24 Exposures (2013) - full transcript
In this sexy thriller a photographer who specializes in erotic photo shoots is suspected of murder when one of his models is found dead. Starring the creators of 'You're Next.'
[ FILM PROJECTOR WHIRRING ]
[ SLOW, DRAMATIC MUSIC PLAYS ]
[ INDISTINCT CONVERSATION ]
LOOSEN UP A LITTLE.
GREAT.
LOOK THIS WAY WHEN YOU DO IT.
[ CAMERA SHUTTER CLICKS ]
[ BOTH LAUGH ]
I EVEN THOUGHT OF IT IN,
LIKE, TERMS OF NOT A BIRD.
UH-HUH.
ALTHOUGH THE TRADITIONAL
SENSE OF THE WORD "BIRD" JUST --
LOOK UP HERE.
[ CAMERA SHUTTER CLICKS ]
THAT'S COOL.
HERE, OPEN YOUR MOUTH.
OPEN IT.
HERE, I'M GONNA PUT THIS IN.
I CAN SEE YOUR FILLINGS.
[ Laughing ] OH.
[ Muffled ] I DON'T HAVE ANY
FILLINGS.
OH. WHAT IS THAT UNDERNEATH
YOUR TWO FRONT TEETH.
IT'S A SPLINT.
[ BOTH LAUGH ]
'CAUSE I HAD BRACES, AND THEY
THOUGHT MY TEETH WERE GONNA
MOVE.
[ LAUGHS ]
DO TELL.
[ SPEAKING INDISTINCTLY ]
[ CHUCKLES ]
THAT'S GOOD. YOU CAN GET UP.
[ BOTH LAUGH ]
WHEW.
READY?
I AM READY.
THERE YOU GO.
OKAY.
I'LL BE READY FOR YOUR SWIFT
KICK THIS TIME.
OKAY.
AND WHOA!
LIKE THAT.
GOOD.
SORRY, I FORGOT TO DO THIS.
OKAY.
SO, THIS MAY --
MAKE SURE I DON'T FALL OVER
ON YOU.
I'LL BE OKAY.
[ CHUCKLES ]
GOOD?
YEAH.
GONNA DO THIS QUICK.
AND...
[ CAMERA SHUTTER CLICKS ]
[ WATER FLOWING ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ BIRDS CHIRPING ]
[ DOG BARKING IN DISTANCE ]
ALL RIGHT, WE GOT IT.
[ CLEARS THROAT ]
LOVELY, LOVELY, LOVELY, LOVELY.
DRY OFF, GIRL.
START MOVING OUT.
ALL RIGHT, PACK IT UP.
[ MID-TEMPO MUSIC PLAYS ]
GET IT?
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ SIGHS ]
[ RATTLING ]
[ SIGHS ]
[ CEREAL RUSTLING ]
I LIKE IT WHEN THEY'RE MORE
FROM THE BACK, LIKE...
HERE, GO BACK OUT.
LET ME SEE.
OH, YEAH.
I LIKE MORE FROM THE BACK AND
NOT, LIKE -- YOU KNOW, LIKE,
FROM THE SIDE, LIKE THESE.
MM-HMM.
NO, I AGREE.
I THINK YOU SHOULD -- YOU
SHOULD RUN TOWARDS IT.
YOU KNOW WHAT I MEAN?
YEAH.
NO.
[ CHUCKLES ]
DOES IT CROSS OVER LIKE THIS?
YEAH, JUST START...
YOU GO, LIKE, ONE OVER?
YEAH, AND THEN MAYBE YOU
SHOULD GO UNDER.
I JUST LIKE TO LOOK AT IT.
I DON'T KNOW HOW TO DO IT.
I THINK THE BLUE WOULD LOOK
REALLY NICE WITH HER.
MM-HMM.
AND SHE ALSO HAS THESE REALLY
GREAT RED TIGHTS THAT I THINK
WILL GO REALLY WELL.
OH, PERFECT.
AND THIS BRA, LIKE, REALLY
STRETCHES REALLY WELL, AND WE
CAN CUT IT WITHOUT IT JUST,
LIKE, COMPLETELY FALLING APART.
SO I THINK -- I JUST THINK IT'LL
ALSO LOOK REALLY GOOD.
AS LONG AS SHE'S GOT THE RED
TIGHTS...
YEAH.
...I DON'T CARE.
AND SHE NEEDS SOMETHING ON
TOP ALSO.
[ CHUCKLES ]
[ SUSPENSEFUL MUSIC PLAYS ]
[ CAMERA SHUTTER CLICKS ]
[ MUSIC STOPS ]
[ CAMERA SHUTTER CLICKS ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ CAMERA SHUTTER CLICKS ]
[ VEHICLE PASSING ]
[ POLICE RADIO CHATTER ]
[ ENGINE TURNS OVER ]
[ SIREN WAILS ]
I DON'T KNOW.
SHE'S JUST IN THE TRUNK, LOOKING
KIND OF SCARED AND, UH...
DO YOU WANT THIS?
YEAH. HOLD ON A SECOND.
'CAUSE WE'RE GONNA WANT TO SHOOT
INTO THE SUN, SO MAYBE IF
YOU'RE, LIKE, OVER HERE, KIND OF
GETTING A...
OKAY.
THIS KIND OF DEAL.
UH-HUH.
[ FABRIC RUBBING ]
[ Gasping ] OH.
STOP IT.
HOW IS THAT, UH...
YEAH.
[ LAUGHS ]
THIS SORT OF REVEAL KIND OF
THING, WITH HER JUST IN THE
TRUNK, LOOKING TERRIFIED OF YOU
OR WHATEVER.
AND THEN WE'RE GONNA KIND OF
BREAK THEM INTO STAGES.
IT'LL BE, LIKE, NUMBER ONE, YOU
KNOW, LIFTING HER UP OUT OF THE
TRUNK, WITH YOUR HANDS KIND OF
UNDERNEATH HER.
YOU DON'T LIKE IT, BUT, LIKE,
HAVE YOU EVER DATED ANYONE WHO
REALLY LIKED SHORT HAIR?
MNH-MNH, I'VE ONLY DATED
PEOPLE WHO LIKE LONG HAIR.
I HAD A BOYFRIEND WHO HAD,
LIKE -- HE, LIKE, MADE IT, LIKE,
A THING.
LIKE, HE, LIKE, FETISHIZED IT.
YOU CUT YOUR HAIR SHORT?
NO, NO, NO, NO.
LIKE, HE TRIED TO GET ME TO CUT
MY HAIR, BUT I WOULDN'T.
AND THEN YOU BROKE UP?
AND I BROKE UP.
WELL, WE BROKE UP BECAUSE I
CHEATED ON HIM.
[ BOTH LAUGH ]
ANYONE ELSE BEEN IN HERE?
THE TWO OF US AND...
GUY WHO FOUND HER.
WHEN WAS THAT?
[ CAMERA SHUTTER CLICKS ]
I GOT THE CALL ABOUT AN HOUR
AGO -- A LITTLE MORE THAN AN
HOUR.
HE STILL HERE?
YEAH, WE GOT HIM IN THE CAR.
[ CAMERA SHUTTER CLICKS ]
GEEZ, THERE'S A LOT OF BLOOD.
[ CAMERA SHUTTER CLICKS ]
ALL RIGHT.
[ CAMERA SHUTTER CLICKS ]
[ SIGHS ]
LET'S GO TALK TO THE BOYFRIEND,
I GUESS.
[ SIGHS ]
FEELING ALL RIGHT?
[ CAMERA SHUTTER CLICKS ]
YEAH, I'M FINE.
[ CAMERA SHUTTER CLICKS ]
OKAY.
LET'S GO.
[ SUSPENSEFUL MUSIC PLAYS ]
[ MUSIC STOPS ]
ACTUALLY, I THINK SHE NEEDS A
LITTLE BIT MORE.
OOH, I DIDN'T REALIZE IT WAS SO
EASY TO TEAR A SHIRT.
[ SNICKERS ]
KEEP THIS ONE STRAIGHT, AND THEN
THIS ONE AS MUCH FORWARD AS
POSSIBLE.
AND THEN IF YOU CAN JUST KIND OF
LOOK BACK HERE.
MM-HMM.
THAT'S OUT, AND WE'RE GOOD
TO GO.
OKAY.
[ RUNNING FOOTSTEPS
APPROACHING ]
BOOM, BOOM, BOOM, I GOT IT.
[ LAUGHTER ]
I'M SO FAST, I HAVE TO...
[ LAUGHTER ]
KEEP LOSING THE, UH, THE
ROPE, THERE.
OHH.
ACTUALLY, YOU SHOULD PUT
IT -- YOU SHOULD PUT IT BACK ON.
NO, THE ROPE, BEHIND YOUR BACK.
YEAH?
YEAH, IT'S A GOOD LOOK.
HERE, LIKE THAT.
[ LAUGHS ]
[ SLOW, DRAMATIC MUSIC PLAYS ]
[ LAUGHS ]
[ SPEAKING INDISTINCTLY ]
CHEERS.
YEAH, YOU LOOK REALLY GOOD IN
THEM.
THANK YOU.
YOU'RE SWEET AND CUTE.
[ MID-TEMPO MUSIC PLAYS ]
DID YOU LIKE THE RED TIGHTS?
THEY'RE YOURS.
YEAH. THANK YOU.
I'LL WEAR THEM SOMETIME.
I DON'T KNOW WHEN I MIGHT EVER
FIND...
LIKE, IF YOU'RE ON ANOTHER
PHOTO SHOOT?
YEAH, IF YOU EVER WANT TO
RESHOOT THAT.
YEAH. OH, YEAH.
CALLIE? HEY.
HEY, HOW ARE YOU?
I'M ALL RIGHT. HOW ARE YOU?
I'M GOOD, THANKS.
COOL.
OH, I'M SORRY.
THIS IS BILLY.
HEY, NICE TO MEET YOU.
AND THIS IS ALEX.
HI. NICE TO MEET YOU.
ARE YOU GUYS ENJOYING
YOURSELVES?
MM-HMM, YEAH.
COOL.
TOTALLY.
[ CHUCKLES ]
OH, MY -- YEAH, I KNOW.
IT'S REALLY BAD. NO, I KNOW.
OKAY.
NO, IT'S FINE, IT'S FINE.
IT WAS, LIKE, THIS STUPID
ACCIDENT.
THE BARTENDER WAS SHAKING A
COCKTAIL YESTERDAY, AND I, LIKE,
LEANED IN FOR SOME ICE, AND MY
EYE WAS JUST, LIKE, RIGHT THERE.
EW.
IT LOOKS REALLY COOL,
ACTUALLY.
CAN I TOUCH IT?
[ Laughing ] OH, IT HURTS.
DON'T TOUCH IT.
WHAT ARE YOU GUYS UP TO?
UM, WE JUST GOT DONE WITH A
PHOTO SHOOT.
OH, YOU'RE THE PHOTOGRAPHER
THAT YOU WORK WITH.
THE PHOTOGRAPHER?
THAT'S RIGHT.
[ CHUCKLES ]
WELL, CAN I GET YOU GUYS ANOTHER
DRINK, OR ARE YOU ALL SET, OR...
WE'RE OKAY.
OKAY, WELL, ENJOY YOURSELVES.
NICE TO MEET YOU.
BYE.
[ MID-TEMPO MUSIC CONTINUES ]
WATCH OUT, I'LL GIVE YOU ONE,
TOO.
Pow.
[ CHUCKLES ]
[ UP-TEMPO MUSIC PLAYS
INDISTINCTLY ]
[ INDISTINCT CONVERSATION ]
[ CHUCKLES ]
CAN I TAKE PICTURES OF YOU?
OOH. THIS IS AWESOME.
WHAT?
[ CAMERA SHUTTER CLICKS ]
AND GET BACK ON THE COUCH.
LIE BACK.
[ SPEAKING INDISTINCTLY ]
[ LAUGHS ]
THANK YOU.
[ CAMERA SHUTTER CLICKS ]
[ MID-TEMPO MUSIC PLAYS
INDISTINCTLY ]
I THINK IT LOOKS TERRIBLE,
PERSONALLY.
IT'S TERRIBLE.
[ CHUCKLES ]
I SHOULD PROBABLY TAKE IT
OFF.
NO, KEEP IT ON.
OH, MY GOD, IF I LOOKED LIKE
THAT...
[ CHUCKLES ]
DO YOU WANT ANY?
UH, NOT ME.
DO YOU HAVE ANY BEER?
DO WE HAVE ANY BEER?
[ Holding breath ] ALMOST
SURELY, YES.
MOVE OVER HERE.
[ CLEARS THROAT ]
[ BOTH LAUGH ]
I'VE BEEN THINKING A LOT
ABOUT WHEN I WAS REALLY, REALLY
LITTLE.
MM-HMM.
I WOULD PLAY THIS PRETEND
GAME WITH MY BEST FRIEND,
LAUREN, WHERE I WAS, LIKE, A
CINDERELLA TYPE -- LIKE, A
REALLY HELPLESS WOMAN WITH
DIABETES.
AND SHE WAS THE EVIL STEPSISTER,
AND SHE WOULD, LIKE, BE
INJECTING ME WITH TOO MUCH
INSULIN, AND SHE HAD TO GET ON
TOP OF ME.
AND SORT OF LIKE, AS SHE WAS
INJECTING ME, SHE HUMPED ME.
AND I THINK THAT'S WHERE I MIGHT
HAVE HAD MY FIRST ORGASM.
[ SNICKERS ]
[ CHUCKLES ]
IT'S REALLY FUCKED-UP TO
THINK ABOUT IT, IF YOU THINK
ABOUT HOW THAT MIGHT BE
AFFECTING MY CHOICES IN LIFE.
I'M GONNA GO PUT ON SOME
MUSIC.
[ SIGHS ]
[ FOOTSTEPS DEPARTING ]
[ MID-TEMPO MUSIC PLAYS ]
[ SIGHS ]
* SHE'S COMIN' ON ME NOW WITH
EVERYTHING SHE KNOWS NOW ♪
♪ SHE'S COMIN' ON ME NOW WITH
EVERYTHING SHE'S SEEN ♪
♪ SHE'S COMIN' THROUGH THE CROWD
OF THE DREAMS IN BOTH EYES ♪
♪ SHE'S MAKIN' IT KNOWN THAT I'M
NOT GETTIN' AWAY ♪
♪ AND EVEN IF I MADE A BREAK FOR
THE DOOR NOW ♪
♪ THERE'S NO TELLIN' IF I CAN
MAKE IT TO STREET ♪
♪ I GOT LOVE INSIDE MY GUTS ♪
♪ MY MIND IS MORE THAN FUCKING
LORD KNOWS ♪
♪ THE SAFER I FACE THE GRIEF ♪
♪ WE'RE ALL WASTIN' TIME WE
DON'T HAVE, AND IT'S DYIN' ♪
♪ AT THE END OF THE DAY, I STILL
HOPE IT'S WORTH VYIN' FOR ♪
[ SIGHS ]
* SHE'S COMIN' ON ME NOW WITH
EVERYTHING SHE KNOWS NOW ♪
♪ WITH EVERYTHING SHE SAYS SHE
KNOWS BUT DOESN'T SEE ♪
♪ AND RIGHT BEFORE I SAY, "HEY,
LET'S THINK THIS OVER ♪
♪ SHE QUICKLY TURNS AWAY AND
WALKS THROUGH THE TREES ♪
♪ PUSHIN' THROUGH THE CROWD,
LIVIN' IN BOTH EYES ♪
♪ SHE WON THE SOUTHERN MAN,
THAT BOY WAS ME ♪
♪ SO NOW I'M BEGGIN',
"HOLD STEADY ♪
♪ BEFORE SHE TURNS AND WALKS
AWAY ♪
♪ NOW IT'S WAY TOO LATE TO SEE
WHAT'S IN THE HAZE ♪
♪ WE'RE ALL WASTIN' TIME WE
DON'T HAVE, AND IT'S DYIN' ♪
♪ AT THE END OF THE DAY, I STILL
HOPE IT'S WORTH VYIN' FOR ♪
♪ NOW YOU'RE ALL BUT A GHOST IN
MY HEART, AND I'M TRYIN' ♪
♪ EVEN IF I COULD CHANGE, YOU
SAID, "BABY, DON'T BOTHER ♪
BREAKFAST IS SERVED.
ALL RIGHT, WHAT DOES YOUR
APPETITE REFLECT?
I'LL LET YOU CHOOSE TWO BACON,
THREE BACON.
UM, TWO BACON, PLEASE.
I'LL TAKE WHATEVER.
THAT'S YOURS.
[ MUSIC FADES ]
[ Sighing ] MMM.
[ SIGHS ]
ACTUALLY, DO YOU GUYS WANT ANY
COFFEE?
MM-HMM.
ALL RIGHT.
MMM.
[ CHUCKLES ]
MMM.
DID YOU HAVE FUN LAST NIGHT?
I DID.
DID YOU HAVE FUN?
MM-HMM.
AREN'T YOU GLAD YOU HAVE SUCH A
SEXY GIRLFRIEND?
MNH-MNH.
[ LAUGHS ]
FOR YOU.
MM-HMM.
[ MID-TEMPO JAZZ PLAYS ]
[ MUSIC INTENSIFIES ]
[ INDISTINCT CONVERSATION ]
[ MUSIC FADES ]
[ SIGHING ]
[ SIGHS ]
GO ON, OUT.
COME ON, SNOWBALL, GET OUT.
GO ON, GET OUT OF THERE.
[ SIGHS ]
[ ZIPPER ZIPPING ]
[ SLOW, DRAMATIC MUSIC PLAYS ]
[ TELEPHONE RINGING ]
[ CLEARS THROAT ]
HERE YOU GO.
THANK YOU.
[ SIGHS ]
UM, IT'S REALLY NICE TO SEE
YOU.
[ CHUCKLES ]
YOU TOO.
[ CHUCKLES ]
UM, I HAD A LOT OF FUN THE
OTHER NIGHT.
YEAH, US TOO.
GOOD.
HAVE YOU HAD A CHANCE TO LOOK AT
THE PICTURES?
I DID.
YEAH?
THEY LOOK REALLY, REALLY
GOOD.
REALLY?
YEAH.
YOU LOOK REALLY GOOD IN THEM.
OH, COOL.
YEAH. ACTUALLY, IT REMINDS
ME, THE WAITRESS FRIEND THAT YOU
INTRODUCED US TO THE OTHER
NIGHT -- THE ONE WITH THE
BLACK EYE?
MM-HMM.
WHAT WAS HER NAME?
REBECCA?
YEAH. DO YOU KNOW IF SHE'S
EVER DONE ANY MODELING BEFORE OR
IF SHE'S EVER EXPRESSED ANY
INTEREST IN IT?
UM...
I ACTUALLY DON'T KNOW.
I MEAN, I JUST THINK SHE'S
GOT A REALLY COOL LOOK.
DON'T YOU?
YEAH.
DO YOU THINK THAT IF, LIKE,
YOU KNOW, LIKE, IF I CALLED HER
AND ASKED HER, YOU KNOW, ABOUT
DOING SOMETHING, THAT SHE WOULD
BE WEIRDED OUT BY IT, OR...
I ACTUALLY HAVE -- I'M SORRY,
[CHUCKLES ] I DON'T KNOW.
YOU DON'T KNOW?
I'M SURE SHE'D BE HAPPY.
DO YOU HAVE HER NUMBER?
MM-HMM. YEAH, DO YOU WANT IT?
YEAH, IF THAT'S COOL.
YEAH.
[ MUSIC INTENSIFIES ]
[ CAMERA SHUTTER CLICKS ]
[ MUSIC FADES ]
YEAH, THAT CAN WORK.
LIKE, AROUND 10:00.
OKAY.
[ CHUCKLING ]
YEAH, OKAY, IT'S COOL.
ALL RIGHT.
OKAY, I'LL SEE YOU THEN.
BYE.
WHAT?
WHO WAS THAT?
JUST -- JUST A FRIEND OF
CALLIE'S.
HAS HE GOT A NAME?
BILLY. [ CHUCKLES ]
HE'S A PHOTOGRAPHER.
SOUNDS LIKE YOU JUST MADE
THAT UP.
[ Chuckling ] NO, NO.
WHY WOULD I MAKE THAT UP?
[ CHUCKLES ]
I GOT TO GO TO WORK.
I'LL SEE YOU LATER, ALL RIGHT?
HELLO?
I'LL SEE YOU TONIGHT.
[ DOOR OPENS ]
[ DOOR CLOSES ]
[ WATER RUNNING ]
[ DOOR CLOSES ]
[ WATER STOPS RUNNING ]
WHO WERE YOU TALKING TO?
I WAS TALKING TO THAT
WAITRESS FROM THE OTHER DAY.
WHAT? [ CHUCKLES ]
[ KNOCK ON DOOR ]
WERE YOU EXPECTING ANYBODY?
[ SOFT, DRAMATIC MUSIC PLAYS ]
ARE YOU WILLIAM WINGARD?
YEAH.
DETECTIVE MIKE BANFEAUX.
UM...
I WAS WONDERING IF I COULD ASK
YOU A COUPLE QUESTIONS.
SURE.
DO YOU KNOW A
SHANNON FIERMAN?
SHE'S A MODEL.
GOT A PHOTO RIGHT HERE.
I DON'T THINK SO.
NO, THAT'S THE MODEL I BOOKED
FOR THE SHOOT THE OTHER DAY --
THE ONE THAT DIDN'T SHOW UP.
OH, RIGHT.
MIND IF I COME IN?
THANKS.
SHANNON FIERMAN WAS MURDERED THE
DAY BEFORE YESTERDAY.
I'VE BEEN GOING AROUND SPEAKING
WITH SOME OF HER FRIENDS AND
ASSOCIATES, AND YOUR NAME HAS
COME UP A COUPLE TIMES AS
SOMEONE SHE MIGHT HAVE WORKED
WITH.
I WAS JUST WONDERING IF YOU
MIGHT KNOW ANYTHING THAT JUMPS
OUT AT YOU, UH, ANYONE NEW IN
HER LIFE, AN EX-BOYFRIEND OR
SOMEONE.
NO, I JUST SPOKE TO HER OVER
THE PHONE TO BOOK THE SHOOT.
NOTHING ELSE.
DID SHE EVER MENTION AN
ARGUMENT OR FEELING THREATENED?
WAS THERE ANYTHING?
NO, NOTHING LIKE THAT.
NOTHING LIKE THAT CAME UP?
WELL, WE'RE DOING A SHOOT IN
THE NEXT FEW DAYS.
MAYBE SOME OF OUR PEOPLE MIGHT
HAVE KNOWN HER.
I MEAN, YOU'RE MORE THAN WELCOME
TO COME AND ASK AROUND IF YOU
WANT.
YEAH, THAT COULD BE HELPFUL.
HERE'S MY CARD.
CALL ME IF YOU THINK OF
ANYTHING.
AND, YEAH, I COULD DROP BY.
[ SNIFFLES ]
SURE.
THANKS.
DO YOU MIND IF I USE YOUR
RESTROOM?
[ MID-TEMPO MUSIC PLAYS
INDISTINCTLY ]
♪ SHOULD HAVE NEVER TRIED SO
HARD ♪
HEY.
HOW ARE YOU?
HEY.
I'M SO GLAD.
GIVE ME TWO MINUTES.
I'M JUST GONNA TURN THIS IN.
YEAH, YEAH, SURE.
ALL MY STUFF.
YOU WANT TO SIT DOWN?
YEAH.
I'LL BE RIGHT BACK.
* SHOULD HAVE NEVER TRIED
SO HARD ♪
[ SOFT MUSIC PLAYS ]
SO, WHAT KIND OF PHOTOS --
HOW WOULD YOU DESCRIBE THE
PHOTOS THAT YOU TAKE?
YOU WANT, LIKE, A PRETENTIOUS
VERSION OF THAT OR, LIKE, JUST A
STRAIGHTFORWARD VERSION?
JUST -- I MEAN, I DON'T KNOW.
WHICH ONE IS BETTER?
I WOULD SAY, I TAKE...
PERSONAL FETISH PHOTOS.
PERSONAL FETISH?
THAT'S HOW I WOULD DESCRIBE
IT, YEAH.
BUT, LIKE -- BUT I MEAN THAT IN
THE CLASSIEST WAY POSSIBLE.
OKAY.
CLASSY PERSONAL-FETISH PHOTOS.
[ CHUCKLES ]
HOW DO YOU COME UP WITH YOUR
IDEAS?
UM, YOU KNOW, I DON'T REALLY
KNOW.
IT'S JUST, OVER THE COURSE OF
TIME, YOU JUST SEE THINGS THAT
LOOK GOOD OR SEE THINGS THAT YOU
WANT TO RE-CREATE.
DOES YOUR GIRLFRIEND GET
JEALOUS?
Tsk.
UM...
OH.
THAT'S PROBABLY A QUESTION
YOU'D HAVE TO ASK HER...
[ LAUGHS ]
...NOT ME.
SHE DOESN'T ACT LIKE SHE'S
JEALOUS?
I DON'T THINK SHE DOES.
YOU KNOW?
WOULD YOU GET JEALOUS?
YEAH, I THINK SO.
MAYBE SHE GETS JEALOUS A
LITTLE BIT.
WERE YOU, LIKE, INTERESTED IN
ALL THESE, LIKE, WOMEN IN, LIKE,
A SEXUAL, FETISHY WAY?
[ CHUCKLES ] UM...
YOU ASK HER TO WEAR TIGHTS?
YOU ASK THEM TO WEAR TIGHTS?
LIKE, WHAT'S -- HOW DO YOU
SEPARATE THAT?
UM...
AGAIN, YOU KNOW, WRONG PERSON.
I DON'T REALLY --
YOU DON'T SEPARATE IT?
WELL, I JUST DON'T THINK
ABOUT IT, HONESTLY, YOU KNOW?
I MEAN, IF A PROBLEM ARISES, WE
DEAL WITH IT, BUT, YOU KNOW...
I MEAN, PART OF IT, YOU KNOW,
LIKE, YOU KNOW, SHE KNOWS THAT
MY ATTRACTION TOWARDS SOMEBODY
ELSE IS USUALLY WHAT DRIVES MY
INTERESTS.
YEAH.
AND WITHOUT THAT, THEN, YOU
KNOW, WHY ELSE WOULD I BE
SHOOTING THESE THINGS, YOU KNOW?
RIGHT.
SO SHE'S FINE WITH THAT.
[ CAMERA SHUTTER CLICKS ]
WHEN SHE MET YOU, WERE YOU
ALREADY DOING IT?
YEAH.
YEAH, I GUESS SO.
YEAH.
YOU'D HAVE TO BE COOL WITH
THAT, I GUESS.
[ CHUCKLES ]
YEAH.
OKAY, WELL, THANKS FOR THE
BEER.
[ HORN HONKING ]
REBECCA, LET'S GO.
SEE YA.
[ VEHICLE DOOR OPENS ]
[ VEHICLE DOOR CLOSES ]
WHO WAS THAT?
"SOME GUY"?
[ SOFT, DRAMATIC MUSIC PLAYS
ON TELEVISION ]
WHERE HAVE YOU BEEN?
I WAS WORKING LATE WITH PHIL.
WHY DIDN'T YOU CALL?
I DID.
I CALLED YOU A QUARTER TO 5:00,
BUT THERE WAS NO ANSWER.
THEN, I GOT WORKING AND FORGOT.
YOU KNEW I HAD TO GO TO THE
CLEANER'S LATE THIS AFTERNOON.
AND YOU TRY TO TELL ME YOU
CALLED ME THEN.
I TELL YOU, I DID CALL, AND
THEN I GOT INVOLVED.
[ BREATHING HEAVILY ]
[ FRENETIC CARTOON MUSIC PLAYS ]
GANGWAY!
[ LAUGHING ]
HUH? HUH?
[ PURRING ]
ME WANTS PEACE AND QUIET.
I'VE BEEN A BAD BOY.
I SHOULD HAVE LISTENED TO MY
MOTHER.
[ CRICKETS CHIRPING ]
[ CELLPHONE VIBRATING ]
[ SIGHS ]
[ CELLPHONE VIBRATING ]
WHO THE FUCK IS TEXTING YOU?
[ SIGHS ]
IT'S JUST THAT WAITRESS.
[ SIGHS ]
[ CELLPHONE VIBRATING ]
JESUS.
[ SIGHS ]
[ DRAMATIC MUSIC PLAYS ]
[ MUSIC FADES ]
[ GUN COCKS ]
[ DRAMATIC MUSIC RESUMES ]
[ SHOWER WATER RUNNING ]
HOW HIGH DO YOU WANT IT?
UH, LET'S KEEP HER GOING, BUT
JUST LEAVE ENOUGH ROOM SO HER
BREASTS ARE EXPOSED, OKAY?
HEY, BOSS.
YOU WANT A COUPLE OF ONE K's
WITH THIS, OR...
YEAH, GO AHEAD AND HAVE THEM
IN THERE, STANDBY.
[ INDISTINCT CONVERSATION ]
OHH!
[ CHUCKLES ]
DOES IT SMELL?
[ SNIFFING ]
[ Chuckling ] "DOES IT
SMELL?"
I JUST CAN'T STAND THE SMELL
OF THESE KIND OF THINGS.
UGH.
IT'S REALLY NASTY, THOUGH.
I CAN'T REALLY LOOK AT IT.
I CAN'T LOOK AWAY FROM IT.
IF IT'S GROSSING YOU OUT,
THEN, YOU KNOW, IT'S DOING ITS
JOB.
SO, IS THIS STARTING TO APPEAL
TO YOU YET?
I DON'T KNOW.
I'M NOT SURE IT'S THE KIND OF...
THING, YOU KNOW, MY MAMA WOULD
BE PROUD OF.
[ CHUCKLES ]
WHAT DO YOU MEAN?
YOU'RE JUST PLAYING, LIKE, A
GAME OF DRESS-UP HERE.
YEAH, I GUESS.
BUT IT'S DRESS-UP MIXED WITH
FINE ART.
FINE ART?
YES.
ALL RIGHT, THAT'S WHAT WE'RE
DOING HERE?
WELL, YES.
ALL RIGHT.
IF YOU CAN'T TELL -- IF YOU
HAVEN'T FIGURED THAT OUT YET.
WELL, I WASN'T SURE.
I THOUGHT IT MIGHT BE SOMETHING
DIFFERENT.
WELL, HOW WOULD IT BE
SOMETHING DIFFERENT?
I DON'T KNOW.
BECAUSE THERE'S BOOBIES?
YEAH, I GUESS SO.
YOU DON'T THINK THAT
SOMETHING CAN BE ARTISTIC IF IT
HAS BOOBIES IN IT?
WELL, I'M JUST CURIOUS, LIKE,
WHAT'S THE DISTINCTION HERE.
WELL, THAT'S NOT MY PROBLEM.
I THOUGHT YOU WERE THE
ARTIST.
EXACTLY.
I THOUGHT YOU WERE THE ONE
MAKING IT ART.
WELL, I'M THE IRRESPONSIBLE
ARTIST, SO, YOU KNOW, WHICH IS
THE SIGN OF A GOOD ARTIST.
IF THEY'RE IRRESPONSIBLE?
[ CHUCKLES ] SOMETIMES.
[ CHUCKLES ]
IN THIS CASE, YEAH.
DO YOU EVER FEEL LIKE YOU'RE
NOT MAKING ART?
WELL, RIGHT NOW, I DON'T FEEL
LIKE I'M MAKING ART.
I'M SITTING HERE CHATTING WITH
YOU.
YEAH, BUT YOU EVER FEEL
LIKE...
[ MID-TEMPO DRAMATIC MUSIC
PLAYS ]
LOOK WHO IT IS.
[ CHUCKLES ]
HEY.
HOW'S IT GOING, MAN?
GOOD.
HOW YOU DOING?
FINE.
EVERYBODY'S BACK HERE IF YOU
WANT TO CHITCHAT.
YEAH, THAT'D BE GREAT.
OKAY, COME ON BACK.
HOW'S THE WEATHER OUT THERE?
STILL RAINING.
20 MORE. I'LL COUNT DOWN.
20...
EXCUSE ME. LOOK ALIVE.
WE GOT A POLICE OFFICER HERE.
EVERYONE, THIS IS
DETECTIVE BANFEAUX.
HE'D LIKE TO ASK YOU ALL SOME
QUESTIONS.
I RECOMMEND STARTING WITH HER.
SHE'S THE MOST
SUSPICIOUS-LOOKING.
[ CHUCKLES ] WHOO!
HAVE YOU EVER SEEN THIS WOMAN
BEFORE OR WORKED WITH HER?
HER NAME IS SHANNON FIERMAN.
MNH-MNH.
SHE'S A MODEL.
MNH-MNH, I DIDN'T SEE HER.
MISS, DO YOU KNOW HER?
NO.
NEVER MET?
NO.
YOU GUYS WANT TO GET THAT?
[ SOFT, DRAMATIC MUSIC PLAYS ]
OKAY.
OH.
AM I STUCK?
NOW IT'S FINE.
OKAY.
HERE YOU GO.
HOW DO I GET ON THIS THING?
GOTCHA.
IT'S OKAY.
LIKE...
[ CHUCKLES ] LOOK.
OKAY?
MM-HMM.
[ LIQUID SPLASHES ]
UH-OH.
[ CHUCKLES ]
NICE.
OKAY.
THERE YOU GO.
LET ME, LIKE...
IS IT COLD?
NO, ACTUALLY, IT'S KIND OF
FINE.
[ CHUCKLES ]
LUKEWARM.
KIND OF LIKE CHOCOLATE.
[ CHUCKLES ]
DO YOU WANT TO DO ANYTHING
WITH HER HAIR?
LET'S LOOK HERE.
NO, JUST KEEP IT DRY FOR RIGHT
NOW.
WE'LL DO A COUPLE WITH IT DRY,
AND THEN MAYBE WE'LL SWITCH IT
UP LATER, BUT JUST STAY THE SAME
WAY.
IS THIS TEMPTING TO YOU NOW?
[ LAUGHTER ]
IT'S PRETTY COOL, ACTUALLY.
JUST HANG OUT FOR JUST A
SECOND.
IT FEELS COOL?
YEAH, IT DOES.
IS IT SLIMY?
HOW OFTEN DO YOU SEE SHIT
LIKE THAT?
PEOPLE KILLING THEMSELVES?
OH, YEAH, WITH, LIKE,
THE WRISTS OPEN AND EVERYTHING?
PRETTY COMMON.
SUPPOSEDLY, IF YOU DO IT WITH A
FINE ENOUGH BLADE, YOU CAN'T
EVEN REALLY FEEL ANYTHING.
YOU JUST GET KIND OF SLEEPY AS
YOUR LIFE RUNS OUT OF YOU.
JUST GET KIND OF TIRED AND WARM.
CLOSE YOUR EYES.
OKAY.
[ CAMERA SHUTTER CLICKS ]
[ CAMERA WHIRRING ]
HEY, ALEX?
YEAH?
[ CAMERA SHUTTER CLICKS ]
[ CAMERA WHIRRING ]
THANK YOU.
[ MUSIC INTENSIFIES ]
[ FOOTSTEPS APPROACHING ]
[ CAMERA SHUTTER CLICKS ]
[ MUSIC INTENSIFIES ]
[ CAMERA SHUTTER CLICKS ]
[ INDISTINCT CONVERSATION ]
[ MID-TEMPO MUSIC
PLAYS INDISTINCTLY ]
[ Holding breath ] I THINK
CARS ARE FUTURISTIC, YOU KNOW?
[ EXHALES ]
I MEAN, JUST ANYTHING, YOU KNOW?
LIKE, I THINK THAT MAYBE, IF I
HAD A PAST LIFE, IT WAS
DEFINITELY BEFORE ELECTRICITY.
[ KNOCK ON DOOR ]
HOLD ON A SECOND.
I'LL HOLD THAT.
HOLD THAT FOR ME.
MM-HMM.
* HELLO ♪
[ LAUGHS ]
OH, HEY, WHAT'S UP? [ LAUGHS ]
HOW ARE YOU?
I'M GOOD, I'M GOOD.
COME ON IN.
IS ALEX AROUND?
OH, NO, SHE'S STILL AT HER
MOM'S FOR THE WEEKEND.
OH, YEAH. I'M SORRY.
WHAT ARE YOU DOING AROUND
HERE?
I JUST WANTED TO STOP BY AND
SAY HI.
OH, YEAH.
YOU KNOW THESE GUYS?
UM, YEAH, KIND OF.
HOW'S IT GOING?
HEY.
THANK YOU MUCH.
UM, I'M ACTUALLY NOT GONNA
STAY, I DON'T THINK, SO DO YOU
MIND JUST TELLING ALEX I STOPPED
BY?
OH, YOU'RE NOT GONNA STAY?
NO, I DON'T THINK SO.
OKAY, HERE, HERE.
LET ME WALK YOU OUT, THEN.
YOU'RE MORE THAN WELCOME TO
STICK AROUND.
ALL RIGHT.
UM, HAVE A GOOD NIGHT.
YEAH.
I'LL SEE YOU SOON, I HOPE.
[ CHUCKLES ]
GOOD NIGHT.
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ CAR IDLING ]
[ BRAKE RELEASES ]
[ INDISTINCT CONVERSATION ]
[ SOFT MUSIC
PLAYS INDISTINCTLY ]
I DON'T KNOW.
I THINK I WOULD FEEL FUNNY ABOUT
IT.
I COULDN'T LOOK AT THEM
AFTERWARDS.
I BET YOU WOULD TAKE LIKE
THREE, AND THEN AS YOU SAW ONE,
YOU'D WANT TO TAKE MORE.
MAYBE. I DON'T KNOW.
YOU SHOULD JUST TRY IT.
THERE'S NO --
WAIT, WAIT, WAIT, HOLD ON.
[ CAMERA SHUTTER CLICKS ]
ONE MORE.
[ CHUCKLES ]
HOLD A MINUTE.
[ CHUCKLES ]
NOW, NOW, DON'T MOVE, DON'T
MOVE.
[ CAMERA SHUTTER CLICKING ]
[ CHUCKLES ]
HERE.
[ CAMERA SHUTTER CLICKING ]
[ CHUCKLES ]
[ CAMERA SHUTTER CLICKING ]
[ CHUCKLES ]
[ CAMERA SHUTTER CLICKING ]
[ CHUCKLES ]
[ CAMERA SHUTTER CLICKING ]
[ CHUCKLES ]
[ CAMERA SHUTTER CLICKING ]
* IT'S A WASTE OF TIME,
TRYIN' TO STAND IN LINE ♪
♪ NEVER A PLACE AND TIME ♪
♪ WISH YOU WERE SPENDIN' TIME ♪
♪ LOOK FOR A FOOLISH SIGN ♪
♪ SOMETHING TO... ♪
[ DRAMATIC MUSIC PLAYS ]
DO YOU HAVE A GOOD TIME?
YEAH, I DID.
DID YOU REALLY?
YEAH, I DID, I DID.
I HAD A VERY, VERY GOOD TIME.
[ Chuckling ] GOOD.
AND, UH, I HOPE THAT WE DO
SOMETHING LIKE THIS AGAIN, IF
YOU EVER FEEL LIKE IT.
WE SHOULD HANG OUT.
YEAH, WE SHOULD.
WE SHOULD HANG OUT.
WE SHOULD JUST GO DO SOMETHING
NORMAL SOMETIME SOON.
[ LAUGHS ] OKAY.
IT WAS SO GOOD TO SEE YOU.
[ DRAMATIC MUSIC CONTINUES ]
[ MUSIC INTENSIFIES ]
[ DOORKNOB RATTLES ]
[ DOOR CREAKS ]
[ MUSIC SOFTENS ]
[ ENGINE IDLING ]
[ ENGINE SHUTS OFF ]
[ FOOTSTEPS APPROACHING ]
[ MUSIC FADES ]
MMM.
WHOSE IS THIS?
THAT'S AMY'S.
OH.
HOW'D THE SHOOT GO?
IT'S FINE.
[ CHUCKLES ]
CAME BACK HERE AFTERWARDS?
MM-HMM.
[ MID-TEMPO MUSIC PLAYS ]
[ BREATHING HEAVILY ]
OH, FUCK IT.
[ SIGHS ]
[ BOTH BREATHING MOANING ]
[ SHOWER WATER RUNNING ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ SCOFFS ]
[ Sarcastically ] OH, I'M SO
GLAD YOU HAD A GOOD TIME.
[ SIGHS ]
STOP.
NOTHING HAPPENED?
NO.
SERIOUSLY.
WHY ARE YOU TAKING NAKED
PICTURES OF WOMEN IN OUR HOUSE?
HAVE YOU EVER DONE THIS BEFORE?
DO YOU TAKE...
SMUTTY PICTURES WHEN I'M NOT
HERE?
NO.
NO, SERIOUSLY, WE WERE JUST
HANGING OUT, AND YOU KNOW, I
MEAN...
WELL, WHAT ARE YOU GONNA DO
WITH THEM?
WHAT ARE YOU GONNA DO WITH THE
PICTURES?
I DON'T KNOW.
I HAVEN'T HAD A CHANCE TO LOOK
AT THEM.
WELL, I'D LIKE YOU TO DELETE
THEM.
COULD YOU PLEASE DO THAT?
WELL, I DON'T KNOW.
I MEAN, THERE MIGHT BE, LIKE --
NO, I NEED YOU TO DELETE
THEM.
[ SIGHS ]
I'M NOT BEING UNREASONABLE.
ALL RIGHT, ALL RIGHT, IF YOU
WANT ME TO DELETE THEM.
LOOK, WE TAKE PICTURES...
[ SIGHS ]
VERY SPECIFIC PICTURES.
ALL RIGHT, HERE.
JUST GIVE ME THE CAMERA.
I'LL DELETE THE PHOTOS.
I'LL DELETE THEM LATER, OKAY?
[ MUSIC STOPS ]
THERE MIGHT BE SO STUNNING THAT
I DON'T WANT TO MESS UP.
YOU KNOW?
LOOK, SERIOUSLY.
FINE.
[ SIGHS ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
WHAT ARE YOU DOING HERE,
MICHAEL?
I JUST STOPPED BY TO GET A
COUPLE THINGS.
I'LL BE GONE IN A FEW MINUTES.
YOU CANNOT KEEP SHOWING UP
HERE UNANNOUNCED.
DO YOU UNDERSTAND ME?
YEAH, I KNOW.
I TOLD YOU TO LEAVE.
I MEANT IT.
I KNOW.
I USED TO BE AFRAID THAT I'D
GET A CALL IN THE MIDDLE OF THE
NIGHT, AND YOU'D BE DEAD ON A
STREET CORNER SOMEWHERE.
NOW I'M TERRIFIED THAT YOU'RE
GONNA DO SOMETHING TO YOURSELF.
I COME HOME EVERY DAY WITH A PIT
IN THE MIDDLE OF MY STOMACH,
MICHAEL, THAT YOU'RE GONNA BE
DEAD ON A FLOOR AND I'M GONNA
FIND YOU AND HAVE TO DEAL WITH
THAT.
I CAN'T DO THIS ANYMORE.
I'M NOT CUT OUT FOR IT.
[ SCOFFS ]
HOMICIDE DETECTIVE IS ONE THING.
DEPRESSED IS A WHOLE OTHER ONE.
I WANT A FAMILY.
I WANT A FUTURE, MICHAEL.
I WANT A SENSE OF SECURITY AND
SAFETY IN MY LIFE.
I'VE DONE EVERYTHING I CAN FOR
YOU.
I'VE GONE ABOVE AND BEYOND, AND
I JUST DON'T HAVE IT IN ME
ANYMORE.
I JUST WANT YOU TO GET YOUR
STUFF AND GET OUT OF HERE.
I'M SORRY.
YEAH, HEARD IT BEFORE.
[ CAMERA SHUTTER CLICKS ]
HOW ARE YOU?
I'M GOOD.
YOU EXCITED ABOUT THE SHOOT?
YEAH, YEAH.
UM, ACTUALLY...
THAT'S WHAT I WANT TO TALK TO
YOU ABOUT.
UM, YOU KNOW, IT JUST OCCURRED
TO ME THE OTHER DAY, UH, HOW,
YOU KNOW, I'VE BEEN HANGING OUT
WITH REBECCA AND ALL.
AND, UH, I MEAN, IT JUST KIND OF
OCCURRED TO ME THAT THIS MIGHT
BE A GOOD STARTING POINT FOR
HER.
OKAY, COOL.
W-WHAT WOULD YOU HAVE FOR HER?
WHAT WOULD SHE BE DOING?
WELL, I WAS THINKING MAYBE
SWITCHING YOU GUYS OUT.
OH, OKAY.
LIKE, UH, YOU KNOW, IT
JUST -- IT JUST SEEMS LIKE WE'RE
GONNA BE ON THE SOUND STAGE,
AND...
MM-HMM.
...IT'S, UH, IT'S GONNA BE A
CONTROLLED ENVIRONMENT.
YEAH.
THERE'S NOT GONNA BE A LOT OF
PEOPLE WANDERING IN AND OUT.
YEAH. TOTALLY.
THAT MAKES A LOT OF SENSE.
I THINK SHE'LL BE GREAT.
YEAH?
YEAH.
OKAY.
BUT DON'T GET ME WRONG.
I WANT YOU THERE.
[ Chuckling ] OH.
YOU KNOW?
LIKE, I WANT YOU TO BE THERE TO
HELP OUT AND, YOU KNOW, IF YOU
WANT TO BE THERE.
YEAH, TOTALLY.
OKAY.
YEAH, I'LL HELP OUT.
OKAY.
I'M JUST ACTUALLY GONNA RUN
TO THE BATHROOM REALLY QUICKLY.
DO YOU NEED ANYTHING?
NO, I'M GOOD.
OKAY.
[ MUSIC INTENSIFIES ]
[ SIGHS ]
[ MUSIC FADES ]
LATE NIGHT?
MAYBE I SHOULD HAVE SOME
WATER.
[ CHUCKLES ]
I DON'T KNOW HOW LONG IT'S BEEN
IN THE BACK SEAT, BUT [SIGHS]
GO FOR IT.
PERFECT.
IT'S GOT ELECTROLYTES.
[ CHUCKLES ]
[ INDISTINCT CONVERSATIONS ]
[ FOOTSTEPS APPROACHING ]
[ TELEPHONE RINGING ]
[ UP-TEMPO MUSIC
PLAYS INDISTINCTLY ]
[ MUSIC INTENSIFIES ]
[ ENGINE TURNS OVER ]
[ SOFT MUSIC PLAYS ]
YOU KNOW WHAT'S AN AESTHETIC
CHOICE?
[ SNIFFLES ]
YOU KNOW, NATURE PHOTOS --
PHOTOS LIKE BIRDS AND TREES.
YEAH, BUT ANYBODY CAN TAKE
THAT.
AND MOST PEOPLE, IF YOU ACTUALLY
START LOOKING AT WHAT PEOPLE DO
WHEN THEY FIRST START TAKING
PHOTOGRAPHS, THEY ALWAYS END UP
JUST GOING TO, LIKE, BOTANICAL
GARDENS OR SOMETHING.
IF YOU EVER GO TO BOTANICAL
GARDENS, YOU JUST SEE ALL THESE,
LIKE, PHOTOGRAPHY JOURNALISM
STUDENTS OUT THERE WITH THEIR
CAMERAS, TAKING PICTURES OF THE
SAME GODDAMN PLANTS THAT
EVERYBODY ELSE HAS TAKEN
PICTURES OF.
YOU KNOW, IT'S RIDICULOUS,
'CAUSE IT'S LIKE, WHY CAN'T THEY
JUST GO OUT TO, LIKE, SOMEWHERE
WHERE PEOPLE DON'T PHOTOGRAPH
PLANTS.
INSTEAD, PEOPLE ACTUALLY GO TO
LOCATIONS WHERE THE PLANTS ARE
COMMONLY PHOTOGRAPHED -- THE
EXACT SAME ONES.
THERE'S PROBABLY, LIKE,
HARD DRIVES AND HARD DRIVES JUST
FILLED WITH, LIKE, ALL THE
BOTANICAL GARDENS ACROSS THE
UNITED STATES WITH THE SAME
GODDAMN PLANTS, YEAR AFTER YEAR,
WHEN THEY'RE BLOOMING AND DYING.
YOU KNOW WHAT I MEAN?
IT'S RIDICULOUS.
SO, YOU KNOW, AT THE END OF THE
DAY, YOU KNOW, DOING THAT KIND
OF THING IS EASY.
AND YOU KNOW, PULLING TOGETHER
THE RESOURCES, YOU KNOW, TO GET
A CREW TOGETHER, GET MAKEUP
TEAMS TOGETHER, TO GET EVERYBODY
ALL IN ON THE GAME, YOU KNOW, TO
RE-CREATE AN INTERESTING --
MAYBE IT'S A CRIME SCENE, MAYBE
IT'S, LIKE, A KIDNAPPING SCENE,
MAYBE IT'S, LIKE, SOME SORT OF,
LIKE, WEIRD SEX CRIME GONE WRONG
KIND OF THING IN THE MIDST OF
IT.
YOU KNOW, WHATEVER IT IS, YOU'RE
ACTUALLY MAKING SOMETHING
INTERESTING HAPPEN, EVEN IF IT
IS DARK OR WHATEVER.
AND THAT'S JUST WAY MORE
INTERESTING THAN, YOU KNOW, JUST
GOING OUT AND TAKING A PICTURE
OF YOUR FUCKING TREE IN YOUR
FRONT YARD OR SOMETHING.
YOU KNOW?
I THINK PHOTOS OF FLOWERS ARE
NICE.
[ SIGHS ]
I LIKE LOOKING AT PHOTOS.
YOU KNOW, I'M SURE THAT
THERE'S PHOTOS OF FLOWERS OUT
THERE THAT'LL JUST BLOW MY MIND,
YOU KNOW?
I JUST HAVEN'T SEEN THEM.
ALL RIGHT, ALL RIGHT, WELL,
WHY WOMEN?
WHY IS IT ALL THOSE DEAD WOMEN?
WHY NOT SOME DEAD OLD GUY WITH,
LIKE, A --
WELL, THAT'S DEPRESSING, YOU
KNOW?
IT'S NOT ABOUT THEM BEING DEAD
OR BEAT UP OR ANYTHING LIKE
THAT, YOU KNOW.
IT'S JUST A SPICE.
ACTUALLY, YOU KNOW WHAT, IT'S
RIDICULOUS FOR ME TO EVEN TRY TO
EXPLAIN THIS, BECAUSE IT'S NOT
SOMETHING THAT I EVEN THINK
ABOUT.
IT'S JUST SOMETHING THAT I DO.
AND THAT'S WHAT YOU GOT TO DO IN
THESE SITUATIONS.
YOU CAN'T SAY, "WHY AM I DOING
THIS?"
YOU KNOW, "WHY, WHY, WHY?"
YOU JUST HAVE TO BE LIKE, "OKAY,
I'M ATTRACTED TO THIS, YOU KNOW,
AND THAT'S WHAT I'M GONNA DO."
AND THAT'S PRETTY MUCH WHAT
PHOTOGRAPHY, IN GENERAL, IS.
YOU KNOW?
YOU JUST HAVE TO REACT TO
SOMETHING THAT GIVES YOU SOME
SORT OF, YOU KNOW, SOME SORT OF,
UH, YOU KNOW, EMOTIONAL FEEDBACK
THAT YOU CAN'T QUITE EXPLAIN.
YOU KNOW, I DON'T -- I DON'T
LIKE LOOKING AT DEAD BODIES.
I DON'T LIKE -- I DON'T LIKE
SEEING PEOPLE ACTUALLY GET HURT.
YOU KNOW, IT'S NOT LIKE THAT
AT ALL.
HAVE YOU EVER SEEN A REAL
DEAD BODY?
UM...
I MEAN, LIKE, AT A FUNERAL,
NOT, LIKE, JUST WALKING AROUND
AND STUMBLE ACROSS ONE, ALTHOUGH
I ALWAYS THOUGHT THAT WOULD BE
KIND OF COOL.
[ SIGHS ]
YOU KNOW WHAT MIGHT BE A GOOD
FIX FOR YOU?
WHAT'S THAT?
[ SNIFFLES ]
HAVE YOU JUST TRIED, YOU
KNOW, SMILING OCCASIONALLY?
YOU KNOW?
I SMILE, I SMILE.
LIKE, UM --
LET ME SEE.
I'M NOT -- THERE'S NOTHING TO
SMILE ABOUT RIGHT NOW.
I'M NOT GONNA SMILE RIGHT NOW.
WELL, SEE, THAT'S THE THING,
IS YOU DON'T NEED ANYTHING TO
SMILE ABOUT.
YOU CAN JUST SMILE. YOU KNOW?
WELL, WHAT IS THAT?
WHAT'S THE BENEFIT OF THAT?
WELL, IT RELEASES ENDORPHINS
OR SOMETHING.
I DON'T KNOW.
UH, YOU KNOW, YOU SMILE, YOU
FEEL GOOD.
YOU KNOW?
AND IF YOU DON'T FEEL GOOD, I
THINK IF YOU GET INTO THE HABIT
OF SMILING, YOU CAN START.
I THINK YOU SHOULD JUST, YOU
KNOW, START PRACTICING SMILING,
PERSONALLY.
[ CHUCKLES ]
IT'S THE DUMBEST THING I'VE
EVER HEARD.
[ CHUCKLES ]
COMING FROM MR. MOPEY OVER HERE.
[ SIGHS ]
[ MUSIC STOPS ]
[ DOORKNOB RATTLES ]
[ ZIPPER UNZIPS ]
[ LIQUID RUNNING ]
[ MOANING IN DISTANCE ]
[ MOANING INTENSIFIES ]
[ SPITS ]
[ MOANING INTENSIFIES ]
[ UP-TEMPO MUSIC PLAYS LOUDLY ]
[ BRAKE ENGAGES ]
[ ENGINE REVS ]
[ VEHICLE DEPARTING ]
[ TIRES SCREECH ]
[ CRASH ]
IF YOU COME NEAR MY
GIRLFRIEND, I'M GONNA KILL YOU!
KILL YOU!
OKAY, OKAY, OKAY.
[ VEHICLE DOOR CLOSES ]
[ ENGINE TURNS OVER ]
[ ENGINE REVS ]
[ VEHICLE DEPARTING ]
[ MUSIC STOPS ]
[ CRICKETS CHIRPING ]
[ GLASS SHARDS FALL ]
[ SIGHING ]
WHAT'S THE MATTER?
NOTHING.
[ SIGHS ]
WHAT'S THE MATTER?
[ SIGHS ]
SOMEBODY BUSTED OUT ONE OF MY
WINDOWS IN MY CAR.
WHAT?
WHAT HAPPENED?
[ SIGHS ]
UH, I WAS JUST WALKING UP TO THE
DOOR JUST A MINUTE AGO, AND, UH,
ON MY WAY UP, UM, I HEARD A
NOISE, AND I TURNED AROUND AND
THERE WAS SOMEBODY REACHING IN.
AND YOU KNOW, I CHASED HIM OFF
AND, YOU KNOW, THAT WAS THAT.
YOU KNOW?
IT'S FINE. I'M FINE.
CAR'S MOSTLY FINE.
DID THEY TAKE ANYTHING?
I DON'T THINK SO.
[ SIGHS ]
YOU KNOW, I'M JUST FUCKING
ANNOYED THAT I HAVE TO, YOU
KNOW -- IT'S JUST ONE MORE THING
I HAVE TO DEAL WITH TOMORROW.
NOW I GOT TO FIGURE OUT
SOMETHING TO DO WITH THIS
WINDOW.
ARE YOU OKAY?
SERIOUSLY, I'M GOOD, I'M
FINE.
NO, YOUR HEART IS BEATING
REALLY FAST.
ARE YOU SURE YOU'RE OKAY?
I'M GREAT.
TAKE THE BOOK, READ YOUR BOOK.
CUDDLE BACK UP.
JUST PRETEND LIKE I'M NOT EVEN
HERE.
[ SIGHS ]
HEY, LOOK, JUST STAY.
COME ON.
YOU CAN'T JUST BREAK, LIKE,
THE CAR WINDOW OF, LIKE, EVERY
NEW FRIEND I HAVE.
IT'S CRAZY. I CAN'T --
I MEAN, HOW WELL DO YOU KNOW
THIS GUY?!
I -- WHAT DOES IT MATTER HOW
WELL I KNOW THIS GUY?
WHAT DO YOU MEAN?
I MEAN, THESE PHOTOGRAPHS!
I MEAN, THEY'RE SICK!
THEY'RE NOT -- I DON'T THINK
THEY'RE --
YES, THEY ARE!
ARE YOU KIDDING?!
HOW DO YOU KNOW HE'S NOT TAKING
ADVANTAGE OF YOU, HUH?
BECAUSE I TALKED TO HIM.
HE'S MY -- LIKE, HE'S...
HE'LL SAY ANYTHING!
ARE YOU CRAZY?!
YOU'RE TALKING ABOUT HIM LIKE
HE'S A MONSTER AND I'M AN IDIOT.
I'M -- I CAN'T DO IT.
NO, STOP. COME ON, STOP.
STOP, STOP, STOP.
STOP, PLEASE.
[ Crying ] NO, DON'T.
STOP.
[ SNIFFLING ]
COME ON, THAT'S ENOUGH.
STOP, STOP, STOP. JUST...
[ SIGHS ]
I'M SORRY. [ SNIFFLES ]
I'M SORRY, TOO.
ALL RIGHT?
[ SIGHS ]
LOOK, WE CAN FIX THIS.
I DON'T THINK SO.
YES, WE CAN. COME ON.
[ SIGHS ]
YOU DON'T LISTEN TO ME.
I'M LISTENING RIGHT NOW.
I CAN'T STAY.
COME ON, JUST -- DON'T...
WHERE ARE YOU GONNA GO?!
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ DOOR CLOSES ]
[ SIGHS ]
[ CAMERA SHUTTER CLICKS ]
[ MUSIC INTENSIFIES ]
[ CAMERA SHUTTER CLICKS ]
[ MUSIC INTENSIFIES ]
[ MUSIC FADES ]
[ SIGHS ]
ALL RIGHT, WE GOT IT.
HOUSE LIGHTS!
DID IT WORK?
[ LAUGHS ]
[ INDISTINCT CONVERSATION ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
YOU LOOK GOOD, LOOK GOD.
YOU LOOK LIKE A COP.
YEAH.
YOU LOOK REALLY GOOD.
YOU'D NEVER DO ANY OF THAT
STUFF.
[ INDISTINCT CONVERSATIONS ]
SHOULD WE KEEP HER PRETTY
EYE MAKEUP ON?
[ CHUCKLES ]
EYELASHES?
[ CHUCKLES ]
I THINK SHE'S HOT.
SHE HAS A NICE BOD.
FROM EATING SALAD ALL DAY.
[ CHUCKLES ]
SHE'S REALLY TONED.
BUT I DON'T LIKE IT.
YOU DON'T?
NO.
I REALLY LIKE IT.
OH, MY GOD, I -- I WOULD KILL
MYSELF IF I HAD HER BODY.
NO.
I DON'T -- I DON'T LIKE HER
BODY.
YOU DON'T?
NO. I LIKE MY BODY.
OBVIOUSLY, I LIKE YOUR BODY,
TOO.
SHE JUST HAPPENS TO BE THE
PERSON WHO'S NAKED TODAY.
WELL --
I'M DRESSED IN BOTH OF THEM.
SHOW HER THE BADGE.
DO YOU THINK THAT THAT'S A FAKE
BADGE.
I DON'T KNOW.
LET HER TOUCH THE BADGE.
TOUCH THE BADGE?
TOUCH IT.
THAT'S A LITTLE --
IT'S REAL.
SHE DOESN'T HAVE TO.
DO YOU FEEL LIKE YOU'RE,
LIKE, THE CHARACTER IN
"SILK STOCKINGS" RIGHT NOW OR
SOMETHING?
"SILK STOCKINGS"?
I HAVEN'T SEEN THAT.
IT WAS AT
"USA UP ALL NIGHT."
JUST WAIT TILL SHE TURNS 25.
IT'LL ALL DROP.
[ IMITATES EXPLOSION ]
[ BOTH LAUGH ]
IT'LL ALL GO DOWN.
I'M NOT USED TO...
JUST NEED TO WIGGLE IT A
LITTLE.
I AM WIGGLING.
JUST GIVE IT A UMH-UMH-UMH.
[ BOTH LAUGH ]
HAZARD OF THE TRADE, I GUESS.
[ CHUCKLES ]
ACTING DEAD.
YEAH. WELL, IT'S TOUGH
WORKING, LAYING ON THE FLOOR
ALL DAY.
[ CHUCKLES ]
I KNOW. IT'S, UH, TORTUROUS.
[ SCOFFS ]
IT WASN'T TORTUROUS, EXACTLY.
[ CHUCKLES ]
DID YOU HAVE FUN?
YEAH. [ CHUCKLES ]
COOL. [ CHUCKLES ]
[ SIGHS ]
[ SPEAKING INDISTINCTLY ]
HEY.
[ CHUCKLES ]
HEY.
HOW ARE YOU?
GOOD.
GOT ANYTHING ELSE?
YEAH, AT LEAST...
ACTUALLY, I GOT TO ACTUALLY
CHECK MY VOICEMAIL.
OKAY.
SEE YA.
[ CHUCKLES ]
WHERE'S ALEX?
SHE'S LOADING THE VAN.
UM...
I FEEL KIND OF WEIRD ABOUT
NOT TELLING ALEX ABOUT WHAT
HAPPENED THE OTHER NIGHT.
UM...
SO...
WHAT ARE YOU TALKING ABOUT?
[ MUSIC FADES ]
LIKE, IT FEELS WEIRD KEEPING
IT A SECRET FROM HER THAT WE
KISSED.
Tsk.
I'M -- I'M REALLY NOT SURE WHAT
YOU'RE GETTING AT, HERE.
DO YOU LIKE ME?
LIKE?
LIKE.
LIKE YOU?
LIKE, IF I WENT LIKE THIS...
LIKE, I SHOULD -- I SHOULD
PROBABLY GO HELP THEM OUT.
SORRY.
[ SIGHS ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
YEAH. NO.
[ SIGHS ]
CAN I CALL YOU BACK IN A MINUTE?
ALL RIGHT.
WHERE'D EVERYBODY GO?
I THINK THEY JUST FINISHED
LOADING UP THE VAN.
DO YOU WANT TO GO GET SOME
DRINKS WITH US?
YEAH.
CAN I MEET YOU THERE, THOUGH?
I JUST HAVE TO FINISH A PHONE
CALL.
THAT'S FINE. [ CHUCKLES ]
OKAY. I HAD FUN TODAY.
YEAH, ME TOO.
COOL.
[ BOTH CHUCKLE ]
ALL RIGHT, WELL, I'LL SEE YOU IN
A BIT, THEN?
YEAH.
BYE. [ CHUCKLES ]
I'LL BE IN, IN LIKE AN HOUR OR
SOMETHING.
OKAY, COOL. SEE YA.
BYE.
THAT MUST BE KIND OF NICE TO
BE ABLE TO WORK WITH THE PERSON
THAT YOU'RE IN A RELATIONSHIP
WITH -- KIND OF COLLABORATE LIKE
THAT.
[ GRUNTS ]
YEAH, IT'S REALLY NICE.
HEY.
ALL THROUGH WITH IT?
[ CHUCKLES ]
YOU GUYS READY TO GO?
UM, KIND OF BEAT.
DO YOU MIND IF I JUST GO HOME?
THAT'S FINE.
IS IT ALL RIGHT IF YOU GIVE ME A
RIDE BEFORE WE GO?
I CAN DRIVE YOU.
I GOT MY CAR HERE.
IT'S A BIT OF A MESS RIGHT NOW,
BUT CAN CLEAN IT OUT.
IS THAT COOL?
YEAH.
ALL RIGHT.
HAVE YOU SEEN CALLIE?
MNH-MNH.
ALL RIGHT, I'LL SEE YOU AT
HOME.
ALL RIGHT.
OHHH.
SEE YA.
BYE.
[ DRAMATIC MUSIC FADES ]
[ MID-TEMPO MUSIC
PLAYS INDISTINCTLY ]
YOU'RE LUCKY, YOU KNOW,
GETTING TO WORK WITH YOUR
GIRLFRIEND.
THE FACT THAT YOU GUYS EVEN HAVE
SOMETHING IN COMMON YOU CAN
SHARE LIKE THAT, IT'S COOL.
I THINK YOU GUYS ARE LIKE A
PARTNERSHIP, WHERE YOU'RE
ACTUALLY COLLABORATING.
YEAH. IT'S NOT BAD.
YOU KNOW?
SOMETIMES, YOU KNOW, YOU GET A
LITTLE -- I MEAN, BEING AROUND
SOMEBODY LIKE THAT ALL THE TIME,
IT'S GOT ITS MINUSES AS WELL AS
ITS PLUSSES.
YEAH, BUT JUST EVEN BEING
ABLE TO SPEND THAT KIND OF TIME
TOGETHER, I THINK A LOT OF
PEOPLE WOULD GIVE A LOT TO FIND
SOMEONE LIKE THAT.
IT'S NICE. IT'S...
YOU GUYS GIVE ME HOPE, YOU KNOW?
IT'S A NICE THING.
YEAH, IT'S GOOD.
SO, I TAKE IT THAT YOU DON'T
SMOKE POT, THEN.
UH, NO, NO.
I MEAN, I -- I HAVE, BUT NOT FOR
A WHILE -- NOT SINCE COLLEGE.
OKAY.
DID IT FREAK YOU OUT?
I DIDN'T ENJOY IT.
UM, YOU KNOW, IT'S JUST ONE OF
THOSE THINGS WHERE IT MADE ME
FEEL VERY SELF-CONSCIOUS.
[ POLICE RADIO CHATTER ]
ISN'T THAT THE SOUND STAGE?
YEAH.
SHIT.
ALEX WAS THERE WHEN WE LEFT.
ALL RIGHT, CALL HER.
WE'RE GONNA HEAD STRAIGHT THERE.
[ SIREN WAILS ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ CELLPHONE VIBRATING ]
[ SHOWER WATER RUNNING ]
[ CLEARS THROAT ]
PRIOR TO GETTING
DISCONNECTED, HOW DID SHE SOUND?
[ Crying ] SHE SAID, "I'M
FINE."
SHE WAS HERE.
YOU KNOW, I MEAN...
NO DISTRESS?
WELL, NO. A LITTLE.
I MEAN, JUST BROKE UP.
LIKE, HE WAS TAKING PHOTOGRAPHS
OF MY GIRLFRIEND.
[ POLICE RADIO CHATTER ]
YOU SON OF A BITCH!
[ INDISTINCT SHOUTING ]
YOU HAVE TO LET ME GO!
[ INDISTINCT SHOUTING ]
IT'S YOUR FAULT!
[ INDISTINCT SHOUTING ]
YOU CALM DOWN!
IT'S YOUR FAULT!
[ MUSIC INTENSIFIES ]
[ POLICE RADIO CHATTER ]
[ MUSIC SOFTENS ]
[ KNOCK ON DOOR ]
[ SIGHS ]
[ MUSIC FADES ]
[ SUSPENSEFUL MUSIC PLAYS ]
HEY.
[ MUSIC FADES ]
[ CRICKETS CHIRPING ]
[ SIGHS ]
IT'S REALLY BAD.
HE HASN'T BEEN SO INTO SOMEONE
SINCE...
ACTUALLY, PROBABLY SINCE HE
FIRST MET YOU.
[ SIGHS ]
[ DRAMATIC MUSIC PLAYS ]
AAH!
AAAH!
[ GUNSHOTS ]
AAH!
[ GASPING ]
[ GRUNTING ]
[ MUSIC FADES ]
DO YOU WANT MY HONEST
OPINION?
I-I THINK SO, YEAH, YEAH.
I THINK WE MIGHT WANT TO
RE-APPROACH THIS AS...
SOME KIND OF A TRUE-CRIME BOOK,
RATHER THAN A MEMOIR.
YEAH, YEAH.
THESE CONVERSATIONS ARE
ALWAYS DIFFICULT BECAUSE THIS IS
YOUR REAL LIFE WE'RE TALKING
ABOUT HERE.
I DON'T MEAN TO SUGGEST THAT
YOUR LIFE IS NOT INTERESTING.
I ALSO DON'T MEAN TO SUGGEST
THAT THE TRUTH CAN'T BE
INTERESTING.
I JUST THINK, YOU KNOW, A MEMOIR
WHERE THE NARRATOR, OUR -- OUR,
YOU KNOW, HERO ENDS UP SHOOTING
AN UNARMED WOMAN AND BEING
SUSPENDED, AND THE MURDER THAT
SAID HERO IS TRYING TO SOLVE,
YOU KNOW, TWO OF THEM END UP
BEING RELATED, AND A THIRD ENDS
UP BEING UNRELATED, I MEAN,
THESE ARE JUST THE KIND OF
THINGS THAT HAPPEN IN REAL LIFE
BUT THAT DON'T NECESSARILY MAKE
FOR COMPELLING, UH, YOU KNOW,
COMMERCIAL, UH, BOOKS.
YEAH, I-I CAN SEE THAT.
AND I THINK IF WE CAN JUST
LIBERATE YOU FROM THE FACTS OF
THE CASE AND SORT OF FREE YOU UP
TO TIE UP SOME OF THESE LOOSE
ENDS AND STRENGTHEN THESE
CONNECTIONS -- YOU AND THE
PHOTOGRAPHER, FOR INSTANCE --
YOU COULD STRENGTHEN UP THE --
THE KIND OF PARALLELS THAT YOU
SEEM TO BE SUGGESTING HERE, UM,
AND -- AND YOU KNOW, REALLY TIE
THESE TWO TOGETHER IN SOME KIND
OF COHESIVE, COMPELLING WAY.
YEAH. THAT'S A GOOD IDEA.
I'LL, UM, I'LL THINK ABOUT THAT.
WHAT'S UP WITH THIS
PHOTOGRAPHER?
WHAT'S THIS GUY UP TO?
BILLY?
HE'S GOOD.
IS THIS ALL RIGHT?
YEAH. MY TAN LINE LOOKS KIND
OF WEIRD, BUT...
OKAY.
ACTUALLY...
THERE. THERE YOU GO.
[ LAUGHS ]
CAN YOU SEE THE LEFT HAND?
MAYBE I SHOULD JUST DO THE
RIGHT?
NO, DO BOTH.
BOTH?
THAT LOOKS GOOD, YEAH.
[ CAMERA SHUTTER CLICKS ]
[ SIGHS ]
[ CAMERA SHUTTER CLICKS ]
[ Chuckling ] OKAY.
THAT'S GOOD, THAT'S GOOD.
I'M GONNA PULL THIS DOWN,
AS WELL.
MM-HMM.
[ BOTH LAUGH ]
ALL RIGHT, COULD YOU JUST
ARCH UP JUST A LITTLE BIT?
LIKE, JUST LIKE...
NOT TOWARDS ME, JUST, LIKE, UP.
YEAH, RIGHT THERE.
THERE YOU GO.
[ CAMERA SHUTTER CLICKS ]
HERE, LET ME -- I'M JUST GONNA
POSITION THIS AGAIN REAL QUICK.
OKAY.
DOES IT LOOK WEIRD WHEN I LIKE,
POINT MY TOES OUT?
NO. DO THAT.
OKAY.
LOOK AWAY OR -- SORRY.
KIND OF LOOK -- LOOK LIKE HOW
YOU ARE, WITH YOUR HEAD OVER
YOUR SHOULDER, BUT KIND OF BE
LOOKING UPWARDS.
LIKE -- YEAH, LIKE THAT AND THEN
EYES UP, IS WHAT I MEAN.
YEAH. YEAH, LIKE THAT.
[ CAMERA SHUTTER CLICKS ]
OKAY, GREAT.
LET'S JUST DO ONE MORE.
OKAY.
[ SIGHS ]
HEY.
HEY, WHAT'S UP?
ALL RIGHT.
I THINK -- AND...
[ CAMERA SHUTTER CLICKS ]
ALL RIGHT. [ SIGHS ]
THAT'LL DO IT.
AWESOME.
HEY. HI.
[ LAUGHS ]
WAS IT GOOD?
IT WAS GREAT, I THINK.
I DON'T KNOW. WAS IT GREAT?
OH, IT WAS GREAT.
[ CHUCKLES ]
OH, SORRY.
THAT'S OKAY.
I'LL PUT THIS ON.
SO, HOW WAS YOUR THING --
YOUR AGENT THING?
OH, UH, YEAH.
I MEAN, HE -- HE SEEMS TO THINK
THE BOOK HAS SOME POTENTIAL.
WANTS TO FLIP A COUPLE THINGS
AROUND.
UH-HUH.
[ CAMERA SHUTTER CLICKS ]
YEAH.
[ SIGHS ]
MAYBE, UH, MAKE MY CHARACTER
A LITTLE MORE PROACTIVE THAN I
WAS IN REAL LIFE.
THAT MAY BE INTERESTING.
LIKE YOU, UH...
YEAH, MAYBE ACTUALLY --
LIKE YOU SOLVED THE CASE?
[ LAUGHING ]
YEAH.
HOW IS IT GOING?
I'M OKAY.
MEETINGS WITH AGENTS ARE ALWAYS
A LITTLE WEIRD.
YEAH.
I MEAN, I DON'T KNOW ABOUT IT.
[ LAUGHS ]
[ WATER RUNNING ]
HOW'S IT GOING?
HMM. IT'S GOING GOOD.
[ SNIFFLES ]
GREAT.
STILL TRYING TO FIGURE OUT
THAT ENDING.
I HAVE AN IDEA FOR A REALLY
GOOD ENDING.
YOU DO?
MM-HMM.
WHAT'S THAT?
IT GOES LIKE THIS.
MM-HMM?
FIRST...
...HE PUTS DOWN THE BOOK.
MM-HMM.
SECOND...
HE TAKES HER SHIRT.
THAT SOUNDS LIKE A GOOD IDEA.
THEN...
SHE GETS DOWN.
YEAH.
YOU'RE A BETTER WRITER THAN ME.
[ CHUCKLES ]
FOURTH...
THEY TURN OFF THE LIGHT.
[ MID-TEMPO MUSIC PLAYS ]
[ CAMERA SHUTTER CLICKS ]
[ SLOW, DRAMATIC MUSIC PLAYS ]
[ INDISTINCT CONVERSATION ]
LOOSEN UP A LITTLE.
GREAT.
LOOK THIS WAY WHEN YOU DO IT.
[ CAMERA SHUTTER CLICKS ]
[ BOTH LAUGH ]
I EVEN THOUGHT OF IT IN,
LIKE, TERMS OF NOT A BIRD.
UH-HUH.
ALTHOUGH THE TRADITIONAL
SENSE OF THE WORD "BIRD" JUST --
LOOK UP HERE.
[ CAMERA SHUTTER CLICKS ]
THAT'S COOL.
HERE, OPEN YOUR MOUTH.
OPEN IT.
HERE, I'M GONNA PUT THIS IN.
I CAN SEE YOUR FILLINGS.
[ Laughing ] OH.
[ Muffled ] I DON'T HAVE ANY
FILLINGS.
OH. WHAT IS THAT UNDERNEATH
YOUR TWO FRONT TEETH.
IT'S A SPLINT.
[ BOTH LAUGH ]
'CAUSE I HAD BRACES, AND THEY
THOUGHT MY TEETH WERE GONNA
MOVE.
[ LAUGHS ]
DO TELL.
[ SPEAKING INDISTINCTLY ]
[ CHUCKLES ]
THAT'S GOOD. YOU CAN GET UP.
[ BOTH LAUGH ]
WHEW.
READY?
I AM READY.
THERE YOU GO.
OKAY.
I'LL BE READY FOR YOUR SWIFT
KICK THIS TIME.
OKAY.
AND WHOA!
LIKE THAT.
GOOD.
SORRY, I FORGOT TO DO THIS.
OKAY.
SO, THIS MAY --
MAKE SURE I DON'T FALL OVER
ON YOU.
I'LL BE OKAY.
[ CHUCKLES ]
GOOD?
YEAH.
GONNA DO THIS QUICK.
AND...
[ CAMERA SHUTTER CLICKS ]
[ WATER FLOWING ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ BIRDS CHIRPING ]
[ DOG BARKING IN DISTANCE ]
ALL RIGHT, WE GOT IT.
[ CLEARS THROAT ]
LOVELY, LOVELY, LOVELY, LOVELY.
DRY OFF, GIRL.
START MOVING OUT.
ALL RIGHT, PACK IT UP.
[ MID-TEMPO MUSIC PLAYS ]
GET IT?
[ MUSIC INTENSIFIES ]
[ MUSIC SOFTENS ]
[ SIGHS ]
[ RATTLING ]
[ SIGHS ]
[ CEREAL RUSTLING ]
I LIKE IT WHEN THEY'RE MORE
FROM THE BACK, LIKE...
HERE, GO BACK OUT.
LET ME SEE.
OH, YEAH.
I LIKE MORE FROM THE BACK AND
NOT, LIKE -- YOU KNOW, LIKE,
FROM THE SIDE, LIKE THESE.
MM-HMM.
NO, I AGREE.
I THINK YOU SHOULD -- YOU
SHOULD RUN TOWARDS IT.
YOU KNOW WHAT I MEAN?
YEAH.
NO.
[ CHUCKLES ]
DOES IT CROSS OVER LIKE THIS?
YEAH, JUST START...
YOU GO, LIKE, ONE OVER?
YEAH, AND THEN MAYBE YOU
SHOULD GO UNDER.
I JUST LIKE TO LOOK AT IT.
I DON'T KNOW HOW TO DO IT.
I THINK THE BLUE WOULD LOOK
REALLY NICE WITH HER.
MM-HMM.
AND SHE ALSO HAS THESE REALLY
GREAT RED TIGHTS THAT I THINK
WILL GO REALLY WELL.
OH, PERFECT.
AND THIS BRA, LIKE, REALLY
STRETCHES REALLY WELL, AND WE
CAN CUT IT WITHOUT IT JUST,
LIKE, COMPLETELY FALLING APART.
SO I THINK -- I JUST THINK IT'LL
ALSO LOOK REALLY GOOD.
AS LONG AS SHE'S GOT THE RED
TIGHTS...
YEAH.
...I DON'T CARE.
AND SHE NEEDS SOMETHING ON
TOP ALSO.
[ CHUCKLES ]
[ SUSPENSEFUL MUSIC PLAYS ]
[ CAMERA SHUTTER CLICKS ]
[ MUSIC STOPS ]
[ CAMERA SHUTTER CLICKS ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ CAMERA SHUTTER CLICKS ]
[ VEHICLE PASSING ]
[ POLICE RADIO CHATTER ]
[ ENGINE TURNS OVER ]
[ SIREN WAILS ]
I DON'T KNOW.
SHE'S JUST IN THE TRUNK, LOOKING
KIND OF SCARED AND, UH...
DO YOU WANT THIS?
YEAH. HOLD ON A SECOND.
'CAUSE WE'RE GONNA WANT TO SHOOT
INTO THE SUN, SO MAYBE IF
YOU'RE, LIKE, OVER HERE, KIND OF
GETTING A...
OKAY.
THIS KIND OF DEAL.
UH-HUH.
[ FABRIC RUBBING ]
[ Gasping ] OH.
STOP IT.
HOW IS THAT, UH...
YEAH.
[ LAUGHS ]
THIS SORT OF REVEAL KIND OF
THING, WITH HER JUST IN THE
TRUNK, LOOKING TERRIFIED OF YOU
OR WHATEVER.
AND THEN WE'RE GONNA KIND OF
BREAK THEM INTO STAGES.
IT'LL BE, LIKE, NUMBER ONE, YOU
KNOW, LIFTING HER UP OUT OF THE
TRUNK, WITH YOUR HANDS KIND OF
UNDERNEATH HER.
YOU DON'T LIKE IT, BUT, LIKE,
HAVE YOU EVER DATED ANYONE WHO
REALLY LIKED SHORT HAIR?
MNH-MNH, I'VE ONLY DATED
PEOPLE WHO LIKE LONG HAIR.
I HAD A BOYFRIEND WHO HAD,
LIKE -- HE, LIKE, MADE IT, LIKE,
A THING.
LIKE, HE, LIKE, FETISHIZED IT.
YOU CUT YOUR HAIR SHORT?
NO, NO, NO, NO.
LIKE, HE TRIED TO GET ME TO CUT
MY HAIR, BUT I WOULDN'T.
AND THEN YOU BROKE UP?
AND I BROKE UP.
WELL, WE BROKE UP BECAUSE I
CHEATED ON HIM.
[ BOTH LAUGH ]
ANYONE ELSE BEEN IN HERE?
THE TWO OF US AND...
GUY WHO FOUND HER.
WHEN WAS THAT?
[ CAMERA SHUTTER CLICKS ]
I GOT THE CALL ABOUT AN HOUR
AGO -- A LITTLE MORE THAN AN
HOUR.
HE STILL HERE?
YEAH, WE GOT HIM IN THE CAR.
[ CAMERA SHUTTER CLICKS ]
GEEZ, THERE'S A LOT OF BLOOD.
[ CAMERA SHUTTER CLICKS ]
ALL RIGHT.
[ CAMERA SHUTTER CLICKS ]
[ SIGHS ]
LET'S GO TALK TO THE BOYFRIEND,
I GUESS.
[ SIGHS ]
FEELING ALL RIGHT?
[ CAMERA SHUTTER CLICKS ]
YEAH, I'M FINE.
[ CAMERA SHUTTER CLICKS ]
OKAY.
LET'S GO.
[ SUSPENSEFUL MUSIC PLAYS ]
[ MUSIC STOPS ]
ACTUALLY, I THINK SHE NEEDS A
LITTLE BIT MORE.
OOH, I DIDN'T REALIZE IT WAS SO
EASY TO TEAR A SHIRT.
[ SNICKERS ]
KEEP THIS ONE STRAIGHT, AND THEN
THIS ONE AS MUCH FORWARD AS
POSSIBLE.
AND THEN IF YOU CAN JUST KIND OF
LOOK BACK HERE.
MM-HMM.
THAT'S OUT, AND WE'RE GOOD
TO GO.
OKAY.
[ RUNNING FOOTSTEPS
APPROACHING ]
BOOM, BOOM, BOOM, I GOT IT.
[ LAUGHTER ]
I'M SO FAST, I HAVE TO...
[ LAUGHTER ]
KEEP LOSING THE, UH, THE
ROPE, THERE.
OHH.
ACTUALLY, YOU SHOULD PUT
IT -- YOU SHOULD PUT IT BACK ON.
NO, THE ROPE, BEHIND YOUR BACK.
YEAH?
YEAH, IT'S A GOOD LOOK.
HERE, LIKE THAT.
[ LAUGHS ]
[ SLOW, DRAMATIC MUSIC PLAYS ]
[ LAUGHS ]
[ SPEAKING INDISTINCTLY ]
CHEERS.
YEAH, YOU LOOK REALLY GOOD IN
THEM.
THANK YOU.
YOU'RE SWEET AND CUTE.
[ MID-TEMPO MUSIC PLAYS ]
DID YOU LIKE THE RED TIGHTS?
THEY'RE YOURS.
YEAH. THANK YOU.
I'LL WEAR THEM SOMETIME.
I DON'T KNOW WHEN I MIGHT EVER
FIND...
LIKE, IF YOU'RE ON ANOTHER
PHOTO SHOOT?
YEAH, IF YOU EVER WANT TO
RESHOOT THAT.
YEAH. OH, YEAH.
CALLIE? HEY.
HEY, HOW ARE YOU?
I'M ALL RIGHT. HOW ARE YOU?
I'M GOOD, THANKS.
COOL.
OH, I'M SORRY.
THIS IS BILLY.
HEY, NICE TO MEET YOU.
AND THIS IS ALEX.
HI. NICE TO MEET YOU.
ARE YOU GUYS ENJOYING
YOURSELVES?
MM-HMM, YEAH.
COOL.
TOTALLY.
[ CHUCKLES ]
OH, MY -- YEAH, I KNOW.
IT'S REALLY BAD. NO, I KNOW.
OKAY.
NO, IT'S FINE, IT'S FINE.
IT WAS, LIKE, THIS STUPID
ACCIDENT.
THE BARTENDER WAS SHAKING A
COCKTAIL YESTERDAY, AND I, LIKE,
LEANED IN FOR SOME ICE, AND MY
EYE WAS JUST, LIKE, RIGHT THERE.
EW.
IT LOOKS REALLY COOL,
ACTUALLY.
CAN I TOUCH IT?
[ Laughing ] OH, IT HURTS.
DON'T TOUCH IT.
WHAT ARE YOU GUYS UP TO?
UM, WE JUST GOT DONE WITH A
PHOTO SHOOT.
OH, YOU'RE THE PHOTOGRAPHER
THAT YOU WORK WITH.
THE PHOTOGRAPHER?
THAT'S RIGHT.
[ CHUCKLES ]
WELL, CAN I GET YOU GUYS ANOTHER
DRINK, OR ARE YOU ALL SET, OR...
WE'RE OKAY.
OKAY, WELL, ENJOY YOURSELVES.
NICE TO MEET YOU.
BYE.
[ MID-TEMPO MUSIC CONTINUES ]
WATCH OUT, I'LL GIVE YOU ONE,
TOO.
Pow.
[ CHUCKLES ]
[ UP-TEMPO MUSIC PLAYS
INDISTINCTLY ]
[ INDISTINCT CONVERSATION ]
[ CHUCKLES ]
CAN I TAKE PICTURES OF YOU?
OOH. THIS IS AWESOME.
WHAT?
[ CAMERA SHUTTER CLICKS ]
AND GET BACK ON THE COUCH.
LIE BACK.
[ SPEAKING INDISTINCTLY ]
[ LAUGHS ]
THANK YOU.
[ CAMERA SHUTTER CLICKS ]
[ MID-TEMPO MUSIC PLAYS
INDISTINCTLY ]
I THINK IT LOOKS TERRIBLE,
PERSONALLY.
IT'S TERRIBLE.
[ CHUCKLES ]
I SHOULD PROBABLY TAKE IT
OFF.
NO, KEEP IT ON.
OH, MY GOD, IF I LOOKED LIKE
THAT...
[ CHUCKLES ]
DO YOU WANT ANY?
UH, NOT ME.
DO YOU HAVE ANY BEER?
DO WE HAVE ANY BEER?
[ Holding breath ] ALMOST
SURELY, YES.
MOVE OVER HERE.
[ CLEARS THROAT ]
[ BOTH LAUGH ]
I'VE BEEN THINKING A LOT
ABOUT WHEN I WAS REALLY, REALLY
LITTLE.
MM-HMM.
I WOULD PLAY THIS PRETEND
GAME WITH MY BEST FRIEND,
LAUREN, WHERE I WAS, LIKE, A
CINDERELLA TYPE -- LIKE, A
REALLY HELPLESS WOMAN WITH
DIABETES.
AND SHE WAS THE EVIL STEPSISTER,
AND SHE WOULD, LIKE, BE
INJECTING ME WITH TOO MUCH
INSULIN, AND SHE HAD TO GET ON
TOP OF ME.
AND SORT OF LIKE, AS SHE WAS
INJECTING ME, SHE HUMPED ME.
AND I THINK THAT'S WHERE I MIGHT
HAVE HAD MY FIRST ORGASM.
[ SNICKERS ]
[ CHUCKLES ]
IT'S REALLY FUCKED-UP TO
THINK ABOUT IT, IF YOU THINK
ABOUT HOW THAT MIGHT BE
AFFECTING MY CHOICES IN LIFE.
I'M GONNA GO PUT ON SOME
MUSIC.
[ SIGHS ]
[ FOOTSTEPS DEPARTING ]
[ MID-TEMPO MUSIC PLAYS ]
[ SIGHS ]
* SHE'S COMIN' ON ME NOW WITH
EVERYTHING SHE KNOWS NOW ♪
♪ SHE'S COMIN' ON ME NOW WITH
EVERYTHING SHE'S SEEN ♪
♪ SHE'S COMIN' THROUGH THE CROWD
OF THE DREAMS IN BOTH EYES ♪
♪ SHE'S MAKIN' IT KNOWN THAT I'M
NOT GETTIN' AWAY ♪
♪ AND EVEN IF I MADE A BREAK FOR
THE DOOR NOW ♪
♪ THERE'S NO TELLIN' IF I CAN
MAKE IT TO STREET ♪
♪ I GOT LOVE INSIDE MY GUTS ♪
♪ MY MIND IS MORE THAN FUCKING
LORD KNOWS ♪
♪ THE SAFER I FACE THE GRIEF ♪
♪ WE'RE ALL WASTIN' TIME WE
DON'T HAVE, AND IT'S DYIN' ♪
♪ AT THE END OF THE DAY, I STILL
HOPE IT'S WORTH VYIN' FOR ♪
[ SIGHS ]
* SHE'S COMIN' ON ME NOW WITH
EVERYTHING SHE KNOWS NOW ♪
♪ WITH EVERYTHING SHE SAYS SHE
KNOWS BUT DOESN'T SEE ♪
♪ AND RIGHT BEFORE I SAY, "HEY,
LET'S THINK THIS OVER ♪
♪ SHE QUICKLY TURNS AWAY AND
WALKS THROUGH THE TREES ♪
♪ PUSHIN' THROUGH THE CROWD,
LIVIN' IN BOTH EYES ♪
♪ SHE WON THE SOUTHERN MAN,
THAT BOY WAS ME ♪
♪ SO NOW I'M BEGGIN',
"HOLD STEADY ♪
♪ BEFORE SHE TURNS AND WALKS
AWAY ♪
♪ NOW IT'S WAY TOO LATE TO SEE
WHAT'S IN THE HAZE ♪
♪ WE'RE ALL WASTIN' TIME WE
DON'T HAVE, AND IT'S DYIN' ♪
♪ AT THE END OF THE DAY, I STILL
HOPE IT'S WORTH VYIN' FOR ♪
♪ NOW YOU'RE ALL BUT A GHOST IN
MY HEART, AND I'M TRYIN' ♪
♪ EVEN IF I COULD CHANGE, YOU
SAID, "BABY, DON'T BOTHER ♪
BREAKFAST IS SERVED.
ALL RIGHT, WHAT DOES YOUR
APPETITE REFLECT?
I'LL LET YOU CHOOSE TWO BACON,
THREE BACON.
UM, TWO BACON, PLEASE.
I'LL TAKE WHATEVER.
THAT'S YOURS.
[ MUSIC FADES ]
[ Sighing ] MMM.
[ SIGHS ]
ACTUALLY, DO YOU GUYS WANT ANY
COFFEE?
MM-HMM.
ALL RIGHT.
MMM.
[ CHUCKLES ]
MMM.
DID YOU HAVE FUN LAST NIGHT?
I DID.
DID YOU HAVE FUN?
MM-HMM.
AREN'T YOU GLAD YOU HAVE SUCH A
SEXY GIRLFRIEND?
MNH-MNH.
[ LAUGHS ]
FOR YOU.
MM-HMM.
[ MID-TEMPO JAZZ PLAYS ]
[ MUSIC INTENSIFIES ]
[ INDISTINCT CONVERSATION ]
[ MUSIC FADES ]
[ SIGHING ]
[ SIGHS ]
GO ON, OUT.
COME ON, SNOWBALL, GET OUT.
GO ON, GET OUT OF THERE.
[ SIGHS ]
[ ZIPPER ZIPPING ]
[ SLOW, DRAMATIC MUSIC PLAYS ]
[ TELEPHONE RINGING ]
[ CLEARS THROAT ]
HERE YOU GO.
THANK YOU.
[ SIGHS ]
UM, IT'S REALLY NICE TO SEE
YOU.
[ CHUCKLES ]
YOU TOO.
[ CHUCKLES ]
UM, I HAD A LOT OF FUN THE
OTHER NIGHT.
YEAH, US TOO.
GOOD.
HAVE YOU HAD A CHANCE TO LOOK AT
THE PICTURES?
I DID.
YEAH?
THEY LOOK REALLY, REALLY
GOOD.
REALLY?
YEAH.
YOU LOOK REALLY GOOD IN THEM.
OH, COOL.
YEAH. ACTUALLY, IT REMINDS
ME, THE WAITRESS FRIEND THAT YOU
INTRODUCED US TO THE OTHER
NIGHT -- THE ONE WITH THE
BLACK EYE?
MM-HMM.
WHAT WAS HER NAME?
REBECCA?
YEAH. DO YOU KNOW IF SHE'S
EVER DONE ANY MODELING BEFORE OR
IF SHE'S EVER EXPRESSED ANY
INTEREST IN IT?
UM...
I ACTUALLY DON'T KNOW.
I MEAN, I JUST THINK SHE'S
GOT A REALLY COOL LOOK.
DON'T YOU?
YEAH.
DO YOU THINK THAT IF, LIKE,
YOU KNOW, LIKE, IF I CALLED HER
AND ASKED HER, YOU KNOW, ABOUT
DOING SOMETHING, THAT SHE WOULD
BE WEIRDED OUT BY IT, OR...
I ACTUALLY HAVE -- I'M SORRY,
[CHUCKLES ] I DON'T KNOW.
YOU DON'T KNOW?
I'M SURE SHE'D BE HAPPY.
DO YOU HAVE HER NUMBER?
MM-HMM. YEAH, DO YOU WANT IT?
YEAH, IF THAT'S COOL.
YEAH.
[ MUSIC INTENSIFIES ]
[ CAMERA SHUTTER CLICKS ]
[ MUSIC FADES ]
YEAH, THAT CAN WORK.
LIKE, AROUND 10:00.
OKAY.
[ CHUCKLING ]
YEAH, OKAY, IT'S COOL.
ALL RIGHT.
OKAY, I'LL SEE YOU THEN.
BYE.
WHAT?
WHO WAS THAT?
JUST -- JUST A FRIEND OF
CALLIE'S.
HAS HE GOT A NAME?
BILLY. [ CHUCKLES ]
HE'S A PHOTOGRAPHER.
SOUNDS LIKE YOU JUST MADE
THAT UP.
[ Chuckling ] NO, NO.
WHY WOULD I MAKE THAT UP?
[ CHUCKLES ]
I GOT TO GO TO WORK.
I'LL SEE YOU LATER, ALL RIGHT?
HELLO?
I'LL SEE YOU TONIGHT.
[ DOOR OPENS ]
[ DOOR CLOSES ]
[ WATER RUNNING ]
[ DOOR CLOSES ]
[ WATER STOPS RUNNING ]
WHO WERE YOU TALKING TO?
I WAS TALKING TO THAT
WAITRESS FROM THE OTHER DAY.
WHAT? [ CHUCKLES ]
[ KNOCK ON DOOR ]
WERE YOU EXPECTING ANYBODY?
[ SOFT, DRAMATIC MUSIC PLAYS ]
ARE YOU WILLIAM WINGARD?
YEAH.
DETECTIVE MIKE BANFEAUX.
UM...
I WAS WONDERING IF I COULD ASK
YOU A COUPLE QUESTIONS.
SURE.
DO YOU KNOW A
SHANNON FIERMAN?
SHE'S A MODEL.
GOT A PHOTO RIGHT HERE.
I DON'T THINK SO.
NO, THAT'S THE MODEL I BOOKED
FOR THE SHOOT THE OTHER DAY --
THE ONE THAT DIDN'T SHOW UP.
OH, RIGHT.
MIND IF I COME IN?
THANKS.
SHANNON FIERMAN WAS MURDERED THE
DAY BEFORE YESTERDAY.
I'VE BEEN GOING AROUND SPEAKING
WITH SOME OF HER FRIENDS AND
ASSOCIATES, AND YOUR NAME HAS
COME UP A COUPLE TIMES AS
SOMEONE SHE MIGHT HAVE WORKED
WITH.
I WAS JUST WONDERING IF YOU
MIGHT KNOW ANYTHING THAT JUMPS
OUT AT YOU, UH, ANYONE NEW IN
HER LIFE, AN EX-BOYFRIEND OR
SOMEONE.
NO, I JUST SPOKE TO HER OVER
THE PHONE TO BOOK THE SHOOT.
NOTHING ELSE.
DID SHE EVER MENTION AN
ARGUMENT OR FEELING THREATENED?
WAS THERE ANYTHING?
NO, NOTHING LIKE THAT.
NOTHING LIKE THAT CAME UP?
WELL, WE'RE DOING A SHOOT IN
THE NEXT FEW DAYS.
MAYBE SOME OF OUR PEOPLE MIGHT
HAVE KNOWN HER.
I MEAN, YOU'RE MORE THAN WELCOME
TO COME AND ASK AROUND IF YOU
WANT.
YEAH, THAT COULD BE HELPFUL.
HERE'S MY CARD.
CALL ME IF YOU THINK OF
ANYTHING.
AND, YEAH, I COULD DROP BY.
[ SNIFFLES ]
SURE.
THANKS.
DO YOU MIND IF I USE YOUR
RESTROOM?
[ MID-TEMPO MUSIC PLAYS
INDISTINCTLY ]
♪ SHOULD HAVE NEVER TRIED SO
HARD ♪
HEY.
HOW ARE YOU?
HEY.
I'M SO GLAD.
GIVE ME TWO MINUTES.
I'M JUST GONNA TURN THIS IN.
YEAH, YEAH, SURE.
ALL MY STUFF.
YOU WANT TO SIT DOWN?
YEAH.
I'LL BE RIGHT BACK.
* SHOULD HAVE NEVER TRIED
SO HARD ♪
[ SOFT MUSIC PLAYS ]
SO, WHAT KIND OF PHOTOS --
HOW WOULD YOU DESCRIBE THE
PHOTOS THAT YOU TAKE?
YOU WANT, LIKE, A PRETENTIOUS
VERSION OF THAT OR, LIKE, JUST A
STRAIGHTFORWARD VERSION?
JUST -- I MEAN, I DON'T KNOW.
WHICH ONE IS BETTER?
I WOULD SAY, I TAKE...
PERSONAL FETISH PHOTOS.
PERSONAL FETISH?
THAT'S HOW I WOULD DESCRIBE
IT, YEAH.
BUT, LIKE -- BUT I MEAN THAT IN
THE CLASSIEST WAY POSSIBLE.
OKAY.
CLASSY PERSONAL-FETISH PHOTOS.
[ CHUCKLES ]
HOW DO YOU COME UP WITH YOUR
IDEAS?
UM, YOU KNOW, I DON'T REALLY
KNOW.
IT'S JUST, OVER THE COURSE OF
TIME, YOU JUST SEE THINGS THAT
LOOK GOOD OR SEE THINGS THAT YOU
WANT TO RE-CREATE.
DOES YOUR GIRLFRIEND GET
JEALOUS?
Tsk.
UM...
OH.
THAT'S PROBABLY A QUESTION
YOU'D HAVE TO ASK HER...
[ LAUGHS ]
...NOT ME.
SHE DOESN'T ACT LIKE SHE'S
JEALOUS?
I DON'T THINK SHE DOES.
YOU KNOW?
WOULD YOU GET JEALOUS?
YEAH, I THINK SO.
MAYBE SHE GETS JEALOUS A
LITTLE BIT.
WERE YOU, LIKE, INTERESTED IN
ALL THESE, LIKE, WOMEN IN, LIKE,
A SEXUAL, FETISHY WAY?
[ CHUCKLES ] UM...
YOU ASK HER TO WEAR TIGHTS?
YOU ASK THEM TO WEAR TIGHTS?
LIKE, WHAT'S -- HOW DO YOU
SEPARATE THAT?
UM...
AGAIN, YOU KNOW, WRONG PERSON.
I DON'T REALLY --
YOU DON'T SEPARATE IT?
WELL, I JUST DON'T THINK
ABOUT IT, HONESTLY, YOU KNOW?
I MEAN, IF A PROBLEM ARISES, WE
DEAL WITH IT, BUT, YOU KNOW...
I MEAN, PART OF IT, YOU KNOW,
LIKE, YOU KNOW, SHE KNOWS THAT
MY ATTRACTION TOWARDS SOMEBODY
ELSE IS USUALLY WHAT DRIVES MY
INTERESTS.
YEAH.
AND WITHOUT THAT, THEN, YOU
KNOW, WHY ELSE WOULD I BE
SHOOTING THESE THINGS, YOU KNOW?
RIGHT.
SO SHE'S FINE WITH THAT.
[ CAMERA SHUTTER CLICKS ]
WHEN SHE MET YOU, WERE YOU
ALREADY DOING IT?
YEAH.
YEAH, I GUESS SO.
YEAH.
YOU'D HAVE TO BE COOL WITH
THAT, I GUESS.
[ CHUCKLES ]
YEAH.
OKAY, WELL, THANKS FOR THE
BEER.
[ HORN HONKING ]
REBECCA, LET'S GO.
SEE YA.
[ VEHICLE DOOR OPENS ]
[ VEHICLE DOOR CLOSES ]
WHO WAS THAT?
"SOME GUY"?
[ SOFT, DRAMATIC MUSIC PLAYS
ON TELEVISION ]
WHERE HAVE YOU BEEN?
I WAS WORKING LATE WITH PHIL.
WHY DIDN'T YOU CALL?
I DID.
I CALLED YOU A QUARTER TO 5:00,
BUT THERE WAS NO ANSWER.
THEN, I GOT WORKING AND FORGOT.
YOU KNEW I HAD TO GO TO THE
CLEANER'S LATE THIS AFTERNOON.
AND YOU TRY TO TELL ME YOU
CALLED ME THEN.
I TELL YOU, I DID CALL, AND
THEN I GOT INVOLVED.
[ BREATHING HEAVILY ]
[ FRENETIC CARTOON MUSIC PLAYS ]
GANGWAY!
[ LAUGHING ]
HUH? HUH?
[ PURRING ]
ME WANTS PEACE AND QUIET.
I'VE BEEN A BAD BOY.
I SHOULD HAVE LISTENED TO MY
MOTHER.
[ CRICKETS CHIRPING ]
[ CELLPHONE VIBRATING ]
[ SIGHS ]
[ CELLPHONE VIBRATING ]
WHO THE FUCK IS TEXTING YOU?
[ SIGHS ]
IT'S JUST THAT WAITRESS.
[ SIGHS ]
[ CELLPHONE VIBRATING ]
JESUS.
[ SIGHS ]
[ DRAMATIC MUSIC PLAYS ]
[ MUSIC FADES ]
[ GUN COCKS ]
[ DRAMATIC MUSIC RESUMES ]
[ SHOWER WATER RUNNING ]
HOW HIGH DO YOU WANT IT?
UH, LET'S KEEP HER GOING, BUT
JUST LEAVE ENOUGH ROOM SO HER
BREASTS ARE EXPOSED, OKAY?
HEY, BOSS.
YOU WANT A COUPLE OF ONE K's
WITH THIS, OR...
YEAH, GO AHEAD AND HAVE THEM
IN THERE, STANDBY.
[ INDISTINCT CONVERSATION ]
OHH!
[ CHUCKLES ]
DOES IT SMELL?
[ SNIFFING ]
[ Chuckling ] "DOES IT
SMELL?"
I JUST CAN'T STAND THE SMELL
OF THESE KIND OF THINGS.
UGH.
IT'S REALLY NASTY, THOUGH.
I CAN'T REALLY LOOK AT IT.
I CAN'T LOOK AWAY FROM IT.
IF IT'S GROSSING YOU OUT,
THEN, YOU KNOW, IT'S DOING ITS
JOB.
SO, IS THIS STARTING TO APPEAL
TO YOU YET?
I DON'T KNOW.
I'M NOT SURE IT'S THE KIND OF...
THING, YOU KNOW, MY MAMA WOULD
BE PROUD OF.
[ CHUCKLES ]
WHAT DO YOU MEAN?
YOU'RE JUST PLAYING, LIKE, A
GAME OF DRESS-UP HERE.
YEAH, I GUESS.
BUT IT'S DRESS-UP MIXED WITH
FINE ART.
FINE ART?
YES.
ALL RIGHT, THAT'S WHAT WE'RE
DOING HERE?
WELL, YES.
ALL RIGHT.
IF YOU CAN'T TELL -- IF YOU
HAVEN'T FIGURED THAT OUT YET.
WELL, I WASN'T SURE.
I THOUGHT IT MIGHT BE SOMETHING
DIFFERENT.
WELL, HOW WOULD IT BE
SOMETHING DIFFERENT?
I DON'T KNOW.
BECAUSE THERE'S BOOBIES?
YEAH, I GUESS SO.
YOU DON'T THINK THAT
SOMETHING CAN BE ARTISTIC IF IT
HAS BOOBIES IN IT?
WELL, I'M JUST CURIOUS, LIKE,
WHAT'S THE DISTINCTION HERE.
WELL, THAT'S NOT MY PROBLEM.
I THOUGHT YOU WERE THE
ARTIST.
EXACTLY.
I THOUGHT YOU WERE THE ONE
MAKING IT ART.
WELL, I'M THE IRRESPONSIBLE
ARTIST, SO, YOU KNOW, WHICH IS
THE SIGN OF A GOOD ARTIST.
IF THEY'RE IRRESPONSIBLE?
[ CHUCKLES ] SOMETIMES.
[ CHUCKLES ]
IN THIS CASE, YEAH.
DO YOU EVER FEEL LIKE YOU'RE
NOT MAKING ART?
WELL, RIGHT NOW, I DON'T FEEL
LIKE I'M MAKING ART.
I'M SITTING HERE CHATTING WITH
YOU.
YEAH, BUT YOU EVER FEEL
LIKE...
[ MID-TEMPO DRAMATIC MUSIC
PLAYS ]
LOOK WHO IT IS.
[ CHUCKLES ]
HEY.
HOW'S IT GOING, MAN?
GOOD.
HOW YOU DOING?
FINE.
EVERYBODY'S BACK HERE IF YOU
WANT TO CHITCHAT.
YEAH, THAT'D BE GREAT.
OKAY, COME ON BACK.
HOW'S THE WEATHER OUT THERE?
STILL RAINING.
20 MORE. I'LL COUNT DOWN.
20...
EXCUSE ME. LOOK ALIVE.
WE GOT A POLICE OFFICER HERE.
EVERYONE, THIS IS
DETECTIVE BANFEAUX.
HE'D LIKE TO ASK YOU ALL SOME
QUESTIONS.
I RECOMMEND STARTING WITH HER.
SHE'S THE MOST
SUSPICIOUS-LOOKING.
[ CHUCKLES ] WHOO!
HAVE YOU EVER SEEN THIS WOMAN
BEFORE OR WORKED WITH HER?
HER NAME IS SHANNON FIERMAN.
MNH-MNH.
SHE'S A MODEL.
MNH-MNH, I DIDN'T SEE HER.
MISS, DO YOU KNOW HER?
NO.
NEVER MET?
NO.
YOU GUYS WANT TO GET THAT?
[ SOFT, DRAMATIC MUSIC PLAYS ]
OKAY.
OH.
AM I STUCK?
NOW IT'S FINE.
OKAY.
HERE YOU GO.
HOW DO I GET ON THIS THING?
GOTCHA.
IT'S OKAY.
LIKE...
[ CHUCKLES ] LOOK.
OKAY?
MM-HMM.
[ LIQUID SPLASHES ]
UH-OH.
[ CHUCKLES ]
NICE.
OKAY.
THERE YOU GO.
LET ME, LIKE...
IS IT COLD?
NO, ACTUALLY, IT'S KIND OF
FINE.
[ CHUCKLES ]
LUKEWARM.
KIND OF LIKE CHOCOLATE.
[ CHUCKLES ]
DO YOU WANT TO DO ANYTHING
WITH HER HAIR?
LET'S LOOK HERE.
NO, JUST KEEP IT DRY FOR RIGHT
NOW.
WE'LL DO A COUPLE WITH IT DRY,
AND THEN MAYBE WE'LL SWITCH IT
UP LATER, BUT JUST STAY THE SAME
WAY.
IS THIS TEMPTING TO YOU NOW?
[ LAUGHTER ]
IT'S PRETTY COOL, ACTUALLY.
JUST HANG OUT FOR JUST A
SECOND.
IT FEELS COOL?
YEAH, IT DOES.
IS IT SLIMY?
HOW OFTEN DO YOU SEE SHIT
LIKE THAT?
PEOPLE KILLING THEMSELVES?
OH, YEAH, WITH, LIKE,
THE WRISTS OPEN AND EVERYTHING?
PRETTY COMMON.
SUPPOSEDLY, IF YOU DO IT WITH A
FINE ENOUGH BLADE, YOU CAN'T
EVEN REALLY FEEL ANYTHING.
YOU JUST GET KIND OF SLEEPY AS
YOUR LIFE RUNS OUT OF YOU.
JUST GET KIND OF TIRED AND WARM.
CLOSE YOUR EYES.
OKAY.
[ CAMERA SHUTTER CLICKS ]
[ CAMERA WHIRRING ]
HEY, ALEX?
YEAH?
[ CAMERA SHUTTER CLICKS ]
[ CAMERA WHIRRING ]
THANK YOU.
[ MUSIC INTENSIFIES ]
[ FOOTSTEPS APPROACHING ]
[ CAMERA SHUTTER CLICKS ]
[ MUSIC INTENSIFIES ]
[ CAMERA SHUTTER CLICKS ]
[ INDISTINCT CONVERSATION ]
[ MID-TEMPO MUSIC
PLAYS INDISTINCTLY ]
[ Holding breath ] I THINK
CARS ARE FUTURISTIC, YOU KNOW?
[ EXHALES ]
I MEAN, JUST ANYTHING, YOU KNOW?
LIKE, I THINK THAT MAYBE, IF I
HAD A PAST LIFE, IT WAS
DEFINITELY BEFORE ELECTRICITY.
[ KNOCK ON DOOR ]
HOLD ON A SECOND.
I'LL HOLD THAT.
HOLD THAT FOR ME.
MM-HMM.
* HELLO ♪
[ LAUGHS ]
OH, HEY, WHAT'S UP? [ LAUGHS ]
HOW ARE YOU?
I'M GOOD, I'M GOOD.
COME ON IN.
IS ALEX AROUND?
OH, NO, SHE'S STILL AT HER
MOM'S FOR THE WEEKEND.
OH, YEAH. I'M SORRY.
WHAT ARE YOU DOING AROUND
HERE?
I JUST WANTED TO STOP BY AND
SAY HI.
OH, YEAH.
YOU KNOW THESE GUYS?
UM, YEAH, KIND OF.
HOW'S IT GOING?
HEY.
THANK YOU MUCH.
UM, I'M ACTUALLY NOT GONNA
STAY, I DON'T THINK, SO DO YOU
MIND JUST TELLING ALEX I STOPPED
BY?
OH, YOU'RE NOT GONNA STAY?
NO, I DON'T THINK SO.
OKAY, HERE, HERE.
LET ME WALK YOU OUT, THEN.
YOU'RE MORE THAN WELCOME TO
STICK AROUND.
ALL RIGHT.
UM, HAVE A GOOD NIGHT.
YEAH.
I'LL SEE YOU SOON, I HOPE.
[ CHUCKLES ]
GOOD NIGHT.
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ CAR IDLING ]
[ BRAKE RELEASES ]
[ INDISTINCT CONVERSATION ]
[ SOFT MUSIC
PLAYS INDISTINCTLY ]
I DON'T KNOW.
I THINK I WOULD FEEL FUNNY ABOUT
IT.
I COULDN'T LOOK AT THEM
AFTERWARDS.
I BET YOU WOULD TAKE LIKE
THREE, AND THEN AS YOU SAW ONE,
YOU'D WANT TO TAKE MORE.
MAYBE. I DON'T KNOW.
YOU SHOULD JUST TRY IT.
THERE'S NO --
WAIT, WAIT, WAIT, HOLD ON.
[ CAMERA SHUTTER CLICKS ]
ONE MORE.
[ CHUCKLES ]
HOLD A MINUTE.
[ CHUCKLES ]
NOW, NOW, DON'T MOVE, DON'T
MOVE.
[ CAMERA SHUTTER CLICKING ]
[ CHUCKLES ]
HERE.
[ CAMERA SHUTTER CLICKING ]
[ CHUCKLES ]
[ CAMERA SHUTTER CLICKING ]
[ CHUCKLES ]
[ CAMERA SHUTTER CLICKING ]
[ CHUCKLES ]
[ CAMERA SHUTTER CLICKING ]
[ CHUCKLES ]
[ CAMERA SHUTTER CLICKING ]
* IT'S A WASTE OF TIME,
TRYIN' TO STAND IN LINE ♪
♪ NEVER A PLACE AND TIME ♪
♪ WISH YOU WERE SPENDIN' TIME ♪
♪ LOOK FOR A FOOLISH SIGN ♪
♪ SOMETHING TO... ♪
[ DRAMATIC MUSIC PLAYS ]
DO YOU HAVE A GOOD TIME?
YEAH, I DID.
DID YOU REALLY?
YEAH, I DID, I DID.
I HAD A VERY, VERY GOOD TIME.
[ Chuckling ] GOOD.
AND, UH, I HOPE THAT WE DO
SOMETHING LIKE THIS AGAIN, IF
YOU EVER FEEL LIKE IT.
WE SHOULD HANG OUT.
YEAH, WE SHOULD.
WE SHOULD HANG OUT.
WE SHOULD JUST GO DO SOMETHING
NORMAL SOMETIME SOON.
[ LAUGHS ] OKAY.
IT WAS SO GOOD TO SEE YOU.
[ DRAMATIC MUSIC CONTINUES ]
[ MUSIC INTENSIFIES ]
[ DOORKNOB RATTLES ]
[ DOOR CREAKS ]
[ MUSIC SOFTENS ]
[ ENGINE IDLING ]
[ ENGINE SHUTS OFF ]
[ FOOTSTEPS APPROACHING ]
[ MUSIC FADES ]
MMM.
WHOSE IS THIS?
THAT'S AMY'S.
OH.
HOW'D THE SHOOT GO?
IT'S FINE.
[ CHUCKLES ]
CAME BACK HERE AFTERWARDS?
MM-HMM.
[ MID-TEMPO MUSIC PLAYS ]
[ BREATHING HEAVILY ]
OH, FUCK IT.
[ SIGHS ]
[ BOTH BREATHING MOANING ]
[ SHOWER WATER RUNNING ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ SCOFFS ]
[ Sarcastically ] OH, I'M SO
GLAD YOU HAD A GOOD TIME.
[ SIGHS ]
STOP.
NOTHING HAPPENED?
NO.
SERIOUSLY.
WHY ARE YOU TAKING NAKED
PICTURES OF WOMEN IN OUR HOUSE?
HAVE YOU EVER DONE THIS BEFORE?
DO YOU TAKE...
SMUTTY PICTURES WHEN I'M NOT
HERE?
NO.
NO, SERIOUSLY, WE WERE JUST
HANGING OUT, AND YOU KNOW, I
MEAN...
WELL, WHAT ARE YOU GONNA DO
WITH THEM?
WHAT ARE YOU GONNA DO WITH THE
PICTURES?
I DON'T KNOW.
I HAVEN'T HAD A CHANCE TO LOOK
AT THEM.
WELL, I'D LIKE YOU TO DELETE
THEM.
COULD YOU PLEASE DO THAT?
WELL, I DON'T KNOW.
I MEAN, THERE MIGHT BE, LIKE --
NO, I NEED YOU TO DELETE
THEM.
[ SIGHS ]
I'M NOT BEING UNREASONABLE.
ALL RIGHT, ALL RIGHT, IF YOU
WANT ME TO DELETE THEM.
LOOK, WE TAKE PICTURES...
[ SIGHS ]
VERY SPECIFIC PICTURES.
ALL RIGHT, HERE.
JUST GIVE ME THE CAMERA.
I'LL DELETE THE PHOTOS.
I'LL DELETE THEM LATER, OKAY?
[ MUSIC STOPS ]
THERE MIGHT BE SO STUNNING THAT
I DON'T WANT TO MESS UP.
YOU KNOW?
LOOK, SERIOUSLY.
FINE.
[ SIGHS ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
WHAT ARE YOU DOING HERE,
MICHAEL?
I JUST STOPPED BY TO GET A
COUPLE THINGS.
I'LL BE GONE IN A FEW MINUTES.
YOU CANNOT KEEP SHOWING UP
HERE UNANNOUNCED.
DO YOU UNDERSTAND ME?
YEAH, I KNOW.
I TOLD YOU TO LEAVE.
I MEANT IT.
I KNOW.
I USED TO BE AFRAID THAT I'D
GET A CALL IN THE MIDDLE OF THE
NIGHT, AND YOU'D BE DEAD ON A
STREET CORNER SOMEWHERE.
NOW I'M TERRIFIED THAT YOU'RE
GONNA DO SOMETHING TO YOURSELF.
I COME HOME EVERY DAY WITH A PIT
IN THE MIDDLE OF MY STOMACH,
MICHAEL, THAT YOU'RE GONNA BE
DEAD ON A FLOOR AND I'M GONNA
FIND YOU AND HAVE TO DEAL WITH
THAT.
I CAN'T DO THIS ANYMORE.
I'M NOT CUT OUT FOR IT.
[ SCOFFS ]
HOMICIDE DETECTIVE IS ONE THING.
DEPRESSED IS A WHOLE OTHER ONE.
I WANT A FAMILY.
I WANT A FUTURE, MICHAEL.
I WANT A SENSE OF SECURITY AND
SAFETY IN MY LIFE.
I'VE DONE EVERYTHING I CAN FOR
YOU.
I'VE GONE ABOVE AND BEYOND, AND
I JUST DON'T HAVE IT IN ME
ANYMORE.
I JUST WANT YOU TO GET YOUR
STUFF AND GET OUT OF HERE.
I'M SORRY.
YEAH, HEARD IT BEFORE.
[ CAMERA SHUTTER CLICKS ]
HOW ARE YOU?
I'M GOOD.
YOU EXCITED ABOUT THE SHOOT?
YEAH, YEAH.
UM, ACTUALLY...
THAT'S WHAT I WANT TO TALK TO
YOU ABOUT.
UM, YOU KNOW, IT JUST OCCURRED
TO ME THE OTHER DAY, UH, HOW,
YOU KNOW, I'VE BEEN HANGING OUT
WITH REBECCA AND ALL.
AND, UH, I MEAN, IT JUST KIND OF
OCCURRED TO ME THAT THIS MIGHT
BE A GOOD STARTING POINT FOR
HER.
OKAY, COOL.
W-WHAT WOULD YOU HAVE FOR HER?
WHAT WOULD SHE BE DOING?
WELL, I WAS THINKING MAYBE
SWITCHING YOU GUYS OUT.
OH, OKAY.
LIKE, UH, YOU KNOW, IT
JUST -- IT JUST SEEMS LIKE WE'RE
GONNA BE ON THE SOUND STAGE,
AND...
MM-HMM.
...IT'S, UH, IT'S GONNA BE A
CONTROLLED ENVIRONMENT.
YEAH.
THERE'S NOT GONNA BE A LOT OF
PEOPLE WANDERING IN AND OUT.
YEAH. TOTALLY.
THAT MAKES A LOT OF SENSE.
I THINK SHE'LL BE GREAT.
YEAH?
YEAH.
OKAY.
BUT DON'T GET ME WRONG.
I WANT YOU THERE.
[ Chuckling ] OH.
YOU KNOW?
LIKE, I WANT YOU TO BE THERE TO
HELP OUT AND, YOU KNOW, IF YOU
WANT TO BE THERE.
YEAH, TOTALLY.
OKAY.
YEAH, I'LL HELP OUT.
OKAY.
I'M JUST ACTUALLY GONNA RUN
TO THE BATHROOM REALLY QUICKLY.
DO YOU NEED ANYTHING?
NO, I'M GOOD.
OKAY.
[ MUSIC INTENSIFIES ]
[ SIGHS ]
[ MUSIC FADES ]
LATE NIGHT?
MAYBE I SHOULD HAVE SOME
WATER.
[ CHUCKLES ]
I DON'T KNOW HOW LONG IT'S BEEN
IN THE BACK SEAT, BUT [SIGHS]
GO FOR IT.
PERFECT.
IT'S GOT ELECTROLYTES.
[ CHUCKLES ]
[ INDISTINCT CONVERSATIONS ]
[ FOOTSTEPS APPROACHING ]
[ TELEPHONE RINGING ]
[ UP-TEMPO MUSIC
PLAYS INDISTINCTLY ]
[ MUSIC INTENSIFIES ]
[ ENGINE TURNS OVER ]
[ SOFT MUSIC PLAYS ]
YOU KNOW WHAT'S AN AESTHETIC
CHOICE?
[ SNIFFLES ]
YOU KNOW, NATURE PHOTOS --
PHOTOS LIKE BIRDS AND TREES.
YEAH, BUT ANYBODY CAN TAKE
THAT.
AND MOST PEOPLE, IF YOU ACTUALLY
START LOOKING AT WHAT PEOPLE DO
WHEN THEY FIRST START TAKING
PHOTOGRAPHS, THEY ALWAYS END UP
JUST GOING TO, LIKE, BOTANICAL
GARDENS OR SOMETHING.
IF YOU EVER GO TO BOTANICAL
GARDENS, YOU JUST SEE ALL THESE,
LIKE, PHOTOGRAPHY JOURNALISM
STUDENTS OUT THERE WITH THEIR
CAMERAS, TAKING PICTURES OF THE
SAME GODDAMN PLANTS THAT
EVERYBODY ELSE HAS TAKEN
PICTURES OF.
YOU KNOW, IT'S RIDICULOUS,
'CAUSE IT'S LIKE, WHY CAN'T THEY
JUST GO OUT TO, LIKE, SOMEWHERE
WHERE PEOPLE DON'T PHOTOGRAPH
PLANTS.
INSTEAD, PEOPLE ACTUALLY GO TO
LOCATIONS WHERE THE PLANTS ARE
COMMONLY PHOTOGRAPHED -- THE
EXACT SAME ONES.
THERE'S PROBABLY, LIKE,
HARD DRIVES AND HARD DRIVES JUST
FILLED WITH, LIKE, ALL THE
BOTANICAL GARDENS ACROSS THE
UNITED STATES WITH THE SAME
GODDAMN PLANTS, YEAR AFTER YEAR,
WHEN THEY'RE BLOOMING AND DYING.
YOU KNOW WHAT I MEAN?
IT'S RIDICULOUS.
SO, YOU KNOW, AT THE END OF THE
DAY, YOU KNOW, DOING THAT KIND
OF THING IS EASY.
AND YOU KNOW, PULLING TOGETHER
THE RESOURCES, YOU KNOW, TO GET
A CREW TOGETHER, GET MAKEUP
TEAMS TOGETHER, TO GET EVERYBODY
ALL IN ON THE GAME, YOU KNOW, TO
RE-CREATE AN INTERESTING --
MAYBE IT'S A CRIME SCENE, MAYBE
IT'S, LIKE, A KIDNAPPING SCENE,
MAYBE IT'S, LIKE, SOME SORT OF,
LIKE, WEIRD SEX CRIME GONE WRONG
KIND OF THING IN THE MIDST OF
IT.
YOU KNOW, WHATEVER IT IS, YOU'RE
ACTUALLY MAKING SOMETHING
INTERESTING HAPPEN, EVEN IF IT
IS DARK OR WHATEVER.
AND THAT'S JUST WAY MORE
INTERESTING THAN, YOU KNOW, JUST
GOING OUT AND TAKING A PICTURE
OF YOUR FUCKING TREE IN YOUR
FRONT YARD OR SOMETHING.
YOU KNOW?
I THINK PHOTOS OF FLOWERS ARE
NICE.
[ SIGHS ]
I LIKE LOOKING AT PHOTOS.
YOU KNOW, I'M SURE THAT
THERE'S PHOTOS OF FLOWERS OUT
THERE THAT'LL JUST BLOW MY MIND,
YOU KNOW?
I JUST HAVEN'T SEEN THEM.
ALL RIGHT, ALL RIGHT, WELL,
WHY WOMEN?
WHY IS IT ALL THOSE DEAD WOMEN?
WHY NOT SOME DEAD OLD GUY WITH,
LIKE, A --
WELL, THAT'S DEPRESSING, YOU
KNOW?
IT'S NOT ABOUT THEM BEING DEAD
OR BEAT UP OR ANYTHING LIKE
THAT, YOU KNOW.
IT'S JUST A SPICE.
ACTUALLY, YOU KNOW WHAT, IT'S
RIDICULOUS FOR ME TO EVEN TRY TO
EXPLAIN THIS, BECAUSE IT'S NOT
SOMETHING THAT I EVEN THINK
ABOUT.
IT'S JUST SOMETHING THAT I DO.
AND THAT'S WHAT YOU GOT TO DO IN
THESE SITUATIONS.
YOU CAN'T SAY, "WHY AM I DOING
THIS?"
YOU KNOW, "WHY, WHY, WHY?"
YOU JUST HAVE TO BE LIKE, "OKAY,
I'M ATTRACTED TO THIS, YOU KNOW,
AND THAT'S WHAT I'M GONNA DO."
AND THAT'S PRETTY MUCH WHAT
PHOTOGRAPHY, IN GENERAL, IS.
YOU KNOW?
YOU JUST HAVE TO REACT TO
SOMETHING THAT GIVES YOU SOME
SORT OF, YOU KNOW, SOME SORT OF,
UH, YOU KNOW, EMOTIONAL FEEDBACK
THAT YOU CAN'T QUITE EXPLAIN.
YOU KNOW, I DON'T -- I DON'T
LIKE LOOKING AT DEAD BODIES.
I DON'T LIKE -- I DON'T LIKE
SEEING PEOPLE ACTUALLY GET HURT.
YOU KNOW, IT'S NOT LIKE THAT
AT ALL.
HAVE YOU EVER SEEN A REAL
DEAD BODY?
UM...
I MEAN, LIKE, AT A FUNERAL,
NOT, LIKE, JUST WALKING AROUND
AND STUMBLE ACROSS ONE, ALTHOUGH
I ALWAYS THOUGHT THAT WOULD BE
KIND OF COOL.
[ SIGHS ]
YOU KNOW WHAT MIGHT BE A GOOD
FIX FOR YOU?
WHAT'S THAT?
[ SNIFFLES ]
HAVE YOU JUST TRIED, YOU
KNOW, SMILING OCCASIONALLY?
YOU KNOW?
I SMILE, I SMILE.
LIKE, UM --
LET ME SEE.
I'M NOT -- THERE'S NOTHING TO
SMILE ABOUT RIGHT NOW.
I'M NOT GONNA SMILE RIGHT NOW.
WELL, SEE, THAT'S THE THING,
IS YOU DON'T NEED ANYTHING TO
SMILE ABOUT.
YOU CAN JUST SMILE. YOU KNOW?
WELL, WHAT IS THAT?
WHAT'S THE BENEFIT OF THAT?
WELL, IT RELEASES ENDORPHINS
OR SOMETHING.
I DON'T KNOW.
UH, YOU KNOW, YOU SMILE, YOU
FEEL GOOD.
YOU KNOW?
AND IF YOU DON'T FEEL GOOD, I
THINK IF YOU GET INTO THE HABIT
OF SMILING, YOU CAN START.
I THINK YOU SHOULD JUST, YOU
KNOW, START PRACTICING SMILING,
PERSONALLY.
[ CHUCKLES ]
IT'S THE DUMBEST THING I'VE
EVER HEARD.
[ CHUCKLES ]
COMING FROM MR. MOPEY OVER HERE.
[ SIGHS ]
[ MUSIC STOPS ]
[ DOORKNOB RATTLES ]
[ ZIPPER UNZIPS ]
[ LIQUID RUNNING ]
[ MOANING IN DISTANCE ]
[ MOANING INTENSIFIES ]
[ SPITS ]
[ MOANING INTENSIFIES ]
[ UP-TEMPO MUSIC PLAYS LOUDLY ]
[ BRAKE ENGAGES ]
[ ENGINE REVS ]
[ VEHICLE DEPARTING ]
[ TIRES SCREECH ]
[ CRASH ]
IF YOU COME NEAR MY
GIRLFRIEND, I'M GONNA KILL YOU!
KILL YOU!
OKAY, OKAY, OKAY.
[ VEHICLE DOOR CLOSES ]
[ ENGINE TURNS OVER ]
[ ENGINE REVS ]
[ VEHICLE DEPARTING ]
[ MUSIC STOPS ]
[ CRICKETS CHIRPING ]
[ GLASS SHARDS FALL ]
[ SIGHING ]
WHAT'S THE MATTER?
NOTHING.
[ SIGHS ]
WHAT'S THE MATTER?
[ SIGHS ]
SOMEBODY BUSTED OUT ONE OF MY
WINDOWS IN MY CAR.
WHAT?
WHAT HAPPENED?
[ SIGHS ]
UH, I WAS JUST WALKING UP TO THE
DOOR JUST A MINUTE AGO, AND, UH,
ON MY WAY UP, UM, I HEARD A
NOISE, AND I TURNED AROUND AND
THERE WAS SOMEBODY REACHING IN.
AND YOU KNOW, I CHASED HIM OFF
AND, YOU KNOW, THAT WAS THAT.
YOU KNOW?
IT'S FINE. I'M FINE.
CAR'S MOSTLY FINE.
DID THEY TAKE ANYTHING?
I DON'T THINK SO.
[ SIGHS ]
YOU KNOW, I'M JUST FUCKING
ANNOYED THAT I HAVE TO, YOU
KNOW -- IT'S JUST ONE MORE THING
I HAVE TO DEAL WITH TOMORROW.
NOW I GOT TO FIGURE OUT
SOMETHING TO DO WITH THIS
WINDOW.
ARE YOU OKAY?
SERIOUSLY, I'M GOOD, I'M
FINE.
NO, YOUR HEART IS BEATING
REALLY FAST.
ARE YOU SURE YOU'RE OKAY?
I'M GREAT.
TAKE THE BOOK, READ YOUR BOOK.
CUDDLE BACK UP.
JUST PRETEND LIKE I'M NOT EVEN
HERE.
[ SIGHS ]
HEY, LOOK, JUST STAY.
COME ON.
YOU CAN'T JUST BREAK, LIKE,
THE CAR WINDOW OF, LIKE, EVERY
NEW FRIEND I HAVE.
IT'S CRAZY. I CAN'T --
I MEAN, HOW WELL DO YOU KNOW
THIS GUY?!
I -- WHAT DOES IT MATTER HOW
WELL I KNOW THIS GUY?
WHAT DO YOU MEAN?
I MEAN, THESE PHOTOGRAPHS!
I MEAN, THEY'RE SICK!
THEY'RE NOT -- I DON'T THINK
THEY'RE --
YES, THEY ARE!
ARE YOU KIDDING?!
HOW DO YOU KNOW HE'S NOT TAKING
ADVANTAGE OF YOU, HUH?
BECAUSE I TALKED TO HIM.
HE'S MY -- LIKE, HE'S...
HE'LL SAY ANYTHING!
ARE YOU CRAZY?!
YOU'RE TALKING ABOUT HIM LIKE
HE'S A MONSTER AND I'M AN IDIOT.
I'M -- I CAN'T DO IT.
NO, STOP. COME ON, STOP.
STOP, STOP, STOP.
STOP, PLEASE.
[ Crying ] NO, DON'T.
STOP.
[ SNIFFLING ]
COME ON, THAT'S ENOUGH.
STOP, STOP, STOP. JUST...
[ SIGHS ]
I'M SORRY. [ SNIFFLES ]
I'M SORRY, TOO.
ALL RIGHT?
[ SIGHS ]
LOOK, WE CAN FIX THIS.
I DON'T THINK SO.
YES, WE CAN. COME ON.
[ SIGHS ]
YOU DON'T LISTEN TO ME.
I'M LISTENING RIGHT NOW.
I CAN'T STAY.
COME ON, JUST -- DON'T...
WHERE ARE YOU GONNA GO?!
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ DOOR CLOSES ]
[ SIGHS ]
[ CAMERA SHUTTER CLICKS ]
[ MUSIC INTENSIFIES ]
[ CAMERA SHUTTER CLICKS ]
[ MUSIC INTENSIFIES ]
[ MUSIC FADES ]
[ SIGHS ]
ALL RIGHT, WE GOT IT.
HOUSE LIGHTS!
DID IT WORK?
[ LAUGHS ]
[ INDISTINCT CONVERSATION ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
YOU LOOK GOOD, LOOK GOD.
YOU LOOK LIKE A COP.
YEAH.
YOU LOOK REALLY GOOD.
YOU'D NEVER DO ANY OF THAT
STUFF.
[ INDISTINCT CONVERSATIONS ]
SHOULD WE KEEP HER PRETTY
EYE MAKEUP ON?
[ CHUCKLES ]
EYELASHES?
[ CHUCKLES ]
I THINK SHE'S HOT.
SHE HAS A NICE BOD.
FROM EATING SALAD ALL DAY.
[ CHUCKLES ]
SHE'S REALLY TONED.
BUT I DON'T LIKE IT.
YOU DON'T?
NO.
I REALLY LIKE IT.
OH, MY GOD, I -- I WOULD KILL
MYSELF IF I HAD HER BODY.
NO.
I DON'T -- I DON'T LIKE HER
BODY.
YOU DON'T?
NO. I LIKE MY BODY.
OBVIOUSLY, I LIKE YOUR BODY,
TOO.
SHE JUST HAPPENS TO BE THE
PERSON WHO'S NAKED TODAY.
WELL --
I'M DRESSED IN BOTH OF THEM.
SHOW HER THE BADGE.
DO YOU THINK THAT THAT'S A FAKE
BADGE.
I DON'T KNOW.
LET HER TOUCH THE BADGE.
TOUCH THE BADGE?
TOUCH IT.
THAT'S A LITTLE --
IT'S REAL.
SHE DOESN'T HAVE TO.
DO YOU FEEL LIKE YOU'RE,
LIKE, THE CHARACTER IN
"SILK STOCKINGS" RIGHT NOW OR
SOMETHING?
"SILK STOCKINGS"?
I HAVEN'T SEEN THAT.
IT WAS AT
"USA UP ALL NIGHT."
JUST WAIT TILL SHE TURNS 25.
IT'LL ALL DROP.
[ IMITATES EXPLOSION ]
[ BOTH LAUGH ]
IT'LL ALL GO DOWN.
I'M NOT USED TO...
JUST NEED TO WIGGLE IT A
LITTLE.
I AM WIGGLING.
JUST GIVE IT A UMH-UMH-UMH.
[ BOTH LAUGH ]
HAZARD OF THE TRADE, I GUESS.
[ CHUCKLES ]
ACTING DEAD.
YEAH. WELL, IT'S TOUGH
WORKING, LAYING ON THE FLOOR
ALL DAY.
[ CHUCKLES ]
I KNOW. IT'S, UH, TORTUROUS.
[ SCOFFS ]
IT WASN'T TORTUROUS, EXACTLY.
[ CHUCKLES ]
DID YOU HAVE FUN?
YEAH. [ CHUCKLES ]
COOL. [ CHUCKLES ]
[ SIGHS ]
[ SPEAKING INDISTINCTLY ]
HEY.
[ CHUCKLES ]
HEY.
HOW ARE YOU?
GOOD.
GOT ANYTHING ELSE?
YEAH, AT LEAST...
ACTUALLY, I GOT TO ACTUALLY
CHECK MY VOICEMAIL.
OKAY.
SEE YA.
[ CHUCKLES ]
WHERE'S ALEX?
SHE'S LOADING THE VAN.
UM...
I FEEL KIND OF WEIRD ABOUT
NOT TELLING ALEX ABOUT WHAT
HAPPENED THE OTHER NIGHT.
UM...
SO...
WHAT ARE YOU TALKING ABOUT?
[ MUSIC FADES ]
LIKE, IT FEELS WEIRD KEEPING
IT A SECRET FROM HER THAT WE
KISSED.
Tsk.
I'M -- I'M REALLY NOT SURE WHAT
YOU'RE GETTING AT, HERE.
DO YOU LIKE ME?
LIKE?
LIKE.
LIKE YOU?
LIKE, IF I WENT LIKE THIS...
LIKE, I SHOULD -- I SHOULD
PROBABLY GO HELP THEM OUT.
SORRY.
[ SIGHS ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
YEAH. NO.
[ SIGHS ]
CAN I CALL YOU BACK IN A MINUTE?
ALL RIGHT.
WHERE'D EVERYBODY GO?
I THINK THEY JUST FINISHED
LOADING UP THE VAN.
DO YOU WANT TO GO GET SOME
DRINKS WITH US?
YEAH.
CAN I MEET YOU THERE, THOUGH?
I JUST HAVE TO FINISH A PHONE
CALL.
THAT'S FINE. [ CHUCKLES ]
OKAY. I HAD FUN TODAY.
YEAH, ME TOO.
COOL.
[ BOTH CHUCKLE ]
ALL RIGHT, WELL, I'LL SEE YOU IN
A BIT, THEN?
YEAH.
BYE. [ CHUCKLES ]
I'LL BE IN, IN LIKE AN HOUR OR
SOMETHING.
OKAY, COOL. SEE YA.
BYE.
THAT MUST BE KIND OF NICE TO
BE ABLE TO WORK WITH THE PERSON
THAT YOU'RE IN A RELATIONSHIP
WITH -- KIND OF COLLABORATE LIKE
THAT.
[ GRUNTS ]
YEAH, IT'S REALLY NICE.
HEY.
ALL THROUGH WITH IT?
[ CHUCKLES ]
YOU GUYS READY TO GO?
UM, KIND OF BEAT.
DO YOU MIND IF I JUST GO HOME?
THAT'S FINE.
IS IT ALL RIGHT IF YOU GIVE ME A
RIDE BEFORE WE GO?
I CAN DRIVE YOU.
I GOT MY CAR HERE.
IT'S A BIT OF A MESS RIGHT NOW,
BUT CAN CLEAN IT OUT.
IS THAT COOL?
YEAH.
ALL RIGHT.
HAVE YOU SEEN CALLIE?
MNH-MNH.
ALL RIGHT, I'LL SEE YOU AT
HOME.
ALL RIGHT.
OHHH.
SEE YA.
BYE.
[ DRAMATIC MUSIC FADES ]
[ MID-TEMPO MUSIC
PLAYS INDISTINCTLY ]
YOU'RE LUCKY, YOU KNOW,
GETTING TO WORK WITH YOUR
GIRLFRIEND.
THE FACT THAT YOU GUYS EVEN HAVE
SOMETHING IN COMMON YOU CAN
SHARE LIKE THAT, IT'S COOL.
I THINK YOU GUYS ARE LIKE A
PARTNERSHIP, WHERE YOU'RE
ACTUALLY COLLABORATING.
YEAH. IT'S NOT BAD.
YOU KNOW?
SOMETIMES, YOU KNOW, YOU GET A
LITTLE -- I MEAN, BEING AROUND
SOMEBODY LIKE THAT ALL THE TIME,
IT'S GOT ITS MINUSES AS WELL AS
ITS PLUSSES.
YEAH, BUT JUST EVEN BEING
ABLE TO SPEND THAT KIND OF TIME
TOGETHER, I THINK A LOT OF
PEOPLE WOULD GIVE A LOT TO FIND
SOMEONE LIKE THAT.
IT'S NICE. IT'S...
YOU GUYS GIVE ME HOPE, YOU KNOW?
IT'S A NICE THING.
YEAH, IT'S GOOD.
SO, I TAKE IT THAT YOU DON'T
SMOKE POT, THEN.
UH, NO, NO.
I MEAN, I -- I HAVE, BUT NOT FOR
A WHILE -- NOT SINCE COLLEGE.
OKAY.
DID IT FREAK YOU OUT?
I DIDN'T ENJOY IT.
UM, YOU KNOW, IT'S JUST ONE OF
THOSE THINGS WHERE IT MADE ME
FEEL VERY SELF-CONSCIOUS.
[ POLICE RADIO CHATTER ]
ISN'T THAT THE SOUND STAGE?
YEAH.
SHIT.
ALEX WAS THERE WHEN WE LEFT.
ALL RIGHT, CALL HER.
WE'RE GONNA HEAD STRAIGHT THERE.
[ SIREN WAILS ]
[ SOFT, DRAMATIC MUSIC PLAYS ]
[ CELLPHONE VIBRATING ]
[ SHOWER WATER RUNNING ]
[ CLEARS THROAT ]
PRIOR TO GETTING
DISCONNECTED, HOW DID SHE SOUND?
[ Crying ] SHE SAID, "I'M
FINE."
SHE WAS HERE.
YOU KNOW, I MEAN...
NO DISTRESS?
WELL, NO. A LITTLE.
I MEAN, JUST BROKE UP.
LIKE, HE WAS TAKING PHOTOGRAPHS
OF MY GIRLFRIEND.
[ POLICE RADIO CHATTER ]
YOU SON OF A BITCH!
[ INDISTINCT SHOUTING ]
YOU HAVE TO LET ME GO!
[ INDISTINCT SHOUTING ]
IT'S YOUR FAULT!
[ INDISTINCT SHOUTING ]
YOU CALM DOWN!
IT'S YOUR FAULT!
[ MUSIC INTENSIFIES ]
[ POLICE RADIO CHATTER ]
[ MUSIC SOFTENS ]
[ KNOCK ON DOOR ]
[ SIGHS ]
[ MUSIC FADES ]
[ SUSPENSEFUL MUSIC PLAYS ]
HEY.
[ MUSIC FADES ]
[ CRICKETS CHIRPING ]
[ SIGHS ]
IT'S REALLY BAD.
HE HASN'T BEEN SO INTO SOMEONE
SINCE...
ACTUALLY, PROBABLY SINCE HE
FIRST MET YOU.
[ SIGHS ]
[ DRAMATIC MUSIC PLAYS ]
AAH!
AAAH!
[ GUNSHOTS ]
AAH!
[ GASPING ]
[ GRUNTING ]
[ MUSIC FADES ]
DO YOU WANT MY HONEST
OPINION?
I-I THINK SO, YEAH, YEAH.
I THINK WE MIGHT WANT TO
RE-APPROACH THIS AS...
SOME KIND OF A TRUE-CRIME BOOK,
RATHER THAN A MEMOIR.
YEAH, YEAH.
THESE CONVERSATIONS ARE
ALWAYS DIFFICULT BECAUSE THIS IS
YOUR REAL LIFE WE'RE TALKING
ABOUT HERE.
I DON'T MEAN TO SUGGEST THAT
YOUR LIFE IS NOT INTERESTING.
I ALSO DON'T MEAN TO SUGGEST
THAT THE TRUTH CAN'T BE
INTERESTING.
I JUST THINK, YOU KNOW, A MEMOIR
WHERE THE NARRATOR, OUR -- OUR,
YOU KNOW, HERO ENDS UP SHOOTING
AN UNARMED WOMAN AND BEING
SUSPENDED, AND THE MURDER THAT
SAID HERO IS TRYING TO SOLVE,
YOU KNOW, TWO OF THEM END UP
BEING RELATED, AND A THIRD ENDS
UP BEING UNRELATED, I MEAN,
THESE ARE JUST THE KIND OF
THINGS THAT HAPPEN IN REAL LIFE
BUT THAT DON'T NECESSARILY MAKE
FOR COMPELLING, UH, YOU KNOW,
COMMERCIAL, UH, BOOKS.
YEAH, I-I CAN SEE THAT.
AND I THINK IF WE CAN JUST
LIBERATE YOU FROM THE FACTS OF
THE CASE AND SORT OF FREE YOU UP
TO TIE UP SOME OF THESE LOOSE
ENDS AND STRENGTHEN THESE
CONNECTIONS -- YOU AND THE
PHOTOGRAPHER, FOR INSTANCE --
YOU COULD STRENGTHEN UP THE --
THE KIND OF PARALLELS THAT YOU
SEEM TO BE SUGGESTING HERE, UM,
AND -- AND YOU KNOW, REALLY TIE
THESE TWO TOGETHER IN SOME KIND
OF COHESIVE, COMPELLING WAY.
YEAH. THAT'S A GOOD IDEA.
I'LL, UM, I'LL THINK ABOUT THAT.
WHAT'S UP WITH THIS
PHOTOGRAPHER?
WHAT'S THIS GUY UP TO?
BILLY?
HE'S GOOD.
IS THIS ALL RIGHT?
YEAH. MY TAN LINE LOOKS KIND
OF WEIRD, BUT...
OKAY.
ACTUALLY...
THERE. THERE YOU GO.
[ LAUGHS ]
CAN YOU SEE THE LEFT HAND?
MAYBE I SHOULD JUST DO THE
RIGHT?
NO, DO BOTH.
BOTH?
THAT LOOKS GOOD, YEAH.
[ CAMERA SHUTTER CLICKS ]
[ SIGHS ]
[ CAMERA SHUTTER CLICKS ]
[ Chuckling ] OKAY.
THAT'S GOOD, THAT'S GOOD.
I'M GONNA PULL THIS DOWN,
AS WELL.
MM-HMM.
[ BOTH LAUGH ]
ALL RIGHT, COULD YOU JUST
ARCH UP JUST A LITTLE BIT?
LIKE, JUST LIKE...
NOT TOWARDS ME, JUST, LIKE, UP.
YEAH, RIGHT THERE.
THERE YOU GO.
[ CAMERA SHUTTER CLICKS ]
HERE, LET ME -- I'M JUST GONNA
POSITION THIS AGAIN REAL QUICK.
OKAY.
DOES IT LOOK WEIRD WHEN I LIKE,
POINT MY TOES OUT?
NO. DO THAT.
OKAY.
LOOK AWAY OR -- SORRY.
KIND OF LOOK -- LOOK LIKE HOW
YOU ARE, WITH YOUR HEAD OVER
YOUR SHOULDER, BUT KIND OF BE
LOOKING UPWARDS.
LIKE -- YEAH, LIKE THAT AND THEN
EYES UP, IS WHAT I MEAN.
YEAH. YEAH, LIKE THAT.
[ CAMERA SHUTTER CLICKS ]
OKAY, GREAT.
LET'S JUST DO ONE MORE.
OKAY.
[ SIGHS ]
HEY.
HEY, WHAT'S UP?
ALL RIGHT.
I THINK -- AND...
[ CAMERA SHUTTER CLICKS ]
ALL RIGHT. [ SIGHS ]
THAT'LL DO IT.
AWESOME.
HEY. HI.
[ LAUGHS ]
WAS IT GOOD?
IT WAS GREAT, I THINK.
I DON'T KNOW. WAS IT GREAT?
OH, IT WAS GREAT.
[ CHUCKLES ]
OH, SORRY.
THAT'S OKAY.
I'LL PUT THIS ON.
SO, HOW WAS YOUR THING --
YOUR AGENT THING?
OH, UH, YEAH.
I MEAN, HE -- HE SEEMS TO THINK
THE BOOK HAS SOME POTENTIAL.
WANTS TO FLIP A COUPLE THINGS
AROUND.
UH-HUH.
[ CAMERA SHUTTER CLICKS ]
YEAH.
[ SIGHS ]
MAYBE, UH, MAKE MY CHARACTER
A LITTLE MORE PROACTIVE THAN I
WAS IN REAL LIFE.
THAT MAY BE INTERESTING.
LIKE YOU, UH...
YEAH, MAYBE ACTUALLY --
LIKE YOU SOLVED THE CASE?
[ LAUGHING ]
YEAH.
HOW IS IT GOING?
I'M OKAY.
MEETINGS WITH AGENTS ARE ALWAYS
A LITTLE WEIRD.
YEAH.
I MEAN, I DON'T KNOW ABOUT IT.
[ LAUGHS ]
[ WATER RUNNING ]
HOW'S IT GOING?
HMM. IT'S GOING GOOD.
[ SNIFFLES ]
GREAT.
STILL TRYING TO FIGURE OUT
THAT ENDING.
I HAVE AN IDEA FOR A REALLY
GOOD ENDING.
YOU DO?
MM-HMM.
WHAT'S THAT?
IT GOES LIKE THIS.
MM-HMM?
FIRST...
...HE PUTS DOWN THE BOOK.
MM-HMM.
SECOND...
HE TAKES HER SHIRT.
THAT SOUNDS LIKE A GOOD IDEA.
THEN...
SHE GETS DOWN.
YEAH.
YOU'RE A BETTER WRITER THAN ME.
[ CHUCKLES ]
FOURTH...
THEY TURN OFF THE LIGHT.
[ MID-TEMPO MUSIC PLAYS ]
[ CAMERA SHUTTER CLICKS ]