOU

TALKING ABOUT?

YOU DON'T KNOW?

YOU HAD THE BIGGEST,

GREENEST THING

HANGING FROM YOUR NOSE.

I KEPT GOING LIKE THIS.

YOU COULD SEE IT

FROM THERE?

IT LOOKED LIKE

GUMBY DOING TARZAN.

IT WAS HUGE.

OH, MY GOD.

I INVITED THIS

IMPORTANT A&R GUY DOWN,

AND YOU FUCKED ME.

LISTEN,

YOU'RE OUT OF HERE.

YOU'RE CANCELED.

YOU CAN'T--

HEY, WAIT.

WAIT FOR WHAT?

TILL YOU LEARN

TO SING?

WHAT'S

UP WITH HIM?

YOU WANT TO KNOW

WHAT'S UP WITH HIM?

HE JUST FUCKED US.

THIS TOWN IS

DEAD FOR ME ANYWAY.

WE GOT THAT GIG IN L.A.

WE'LL JUST LEAVE EARLY.

MAYBE THIS IS TRYING

TO TELL US SOMETHING.

IT'S TELLING US

WE'RE FUCKING FIRED.

NO, NOT JUST THIS.

MAYBE L.A.

ISN'T THE ANSWER

TO OUR PROBLEMS.

WHAT DOES THAT MEAN?

TOMMY HOOKED ME

WITH SOME STUDIO WORK

IN THE CITY.

IT'S GOOD MONEY,

IT'S IN THE CITY,

AND I GOT TO THINK

OF DEBBIE HERE.

THE LITTLE GIRL

IN QUEENS WHO SETS

HER HAIR EVERY DAY?

THIS IS SUDDENLY

A FACTOR?

GET THE FUCK

OUT OF THE WAY!

YOU GET THE FUCK

OUT OF MY WAY!

GO BACK TO PAKISTAN!

LOOK, I GOT TO BE

REALISTIC HERE, RIGHT?

I GOT TO LOOK AHEAD.

HOW LONG YOU BEEN

DOING THIS

LOOK--

LOOK, WHAT?

LOOK, WHAT?

I DON'T WANT THAT

TO HAPPEN TO ME, O.K.?

YOU SHOULD BE SO LUCKY.

I GOT PRIORITIES HERE,

YOU KNOW?

YOU KNOW, SHE'S

HOLDING YOU BACK, MAN.

EVERYBODY SAYS IT.

SHE'S LIKE YOKO WITH BANGS.

THEY DON'T SAY SHE'S

HOLDING ME BACK, O.K.?

ALL I'M SAYING IS

DON'T GO TO L.A.,

ALL RIGHT?

EVEN IF YOU DON'T GOT

THE SHIT GOING ON HERE,

YOU GOT

THE VOICE OVER STUFF--

YOU STAY HERE AND

YOU PLAY DADDY, O.K.?

I'M GONE.

JANE?

♪ WHY

♪ WHY

♪ HOW MANY TIMES

DO I HAVE TO TRY ♪

♪ TO TELL YOU

♪ THAT I'M SORRY FOR

THE THINGS I'VE DONE? ♪♪

THAT WAS IN '78, RIGHT?

I WAS SUPPOSED

TO BE THE NEW ARETHA.

BUT THE OLD ARETHA

WAS THE NEW ARETHA.

I WAS SOMETHING NOBODY'D

EVER SEEN BEFORE.

SO I'M GETTING

THE FUCK OUT.

CAN I GET

SOME FRENCH FRIES?

YOU KNOW,

HEAD DOWN TO L.A.,

GET SOME GIGS GOING.

THAT'S PERFECT.

I CAN DROP YOU THERE

AND HEAD ON TO SAN DIEGO.

GREAT.

I USED TO SING, TOO.

OH, REALLY?

MM-HMM.

NOTHING PROFESSIONAL.

MOSTLY AMATEUR

TALENT COMPETITIONS.

LIKE STAR SEARCH

OR SOMETHING?

SORT OF. ONLY I

NEVER MADE IT THAT FAR.

I PLAYED THE PIANO

AND SANG.

WHAT'D YOU SING?

WAY OVER YONDER--CAROLE KING,

CLOSE TO YOU--CARPENTERS.

IT WAS THE SEVENTIES.

CLOSE TO YOU?

YEAH, YOU KNOW?

WHY DO BIRDS SUDDENLY

APPEAR EVERY TIME

YOU ARE NEAR...

♪ JUST LIKE ME

♪ THEY LONG TO BE-- ♪

NO, NO, I KNOW.

I KNOW.

WHY SAN DIEGO?

WELL, WHY NOT?

I MEAN--

HERE YOU GO.

I'M IN REAL ESTATE.

AND RIGHT NOW

THE MARKET IS JUST

UNBELIEVABLY BAD.

SOMETIMES YOU

HAVE TO MAKE A CHANGE.

YOU HAVE TO

TAKE CONTROL AND SAY,

"THINGS ARE

GOING TO BE DIFFERENT.

I CAN MAKE THEM DIFFERENT

IF I BELIEVE IT IN MY HEART."

FUCK STAR SEARCH.

YOU SHOULD HAVE

BEEN MISS AMERICA.

O.K., BRING IT

ON UP.

MORE. GOOD!

I HOPE YOU DON'T MIND

MY MENTIONING THIS--

NO SMOKING IN THE CAR.

WHAT DO YOU MEAN?

NO SMOKING IN THE CAR.

WHATSOEVER?

I'M GOING UPTOWN.

CAN I GIVE YOU A LIFT?

WHOO! TAXI!

NO, I HAVE A CAR.

WHAT DO YOU THINK?

IT COULD WORK.

I'LL LET YOU KNOW

IN A COUPLE OF DAYS.

BECAUSE I REALLY

NEED TO LEAVE AS

SOON AS POSSIBLE.

I DON'T WANT

TO DO IT ALONE.

THAT'S NOT SAFE.

AND YOU'RE THE FIRST

PERSON THAT ANSWERED

THE AD.

I THINK THAT'S

A SIGN OF SOMETHING.

AND I THINK

YOU'D BE FINE.

I MEAN, I THINK

OUR PERSONALITIES

WOULD MESH.

LOOK...ROBIN, RIGHT?

YOU'RE A NICE LADY.

I'M SURE THERE ARE

THINGS ABOUT YOURSELF

YOU JUST CAN'T HELP,

AND I UNDERSTAND THAT,

BUT I DON'T

THINK WE MESH AT ALL.

I'M SURE THERE'S

SOMEBODY WHO WANTS

TO GO CROSS COUNTRY

WITH THE WHITEST

WOMAN ON EARTH,

SINGING CARPENTER SONGS,

AND RELIVING

CHILDHOOD MEMORIES,

BUT IT AIN'T ME.

HEY, THAT'S MY CAR!

HEY, THAT'S MY CA--

HEY, THAT'S MY CAR!

THAT'S GOING

TO COST AT LEAST $200

TO GET YOUR CAR BACK.

O.K., JANE,

GOOD LUCK IN L.A.

EARTHQUAKE, FIRES,

RIOTS--

THEY GOT SOME CRAZY

BASTARDS OUT THERE

IN CALIFORNIA.

I DON'T KNOW WHY

YOU WANT TO GO THERE.

HEY, CAREFUL! EASY!

EASY WITH THAT PIANO.

♪ I MAY NOT

BE THE BEST ♪

♪ YOU KNOW GOOD ONES

DON'T COME BY THE SCORE ♪

♪ YOU GOT

SOMETHING MISSIN' ♪

♪ I'LL HELP YOU LOOK,

YOU CAN BE SURE ♪

♪ AND IF YOU

WANT TO BE ALONE ♪

♪ OR SOMEONE

TO SHARE A LAUGH ♪

♪ WHATEVER

YOU WANT ME TO ♪

♪ ALL YOU

GOT TO DO IS ASK ♪

♪ WILLING TO BE

♪ A-SHELTERED IN A STORM

♪ YOUR WILLOW

♪ A WILLOW

♪ WHEN THE SUN IS OUT ♪

GOOD MORNING.

I HAVE A FRIEND

IN PITTSBURGH.

CAN WE STOP AND

TAKE HER TO LUNCH?

NO PROBLEM.

IT'S A DEAL.

SMILE!

♪ LA LA

♪ LA LA

♪ LA DA DA

♪ LA LA

♪ LA ♪

MY BROTHER THREW UP

RIGHT HERE,

NEAR EXIT 7.

I REMEMBER.

WE PULLED OVER.

HOW COME HE'S NOT MAKING

THIS TREK WITH YOU?

OR DOES HE HAVE A LIFE?

HE DOESN'T.

HE DIED OF CANCER

WHEN HE WAS 6.

OH, MAN.

I'M SORRY. I'M SORRY.

DAMN.

YOU MIND IF I

USE YOUR HEADPHONES?

NO, GO AHEAD.

THANK YOU.

HI, YOU'VE REACHED

NICK AND HOLLY.

LEAVE A MESSAGE--

THERE'S A SICK LADY

IN THE BATHROOM.

IS SHE WITH

SOMEBODY HERE?

SHE'S OUTSIDE!

IS THAT YOUR FRIEND IN

THERE IN THE BATHROOM?

YEAH.

GIRL, YOU BETTER

GET IN THERE.

SHE IN THERE

THROWING UP.

THANKS.

HEY, YOU ALL RIGHT?

THAT STUPID WOMAN.

I TOLD HER I WAS FINE.

YOU LOOK LIKE SHIT.

THANK YOU.

ALLERGIES.

I HAVE ALLERGIES.

THEY COME AND GO.

SOMETIMES I THINK

IT'S ALL IN MY HEAD.

DO YOU EVER KNOCK?

NOT IN A PUBLIC

TOILET, NO.

I'M REALLY SORRY.

IT'S PROBABLY BECAUSE I

BROUGHT YOUR BROTHER UP.

OH, NO, NO.

UH, I'M FINE.

I'LL BE FINE IF

WE JUST KEEP MOVING.

IT'S NOTHING.

YOU SMELL

LIKE AN ASHTRAY.

I'M GOING TO L.A.

TO SEE WHAT I CAN FIND.

WHAT?

ARE YOU GETTING HBO?

WE'RE SUPPOSED TO,

AND IT'S NOT ON MINE.

I DON'T KNOW.

I'M ON THE PHONE HERE.

I'M SORRY.

NO. COME IN

AND CHECK.

COME IN.

YES, I'M ON

MY WAY TO L.A.

I THOUGHT I'D

STOP BY AND SEE YOU.

NO, I SAID

TUESDAY OR WEDNESDAY.

ARE YOU O.K.?

NO, IT'S JUST--

ALL RIGHT.

NO, I'LL WAIT.

THE WAY WE WEREIS ON.

ROBERT REDFORD,

BARBARA STREISAND.

THE WAY WE WERE.

I DON'T

GET OUT MUCH.

IT WAS 20 YEARS AGO.

OH, GREAT, YOU GOT IT.

DO

NO, PLEASE. PLEASE.

NO, I'M HERE.

NO, I FIGURED

WE'D COME BY TOMORROW

AROUND NOON.

ARE YOU O.K.?

I MEAN, IS IT NICK?

NO, FINE. FINE.

ALL RIGHT.

YEAH. NO, I'LL

SEE YOU THEN. GOODBYE.

DAMN.

IS THAT YOUR FRIEND

IN PITTSBURGH?

YEAH. IF SHE IS

STILL MY FRIEND.

THAT'S NICE.

I DON'T REALLY

HAVE ANY GIRLFRIENDS.

MY MOM ALWAYS FELT,

YOU KNOW,

YOU CAN'T TRUST WOMEN.

I DON'T KNOW

ABOUT THAT.

OH, COME ON.

MEN KNOW ALL ABOUT PMS.

SOMEBODY TALKED.

YOUR GIRL IS LOVELY,

HUBBEL.

WHY DON'T YOU

BRING HER FOR A DRINK

WHEN YOU COME?

I CAN'T.

I KNOW.

HA HA HA HA HA HA!

THAT--THAT KILLS ME,

THE WAY SHE, LIKE,

BRUSHES HIS HAIR

OFF HIS FOREHEAD.

IT REALLY...GETS ME.

SO, UH, WHICH ONE

OF THEM WERE YOU--

THE ONE WHO

LOVED TOO MUCH

OR TOO LITTLE?

NEITHER.

I'M THE ONE WHO

SPENT THREE YEARS

AT HAPPY HOUR

AND NEVER WENT

HOME WITH ANYBODY,

EXCEPT THE BARTENDER.

YEAH, WELL,

THE BARTENDER'S SOMEBODY.

YEAH,

HE WAS SOMEBODY,

ALL RIGHT.

I DON'T KNOW.

I DON'T

KNOW ABOUT MEN.

I JUST DON'T GET IT.

MAYBE YOU'RE

NOT INTO THEM.

YOU MEAN...

EWWW! NO.

WHAT DO YOU MEAN

"EWWW, NO"?

I THINK I

SCARE THEM AWAY,

'CAUSE I

KNOW WHAT I WANT.

OH, WELL, TELL ME.

WHAT DO YOU WANT?

IT'S NOT VERY

LIBERATED, I KNOW.

I WANT A HUSBAND

WITH A DECENT JOB,

YOU KNOW,

AND...

I WANT TWO KIDS,

A BOY AND A GIRL,

IN THAT ORDER,

AND A SALT BOX COLONIAL

WITH THREE BEDROOMS,

A SUN PORCH,

A STAIRWAY WITH

A WHITE BANISTER,

AND A CONVERTIBLE DEN.

YOU COULD HAVE BEEN

DONNA REED IN ANOTHER LIFE.

ANYWAY,

I DIDN'T GET IT.

IT'S ALL RIGHT.

THERE'S ALWAYS TIME.

YEAH.

IS THAT WHY

YOU LEFT NEW YORK,

'CAUSE THAT BARTENDER

DID YOU WRONG?

SOMETHING LIKE THAT.

8:00 TOMORROW,

O.K.,

IF YOU WANT TO

GET TO PITTSBURGH

BY 12:00.

GOOD NIGHT.

GOOD NIGHT.

THANKS FOR THE MOVIE.

HMM.

♪ LAST NIGHT I

HELD ALADDIN'S LAMP ♪

♪ AND SO I WISHED

THAT I COULD STAY ♪

♪ BEFORE THE THING

COULD ANSWER ME ♪

♪ WELL, SOMEONE CAME

AND TOOK THE LAMP AWAY ♪

♪ I LOOKED

ALL AROUND ♪

♪ LOUSY CANDLE'S

ALL I FOUND ♪

♪ WELL, YOU

DON'T KNOW WHAT... ♪♪

I LOOKED AROUND,

GOT INTO REAL ESTATE.

THAT'S WHERE

THE PERFORMING

REALLY PAID OFF,

SIZING UP SITUATIONS,

HANDLING PEOPLE,

GETTING WHAT YOU

WANT FROM THEM

WITHOUT THEM

REALLY KNOWING,.

YOU KNOW, CONTROL.

DON'T WORRY, YOU

DON'T HAVE TO COME IN.

UH, MAN,

I HATE THIS BELT.

FOR YOUR

OWN PROTECTION.

YES, I KNOW.

YEAH.I'LL WAIT HERE.

HEY, HOLLY.

HOLLY?

HEY! HEY!

HEY.

JANE.

HI.

HI.

YOU LOOK GOOD.

THANKS.

THANKS. YOU, TOO.

THANK YOU.

WHAT'S THE MATTER?

HOLLY!

LOOK, SOMETHING'S

COME UP.

NICK'S IN A MOOD.

COULD WE DO THIS

ANOTHER TIME?

WE'RE ON THE ROAD HERE.

FUCK IT.

I'LL HANDLE IT.

I'LL FIX IT.

LET ME TALK TO HIM.

JANE.

JESUS CHRIST!

HOLLY!

HA HA.

HE THINKS HE'S

LOST SOMETHING.

I THOUGHT YOU

SAID HE WAS CLEAN.

HE IS. HE HAS

NINE MONTHS IN N.A.

HE'S DEALING.

BUT THEN, YOU KNOW,

HE HAS A DRINK,

AND HE GETS...

CONFUSED.

HOLLY, IF YOU'D CLEAN

THIS FUCKING PLACE,

MAYBE I'D FUCKING BE

ABLE TO FIND MY SHIT!

WHAT ARE YOU

DOING HERE?

HELLO, NICK.

I'M JUST PASSING THROUGH.

WE'LL CATCH YOU LATER.

YOU GOING SOMEWHERE?

HEY, NICK! NICK!

DON'T BE A PRICK.

STICK TO WHAT

YOU KNOW, JANE.

THAT'S SOMETHING

ABOUT YOU GIRLS I

COULD NEVER FIGURE OUT.

WHAT'S SEX LIKE

WITHOUT A DICK?

I DON'T KNOW, MAN.

YOU TELL ME.

FUCK YOU.

YOU WISH. COME ON.

YOU AIN'T

GOING NOWHERE.

OW! OW! OW!

HEY, MAN.

YOU DYKE!

ASSHOLE!

NICK,

STOP THAT!

BITCH!

NICK, DON'T

HURT HER!

YOU FUCKING WITH ME!

NICK!

JESUS!

YOU FUCK!

BULLSHIT!

ARE YOU ALL RIGHT?

UH-HUH.

WHO THE FUCK

ARE YOU?

HI. HOW ARE YOU?

ARE WE GOING?

YES.

NOBODY'S GOING

ANYWHERE UNTIL I

GET MY COKE.

THIS BITCH--

SHE STOLE IT.

SHE AIN'T SEEING DAYLIGHT

UNTIL SHE GIVES IT UP.

YOU DON'T REMEMBER

SHIT WHEN YOU'RE

DRINKING, ASSHOLE!

YOU SOLD IT

TUESDAY NIGHT.

REMEMBER THE LAST TIME

I CAUGHT YOU LYING?

IS THAT HOW YOU

WANT ME TO PLAY THIS?

GUYS, GUYS.

MY HUNCH IS

OUR TWO POSITIONS

MIGHT BE A LOT CLOSER

THAN WE THINK.

WHO DO YOU BELIEVE

HE SOLD IT TO?

FRANK. THIS

GUY UPTOWN.

A FRIEND.

HEY, NICK!

JANE,

LET ME CLOSE THIS.

WHERE'S HIS NUMBER?

IT'S ON

THE WALL.

I'M ROBIN,

BY THE WAY.

YOU MUST BE HOLLY.

HI. IT'S REALLY

NICE TO MEET YOU.

YOU, TOO.

I, UM, REALLY

LIKE YOUR HAIR.

OH, THANKS.

THE HUMIDITY REALLY

MESSED WITH IT.

I UNDERSTAND.

IS FRANK THERE?

YEAH.

FRANK,

YOU SCORE AN EIGHTH

OFF ME TUESDAY NIGHT?

YEAH.

HOW MUCH?

HA HA. THAT'S

WHAT I THOUGHT.

HOLLY'S SAYING

YOU DIDN'T.

ALL RIGHT,

LATER.

SO I SOLD IT

TO HIM?

O.K., FINE.

LET'S GO.

WHERE'S

THE FUCKING MONEY?

OH, MAN.

GIVE US

A FUCKING BREAK.

WHERE'S THE MONEY?

HE HIDES IT.

HE ALWAYS DOES,

THE SAME THREE

OR FOUR PLACES.

AND I'M

NOT TELLING.

TELL ME WHERE.

I TELL YOU

TO WRITE IT DOWN.

YOU NEVER DO.

YOU STOLE IT.

JANE,

YOU KNOW HER.

SHE'S A LIAR

AND A THIEF.

IT'S NOT HER FAULT.

IT'S HER

FUCKING NATURE.

GET THE FUCK

AWAY FROM ME.

FUCK YOU, TOO, MAN.

NO FUCKING TRUST HERE!

GET THE FUCK UP!

THAT'S WHAT FUCKING HURTS!

AAH!

JESUS FUCK!

AAH!

WHAT THE FUCK'S

WRONG WITH YOU?

ARE YOU CRAZY?

DID I HURT HIM?

WHAT DO YOU MEAN?

YOU HIT HIM

WITH A BAT.

I'M CALLING

THE COPS.

OH, FUCK.

HE'S ALIVE.

AAH!

GIVE ME THE BAT.

GIVE IT

TO ME RIGHT NOW.

I'M GOING

TO KILL YOU, HOLLY.

I'M GOING

TO FUCKING--

TIME OUT!NO!

NOBODY MOVE.

JANE, GIVE ME

THE BAT, PLEASE.

THANK YOU. HEY!

HOLLY, DON'T--DON'T

TEASE HIM.

AND, NICK,

YOU'VE GOT SOME REAL

LIKABILITY ISSUES.

NOW, WHO HAS TAPE?

GRRRRR!

I DON'T FEEL

GOOD ABOUT THIS.

WHAT WOULD

YOU LIKE TO DO,

CALL THE POLICE?

THEY'D ARREST THEM.

THERE'S DRUGS

EVERYWHERE.

WHAT ARE YOU DOING?

OH, NOTHING.

WHAT ARE YOU DOING?

JUST THE CASH.

I'M CLEAN.

WE'RE NOT TAKING

DRUG MONEY ON THE ROAD.

PUT IT BACK.

IT'S NOT LIKE YOU CAN

TELL BY LOOKING AT IT.

O.K., YOU HAVE A POINT.

WE'LL JUST TAKE HALF,

AND WE'RE

NOT TAKING DRUGS

ON THE ROAD WITH US.

SO GIVE THEM BACK.

THANK YOU.

YOU'RE WELCOME.

MMMMM!

GRRRR!

SHH! SHH!

WE'LL TAKE THE GAG OFF

WHEN WE LEAVE.

THERE'LL BE FOUR HOURS

OF LOUD MUSIC,

AFTER WHICH, YOU

CAN SCREAM FOR HELP.

WORK ON THE TAPE.

PHONE'S IN

THE KITCHEN. WATER?

THANKS, HON.

RIGHT HERE.

EVERYONE GO POTTY.

WE DON'T WANT

TO HAVE TO STOP.

I WENT.

LOOK WHAT

SHE'S DOING!

DON'T TEASE

THE ANIMALS.

COME ON, GO! GO!

LET'S GO.

I'M GOING TO

KILL YOU, HOLLY!

I'M GOING TO

KILL YOU! HOLLY!

COME ON, COME ON.

I'LL DRIVE.

I FEEL REALLY

STRONGLY ABOUT IT.

ALL RIGHT,

BUCKLE UP.

WILL YOU

CLOSE THE DOOR?

♪ I WENT DOWN

TO THE CROSSROADS ♪

♪ FELL DOWN ON MY KNEES

♪ I WENT DOWN

TO THE CROSSROADS ♪

♪ FELL DOWN ON MY KNEES

I AM NOT GOING OVER

A CLIFF FOR YOU TWO.

SO JUST FORGET IT.

UHHHHHH!

♪ STANDIN' DOWN

AT THE CROSSROADS ♪

FUCK!

♪ TRYIN' TO

FLAG A RIDE ♪

♪ AIN'T NOBODY

SEEM TO KNOW ME ♪

♪ EVERYBODY

PASSED ME BY ♪

I'VE GOT SOME FRIENDS

IN ST. LOUIS.

YOU REMEMBER LINDA?

I CAN STAY WITH HER.

SO, WHERE ARE

YOU GUYS GOING?

LOS ANGELES,

THEN SAN DIEGO.

YEAH, AND YOU'RE

NOT COMING.

BUMMER.

LISTEN, WHY DID YOU

STAY WITH THIS GUY

SO LONG?

A LOT OF THAT

BACK THERE WAS DRUGS.

THEY REALLY

FUCK HIM UP.

BUT HE'S A REALLY

NICE GUY UNDERNEATH?

WELL, I WOULDN'T

GO THAT FAR.

IT'S THE SEX. LET'S

BE FRANK, O.K.?

HE WAS GREAT IN

BED, AM I RIGHT?

SOMETIMES.

I DON'T KNOW.

I THINK THAT THERE'S

SOMETHING BEYOND SEX.

YEAH, ME.

WELL,

I DON'T KNOW,

BUT I CERTAINLY DIDN'T

LIKE HIS ATTITUDE.

I'LL THINK

LONG AND HARD BEFORE

I TAKE HIM BACK.

YOU GO, GIRL.

♪ NOW RUN,

YOU CAN RUN ♪

♪ TELL MY FRIEND, BOY,

WILLIE BROWN-- ♪♪

HI, YOU'VE REACHED NICK AND HOLLY.

LEAVE A MESSAGE AT THE SOUND OF THE BEEP.

OW! MY FUCKING HEAD!

NICK, I'LL BE BY TONIGHT, O.K.?

OHH! UHH!

UHH! UHH!

THANK YOU.

REALLY?

OH, MY GOD,

ARE YOU KIDDING?

DANCE FEVER

WAS MY FAVORITE.

I THOUGHT DENEY TERRIO

WAS THE COOLEST GUY

ON THE EARTH.

WILL YOU LOOK

AT HER?

IT'S PATHOLOGICAL,

MAN.

SHE'S YOUNG.

I GUESS.

HOW YOU DOING?

HMM?

I'M FINE.

A LITTLE TIRED.

YOU WERE GREAT

BACK THERE.

YOU MUST HAVE SOLD

A TON OF CONDOS.

IT WAS KIND OF FUN...

ADRENALINE.

WELL, YOU WERE

VERY FRIGHTENING.

I WAS VERY PROUD

OF YOU.

AND IT WAS REALLY NICE

MEETING YOU.

BYE.

YES!

IS ROBIN ASLEEP ALREADY?

YEAH. SHE GETS TIRED

REAL EASY.

SHE DOESN'T LOOK

SO GOOD.

SHE'S GOT

ALL THOSE ALLERGIES.

YOU KNOW,

THEY COME AND GO.

DID YOU CALL LINDA YET?

YEAH. I WAS THINKING,

THOUGH.

YOU GUYS GO AHEAD

AND LEAVE TOMORROW,

AND I'LL JUST GRAB

A BUS.

WHY? WE'RE GOING

RIGHT THROUGH ST. LOUIS.

IT'S NO BIG DE--

OHH!

YOU GOING BACK,

AREN'T YOU?

MIGHT AS WELL.

WHAT DO YOU MEAN?

THIS GUY

KICKS YOUR ASS

ALL THE TIME.

THIS IS NOT LOVE,

HONEY.

YEAH.

MAYBE YOU'RE RIGHT.

THE MAN'S GOING

TO KILL YOU.

WE HUMILIATED HIM.

WE TIED HIM UP.

COME ON!

I MEAN...

I CAN'T ALWAYS DO WHAT

YOU THINK I SHOULD DO.

WE'VE BEEN THERE, JANE.

FINE.

I JUST DON'T UNDERSTAND

WHY YOU KEEP

SETTING YOURSELF UP

TO GET HURT, THAT'S ALL.

YOU SHOULD TALK.

WHAT DOES THAT MEAN?

LOOK, YOU'VE BEEN GREAT,

AND I REALLY LIKE ROBIN

AND...

I JUST HOPE YOU KNOW

SHE'S NOT GAY.

WELL, SO WHAT?

SO, THAT'S WHAT I MEANT

BY SAYING

"YOU SHOULD TALK."

NICK!

NICK.

NICKY?

OH, SHIT!

THE BUS TO PITTSBURGH

IS NOW ARRIVING.

PASSENGERS WITH TICKETS,

PLEASE GO DIRECTLY

TO THE BOARDING AREA.

THOSE PASSENGERS

STILL NEEDING TICKETS,

PLEASE PURCHASE THEM

AT THE TICKET WINDOW.

PLEASE TAKE ALL LUGGAGE TO

THE BAGGAGE LOADING AREA.

HERE WE ARE.

O.K.

TAKE CARE

OF YOURSELF.

YOU, TOO.

GET SOME SUNSHINE,

O.K.?

O.K.

PROMISE?

YEAH.

TAKE CARE

OF YOURSELF.

O.K.

BYE, JANE.

BYE.

SHE'LL GET OVER IT.

SEE YA.

THANK YOU.

IT'S HER LIFE,

YOU KNOW.

BUT SHE GIVES US ALL

A BAD NAME

WITH THAT "I'M ADDICTED

TO A BAD GUY" STUFF.

I HOPE EVERYTHING

WAS SATISFACTORY.

UM, ACTUALLY...

THE GREEN ON NUMBER EIGHT

IS A LITTLE ROUGH.

OH, REALLY?

WE'LL CHECK IT OUT

AS SOON AS WE CAN.

IS THERE

ANYTHING ELSE?

JANE!

WHAT?

WHAT?

SCREAMING LIKE THAT.

WHAT?

OH, SHIT.

MOVE CLOSER.

JUST A LITTLE BIT CLOSER.

ALL RIGHT.

THERE SHE IS.

HOLLY!

HOLLY!

HOLLY!

HOLLY!

H-HOLLY!

HOLLY!

HOLLY!

NICK'S...

DEAD.

NICK'S...

YEP--

SOUNDS LIKE...

HEAD.

HE'S--

WAIT A MINUTE.

I HAVE AN IDEA.

NO.

WHAT ARE YOU

WRITING?

MORTE.

SHE WON'T KNOW--

IT'S FRENCH FOR "DEAD."

I CAN'T WRITE DEAD.

WHO'S MORTE?

DEAD.

GET OFF THE BUS!

I CAN'T BELIEVE THIS.

I MEAN, HE WAS ALIVE

WHEN WE LEFT.

I HAVE A PHOTO.

DO YOU THINK

IT WOULD HELP?

POOR NICK.

HE WAS SUCH A NICE GUY

ONCE IN A WHILE.

STOP WITH

THE NICE GUY STUFF.

THEY HAVE TO BELIEVE

THIS WAS SELF-DEFENSE.

WHO'S THEY?

WHO'S THEY?

THE COPS IN PITTSBURGH.

YOU WANT ME

TO GO BACK THERE?

YEAH.

NOW?

YES.

I COULDN'T.

WHY NOT?

THE MEMORIES.

WHAT FUCKING MEMORIES?

WHY DON'T WE PRETEND

WE NEVER SAW IT?

PLEASE TELL ME

YOU'RE KIDDING.

WHEN WE LEFT,

HE WAS ALIVE.

HOW DO WE KNOW

WHAT SHE DID KILLED HIM?

EXACTLY. HE COULD HAVE

TRIPPED AND HIT HIS HEAD.

IT COULD HAPPEN.

NO. YOU'RE GOING BACK.

THIS IS NOT A GAME.

I CAN'T GO TO JAIL

WITH A BABY.

WHAT BABY, HONEY?

I'M EIGHT WEEKS PREGNANT.

YOU WERE GOING

TO BRING A BABY

INTO THAT HOUSE?

WHAT WERE MY OPTIONS?

HOW ABOUT ABORTION?

I'D FEEL LIKE

A MURDERER.

HONEY, YOU ARE

A MURDERER?

OH, GOD.

TO THINK

IT'S POSSIBLE

I KILLED

MY BABY'S DADDY.

YOU HIT HIM WITH

A BASEBALL BAT.

HE'S DEAD.

NO. I MEAN IT'S POSSIBLE

THAT NICK IS THE DADDY.

WE NEVER SAW THE NEWSPAPER.

SHE HIT HIM

IN SELF-DEFENSE.

SHE'S NEVER GOING

TO SEE HIM AGAIN.

MY LAWYER IN NEW YORK

WILL TELL US WHAT TO DO.

IF WE HAVE TO GO BACK,

WE'LL SAY WE CAME

AS SOON AS WE FOUND OUT.

WE'LL KEEP DRIVING,

SLEEP IN SHIFTS.

THE FURTHER AWAY

FROM THAT BODY I GET,

THE HAPPIER I'LL BE.

TRY THIS.

IT'S REALLY GOOD.

IN CELEBRATION

OF MY UTERUS...

AAH!AAH!

AAH!

I'M WET.

♪ I WASN'T NOWHERE

♪ DIDN'T KNOW ABOUT IT...

OH, NO.

HOLLY, STOP THE CAR.

STOP. BACK UP.

OH, FINE.

I'LL GO GET IT.

YOU GO AROUND LEAVING

MESSES EVERYWHERE.

I DON'T KNOW WHAT

YOU'RE BITCHING ABOUT.

IT'S ALL BIODEGRADABLE.

IT'S PLASTIC!

NOW, DON'T YOU KNOW THAT?

♪ TOLD ME HE'D NEVER

FIND A WAY ♪

♪ FIND A WAY

♪ GOTTA KEEP ON GROWIN'

♪ KEEP ON GROWIN'

♪ GOTTA KEEP ON GROWIN'

♪ YEAH, YEAH, YEAH ♪

NICK HAD THIS HOUSE

WITH THIS DRUMMER

THAT JANE KNEW.

WE'D ALL HANG OUT TOGETHER.

THEN NICK

PISSED SOME PEOPLE OFF,

SO WE HAD TO MOVE

TO PITTSBURGH.

CAN I HAVE A BITE OF THAT?

YEAH, WELL...

IT'S BEEN A LONG

COUPLE OF DAYS.

YEAH...

TELL ME ABOUT IT.

JANE'S BEEN SO GREAT

TO ME.

AT FIRST I THOUGHT

SHE JUST LIKED ME

BECAUSE OF THE WHOLE...

GAY THING.

JANE'S GAY?

LIKE, HELLO?

YOU DIDN'T KNOW?

I DON'T KNOW. WE'RE

JUST--OH, DON'T LOOK.

OH, MY GOD.

DOS CAFáS, POR FAVOR.

Sí.

UN MOMENTO.

IT'S O.K.

IT'S O.K.

ANYWAY, SHE

JUST GOT DUMPED,

SO, YOU KNOW,

REBOUND TIME.

OH.

I KNOW

YOU WERE GROSSED,

BUT SHE WON'T

TRY ANYTHING,

ESPECIALLY

NOT AFTER ME.

I TOLD HER IT WAS

A SELF-HATING THING

TO GET CRUSHES

ON STRAIGHT GIRLS.

BUT THIS--THIS PERSON

WHO DUMPED HER,

SHE WAS GAY...RIGHT?

YEAH, BUT EVEN WITH

GAY GIRLS

THERE ARE NO GUARANTEES.

THEY'RE VERY EMOTIONAL.

THAT'S ABOUT ALL I KNOW.

THEY LOVE UNIFORMS

AND DON'T BREAK

THEIR HEARTS.

UNIFORMS?

OH, YEAH, ALL KINDS...

ESPECIALLY U.P.S.

WILL THAT BE ALL?

YEAH.

I'LL GET THE CHECK.THANKS.

NOT THAT I'M AN EXPERT.

SHE'S THE ONLY ONE

I'VE EVER SEEN,

EXCEPT FOR THE GIRLS

IN THE PORNO TAPES

NICK USED TO RENT.

I'M SORRY.

IT'S JUST EVERY TIME I THINK

OF HIS LITTLE WAYS...

♪ MY BODY NEEDS ACTION

♪ AIN'T GONNA BLOW

♪ YES, I'M GOIN' OUT

♪ AND FIND

A DANCIN' MAN ♪

♪ IF YOU REALLY THINK

YOU'RE FAST ♪

♪ TRY TO CATCH ME

IF YOU CAN ♪

♪ IT'S A SHAME,

SHAME, SHAME ♪

♪ WHOA

♪ SHAME ON YOU

♪ GIRL

♪ IF YOU CAN'T DANCE, TOO

♪ I SAID SHAME, SHAME,

SHAME, SHAME, SHAME ♪

♪ SHAME, SHAME

♪ SHAME ON YOU

♪ IF YOU CAN'T DANCE,

TOO ♪♪

TRY TO LOOK

A LITTLE MORE WESTERN.

TAKE THE PICTURE.

YOU NEED

TO DO SOMETHING.

WILL YOU--

HERE.

THAT'S CUTE.

HEY.

HEY,

WHO YOU CALLING?

WHO YOU CALLING?

I WAS CALLING

A FRIEND.

UH-UH. YOU CAN'T CALL

THAT FRIEND. HE'S DEAD.

AND YOU'RE NOT SUPPOSED

TO KNOW HE'S DEAD.

BUT I--I WANT

MY FRIENDS.

I WANT NICK.

HEY, WILL YOU COME TALK

TO HOLLY?

DON'T COME IN!

WHAT'S WRONG?

MS. DeLUCA?

YEAH.

SUSAN NEWBAUER.

SHE ASKED ME

TO TALK TO YOU.

IT'S PNEUMONIA. SHE'LL HAVE

TO STAY A FEW DAYS.

CAN WE SEE HER?

TOMORROW, AFTER 11:00,

ON THE 8th FLOOR.

IT'S TYPICAL IN

AIDS-RELATED PNEUMONIA.

AIDS?

ARE YOU TELLING ME

SHE'S GOT AIDS?

YES.

I'M SORRY.

I THOUGHT YOU KNEW.

NO, I DIDN'T.

SHE'S O.K. SHE'LL BE OUT

IN LESS THAN A WEEK.

GET THIS FILLED RIGHT AWAY.

THANK YOU.

HOW YOU DOING?

I'M O.K.

I'M SORRY.

FOR WHAT?

IT'S NOT LIKE YOU KNEW

THIS WAS GOING TO HAPPEN.

NO.

I THOUGHT...

IF I COULD JUST GO

SOMEWHERE ELSE...

I COULD MAKE IT...

NOT HAPPEN.

I SHOULDN'T HAVE LIED

TO YOU.

IT WASN'T A LIE EXACTLY--

MORE LIKE A SINFUL OMISSION.

CAN I SIT DOWN?

SURE.

SO, I GUESS NOW

WE'RE EVEN, HUH?

HOW SO?

HOLLY TOLD ME

YOU DIDN'T KNOW I WAS GAY.

BUT I DON'T WANT YOU

TO WORRY ABOUT ANYTHING,

'CAUSE...

YOU KNOW

I'M NOT AFTER YOU.

I'M NOT WORRIED.

WHY?

LUCK OF THE DRAW,

I GUESS.

NO, I MEAN,

WHY AREN'T YOU

AFTER ME?

'CAUSE YOU'RE NOT MY TYPE.

OH.

THIS IS

A BLACK

NO.

IT'S MORE LIKE A...

A BLONDES-CARPENTER THING.

YOU'RE SAFE WITH ME.

UM...

IS THERE SOMEBODY

I SHOULD CALL,

YOU KNOW, LIKE FAMILY?

OH.

MY MOTHER...

BUT--BUT WE DON'T

COMMUNICATE MUCH,

NOT ANYMORE.

WHAT ABOUT YOU?

YOU'VE GOT TO GET

TO L.A.

WOULD YOU GET ME

SOME...ICE?

SURE.

AAH!

WHAT IS IT?

WHAT IS IT?

COME ON, DAMN IT.

WAIT! WAIT! WAIT!

WAIT! WAIT!

WHAT IS IT?

ARE YOU IN PAIN?

NO.

WHAT IS IT?

I DON'T KNOW

WHERE TO GO.

I DON'T...

I DON'T HAVE ANY...

P-PLACE TO GO.

I DON'T...

O.K.

I DON'T KNOW ANY PLACE,

JANE.

O.K.

O.K. O.K.

O.K. O.K.

O.K. LOOK...

SOMETIMES IF YOU DON'T

HAVE ANY PLACE TO GO,

IT'S PROBABLY

A GOOD IDEA TO STAY

WHERE YOU ARE.

OH, YEAH?

YEAH.

ALL RIGHT?

YEAH. O.K.

O.K.

RIGHT.

HERE, UH...

PUT YOUR ARM UP.

OH, JESUS.

THIS MAY BE

THE WRONG TIME

TO BRING THIS UP, BUT...

WHERE THE FUCK ARE WE,

I MEAN, REALLY?

WHERE ARE WE?

TUCSON.

AS IN ARIZONA?

ARE YOU SERIOUS?

NOW, YOU KNOW

WHAT THIS MEANS?

I'M GOING TO HAVE TO GET

SOME COWBOY BOOTS.

WHAT ABOUT A HORSE?

♪ SO WE'RE O.K.

♪ WE'RE FINE

♪ MAYBE I'M HERE

TO STOP YOUR CRYIN' ♪

♪ CHASE

ALL THE GHOSTS... ♪♪

O.K., GOOD.

NO, I'M GOING TO GO

STRAIGHT FROM WORK.

YEAH.

YEAH!

O.K.

I'M LEAVING NOW,

SO GET OFF THE PHONE.

O.K.

He's coming.

O.K. I GOT TO GO.

YEAH. GOODBYE.

HURRY. WE STILL HAVE

TO PICK UP THE CAKE.

DO YOU THINK SHE'S

GOING TO BE SURPRISED?

THAT'S THE IDEA.

HURRY UP.

O.K.

I'LL PICK UP THE CAKE,

'CAUSE I HAVE

TO DROP BY THE HOSPITAL

FOR A BLOOD TEST.

I TOLD ABE

TO MEET US THERE

AROUND--

OH.

ARE YOU O.K.?

KICKING

ALL MORNING LONG.

ANYWAY, I REALLY THINK

YOU'RE GOING TO LIKE HIM.

I LIKE ANY MAN WHO DATES

A PREGNANT WOMAN.

I WONDER ABOUT HIM,

BUT I LIKE HIM.

ARE YOU READY?

YEAH.

♪ WE TALKED

ABOUT OUR MOTHERS ♪

♪ KISSED THE WOUNDS

OF OUR FATHERS ♪

♪ I COULD HAVE BEEN

YOUR SISTER ♪

♪ I WOULD HAVE BEEN

YOUR BROTHER... ♪

YOU'RE LOOKING GOOD

TONIGHT.

HEY, YOU LOST WEIGHT.

TWO HANDS,

IN THIS BAR WE WASH

THE GLASSES WITH TWO HANDS.

THAT'S THE DIFFERENCE

BETWEEN CLEAN

AND ABSOLUTELY

FUCKING DISGUSTING.

WATCH YOUR LANGUAGE.

YOUR BAMBINOS ARE COMING.

HI, MOM!

GET IN THE KITCHEN

AND STAY THERE.

IF SHE SEES YOU,

THE CAT'S OUT OF THE BAG.

GIVE ME A BEER.

IS THERE NO MERCY?

I CAN'T BELIEVE IT.

A BODY LIKE THAT

ON A 12-YEAR-OLD.

♪ WE WERE GIRLS IN BARS

♪ BOYS ON THE TOWN

♪ BUMPIN' LIKE A PINBALL

OFF A CHEERLESS CROWD ♪

♪ YOU SAID GOOD FRIENDS

ARE HARD TO COME BY... ♪

TH-THAT'S

ENOUGH CANDLES.

iBASTA! iBASTA! iNO MAS!

COME ON, WE ALL KNOW

SHE'S NOT 12.

IT'S NOT POLITE.

I THOUGHT I'D NEVER

GET HERE. AM I LATE?

NO, NO.

HEY, YOU READY?

UM, OH.

♪ OH, YEAH ♪

BLOW OUT THE CANDLES!

♪ SAD SACK WAS SITTIN'

ON A BLOCK OF STONE ♪

♪ BUT OVER IN THE CORNER

WEEPIN' ALL ALONE ♪

♪ THE WARDEN SAID, "HEY, BUDDY, DON'T YOU BE NO SQUARE ♪

♪ IF YOU CAN'T FIND A PARTNER, USE A WOODEN CHAIR" ♪

♪ LET'S ROCK

♪ EVERYBODY, LET'S ROCK

♪ EVERYBODY

IN THE WHOLE CELL BLOCK ♪

♪ WAS DANCIN'

TO THE JAILHOUSE ROCK... ♪

CAN I HAVE A LIGHT?

♪ SHIFTY HENRY

SAID TO FOLKS ♪

♪ "FOR HEAVEN'S SAKE

♪ NO ONE'S LOOKIN', NOW'S OUR CHANCE TO MAKE A BREAK..." ♪

GIVE ME THAT BACK.

♪ AND HE SAID "NIX NIX

♪ I WANNA STICK AROUND

WHILE I GET MY KICKS" ♪

♪ LET'S ROCK

♪ EVERYBODY,

LET'S ROCK ♪

YOU'RE SUCH A SLUT.

♪ EVERYBODY

IN THE WHOLE... ♪♪

♪ IN GEORGIA, NIGHTS ARE

SOFTER THAN A WHISPER ♪

♪ BENEATH A QUILT SOMEBODY'S

MOTHER MADE BY HAND ♪

♪ WITH THE FARMLAND

LIKE A TAPESTRY... ♪

IT'S LIKE GAY PEOPLE

ARE THE ONLY PEOPLE

GETTING LAID ANYMORE.

MAYBE YOU OUGHT

TO TRY IT.

I LIKE BEING STRAIGHT.

I THINK HETEROSEXUALITY'S

GOING TO MAKE A COMEBACK.

NOT IF YOU HAVE ANYTHING

TO DO WITH IT. GO DANCE.

EXCUSE ME.

AHEM...

EXCUSE ME. ROBIN.

WOULD YOU LIKE

TO DANCE?

YEAH.

♪ AND THE SMOKE

FROM THE CHIMNEYS ♪

♪ MEETS ITS MAKER

IN THE SKY ♪

♪ WITH A SONG

THAT WINTER WROTE ♪

♪ WHOSE MELODY LINGERS

♪ AND THERE'S SOMETHIN'

'BOUT THE SUN... ♪♪

OH, JESUS.

SHE DID IT!

HE DID IT.

HE DID IT.

MY DREAM EVENING.

LESBIANS ANDCOPS.

WHAT'S NEXT--

REPUBLICANS?

There's a cop.

A cop.

A cop.

It's a cop.

EVENING, LADIES.

SIR.

I'M LOOKING FOR

A HOLLY PULCHIK.

UH...

WHO?

HOLLY PULCHIK.

BLONDE HAIR, GREEN EYES,

ABOUT 5'4".

GEE...

HEY!

YOU MADE IT.

THERE SHE IS.

I WAS AFRAID SOME CRIME

WOULD KEEP YOU AWAY.

IT HAPPENS TO BE

A SLOW NIGHT.

BUT FRIDAY

IS THE 1st,

AND WHEN THEY GET

THEIR CHECKS...

IT'S TIME TO GO.

GOODNIGHT.

WE'RE GOING TO CLEAN UP.

EXCUSE ME.

NICE TO MEET YOU, OFFICER.

NO, PLEASE.

CALL ME ABE.

OH. HA HA...ABE.

AS IN ABE LINCOLN.

IS THIS A JOKE?

NO, IT'S HIS NAME.

ISN'T THAT A COINCIDENCE?

JUST LIKE THE PRESIDENT.

I WONDER WHY HIS PARENTS

THOUGHT ABRAHAM AND LINCOLN

SOUNDED GOOD TOGETHER?

NOW, LET ME GUESS.

YOU MUST BE ROBIN.

NICE TO MEET YOU,

ROBIN.

AND--AND THIS

IS JANE.

HELLO.

HI, JANE.

HAPPY BIRTHDAY.

OH, THANK YOU.

PEPPERS.

YES, THEY'RE FROM

MY GARDEN.

OH!

ISN'T HE SWEET?

HOLD ON, BABE.

YOU KNOW THAT I'M

STILL IN UNIFORM.

ISN'T THAT CUTE?

HE TAKES IT

SO SERIOUS.

AHH!

COME ON, HONEY,

LET'S GET A DRINK.

WHAT WILL

YOU HAVE, BABE?

IS IT ME, OR IS SHE

WORKING HER WAY DOWN

SOME WEIRD LIST

OF GUYS WHO CALL

WOMEN "BABE"?

I HOPE SHE KEEPS

HER MOUTH SHUT.

RIGHT.

WHERE ARE YOU

AND ANNA GOING?

SHE'S TAKING ME

TO SEE SOME TYPE

OF PSYCHIC.

HERE'S YOUR BUDDY.

ROBIN, UH...

DO YOU NEED

A RIDE HOME?

I HAVE A CAR.

NO. DIDN'T I

TELL YOU?

HOLLY CAME

UP TO ME INSIDE

AND SAID SHE

NEEDED THE CAR.

IT'S RIGHT ON MY WAY.

OH, COULD YOU

TAKE THESE

FOR ME?

THANKS.

GOOD NIGHT.

THANKS.

[HORN HONKS

LA CUCHARACHA]

JANE, VAMANOS, MI AMOR.

I DON'T WANT TO

BE LATE FOR THIS WOMAN.

SHE SCARES THE SHIT

OUT OF ME.

SHE IS REALLY GOOD.

YOU HAVE TO BE PREPARED

WHEN YOU GET THERE.

HERE WE GO.

THERE'S A LONG

TRIP HERE.

TRAVELING.

MMM!

THIS IS NICE.

YOU'RE IN LOVE.

THIS IS

VERY NICE. YES.

AND...

OH.

OH.

WHAT?

MMM!

THIS IS A FRIEND.

I FEEL...

THIS IS NOT GOOD

AT ALL.

THERE'S

A SICKNESS HERE.

THERE'S A CURSE.

YES?

YES.

THIS IS A CURSE.

I CAN FEEL IT.

CAN YOU DO ANYTHING

TO REMOVE THE CURSE?

SHE CAN DO THAT.

LAST YEAR--

ANNA, SIT DOWN.

LET ME TALK TO

MY GUIDES.

YOU GOING TO TALK

TO THESE ROCKS?

ARE YOU TALKING

TO THESE ROCKS,

AND THEY'RE GOING TO

SAY SOMETHING TO YOU?

UNCROSS YOUR LEGS,

DEAR.

GOOD NIGHT, MI AMOR.

YOU WANT SOME?

OH, YEAH. YEAH.

THANKS.

HOW WAS THE PSYCHIC?

DON'T ASK.

HOW WAS ALEX?

HE LEAVE FINGERPRINTS

ALL OVER YOU?

WHAT IS IT

WITH ME AND BARTENDERS?

I DON'T KNOW.

HE'S COMING WITH US

SATURDAY NIGHT

TO THE STREET FAIR.

WELL, GOOD.

THERE'S SAFETY

IN NUMBERS.

JUST DON'T LET HIM

GET YOU BY YOURSELF.

I CANNOT BELIEVE

IT'S A COP.

HE'S CUTE, THOUGH,

HUH?

WELL, FOR A COP.

HE DOES HAVE

A NICE HEINIE.

HEINIE?

WHAT, SHE'S 2 YEARS

OLD?

HE HAS

A NICE HEINIE?

DON'T LAUGH.

AND DON'T THINK

THAT I DIDN'T SEE YOU

CHECKING OUT

THAT MAN'S BASKET.

EEW!

"EEW"?

WHAT DO YOU CALL IT?

I DON'T CALL IT

ANYTHING.

I WASN'T BROUGHT UP

TO TALK ABOUT

A PERSON'S ANATOMY.

THAT'S PROBABLY

'CAUSE YOU DON'T

HAVE A WORD FOR IT.

RIDICULOUS. I DO, TOO.

IT JUST DOESN'T

COME UP.

O.K. WHAT IS THIS

BELOW THE BELLYBUTTON?

I'M NOT GOING TO SAY

pussy

IF THAT'S WHAT

YOU'RE AFTER.

O.K.? I HATE THAT.

O.K. SO WHAT

DO YOU CALL IT?

DOWN THERE.

OH, COME ON.

DOWN THERE.

WELL, VAGINA SEEMS

SO FORMAL.

BUT YOU MAKE IT

SOUND LIKE

A BASEMENT.

O.K. HONESTLY? FINE.

HOO-HOO OR CISSY.

YOU'RE KIDDING, RIGHT?

A HOO

THAT'S WHAT

MY MOTHER CALLED IT.

I HAD A HOO-HOO

OR A CISSY

AND MY BROTHER

HAD A NOODLE

OR A DINGLE.

AND THAT'S WHAT

YOU STILL CALL IT?

WELL, IT'S BETTER

THAN PUSSY OR...

BEAVER.

WHAT'S THAT ABOUT?

I NEVER GOT THAT.

OR WORSE--

WORSE?

DID YOU SAY WORSE?

NOW WHAT COULD BE

WORSE?

I HAVE TO

HEAR YOU SAY IT.

YOU KNOW.

I'M NOT GOING

TO SAY IT.

OH, COME ON!

C

I DON'T THINK SO.

PLEASE?

IT'LL FREE YOU.

TRY IT.

THERE'S A POLICEMAN

HERE.

GIVE HIM A THRILL.

I'M GOING TO

WET YOU.

NO! YOU'RE

SUCH A BABY.

O.K. COME ON.

ALL RIGHT.

cunt.

HA! WHAT WAS THAT?

I SAID IT.

NO, YOU BREATHED IT.

I WANT TO HEAR YOU

SAY IT.

ALL RIGHT, ALL RIGHT.

C-U-N-T. CUNT.

CUNT. CUNT.

CUNT. CUNT!

FREE! FREE!

CUNT!

CUNT! CUNT.

CUNT.

♪ CUNT, CUNT ♪

DIRTY MOUTH.

YOU'RE RIGHT.

I FEEL...

I DON'T KNOW...

DIFFERENT.

THAT'S 'CAUSE

YOU FREE, MISS SCARLETT.

YOU FREE!

LET'S GET EVERYBODY

AND TELL THEM!

CUNT! CUNT!

CUNT, CUNT, CUNT.

CUNT!

CUNT!

THAT CAN'T BE GOOD

FOR THE BABY.

THEY'LL PROBABLY

TAKE A BREAK IN

THE DELIVERY ROOM.

MAYBE.

YOU MISS IT?

WHAT?

SEX.

YEAH, I DO.

YOU KNOW WHAT'S

WEIRD?

YOU NEVER KNOW

THE LAST TIME

YOU SLEEP WITH SOMEBODY

THAT IT'S

THE LAST TIME.

YOU'RE THINKING,

OH, WE'VE GOT PROBLEMS.

WE'VE GOT WORK TO DO.

YOU KNOW, BUT...

YOU NEVER THINK...

AND THEN YOU BREAK UP

AND A MONTH LATER

YOU LOOK BACK AND YOU GO,

OH, THAT WAS IT...

THAT TUESDAY OR FRIDAY

OR WHATEVER.

AND YOU WISH

YOU'D PAID ATTENTION...

'CAUSE IT WAS

THE LAST TIME, YOU KNOW.

YEAH.

OH, WELL.

HEY, LISTEN, THANKS

FOR MY BIRTHDAY

PRESENT.

A GIRL CAN NEVER HAVE

TOO MANY THIGH MASTERS.

I KNOW. I'M SORRY.

NO, NO. I LOVE IT.

WELL, HAPPY BIRTHDAY.

THANK YOU.

YOUR MAIL'S

IN THE LIVING ROOM.

GOOD NIGHT.

I DRANK TOO MUCH.

GOOD NIGHT.

♪ LONG AGO

♪ AND SO FAR AWAY

♪ I FELL IN LOVE WITH YOU

♪ BEFORE THE SECOND SHOW

♪ YOUR GUITAR

♪ JUST SOUNDS

SO SWEET AND CLEAR ♪

♪ BUT YOU'RE NOT

REALLY HERE ♪

♪ IT'S JUST THE WAY

IT GOES ♪

♪ DON'T YOU REMEMBER

♪ YOU TOLD ME

YOU LOVED ME, BABY? ♪

♪ SAID YOU'LL BE

COMIN' BACK ♪

♪ THIS WAY AGAIN, BABY

♪ YOU CALLED ME BABY,

BABY, BABY, BABY ♪

♪ OH, BABY

♪ I LOVE YOU ♪

WHAT'S THE DEAL?

DO YOU LIKE HER

OR WHAT?

YEAH, I DO.

AND I'VE BEEN

TRYING.

BUT SHE'S GOT THAT

BACK-OFF THING

GOING ON,

SO I ASSUMED

THAT SHE WAS

ONE OF THE GIRLS.

NO, UH,

SHE'S NOT THAT.

SHE'S DEFINITELY

NOT ONE OF THE GIRLS.

NO KIDDING.

NO KIDDING.

SHE'S SHY, YOU KNOW.

YEAH?

YEAH.

YOU'RE GOING WITH US

SATURDAY?

I AM NOW.

WE SHOULD HAVE

A LITTLE TALK.

COME ON,

I'LL GIVE YOU A BEER.

COME ON.

YEE-HA!

YA HA HEY!

RRRR! YA YA YA!

YA HA HA!

READY?

O.K.

ALL RIGHT.

1...

2...

3...

HERE YOU GO.

RIGHT THERE.

HIGHER.

HIGHER!

A...

UNA BLANCA?

BLANCA?

O.K. BLANCA.

YOU WANT A DRINK?

UH-HUH.

HEY.

YOU O.K.?

MM-HMM. JUST TIRED.

SHE'S HAVING

A GOOD TIME.

YEAH.

THAT'S GOOD, NO?

IT'S WHAT YOU WANTED.

YEAH.

HOLLY?

HEY, BABE.

SOMETHING THE MATTER?

NO.

SMELLS LIKE

MARIJUANA OUT HERE.

HA.

CLOVE CIGARETTES.

HA HA.

YOU KNOW THAT'S NOT

GOOD FOR THE BABY.

YEAH, WELL, HAVING HIM

COME OUT THAT TINY HOLE

IS NOT GOOD FOR ME

EITHER, SO...

WE'VE EVEN.

WHAT IS WRONG?

I GOT THINGS ON MY MIND.

IT'S THAT GUY, RIGHT?

NICK?

WHO TOLD YOU

ABOUT HIM?

WELL, IT HAD TO BE

SOMEONE.

AND BESIDES,

YOU KEEP CALLING OUT

NICK IN BED.

I DO?

WELL...

MAYBE IT'S SOMETHING

THAT SOUNDS LIKE NICK.

DOES HE KNOW ABOUT

THE BABY?

YOU KNOW...

I'M ONLY HERE

TEMPORARILY.

I MIGHT GO BACK.

I KNOW THAT.

AND I WILL NOT

STAND IN YOUR WAY,

BUT...

IF HE LOVES YOU

SO MUCH,

WHY DOESN'T HE CALL?

MAYBE HE CAN'T

GET TO A PHONE.

COME ON BACK

TO THE PARTY.

I WANT TO GET ONE DANCE

BEFORE WE GO.

ALL RIGHT.

♪ I DON'T KNOW WHY

♪ I FEEL LIKE I DO

♪ FOR ALL THESE CHANGES

♪ YOU PUT ME THROUGH

♪ YOU STOLE MY MONEY

♪ AND MY CIGARETTES

♪ AND I HAVEN'T SEEN

♪ HIDE OR HAIR OF YOU YET

♪ I WANNA KNOW

♪ WON'T YOU TELL ME

♪ I WOULD LOVE TO SEE

♪ TAKE ME TO THE RIVER

♪ TAKE ME TO THE RIVER

♪ WASH ME DOWN

♪ WASH ME IN THE WATER

♪ TAKE ME TO THE RIVER

♪ TAKE ME TO THE RIVER

♪ WASH ME DOWN

♪ WASH ME

IN THE WATER, WATER ♪♪

NO, STOP.

WHY?

I DON'T KNOW.

YOU DON'T LIKE IT?

OH, I DO.

I DO LIKE IT.

YEAH. SO DO I.

MMM.

FEEL ME, TOO.

PUT YOUR HANDS ON ME.

YEAH, FEEL ME.

IT'S BEEN

A LONG TIME.

YEAH, ME, TOO.

REAL SLOW.

W-W-W-WHOA, WHOA.

WAIT.

WHAT'S THE MATTER?

UM...

I'M A LITTLE DRUNK.

WAIT.

YOU ARE SO BEAUTIFUL.

NO, I'M NOT.

OH, YES, YOU ARE.

YOU ARE SO FUCKING

BEAUTIFUL.

YOU TASTE SO GOOD.

ALEX.

TALK TO ME.

TELL ME WHAT

YOU LIKE.

LISTEN...

I WANT TO MAKE YOU

COME SO HARD.

I GOT TO--I HAVE TO

TELL YOU SOMETHING.

YEAH, I KNOW.

YOU NEED TO

KNOW SOMETHING.

IT'S O.K. I KNOW.

I'M GOING TO

USE SOMETHING.

WHAT?

I'M GOING TO USE

SOMETHING.

WE'LL BE SAFE.

DON'T WORRY ABOUT IT.

ABOUT WHAT?

COME ON.

IT'S JUST O.K.

NO, YOU DON'T--

YOU DON'T UNDERSTAND.

I'M--

POSITIVE. I--

I TESTED POSITIVE.

YEAH, YEAH. I KNOW.

I JUST DON'T WANT

TO TALK ABOUT IT,

ALL RIGHT,

'CAUSE I ALREADY KNOW.

WHAT?

WHAT'S THE MATTER?

WHO TOLD YOU?

NOBODY.

NOBODY TOLD ME.

COME ON.

YOU KNEW.

SHE TOLD YOU.

YEAH, SHE TOLD ME.

WHY?

IT WAS NO BIG DEAL.

SHE SAID

YOU WERE SHY

AND HAD A BAD TIME

WITH SOME GUY,

AND I GUESSED

AND SHE DIDN'T

DENY IT.

IT CAME OUT

REAL CASUAL,

LIKE IT'S JUST

PART OF YOUR HISTORY,

LIKE, HEY,

SHE'S ON THE REBOUND.

BE CAREFUL, YOU KNOW?

COME ON.

IT'S JUST LIKE A DETAIL.

WHAT DOES THAT

MAKE YOU,

A BIG HERO,

BRINGING--BRINGING SEX

TO THE UNFUCKABLE?

YOU MUST FEEL

REALLY GOOD ABOUT

YOURSELF.

OH, GOD.

THAT'S NOT IT.

I JUST WANT THINGS

THE WAY THEY USED TO BE,

YOU KNOW?

I WANT TO MEET SOMEONE,

SOMEONE I LIKE,

GET DRUNK,

HAVE A GOOD TIME,

AND FUCK MY BRAINS OUT.

WHY CAN'T WE DO THAT

ANYMORE?

BECAUSE YOU CAN'T.

THAT'S ALL.

JUST CAN'T.

I THINK YOU SHOULD

GO HOME.

ROBIN...

NO, PLEASE.

DON'T MAKE ME BEG.

JUST GO.

HEY. GOOD MORNING.

HOW'S IT GOING?

GREAT.

HOW WAS LAST NIGHT?

IT WAS GOOD.

GOOD.

IS ALEX STILL HERE?

NO, HE'S GONE.

SO YOU HAD

A GOOD TIME, HUH?

REAL GOOD

TILL I FOUND OUT

YOU TOLD HIM

I'VE GOT HIV.

I DIDN'T EXACTLY

TELL HIM, YOU KNOW.

NO, I KNOW.

HE GUESSED.

YOU KNOW, SHE LOOKS

LIKE THE KIND OF GIRL

THAT TESTED POSITIVE

FOR THE AIDS VIRUS.

SHE'S GOT THAT

KIND OF...GLOW.

IT SLIPPED OUT.

WHAT WERE YOU DOING,

SETTING ME UP

LIKE THAT?

I THOUGHT

I WAS DOING GOOD.

YOU LIKE HIM.

HE LIKES YOU.

GREAT. MAYBE WE'LL

GO STEADY.

MAYBE HE'LL TAKE ME

TO THE PROM.

COME ON.

WHAT DO YOU THINK

I AM, STUPID?

NO, I DON'T

THINK THAT AT ALL.

YOU THINK YOU CAN

JUST PUT A MAN

IN MY BED

AND I'LL FORGET?

ALL IT DOES

IS REMIND ME.

ALEX, YOU,

HOLLY AND HER BABY--

EVERY LIVING THING

I SEE REMINDS ME.

SO WHAT ARE YOU

GOING TO DO?

HIDE OUT,

LOCK YOURSELF AWAY?

COME ON!

YOU DON'T KNOW

ANYTHING ABOUT IT.

ANYWAY, IT'S NONE

OF YOUR BUSINESS.

YOU'RE THE ONE

THAT'S IN LOVE

WITH SOMEBODY

YOU CAN NEVER HAVE.

DO ME A FAVOR, O.K.?

I'LL STAY OUT OF

YOUR LOVE LIFE,

AND YOU STAY

OUT OF MINE.

NOT JUST

MY LOVE LIFE--MY LIFE.

STAY OUT OF MY LIFE.

MEANING WHAT?

THAT MEANS MAYBE

THIS ISN'T WORKING.

MAYBE YOU SHOULD MOVE.

O.K.

TAKE THE FUCKING

PIANO.

IF YOU DON'T,

I'LL LEAVE IT OUT

IN THE RAIN.

I SWEAR TO GOD,

I WILL.

ALL RIGHT.

ALL THE WAY BACK

ACROSS THE ROOM.

HI!

HOW ARE YOU?

YOU GOING TO TEACH ME

HOW TO PLAY PIANO?

IS THIS GOOD?

IT'S FINE.

DON'T SCRATCH IT,

PLEASE.

AHH.

AHH.

HEY, BABE?

YEAH?

MARRY ME.

GET SERIOUS!

I AM SERIOUS.

GET OUT OF TOWN!

LOOK.

FREEZE, SUCKER.

I GOT YOU.

DIDN'T I GET YOU?

AAH!

STOP!

MARRY ME.

MARRY ME TOMORROW.

I CAN'T MARRY YOU,

ABE.

YOU'RE NOT...

YOU'RE NOT OVER HIM YET,

ARE YOU?

WELL...

WE'RE ALL

OVER HIM...

LIKE 6 FEET

OVER HIM.

MOM?

BUT IT WAS

AN ACCIDENT

OR SELF-DEFENSE.

I WOULD NEVER KILL

ANYBODY ON PURPOSE,

OR, LIKE,

IN COLD BLOOD.

DID YOU EVER SEE

THAT MOVIE?

SHH, SHH, SHH.

LET'S GET SOME REST,

O.K.?

YOU DON'T WANT TO

MARRY ME NOW, DO YOU?

SHH.

WE'RE TOGETHER NOW.

WE'RE TOGETHER.

AND THAT'S NOT

CHANGING.

OH, SHE LOOKS

SO THIN.

LOOK AT YOU, HONEY!

OH!

THEY GAVE US

A TERRIBLE MAP AT HERTZ.

I HAVE BEEN DRIVING AROUND

FOR AN HOUR AND A HALF.

THIS YOUR HOUSE? OH!

ISN'T IT QUAINT?

WELL, I NEED TO USE

THE LITTLE GIRL'S ROOM,

DARLING.

THIS HEAT...OH!

AND THE AC IS NG.

RIGHT, JER?

YOU KNOW ME.

I LIKE IT SO YOU

NEED A SWEATER.

IT'S TWO DAYS.

IT'LL BE FINE.

I'M JERRY.

I'M SORRY!

JERRY, ROBIN,

MY DAUGHTER.

PLEASED TO MEET YOU.

I TOLD HER I COULD

HAVE PICKED YOU UP.

YOU DIDN'T NEED

TO GET A CAR.

YOU KNOW ME.

I'M SO DAMNED

INDEPENDENT.

RIDING IN OTHER

PEOPLE'S CARS--

FORGET IT!

WELL, ISN'T THIS NICE?

OH! OH, LOOK, JER.

A CACTUS FLOWER.

THEY BLOOM ONCE

EVERY HUNDRED YEARS.

QUICK, SHOW ME

THE POTTY, DARLING.

I'M ABOUT TO BURST.

ANYWAY, UM,

JANE CALLED ME

AT WORK.

WANTS TO KNOW

HOW YOU ARE.

I'M FINE.

WHO'S JANE?

JANE LIVED HERE

UP UNTIL A FEW

DAYS AGO.

THIS IS BETWEEN

ME AND JANE.

SHE ASKED

FOR MY ADVICE,

SO I TOLD HER

SHE'S ANTILESBIAN.

I AM NOT.

WHO'S A LESBIAN?

JANE IS.

AND SHE WAS

LIVING HERE?

YES, MA'AM.

I AM NOT

ANTILESBIAN.

NOT YOU. HER.

WHO?

JANE.

THIS IS

HER OLD PROBLEM.

SHE CREATES A SITUATION

WHERE SHE GETS THIS

REJECTION.

SHE JUST WASN'T

BEING HONEST.

IT'S A BLACK THING,

TOO.

JANE IS BLACK?

YES, MA'AM.

SHE SURE IS.

AND YOU CAN'T

LIVE A LIE.

YOU JUST CAN'T.

WELL, THERE'S LYING,

AND THERE'S

JUST NOT TELLING.

BIG DIFF.

SHE'S A BLACK

LESBIAN?

YES, MA'AM.

THAT IS RIGHT.

AND SHE WAS

LIVING HERE...

WITH YOU?

NO, NO, NO.

SHE WAS JUST

LIVING HERE.

THEY WEREN'T,

LIKE, FUCKING

OR ANYTHING.

WERE YOU?

WERE YOU?

WERE YOU?

I'LL GET THE COFFEE.

I HAVE TO GET GOING,

BABE.

WHY? YOUR SHIFT DOESN'T

START TILL 10:30.

DON'T YOU WANT TO GO

UPSTAIRS FOR A WHILE?

OH, NOT TONIGHT.

IT WAS NICE

MEETING YOU, MA'AM.

YOU GOING ALREADY?

WE HAVE DESSERT.

MAYBE NEXT TIME.

THANK YOU.

WELL, GOOD NIGHT.

ROBIN.

GOOD NIGHT.

MAYBE I'M JUST

TOO FAT NOW.

DON'T WORRY, DEAR.

IT'S

A NATURAL THING.

WILL THEY LIVE HERE

AFTER THEY GET MARRIED?

WHO?

HOLLY AND, UH...

OH, THAT NICE YOUNG MAN.

WHAT IS HIS NAME?

OH, ABE. UM...

I'M NOT SURE

SHE WANTS TO MARRY HIM.

A PREGNANT GIRL?

IS SHE CRAZY?

SHE SHOULD GRAB HIM.

WELL...

IT'S NOT REALLY HIS BABY.

SO WHAT?

SHE STILL

SHOULD GRAB HIM.

BELIEVE ME,

I KNOW WHAT SHE'LL

HAVE TO GO THROUGH.

YOU KNOW,

I'M A FEMINIST, TOO.

I WAS A SINGLE MOTHER

AFTER YOUR FATHER LEFT.

YOU THINK THAT WAS EASY?

I EVEN VOTED

FOR CARTER TWICE.

BUT YOU CAN'T

FIGHT NATURE.

GOD KNOWS YOU GIRLS

KEEP TRYING,

TREATING YOUR MEN

LIKE SIDE DISHES

YOU STICK A FORK IN

WHEN NEEDED,

JUST LIKE MEN TREATED US.

MOTHER,

WHO AM I TREATING?

DO YOU SEE A MAN

HERE ANYWHERE?

NO. I DON'T.

AND I THINK

IT'S A PROBLEM.

I DON'T UNDERSTAND

WHY YOU DON'T COME HOME.

I LIKE IT HERE, MOM.

IT'S SO STRANGE.

YOU'RE NOT EXACTLY

BUBBLING OVER

WITH HAPPINESS.

IT'S A LIFE, MOM,

NOT A HAYRIDE.

HONEY, WHAT IS THIS?

OH, MY GOSH.

THE POLICE ARE HERE.

YES, I SEE

THE POLICE, MOTHER.

WHAT THE FUCK

IS GOING ON?

HOLD IT.

OH. O.K.

WHAT ARE YOU DOING HERE?

I CALLED HER.

I THOUGHT

SHE SHOULD KNOW.

KNOW WHAT?

HE'S ARRESTING ME.

WHAT FOR?

YOU KNOW WHAT FOR,

ROBIN.

PITTSBURGH.

YOU TOLD HIM?

YES.

I TAKE THIS NAME

SERIOUSLY.

I CANNOT TELL A LIE.

THAT WAS WASHINGTON,

SCHMUCK.

WELL, WHATEVER.

ANYWAY, I'M GOING

TO STAND BY HOLLY 100%,

BUT I'M SWORN

TO UPHOLD THE LAW.

I DON'T BELIEVE

I'D BE ANY USE TO HER

IF I BROKE MY OATH.

HE REALLY LOVES ME.

OH, YEAH.

I CAN TELL

BY THE MANACLES

ON YOUR WRISTS.

RIGHT THIS WAY,

MISS.

DON'T SAY A WORD,

NOT TO ANYBODY.

WE'LL GET YOU A LAWYER.

I'LL MISS YOU GUYS.

I PROMISE YOU

THEY'RE GOING TO

TREAT HER RIGHT.

THEY KNOW

THAT SHE'S GOING TO

BE MY FUTURE WIFE.

SON OF A BITCH.

HONEY, WHAT IN THE WORLD

IS GOING ON?

I FEEL LIKE I'VE SEEN AMERICA'S MOST WANTEDIN PERSON.

THIS HAS GOT

TO BE THE MOTHER.

JANE, PLEASE.

YES, I AM.

AND WHO ARE YOU?

THE LESBO

WHO LIVED HERE

TILL YOUR DAUGHTER

THREW ME OUT.

WELL, I'M SORRY.

MOTHER.

I THINK THIS MAKES HER

REAL HAPPY

'CAUSE NOW SHE'S GOT

THE HOUSE ALL TO HERSELF.

CUT IT OUT. YOU'RE

JUST BEING MEAN.

JANE, STOP.

SHE'S GOING TO NEED

OUR HELP.

NO, NOT OUR HELP.

I'LL TAKE CARE OF THIS.

O.K.

O.K.

FINE. FINE,

FINE, FINE, FINE.

THEY DO THAT NOW,

DON'T THEY?

WHAT?

CALL THEMSELVES LESBOS.

OH, MOM.

AND SHE MAKES IT

SOUND LIKE A COMPLIMENT.

SHE WANTS TO CONFESS.

SHE DOESN'T WANT

TO BRING HER CHILD

INTO A WORLD OF LIES.

YOU HAVE NOTHING

TO WORRY ABOUT, HENRY.

HOLLY HAS PROMISED ME

SHE'LL

KEEP HER MOUTH SHUT

AS LONG AS SHE DOESN'T

HAVE TO LIE.

WE WOULDN'T

EVEN BE HERE

IF IT WASN'T

FOR YOU.

I TOOK AN OATH,

JANE.

AND NOW WE'RE

STUCK IN PITTSBURGH.

HOLLY'S ON TRIAL

'CAUSE OF YOUR OATH.

SO WHAT EXACTLY

DO THEY HAVE?

NOTHING, EXCEPT

FOR ABE'S TESTIMONY,

AND

THAT'S JUST HEARSAY.

THAT

IS THE TRUTH.

SHUT UP. NOBODY WANTS

TO HEAR THE TRUTH.

BUT ASIDE FROM THAT,

WHAT DO THEY HAVE?

THEY--THEY HAVE

THE POLAROID.

THE POLAROID?

YES.

I MENTIONED

THAT I HAD SEEN

A SNAPSHOT.

IT'S ON THE LIST

OF EXHIBITS.

WHAT CAN THEY

DO WITH THAT?

COLD

CRUEL?

INHUMAN?

WHAT WORDS WOULD YOU USE

TO DESCRIBE

THE WOMAN WHO POSED

AND TOOK THIS PHOTOGRAPH?

THIS IS A PHOTOGRAPH...

OF A MAN WHO

IN A FEW SHORT HOURS

WILL BE DEAD FROM WOUNDS

INFLICTED BY THIS WOMAN

YOU SEE BEFORE YOU.

AND NOT SURPRISINGLY,

EVERYTHING THAT YOU SAY

TENDS TO EXONERATE

YOUR FRIEND.

SORRY. IT'S THE TRUTH.

PERHAPS NOT COINCIDENTALLY,

IT TENDS TO EXONERATE YOU.

THERE ARE NO CHARGES

AGAINST ME.

YET.

OH, COME ON.

YOUR HONOR,

IS HE ALLOWED

TO INTIMIDATE ME

LIKE THIS?

MR. MASSARELLI, PLEASE.

I APOLOGIZE, YOUR HONOR.

IT WAS UNINTENTIONAL.

WHAT IS THE NATURE

OF YOUR FRIENDSHIP

WITH HOLLY PULCHIK?

EXCUSE ME?

I'M SORRY. LET ME

REPHRASE THE QUESTION.

HOW WOULD YOU CHARACTERIZE

YOUR FRIENDSHIP?

I WOULD CALL HER

MY FRIEND.

I MEAN, COME ON.

WHAT IS THIS

FRIENDSHIP STUFF?

I'M TRYING TO FIND OUT.

LET ME

PUT THIS DELICATELY

TO AVOID

OFFENDING THE COURT.

IS THERE

A ROMANTIC CHARACTER

TO YOUR FRIENDSHIP?

OBJECTION.

OVERRULED. YOU MAY

PROCEED, MR. MASSARELLI.

THANK YOU.

IS THERE

A ROMANTIC CHARACTER

TO YOUR FRIENDSHIP

WITH THE DEFENDANT?

NO, MR. MASARATI,

THERE IS NOT.

MASSARELLI.

OH, SORRY.

UNINTENTIONAL.

YOU ARE ONE

OF THESE GAY WOMEN--

DO YOU PREFER LESBIANS?

TO YOU?

ARE YOU GAY?

DO I LOOK GAY?

YOUR HONOR.

PLEASE

ANSWER THE QUESTION.

ARE YOU GAY?

YES, I AM.

I'M SURE

YOU HEAR THAT

FROM WOMEN

ALL THE TIME.

BUT IN MY CASE,

IT HAPPENS

TO BE TRUE.

SHE'S

SCARED SHITLESS,

JUST LIKE I WOULD BE

AFTER TODAY.

NO, I DON'T WANT YOU

TO DO THAT, ANNA.

I DON'T WANT YOU

TO DO THAT.

I'LL CALL YOU

TONIGHT, ALL RIGHT?

BYE.

SCHMUCK.

YOU DID

YOUR BEST.

WHICH IS MORE

THAN I CAN SAY FOR YOU.

JUSTICE IS HARD.

JUSTICE?

YOU CALL THIS JUSTICE?

THIS GIRL

PROTECTS HERSELF

AGAINST

SOME MARAUDING ASSHOLE

WHO USES HER BODY

AS A PUNCHING BAG,

AND SHE'S GOING TO JAIL.

IS THAT WHAT YOU WANT?

I WANT HOLLY

TO BE MY WIFE.

I WANT US

TO BE A FAMILY.

WHERE, IN THE JOINT?

I DON'T KNOW THAT.

BUT I DO KNOW

THERE'S

NO KIND OF FAMILY

WITHOUT THE LAW.

NONE WHATSOEVER,

'CAUSE THE LAW THAT

GOVERNS THE SOCIETY

IS THE SAME LAW

THAT HOLDS

THE FAMILY TOGETHER.

WHERE'D YOU READ THAT,

ON THE SIDE

OF A CHEERIOS BOX?

YOU THINK

I LOVE HER LESS NOW.

BUT I DON'T.

I LOVE HER MORE,

AND THAT IS WHY

I HAD TO DO THIS.

COME ON.

COME ON, COME ON.

WAY TO GO, PAULA!

WAY TO GO!

AND THEY LIVED

HAPPILY EVER AFTER.

DID I WAKE YOU?

NO.

I--I WAS JUST

LOOKING FOR A DRINK.

THERE'S BEER.

NO.

I HAD SOME BOURBON

FROM THE PLANE,

BUT I SEEM TO HAVE

FINISHED IT.

WHAT ARE YOU DOING?

I THOUGHT SOMEHOW

IF I MADE THIS TRIP AGAIN,

WE'D ALL BE HERE

AT THE END LIKE THIS.

OH, HONEY, NOBODY WAS HAPPY

IN THESE PICTURES,

EXCEPT MAYBE YOU.

TOMMY WAS ALREADY

SO FRAIL,

AND YOUR FATHER...

WELL, YOU LOVED HIM,

DIDN'T YOU?

YES, I DID,

WITH ALL MY HEART.

BUT I LOST HIM,

AND TOMMY, TOO,

AND THAT'S THAT.

YOU JUST HAVE

TO LET IT GO, ROBIN.

JUST LET IT GO.

I CAN'T.

YOU HAVE TO,

DARLING,

BECAUSE IT'S NEVER

GOING TO COME OUT

ANY DIFFERENTLY,

NO MATTER

HOW MANY TIMES

YOU MAKE THIS TRIP.

I KNOW THAT.

WHEN WE LOST TOMMY...

WELL, YOUR FATHER JUST

COULDN'T LIVE WITH THAT.

I DON'T BLAME HIM.

IT'S NOT RIGHT,

LOSING YOUR CHILDREN.

CHILDREN ARE SUPPOSED

TO LIVE AFTER YOU.

OH, HONEY.

ARE YOU CRYING?

OH, MY GOSH.

DO YOU KNOW

I DON'T EVER

REMEMBER YOU CRYING,

EVEN WHEN YOU

WERE A BABY.

ISN'T THAT FUNNY?

HA HA.

I'M SORRY.

I KNOW YOU'RE

NOT WELL, DARLING.

I DON'T KNOW

WHAT IT IS,

AND I DON'T

WANT TO KNOW.

BUT I KNOW

YOU'LL GET BETTER.

YOU WERE ALWAYS

THE STRONG ONE.

I CAN'T LOSE YOU.

I CAN'T

JUST LOSE EVERYBODY.

I DO THE BEST I CAN.

I KNOW

IT'S NOT ENOUGH,

AND I'M SORRY,

BUT THAT'S WHAT YOU

GET IN LIFE,

YOU KNOW?

YOU GET WHOEVER

YOU END UP WITH,

WHOEVER IS WILLING

TO STICK BY YOU

AND FIGHT FOR YOU

WHEN EVERYONE ELSE

IS GONE...

AND IT AIN'T ALWAYS

WHO YOU EXPECT,

BUT YOU JUST HAVE

TO MAKE DO.

I'M NOT COMPLAINING,

MOM.

NEVER COMPLAIN,

NEVER EXPLAIN.

KATHARINE HEPBURN.

SHE SAID THAT

IN REDBOOKLAST MONTH.

IT'S A GOOD MOTTO,

ISN'T IT?

THE BEST I CAN DO

IS PRETEND

YOU NEVER TESTIFIED,

GO ON LIKE IT

NEVER HAPPENED.

GO ON TO WHAT?

HONESTLY?

I DON'T KNOW.

ALL RIGHT.

THIS IS THE SITUATION--

I AM STILL ANGRY,

I DO NOT FORGIVE YOU

FOR ANYTHING,

AND I DON'T WANT

TO TALK ABOUT IT.

ANNA FILLED ME IN.

SHE TOLD ME EVERYTHING

I NEEDED TO KNOW

ABOUT THE TRIAL SO FAR,

AND I KNOW I CAN HELP

'CAUSE I COULDN'T

MAKE IT ANY WORSE.

AND HOLLY IS AS MUCH

MY RESPONSIBILITY

AS ANYONE ELSE'S,

AND SO ARE YOU.

YOU ARE MY FAMILY,

AND I LOVE YOU.

NOW,

I FEEL FINE.

MY T-CELLS

ARE OVER A HUNDRED,

AND I'M RARING TO GO,

SO...

UNLESS YOU WANT TO WASTE

TIME BEING STUBBORN,

I SUGGEST

WE GET ME ON THE STAND

AS SOON AS POSSIBLE.

YOU EXPECT US TO BELIEVE

THAT THE DEFENDANT, PREGNANT

WITH THIS MAN'S CHILD,

WOULD LEAVE HIM

AND NEVER LOOK BACK?

IT WAS OVER.

HE BEAT HER

AND ABUSED HER.

I SAW HOW HE TREATED HER.

BUT NOT

TO LEAVE AN ADDRESS

SO HE COULD

FORWARD HER MAIL.

AND PRACTICAL

REASONS ASIDE,

LET'S SAY SHE DID

STRIKE A BLOW

FOR SELF-DEFENSE,

AND SHE DECIDES

TO LET HIM STEW

IN HIS OWN JUICES.

BUT A FEW DAYS

LATER,

SHE REALIZES, HE'S--

HE'S MY LITTLE

BABY'S DADDY.

AND HE'S NOT SO BAD.

MAYBE

HE'S GOT A TEMPER,

BUT--SHE KNOWS

SHE NEEDS HIM.

SHE NEEDS

TO CALL HIM.

BUT--BUT IT WAS

OVER BETWEEN THEM.

I KNOW YOU THINK

A GIRL LIKE HER,

THE MOST IMPORTANT THING

IS A MAN,

BUT SHE DIDN'T NEED HIM.

SHE HAD US.

WELL, I HARDLY THINK

YOU'RE A REPLACEMENT

FOR A FATHER.

I DON'T KNOW WHAT IT IS,

BUT...

THERE'S SOMETHING

THAT GOES ON BETWEEN WOMEN.

YOU MEN KNOW THAT

BECAUSE IT'S THE SAME

FOR YOU.

I'M NOT SAYING ONE SEX

IS BETTER THAN THE OTHER.

I'M JUST SAYING...

LIKE SPEAKS TO LIKE.

LOVE OR WHATEVER

DOESN'T ALWAYS KEEP,

SO YOU FIND OUT WHAT DOES,

IF YOU'RE LUCKY.

MM-HMM.

WELL, THANK YOU FOR THAT

VERY ILLUMINATING VIEW

OF THE WAR

BETWEEN THE SEXES.

ARE YOU A LESBIAN,

TOO, MS. NICKERSON?

NO, SIR,

BUT AT TIMES I UNDERSTAND

THE INCLINATION.

SUPPOSE THERE IS

THIS BOND BETWEEN WOMEN.

SUPPOSE MEN ARE DISPOSABLE.

I DIDN'T SAY THAT.

IF THAT'S THE CASE,

WHY SHOULD WE BELIEVE YOU?

WOULDN'T YOU SAY ANYTHING

TO KEEP YOUR SISTER,

YOUR BOSOM BUDDY,

SO TO SPEAK, OUT OF JAIL?

I AM UNDER OATH.

I WOULDN'T

PERJURE MYSELF.

I'M GLAD I DON'T

HAVE TO REMIND YOU.

AND, JUST FOR THE RECORD...

YOU DIDN'T KNOW--

YOU DIDN'T KNOW

UNTIL THE POLICE TOLD YOU

THAT THIS MAN

WAS DEAD OF HIS WOUNDS?

IF I'M LYING,

MAY I BE STRUCK DOWN

WITH SOME TERRIBLE DISEASE.

O.K. ALL RIGHT.

GOOD NEWS.

I GOT AN OFFER--

INVOLUNTARY MANSLAUGHTER.

EXTENUATING CIRCUMSTANCES.

ONE TO TWO YEARS.

PAROLE

AFTER SIX MONTHS.

I GOT YOU MINIMUM

SECURITY IN ARIZONA.

TWO HOURS FROM HOME

AND GOOD MEDICAL CARE.

I'D HATE TO HAVE

MY BABY IN JAIL.

WHAT ARE THE CHANCES

FOR AN ACQUITTAL?

HE'S DEAD

FROM HER ACTIONS,

AND JURIES WANT TO MAKE

SOMEONE PAY FOR THAT.

SHE DIDN'T TESTIFY,

AND I DON'T KNOW

HOW MUCH GOOD

YOU DID HER.

I MEAN, UH...

MY BABY

WILL HAVE A MOTHER

WHO'S

A CONVICTED FELON?

I DON'T KNOW.

WHAT DO YOU THINK?

WELL--

UNDER

THE CIRCUMSTANCES--

THEY'D HAVE TO--

I MEAN ABE.

WHAT DO YOU THINK

ABOUT THAT, BABE?

I THINK THAT YOU

SHOULD TAKE IT,

AND I WILL

KEEP THE BABY

TILL YOU GET OUT.

YEAH, BUT--

THAT'S WHAT I'LL

DO, THEN.

FINE.

I'LL TELL THEM

WE TAKE IT.

I LOVE YOU.

I GOT TO GET

IN THERE WITH YOU.

DO YOU?

I WANT YOU

SO MUCH, BABE.

COULD WE

HAVE A MINUTE?

YEAH.YEAH.

WE'LL

SEE YOU LATER.

STAND OVER THERE

A SECOND.

COME IN HERE.

THAT'S MY BABY.

HONEY.

OH, BABE,

I MISSED YOU SO MUCH.

ME, TOO.

WELL, SO MUCH

FOR THE BONDS

BETWEEN WOMEN.

I LOVE YOU.

YOU CAN'T

FIGHT THAT.

I LOVE YOU SO MUCH.

PRETTY GOOD IN THERE.

WHATEVER

HAPPENED TO HONESTY

IS THE BEST POLICY?

YOU DON'T WANT

TO GO OVERBOARD.

HA HA. HA HA.

YOU KNOW, I'VE BEEN

THINKING AND THINKING

AND THINKING

ABOUT THIS,

AND I WANT TO SAY IT--

I AM REALLY, REALLY SORRY.

I TRULY AM.

YEAH, ME, TOO.

I GET SO ANGRY SO FAST.

IT'S JUST--

IT'S LONELY.

BETWEEN ME

AND EVERYBODY ELSE,

THERE'S ALL THIS...

SPACE ALL THE TIME,

AND IT GETS...

BIGGER AND BIGGER,

AND...

I'M ON ONE SIDE,

YOU KNOW? AND--

SCREAMING,

AND THEY'RE...

WAVING.

AND THE ONE PERSON

I THINK I'M HOLDING

IS...WAVING, TOO.

I'M HOLDING YOU.

THERE WON'T BE

ANY MORE LIES...

BETWEEN US,

N-NOT EVEN

FOR MY OWN GOOD.

NO, MA'AM.

GOOD.

I'M GOING TO GO

CALL ANNA. SHE'S GOT--

JANE.

YEAH?

WHAT--

HEY, WHAT'S THE MATTER?

WHAT'S THE MATTER?

HEY, HEY!

ABE! ABE!

ELAINE. JANE.

LISTEN, UH,

I'M SORRY TO WAKE YOU,

BUT WE'RE BACK IN TUCSON,

AND...SHE'S

IN THE HOSPITAL.

WHAT CURSE, HONEY?

WHO?

THE ONE ON MY FRIEND.

REMEMBER WHEN I

CAME TO SEE YOU,

YOU SAID THERE WAS

A CURSE ON MY FRIEND?

IT'S MY FRIEND ROBIN.

SHE'S...

LOOK, I DON'T BELIEVE

IN THIS STUFF.

I JUST THOUGHT

IT COULDN'T HURT

TO COME SEE YOU.

OH, ROBIN.

THAT'S

THE GIRL WITH AIDS.

ANNA'S FRIEND.

SHE'S MY FRIEND.

OH.

OH, UH, I SEE.

SO CAN YOU DO IT?

DO WHAT?

TAKE THE CURSE OFF OF HER.

YOU SAID YOU COULD...

IT'S AIDS, HONEY.

I KNOW THAT,

BUT RIGHT NOW

IT'S JUST A LUNG INFECTION,

AND I--

I DON'T WANT A MIRACLE.

I JUST WANT TO GIVE HER

A 51/49 SHOT.

I MEAN, LOOK,

I--I BROUGHT MONEY.

I COULD PAY YOU NOW.

PAY WHEN IT WORKS.

I CAN'T

PROMISE ANYTHING.

DON'T WAKE HER UP.

JUST DOING MY JOB.

IS THAT A COLD?

SHE CAN'T AFFORD

AN INFECTION.

I'LL HAVE

TO MASK YOU.

CAN'T YOU SEE

SHE'S BEEN CRYING?

IT'S HER MOTHER.

PEOPLE THINK

THEY'RE BEING NICE,

BUT THEY COME IN HERE

WITH COLDS.

IT'S NOT

A GODDAMN COLD.

YOU'RE

SUCH A HOO-HOO.

AND WHAT'S A HOO

IT'S A CUNT, DEAR.

NOW WHY DON'T YOU

LEAVE US ALONE?

TOMMY?

TOMMY.

HEY.

IT'S JUST ME.

I KNOW.

O.K.

WHERE'S MOM?

SHE HAD TO GO

BACK TO THE HOUSE.

WILL YOU CALL HER?

SURE.

Yeah. Hi.

Uh...

She's asking for you.

Bye.

DO YOU WANT ME

TO GET A DOCTOR?

UH-OH.

N...

I HAD A CRUSH

ON A WOMAN ONCE.

I WAS 10.

OH, THAT'S WHEN I HAD

CRUSHES ON BOYS.

SHE...

SHE WAS

A STRAWBERRY BLONDE.

THAT'S WHAT MY MOM

CALLED HER.

SHE WAS

THE BABYSITTER...

AT A HOTEL

WE STAYED AT

RIGHT BEFORE MY DAD

WENT TO VIETNAM.

SHE WAS BEAUTIFUL.

STRAWBERRY BLONDE.

I USED TO BE

A STRAWBERRY BLONDE, TOO.

IT WAS ME YOU LOVED,

WASN'T IT?

YEAH.

STILL.

WELL, I LOVED YOU, TOO.

I WON'T WANT A FUNERAL,

BUT...

MOM WILL.

BUT IT'S GOT TO BE HERE.

DON'T LET HER TAKE ME

BACK TO SAN DIEGO.

O.K.

AND AFTERWARDS...

YOU CAN HAVE A BIG PARTY

AT THE HOUSE.

O.K.?

O.K.

BIG PARTY.

O.K.

BIG PARTY.

AAAH!

GOOD, HOLLY.

YOU CAN DO IT.

PUSH RIGHT INTO IT.

UNHH!

PUSH, HOLLY. COME ON.

YOU CAN DO IT.

PERFECT, PERFECT,

PERFECT. COME ON.

REAL GOOD PUSH NOW.

UNNHH!

AAAHH!

I WANTED TO BE HERE

FOR IT, YOU KNOW,

TO HELP WITH

THE BREATHING

AND EVERYTHING.

NEXT TIME. YOU EVER SEEN

ONE OF THESE THINGS?

UH-UH.

THEY'RE REALLY UGLY.

WHERE ARE THEY?

WHOA, WAIT A MINUTE.

DON'T LOOK AT ME.

WELCOME BACK.

WE MADE IT.

WE'RE BACK HOME.

ROSITA.

LET ME SEE HER.

LET ME SEE HER.

THANK YOU.YOU LOOK GREAT.

ISN'T SHE BEAUTIFUL?

HI, LITTLE ONE.

OHH.

COME ON.

WELCOME.

WELCOME,

MARY TODD.

OH. OH.

WHAT

WHAT

SHH.

OHHHH.

PUSH IT RIGHT

OUT OF THERE.

AHHHH!

♪ THEY CALL ME

MELLOW YELLOW ♪

♪ BOP BOP BOP BOP BAH

♪ I'M JUST MAD ABOUT 14

♪ 14's MAD ABOUT ME... ♪

IT WAS

ROUGH GOING THERE.

BUT SHE MANAGED

TO PULL HERSELF

THROUGH.

AND THE NEXT DAY

THE PENTAMIDINE

KICKED IN, SO...

WELL, WHAT ARE

HER T

MMM,

THEY'RE ABOUT 35.

THEY WERE UNDER 20

BEFORE.

NAH.

SHE DOESN--

SHE DOESN'T LOOK GOOD.

SHE LOOKS GREAT.

WE WANT TO WELCOME

HOLLY HOME,

WITH HER NEW BABY

AND HER NEW HUSBAND ABE.

WE'RE ALL GLAD TO BE HERE

WITH OUR FRIENDS.

AND I WANT YOU RIGHT NOW,

LADIES AND GENTLEMEN,

TO PUT YOUR HANDS

TOGETHER

AND GIVE A ROUND

OF WARM APPLAUSE

TO 1983's

FOURTH RUNNER-UP

IN THE STAR SEARCH

TALENT COMPETITION...

NO, NO, JANE, JANE,

IT WAS THIRD RUNNER-UP.

I TOLD HER.

FOURTH WAS THIS TERRIBLE

LITTLE BOY TAP-DANCER

WITH PIMPLES.

HE ONLY GOT THAT FAR

BECAUSE HE CHEATED.

THAT'S THE ONLY REASON

I--

ELAINE.

WHAT?

SHUT UP.

JERRY...

♪ EVERY TIME I LOOK

INTO YOUR LOVELY EYES ♪

♪ I SEE A LOVE

THAT MONEY JUST CAN'T BUY ♪

♪ ONE LOOK

♪ FROM YOU

♪ I DRIFT AWAY

♪ I PRAY

♪ THAT YOU

♪ ARE HERE

♪ TO STAY

♪ ANYTHING YOU WANT

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT

♪ ANYTHING AT ALL

♪ YOU GOT IT

♪ BABY

♪ EVERY TIME I HOLD YOU

♪ I BEGIN TO UNDERSTAND

♪ EVERYTHING ABOUT YOU

♪ TELLS ME

I'M YOUR BEST FRIEND ♪

♪ SO I LIVE MY LIFE

♪ TO BE WITH YOU

♪ 'CAUSE NO ONE

♪ CAN DO

♪ THE THINGS YOU DO

♪ SO ANYTHING YOU WANT

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT

♪ ANYTHING AT ALL

♪ YOU GOT IT

♪ BABY

♪ ANYTHING YOU NEED

♪ ANYTHING YOU WANT...

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT ♪

READY TO GO?

YEAH.

YOU BETTER BE BACK

FOR CHRISTMAS.

MARY TODD'S EXPECTING YOU.

I WILL.

CALL ME WHEN

YOU GET TO L.A.

TELL ME HOW

THE AUDITION WENT.

HA HA.

O.K., MOM.

♪ DOWN THE ROAD

OF MY DESIRES ♪

♪ TO THE OCEANS

OF MY PEACE ♪

♪ TO THE FUELING

OF MY FIRES ♪

♪ UNTIL MY YEARNINGS

CEASE ♪

♪ I HEAR YOUR VOICE

♪ I KNOW YOU

♪ IN YOUR ARMS I SLEEP

♪ MY LOVE,

WHEREVER I GO ♪

♪ I TAKE YOU WITH ME

♪ WHOA-HO

♪ WHOA-HO

♪ WHOA-HO-OHH

♪ OHH-OHH-OHH

♪ EVEN THOUGH

I'VE FED MY HUNGER ♪

♪ EVEN THOUGH I'VE NAMED

MY FEAR ♪

♪ I'LL NEVER

UNDERSTAND IT ♪

♪ HOW THE JOURNEY

LED ME HERE ♪

♪ BUT I HAVE MADE

A PROMISE ♪

♪ THAT I INTEND TO KEEP

♪ MY LOVE,

WHEREVER I GO ♪

♪ I TAKE YOU WITH ME, OHH

♪ MY LOVE,

WHEREVER I GO ♪

♪ OHH, I,

I TAKE YOU WITH ME ♪

♪ TAKE YOU WITH ME

♪ I TAKE YOU WITH ME,

OHH ♪

♪ OHH-OHH

♪ OHH

♪ MY LOVE

♪ MY LOVE ♪

CAPTIONING MADE POSSIBLE BY

WARNER BROS.

CAPTIONING PERFORMED BY

THE NATIONAL CAPTIONING

INSTITUTE, INC.

CAPTIONS COPYRIGHT 1995

WARNER BROS.

♪ EVERY TIME I LOOK

INTO YOUR LOVELY EYES ♪

♪ I SEE A LOVE THAT MONEY

JUST CAN'T BUY ♪

♪ ONE LOOK

♪ FROM YOU

♪ I DRIFT

♪ AWAY

♪ I PRAY

♪ THAT YOU

♪ ARE HERE

♪ TO STAY

♪ ANYTHING YOU WANT

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT

♪ ANYTHING AT ALL

♪ YOU GOT IT

♪ BABY

♪ EVERY TIME I HOLD YOU

♪ I BEGIN TO UNDERSTAND

♪ EVERYTHING ABOUT YOU

♪ TELLS ME YOU'RE MY MAN

♪ I LIVE ♪ I LIVE

♪ MY LIFE ♪ MY LIFE

♪ TO BE ♪ TO BE

♪ WITH YOU ♪ WITH YOU

♪ NO ONE ♪ NO ONE

♪ CAN DO ♪ CAN DO

♪ THE THINGS ♪ THE THINGS

♪ YOU DO ♪ YOU DO

♪ ANYTHING YOU WANT

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT

♪ ANYTHING AT ALL

♪ YOU GOT IT

♪ BABY

♪ ANYTHING AT ALL, BABE

♪ I'M GLAD ♪ I'M GLAD

♪ TO GIVE ♪ TO GIVE

♪ MY LOVE ♪ MY LOVE

♪ TO YOU ♪ TO YOU

♪ I KNOW ♪ I KNOW

♪ YOU FEEL ♪ YOU FEEL

♪ THE WAY ♪ THE WAY

♪ I DO ♪ I DO

♪ ANYTHING YOU WANT

♪ YOU GOT IT

♪ ANYTHING YOU NEED

♪ YOU GOT IT

♪ ANYTHING AT ALL

♪ YOU GOT IT

♪ BABY

♪ ANYTHING YOU WANT

♪ ANYTHING YOU NEED

♪ I'M GLAD

♪ TO GIVE

♪ MY LOVE

♪ TO YOU

♪ I KNOW

♪ YOU FEEL

♪ THE WAY

♪ I DO

♪ ANYTHING YOU WANT

♪ ANYTHING

YOU WANT, BABY ♪

♪ ANYTHING YOU NEED

♪ ANYTHING AT ALL

♪ ANYTHING AT ALL

♪ BABY

♪ YOU GOT IT ♪