Boy, Did I Get a Wrong Number! (1966) - full transcript

The Divine Didi, a European actress known more for her bubble bath scenes than for her acting, decides she has had enough with bubble baths and wants to be taken seriously as an actress. So-much-so that during the filming of a bubble bath scene, she runs away and winds up in Oregon. While staying in a hotel, the operator accidentally connects her with a real estate agent named Tom Meade, instead of the kitchen, and asks him to bring her some food. When he does, he suggests she go to his cabin in the woods. She also asks him not to tell anyone where she is because she doesn't want to go back to Hollywood. Now Tom must keep the secret, especially from his wife and from his suspicious housekeeper Millie.

NARRATOR: "'The time has

come,' the Walrus said

"'For I know I've

had enough of cabbages,

kings and sealing wax

"'And all that silly stuff

"'I want to talk

of Hollywood and

the excitement that it brings

"'With its gorgeous

girls in sunken baths

"'and those

other crazy things'"

Temperature okay.

Bring on the body.

Hah.

I break my head

to learn English,

and for what?

To take a bath?

No, no, no and no!

I know, Miss Didi, but we...

No more Miss Didi's bath!

Or anything else!

Is that clear?

It's impossible. Impossible baths.

No more bubble

baths anywhere!

DIDI: No!

No more bubble baths.What's the matter now?

She won't get in the tub.

Nothing to get excited about.

The usual daily tantrum.

What's wrong,

my little chou-chou?

You liar and cheat!

Oh, what troubles

my little pussy cat?

Tell your Pepe, will you?

"Tell your Pepe!

Tell your Pepe!"

You promised

that when we

came to Hollywood,

that I could be

a big dramatic star

and no more bubble baths.

But, my little rabbit, you know the big scenes will come later.

You know Pepe never lies.

Pepe never lies?

For five years you

promise to marry me.

For five years!

Oh, it's that again now, huh?

Aren't we happy as we are?

No.

Why do you want to destroy your success?

Marriage will ruin you.

Who knows that better than I do?

What happens when a star marries her director?

Exactly what happened to all my wives.

Instantly, they get fat.

Didi does not get fat,

and Didi does not

take a bubble bath!

Oh, come, come now.

Let's discuss this calmly, huh?

Do you really think Pepe likes this?

How do you think I feel when everyone

sees your beautiful body in the bath?

It tears my heart out.

Oh... Oh...

You know Pepe thinks only of you.

Then why did you

put the bath back

in the picture?

Why? The producer says you take a bath, that's why.

[MUTTERING] So I stand up to him, and I tell him,

"My Didi will take no more baths."

So the producer says, "No bath, no picture."

Then I hollered at him, "Okay, no picture!"

The producer hollers, then I holler again,

but it's no use. He hollers louder.

But I made an agreement.

You take the bath.

You made an agreement, huh?

Then you take the bath!

Who discovered you, huh?

Who made you

the Divine Didi?

I.

I made myself the Divine Didi.

Oh, you did?

Yes. Maybe you helped a little bit.

What were you

when I picked you

up in Marseille?

A dirty little

beggar chasing GIs

in the street

for cigarettes.

Oh. Miserableyou.

You know that I

am of royal blood.

Everybody knows

that Didi comes

from a noble line!

You came from

a noble line,

all right,

a noble line

a sailor gave

your foolish mother.

[GASPS]

You'd still be

a dirty little beggar

if I didn't give

you your first bath.

And you are going

to take this bath

right now.

[SCREAMING]

Ow! Ow.

I'll teach you.

Now we'll start.

Now, actor, you...

I want you to go

into the bathroom

and act surprised.

You see this strange,

beautiful girl in the tub,

but you do not

recognize her.

Mr. Pepponi... You understand?

Leave me alone.

You do not know her...

But she's

getting out

of the tub.

Didi!

Didi, you come back here.

Wow!

Didi!

PEPE: Didi!

Didi!

[ENGINE REVVING]

[TIRES SCREECHING]

Didi!

She'll come back,

and when she does

I'm going to drown her.

Folks, this is

Mr. Titus Zeale

of Abbott's Butte, Oregon.

Now, Mr. Zeale,

you say the Divine

Didi stopped here?

She sure did and I ain't forgetting it.

You're quite sure now?

Oh, it was her all right.

She had a pizza and a Coke,

and then got mad 'cause I didn't have no champagne.

Thank you.

Well, I guess

it's pretty obvious

that the Divine One

is hiding out

someplace here in Oregon.

When she lets me

know where she is,

I'll let you know.

Yoo-hoo, Martha,

lover boy is here.

That should

start an avalanche.

[LILY LAUGHING]

What's so funny?

They just had a commercial for a waist-pincher that's guaranteed

to make your body 36-26-36 or double your money back.

Boy, am I gonna be rich!

Well, forget it.

That offer's

open to girls only.

Where's my wife?

Down at the beauty parlor, doing what comes unnaturally.

At this hour?

The beauty parlor?

That's just what I need.

No, that's just what I need.

I've been banned for life.

Do you realize

you're looking at

a three-time loser?

Drowning your troubles?

No, teaching them to swim.

All right, what'd you do?

Blow another deal

on that Lake

Nothing property?

It's still gonna sell,

and it's still

gonna be a summer resort

that's gonna make me rich.

Some resort. One house.

Even the ducks won't go up there for the summer.

Can I help it if everybody built at the other end of the lake?

Besides,

that's a selling point.

Some people prefer seclusion.

That's not seclusion.

That's banishment.

Why don't I fire you?

I know,

my psychiatrist

explained it.

I dig pain.

I'll tell you why, guilt.

You let me sink

my life savings

into that

no-takers-acres

up there.

$500, that wouldn't build a path to the telephone booth.

Don't worry,

you'll get your

money out of it.

Why? Has the President declared it a disaster area?

Come to think of it,

why did I hire you

in the first place?

Why didn't I just

slash my wrists?

When do we eat?

I'm starved.

When your wife gets home.

I gotta have

a little hors d'oeuvre,

I'll tell you that.

I'm really hungry.

Hey, you forgot

the ice cubes.

What're they doing to my wife that takes so long? Teasing her follicles?

I don't know.

Beauty parlors...

Yech!

I do my own.

So that's why

we couldn't find

the egg-beater.

I better call her.

Tell her if that

chicken dries out any more,

it'll be a fire hazard.

Hi, Dad.

Hi, Larry.

[GROANING]

Oh, hang on a minute, honey.

Hotel Albion.

Beauty parlor?

Yes, siree.

[RINGING]

Hard Knocks Beauty Salon.

Mrs. Meade,

please. This is Mr. Meade.

HAIRDRESSER: Just

a moment please.

Your husband is

on the phone,

Mrs. Meade.

Oh, dear, it's so late.

Well, you would mix

wine and beer.

Well, I'll say one

thing for you, though...

Oh, honey, hold on.

Hotel Albion. Yes, ma'am.

Oh, dear.

[GROANING]

Hello?

Hello?

VOICE ON SWITCHBOARD: Hello?

Operator? Hello? Operator?

I've been disconnected. Huh?

You got misconnected?

You ought to see me.

Hold on, everybody.

Now, let's see.

You with the janitor,

and you with the kitchen,

and you had somebody

upstairs, and you...

Well, you are just gonna

have to take your chances.

[RINGING]

We better hurry.

Hello?

Hello?

Hello, honey.

Honey? Do I know you?

What?

Okay, so you don't know me,

but I'm secret agent

007 and three-eighths

who tracked you down,

so get your lovely

little chassis back home

here fast,

or I'll paint you gold.

TOM: Now,

cut the phony routine.

But I do not understand.

Oh, come on, drop it.

You always were

a lousy actress.

Oh. Lousy actress, huh?

Well, I'll tell you,

there's only one

man in this world

who would dare to call Didi

a lousy actress,

and that is Pepe!

DIDI: So, you give

a message to your Pepe!

Pepe?

You tell him that Didi

will never come back

to Hollywood, never!

And the next time Didi hides, he won't find her!

Not with 1,000 bloodhounds.

Hey, wait a minute. I...

I got a hunch that

I'm not talking to

the beauty parlor.

Beauty parlor?

But of course this is not

the beauty parlor, stupid.

This is... Wait a minute.

This is Suite C.

Didi?

No, no, no, monsieur.

C.C. I mean,

Suite C. Suite C.

You're her.

You're that dame.

The biggest thing in

bathtubs since rings.

Hey, it says

you're kidnapped.

No, monsieur,no,

not really. You see,

please, monsieur,

take pity on me, please.

You see, I ran away

from Hollywood

because they tried

to make me do things

in my new movie,

things that are

just terrible.

More than in

your last picture?

Oh, those beasts.

When's it opening?

Oh...

You mean you have

seen my pictures?

Well, I've never

missed a one.

I love educational movies.

Oh...

Oh, then you...

You're my friend.

Well, yeah, I...

I mean...

What do you mean?

But, monsieur,I need you.

You must help me.

You see,

I'm all alone here

in a strange place

with no one to talk to,

no one to turn to.

Just you. Just you.

Will you bring me

some food?

Well, yes.

Bring it to

your hotel room?

Well, I don't know, I...

Oh, monsieur,

it is like when I

was a little girl

after the war,

in the streets,

begging for food.

And my poor little

body was wasting away

from such little

food to eat.

Well, it sure went

to the right places.

Never again did I think

I would be so hungry,

so hungry.

But of course,

if you don't

help me, then...

How do you like it,

on white or rye?

Oh, so you will help me.

Oh, it's so good

to have

a friend in this world.

What is your name, monsieur?

Oh, it's Meade, Tom Meade.

I'm in the phone book,

in the yellow pages,

under chicken.

Wait a minute.

Don't... Don't you call me.

But of course not,

MonsieurTom Meade.

I understand.

But you will come

to my hotel room tonight,

won't you?

Well, I...

Honey, I'd just be taking her a little lousy nourishment.

Look, I don't know

if I can swing it...

Please say yes,

MonsieurTom Meade,

please.

It's chilly

and I'm all naked.

Well, what do you know?

Somebody's been

spiking his wheat germ.

TOM: Well, look...

You gotta

realize my wife expects

a certain amount

of my time, too.

But of course I understand.

But what about me?

All right,

on second thought...

MARTHA: Tom. Darling.

On third thought,

goodbye, Sam.

Honestly, I got home

as quickly as I could.

And I love you.

Your second drink?

I mean, I love your hair, whatever they did with it.

They washed it.

It's not your third.

Have a bite.

You do look a little flushed.

Well, that's oven burn.

I've been going steady with a charred chicken.

Poor darling.

We'll eat in two shakes,

and I'm sorry

I kept my baby

waiting so long.

Hi, everybody.

Gee, Mom,

you look real groovy.

Gee, Dad,

you look real beat.

There it is.

Wow, is she ever copious.

TOM: Watch your language.

They're not real,

they can't be.

Uh-uh. That's enough of that.

Go do your homework.

MARTHA: What is it?

Imagine that,

in a family newspaper.

Do you think she's dead?

No. Go call your

brother for dinner.

Huh!

That one they'll

find in a hotel

with somebody,

somebody's husband.

[CHOKES]

I think I inhaled an olive.

Come on, let's not keep Lily waiting.

You see, she thinks my head is nothing but a crystal ball.

Sorry, you'll have to get on somebody else's chow line.

What do you want for dessert, tiger?

The breakfast of champions?

LARRY: Boy, everybody goes

to see Didi movies.

Why not me?

Because you're not old enough.

Well, I'm old enough.

Why can't I go?

Because I'm not old

enough to take you.

Let's end the discussion, please.

Really, Mother,

you're so inhibited.

Do you want me to

grow up thinking

there's something

wrong with sex?

What?

Don't look at me.

I'm still shocked

from copious.

It's just what you like,

hot chicken.

But it's important for me to see a Didi movie.

I gotta know what's going on in the world for current events in school.

Who's your

current events teacher?

Lady Chatterley?

Never mind Didi,

stick to Bugs Bunny.

Onions in it. Put you

right out of business.

DORIS: They said she

was absolutely naked

when she ran

out of the studio.

Gee, imagine

being a movie star.

Doris!

I'm going to write

to that newspaper.

Will everybody

please change the subject?

I don't want to

hear another word

about poor hungry Didi.

Poor hungry Didi?

Why'd you call

her poor and hungry?

I did?

You probably

misunderstood me.

What I said was,

"Poor hungry Daddy."

Well, I'd still

like to know one thing.

When will I be old enough to wear nothing like that?

Never!

Monsieur Tom Meade?

Please,Monsieur Tom Meade.

Do not forget me.

I am so hungry.

[SHUSHING]

Please,Monsieur, please.

I am so hungry.

Please,Monsieur Tom Meade,

do not forget me, please.

Please,Monsieur, please.

[TOM COUGHING]

Are you all right?

I'm fine. Fine.

MARTHA: Well, drink some water.

Fine.

Finished?

Don't touch

that tomato.

Gee, usually by

this time of the meal

I can come in here without a whip and a chair.

What's the matter with you?

Who, me? Well, I'm...

MARTHA: You're not eating.

Oh, I'm resting.

Is there something wrong with the chicken?

The chicken's just

roasted. He's stewed.

This whole

room's going around.

I think on

the next turn I'll get off

and go lie down.

I hope he hasn't been working too hard.

He's been doing

something too hard.

[GROOVE MUSIC PLAYING

ON RADIO]

♪ Murder me with kisses

♪ Murder me now

♪ Kill me with love

♪ Kill me, baby

♪ Mutilate my senses, baby

♪ Mutilate me

♪ Bind me like a duck

♪ Yeah, yeah, yeah

♪ Tear my heart to pieces

♪ Rip me, baby

♪ Let my pulse run wild

♪ Make my pulse...

Mirror, mirror

on the wall, who's

the fairest of them all?

Oh, shut up.

Who asked you anyway?

Thanks.

What are you doing here?

Yeah, imagine finding me in the kitchen.

What's Big Daddy's excuse?

Excuse for what?

It happens to be

my refrigerator,

remember?

Why don't you go

haunt another

part of the house?

Sort of a midnight picnic?

Yeah,

I'm cheating on my diet,

and I'm just

going out to eat it.

Doesn't everybody?

I just happen to have a yen.

Those still waters, do they run deep.

Hmm?

Where's Mrs. Meade?

Mrs. Meade?

She's your wife.

All right, Lily,

you got me.

Martha doesn't want me

to meet the boys tonight.

So all that's for the boys, or is it the birds?

Just a bite

while we play poker.

You won't tell Martha,

will you?

Don't worry, my lips are sealed.

And good luck at the game, whatever it is.

Au revoir...

I mean, see you later.

Ciao.

Who is?

It's me, the man

with the wrong number.

It's okay.

Oh.

Well, it's not okay,

but it's me.

You are MonsieurTom Meade?

No names, please.

I brought the goodies.

Are you sure you need them?

Oh, I'm hungry.

I picked

up a paper, too.

Your studio is sure

somebody's holding you.

Oh, that's wonderful. Apples...

And bread and tomatoes and chicken.

Yeah. I left

out the gravy.

I didn't want to leave

a trail from my house

to your room.

Oh, this is wonderful, MonsieurTom Meade.

Thank you very, very much. This is a feast.

Yeah, and I just

had the dessert.

Well, bon appetit.

Mmm.

This is delicious.

You know that I

had nothing to eat

since yesterday but

one glass of water.

Oh, you poor

undernourished kid.

My ribs are showing.

Feel them.

No, no, I'd have

to have a note

from my doctor. I'll...

Oh, Didi likes you.

You like Didi?

Maybe you'd like

to see a picture

of my wife?

Oh, yes.

I'll go home

and get it.

Oh, no, no, but you must eat with Didi.

It's no good to eat alone.

When you're here, my appetite is much bigger.

That's getting

to be my problem,

so I better run along.

But no, no, no, MonsieurTom Meade. I'm all alone here,

and I have nobody

to talk to and nobody

to turn to.

And your eyes,

they're so full of

warmth and kindness.

That's panic and terror.

Oh, come on, MonsieurTom Meade, we have a little party, huh?

A party?

But who could

we invite?

Well, nobody,

just us. Come on.

Sit down. There, I feed you.

Um...

There.

You know, every time I start a picture,

I have a party with my leading man.

And Pepe hates

my leading men.

You know, he always wants to kill them.

Kill them? Well,

he must keep pretty busy.

Pepe is terrible. You know, he hounds me.

I ran away before but he always found me,

and he'll find me this time, too.

Yeah, well,

that sounds like

real true love,

the kind you can

read on any good

coroner's report.

If only there was someplace where I could hide.

You know, someplace where nobody would recognize me.

Someplace all alone.

You mean something like

a two-bedroom-with-bath

vacation villa,

not 35 minutes from

the center of town,

very secluded,

ideal for a

honeymoon couple,

no down payment,

you don't have

to be a veteran.

You sound like advertising.

I've got just

the spot for you.

Up there,

you're as good as lost.

In fact, I have

a shirt up there

somewhere.

Where is this place?

Well, look,

you go right

down the main road

until you come

to a bridge, then,

across the bridge

there's a turnoff,

and you'll see a sign that says, "Crystal Lake."

You follow the Lake Shore...

Road up about five miles

until you come to

a cabin on top of a bluff.

The key is under

the first porch step,

and what a view!

All you can see

for miles and miles

is miles and miles.

But what about the food, MonsieurTom Meade?

Oh, there's a deep freeze.

It just has everything.

It has orange juice,

chickens, steaks,

a noisy motor.

Oh, I'm free. I'm free.

MonsieurTom Meade,

you freed the slave.

Yeah, well, I don't think this is what Lincoln had in mind.

But, honey, everything will be all right. You'll be safe up there,

and this way we

can do something

for each other.

But of course,

MonsieurTom Meade.

Yeah, but, honey,

I don't think

we're on the same beam.

I mean you're reading me, but I'm not even sending.

If you want me up

there all by myself

in the wilderness, okay.

What if something goes wrong?

Well, everything's

practically new,

except the water

pipes hum a little,

but they're on key.

I don't think

anything'll go wrong.

But what if I meet

some wild animals?

They'll just have to

take their chances.

No, MonsieurTom Meade,

what if something

really should go wrong?

Well, you call me.

Call me at Pomeroy...

You got a pen or a pencil?

Lipstick will do.

Well, call me

at Pomeroy 41...

No, I better make

it the office number.

After all,

this is business.

Yeah, call me

at Pomeroy 368.

Pomeroy 368.

Now, MonsieurTom Meade, what can Didi do for you?

You're doing it.

I'm giving you

a place to hide,

and you're

giving me the place

where Didi was hiding.

You wash my back,

I'll wash yours.

Oh!

Oh, no, no,

that's just

an old business saying,

like, you know,

a bird in the hand is...

Nah, forget it.

After you leave,

it'll be a summer resort

that'll make me a fortune.

After I leave?

Yeah.

"Visit Didi's hideaway."

"Stay where Didi stayed.

Didi slept here.

Didi even bathed here."

I'll turn the bathroom

into a shrine.

Oh, this is wonderful,

MonsieurTom Meade.

This way we help each other and Pepe will never find me.

Yeah, Pepe. Hey, what about this Pepe?

I'm not afraid of Pepe.

Well, that makes one of us.

No, I mean, he says

here that he is the...

What does Pepe

say there again?

"Fearful over

the fate of his star,

the Divine Didi,

"famed European

film director,

Pepe Pepponi,

"his handsome

features revealing

"the strain of three

sleepless nights..."

Oh! His handsome features, his three sleepless nights!

Well, what about me, huh?

All he ever cares

about is himself,

his studio, his picture.

Lies. Lies. Lies!

Well, what he

probably meant was...

I know what he meant.

His money he meant.

His big box office he meant.

That's all he

ever cares about me.

Well, he must have some...

Don't you defend him, you.

No, I was only saying...

But of course, you're a man, too,

and you always are together, aren't you?

Oh, no, I've never

even met him,

and my insurance company wants to keep it that way.

You just want to take

what you can get from her.

That's what you want her for.

No. I just brought

the chicken.

Of course, so you can have me stay in this house of yours!

So you could exploit me, take advantage of me

and make money on me,

just like Pepe!

You're all alike.

Men. Men. Men!

Oh, take it easy, honey,

you'll break something,

and it's hard

to get parts.

You don't care?

You don't care what a woman thinks?

What she feels?

The tenderness she

has in her little heart?

Well, you just take

your chicken and your

tomatoes, your apples and your bread

and your cake and

your chicken leg,

and you...

You... You man!

Thank you.

It was nice meeting you.

[SCREAMING]

Those Europeans,

why do they have to

talk with their hands?

What am I mad at MonsieurTom Meade for?

It's Pepe I hate. You...

Pepe, miserableyou.

MonsieurTom Meade.

MonsieurTom Meade.

MonsieurTom Meade.

Please, MonsieurTom Meade, I want to apologize.

MAN ON RADIO: The Divine Didi

appeared to be unharmed

and in good health.

Before the police

could arrive, however,

the vanishing Venus

was on the run again,

eluding pursuit in

her high-powered car.

She was last

reported moving south

on Highway 99.

Stay tuned to this channel

for latest reports.

...on you.

It's like I was a thief.

I am no thief!

Everyone has got

the right to run away

if they want to.

It's a free country.

Please, not so loud.

How did that get up to my eyes so fast?

Well, how's old

faithful this morning?

Had a rough night.

Did you say "rough" or...

[BARKS]

Down, Fido.

Come on, now.

You weren't really out

playing poker last

night with the boys.

Is that so strange?

No, but I think

one of the boys is.

What's this?

Boy, I hope it's blood.

Your wife sees it,

it will be.

Now, where would that come from?

You tell me, hot lips.

Will you stop trying to get a piece of the alimony?

It's just an innocent little smudge, that's all.

You know, I believe you.

How's that for lying?

You can imagine

anything you want,

but do me a favor.

Don't imagine them

in front of that

maid next door.

She's the fastest

mouth in the West.

Look, boss, I didn't mean it if I implied anything about last night,

but how do you want your eggs, poached, fried or raw?

Scrambled, like your head.

Morning, Lily. Morning.

Morning, dear.

Careful. Papa bear hasn't had his porridge yet.

Well, he did have

quite a night last night,

didn't you, dear?

Me? You're referring to me?

The way you were

talking in your sleep.

What about?

Didi.

Didi?

Imagine a guy dreaming in baby-talk.

l wasn't smiling, was I?

No.

Then what are you worried about?

He wasn't walking in his sleep last night, too, was he?

What happened?

She had her mouth open

and tripped over it.

That must've been

some dream.

But don't worry,

darling.

If you dream something, I can't hold it against you.

I'm not gonna answer that.

Just spare me the details.

You can tell me.

Oh, yeah, I remember.

I dreamt I found her.

It was a crazy dream.

It must have been

those awful headlines.

It must've been that awful chicken

I was served here at heartburn-a-go-go.

Do you want me to

make it again tonight?

She was here, here. Didi was here.

Where? Where?

Oh, not here, Daddy. At the hotel.

They almost caught her, but she got away.

Doris, go get your brother

and tell him to

finish his cocoa.

Larry. Come finish your cocoa!

I said get him.

Don't scream for him.

I could do that.

She's gone, huh?

Well, after last night,

at least

she could've

called and said goodbye.

Evidently

the dream wasn't

that good.

Hey, this has got a skin on it.

Why can't I have coffee?

Coffee? You wanna

stay awake in class?

[HORN HONKING]

There's your bus.

Bye, Dad. Oh! Bye, Mom.

Goodbye.

Bye, Mom. Bye, Dad.

Ah, ah, ah! Wait, wait,

your lunch. Quick.

Don't you take my seat by the window.

Why is it when

those kids leave

every morning

it's like taking off a tight girdle?

[DOORBELL RINGING]

Wasn't that the front door?

Could be.

It had a familiar ring.

Aren't you

going to answer it?

Me?

Look, let's get

something straight

about this

master-servant

relationship.

I am the master,

you are the slave.

Boy, what a chicken outfit.

[DOORBELL RINGING]

I know how she is,

but I don't know

what I'd do without her.

I'd like to find out.

We wanna see Mr. Meade.

Well, who will I say is calling?

Just get Mr. Meade.

Uh-huh.

Bet this is gonna be the type who starts yelling for his lawyer.

Or starts quoting

the Constitution

all wrong.

Two guys to see you, master.

Did they say who they were?

Look, I opened the door, didn't I?

Yeah, but you didn't keep going.

Mr. Meade?

Yes?

Police officers.

Oh, well, nice

of you to drop in.

How much are

the raffle tickets?

Recognize this?

What?

What does

it look like?

Like you lost

your lunch.

I mean the

phone number.

In lipstick.

Oh, I'm sorry,

it's not my brand.

You wanna tell us about it?

Hey, by George,

that is my number.

How did it get on an old bag?

REGAN: This was

no old bag.

We found it on

the dame's couch.

Dame's couch?

Oh, you're liable

to find my number

under every couch in town.

It's a tough racket,

real estate.

SCHWARTZ: This Didi broad,

the one who's missing.

She left it in

her hotel room.

A mysterious

stranger was seen

sneaking down

the back stairs.

Are you that

mysterious stranger?

Me? A stranger?

Don't be silly.

I'd know me anywhere.

Now, look, this is a very

important person

and she's missing.

She shows up here,

and then beats it,

leaving your phone number

under her couch?

We wanna know why.

Yeah, thought maybe

you could fill us in

on a few of the blanks.

Oh, not me.

The last time I did

that I got drafted.

Are you telling us you don't know this Didi?

Oh, that's not

a fair question.

After you've seen

one of her pictures,

you'd know her.

Okay, try this one.

What were you

doing last night,

say about 10:00?

10:00? 10:00.

Oh, yes, I remember. I remember I had a very rough day,

so I decided to

take a little walk,

you know,

to work off

a little tension.

My husband is telling the absolute truth, and I can verify it.

Besides, the whole thing is ridiculous.

Maybe some men are capable of such things,

but after 18 years, don't you think I know my own husband?

That's right.

Who knows a husband

better than his own wife?

I think this one's gonna be rough.

TOM: Now, just a minute.

Here it comes.

You two come

barging into my house,

making insinuations

in front of my wife

and casting doubts

on my unblemished

character before

the hired help.

I happen to be a law-abiding, upstanding member of this community,

and I consider your coming here and making me go through this

an unjustified

invasion of my secrecy...

Privacy.

You still haven't told us what she was doing with your phone number.

What are you getting at?

I'm in the real

estate business.

I sell plots, I don't dream them up. Maybe she saw one of my ads,

you know,

living room, bedroom,

three baths.

I think this has gone far enough.

You're coming here and saying these impossible things.

I agree. I don't see her with him.

What a pair, Didi and Dodo.

Well, sorry we bothered you.

We've got our jobs and...

Well, you understand this is a big star and a big glamourpuss.

Yeah. Big. Big.

Come on.

Imagine that, you and Didi.

Yeah... I mean, no.

[LAUGHS]

That'd be like

trying to lasso a tiger

with a wet noodle.

[LAUGHING]

Don't lose your head.

It's only a few

days till Halloween.

Well,

it's not that wild,

is it?

Oh, darling,

it just suddenly

struck me so funny.

Well, you don't

have to make it sound

like it's that impossible.

Just 'cause a lot

of water's flown

under the bridge

doesn't mean

the lake's dried up.

Oh, of course not, sweetheart.

Gloria Morgan

thinks I've still got it.

At our last cocktail party,

she trapped me

in the rumpus room

and wouldn't let me go

until I laid

a little kiss on her.

Well, don't let it go

to your head.

She drools over her cocker spaniel, too.

Oh, but I think you're wonderful, too.

Why don't you try trapping me in the rumpus room?

Oh, you haven't

kissed me like that

in a long time.

You haven't stepped

on my toe like that

in a long time.

Yeah, but it's not

easy getting a kiss

around here these days.

The kids take notes,

and Lily hands

us a critique.

You're right.

We don't ever seem to have any privacy anymore.

Yeah, you don't realize those kids

you used to bounce on your knee

have suddenly

turned into an audience.

Hey, why don't we chuck the whole thing out the window?

The children?The whole routine.

Right now.

Let's take off

for the lake.

I'll hang a little

sign on the office door,

"Gone Fishing."

What are you doing?

Just digging the bait.

Oh, sounds heavenly, but...

But what?

We haven't been

away together

for a long time,

and what a spot

to catch up

on togetherness.

But I've got so many things to do.

The children...

Lily'll feed them

and they'll have all

next week to recover.

Darling, but the Ladies Aid, I have to go to the hospital

and practice making beds.

Why don't we unmake a few?

What about Mildred's shower?

She's getting married,

she's old enough

to take it alone.

And the PTA this afternoon.

What about their big drive?

What about mine?

I'll work it out.

Hey, and take

the black nightgown.

The heater's

not connected yet.

I'll leave

a note for the kids,

just in case they

notice we're missing.

Yes, sir,

the new Tom Meade,

sportsman, lover.

Hey, I got one.

Come in here, you baby.

There it is. A round salmon.

[PHONE RINGING]

Hello?

Hello,Monsieur Tom Meade.

It is I, Didi.

Didi?

Hello. Hello,

Monsieur Tom Meade?

[SHUSHING]

[WHISPERING] Hello.

Oh, I hope you're

not angry with me.

Oh, no. Why'd you

have to call me?

I mean here?

I mean, it's nice

to hear from you.

Imagine, making waves

at his age.

I had to call you.

I'm in trouble.

You're in trouble?

You stay on this

line much longer

and we can start a club.

Where are you?

Well, like you told me,

there is no

phone in the cabin,

so I had to drive down all the way from the mountain to call.

Do you know what?

The stove doesn't

work and there's no gas.

How can I make breakfast?

Well, the stove

is butane and...

Breakfast?

Tomorrow morning?

In the cottage?

DIDI: But you're so nice,

you know,

and I hate to complain.

Oh, no, but look.

You can't.

I mean, she can't...

I mean, why do you

always have to think

about food?

I didn't send you

up there just to eat.

On an empty stomach, yet.

But I don't understand,

MonsieurTom Meade.

You were such a darling,

and now

you want me to go

without breakfast?

[WHISPERING]

I don't know

what I want. Yes, I do.

But you can't

hang around up there.

I've got other plans.

But I have no place to go, MonsieurTom Meade,

and you promised that

I could stay in

your place and...

Aren't you my

friend any longer?

Sure, you're my friend.

But if you stay

up there, you'll be

the only one I've got.

[FALTERING] All right then, I'll leave tomorrow morning,

if that's what you want.

No. No, you can't. It...

Look, you just stay put.

I'll be up there

and we'll make

some new plans.

No, no, MonsieurTom Meade.

No new plans, please.

See, I'm...

I'm still so

tired from yesterday

and last night

that I just

want to take a bath

and take a sleeping pill

and sleep until tomorrow.

No. No.

We've got to take care of something else that comes first.

That's keeping your

eye on the old ball,

Charlie.

Look, I'll be up

there in about an hour,

if I can tie up

a few loose ends

without getting

caught in them.

I'll give up two weeks salary if you'll have

a five-minute talk with my boyfriend.

Look, I've got

enough problems

without you.

Huh?

Uh-uh!

Better be nice to me, or I'll break your bicycle, speedy.

Speedy?

Say, were you that click

on the phone just now?

No, I was the gasp.

But you're clicking pretty good.

With your action, you ought to put in a French phone.

What do you mean?

Is it true that doctors recommend it for men over 35?

[WITH FAKE ACCENT] "Oh, I am so hungry..."

[MAKING KISSING SOUNDS]

Come here, will you?

You little live-in-FBI.

I'll have you know

I had nothing to

do with that gal.

Nothing? Well, I fed her.

Oh, with a spoon.

Oh, take it easy,

will you?

So, now you know

she's up there.

Now, I'll tell you,

I also invited Martha

to go up there

with me today, too.

Oh, tell me more, Solomon.

You want to get your money

out of that property,

don't you?

Yes.

You want to help me

get it off our hands

so I can dump it

on some other

unsuspecting jerk,

don't you?

Right.

Well, "Didi" is

the magic word.

And I'm gonna

need help.

The whole thing sounds underhanded, disgraceful and messy.

And you can count on me.

All packed, huh? Mmm-hmm.

Mmm. That presents a problem.

Problem? Was that

the call you just got?

What call? Oh, yeah, the phone.

That's right.

The phone call. How'd you guess?

Well, it was from a... A ranger.

I think he means

a stranger.

I do not. I mean a ranger.

It could be a strange ranger.

Maybe it was Tonto?

Why don't you get lost?

Somewhere in the Alps.

Why would a ranger be calling you?

Yeah. Yeah, well,

he was going by

the cottage and

guess what he saw?

No, don't guess. You're too good at that.

Tom, I don't know

what you're talking

about. I've never

seen you so upset.

Sure, I'm upset. It's the cottage.

And after all the plans we made.

Pow! The hot water boiler went, just like that. Pow!

And there's

busted pipes and water

all over the place.

I got to get up there.

There goes our weekend.

Oh, dear!

Well, not the whole weekend. I'll just get

on up there and clear away the mess and...

Well, we'll go up there Saturday, just like we planned.

I'm ready.

I could come

along and help.

Oh, no. I wouldn't let you.

Besides, I'll be in enough hot water all by myself.

Well, I guess

Saturday's better

than not at all.

And I do have PTA today.

Yeah, it's better to wait.

And besides, you just had your hair done.

I'll take your bag back.

What do you mean, "What?" Do a follow-up on this real estate man.

Just keep giving out news releases.

Dream them up. Anything, everything.

Okay, fine.

Good morning, D.G.

That's your opinion?

All right, now, how long is this going to keep on?

This kidnap, this foul play garbage?

D.G., this is

beautiful publicity.

For "beautiful publicity" I've got

a beautiful publicity department.

I want her!

Relax, my friend. Relax.

Give the star a chance

to be temperamental.

She'll come back.

She always does.

But as long

as she is gone,

let's take advantage.

Advantage?

Do you know how much your advantage is costing me?

$18,000 a day with a cast and crew

standing around and stages waiting.

But no more.

It's all your fault, Pepe.

If you didn't always get yourself

involved personally with these stars,

we wouldn't have

these problems.

So she ran out on you,

so you're going

to do something

about it. And now.

Wherever she is,

you go find her.

Do you want me to go after her?

You get the idea.

Well, I never stooped to going after her yet,

but if that's what you want...

That's what I want.

It's against my better judgment.

I know these cookies.

Now you get out there where

they spotted her and

check everybody out.

The grocer,

the butcher, the milkman,

and this real estate guy

they talk about in here.

What do we know about him?

Maybe he wrote

her a hot fan letter

that got to her.

Elizabeth, darling,

charter me a plane

to Rocky Point, Oregon.

I'm leaving at once.

All I ask is that someday they invent a way

we can make pictures without actors.

All I ask is

that she co-operate.

But not too much.

Pardon me. I need this more than you do.

[PHONE RINGING]

Hi, there.

Oh, Lily, would you be a dear and

just make dinner for the children tonight?

And be sure that they get to bed on time.

Well, Tom's up at the cottage, and

after the hours he's putting in up there,

I'm sure he'll be exhausted.

Yes, he'll be that.

So I thought I'd

go up and join him.

Join him? Up there?

Well, we'll be through here

in about half an hour,

which will give me plenty of time to put dinner on up there.

We'll be through here

in about 10 minutes.

Oh, good.

I just wanted you to know, Lily,

we may not feel like coming home tonight.

Yeah, I can see that.

Well, I think it'll be a nice change and sort of a surprise. Bye.

She's going to find

out there's a difference

between surprise and shock!

Hi. It's me, MonsieurTom Meade.

Whatever you're doing,

don't get up.

I don't believe it.

She must take a shower sometime.

Didi. Didi.

MademoiselleDidi.

Darling.

[SPEAKING FRENCH]

Why don't you

get out of there

and slip

into something

less comfortable?

Oh, no. Sleep.

Didi wants to sleep

until tomorrow morning...

Put Didi to bed?

Yes... No, no.

Have you been

taking sleeping pills?

You have been

taking sleeping pills.

Sleeping pills.

Boy, what a setup.

Chicken delight

and big chicken.

Boy, if this was

one of your movies,

what would they do?

Well, we'd better forget that.

Here, let me help you.

You have another one,

don't you?

Another one?

Oh, I'm sorry.

MonsieurTom Meade,

but I want to sleep.

I could use a little help. Please.

This is no time to yell.

You got your

heavy underwear on?

MonsieurTom Meade.

MonsieurTom Meade.

I'll get the coffee.

I'll get...

I want to sleep.

It's a great way to travel. Get there fast, send for your kidneys later.

[LILY LAUGHING]

Sorry, fellas, but I'm doing a good deed.

Come on, now.

Just a little

down the throat.

Boy, and what a throat.

With sugar and cream,

s'il vous plait, monsieur.

Great. How about

some crepes suzettes?

Don't jump to

any conclusions.

I didn't come up

here to clean the place.

Why should you change your habits

just for me? What did you come up for?

With your schedule,

you're gonna have

to start

printing a timetable.

Martha's on her way.

So that's her?

Well, I'd recognize

her bubbles anywhere.

But what's she

doing like that?

Well, can't you see? She's rinsing out a few things.

Martha's on her way where?

I'd say to Reno by

way of this cottage.

Coming up here?

Oh, we gotta wake her up.

Yeah. Let her

advertise her movie

somewhere else.

She took a sleeping pill and she's out.

So are you

if you don't get

her out of here.

Wait a minute.

The trouble with

men is, they don't

understand what

makes a woman tick.

This one ticks like a time bomb.

Now, any woman who carries

sleeping pills,

has got to carry pep pills.

And here they are.

Oh, Lily,

I could almost kiss you.

I said almost.

She's not waking up.

Give her a little time.

She will.

Well, we got

to get her dressed

and out of here.

Quick, in the bedroom.

You take the safe half.

I don't think she has a safe half. Here.

Get over here.

Grab her. Now pull.

There you are.

There you are.

Now, bend over.

Grab her. There.

Now get her.

Now, we got her.

There we are.

Okay? Okay.

There you go.

We've got her. All right?

Aren't you gonna help?

I'd like to, but I've got a hangnail. All right.

What are you doing?

I'm steering. Don't give up.

Sleep!Give me a hand.

Don't press your luck. There.

Wipe her bubbles off and get something on her.

And once and for all,

I just want to tell you,

[HORN HONKING]no matter how it looks,

I'm really sick.

Lily, it's Martha.

Your time

schedule's off again.

Yeah. We got to hide Bubbles.

Here. Bend over.

There. Hold her. Wait. Wait a minute. Here.

Here, throw her out the window.

There you are.

That's it.

No, no, hold her.

Wait, I got...

Here, lay her right down. There you are.

Sleep, sleep.

She might think it funny

if she found me here, too.

See you.

Right.

Surprise.

Well, I'll be darned.

Martha!

I was just thinking of you.

I knew it. That's why I'm here.

Oh, you poor darling,

look at you.

You're all worn out and soaking wet.

Well, we almost

had a nasty accident.

Your wife is going to cook you a good dinner.

You want to cook dinner?

Oh, that'll be wonderful.

Come on,

right to the kitchen.

Right up.

You know,

I don't know any reason

why we have to

leave until tomorrow.

You don't? Oh, of course not.

But do you

think we should stay

with all the mess and everything?

First things first.

And the first thing

in order, I'm going

to fix us a nice drink.

A drink.

What's that?

Oh, that's just a bed.

But why is it down?

Well, that's the way it is. It goes up and down.

Were you planning on

sleeping here tonight?

Well, actually, I hadn't planned on it, but I thought maybe...

Maybe somehow

that I'd come up

and surprise you.

You guessed it. Mental telepathy.

No, it's not. It's that we're so well-suited to each other we think alike.

That's exactly

what I would have said

if I'd thought...

But leaving the kids

there with that

undomesticated domestic.

Lily's done it before and you know she's perfectly capable.

So, just relax.

Yeah, relax. You, too.

Whoops.

Oh, no.

Tom. Darling,

where did we

put the vermouth?

It's in the cabinet next to the refrigerator.

And you have to go to the village for ice.

Sleep.

Oh.

Oh, I remember.

I put it in

the bedroom closet.

In here?

Yes. Oh, there it is.

Oh, yeah, the vermouth.

Let me get it for

you. There you are.

There's the vermouth.

It's nice to have

a man around the house.

It's nice to have a woman.

It's nice to be alone.

You really think

we ought to stay?

I still think

the place isn't ready.

The back door doesn't close all the way.

You're liable to

wake up next to a bear.

Really? That's one

chance in a million.

Those are my odds, too.

Here we are.

Just the way you like it.

One dash of bitters.

Oh, great.

To my wife, the only girl in the house, the world.

That's sweet.

What was that?

That's a nervous bed.

It works by itself.

Say, how about that food? I'm famished.

Coming right up. All right, that's wonderful.

[GROANING]

Tom.

Huh?

Have I got

a surprise for you!

You've got a surprise?

Remember that

wonderful venison

you brought home last fall?

Venison? Oh,

yeah. Very good.

Very good.

How would you like it tonight with some candied yams and French peas?

French peas? That's...

I got a French tomato here.

Yeah. That'd be great. Great.

Practically on the fire.

Yeah, yeah.

That... Thank you.

Tom, how's your drink?

Darling, I have a little dividend for you.

Oh, you have?

Be right there.

Here we are.

Where's your glass?

It's right here.

Another little

blast can't hurt.

[MURMURING]

Oh, you're wonderful.

What was that?

That was me. You got me excited.

Keep the thought. Yeah.

What on earth are you doing with Larry's

skateboard? You want to hurt yourself?

I need the exercise.

I'm trying to

lose 110 pounds.

Hey, and speaking of Larry,

don't you think

we're kind of selfish?

I mean,

being up here all alone,

the two of us,

and leaving

the kids back there?

For goodness sake, Tom.

Of course we have an obligation to the children,

but aren't we entitled to be happy, too?

Happy? Yeah, let's dance.

What are you doing?

Well, you wanted

to be happy.

But not slaphappy.

If you don't like

the way I dance,

I'll do a solo.

Tom, I'm beginning to think you need more than a few days' rest.

Yeah, maybe I need a refill.

How about mixing

up a batch, huh?

Thank you.

Are you sure you

didn't have any of these

before I got here?

No, no, the altitude gives me a head start.

Well, after a good dinner,

you'll feel much better.

[SCREAMING]

What was that?

It sounded like

a woman screaming.

No, no.

It's a coyote.

[LAUGHS]

It's the mating season.

Well, it certainly sounded like a woman screaming to me.

Yeah, they do.

[WHIMPERING]

So, you see what I mean?

If we come up Saturday,

we won't have to

worry about the pipes

or the hot water or the...

Or the what?

Rats! Rats?

Rats. Oh, you dirty rat.

You dirty rat fink. I got him.

I got him. There you are.

Big as a moose.

There. I just hope

he doesn't come back

with his in-laws.

Oh, dear, those awful things.

We certainly will

wait until Saturday,

after we've had

an exterminator.

I'm not gonna

let you stay here

with those big

rats running around.

One bite and

you're a basket case.

You put that food away,

and we'll get going.

We gotta go home.

I'll get the traps

to keep the rats out.

[GROANING]

Oh, you!

Get away from me.

No, no.

No, you can't go in there.

Oh, yes, I can.

I just want to get my clothes and get out of here, you barbarian, you...

[SHUSHING]

No, my wife's in there.

Your wife?

Nobody brings their wife

to a place like this.

I know. I know. Now let me go!

No. Come here.

Let me go!

Let me go, you brute.

Let me go, you!

This is in

the interest of peace.

[SHOUTING]

[SHUSHING]

Let me go! Let me out, you...

Don't go away.

Let me out of here!

All ready? Good.

Oh, wait a minute.

I'm so glad I remembered.

Rats or not.

Rats or not what?

The drapes.

What about them? I've got to get

the measurements.

Measurements? Okay. Here you are.

36-24-36.

Are you all right?

Huh?

The drapes.

Oh, the drapes, yeah.

I'll get a pencil.

Let me out!

[SPEAKING FRENCH]

[SCREAMING]

I'm going to kill him.

52.5 by 76. That's it. Let's go.

Why are you trying to get me out of here in such a hurry?

Why am I trying to get you out of here in such a hurry?

I'm sorry,

but I asked you first.

I only want you to get home

before the rush hour.

Rush hour? In Rocky Point?

I mean,

I want you to get home

and rush

the children right over

to some friends for overnight, and then we can let Lily off,

and you and I can

have late dinner,

just the two of us.

And we can eat it

just like they

did in Tom Jones.

What's wrong with

a man loving his wife?

It could start a trend.

Oh, I'm not knocking it.

I like it. Only...

I'll be starting out in just a couple of minutes, right behind you.

[STAMMERING] So you drive

carefully and

don't worry about a thing.

Just take it easy.

[ENGINE LABORING]

I think it's flooded.

Flooded?

Flooded?

You've got to

have gas in the tank

before you can flood it.

You forgot

to fill it again.

Boy, if ever you

want to save money,

just give your wife

a gasoline credit card.

Be careful.

There's nothing to it.

It's just the trick

of not swallowing it.

Take the cap off.

Hold this.

I gotta go

fireproof my tonsils.

[COUGHING]

You just stay away

from me.

Don't you ever

touch me again.

You barbarian, you.

[DIDI SCREAMS]

No! No!

Put me down! Let go of me!

Tom, I have enough gas now, and I'm all ready to go.

Oh, don't you touch me, don't you come near me, you sex maniac.

Hi, Martha.

You're probably

wondering who that is.

Rats, huh? There's only one big rat around here.

Martha! Didi...

But, Martha,

wait a minute.

Let me explain.

You don't understand.

Didi! Didi!

You! No, not me. Not anymore.

You gotta talk to her.

I never talk to women.

You gotta. Please.

Just put

yourself in my position.

Like you're a man.

Well, you can try.

[CAR STARTING]

Listen, all I want you to do is go home with me and tell my wife

I didn't do anything.

Didn't do anything, huh?

And this and this is nothing?

All right,

you got mud on you,

and I'm sorry, but...

And you pushed

me under house and

I had spiders

crawling all

over my face.

You locked me

in the cellar and shoved me

down a mountain.

What do you think I am?

A stunt woman?

Uh-uh, uh...

Oh!

Hey, wait a minute. Hey, it's out of season.

Ooh!

Hey! Hey!

[SMASHING] Oh, you! Not even Pepe's like you.

Ow.

[DIDI EXCLAIMS]

Oh.

Oh, now look what

you have done to me.

Now I'm bleeding to death.

Are you really hurt?

Oh, well, I'm sorry.

You get away from me, you phoney-baloney, you liar, you.

You come nearer and I shoot.

Go ahead and shoot.

You've torpedoed

my marriage.

I have nothing

else to live for.

One step closer. I warn you.

Who cares?

You mean,

you're willing to die

just because that woman

who saw us

together was your wife?

Was. That's the word.

Oh...

You love her so much?

What're you gonna do?

Oh, but this is incredible. This is fantastic.

To be loved like this.

So beautiful.

Yeah.

Well, let's make it

real beautiful

and you just go

and tell her, huh?

Yes. Right away. Immediately.

BOY SCOUT 1: It's Didi. BOY SCOUT 2: What'd I tell you? I found her.

It's her,

the French bomber.

BOY SCOUT 3: Didi, I've seen her once in an adult picture only.

Hey, scram. Get out of here.

Go whittle a redwood.

Communists.

Those boys.

I've been recognized.

Now Pepe will find me.

Yeah, well,

what about my wife?

I'll write her a letter,

I promise.

A letter? Wait a minute.

That thing was loaded?

I wish I had time.

I'd faint.

[TIRES SCREECHING]

Hey!

[BANGS]

Hey, Lily, what kind of a mood

was Martha in when she got home?

She was so mad at

you I couldn't tell.

Well, at least she still loves me enough to hate me.

Boy, you gotta help me. I'm in a spot.

The word is creek,

and you're not in it,

you're up it.

That's the man. That's the man.

Don't you know it's

not polite to point?

Mr. Meade,

the Scouts have

identified you

as having spent the afternoon with the broad, the actress,

up in the mountains.

I just flew up from Hollywood, Mr. Meade.

If you can tell us where we can find our star,

the studio and I would be extremely grateful,

if you know what I mean.

Yeah. All of a sudden,

there's no trace of her.

Well, I was with

her this afternoon.

You were? Then where is she?

Please, you're bending

my Adam's apple. Please.

Mr. Pepponi.

Mr. Pepponi. Easy.

Thanks a lot.

I don't know where she is.

She drove off in

her car somewhere.

Uh-huh.

But you see,

the Scouts were

down on the Lake Road,

and they only

saw one car go by.

Yours.

So you wouldn't mind driving up there

and pointing out the last place you saw her?

But she's not up there.

Sure, I mind.

Let's take your car.

Mr. Meade.

What was that all about, Mom?

Hey, what'd the police want with Dad?

Nothing. Nothing.

Please, go back

and do your homework.

That's all, son.

See, her car's gone. But look around.

Maybe you'll agree

that an investment

in this end of

the lake wouldn't be...

Well, I thought as

long as you're up here

on your business,

I'd bring up mine.

You don't mind us

taking a look around

for ourselves, do you?

No.

Hey! Hey!

Hey, one of the boys found this.

Is it anything?

A woman's scarf.

Where'd you find this?

BOY SCOUT: Floating

down there.

What were you doing?

Helping a little old

lady across the lake?

This is Didi's.

Show me

where you found it.

Come.

Why don't we all

have a look, Mr. Meade?

Yes, sir.

I found it right there.

SCHWARTZ: What's that?

It's an automobile aerial.

Could be a fishing pole.

Tire tracks!

No one in the car.

Oh, now wait a minute.

You don't think

that I, she...

Yes, we do think

that you, she.

Well, that's a lie.

We did not.

You did not what?

We did not, "l, she."

You gonna drag

the lake for her body?

I'll get on the radio.

We'll need a tow truck, skin divers, boats and grappling hooks.

We'll just take

a little return

to the scene

of the crime and you

tell us all about it.

This place looks like a battleground.

Yeah. What's been

going on here?

Well, my wife and I

like a place with

that lived-in look.

Yeah?

What's this gun doing here?

Oh, that.

You don't know

what you have

to go through

to sell

a place like this.

This thing's been fired recently.

Yeah. Very recently.

You shot her?

Oh, I did not.

It went off accidentally.

I was cleaning it

and I just happened

to leave one

shell in the chamber.

Well, two shells.

...where all

through the long night,

exhausted men have been

vainly dragging the lake,

and skin divers

are now probing

the cold, shuddering depths.

Somewhere down there lies

the lovely body

of the Divine Didi,

who bathed her way

to fame and fortune

and into the hearts

of movie audiences

throughout the world.

You can't go home

without a Didi photograph.

Thank you, sir.

That's 50 cents, sir.

Just a minute. I'll give you your change, sir. There you are.

All right, hurry, hurry.

We only have

a few left of

the Didi photographs.

But, Mommy, I want to go swimming.

You're not going swimming

with her in there.

All right, only a few choice items left.

Actual possessions from the home of the suspected murderer,

used by him in his everyday life

before he decided to become a sex killer.

Own his very necktie,

his ashtray,

his hammer, his saw,

possibly even the instrument he used to do the dastardly crime.

Ideal gift for weddings,

birthdays, Christmas...

Lily, how could you?

Listen, we're gonna need

every penny

we can get for that

last-minute appeal

to the Governor.

Oh, Lily!

Step right this way, folks.

Neckties, ashtrays, hammer...

How sad and tragic to think

she has taken her last bath

here in the waters

of Crystal Lake,

while only a few

yards from where I stand

is the love nest

to which her

love-crazed sweetheart

lured her and where,

even now,

the police are

wringing the sordid details

from a man who can

only be described

as bloodthirsty.

Look. Can I have a drink?

I'm thirsty.

First, where did you

hide that body?

Body? What body?

I never laid a hand

on anybody's body.

Why would I want to hurt her?

I barely knew her.

I mean, I hardly knew her.

You knew her all right.

Well enough to kill her.

You went berserk, right? Insane.

I'm as sane as you are.

Saner.

Please, can I have a drink of water?

We know you killed her

and disposed of the body.

You're a homicidal

mad-dog murderer.

Hey, I think they found her.

Easy, Joe. Easy.

She was so beautiful.

Such a tragedy.

Here she comes.

An old car seat.

SCHWARTZ: Who parked her car in the drink?

REGAN: You did.

Who saw her last? You did.

Who killed her? You did.

But I told you,

I wouldn't do

a thing like that.

Just because I

happened to be

out with her,

and I was

the last person who...

Oh.

Now, wait a minute.

You don't have

anything on me.

REGAN: No, but I think we got something on your rug.

What does that look like to you, Sean?

Blood. Fresh blood.

Her blood.

It's nothing.

She just cut herself

while we were

having our little fight.

Well, it wasn't

really a fight. It...

Oh, come on now, please.

How many more hours

are you gonna

go on like this?

Why would I want

to kill a woman?

Any woman?

I haven't even

murdered my maid.

You think you've

been through something?

Now you're really

gonna start to sweat.

If I'm gonna sweat,

can I at least

have a drink of water?

We know what you did.

You made that poor

girl fall in love

with you, didn't you?

Didn't you?

Why did you do it? Why?

But I didn't. I keep telling you and telling you. I didn't.

I phoned my wife

at the hotel and the

switchboard was drying out,

and the chicken

put me through

to the wrong number,

to her, to Didi.

You made her come all the way from Hollywood to plead with you

to do the right thing by her, the manly, the gentlemanly thing.

No, I didn't.

SCHWARTZ: You laughed at her.

You even put her up

in this love nest of yours.

REGAN: And she pleaded

with you, begged you,

but you wouldn't listen.

And when

she threatened

to tell your wife

and the world,

you killed her.

No, I didn't do it.

I wouldn't do it. No. No.

You carried her

down to the lake,

and you put her in a boat

and rowed out to deep water.

You made sure she'd

never be seen again.

First you tied

an anchor to her.

Then you threw her in.

It sank down.

And down and down and down.

She tried to get away,

but I caught her

and I choked her.

Then I hit her with a poker.

Then I stabbed her.

Then I tied rocks to

her and I threw her

in the lake,

the lake, the lake,

the lake.

One lake's enough.

Well, I guess that

wraps this one up.

Huh?

Did you get

the whole confession down?

Confession?

Confession to what?

For killing Didi,

you murderer.

All right, get him out of here.

Hey, he just confessed.

REPORTER: Hey, fellas. They got a confession.

Get out of here.

[CLAMORING]

LILY: Psst!

My husband is innocent.

Boy.

Wow, you really must've been brainwashed.

[SPEAKING GERMAN]

Okay, close the door now.

See that everything is done.

Meade! Meade!

Meade!

Meade!

Hey, did Meade come out here?

Meade? No.

Well, then he got away.

Come on.

Hey, he must've been

the one that

took the police car. What?

[CLAMORING]

What will they do to him?

They'll think

of something.

And so will I.

Attention, all units.

Attention. This is Lieutenant Schwartz.

Murder suspect Thomas Meade

has just escaped

Crystal Lake area.

All units advance with caution.

The stolen police car is heavily armed,

and Meade is

considered unbalanced,

cunning and dangerous.

At least he

didn't say homicidal.

And homicidal.

Car 17 proceed north to point O.

[SIREN WAILING]

Car 14 proceed south to intercept at intersection.

[SIREN WAILING]

What a way to feel wanted.

Throw a scare into him with a couple of tracers.

They think I don't

know how to shake 'em!

[BULLET WHIZZING]

They sure know

how to shake me.

[GUN FIRING]

[BULLET WHIZZING]

I got more fuzz on my tail than a French poodle.

[LAUGHING] Chase me, will you?

We've lost him. No, we didn't.

There are three

police cars following us.

Oh, no, you don't.

Hey, smoke bombs.

Oh, you happy

little smog-maker, you.

"To operate, hold firmly in throwing hand,

"then pull ring C and..."

Oh, darn tape.

"And throw. Throw at once."

At once, that's now!

Oh, boy, ceiling zero, and I'm not even up there.

Hey.

[WHISTLES]

[LAUGHING]

You're safe now.

Let's get out of town.

Huh?

You're going the wrong way.

I can't see.

[LILY LAUGHING CRAZILY]

Never been on instruments inside a car.

Hold that wheel.

Let's get out of here.

Boy, if I could only get rid of these canned clouds.

[DIDI HOWLING]

Who's that?

It is I, Didi.

Didi? Where are you?

I'm here.

Well, where's here,

or shouldn't I ask?

Hey, Didi, you're alive. Hey.

Hey, she's alive.

Stop shooting. She's right here. She's not dead.

She's okay!

[SIRENS WAILING]

SCHWARTZ: All right,

Meade, come on out of there

with your hands up.

REGAN: No monkey business.

Murderers we shoot to kill.

TOM: Okay.

I give up. I've had it.

Where's Lawrence Welk?

Okay. I give up. Don't shoot.

I'm clean, I tell you.

I know where she is.

You don't have to worry

about a thing.

Everything's fine.

Believe me, she's just... Oh, Tom, no.

Mrs. Meade, please, no.

Listen, lady, please. Please. Look, I got news for you.

Listen to me, will you?

She's right...

DIDI: No more bubble baths!

No more bubble baths!

Please, no more bubble baths!

PEPE: Didi.

Pepe. Pepe.

Never again,

no matter what

the producer says,

no more bubble baths

for my little wife.

Oh, Pepe.

[LILY LAUGHING]

If you're looking for

another bubble girl,

I'm ready.