1,000 Convicts and a Woman (1971) - full transcript
The daughter of a British prison governor returns from an American finishing school, and chases after the inmates her her Dad's prison.
Paul Floret: HELLO.
Paul Floret: HELLO.
Angela Thorne: HI.
Angela Thorne: HI.
YOU'RE LATE.
YOUR FATHER COULDN'T GET AWAY.
YOUR FATHER COULDN'T GET AWAY.
I DIDN'T THINK HE'D COME.
I DIDN'T THINK HE'D COME.
WHAT'S YOUR NAME?
WHAT'S YOUR NAME?
FLORET.
FLORET.
NO, FIRST NAME.
NO, FIRST NAME.
PAUL-- YOUR FATHER
PAUL-- YOUR FATHER
CALLS ME "FLORET."
HOW DID YOU KNOW ME?
HOW DID YOU KNOW ME?
I WAS TOLD TO LOOK
I WAS TOLD TO LOOK
FOR A SCHOOL GIRL.
IT'S ONLY THE UNIFORM
IT'S ONLY THE UNIFORM
THAT MAKES ME LOOK LIKE
THAT MAKES ME LOOK LIKE
A SCHOOL GIRL-- I HAVE BEEN
A SCHOOL GIRL-- I HAVE BEEN
AWAY AT SCHOOL.
[ MUSIC ]
YOU DON'T TALK MUCH, DO YOU?
YOU DON'T TALK MUCH, DO YOU?
YOUR FATHER DOESN'T LIKE
YOUR FATHER DOESN'T LIKE
HIS DRIVER TO TALK.
HIS DRIVER TO TALK.
WELL, HOW IS MY FATHER?
WELL, HOW IS MY FATHER?
HE'S OKAY.
HE'S OKAY.
I'VE ALMOST FORGOTTEN
I'VE ALMOST FORGOTTEN
WHAT MY FATHER LOOKS LIKE.
[ MUSIC ]
HEY, WATCH IT!
HEY, WATCH IT!
[ LAUGHTER ]
[ LAUGHTER ]
WHAT DO YOU THINK
WHAT DO YOU THINK
YOU'RE DOING?
YOU'RE DOING?
OH, YOU'VE SEEN IT
OH, YOU'VE SEEN IT
ALL BEFORE, HAVEN'T YOU?
ALL BEFORE, HAVEN'T YOU?
OR HAVE YOU?
OR HAVE YOU?
[ LAUGHTER ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ LAUGHTER ]
DO I STILL LOOK LIKE A
DO I STILL LOOK LIKE A
SCHOOL GIRL, OR, DO YOU OBJECT?
SCHOOL GIRL, OR, DO YOU OBJECT?
I DON'T, BUT YOUR FATHER MAY.
I DON'T, BUT YOUR FATHER MAY.
OH, HE NEVER OBJECTS TO
OH, HE NEVER OBJECTS TO
ANYTHING I DO-- HOW LONG HAVE
ANYTHING I DO-- HOW LONG HAVE
YOU BEEN DRIVING FOR MY FATHER?
YOU BEEN DRIVING FOR MY FATHER?
EIGHT MONTHS.
YOU'RE HOME, MISS THORNE.
[ MUSIC ]
TELL ME, WHAT ARE YOU IN FOR?
TELL ME, WHAT ARE YOU IN FOR?
I KILLED SOMEONE.
DID YOU REALLY KILL SOMEONE?
DID YOU REALLY KILL SOMEONE?
MALE OR FEMALE?
MALE OR FEMALE?
FEMALE, ABOUT YOUR AGE.
FEMALE, ABOUT YOUR AGE.
HOW DID YOU DO IT?
HOW DID YOU DO IT?
I TALKED HER TO DEATH.
I'LL TAKE YOUR LUGGAGE
I'LL TAKE YOUR LUGGAGE
DOWN TO THE HOUSE.
DOWN TO THE HOUSE.
[ KNOCKING ]
Ralph: ANGELA!
Ralph: ANGELA!
GOOD YOU REMEMBER ME.
GOOD YOU REMEMBER ME.
OF COURSE, I DO.
OF COURSE, I DO.
WELCOME HOME.
WELCOME HOME.
LET'S HAVE A LOOK AT YOU.
LET'S HAVE A LOOK AT YOU.
MY WORD, YOU HAVE CHANGED.
MY WORD, YOU HAVE CHANGED.
NOW, ISN'T THAT SKIRT
NOW, ISN'T THAT SKIRT
JUST A BIT SHORT, YOUNG LADY?
JUST A BIT SHORT, YOUNG LADY?
MR. DAILY, THE LAST TIME
MR. DAILY, THE LAST TIME
YOU SAW ME I WAS 13,
YOU SAW ME I WAS 13,
I'M 17 NOW.
I'M 17 NOW.
NOW, LOOK, WHAT'S ALL THIS
NOW, LOOK, WHAT'S ALL THIS
"MR. DAILY" BIT-- YOU USED TO
"MR. DAILY" BIT-- YOU USED TO
CALL ME UNCLE RALPH.
CALL ME UNCLE RALPH.
AS I SAID, YOU'VE CHANGED.
AS I SAID, YOU'VE CHANGED.
SO HAS GRAYBOURNE.
SO HAS GRAYBOURNE.
OH, YES, NEW PSYCHOLOGY.
OH, YES, NEW PSYCHOLOGY.
PRISON REFORM.
PRISON REFORM.
MINIMUM DISCIPLINE, EXCEPT FOR
MINIMUM DISCIPLINE, EXCEPT FOR
TROUBLEMAKERS-- IT'S NO LONGER
TROUBLEMAKERS-- IT'S NO LONGER
A PRISON, IT'S MORE LIKE A
A PRISON, IT'S MORE LIKE A
COUNTRY CLUB-- BUT I MUST ADMIT
COUNTRY CLUB-- BUT I MUST ADMIT
YOUR FATHER'S DONE WONDERS.
YOUR FATHER'S DONE WONDERS.
HE COULD HAVE COME
HE COULD HAVE COME
TO SEE ME AFTER FOUR YEARS.
TO SEE ME AFTER FOUR YEARS.
WELL, HE WOULD HAVE DONE
WELL, HE WOULD HAVE DONE
IF HE COULD, BUT HE'S STUCK.
IF HE COULD, BUT HE'S STUCK.
HE'S SHOWING AROUND A BUNCH
HE'S SHOWING AROUND A BUNCH
OF NEW MAGISTRATES.
OF NEW MAGISTRATES.
I'M GONNA GO FIND HIM.
I'M GONNA GO FIND HIM.
OH, NO-- NO, YOUNG LADY,
OH, NO-- NO, YOUNG LADY,
YOU CAN'T DO THAT.
SO I WON'T GET TO SEE HIM
SO I WON'T GET TO SEE HIM
AT ALL TODAY?
AT ALL TODAY?
HEY-- HEY!
LET'S GO AND FIND HIM, THEN,
LET'S GO AND FIND HIM, THEN,
BUT ONLY TO SAY HELLO.
BUT ONLY TO SAY HELLO.
I SHOULDN'T BE DOING THIS
I SHOULDN'T BE DOING THIS
AT ALL.
BLIMEY, I'VE GOT SOMETHING
BLIMEY, I'VE GOT SOMETHING
IN ME EYE.
IN ME EYE.
I AIN'T SEEN ONE OF THOSE
I AIN'T SEEN ONE OF THOSE
IN A LONG TIME.
YOUR FATHER MUST BE SOMEWHERE
YOUR FATHER MUST BE SOMEWHERE
AROUND-- WATSON, HAVE YOU SEEN
AROUND-- WATSON, HAVE YOU SEEN
THE GOVERNOR?
THE GOVERNOR?
HE'S IN THE OTHER BLOCK, SIR.
HE'S IN THE OTHER BLOCK, SIR.
RIGHT.
RIGHT.
IT'S ALL CHANGED, HASN'T IT?
IT'S ALL CHANGED, HASN'T IT?
FOR THE BETTER.
FOR THE BETTER.
Warden Thorne: OF COURSE,
Warden Thorne: OF COURSE,
MISS BALFOUR-- THE SUCCESS
MISS BALFOUR-- THE SUCCESS
WE'VE HAD HERE AT GRAYBOURNE
WE'VE HAD HERE AT GRAYBOURNE
IS ONLY DUE TO UNDERSTANDING,
IS ONLY DUE TO UNDERSTANDING,
THOROUGHLY, THE PROBLEMS
THOROUGHLY, THE PROBLEMS
OF THE PRISON IN QUESTION.
UM, ARE THE CELLS UNLOCKED
UM, ARE THE CELLS UNLOCKED
ALL THE TIME?
ALL THE TIME?
NOT "CELLS", SIR JOHN,
NOT "CELLS", SIR JOHN,
THEY'RE ROOMS.
THEY'RE ROOMS.
I SEE.
I SEE.
UNLOCKED.
[ MUSIC ]
COME ON, YOU'VE GOT TO
COME ON, YOU'VE GOT TO
BE JOKING-- YOU DON'T THINK I--
BE JOKING-- YOU DON'T THINK I--
Maxwell: I NEVER SAID A WORD.
SHE'S SOME DISH.
SHE'S SOME DISH.
YEAH-- AND POISON.
[ LAUGHTER ]
[ LAUGHTER ]
DADDY!
DADDY!
ANGELA-- WHAT ARE YOU
ANGELA-- WHAT ARE YOU
DOING HERE?
DOING HERE?
IS THAT ALL YOU HAVE TO SAY?
IS THAT ALL YOU HAVE TO SAY?
I MEAN, AREN'T YOU GLAD
I MEAN, AREN'T YOU GLAD
TO SEE ME?
TO SEE ME?
WELL, OF COURSE I'M PLEASED.
WELL, OF COURSE I'M PLEASED.
THIS IS MY DAUGHTER.
THIS IS MY DAUGHTER.
SHE'S JUST RETURNED FROM
SHE'S JUST RETURNED FROM
AMERICA TODAY, SHE-SHE WAS
AMERICA TODAY, SHE-SHE WAS
AT SCHOOL OUT THERE, IN BOSTON.
AT SCHOOL OUT THERE, IN BOSTON.
COULDN'T WAIT TO SEE
COULDN'T WAIT TO SEE
YOUR FATHER, HEY CHILD?
YOUR FATHER, HEY CHILD?
MR. DAILY, YOU SHOULDN'T
MR. DAILY, YOU SHOULDN'T
HAVE BROUGHT HER INTO THE BLOCK.
HAVE BROUGHT HER INTO THE BLOCK.
I'M SORRY, SIR.
I'M SORRY, SIR.
RUN ALONG, NOW, AND
RUN ALONG, NOW, AND
I'LL SEE YOU BACK AT THE HOUSE.
WELL, I'LL SEE YOU
WELL, I'LL SEE YOU
LATER, THEN-- BYE-BYE.
[ MOWER RUNNING ]
[ LAUGHTER ]
[ LAUGHTER ]
WHERE'S YOUR MANNERS?
WHERE'S YOUR MANNERS?
YOU DON'T STARE AT A LADY
YOU DON'T STARE AT A LADY
LIKE THAT.
LIKE THAT.
[ LAUGHTER ]
Mrs. Jackson: ANGELA!
Mrs. Jackson: ANGELA!
MRS. JACKSON.
MRS. JACKSON.
OH, YOU'RE A SIGHT
OH, YOU'RE A SIGHT
FOR SORE EYES-- IT'S FRIDAY!
FOR SORE EYES-- IT'S FRIDAY!
STEAK AND KIDNEY PIE.
STEAK AND KIDNEY PIE.
FATHER HASN'T CHANGED
FATHER HASN'T CHANGED
HIS WAYS.
HIS WAYS.
OH, HE'LL NEVER CHANGE,
OH, HE'LL NEVER CHANGE,
BUT YOU CERTAINLY HAVE.
BUT YOU CERTAINLY HAVE.
OH, LOOK-- THERE, THAT'S BETTER.
THERE, NOW, LET ME LOOK AT YOU.
WHERE DID YOU GET THAT OUTFIT?
WHERE DID YOU GET THAT OUTFIT?
IT'S MY SCHOOL UNIFORM.
IT'S MY SCHOOL UNIFORM.
WHAT DID THEY TEACH YOU
WHAT DID THEY TEACH YOU
AT THAT SCHOOL?
AT THAT SCHOOL?
YOU WOULD BE SURPRISED.
YOU WOULD BE SURPRISED.
"SURPRISED"-- I SUPPOSE
"SURPRISED"-- I SUPPOSE
YOU COULD CALL IT THAT.
YOU COULD CALL IT THAT.
I WONDER WHAT LORD PACKHAM
I WONDER WHAT LORD PACKHAM
WOULD CALL IT IN HIS REPORT?
WOULD CALL IT IN HIS REPORT?
OH, HE WOULD UNDERSTAND.
OH, HE WOULD UNDERSTAND.
AFTER ALL, IT IS YOUR
AFTER ALL, IT IS YOUR
DAUGHTER, SIR.
DAUGHTER, SIR.
YEAH-- YES,
YEAH-- YES,
YOU COULD BE RIGHT.
GROWN UP-- FINE LOOKING GIRL.
GROWN UP-- FINE LOOKING GIRL.
I DIDN'T RECOGNIZE HER.
I DIDN'T RECOGNIZE HER.
IMAGE OF HER MOTHER.
IMAGE OF HER MOTHER.
YEAH.
I WISH SHE WERE ALIVE
I WISH SHE WERE ALIVE
TO SEE HER NOW.
TO SEE HER NOW.
SHE'S ADJUSTED VERY WELL,
SHE'S ADJUSTED VERY WELL,
CONSIDERING.
CONSIDERING.
CONSIDERING WHAT?
CONSIDERING WHAT?
GOOD EVENING, GOVERNOR.
GOOD EVENING, GOVERNOR.
MATTHEWS.
MATTHEWS.
CONSIDERING WHAT?
CONSIDERING WHAT?
WELL, UM, BEING BROUGHT UP
WELL, UM, BEING BROUGHT UP
WITHOUT-- WELL, BEING AROUND
WITHOUT-- WELL, BEING AROUND
MEN ALL THE TIME.
MEN ALL THE TIME.
HMM.
7:00.
7:00.
SO IT IS-- WE'RE LATE.
SO IT IS-- WE'RE LATE.
NO, THAT'S ALL RIGHT, SIR.
NO, THAT'S ALL RIGHT, SIR.
YOU NEEDN'T BOTHER.
YOU NEEDN'T BOTHER.
ANGELA WILL BE WAITING FOR YOU.
ANGELA WILL BE WAITING FOR YOU.
I'VE NEVER MISSED
I'VE NEVER MISSED
A NIGHT CHECK YET.
A NIGHT CHECK YET.
ANGELA WILL UNDERSTAND.
BUT, WHAT DOES HE HAVE
BUT, WHAT DOES HE HAVE
AGAINST TV?
AGAINST TV?
HE'S GOT NOTHING AGAINST IT.
HE'S GOT NOTHING AGAINST IT.
HE NEVER HAD TIME TO WATCH IT.
HE NEVER HAD TIME TO WATCH IT.
YOU KNOW YOUR FATHER.
YOU KNOW YOUR FATHER.
I TOLD HIM I'D PUT A BED
I TOLD HIM I'D PUT A BED
IN THE OFFICE FOR HIM.
IN THE OFFICE FOR HIM.
OPEN THE DOOR FOR ME,
OPEN THE DOOR FOR ME,
WILL YOU, DEAR?
OH, HE'S LATE.
OH, HE'S LATE.
HE'S USUALLY BACK BY 7:30.
[ MUSIC ]
OH!
[ MUSIC ]
ANGELA?
IT'S ABOUT TIME, DADDY.
IT'S ABOUT TIME, DADDY.
SERVICE WITH A SMILE.
SERVICE WITH A SMILE.
FOR ME?
FOR ME?
OF COURSE-- YOU DON'T THINK
OF COURSE-- YOU DON'T THINK
I'D DRINK THAT HORRID STUFF,
I'D DRINK THAT HORRID STUFF,
DO YOU?
NOT TOO STRONG?
NOT TOO STRONG?
JUST RIGHT-- NOW, TELL ME,
JUST RIGHT-- NOW, TELL ME,
WHAT HAVE YOU BEEN DOING
WHAT HAVE YOU BEEN DOING
WITH YOURSELF?
WITH YOURSELF?
REACQUAINTING MYSELF
REACQUAINTING MYSELF
WITH MRS. JACKSON AND ALL
WITH MRS. JACKSON AND ALL
MY OLD THINGS-- DO YOU KNOW
MY OLD THINGS-- DO YOU KNOW
THAT NONE OF MY CLOTHES
THAT NONE OF MY CLOTHES
WILL FIT ME NOW?
WILL FIT ME NOW?
WELL, THAT I CAN UNDERSTAND.
WELL, THAT I CAN UNDERSTAND.
HMM-- I SUPPOSE I HAVE GROWN.
HMM-- I SUPPOSE I HAVE GROWN.
WE HAD SO LITTLE TIME
WE HAD SO LITTLE TIME
TOGETHER...
TOGETHER...
I KNOW.
I KNOW.
THAT'S WHAT COMES OF
THAT'S WHAT COMES OF
PICKING A PRISON GOVERNOR
PICKING A PRISON GOVERNOR
FOR A FATHER.
FOR A FATHER.
I'M NOT COMPLAINING.
ABOUT TOMORROW,
ABOUT TOMORROW,
WE'VE GOT SIX NEW MEN COMING IN,
WE'VE GOT SIX NEW MEN COMING IN,
SO I'M AFRAID I WON'T BE ABLE
SO I'M AFRAID I WON'T BE ABLE
TO GIVE YOU MUCH TIME.
TO GIVE YOU MUCH TIME.
OH, DADDY-- I WAS HOPING
OH, DADDY-- I WAS HOPING
YOU'D HELP ME WITH MY SHOPPING.
YOU'D HELP ME WITH MY SHOPPING.
I'M HOPELESSLY OUT OF FASHION.
I'M HOPELESSLY OUT OF FASHION.
ARE YOU?
ARE YOU?
YES-- MY SKIRTS ARE WAY UP
YES-- MY SKIRTS ARE WAY UP
TO HERE, AND THE FASHION'S
TO HERE, AND THE FASHION'S
WAY DOWN HERE.
WAY DOWN HERE.
WELL, I'M GLAD ABOUT THAT.
WELL, I'M GLAD ABOUT THAT.
[ LAUGHTER ]
[ LAUGHTER ]
I'LL HAVE FLORET DRIVE YOU
I'LL HAVE FLORET DRIVE YOU
INTO TOWN.
PAUL, WHAT DO YOU THINK?
WELL?
WELL?
IT DEPENDS ON
IT DEPENDS ON
WHAT YOU'RE TRYING TO PROVE.
WHAT YOU'RE TRYING TO PROVE.
I DON'T KNOW WHAT YOU MEAN.
I DON'T KNOW WHAT YOU MEAN.
WAIT UNTIL YOU SEE THE BIKINI.
WAIT UNTIL YOU SEE THE BIKINI.
IT'S FANTASTIC.
IT'S FANTASTIC.
I'LL, UH, PUT THESE THINGS
I'LL, UH, PUT THESE THINGS
IN THE CAR.
I, UH, TAKE IT
I, UH, TAKE IT
YOU DON'T APPROVE-- DON'T YOU,
YOU DON'T APPROVE-- DON'T YOU,
JUST A LITTLE?
JUST A LITTLE?
WHY DON'T YOU
WHY DON'T YOU
ASK YOUR FATHER?
ASK YOUR FATHER?
HE ALWAYS APPROVES.
[ MUSIC ]
[ MUSIC ]
[ LAUGHTER ]
THE KEYS.
THE KEYS.
OHHH...
OHHH...
[ LAUGHTER ]
[ LAUGHTER ]
LET'S HAVE SOME FUN!
GIVE ME THE KEYS.
[ LAUGHTER ]
IF YOU WANT 'EM,
IF YOU WANT 'EM,
COME AND GET 'EM.
[ LAUGHTER ]
OH, DEAR, I MUST HAVE
OH, DEAR, I MUST HAVE
MISPLACED THEM.
MISPLACED THEM.
GIVE ME THE KEYS.
GIVE ME THE KEYS AND LET'S GO.
GIVE ME THE KEYS AND LET'S GO.
YOU CAN GO.
YOU CAN GO.
BUT I'M STAYING HERE.
BUT I'M STAYING HERE.
NOW, LOOK, MISS THORNE,
NOW, LOOK, MISS THORNE,
I AM DUE TO LEAVE GRAYBOURNE
I AM DUE TO LEAVE GRAYBOURNE
IN LESS THAN TWO MONTHS TIME,
IN LESS THAN TWO MONTHS TIME,
PROVIDED I KEEP MY NOSE CLEAN.
PROVIDED I KEEP MY NOSE CLEAN.
NOW DO ME A FAVOR, AND THROW
NOW DO ME A FAVOR, AND THROW
WHAT YOU'VE GOT IN SOME OTHER
WHAT YOU'VE GOT IN SOME OTHER
DIRECTION-- GIVE ME THE KEYS.
DIRECTION-- GIVE ME THE KEYS.
YOU'RE NOT QUEER, ARE YOU?
NO, YOU'RE JUST PLAIN SQUARE.
NO, YOU'RE JUST PLAIN SQUARE.
YOU LOOK LIKE FUN,
YOU LOOK LIKE FUN,
BUT YOU'RE NOT.
NO FUN AT ALL.
NO FUN AT ALL.
THANK YOU.
WHERE DID YOU GET THAT?
WHERE DID YOU GET THAT?
MOUNT ASLA-- IT TOOK
MOUNT ASLA-- IT TOOK
THE PLACE OF AFTERNOON TEA.
THE PLACE OF AFTERNOON TEA.
GET RID OF IT.
GET RID OF IT.
ARE YOU KIDDING?
ARE YOU KIDDING?
I SAID "GET RID OF IT".
I SAID "GET RID OF IT".
I LIKE IT WHEN A MAN
I LIKE IT WHEN A MAN
GETS MASTERFUL.
GETS MASTERFUL.
LOOK, MISS THORNE, I DON'T
LOOK, MISS THORNE, I DON'T
WANT TO BLOW THE WHISTLE,
WANT TO BLOW THE WHISTLE,
BUT IF YOU DON'T GET RID OF
BUT IF YOU DON'T GET RID OF
THAT STUFF, I'M GONNA--
THAT STUFF, I'M GONNA--
YOU TELL MY FATHER THAT I WAS
YOU TELL MY FATHER THAT I WAS
SMOKING POT, AND I'LL TELL HIM
SMOKING POT, AND I'LL TELL HIM
YOU WERE SMOKING POT, AND LET'S
YOU WERE SMOKING POT, AND LET'S
SEE WHICH ONE OF US HE BELIEVES.
[ MUSIC ]
[ MUSIC ]
[ DOG BARKING ]
[ TWIG SNAPPING ]
[ GASPING ]
[ GASPING ]
Forbus: SORRY, MISS,
Forbus: SORRY, MISS,
I WAS FRIGHTENED YOU WERE
I WAS FRIGHTENED YOU WERE
GOING TO SCREAM.
GOING TO SCREAM.
I NEARLY DID.
I NEARLY DID.
YOU SHOULDN'T BE OUT
YOU SHOULDN'T BE OUT
ALONE AT THIS TIME OF NIGHT,
ALONE AT THIS TIME OF NIGHT,
MISS THORNE.
MISS THORNE.
WELL, I COULDN'T SLEEP.
WELL, I COULDN'T SLEEP.
IT'S VERY WARM, OR MAYBE IT'S
IT'S VERY WARM, OR MAYBE IT'S
THE TIME CHANGE FROM BOSTON.
THE TIME CHANGE FROM BOSTON.
I DON'T REMEMBER SEEING YOU
I DON'T REMEMBER SEEING YOU
HERE BEFORE-BEFORE TODAY.
HERE BEFORE-BEFORE TODAY.
I'M FORBUS, MISS.
I'M FORBUS, MISS.
MUST GET LONESOME WORKING
MUST GET LONESOME WORKING
NIGHTS-- YOU ARE WORKING?
NIGHTS-- YOU ARE WORKING?
UH, YES, NIGHT PROWL.
UH, YES, NIGHT PROWL.
I BET YOUR WIFE HATES THAT.
I BET YOUR WIFE HATES THAT.
I'M NOT MARRIED, MISS.
I'M NOT MARRIED, MISS.
I LIVE ALONE AND, UH, LIKE IT.
I LIVE ALONE AND, UH, LIKE IT.
YOU LIKE DRINKING, TOO.
YOU LIKE DRINKING, TOO.
DON'T YOU, FORBUS?
DON'T YOU, FORBUS?
I HAD A TOOTHACHE, MISS.
I HAD A TOOTHACHE, MISS.
A LITTLE DROP IN THE CAVITY,
A LITTLE DROP IN THE CAVITY,
SOMETIMES DULLS THE PAIN.
SOMETIMES DULLS THE PAIN.
CARE TO TRY THAT ON
CARE TO TRY THAT ON
MY FATHER-- HE'D FIRE YOU
MY FATHER-- HE'D FIRE YOU
IN A MINUTE.
IN A MINUTE.
DON'T WORRY, FORBUS,
DON'T WORRY, FORBUS,
I'LL KEEP YOUR LITTLE SECRET,
I'LL KEEP YOUR LITTLE SECRET,
IF YOU KEEP MINE.
GOOD MORNING, GENTLEMEN.
GOOD MORNING, GENTLEMEN.
LOVELY DAY, UNCLE RALPH.
LOVELY DAY, UNCLE RALPH.
MORNING.
YOU'RE CLOSE TO THE OLD MAN,
YOU'RE CLOSE TO THE OLD MAN,
YOU OUGHT TO SAY SOMETHING.
YOU OUGHT TO SAY SOMETHING.
SHE'S GOT WINGS AND A HALO,
SHE'S GOT WINGS AND A HALO,
AS FAR AS HE'S CONCERNED.
[ MUSIC ]
[ HAMMERING ]
HI.
HI.
HI.
HI.
SORRY I EMBARRASSED YOU.
SORRY I EMBARRASSED YOU.
NO HARM DONE.
NO HARM DONE.
I'M SURE YOU'VE SEEN IT
I'M SURE YOU'VE SEEN IT
ALL BEFORE.
ALL BEFORE.
YEAH, BUT NEVER
YEAH, BUT NEVER
ON A GOVERNOR'S DAUGHTER.
ON A GOVERNOR'S DAUGHTER.
WERE YOU LOOKING FOR ME,
WERE YOU LOOKING FOR ME,
MISS THORNE?
MISS THORNE?
YES, I'LL NEED THE CAR.
YES, I'LL NEED THE CAR.
FINE, I'LL ASK THE GOVERNOR
FINE, I'LL ASK THE GOVERNOR
FOR PERMISSION.
FOR PERMISSION.
DON'T BOTHER, I ALREADY
DON'T BOTHER, I ALREADY
HAVE IT-- I'M GOING RIDING.
HAVE IT-- I'M GOING RIDING.
IN THAT OUTFIT?
IN THAT OUTFIT?
I'LL BET YOU LIKE IT.
MY, BUT YOU'RE A BIG MAN.
DON'T GET DIRTY, MISS--
DON'T GET DIRTY, MISS--
THE OIL AND GREASE.
PICK ME UP AT THE HOUSE
PICK ME UP AT THE HOUSE
IN 20 MINUTES.
WHAT ARE YOU SMILING AT?
WHAT ARE YOU SMILING AT?
I WAS JUST REMEMBERING.
I WAS JUST REMEMBERING.
WHAT?
WHAT?
YOU TOOK A LONG TIME
YOU TOOK A LONG TIME
GETTING BACK FROM THE AIRPORT.
GETTING BACK FROM THE AIRPORT.
[ LAUGHTER ]
[ LAUGHTER ]
COME ON, PAUL, TELL ME ABOUT IT.
COME ON, PAUL, TELL ME ABOUT IT.
TELL ME.
TELL ME.
[ LAUGHTER ]
ARE YOU ALL RIGHT, MAXWELL?
ARE YOU ALL RIGHT, MAXWELL?
YES, SIR.
[ MUSIC ]
[ LAUGHTER ]
[ LAUGHTER ]
OH, COME ON.
OH, COME ON.
WE'VE GOT TO WALK HIM BEFORE
WE'VE GOT TO WALK HIM BEFORE
I PUT HIM IN THE STALLS.
I PUT HIM IN THE STALLS.
YOU WALK HIM, AND I'LL WAIT
YOU WALK HIM, AND I'LL WAIT
IN THE CAR.
IN THE CAR.
WELL, YOU DON'T HAVE TO
WELL, YOU DON'T HAVE TO
WORRY, PAUL-- I'M A DIFFERENT
WORRY, PAUL-- I'M A DIFFERENT
ANGELA TODAY-- NO NONSENSE.
ANGELA TODAY-- NO NONSENSE.
I-I'M ALL COOLED OUT.
I-I'M ALL COOLED OUT.
CONGRATULATIONS,
CONGRATULATIONS,
ANOTHER VICTORY FOR POT.
ANOTHER VICTORY FOR POT.
NO, A GOOD NIGHT'S SLEEP.
NO, A GOOD NIGHT'S SLEEP.
I COULDN'T SLEEP AT FIRST,
I COULDN'T SLEEP AT FIRST,
BUT THEN I TOOK A WALK.
BUT THEN I TOOK A WALK.
UM, I'M SORRY ABOUT YESTERDAY,
UM, I'M SORRY ABOUT YESTERDAY,
BUT I GET THESE CRAZY MOODS.
BUT I GET THESE CRAZY MOODS.
IT'S LIKE A FEVER AND I WANT
IT'S LIKE A FEVER AND I WANT
TO DO MAD THINGS, AND THEN
TO DO MAD THINGS, AND THEN
THE FEVER BURNS OUT,
THE FEVER BURNS OUT,
AND I'M RELAXED.
AND I'M RELAXED.
AND SORRY.
AND SORRY.
NEVER SORRY-- NO TEARS.
NEVER SORRY-- NO TEARS.
NO REGRETS.
PAUL, MAKE LOVE TO ME.
PAUL, MAKE LOVE TO ME.
ARE YOU OUT OF YOUR MIND?
ARE YOU OUT OF YOUR MIND?
PLEASE-- I'LL BET YOU'VE
PLEASE-- I'LL BET YOU'VE
NEVER HAD ANYONE BEG YOU BEFORE.
NEVER HAD ANYONE BEG YOU BEFORE.
YOU'RE SICK.
ANGELA?
JUST A MINUTE, FLORET.
IS SOMETHING WRONG?
FLORET?
FLORET?
SIR?
SIR?
IS SOMETHING WRONG?
IS SOMETHING WRONG?
NO, SIR.
NO, SIR.
YOUNG LADY?
YOUNG LADY?
FLORET MADE ME ANGRY.
FLORET MADE ME ANGRY.
HOW?
HOW?
BY BEING RIGHT.
BY BEING RIGHT.
HOW'S THAT, FLORET?
HOW'S THAT, FLORET?
I THINK, UH, MISS THORNE
I THINK, UH, MISS THORNE
SHOULD EXPLAIN, SIR.
SHOULD EXPLAIN, SIR.
HE TOLD ME NOT TO--
HE TOLD ME NOT TO--
WELL?
NOT TO JUMP SHAMROCK.
NOT TO JUMP SHAMROCK.
HE SAID THE FENCE WAS TOO HIGH.
HE SAID THE FENCE WAS TOO HIGH.
WELL, IT WAS, AND I CAME OFF.
WELL, IT WAS, AND I CAME OFF.
[ LAUGHTER ]
[ LAUGHTER ]
OH, DON'T WORRY, FLORET,
OH, DON'T WORRY, FLORET,
THAT'S WOMEN FOR YOU.
THAT'S WOMEN FOR YOU.
JUST LIKE HER MOTHER.
YOU'RE TAKING MY SUN, MAN.
YOU'RE TAKING MY SUN, MAN.
DO I LOOK LIKE A MAN?
DO I LOOK LIKE A MAN?
YOU HAVE A POINT THERE.
WHAT'S THE MATTER?
WHAT'S THE MATTER?
DON'T YOU LIKE MY COMPANY?
DON'T YOU LIKE MY COMPANY?
I DO-- BUT YOUR FATHER
I DO-- BUT YOUR FATHER
WOULD NOT JUMP FOR JOY.
WHY AREN'T YOU WORKING?
WHY AREN'T YOU WORKING?
I WORKED LATE LAST NIGHT.
DO YOU MEAN TO TELL ME THAT
DO YOU MEAN TO TELL ME THAT
YOU'RE ALLOWED TO WANDER AROUND
YOU'RE ALLOWED TO WANDER AROUND
AT NIGHT, ALL BY YOURSELF?
AT NIGHT, ALL BY YOURSELF?
AND, WITHOUT A LEAD.
AND, WITHOUT A LEAD.
I SHALL HAVE TO START DRAWING
I SHALL HAVE TO START DRAWING
MY CURTAINS, THEN, WON'T I?
BUT IT GETS SO STUFFY.
BUT IT GETS SO STUFFY.
DOESN'T IT?
DOESN'T IT?
[ LAUGHTER ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
WHERE DID YOU GET IT?
WHERE DID YOU GET IT?
YOU KNOW WHERE I GOT IT.
YOU KNOW WHERE I GOT IT.
GIVE IT TO ME.
GIVE IT TO ME.
ONLY IF YOU GIVE ME
ONLY IF YOU GIVE ME
SOMETHING IN RETURN.
SOMETHING IN RETURN.
THAT ALL DEPENDS ON
THAT ALL DEPENDS ON
WHAT YOU WANT.
UNDO THEM.
GIVE ME THE HANKY.
WHAT'S WRONG?
WHAT'S WRONG?
YOU TOLD ME TO UNDO THEM,
YOU TOLD ME TO UNDO THEM,
AND I DID.
AND I DID.
WELL, THAT'S NOT FAIR.
WELL, THAT'S NOT FAIR.
SOMEONE MAY COME.
SOMEONE MAY COME.
WHEN, THEN?
[ LAUGHTER ]
HEY-- HAVE YOU, UH,
HEY-- HAVE YOU, UH,
HAVE YOU SEEN WHAT'S RUNNIN'
HAVE YOU SEEN WHAT'S RUNNIN'
THROUGH THE WOODS?
THROUGH THE WOODS?
LITTLE SCHOOL GIRL, JUST LIKE
LITTLE SCHOOL GIRL, JUST LIKE
THE ONE YOU WERE SENT UP FOR.
[ LAUGHTER ]
[ MUSIC ]
UH-OH.
UH-OH.
[ LAUGHTER ]
[ MUSIC ]
ALL RIGHT, YOU WIN.
ALL RIGHT, YOU WIN.
YOU WIN-- BUT NOT HERE.
YOU WIN-- BUT NOT HERE.
SOMEONE WILL SEE US.
SOMEONE WILL SEE US.
NOW-NOW, LISTEN, I WAS ONLY
NOW-NOW, LISTEN, I WAS ONLY
PLAYING-- SOMEONE'LL COME, AND
PLAYING-- SOMEONE'LL COME, AND
YOU'RE GONNA GET INTO TROUBLE.
YOU'RE GONNA GET INTO TROUBLE.
I'LL TEACH YOU, LITTLE BITCH!
I'LL TEACH YOU, LITTLE BITCH!
YOU THINK YOU'RE CLEVER,
YOU THINK YOU'RE CLEVER,
DON'T YOU?
DON'T YOU?
NO-- NO!
NO-- NO!
I WASN'T BEING CLEVER.
I WASN'T BEING CLEVER.
IT WAS JUST-- IT WAS JUST FUN.
IT WAS JUST-- IT WAS JUST FUN.
SO IT'S FUN AND GAMES
SO IT'S FUN AND GAMES
YOU WANT, IS IT?
WHORE!
WHORE!
[ SCREAMING ]
[ SCREAMING ]
COME ON.
[ SCREAMING ]
I'M SORRY, I DIDN'T MEAN IT.
I'M SORRY, I DIDN'T MEAN IT.
DON'T HURT ME.
DON'T HURT ME.
[ SCREAMING ]
[ MUSIC ]
[ SCREAMING ]
STOP HIM, STOP HIM!
HE ATTACKED ME.
HE ATTACKED ME.
LIE!
[ SCREAMING ]
HE FOUND MY HANKY,
HE FOUND MY HANKY,
AND WHEN I ASKED FOR IT,
AND WHEN I ASKED FOR IT,
HE TRIED TO ATTACK ME.
HE TRIED TO ATTACK ME.
IT WAS TERRIBLE.
IT WAS TERRIBLE.
YOU LYING LITTLE COW.
YOU LYING LITTLE COW.
YOU'VE BEEN ASKIN' FOR IT!
YOU'VE BEEN ASKIN' FOR IT!
I'LL KILL YOU!
I'LL KILL YOU!
CALM DOWN, MAN.
CALM DOWN, MAN.
I'LL KILL YOU!
ANGELA, WHERE ARE YOU GOING?
ANGELA, WHERE ARE YOU GOING?
TO VISIT MY FATHER.
TO VISIT MY FATHER.
YOU'VE ALREADY CAUSED
YOU'VE ALREADY CAUSED
ENOUGH TROUBLE, YOUR FATHER
ENOUGH TROUBLE, YOUR FATHER
WON'T WANT YOU UP THERE.
WON'T WANT YOU UP THERE.
I CAN HANDLE MY FATHER.
I CAN HANDLE MY FATHER.
WELL, I'M WELL AWARE
WELL, I'M WELL AWARE
OF THAT-- YOU'VE BEEN ABLE
OF THAT-- YOU'VE BEEN ABLE
TO DO THAT EVER SINCE YOU
TO DO THAT EVER SINCE YOU
WERE A CHILD.
WERE A CHILD.
WELL, I'M NOT A CHILD
WELL, I'M NOT A CHILD
ANYMORE, AND I REFUSE TO BE
ANYMORE, AND I REFUSE TO BE
TREATED LIKE ONE.
TREATED LIKE ONE.
THEN STOP BEHAVING
THEN STOP BEHAVING
LIKE ONE-- REALLY, ANGELA,
LIKE ONE-- REALLY, ANGELA,
I DON'T LIKE TO SAY THIS, BUT
I DON'T LIKE TO SAY THIS, BUT
I-I THINK YOU'RE A BIT MIXED UP.
I-I THINK YOU'RE A BIT MIXED UP.
ME-- OH, I WOULDN'T SAY THAT,
ME-- OH, I WOULDN'T SAY THAT,
MRS. JACKSON-- I MAY BE
MRS. JACKSON-- I MAY BE
A LITTLE PSYCHOTIC--
A LITTLE PSYCHOTIC--
A SCHIZOPHRENIC WITH
A SCHIZOPHRENIC WITH
UNDERTONES OF PARANOIA,
UNDERTONES OF PARANOIA,
A NYMPHOMANIAC WITH IRRESISTIBLE
A NYMPHOMANIAC WITH IRRESISTIBLE
BISEXUAL TENDENCIES--
BISEXUAL TENDENCIES--
I CAN TUNE IN AC, OR DC.
I CAN TUNE IN AC, OR DC.
I HAVE ALTERNATE SADISTIC
I HAVE ALTERNATE SADISTIC
AND MASOCHISTIC IMPULSES.
AND MASOCHISTIC IMPULSES.
I'M ALSO AN INVETERATE
I'M ALSO AN INVETERATE
EXHIBITIONIST AND SHALL PROBABLY
EXHIBITIONIST AND SHALL PROBABLY
DIE OF SEXUAL MALNUTRITION
DIE OF SEXUAL MALNUTRITION
BEFORE I'M 20-- BUT, APART
BEFORE I'M 20-- BUT, APART
FROM THAT, I'M NOT IN THE LEAST
FROM THAT, I'M NOT IN THE LEAST
BIT "MIXED UP".
HELLO.
HELLO.
PASS PLEASE.
PASS PLEASE.
HELLO.
HELLO.
YOUR FIRST TIME?
YOUR FIRST TIME?
BE CAREFUL.
BE CAREFUL.
THANK YOU-- PASS, PLEASE.
THANK YOU-- PASS, PLEASE.
HELLO, DEAR-- HOW ARE YOU?
HELLO, DEAR-- HOW ARE YOU?
CLASS PIN?
CLASS PIN?
OH, HOW'S YOUR DAVID?
OH, HOW'S YOUR DAVID?
OH, HE'S FINE-- DOING FINE.
OH, HE'S FINE-- DOING FINE.
Linda: LINDA WATKINS TO VISIT
Linda: LINDA WATKINS TO VISIT
PAUL FLORET.
PAUL FLORET.
FINE.
HELLO, MRS. WILLIS,
HELLO, MRS. WILLIS,
HOW ARE YOU?
HOW ARE YOU?
FINE-- THANK YOU, SIR.
FINE-- THANK YOU, SIR.
OKAY, IT'S NICE TO SEE YOU.
HI.
HI.
HELLO.
HELLO.
ARE YOU VISITING RELATIVES?
ARE YOU VISITING RELATIVES?
NO, A FRIEND.
NO, A FRIEND.
OH, ME TOO.
OH, ME TOO.
IS IT YOUR BOYFRIEND?
IS IT YOUR BOYFRIEND?
I MEAN, ARE YOU GOING STEADY?
I MEAN, ARE YOU GOING STEADY?
I REALLY DON'T SEE THAT
I REALLY DON'T SEE THAT
THAT'S ANY OF YOUR BUSINESS.
PAUL!
LINDA!
YOU'RE ALWAYS CREEPING UP
YOU'RE ALWAYS CREEPING UP
ON ME.
ON ME.
WHAT ARE YOU DOING?
WHAT ARE YOU DOING?
THIS IS A CAR.
THIS IS A CAR.
I AM WORKING ON IT.
I AM WORKING ON IT.
I FOUND MY OLD BIKE.
I HATE VISITING DAY.
I HATE VISITING DAY.
SOME PEOPLE HATE CHRISTMAS.
SOME PEOPLE HATE CHRISTMAS.
THE PEOPLE'S FACES,
THE PEOPLE'S FACES,
THEY'RE ALWAYS SO SAD.
THEY'RE ALWAYS SO SAD.
WHAT'S TO CHEER ABOUT WHEN
WHAT'S TO CHEER ABOUT WHEN
YOU VISIT SOMEONE IN PRISON?
YOU VISIT SOMEONE IN PRISON?
WELL, GROW UP IN ONE.
WELL, GROW UP IN ONE.
LOTS OF PEOPLE GROW UP
LOTS OF PEOPLE GROW UP
IN PRISONS, ONLY NOW THEY
IN PRISONS, ONLY NOW THEY
CALL THEM SLUMS AND GHETTOS.
CALL THEM SLUMS AND GHETTOS.
POLICE ARE SO--
DON'T YOU HAVE A VISITOR?
DON'T YOU HAVE A VISITOR?
NOPE.
NOPE.
FLORET DOES.
FLORET DOES.
HER NAME A LINDA.
HER NAME A LINDA.
IS HE GONNA MARRY HER?
IS HE GONNA MARRY HER?
NONE OF MY BUSINESS.
NONE OF MY BUSINESS.
LET'S PRETEND
LET'S PRETEND
THAT I'M YOUR VISITOR.
THAT I'M YOUR VISITOR.
WHY?
WHY?
WELL, WE COULD TALK.
WELL, WE COULD TALK.
YOU'VE GOT A NERVE.
YOU'VE GOT A NERVE.
ARE YOU ANGRY WITH ME?
ARE YOU ANGRY WITH ME?
I COULD HAVE KILLED GRIBNEY.
I COULD HAVE KILLED GRIBNEY.
YOU THINK IT WAS MY FAULT?
YOU THINK IT WAS MY FAULT?
I'M DAMN WELL SURE IT WAS.
I'M DAMN WELL SURE IT WAS.
HOW DID YOU BECOME
HOW DID YOU BECOME
A PROFESSIONAL FIGHTER?
A PROFESSIONAL FIGHTER?
THEY ALREADY HAD A PRESIDENT.
THEY ALREADY HAD A PRESIDENT.
I HEARD YOU KILLED A MAN
I HEARD YOU KILLED A MAN
WITH YOUR FIST ONCE.
IT'D BE A CINCH TO BREAK OUT
IT'D BE A CINCH TO BREAK OUT
OF HERE, WITH ALL THESE TOOLS
OF HERE, WITH ALL THESE TOOLS
LYING AROUND.
LYING AROUND.
THESE TOOLS ARE COUNTED
THESE TOOLS ARE COUNTED
EVERY MORNING AND EVERY NIGHT.
EVERY MORNING AND EVERY NIGHT.
DO YOU THINK ABOUT IT?
DO YOU THINK ABOUT IT?
ABOUT WHAT?
ABOUT WHAT?
ABOUT BREAKING OUT.
ABOUT BREAKING OUT.
I USED TO DREAM ABOUT IT,
I USED TO DREAM ABOUT IT,
BUT NOT ANYMORE.
BUT NOT ANYMORE.
WHAT DO YOU DREAM ABOUT,
WHAT DO YOU DREAM ABOUT,
CARL?
GIRLS, I BET.
GIRLS, I BET.
[ LAUGHTER ]
LOOK WHAT I FOUND-- MY OLD BIKE.
HOW'S LINDA?
SHE DOESN'T LOOK VERY SEXY.
SHE DOESN'T LOOK VERY SEXY.
[ LAUGHTER ]
[ LAUGHTER ]
EXCUSE ME.
I BET YOU TWO WERE SHACKING
I BET YOU TWO WERE SHACKING
UP TOGETHER WHEN YOU GOT INTO
UP TOGETHER WHEN YOU GOT INTO
TROUBLE.
I VISITED CARL THIS AFTERNOON.
I VISITED CARL THIS AFTERNOON.
YES, HE TOLD ME
YES, HE TOLD ME
YOU STOPPED BY.
YOU STOPPED BY.
I WONDER WHAT IT WOULD BE
I WONDER WHAT IT WOULD BE
LIKE GOING TO BED WITH CARL?
LIKE GOING TO BED WITH CARL?
I WARN YOU, ANGELA.
I WARN YOU, ANGELA.
LEAVE CARL ALONE.
LEAVE CARL ALONE.
I'LL MAKE A DEAL--
I'LL MAKE A DEAL--
YOU OR CARL.
YOU OR CARL.
EXCUSE ME.
[ LAUGHTER ]
singing: YOU'RE A DREAM
singing: YOU'RE A DREAM
FROM HEAVEN FOR ME TO LOVE
FROM HEAVEN FOR ME TO LOVE
LA LA LA LA OH OH OH OH
LA LA LA LA OH OH OH OH
YOU'RE A DREAM FOR ME TO LOVE
YOU'RE A DREAM FOR ME TO LOVE
FOR ME I GOT A DREAM
[ MUSIC ]
[ MUSIC ]
DID YOU ENJOY THAT?
THEY DON'T FEED 'EM AS GOOD
THEY DON'T FEED 'EM AS GOOD
WHERE YOU'RE GOING TO, GRIBNEY.
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
WHO'S THERE?
WHO'S THERE?
OH, I'M SORRY I AWAKENED YOU,
OH, I'M SORRY I AWAKENED YOU,
BUT I'M TIRED AND IT'S COLD.
BUT I'M TIRED AND IT'S COLD.
MAYBE WE CAN BANK UP
MAYBE WE CAN BANK UP
THE FIRE FOR YOU.
THE FIRE FOR YOU.
WE HAVEN'T GOT ANY SHORTS ON,
WE HAVEN'T GOT ANY SHORTS ON,
YOU SEE.
WELL, THE FIRE LOOKED
WELL, THE FIRE LOOKED
INVITING-- DO YOU MIND?
INVITING-- DO YOU MIND?
OH, NO, NO-- OF COURSE NOT.
OH, NO, NO-- OF COURSE NOT.
MAYBE WE CAN, UH, MAKE YOU
MAYBE WE CAN, UH, MAKE YOU
SOME NICE HOT CHOCOLATE,
SOME NICE HOT CHOCOLATE,
OR SOMETHING.
OR SOMETHING.
I'LL PUT SOME WOOD
I'LL PUT SOME WOOD
ON THE FIRE.
ON THE FIRE.
THANK YOU.
WHAT'S THE MATTER?
WHAT'S THE MATTER?
CAN'T YOU BOYS SLEEP?
NO.
NO.
WHY?
WHY?
WE'RE EXCITED.
WE'RE EXCITED.
YOU MEAN YOU'VE NEVER
YOU MEAN YOU'VE NEVER
SLEPT OUT WITH A GIRL BEFORE?
HAVE YOU EVER SLEPT ANYWHERE
HAVE YOU EVER SLEPT ANYWHERE
WITH A GIRL BEFORE?
WITH A GIRL BEFORE?
NO.
NO.
OOH, I'M STILL COLD.
WE COULD PUT SOME MORE WOOD
WE COULD PUT SOME MORE WOOD
ON THE FIRE.
[ MUSIC ]
PAUL...
PAUL...
PAUL...
PAUL...
PAUL...
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
WHERE HAVE YOU BEEN?
WHERE HAVE YOU BEEN?
RIDING MY BIKE.
RIDING MY BIKE.
ALL NIGHT?
ALL NIGHT?
I COULDN'T SLEEP.
I COULDN'T SLEEP.
DON'T YOU KNOW YOUR
DON'T YOU KNOW YOUR
FATHER'S BEEN WORRIED SICK?
FATHER'S BEEN WORRIED SICK?
WELL, I WAS TOO TIRED
WELL, I WAS TOO TIRED
TO TURN BACK, AND I STOPPED
TO TURN BACK, AND I STOPPED
TO REST, AND I FELL ASLEEP.
TO REST, AND I FELL ASLEEP.
HE'S GOT HALF THE POLICE
HE'S GOT HALF THE POLICE
FORCE LOOKING FOR YOU,
FORCE LOOKING FOR YOU,
YOU OR YOUR BODY.
YOU OR YOUR BODY.
GRIBNEY BROKE OUT OF SECURITY
GRIBNEY BROKE OUT OF SECURITY
CELL LAST NIGHT.
AND YOU THOUGHT HE CAUGHT ME?
AND YOU THOUGHT HE CAUGHT ME?
[ LAUGHTER ]
[ LAUGHTER ]
HE DID THREATEN TO KILL YOU.
HE DID THREATEN TO KILL YOU.
OH.
OH.
[ LAUGHTER ]
[ LAUGHTER ]
GET HER BIKE.
YOU HEARD HIM-- GET HER BIKE.
YOU HEARD HIM-- GET HER BIKE.
WHO, ME?
WHO, ME?
YES.
YES.
[ CLAPPING ]
I'M SORRY, DADDY.
I'M SORRY, DADDY.
YES, WELL, THANK GOD
YES, WELL, THANK GOD
YOU'RE SAFE-- I'M TAKING
YOU'RE SAFE-- I'M TAKING
YOU HOME, AND YOU'RE NOT
YOU HOME, AND YOU'RE NOT
TO GO ANYWHERE UNTIL WE HAVE
TO GO ANYWHERE UNTIL WE HAVE
GRIBNEY UNDER LOCK AND KEY.
GRIBNEY UNDER LOCK AND KEY.
DO YOU UNDERSTAND?
DO YOU UNDERSTAND?
YES, DADDY.
YES, DADDY.
EXCUSE ME, SIR, WILL YOU
EXCUSE ME, SIR, WILL YOU
BE NEEDING THE CAR.
BE NEEDING THE CAR.
NO.
NO.
LOOKS LIKE I GAVE YOU
LOOKS LIKE I GAVE YOU
A PRETTY HECTIC NIGHT, HUH,
A PRETTY HECTIC NIGHT, HUH,
MR. FLORET?
MR. FLORET?
NOT ME, MISS THORNE,
NOT ME, MISS THORNE,
BUT I IMAGINE YOU HAD ONE.
BUT I IMAGINE YOU HAD ONE.
ANGELA?
ANGELA?
COMING!
I HATE YOU, FLORET.
WHAT ARE YOU GONNA DO TO ME?
WHAT ARE YOU GONNA DO TO ME?
KEEP YOUR VOICE DOWN.
KEEP YOUR VOICE DOWN.
UM, YOU WOULDN'T
UM, YOU WOULDN'T
REALLY HAVE TO KILL ME.
REALLY HAVE TO KILL ME.
I MEAN, I WOULDN'T--
I MEAN, I WOULDN'T--
I WOULDN'T TELL ANYBODY.
I WOULDN'T TELL ANYBODY.
YOU DIDN'T REALLY MEAN
YOU DIDN'T REALLY MEAN
WHAT YOU SAID, DID YOU?
WHAT YOU SAID, DID YOU?
ABOUT WANTING TO KILL ME?
ABOUT WANTING TO KILL ME?
NO-- TRY ME.
I'M ON YOUR SIDE.
I'M ON YOUR SIDE.
I WAS GLAD WHEN-WHEN I HEARD
I WAS GLAD WHEN-WHEN I HEARD
THAT YOU GOT AWAY.
THAT YOU GOT AWAY.
I BET.
[ LAUGHTER ]
[ LAUGHTER ]
YOU'RE CLEVER.
YOU'RE CLEVER.
I MEAN, NOBODY WOULD THINK
I MEAN, NOBODY WOULD THINK
THAT YOU'D SNEAK BACK HERE,
THAT YOU'D SNEAK BACK HERE,
AND HIDE IN PRISON.
AND HIDE IN PRISON.
YOU COULD-YOU COULD
YOU COULD-YOU COULD
HIDE HERE FOR DAYS.
HIDE HERE FOR DAYS.
UM, MAYBE WEEKS.
UM, MAYBE WEEKS.
WHAT ARE YOU TYING TO DO?
DON'T YOU UNDERSTAND?
[ MUSIC ]
[ BANGING ]
[ CRYING ]
[ CRYING ]
THERE HE GOES!
ANGIE, ALL RIGHT?
ANGIE, ALL RIGHT?
WHAT THE DEVIL'S GOING ON?
WHAT THE DEVIL'S GOING ON?
IT WAS GRIBNEY.
IT WAS GRIBNEY.
HE CAME IN THROUGH THE WINDOW.
[ WHISTLE ]
OH, DADDY!
OH, DADDY!
HE'S HEADING TOWARDS
HE'S HEADING TOWARDS
THE MAIN BLOCK.
THE MAIN BLOCK.
OKAY, LET'S GO.
OKAY, LET'S GO.
MUST HAVE BEEN ON
MUST HAVE BEEN ON
THE GROUNDS THE WHOLE TIME.
THE GROUNDS THE WHOLE TIME.
YEAH, TOO MUCH COVER HERE.
GET ALL THE LIGHTS ON,
GET ALL THE LIGHTS ON,
OUTSIDE!
LET'S SEARCH THE GARAGE.
LET'S SEARCH THE GARAGE.
YES, SIR.
B BLOCK'S CLEAR.
B BLOCK'S CLEAR.
HE MUST BE AROUND A BLOCK.
ALL RIGHT, GRIBNEY, NOW,
ALL RIGHT, GRIBNEY, NOW,
TAKE IT EASY-- JUST CALM DOWN.
TAKE IT EASY-- JUST CALM DOWN.
NOBODY'S GONNA HURT YOU.
ARGH!
ALL RIGHT, BOYS,
ALL RIGHT, BOYS,
BACK TO YOUR-BACK TO YOUR ROOMS.
I SAID BACK TO YOUR ROOMS!
I SAID BACK TO YOUR ROOMS!
COME ON, BACK YOU GO.
HE BROKE HIS NECK.
HE BROKE HIS NECK.
IT WASN'T MY FAULT.
IT WASN'T MY FAULT.
WHEN AM I GONNA SEE YOU
WHEN AM I GONNA SEE YOU
AGAIN?
AGAIN?
NEVER.
NEVER.
HOW ABOUT TONIGHT?
HOW ABOUT TONIGHT?
DON'T WAIT FOR ME.
DON'T WAIT FOR ME.
MIND YOUR DO, FORBUS?
MIND YOUR DO, FORBUS?
YES, MR. DAILY.
HERE'S YOUR PLANE TICKET,
HERE'S YOUR PLANE TICKET,
AND SOME CASH.
I HOPE YOU UNDERSTAND.
I HOPE YOU UNDERSTAND.
I UNDERSTAND.
I UNDERSTAND.
IT ISN'T THAT I DON'T
IT ISN'T THAT I DON'T
WANT YOU TO STAY.
WANT YOU TO STAY.
ISN'T IT?
ISN'T IT?
OF COURSE, IT ISN'T.
OF COURSE, IT ISN'T.
BUT YOU HAVE SEEN THE TROUBLE
BUT YOU HAVE SEEN THE TROUBLE
IT'S CAUSED-- A MAN IS DEAD.
IT'S CAUSED-- A MAN IS DEAD.
AND I HAVE TO THINK ABOUT YOU.
AND I HAVE TO THINK ABOUT YOU.
IN BETWEEN YOUR REPORTS,
IN BETWEEN YOUR REPORTS,
AND YOUR NIGHT CHECKS,
AND YOUR NIGHT CHECKS,
AND WHATEVER ELSE YOU DO?
AND WHATEVER ELSE YOU DO?
BUT THAT'S MY JOB.
I'VE NEVER SEEN YOU
I'VE NEVER SEEN YOU
LIKE THIS BEFORE.
LIKE THIS BEFORE.
I WANNA STAY HOME.
I'M AFRAID THAT'S
I'M AFRAID THAT'S
IMPOSSIBLE AT THE MOMENT.
OF COURSE-- I UNDERSTAND.
OF COURSE-- I UNDERSTAND.
UM, HAVE YOU-- HAVE YOU
UM, HAVE YOU-- HAVE YOU
CABLED SOMEONE TO PICK ME UP
CABLED SOMEONE TO PICK ME UP
AT THE AIRPORT?
NOW WHAT DO YOU WANT?
THIS IS OUR LAST CHANCE
THIS IS OUR LAST CHANCE
TO TALK-- I'M GOING BACK
TO TALK-- I'M GOING BACK
TO THE STATES TOMORROW.
THIS NEVER CAME OUT
THIS NEVER CAME OUT
OF A TOBACCO FIELD--
OF A TOBACCO FIELD--
NO, IT CAME OUT OF
NO, IT CAME OUT OF
A LITTLE POT.
YOU DON'T HAVE TO WORRY
YOU DON'T HAVE TO WORRY
ANYMORE ABOUT ME BEING
ANYMORE ABOUT ME BEING
THE GOVERNOR'S DAUGHTER.
THE GOVERNOR'S DAUGHTER.
I'LL BE GONE TOMORROW.
I GOT A FEELING I'M ASKING
I GOT A FEELING I'M ASKING
FOR TROUBLE-- BUT I'VE BEEN
FOR TROUBLE-- BUT I'VE BEEN
COOPED UP FOR TOO LONG.
WELL, I'M GLAD SOMEONE
WELL, I'M GLAD SOMEONE
AROUND HERE LIKES A LITTLE FUN.
COME ON OUT OF THERE.
OKAY, MISS THORNE, YOU, TOO.
OKAY, MISS THORNE, YOU, TOO.
OUT!
SO THIS IS WHY YOU DIDN'T
SO THIS IS WHY YOU DIDN'T
HAVE TIME FOR ME?
HAVE TIME FOR ME?
YOUR FATHER'S JUST GONNA
YOUR FATHER'S JUST GONNA
LOVE THIS, MISS THORNE.
HELLO, SIR, IT'S FORBUS.
HELLO, SIR, IT'S FORBUS.
THERE'S TROUBLE DOWN AT
THERE'S TROUBLE DOWN AT
THE GARAGE-- NO, SIR, I THINK
THE GARAGE-- NO, SIR, I THINK
YOU BETTER COME DOWN.
OKAY, MAXWELL, OVER THERE.
YOU ARE IN TROUBLE, BOY.
YOU ARE IN TROUBLE, BOY.
MR. FORBUS, IT WASN'T--
MR. FORBUS, IT WASN'T--
SHUT UP.
MATTHEWS!
WHAT'S THE EMERGENCY, FORBUS?
WHAT'S THE EMERGENCY, FORBUS?
BE CAREFUL, FORBUS.
BE CAREFUL, FORBUS.
THIS MAN TRIED TO ASSAULT
THIS MAN TRIED TO ASSAULT
YOUR DAUGHTER, SIR.
YOUR DAUGHTER, SIR.
UM, YEAH, I-I CAME IN
UM, YEAH, I-I CAME IN
TO ASK FLORET WHAT TIME WE'D
TO ASK FLORET WHAT TIME WE'D
BE LEAVING FOR THE AIRPORT.
BE LEAVING FOR THE AIRPORT.
AND HE ATTACKED ME.
AND HE ATTACKED ME.
IT WAS AWFUL, AND THEN
IT WAS AWFUL, AND THEN
MR. FORBUS CAME JUST IN TIME.
MR. FORBUS CAME JUST IN TIME.
JUST A MINUTE, SIR.
JUST A MINUTE, SIR.
THEY ARE BOTH LYING.
THEY ARE BOTH LYING.
HOW DARE YOU, FLORET.
HOW DARE YOU, FLORET.
ARE YOU CALLING MISS THORNE
ARE YOU CALLING MISS THORNE
AND ME LIARS?
AND ME LIARS?
THAT'S RIGHT-- I AM.
THAT'S RIGHT-- I AM.
NOW, LISTEN TO ME, SIR.
NOW, LISTEN TO ME, SIR.
SHUT UP.
SHUT UP.
ALL RIGHT, FORBUS,
ALL RIGHT, FORBUS,
LOCK THEM UP.
NOW YOU'RE REALLY IN TROUBLE,
NOW YOU'RE REALLY IN TROUBLE,
FLORET.
LOCK THEM UP.
NOBODY'S LOCKING ANYONE UP.
NOBODY'S LOCKING ANYONE UP.
STAY OUT OF THIS, PAUL.
STAY OUT OF THIS, PAUL.
I'M IN THIS AS DEEP
I'M IN THIS AS DEEP
AS YOU ARE-- YOU ARE GOING
AS YOU ARE-- YOU ARE GOING
TO MAKE A TELEPHONE CALL, SIR.
TO MAKE A TELEPHONE CALL, SIR.
YOU ARE GOING TO RING THE GATE,
YOU ARE GOING TO RING THE GATE,
AND TELL THEM
AND TELL THEM
TO LET US THROUGH.
OKAY, YOU TWO, OVER THERE.
OKAY, YOU TWO, OVER THERE.
COME ON.
YOU REALIZE WHAT
YOU REALIZE WHAT
YOU'RE DOING, FLORET?
YOU'RE DOING, FLORET?
I THINK SO, GOVERNOR.
I THINK SO, GOVERNOR.
HELLO, FRONT GATE?
HELLO, FRONT GATE?
MY CAR'S COMING THROUGH.
MY CAR'S COMING THROUGH.
DON'T TRY TO STOP IT.
DON'T TRY TO STOP IT.
DON'T ARGUE-- LET IT THROUGH.
BACK UP.
BACK UP.
RIGHT, GET HER IN THE CAR.
HEY!
MATTHEWS, GET THE VAN!
MATTHEWS, GET THE VAN!
YES, SIR.
STAND BY THE RADIO
STAND BY THE RADIO
AND I'LL CONTACT YOU.
AND I'LL CONTACT YOU.
RIGHT, SIR.
[ MUSIC ]
[ MUSIC ]
THIS CAR IS TOO EASY TO SPOT.
THIS CAR IS TOO EASY TO SPOT.
WE'RE LEAVING IT.
WE'RE LEAVING IT.
I THINK WE LOST THEM.
I THINK WE LOST THEM.
HOW'D YOU LIKE THAT ACT
HOW'D YOU LIKE THAT ACT
I PUT ON-- DID YOU SEE
I PUT ON-- DID YOU SEE
MY FATHER'S FACE?
THEY MUST HAVE PULLED OFF
THEY MUST HAVE PULLED OFF
THE ROAD-- FORBUS, YOU MOVE IN
THE ROAD-- FORBUS, YOU MOVE IN
THROUGH THIS END OF THE WOODS,
THROUGH THIS END OF THE WOODS,
MATTHEWS CAN TAKE THE TOP END,
MATTHEWS CAN TAKE THE TOP END,
AND I'LL SKIRT AROUND.
[ TWIG SNAPPING ]
[ GIGGLING ]
[ MUSIC ]
WAIT FOR ME!
OH!
[ MUSIC ]
THERE'S SOMETHING IN MY HAIR!
THERE'S SOMETHING IN MY HAIR!
I CAN'T KEEP UP WITH YOU.
[ MOTORCYCLE ENGINE ]
HEY!
HEY, MAN-- BIG, TALL MAN.
HEY, MAN-- BIG, TALL MAN.
SHUT UP.
SHUT UP.
WELL, WHAT'S HE ANGRY
WELL, WHAT'S HE ANGRY
ABOUT?
I'M THE ONE WHO SHOULD BE
I'M THE ONE WHO SHOULD BE
ANGRY.
ANGRY.
SHUT UP.
SHUT UP.
EVERYBODY KEEPS TELLING ME
EVERYBODY KEEPS TELLING ME
TO SHUT UP-- I JUST THINK--
GRAYBOURNE THREE
GRAYBOURNE THREE
TO GRAYBOURNE-- OVER.
TO GRAYBOURNE-- OVER.
GRAYBOURNE THREE, OVER.
GRAYBOURNE THREE, OVER.
IT'S THE GOVERNOR HERE,
IT'S THE GOVERNOR HERE,
DAVEY-- WE'VE LOST THEM.
DAVEY-- WE'VE LOST THEM.
FORBUS FOUND THE CAR, OVER.
FORBUS FOUND THE CAR, OVER.
SHALL I SEND MORE MEN OUT?
SHALL I SEND MORE MEN OUT?
OVER-- HELLO, OVER.
OVER-- HELLO, OVER.
NO, THERE'S NO POINT.
NO, THERE'S NO POINT.
THEY'LL BE OUT OF THE AREA
THEY'LL BE OUT OF THE AREA
BY NOW.
BY NOW.
GRAYBOURNE TO GRAYBOURNE
GRAYBOURNE TO GRAYBOURNE
THREE, SHOULD I INFORM
THREE, SHOULD I INFORM
THE POLICE-- OVER.
THE POLICE-- OVER.
YES, YES.
YES, YES.
DO WHAT'S NECESSARY.
DO WHAT'S NECESSARY.
IT'S OUT OF OUR HANDS.
IT'S OUT OF OUR HANDS.
OVER AND OUT.
[ PHONE RINGING ]
[ PHONE RINGING ]
YES, SPEAKING.
RIGHT-- UH, KEEP ME INFORMED,
RIGHT-- UH, KEEP ME INFORMED,
PLEASE-- THEY'VE BEEN SPOTTED.
PLEASE-- THEY'VE BEEN SPOTTED.
CLOSE TO WHERE THEY ABANDONED
CLOSE TO WHERE THEY ABANDONED
THE MOTORCYCLE.
THE MOTORCYCLE.
SO WE JUST WAIT?
SO WE JUST WAIT?
I HAVE CONFIDENCE IN ANGELA.
I HAVE CONFIDENCE IN ANGELA.
FIRST CHANCE SHE HAS, SHE'LL
FIRST CHANCE SHE HAS, SHE'LL
TRY TO GET AWAY FROM 'EM.
[ SCREAMING ]
WELL, WE'RE GOING AROUND
WELL, WE'RE GOING AROUND
IN CIRCLES.
IN CIRCLES.
SHE'S RIGHT, PAUL.
SHE'S RIGHT, PAUL.
WE ARE GOING AROUND IN CIRCLES.
WE ARE GOING AROUND IN CIRCLES.
DO YOU KNOW WHERE WE'RE GOING?
DO YOU KNOW WHERE WE'RE GOING?
AS SHE SAYS, AROUND IN
AS SHE SAYS, AROUND IN
CIRCLES-- DO YOU WANT
CIRCLES-- DO YOU WANT
TO GO THROUGH THE HIGH STREET,
TO GO THROUGH THE HIGH STREET,
MAYBE ASK SOMEONE THE WAY?
MAYBE ASK SOMEONE THE WAY?
SHUT UP.
SHUT UP.
OKAY, PAUL, YOU CALL THE SHOT.
OKAY, PAUL, YOU CALL THE SHOT.
WE'VE GOT TO HEAD SOUTH.
WE'VE GOT TO HEAD SOUTH.
WE'VE GOT MAKE HAMBULL BEFORE
WE'VE GOT MAKE HAMBULL BEFORE
DARK TOMORROW.
DARK TOMORROW.
WHY HAMBULL?
WHY HAMBULL?
I'VE GOT A FRIEND THERE.
I'VE GOT A FRIEND THERE.
HE'S GOT A BOAT.
HE'S GOT A BOAT.
YOU MEAN, WE'RE GONNA CROSS
YOU MEAN, WE'RE GONNA CROSS
THE CHANNEL?
OKAY, LET'S REST.
OKAY, LET'S REST.
ARE YOU TIRED?
ARE YOU TIRED?
NO, BUT SHE'S NEARLY HAD IT.
NO, BUT SHE'S NEARLY HAD IT.
WHY DON'T WE DITCH HER?
WHY DON'T WE DITCH HER?
SHE'S OUR ONLY HOPE,
SHE'S OUR ONLY HOPE,
YOU FOOL.
YOU FOOL.
WITHOUT HER--
WITHOUT HER--
OH!
[ MUSIC ]
[ MUSIC ]
THAT'S PETER'S YACHT.
THAT'S PETER'S YACHT.
THE ONE WITH THE HIGH BAR.
[ SPLASH ]
[ SPLASH ]
YOU MADE THE HEADLINES.
YOU MADE THE HEADLINES.
PETER.
PETER.
I HAD A FEELING
I HAD A FEELING
YOU WERE GONNA COME.
YOU WERE GONNA COME.
LISTEN, I NEED YOUR HELP.
LISTEN, I NEED YOUR HELP.
YOU'VE GOT IT.
YOU'VE GOT IT.
THANKS.
THANKS.
YOU HAVEN'T GOT ANY MORE
YOU HAVEN'T GOT ANY MORE
TROUBLE ON THE WAY?
TROUBLE ON THE WAY?
NO, NO.
NO, NO.
ONLY ME.
ONLY ME.
I'LL GET YOU ABOARD.
I'LL GET YOU ABOARD.
LET'S GO.
LET'S GO.
SHE'S KIDNAPPED?
SHE'S KIDNAPPED?
BY FORCE.
MIND YOUR HEAD.
MIND YOUR HEAD.
CAN YOU TAKE US TO PARIS?
CAN YOU TAKE US TO PARIS?
I'VE NEVER BEEN TO PARIS.
I'VE NEVER BEEN TO PARIS.
FRANCE, BELGIUM,
FRANCE, BELGIUM,
YOU NAME IT.
YOU NAME IT.
WELL, WE DON'T
WELL, WE DON'T
HAVE TO DECIDE YET.
HAVE TO DECIDE YET.
YEAH, WELL, I'M FOR FRANCE.
YEAH, WELL, I'M FOR FRANCE.
WELL, WE CAN'T LEAVE
WELL, WE CAN'T LEAVE
BEFORE THE EVENING TIDE, ANYWAY.
BEFORE THE EVENING TIDE, ANYWAY.
CAN WE, PETER?
CAN WE, PETER?
NO, AND I'VE GOT
NO, AND I'VE GOT
SOME THINGS TO DO.
SOME THINGS TO DO.
WE'LL LET YOU KNOW WHEN YOU
WE'LL LET YOU KNOW WHEN YOU
RETURN, PETER, OKAY?
RETURN, PETER, OKAY?
OKAY.
OKAY.
CIAO.
CIAO.
CIAO.
WELL, CARL, WHAT IS IT?
WELL, CARL, WHAT IS IT?
FRANCE.
FRANCE.
FRANCE IT IS-- ARE YOU
FRANCE IT IS-- ARE YOU
MAKING IT UNANIMOUS, PAUL?
I'M AFRAID NOT.
I'M AFRAID NOT.
WELL, EVEN IF YOU VOTE
WELL, EVEN IF YOU VOTE
BELGIUM, IT'S STILL FRANCE.
BELGIUM, IT'S STILL FRANCE.
I'M GOING BACK TO GRAYBOURNE.
I'M GOING BACK TO GRAYBOURNE.
OH, HE'S GOT TO BE KIDDING.
OH, HE'S GOT TO BE KIDDING.
I'M NOT GOING TO SPEND
I'M NOT GOING TO SPEND
THE REST OF MY LIFE RUNNING.
THE REST OF MY LIFE RUNNING.
THAT GIRL, LINDA, ISN'T IT?
THAT GIRL, LINDA, ISN'T IT?
YOU DON'T WANT TO LEAVE HER?
YOU DON'T WANT TO LEAVE HER?
WELL, GO BACK TO HER.
WELL, GO BACK TO HER.
CARL AND I WILL MANAGE
CARL AND I WILL MANAGE
WITHOUT YOU, WON'T WE, CARL?
WITHOUT YOU, WON'T WE, CARL?
WE SURE WILL TRY.
WE SURE WILL TRY.
WELL, GOOD LUCK, OLD BUDDY.
WELL, GOOD LUCK, OLD BUDDY.
GOOD LUCK,
GOOD LUCK,
TO BOTH OF YOU.
PAUL MAY BE YOUR FRIEND,
PAUL MAY BE YOUR FRIEND,
CARL, BUT HE IS VERY SQUARE.
HE WOULD HAVE RUINED ALL
HE WOULD HAVE RUINED ALL
OUR FUN-- DO YOU HAVE A LIGHT?
THEY TELL ME IT WORKS BETTER
THEY TELL ME IT WORKS BETTER
IF YOU TRY IT LYING DOWN.
IF YOU TRY IT LYING DOWN.
I LOVE THAT ONE-- COME ON.
[ EROTIC MOANING ]
PITY WE NEVER GOT
PITY WE NEVER GOT
TO THAT BEFORE.
TO THAT BEFORE.
OH, THAT'S YOUR FAULT.
[ KNOCKING ]
HMM, SO YOU'VE CHANGED
HMM, SO YOU'VE CHANGED
YOUR MIND-- WELL, YOU'LL
YOUR MIND-- WELL, YOU'LL
REALLY HAVE TO BEG FOR IT.
REALLY HAVE TO BEG FOR IT.
FIRST COME, FIRST SERVED.
FIRST COME, FIRST SERVED.
RIGHT, CARL?
YOU PLANNED IT!
YOU PLANNED IT!
THAT'S RIGHT, ANGELA.
THAT'S RIGHT, ANGELA.
BUT I WARNED YOU NOT TO PLAY
BUT I WARNED YOU NOT TO PLAY
WITH CARL-- SO GO AHEAD, ANGELA,
WITH CARL-- SO GO AHEAD, ANGELA,
YELL "RAPE"-- YOUR FATHER
YELL "RAPE"-- YOUR FATHER
ALWAYS BELIEVES YOU.
[ MUSIC ]
WHY?
WHY?
WHY NOT-- IT'S-IT'S EASY
WHY NOT-- IT'S-IT'S EASY
TO FIND SOMEONE TO WANT YOU
TO FIND SOMEONE TO WANT YOU
FOR BED.
AND THAT'S BETTER THAN
AND THAT'S BETTER THAN
NOT BEING WANTED AT ALL.
NOT BEING WANTED AT ALL.
BUT, THERE, THAT'S NOT DOWN
BUT, THERE, THAT'S NOT DOWN
IN PRISON REGULATIONS,
IN PRISON REGULATIONS,
IS IT, DADDY?
IS IT, DADDY?
[ CRYING ]
[ MUSIC ]
Paul Floret: HELLO.
Angela Thorne: HI.
Angela Thorne: HI.
YOU'RE LATE.
YOUR FATHER COULDN'T GET AWAY.
YOUR FATHER COULDN'T GET AWAY.
I DIDN'T THINK HE'D COME.
I DIDN'T THINK HE'D COME.
WHAT'S YOUR NAME?
WHAT'S YOUR NAME?
FLORET.
FLORET.
NO, FIRST NAME.
NO, FIRST NAME.
PAUL-- YOUR FATHER
PAUL-- YOUR FATHER
CALLS ME "FLORET."
HOW DID YOU KNOW ME?
HOW DID YOU KNOW ME?
I WAS TOLD TO LOOK
I WAS TOLD TO LOOK
FOR A SCHOOL GIRL.
IT'S ONLY THE UNIFORM
IT'S ONLY THE UNIFORM
THAT MAKES ME LOOK LIKE
THAT MAKES ME LOOK LIKE
A SCHOOL GIRL-- I HAVE BEEN
A SCHOOL GIRL-- I HAVE BEEN
AWAY AT SCHOOL.
[ MUSIC ]
YOU DON'T TALK MUCH, DO YOU?
YOU DON'T TALK MUCH, DO YOU?
YOUR FATHER DOESN'T LIKE
YOUR FATHER DOESN'T LIKE
HIS DRIVER TO TALK.
HIS DRIVER TO TALK.
WELL, HOW IS MY FATHER?
WELL, HOW IS MY FATHER?
HE'S OKAY.
HE'S OKAY.
I'VE ALMOST FORGOTTEN
I'VE ALMOST FORGOTTEN
WHAT MY FATHER LOOKS LIKE.
[ MUSIC ]
HEY, WATCH IT!
HEY, WATCH IT!
[ LAUGHTER ]
[ LAUGHTER ]
WHAT DO YOU THINK
WHAT DO YOU THINK
YOU'RE DOING?
YOU'RE DOING?
OH, YOU'VE SEEN IT
OH, YOU'VE SEEN IT
ALL BEFORE, HAVEN'T YOU?
ALL BEFORE, HAVEN'T YOU?
OR HAVE YOU?
OR HAVE YOU?
[ LAUGHTER ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ LAUGHTER ]
DO I STILL LOOK LIKE A
DO I STILL LOOK LIKE A
SCHOOL GIRL, OR, DO YOU OBJECT?
SCHOOL GIRL, OR, DO YOU OBJECT?
I DON'T, BUT YOUR FATHER MAY.
I DON'T, BUT YOUR FATHER MAY.
OH, HE NEVER OBJECTS TO
OH, HE NEVER OBJECTS TO
ANYTHING I DO-- HOW LONG HAVE
ANYTHING I DO-- HOW LONG HAVE
YOU BEEN DRIVING FOR MY FATHER?
YOU BEEN DRIVING FOR MY FATHER?
EIGHT MONTHS.
YOU'RE HOME, MISS THORNE.
[ MUSIC ]
TELL ME, WHAT ARE YOU IN FOR?
TELL ME, WHAT ARE YOU IN FOR?
I KILLED SOMEONE.
DID YOU REALLY KILL SOMEONE?
DID YOU REALLY KILL SOMEONE?
MALE OR FEMALE?
MALE OR FEMALE?
FEMALE, ABOUT YOUR AGE.
FEMALE, ABOUT YOUR AGE.
HOW DID YOU DO IT?
HOW DID YOU DO IT?
I TALKED HER TO DEATH.
I'LL TAKE YOUR LUGGAGE
I'LL TAKE YOUR LUGGAGE
DOWN TO THE HOUSE.
DOWN TO THE HOUSE.
[ KNOCKING ]
Ralph: ANGELA!
Ralph: ANGELA!
GOOD YOU REMEMBER ME.
GOOD YOU REMEMBER ME.
OF COURSE, I DO.
OF COURSE, I DO.
WELCOME HOME.
WELCOME HOME.
LET'S HAVE A LOOK AT YOU.
LET'S HAVE A LOOK AT YOU.
MY WORD, YOU HAVE CHANGED.
MY WORD, YOU HAVE CHANGED.
NOW, ISN'T THAT SKIRT
NOW, ISN'T THAT SKIRT
JUST A BIT SHORT, YOUNG LADY?
JUST A BIT SHORT, YOUNG LADY?
MR. DAILY, THE LAST TIME
MR. DAILY, THE LAST TIME
YOU SAW ME I WAS 13,
YOU SAW ME I WAS 13,
I'M 17 NOW.
I'M 17 NOW.
NOW, LOOK, WHAT'S ALL THIS
NOW, LOOK, WHAT'S ALL THIS
"MR. DAILY" BIT-- YOU USED TO
"MR. DAILY" BIT-- YOU USED TO
CALL ME UNCLE RALPH.
CALL ME UNCLE RALPH.
AS I SAID, YOU'VE CHANGED.
AS I SAID, YOU'VE CHANGED.
SO HAS GRAYBOURNE.
SO HAS GRAYBOURNE.
OH, YES, NEW PSYCHOLOGY.
OH, YES, NEW PSYCHOLOGY.
PRISON REFORM.
PRISON REFORM.
MINIMUM DISCIPLINE, EXCEPT FOR
MINIMUM DISCIPLINE, EXCEPT FOR
TROUBLEMAKERS-- IT'S NO LONGER
TROUBLEMAKERS-- IT'S NO LONGER
A PRISON, IT'S MORE LIKE A
A PRISON, IT'S MORE LIKE A
COUNTRY CLUB-- BUT I MUST ADMIT
COUNTRY CLUB-- BUT I MUST ADMIT
YOUR FATHER'S DONE WONDERS.
YOUR FATHER'S DONE WONDERS.
HE COULD HAVE COME
HE COULD HAVE COME
TO SEE ME AFTER FOUR YEARS.
TO SEE ME AFTER FOUR YEARS.
WELL, HE WOULD HAVE DONE
WELL, HE WOULD HAVE DONE
IF HE COULD, BUT HE'S STUCK.
IF HE COULD, BUT HE'S STUCK.
HE'S SHOWING AROUND A BUNCH
HE'S SHOWING AROUND A BUNCH
OF NEW MAGISTRATES.
OF NEW MAGISTRATES.
I'M GONNA GO FIND HIM.
I'M GONNA GO FIND HIM.
OH, NO-- NO, YOUNG LADY,
OH, NO-- NO, YOUNG LADY,
YOU CAN'T DO THAT.
SO I WON'T GET TO SEE HIM
SO I WON'T GET TO SEE HIM
AT ALL TODAY?
AT ALL TODAY?
HEY-- HEY!
LET'S GO AND FIND HIM, THEN,
LET'S GO AND FIND HIM, THEN,
BUT ONLY TO SAY HELLO.
BUT ONLY TO SAY HELLO.
I SHOULDN'T BE DOING THIS
I SHOULDN'T BE DOING THIS
AT ALL.
BLIMEY, I'VE GOT SOMETHING
BLIMEY, I'VE GOT SOMETHING
IN ME EYE.
IN ME EYE.
I AIN'T SEEN ONE OF THOSE
I AIN'T SEEN ONE OF THOSE
IN A LONG TIME.
YOUR FATHER MUST BE SOMEWHERE
YOUR FATHER MUST BE SOMEWHERE
AROUND-- WATSON, HAVE YOU SEEN
AROUND-- WATSON, HAVE YOU SEEN
THE GOVERNOR?
THE GOVERNOR?
HE'S IN THE OTHER BLOCK, SIR.
HE'S IN THE OTHER BLOCK, SIR.
RIGHT.
RIGHT.
IT'S ALL CHANGED, HASN'T IT?
IT'S ALL CHANGED, HASN'T IT?
FOR THE BETTER.
FOR THE BETTER.
Warden Thorne: OF COURSE,
Warden Thorne: OF COURSE,
MISS BALFOUR-- THE SUCCESS
MISS BALFOUR-- THE SUCCESS
WE'VE HAD HERE AT GRAYBOURNE
WE'VE HAD HERE AT GRAYBOURNE
IS ONLY DUE TO UNDERSTANDING,
IS ONLY DUE TO UNDERSTANDING,
THOROUGHLY, THE PROBLEMS
THOROUGHLY, THE PROBLEMS
OF THE PRISON IN QUESTION.
UM, ARE THE CELLS UNLOCKED
UM, ARE THE CELLS UNLOCKED
ALL THE TIME?
ALL THE TIME?
NOT "CELLS", SIR JOHN,
NOT "CELLS", SIR JOHN,
THEY'RE ROOMS.
THEY'RE ROOMS.
I SEE.
I SEE.
UNLOCKED.
[ MUSIC ]
COME ON, YOU'VE GOT TO
COME ON, YOU'VE GOT TO
BE JOKING-- YOU DON'T THINK I--
BE JOKING-- YOU DON'T THINK I--
Maxwell: I NEVER SAID A WORD.
SHE'S SOME DISH.
SHE'S SOME DISH.
YEAH-- AND POISON.
[ LAUGHTER ]
[ LAUGHTER ]
DADDY!
DADDY!
ANGELA-- WHAT ARE YOU
ANGELA-- WHAT ARE YOU
DOING HERE?
DOING HERE?
IS THAT ALL YOU HAVE TO SAY?
IS THAT ALL YOU HAVE TO SAY?
I MEAN, AREN'T YOU GLAD
I MEAN, AREN'T YOU GLAD
TO SEE ME?
TO SEE ME?
WELL, OF COURSE I'M PLEASED.
WELL, OF COURSE I'M PLEASED.
THIS IS MY DAUGHTER.
THIS IS MY DAUGHTER.
SHE'S JUST RETURNED FROM
SHE'S JUST RETURNED FROM
AMERICA TODAY, SHE-SHE WAS
AMERICA TODAY, SHE-SHE WAS
AT SCHOOL OUT THERE, IN BOSTON.
AT SCHOOL OUT THERE, IN BOSTON.
COULDN'T WAIT TO SEE
COULDN'T WAIT TO SEE
YOUR FATHER, HEY CHILD?
YOUR FATHER, HEY CHILD?
MR. DAILY, YOU SHOULDN'T
MR. DAILY, YOU SHOULDN'T
HAVE BROUGHT HER INTO THE BLOCK.
HAVE BROUGHT HER INTO THE BLOCK.
I'M SORRY, SIR.
I'M SORRY, SIR.
RUN ALONG, NOW, AND
RUN ALONG, NOW, AND
I'LL SEE YOU BACK AT THE HOUSE.
WELL, I'LL SEE YOU
WELL, I'LL SEE YOU
LATER, THEN-- BYE-BYE.
[ MOWER RUNNING ]
[ LAUGHTER ]
[ LAUGHTER ]
WHERE'S YOUR MANNERS?
WHERE'S YOUR MANNERS?
YOU DON'T STARE AT A LADY
YOU DON'T STARE AT A LADY
LIKE THAT.
LIKE THAT.
[ LAUGHTER ]
Mrs. Jackson: ANGELA!
Mrs. Jackson: ANGELA!
MRS. JACKSON.
MRS. JACKSON.
OH, YOU'RE A SIGHT
OH, YOU'RE A SIGHT
FOR SORE EYES-- IT'S FRIDAY!
FOR SORE EYES-- IT'S FRIDAY!
STEAK AND KIDNEY PIE.
STEAK AND KIDNEY PIE.
FATHER HASN'T CHANGED
FATHER HASN'T CHANGED
HIS WAYS.
HIS WAYS.
OH, HE'LL NEVER CHANGE,
OH, HE'LL NEVER CHANGE,
BUT YOU CERTAINLY HAVE.
BUT YOU CERTAINLY HAVE.
OH, LOOK-- THERE, THAT'S BETTER.
THERE, NOW, LET ME LOOK AT YOU.
WHERE DID YOU GET THAT OUTFIT?
WHERE DID YOU GET THAT OUTFIT?
IT'S MY SCHOOL UNIFORM.
IT'S MY SCHOOL UNIFORM.
WHAT DID THEY TEACH YOU
WHAT DID THEY TEACH YOU
AT THAT SCHOOL?
AT THAT SCHOOL?
YOU WOULD BE SURPRISED.
YOU WOULD BE SURPRISED.
"SURPRISED"-- I SUPPOSE
"SURPRISED"-- I SUPPOSE
YOU COULD CALL IT THAT.
YOU COULD CALL IT THAT.
I WONDER WHAT LORD PACKHAM
I WONDER WHAT LORD PACKHAM
WOULD CALL IT IN HIS REPORT?
WOULD CALL IT IN HIS REPORT?
OH, HE WOULD UNDERSTAND.
OH, HE WOULD UNDERSTAND.
AFTER ALL, IT IS YOUR
AFTER ALL, IT IS YOUR
DAUGHTER, SIR.
DAUGHTER, SIR.
YEAH-- YES,
YEAH-- YES,
YOU COULD BE RIGHT.
GROWN UP-- FINE LOOKING GIRL.
GROWN UP-- FINE LOOKING GIRL.
I DIDN'T RECOGNIZE HER.
I DIDN'T RECOGNIZE HER.
IMAGE OF HER MOTHER.
IMAGE OF HER MOTHER.
YEAH.
I WISH SHE WERE ALIVE
I WISH SHE WERE ALIVE
TO SEE HER NOW.
TO SEE HER NOW.
SHE'S ADJUSTED VERY WELL,
SHE'S ADJUSTED VERY WELL,
CONSIDERING.
CONSIDERING.
CONSIDERING WHAT?
CONSIDERING WHAT?
GOOD EVENING, GOVERNOR.
GOOD EVENING, GOVERNOR.
MATTHEWS.
MATTHEWS.
CONSIDERING WHAT?
CONSIDERING WHAT?
WELL, UM, BEING BROUGHT UP
WELL, UM, BEING BROUGHT UP
WITHOUT-- WELL, BEING AROUND
WITHOUT-- WELL, BEING AROUND
MEN ALL THE TIME.
MEN ALL THE TIME.
HMM.
7:00.
7:00.
SO IT IS-- WE'RE LATE.
SO IT IS-- WE'RE LATE.
NO, THAT'S ALL RIGHT, SIR.
NO, THAT'S ALL RIGHT, SIR.
YOU NEEDN'T BOTHER.
YOU NEEDN'T BOTHER.
ANGELA WILL BE WAITING FOR YOU.
ANGELA WILL BE WAITING FOR YOU.
I'VE NEVER MISSED
I'VE NEVER MISSED
A NIGHT CHECK YET.
A NIGHT CHECK YET.
ANGELA WILL UNDERSTAND.
BUT, WHAT DOES HE HAVE
BUT, WHAT DOES HE HAVE
AGAINST TV?
AGAINST TV?
HE'S GOT NOTHING AGAINST IT.
HE'S GOT NOTHING AGAINST IT.
HE NEVER HAD TIME TO WATCH IT.
HE NEVER HAD TIME TO WATCH IT.
YOU KNOW YOUR FATHER.
YOU KNOW YOUR FATHER.
I TOLD HIM I'D PUT A BED
I TOLD HIM I'D PUT A BED
IN THE OFFICE FOR HIM.
IN THE OFFICE FOR HIM.
OPEN THE DOOR FOR ME,
OPEN THE DOOR FOR ME,
WILL YOU, DEAR?
OH, HE'S LATE.
OH, HE'S LATE.
HE'S USUALLY BACK BY 7:30.
[ MUSIC ]
OH!
[ MUSIC ]
ANGELA?
IT'S ABOUT TIME, DADDY.
IT'S ABOUT TIME, DADDY.
SERVICE WITH A SMILE.
SERVICE WITH A SMILE.
FOR ME?
FOR ME?
OF COURSE-- YOU DON'T THINK
OF COURSE-- YOU DON'T THINK
I'D DRINK THAT HORRID STUFF,
I'D DRINK THAT HORRID STUFF,
DO YOU?
NOT TOO STRONG?
NOT TOO STRONG?
JUST RIGHT-- NOW, TELL ME,
JUST RIGHT-- NOW, TELL ME,
WHAT HAVE YOU BEEN DOING
WHAT HAVE YOU BEEN DOING
WITH YOURSELF?
WITH YOURSELF?
REACQUAINTING MYSELF
REACQUAINTING MYSELF
WITH MRS. JACKSON AND ALL
WITH MRS. JACKSON AND ALL
MY OLD THINGS-- DO YOU KNOW
MY OLD THINGS-- DO YOU KNOW
THAT NONE OF MY CLOTHES
THAT NONE OF MY CLOTHES
WILL FIT ME NOW?
WILL FIT ME NOW?
WELL, THAT I CAN UNDERSTAND.
WELL, THAT I CAN UNDERSTAND.
HMM-- I SUPPOSE I HAVE GROWN.
HMM-- I SUPPOSE I HAVE GROWN.
WE HAD SO LITTLE TIME
WE HAD SO LITTLE TIME
TOGETHER...
TOGETHER...
I KNOW.
I KNOW.
THAT'S WHAT COMES OF
THAT'S WHAT COMES OF
PICKING A PRISON GOVERNOR
PICKING A PRISON GOVERNOR
FOR A FATHER.
FOR A FATHER.
I'M NOT COMPLAINING.
ABOUT TOMORROW,
ABOUT TOMORROW,
WE'VE GOT SIX NEW MEN COMING IN,
WE'VE GOT SIX NEW MEN COMING IN,
SO I'M AFRAID I WON'T BE ABLE
SO I'M AFRAID I WON'T BE ABLE
TO GIVE YOU MUCH TIME.
TO GIVE YOU MUCH TIME.
OH, DADDY-- I WAS HOPING
OH, DADDY-- I WAS HOPING
YOU'D HELP ME WITH MY SHOPPING.
YOU'D HELP ME WITH MY SHOPPING.
I'M HOPELESSLY OUT OF FASHION.
I'M HOPELESSLY OUT OF FASHION.
ARE YOU?
ARE YOU?
YES-- MY SKIRTS ARE WAY UP
YES-- MY SKIRTS ARE WAY UP
TO HERE, AND THE FASHION'S
TO HERE, AND THE FASHION'S
WAY DOWN HERE.
WAY DOWN HERE.
WELL, I'M GLAD ABOUT THAT.
WELL, I'M GLAD ABOUT THAT.
[ LAUGHTER ]
[ LAUGHTER ]
I'LL HAVE FLORET DRIVE YOU
I'LL HAVE FLORET DRIVE YOU
INTO TOWN.
PAUL, WHAT DO YOU THINK?
WELL?
WELL?
IT DEPENDS ON
IT DEPENDS ON
WHAT YOU'RE TRYING TO PROVE.
WHAT YOU'RE TRYING TO PROVE.
I DON'T KNOW WHAT YOU MEAN.
I DON'T KNOW WHAT YOU MEAN.
WAIT UNTIL YOU SEE THE BIKINI.
WAIT UNTIL YOU SEE THE BIKINI.
IT'S FANTASTIC.
IT'S FANTASTIC.
I'LL, UH, PUT THESE THINGS
I'LL, UH, PUT THESE THINGS
IN THE CAR.
I, UH, TAKE IT
I, UH, TAKE IT
YOU DON'T APPROVE-- DON'T YOU,
YOU DON'T APPROVE-- DON'T YOU,
JUST A LITTLE?
JUST A LITTLE?
WHY DON'T YOU
WHY DON'T YOU
ASK YOUR FATHER?
ASK YOUR FATHER?
HE ALWAYS APPROVES.
[ MUSIC ]
[ MUSIC ]
[ LAUGHTER ]
THE KEYS.
THE KEYS.
OHHH...
OHHH...
[ LAUGHTER ]
[ LAUGHTER ]
LET'S HAVE SOME FUN!
GIVE ME THE KEYS.
[ LAUGHTER ]
IF YOU WANT 'EM,
IF YOU WANT 'EM,
COME AND GET 'EM.
[ LAUGHTER ]
OH, DEAR, I MUST HAVE
OH, DEAR, I MUST HAVE
MISPLACED THEM.
MISPLACED THEM.
GIVE ME THE KEYS.
GIVE ME THE KEYS AND LET'S GO.
GIVE ME THE KEYS AND LET'S GO.
YOU CAN GO.
YOU CAN GO.
BUT I'M STAYING HERE.
BUT I'M STAYING HERE.
NOW, LOOK, MISS THORNE,
NOW, LOOK, MISS THORNE,
I AM DUE TO LEAVE GRAYBOURNE
I AM DUE TO LEAVE GRAYBOURNE
IN LESS THAN TWO MONTHS TIME,
IN LESS THAN TWO MONTHS TIME,
PROVIDED I KEEP MY NOSE CLEAN.
PROVIDED I KEEP MY NOSE CLEAN.
NOW DO ME A FAVOR, AND THROW
NOW DO ME A FAVOR, AND THROW
WHAT YOU'VE GOT IN SOME OTHER
WHAT YOU'VE GOT IN SOME OTHER
DIRECTION-- GIVE ME THE KEYS.
DIRECTION-- GIVE ME THE KEYS.
YOU'RE NOT QUEER, ARE YOU?
NO, YOU'RE JUST PLAIN SQUARE.
NO, YOU'RE JUST PLAIN SQUARE.
YOU LOOK LIKE FUN,
YOU LOOK LIKE FUN,
BUT YOU'RE NOT.
NO FUN AT ALL.
NO FUN AT ALL.
THANK YOU.
WHERE DID YOU GET THAT?
WHERE DID YOU GET THAT?
MOUNT ASLA-- IT TOOK
MOUNT ASLA-- IT TOOK
THE PLACE OF AFTERNOON TEA.
THE PLACE OF AFTERNOON TEA.
GET RID OF IT.
GET RID OF IT.
ARE YOU KIDDING?
ARE YOU KIDDING?
I SAID "GET RID OF IT".
I SAID "GET RID OF IT".
I LIKE IT WHEN A MAN
I LIKE IT WHEN A MAN
GETS MASTERFUL.
GETS MASTERFUL.
LOOK, MISS THORNE, I DON'T
LOOK, MISS THORNE, I DON'T
WANT TO BLOW THE WHISTLE,
WANT TO BLOW THE WHISTLE,
BUT IF YOU DON'T GET RID OF
BUT IF YOU DON'T GET RID OF
THAT STUFF, I'M GONNA--
THAT STUFF, I'M GONNA--
YOU TELL MY FATHER THAT I WAS
YOU TELL MY FATHER THAT I WAS
SMOKING POT, AND I'LL TELL HIM
SMOKING POT, AND I'LL TELL HIM
YOU WERE SMOKING POT, AND LET'S
YOU WERE SMOKING POT, AND LET'S
SEE WHICH ONE OF US HE BELIEVES.
[ MUSIC ]
[ MUSIC ]
[ DOG BARKING ]
[ TWIG SNAPPING ]
[ GASPING ]
[ GASPING ]
Forbus: SORRY, MISS,
Forbus: SORRY, MISS,
I WAS FRIGHTENED YOU WERE
I WAS FRIGHTENED YOU WERE
GOING TO SCREAM.
GOING TO SCREAM.
I NEARLY DID.
I NEARLY DID.
YOU SHOULDN'T BE OUT
YOU SHOULDN'T BE OUT
ALONE AT THIS TIME OF NIGHT,
ALONE AT THIS TIME OF NIGHT,
MISS THORNE.
MISS THORNE.
WELL, I COULDN'T SLEEP.
WELL, I COULDN'T SLEEP.
IT'S VERY WARM, OR MAYBE IT'S
IT'S VERY WARM, OR MAYBE IT'S
THE TIME CHANGE FROM BOSTON.
THE TIME CHANGE FROM BOSTON.
I DON'T REMEMBER SEEING YOU
I DON'T REMEMBER SEEING YOU
HERE BEFORE-BEFORE TODAY.
HERE BEFORE-BEFORE TODAY.
I'M FORBUS, MISS.
I'M FORBUS, MISS.
MUST GET LONESOME WORKING
MUST GET LONESOME WORKING
NIGHTS-- YOU ARE WORKING?
NIGHTS-- YOU ARE WORKING?
UH, YES, NIGHT PROWL.
UH, YES, NIGHT PROWL.
I BET YOUR WIFE HATES THAT.
I BET YOUR WIFE HATES THAT.
I'M NOT MARRIED, MISS.
I'M NOT MARRIED, MISS.
I LIVE ALONE AND, UH, LIKE IT.
I LIVE ALONE AND, UH, LIKE IT.
YOU LIKE DRINKING, TOO.
YOU LIKE DRINKING, TOO.
DON'T YOU, FORBUS?
DON'T YOU, FORBUS?
I HAD A TOOTHACHE, MISS.
I HAD A TOOTHACHE, MISS.
A LITTLE DROP IN THE CAVITY,
A LITTLE DROP IN THE CAVITY,
SOMETIMES DULLS THE PAIN.
SOMETIMES DULLS THE PAIN.
CARE TO TRY THAT ON
CARE TO TRY THAT ON
MY FATHER-- HE'D FIRE YOU
MY FATHER-- HE'D FIRE YOU
IN A MINUTE.
IN A MINUTE.
DON'T WORRY, FORBUS,
DON'T WORRY, FORBUS,
I'LL KEEP YOUR LITTLE SECRET,
I'LL KEEP YOUR LITTLE SECRET,
IF YOU KEEP MINE.
GOOD MORNING, GENTLEMEN.
GOOD MORNING, GENTLEMEN.
LOVELY DAY, UNCLE RALPH.
LOVELY DAY, UNCLE RALPH.
MORNING.
YOU'RE CLOSE TO THE OLD MAN,
YOU'RE CLOSE TO THE OLD MAN,
YOU OUGHT TO SAY SOMETHING.
YOU OUGHT TO SAY SOMETHING.
SHE'S GOT WINGS AND A HALO,
SHE'S GOT WINGS AND A HALO,
AS FAR AS HE'S CONCERNED.
[ MUSIC ]
[ HAMMERING ]
HI.
HI.
HI.
HI.
SORRY I EMBARRASSED YOU.
SORRY I EMBARRASSED YOU.
NO HARM DONE.
NO HARM DONE.
I'M SURE YOU'VE SEEN IT
I'M SURE YOU'VE SEEN IT
ALL BEFORE.
ALL BEFORE.
YEAH, BUT NEVER
YEAH, BUT NEVER
ON A GOVERNOR'S DAUGHTER.
ON A GOVERNOR'S DAUGHTER.
WERE YOU LOOKING FOR ME,
WERE YOU LOOKING FOR ME,
MISS THORNE?
MISS THORNE?
YES, I'LL NEED THE CAR.
YES, I'LL NEED THE CAR.
FINE, I'LL ASK THE GOVERNOR
FINE, I'LL ASK THE GOVERNOR
FOR PERMISSION.
FOR PERMISSION.
DON'T BOTHER, I ALREADY
DON'T BOTHER, I ALREADY
HAVE IT-- I'M GOING RIDING.
HAVE IT-- I'M GOING RIDING.
IN THAT OUTFIT?
IN THAT OUTFIT?
I'LL BET YOU LIKE IT.
MY, BUT YOU'RE A BIG MAN.
DON'T GET DIRTY, MISS--
DON'T GET DIRTY, MISS--
THE OIL AND GREASE.
PICK ME UP AT THE HOUSE
PICK ME UP AT THE HOUSE
IN 20 MINUTES.
WHAT ARE YOU SMILING AT?
WHAT ARE YOU SMILING AT?
I WAS JUST REMEMBERING.
I WAS JUST REMEMBERING.
WHAT?
WHAT?
YOU TOOK A LONG TIME
YOU TOOK A LONG TIME
GETTING BACK FROM THE AIRPORT.
GETTING BACK FROM THE AIRPORT.
[ LAUGHTER ]
[ LAUGHTER ]
COME ON, PAUL, TELL ME ABOUT IT.
COME ON, PAUL, TELL ME ABOUT IT.
TELL ME.
TELL ME.
[ LAUGHTER ]
ARE YOU ALL RIGHT, MAXWELL?
ARE YOU ALL RIGHT, MAXWELL?
YES, SIR.
[ MUSIC ]
[ LAUGHTER ]
[ LAUGHTER ]
OH, COME ON.
OH, COME ON.
WE'VE GOT TO WALK HIM BEFORE
WE'VE GOT TO WALK HIM BEFORE
I PUT HIM IN THE STALLS.
I PUT HIM IN THE STALLS.
YOU WALK HIM, AND I'LL WAIT
YOU WALK HIM, AND I'LL WAIT
IN THE CAR.
IN THE CAR.
WELL, YOU DON'T HAVE TO
WELL, YOU DON'T HAVE TO
WORRY, PAUL-- I'M A DIFFERENT
WORRY, PAUL-- I'M A DIFFERENT
ANGELA TODAY-- NO NONSENSE.
ANGELA TODAY-- NO NONSENSE.
I-I'M ALL COOLED OUT.
I-I'M ALL COOLED OUT.
CONGRATULATIONS,
CONGRATULATIONS,
ANOTHER VICTORY FOR POT.
ANOTHER VICTORY FOR POT.
NO, A GOOD NIGHT'S SLEEP.
NO, A GOOD NIGHT'S SLEEP.
I COULDN'T SLEEP AT FIRST,
I COULDN'T SLEEP AT FIRST,
BUT THEN I TOOK A WALK.
BUT THEN I TOOK A WALK.
UM, I'M SORRY ABOUT YESTERDAY,
UM, I'M SORRY ABOUT YESTERDAY,
BUT I GET THESE CRAZY MOODS.
BUT I GET THESE CRAZY MOODS.
IT'S LIKE A FEVER AND I WANT
IT'S LIKE A FEVER AND I WANT
TO DO MAD THINGS, AND THEN
TO DO MAD THINGS, AND THEN
THE FEVER BURNS OUT,
THE FEVER BURNS OUT,
AND I'M RELAXED.
AND I'M RELAXED.
AND SORRY.
AND SORRY.
NEVER SORRY-- NO TEARS.
NEVER SORRY-- NO TEARS.
NO REGRETS.
PAUL, MAKE LOVE TO ME.
PAUL, MAKE LOVE TO ME.
ARE YOU OUT OF YOUR MIND?
ARE YOU OUT OF YOUR MIND?
PLEASE-- I'LL BET YOU'VE
PLEASE-- I'LL BET YOU'VE
NEVER HAD ANYONE BEG YOU BEFORE.
NEVER HAD ANYONE BEG YOU BEFORE.
YOU'RE SICK.
ANGELA?
JUST A MINUTE, FLORET.
IS SOMETHING WRONG?
FLORET?
FLORET?
SIR?
SIR?
IS SOMETHING WRONG?
IS SOMETHING WRONG?
NO, SIR.
NO, SIR.
YOUNG LADY?
YOUNG LADY?
FLORET MADE ME ANGRY.
FLORET MADE ME ANGRY.
HOW?
HOW?
BY BEING RIGHT.
BY BEING RIGHT.
HOW'S THAT, FLORET?
HOW'S THAT, FLORET?
I THINK, UH, MISS THORNE
I THINK, UH, MISS THORNE
SHOULD EXPLAIN, SIR.
SHOULD EXPLAIN, SIR.
HE TOLD ME NOT TO--
HE TOLD ME NOT TO--
WELL?
NOT TO JUMP SHAMROCK.
NOT TO JUMP SHAMROCK.
HE SAID THE FENCE WAS TOO HIGH.
HE SAID THE FENCE WAS TOO HIGH.
WELL, IT WAS, AND I CAME OFF.
WELL, IT WAS, AND I CAME OFF.
[ LAUGHTER ]
[ LAUGHTER ]
OH, DON'T WORRY, FLORET,
OH, DON'T WORRY, FLORET,
THAT'S WOMEN FOR YOU.
THAT'S WOMEN FOR YOU.
JUST LIKE HER MOTHER.
YOU'RE TAKING MY SUN, MAN.
YOU'RE TAKING MY SUN, MAN.
DO I LOOK LIKE A MAN?
DO I LOOK LIKE A MAN?
YOU HAVE A POINT THERE.
WHAT'S THE MATTER?
WHAT'S THE MATTER?
DON'T YOU LIKE MY COMPANY?
DON'T YOU LIKE MY COMPANY?
I DO-- BUT YOUR FATHER
I DO-- BUT YOUR FATHER
WOULD NOT JUMP FOR JOY.
WHY AREN'T YOU WORKING?
WHY AREN'T YOU WORKING?
I WORKED LATE LAST NIGHT.
DO YOU MEAN TO TELL ME THAT
DO YOU MEAN TO TELL ME THAT
YOU'RE ALLOWED TO WANDER AROUND
YOU'RE ALLOWED TO WANDER AROUND
AT NIGHT, ALL BY YOURSELF?
AT NIGHT, ALL BY YOURSELF?
AND, WITHOUT A LEAD.
AND, WITHOUT A LEAD.
I SHALL HAVE TO START DRAWING
I SHALL HAVE TO START DRAWING
MY CURTAINS, THEN, WON'T I?
BUT IT GETS SO STUFFY.
BUT IT GETS SO STUFFY.
DOESN'T IT?
DOESN'T IT?
[ LAUGHTER ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
WHERE DID YOU GET IT?
WHERE DID YOU GET IT?
YOU KNOW WHERE I GOT IT.
YOU KNOW WHERE I GOT IT.
GIVE IT TO ME.
GIVE IT TO ME.
ONLY IF YOU GIVE ME
ONLY IF YOU GIVE ME
SOMETHING IN RETURN.
SOMETHING IN RETURN.
THAT ALL DEPENDS ON
THAT ALL DEPENDS ON
WHAT YOU WANT.
UNDO THEM.
GIVE ME THE HANKY.
WHAT'S WRONG?
WHAT'S WRONG?
YOU TOLD ME TO UNDO THEM,
YOU TOLD ME TO UNDO THEM,
AND I DID.
AND I DID.
WELL, THAT'S NOT FAIR.
WELL, THAT'S NOT FAIR.
SOMEONE MAY COME.
SOMEONE MAY COME.
WHEN, THEN?
[ LAUGHTER ]
HEY-- HAVE YOU, UH,
HEY-- HAVE YOU, UH,
HAVE YOU SEEN WHAT'S RUNNIN'
HAVE YOU SEEN WHAT'S RUNNIN'
THROUGH THE WOODS?
THROUGH THE WOODS?
LITTLE SCHOOL GIRL, JUST LIKE
LITTLE SCHOOL GIRL, JUST LIKE
THE ONE YOU WERE SENT UP FOR.
[ LAUGHTER ]
[ MUSIC ]
UH-OH.
UH-OH.
[ LAUGHTER ]
[ MUSIC ]
ALL RIGHT, YOU WIN.
ALL RIGHT, YOU WIN.
YOU WIN-- BUT NOT HERE.
YOU WIN-- BUT NOT HERE.
SOMEONE WILL SEE US.
SOMEONE WILL SEE US.
NOW-NOW, LISTEN, I WAS ONLY
NOW-NOW, LISTEN, I WAS ONLY
PLAYING-- SOMEONE'LL COME, AND
PLAYING-- SOMEONE'LL COME, AND
YOU'RE GONNA GET INTO TROUBLE.
YOU'RE GONNA GET INTO TROUBLE.
I'LL TEACH YOU, LITTLE BITCH!
I'LL TEACH YOU, LITTLE BITCH!
YOU THINK YOU'RE CLEVER,
YOU THINK YOU'RE CLEVER,
DON'T YOU?
DON'T YOU?
NO-- NO!
NO-- NO!
I WASN'T BEING CLEVER.
I WASN'T BEING CLEVER.
IT WAS JUST-- IT WAS JUST FUN.
IT WAS JUST-- IT WAS JUST FUN.
SO IT'S FUN AND GAMES
SO IT'S FUN AND GAMES
YOU WANT, IS IT?
WHORE!
WHORE!
[ SCREAMING ]
[ SCREAMING ]
COME ON.
[ SCREAMING ]
I'M SORRY, I DIDN'T MEAN IT.
I'M SORRY, I DIDN'T MEAN IT.
DON'T HURT ME.
DON'T HURT ME.
[ SCREAMING ]
[ MUSIC ]
[ SCREAMING ]
STOP HIM, STOP HIM!
HE ATTACKED ME.
HE ATTACKED ME.
LIE!
[ SCREAMING ]
HE FOUND MY HANKY,
HE FOUND MY HANKY,
AND WHEN I ASKED FOR IT,
AND WHEN I ASKED FOR IT,
HE TRIED TO ATTACK ME.
HE TRIED TO ATTACK ME.
IT WAS TERRIBLE.
IT WAS TERRIBLE.
YOU LYING LITTLE COW.
YOU LYING LITTLE COW.
YOU'VE BEEN ASKIN' FOR IT!
YOU'VE BEEN ASKIN' FOR IT!
I'LL KILL YOU!
I'LL KILL YOU!
CALM DOWN, MAN.
CALM DOWN, MAN.
I'LL KILL YOU!
ANGELA, WHERE ARE YOU GOING?
ANGELA, WHERE ARE YOU GOING?
TO VISIT MY FATHER.
TO VISIT MY FATHER.
YOU'VE ALREADY CAUSED
YOU'VE ALREADY CAUSED
ENOUGH TROUBLE, YOUR FATHER
ENOUGH TROUBLE, YOUR FATHER
WON'T WANT YOU UP THERE.
WON'T WANT YOU UP THERE.
I CAN HANDLE MY FATHER.
I CAN HANDLE MY FATHER.
WELL, I'M WELL AWARE
WELL, I'M WELL AWARE
OF THAT-- YOU'VE BEEN ABLE
OF THAT-- YOU'VE BEEN ABLE
TO DO THAT EVER SINCE YOU
TO DO THAT EVER SINCE YOU
WERE A CHILD.
WERE A CHILD.
WELL, I'M NOT A CHILD
WELL, I'M NOT A CHILD
ANYMORE, AND I REFUSE TO BE
ANYMORE, AND I REFUSE TO BE
TREATED LIKE ONE.
TREATED LIKE ONE.
THEN STOP BEHAVING
THEN STOP BEHAVING
LIKE ONE-- REALLY, ANGELA,
LIKE ONE-- REALLY, ANGELA,
I DON'T LIKE TO SAY THIS, BUT
I DON'T LIKE TO SAY THIS, BUT
I-I THINK YOU'RE A BIT MIXED UP.
I-I THINK YOU'RE A BIT MIXED UP.
ME-- OH, I WOULDN'T SAY THAT,
ME-- OH, I WOULDN'T SAY THAT,
MRS. JACKSON-- I MAY BE
MRS. JACKSON-- I MAY BE
A LITTLE PSYCHOTIC--
A LITTLE PSYCHOTIC--
A SCHIZOPHRENIC WITH
A SCHIZOPHRENIC WITH
UNDERTONES OF PARANOIA,
UNDERTONES OF PARANOIA,
A NYMPHOMANIAC WITH IRRESISTIBLE
A NYMPHOMANIAC WITH IRRESISTIBLE
BISEXUAL TENDENCIES--
BISEXUAL TENDENCIES--
I CAN TUNE IN AC, OR DC.
I CAN TUNE IN AC, OR DC.
I HAVE ALTERNATE SADISTIC
I HAVE ALTERNATE SADISTIC
AND MASOCHISTIC IMPULSES.
AND MASOCHISTIC IMPULSES.
I'M ALSO AN INVETERATE
I'M ALSO AN INVETERATE
EXHIBITIONIST AND SHALL PROBABLY
EXHIBITIONIST AND SHALL PROBABLY
DIE OF SEXUAL MALNUTRITION
DIE OF SEXUAL MALNUTRITION
BEFORE I'M 20-- BUT, APART
BEFORE I'M 20-- BUT, APART
FROM THAT, I'M NOT IN THE LEAST
FROM THAT, I'M NOT IN THE LEAST
BIT "MIXED UP".
HELLO.
HELLO.
PASS PLEASE.
PASS PLEASE.
HELLO.
HELLO.
YOUR FIRST TIME?
YOUR FIRST TIME?
BE CAREFUL.
BE CAREFUL.
THANK YOU-- PASS, PLEASE.
THANK YOU-- PASS, PLEASE.
HELLO, DEAR-- HOW ARE YOU?
HELLO, DEAR-- HOW ARE YOU?
CLASS PIN?
CLASS PIN?
OH, HOW'S YOUR DAVID?
OH, HOW'S YOUR DAVID?
OH, HE'S FINE-- DOING FINE.
OH, HE'S FINE-- DOING FINE.
Linda: LINDA WATKINS TO VISIT
Linda: LINDA WATKINS TO VISIT
PAUL FLORET.
PAUL FLORET.
FINE.
HELLO, MRS. WILLIS,
HELLO, MRS. WILLIS,
HOW ARE YOU?
HOW ARE YOU?
FINE-- THANK YOU, SIR.
FINE-- THANK YOU, SIR.
OKAY, IT'S NICE TO SEE YOU.
HI.
HI.
HELLO.
HELLO.
ARE YOU VISITING RELATIVES?
ARE YOU VISITING RELATIVES?
NO, A FRIEND.
NO, A FRIEND.
OH, ME TOO.
OH, ME TOO.
IS IT YOUR BOYFRIEND?
IS IT YOUR BOYFRIEND?
I MEAN, ARE YOU GOING STEADY?
I MEAN, ARE YOU GOING STEADY?
I REALLY DON'T SEE THAT
I REALLY DON'T SEE THAT
THAT'S ANY OF YOUR BUSINESS.
PAUL!
LINDA!
YOU'RE ALWAYS CREEPING UP
YOU'RE ALWAYS CREEPING UP
ON ME.
ON ME.
WHAT ARE YOU DOING?
WHAT ARE YOU DOING?
THIS IS A CAR.
THIS IS A CAR.
I AM WORKING ON IT.
I AM WORKING ON IT.
I FOUND MY OLD BIKE.
I HATE VISITING DAY.
I HATE VISITING DAY.
SOME PEOPLE HATE CHRISTMAS.
SOME PEOPLE HATE CHRISTMAS.
THE PEOPLE'S FACES,
THE PEOPLE'S FACES,
THEY'RE ALWAYS SO SAD.
THEY'RE ALWAYS SO SAD.
WHAT'S TO CHEER ABOUT WHEN
WHAT'S TO CHEER ABOUT WHEN
YOU VISIT SOMEONE IN PRISON?
YOU VISIT SOMEONE IN PRISON?
WELL, GROW UP IN ONE.
WELL, GROW UP IN ONE.
LOTS OF PEOPLE GROW UP
LOTS OF PEOPLE GROW UP
IN PRISONS, ONLY NOW THEY
IN PRISONS, ONLY NOW THEY
CALL THEM SLUMS AND GHETTOS.
CALL THEM SLUMS AND GHETTOS.
POLICE ARE SO--
DON'T YOU HAVE A VISITOR?
DON'T YOU HAVE A VISITOR?
NOPE.
NOPE.
FLORET DOES.
FLORET DOES.
HER NAME A LINDA.
HER NAME A LINDA.
IS HE GONNA MARRY HER?
IS HE GONNA MARRY HER?
NONE OF MY BUSINESS.
NONE OF MY BUSINESS.
LET'S PRETEND
LET'S PRETEND
THAT I'M YOUR VISITOR.
THAT I'M YOUR VISITOR.
WHY?
WHY?
WELL, WE COULD TALK.
WELL, WE COULD TALK.
YOU'VE GOT A NERVE.
YOU'VE GOT A NERVE.
ARE YOU ANGRY WITH ME?
ARE YOU ANGRY WITH ME?
I COULD HAVE KILLED GRIBNEY.
I COULD HAVE KILLED GRIBNEY.
YOU THINK IT WAS MY FAULT?
YOU THINK IT WAS MY FAULT?
I'M DAMN WELL SURE IT WAS.
I'M DAMN WELL SURE IT WAS.
HOW DID YOU BECOME
HOW DID YOU BECOME
A PROFESSIONAL FIGHTER?
A PROFESSIONAL FIGHTER?
THEY ALREADY HAD A PRESIDENT.
THEY ALREADY HAD A PRESIDENT.
I HEARD YOU KILLED A MAN
I HEARD YOU KILLED A MAN
WITH YOUR FIST ONCE.
IT'D BE A CINCH TO BREAK OUT
IT'D BE A CINCH TO BREAK OUT
OF HERE, WITH ALL THESE TOOLS
OF HERE, WITH ALL THESE TOOLS
LYING AROUND.
LYING AROUND.
THESE TOOLS ARE COUNTED
THESE TOOLS ARE COUNTED
EVERY MORNING AND EVERY NIGHT.
EVERY MORNING AND EVERY NIGHT.
DO YOU THINK ABOUT IT?
DO YOU THINK ABOUT IT?
ABOUT WHAT?
ABOUT WHAT?
ABOUT BREAKING OUT.
ABOUT BREAKING OUT.
I USED TO DREAM ABOUT IT,
I USED TO DREAM ABOUT IT,
BUT NOT ANYMORE.
BUT NOT ANYMORE.
WHAT DO YOU DREAM ABOUT,
WHAT DO YOU DREAM ABOUT,
CARL?
GIRLS, I BET.
GIRLS, I BET.
[ LAUGHTER ]
LOOK WHAT I FOUND-- MY OLD BIKE.
HOW'S LINDA?
SHE DOESN'T LOOK VERY SEXY.
SHE DOESN'T LOOK VERY SEXY.
[ LAUGHTER ]
[ LAUGHTER ]
EXCUSE ME.
I BET YOU TWO WERE SHACKING
I BET YOU TWO WERE SHACKING
UP TOGETHER WHEN YOU GOT INTO
UP TOGETHER WHEN YOU GOT INTO
TROUBLE.
I VISITED CARL THIS AFTERNOON.
I VISITED CARL THIS AFTERNOON.
YES, HE TOLD ME
YES, HE TOLD ME
YOU STOPPED BY.
YOU STOPPED BY.
I WONDER WHAT IT WOULD BE
I WONDER WHAT IT WOULD BE
LIKE GOING TO BED WITH CARL?
LIKE GOING TO BED WITH CARL?
I WARN YOU, ANGELA.
I WARN YOU, ANGELA.
LEAVE CARL ALONE.
LEAVE CARL ALONE.
I'LL MAKE A DEAL--
I'LL MAKE A DEAL--
YOU OR CARL.
YOU OR CARL.
EXCUSE ME.
[ LAUGHTER ]
singing: YOU'RE A DREAM
singing: YOU'RE A DREAM
FROM HEAVEN FOR ME TO LOVE
FROM HEAVEN FOR ME TO LOVE
LA LA LA LA OH OH OH OH
LA LA LA LA OH OH OH OH
YOU'RE A DREAM FOR ME TO LOVE
YOU'RE A DREAM FOR ME TO LOVE
FOR ME I GOT A DREAM
[ MUSIC ]
[ MUSIC ]
DID YOU ENJOY THAT?
THEY DON'T FEED 'EM AS GOOD
THEY DON'T FEED 'EM AS GOOD
WHERE YOU'RE GOING TO, GRIBNEY.
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
WHO'S THERE?
WHO'S THERE?
OH, I'M SORRY I AWAKENED YOU,
OH, I'M SORRY I AWAKENED YOU,
BUT I'M TIRED AND IT'S COLD.
BUT I'M TIRED AND IT'S COLD.
MAYBE WE CAN BANK UP
MAYBE WE CAN BANK UP
THE FIRE FOR YOU.
THE FIRE FOR YOU.
WE HAVEN'T GOT ANY SHORTS ON,
WE HAVEN'T GOT ANY SHORTS ON,
YOU SEE.
WELL, THE FIRE LOOKED
WELL, THE FIRE LOOKED
INVITING-- DO YOU MIND?
INVITING-- DO YOU MIND?
OH, NO, NO-- OF COURSE NOT.
OH, NO, NO-- OF COURSE NOT.
MAYBE WE CAN, UH, MAKE YOU
MAYBE WE CAN, UH, MAKE YOU
SOME NICE HOT CHOCOLATE,
SOME NICE HOT CHOCOLATE,
OR SOMETHING.
OR SOMETHING.
I'LL PUT SOME WOOD
I'LL PUT SOME WOOD
ON THE FIRE.
ON THE FIRE.
THANK YOU.
WHAT'S THE MATTER?
WHAT'S THE MATTER?
CAN'T YOU BOYS SLEEP?
NO.
NO.
WHY?
WHY?
WE'RE EXCITED.
WE'RE EXCITED.
YOU MEAN YOU'VE NEVER
YOU MEAN YOU'VE NEVER
SLEPT OUT WITH A GIRL BEFORE?
HAVE YOU EVER SLEPT ANYWHERE
HAVE YOU EVER SLEPT ANYWHERE
WITH A GIRL BEFORE?
WITH A GIRL BEFORE?
NO.
NO.
OOH, I'M STILL COLD.
WE COULD PUT SOME MORE WOOD
WE COULD PUT SOME MORE WOOD
ON THE FIRE.
[ MUSIC ]
PAUL...
PAUL...
PAUL...
PAUL...
PAUL...
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
[ MUSIC ]
WHERE HAVE YOU BEEN?
WHERE HAVE YOU BEEN?
RIDING MY BIKE.
RIDING MY BIKE.
ALL NIGHT?
ALL NIGHT?
I COULDN'T SLEEP.
I COULDN'T SLEEP.
DON'T YOU KNOW YOUR
DON'T YOU KNOW YOUR
FATHER'S BEEN WORRIED SICK?
FATHER'S BEEN WORRIED SICK?
WELL, I WAS TOO TIRED
WELL, I WAS TOO TIRED
TO TURN BACK, AND I STOPPED
TO TURN BACK, AND I STOPPED
TO REST, AND I FELL ASLEEP.
TO REST, AND I FELL ASLEEP.
HE'S GOT HALF THE POLICE
HE'S GOT HALF THE POLICE
FORCE LOOKING FOR YOU,
FORCE LOOKING FOR YOU,
YOU OR YOUR BODY.
YOU OR YOUR BODY.
GRIBNEY BROKE OUT OF SECURITY
GRIBNEY BROKE OUT OF SECURITY
CELL LAST NIGHT.
AND YOU THOUGHT HE CAUGHT ME?
AND YOU THOUGHT HE CAUGHT ME?
[ LAUGHTER ]
[ LAUGHTER ]
HE DID THREATEN TO KILL YOU.
HE DID THREATEN TO KILL YOU.
OH.
OH.
[ LAUGHTER ]
[ LAUGHTER ]
GET HER BIKE.
YOU HEARD HIM-- GET HER BIKE.
YOU HEARD HIM-- GET HER BIKE.
WHO, ME?
WHO, ME?
YES.
YES.
[ CLAPPING ]
I'M SORRY, DADDY.
I'M SORRY, DADDY.
YES, WELL, THANK GOD
YES, WELL, THANK GOD
YOU'RE SAFE-- I'M TAKING
YOU'RE SAFE-- I'M TAKING
YOU HOME, AND YOU'RE NOT
YOU HOME, AND YOU'RE NOT
TO GO ANYWHERE UNTIL WE HAVE
TO GO ANYWHERE UNTIL WE HAVE
GRIBNEY UNDER LOCK AND KEY.
GRIBNEY UNDER LOCK AND KEY.
DO YOU UNDERSTAND?
DO YOU UNDERSTAND?
YES, DADDY.
YES, DADDY.
EXCUSE ME, SIR, WILL YOU
EXCUSE ME, SIR, WILL YOU
BE NEEDING THE CAR.
BE NEEDING THE CAR.
NO.
NO.
LOOKS LIKE I GAVE YOU
LOOKS LIKE I GAVE YOU
A PRETTY HECTIC NIGHT, HUH,
A PRETTY HECTIC NIGHT, HUH,
MR. FLORET?
MR. FLORET?
NOT ME, MISS THORNE,
NOT ME, MISS THORNE,
BUT I IMAGINE YOU HAD ONE.
BUT I IMAGINE YOU HAD ONE.
ANGELA?
ANGELA?
COMING!
I HATE YOU, FLORET.
WHAT ARE YOU GONNA DO TO ME?
WHAT ARE YOU GONNA DO TO ME?
KEEP YOUR VOICE DOWN.
KEEP YOUR VOICE DOWN.
UM, YOU WOULDN'T
UM, YOU WOULDN'T
REALLY HAVE TO KILL ME.
REALLY HAVE TO KILL ME.
I MEAN, I WOULDN'T--
I MEAN, I WOULDN'T--
I WOULDN'T TELL ANYBODY.
I WOULDN'T TELL ANYBODY.
YOU DIDN'T REALLY MEAN
YOU DIDN'T REALLY MEAN
WHAT YOU SAID, DID YOU?
WHAT YOU SAID, DID YOU?
ABOUT WANTING TO KILL ME?
ABOUT WANTING TO KILL ME?
NO-- TRY ME.
I'M ON YOUR SIDE.
I'M ON YOUR SIDE.
I WAS GLAD WHEN-WHEN I HEARD
I WAS GLAD WHEN-WHEN I HEARD
THAT YOU GOT AWAY.
THAT YOU GOT AWAY.
I BET.
[ LAUGHTER ]
[ LAUGHTER ]
YOU'RE CLEVER.
YOU'RE CLEVER.
I MEAN, NOBODY WOULD THINK
I MEAN, NOBODY WOULD THINK
THAT YOU'D SNEAK BACK HERE,
THAT YOU'D SNEAK BACK HERE,
AND HIDE IN PRISON.
AND HIDE IN PRISON.
YOU COULD-YOU COULD
YOU COULD-YOU COULD
HIDE HERE FOR DAYS.
HIDE HERE FOR DAYS.
UM, MAYBE WEEKS.
UM, MAYBE WEEKS.
WHAT ARE YOU TYING TO DO?
DON'T YOU UNDERSTAND?
[ MUSIC ]
[ BANGING ]
[ CRYING ]
[ CRYING ]
THERE HE GOES!
ANGIE, ALL RIGHT?
ANGIE, ALL RIGHT?
WHAT THE DEVIL'S GOING ON?
WHAT THE DEVIL'S GOING ON?
IT WAS GRIBNEY.
IT WAS GRIBNEY.
HE CAME IN THROUGH THE WINDOW.
[ WHISTLE ]
OH, DADDY!
OH, DADDY!
HE'S HEADING TOWARDS
HE'S HEADING TOWARDS
THE MAIN BLOCK.
THE MAIN BLOCK.
OKAY, LET'S GO.
OKAY, LET'S GO.
MUST HAVE BEEN ON
MUST HAVE BEEN ON
THE GROUNDS THE WHOLE TIME.
THE GROUNDS THE WHOLE TIME.
YEAH, TOO MUCH COVER HERE.
GET ALL THE LIGHTS ON,
GET ALL THE LIGHTS ON,
OUTSIDE!
LET'S SEARCH THE GARAGE.
LET'S SEARCH THE GARAGE.
YES, SIR.
B BLOCK'S CLEAR.
B BLOCK'S CLEAR.
HE MUST BE AROUND A BLOCK.
ALL RIGHT, GRIBNEY, NOW,
ALL RIGHT, GRIBNEY, NOW,
TAKE IT EASY-- JUST CALM DOWN.
TAKE IT EASY-- JUST CALM DOWN.
NOBODY'S GONNA HURT YOU.
ARGH!
ALL RIGHT, BOYS,
ALL RIGHT, BOYS,
BACK TO YOUR-BACK TO YOUR ROOMS.
I SAID BACK TO YOUR ROOMS!
I SAID BACK TO YOUR ROOMS!
COME ON, BACK YOU GO.
HE BROKE HIS NECK.
HE BROKE HIS NECK.
IT WASN'T MY FAULT.
IT WASN'T MY FAULT.
WHEN AM I GONNA SEE YOU
WHEN AM I GONNA SEE YOU
AGAIN?
AGAIN?
NEVER.
NEVER.
HOW ABOUT TONIGHT?
HOW ABOUT TONIGHT?
DON'T WAIT FOR ME.
DON'T WAIT FOR ME.
MIND YOUR DO, FORBUS?
MIND YOUR DO, FORBUS?
YES, MR. DAILY.
HERE'S YOUR PLANE TICKET,
HERE'S YOUR PLANE TICKET,
AND SOME CASH.
I HOPE YOU UNDERSTAND.
I HOPE YOU UNDERSTAND.
I UNDERSTAND.
I UNDERSTAND.
IT ISN'T THAT I DON'T
IT ISN'T THAT I DON'T
WANT YOU TO STAY.
WANT YOU TO STAY.
ISN'T IT?
ISN'T IT?
OF COURSE, IT ISN'T.
OF COURSE, IT ISN'T.
BUT YOU HAVE SEEN THE TROUBLE
BUT YOU HAVE SEEN THE TROUBLE
IT'S CAUSED-- A MAN IS DEAD.
IT'S CAUSED-- A MAN IS DEAD.
AND I HAVE TO THINK ABOUT YOU.
AND I HAVE TO THINK ABOUT YOU.
IN BETWEEN YOUR REPORTS,
IN BETWEEN YOUR REPORTS,
AND YOUR NIGHT CHECKS,
AND YOUR NIGHT CHECKS,
AND WHATEVER ELSE YOU DO?
AND WHATEVER ELSE YOU DO?
BUT THAT'S MY JOB.
I'VE NEVER SEEN YOU
I'VE NEVER SEEN YOU
LIKE THIS BEFORE.
LIKE THIS BEFORE.
I WANNA STAY HOME.
I'M AFRAID THAT'S
I'M AFRAID THAT'S
IMPOSSIBLE AT THE MOMENT.
OF COURSE-- I UNDERSTAND.
OF COURSE-- I UNDERSTAND.
UM, HAVE YOU-- HAVE YOU
UM, HAVE YOU-- HAVE YOU
CABLED SOMEONE TO PICK ME UP
CABLED SOMEONE TO PICK ME UP
AT THE AIRPORT?
NOW WHAT DO YOU WANT?
THIS IS OUR LAST CHANCE
THIS IS OUR LAST CHANCE
TO TALK-- I'M GOING BACK
TO TALK-- I'M GOING BACK
TO THE STATES TOMORROW.
THIS NEVER CAME OUT
THIS NEVER CAME OUT
OF A TOBACCO FIELD--
OF A TOBACCO FIELD--
NO, IT CAME OUT OF
NO, IT CAME OUT OF
A LITTLE POT.
YOU DON'T HAVE TO WORRY
YOU DON'T HAVE TO WORRY
ANYMORE ABOUT ME BEING
ANYMORE ABOUT ME BEING
THE GOVERNOR'S DAUGHTER.
THE GOVERNOR'S DAUGHTER.
I'LL BE GONE TOMORROW.
I GOT A FEELING I'M ASKING
I GOT A FEELING I'M ASKING
FOR TROUBLE-- BUT I'VE BEEN
FOR TROUBLE-- BUT I'VE BEEN
COOPED UP FOR TOO LONG.
WELL, I'M GLAD SOMEONE
WELL, I'M GLAD SOMEONE
AROUND HERE LIKES A LITTLE FUN.
COME ON OUT OF THERE.
OKAY, MISS THORNE, YOU, TOO.
OKAY, MISS THORNE, YOU, TOO.
OUT!
SO THIS IS WHY YOU DIDN'T
SO THIS IS WHY YOU DIDN'T
HAVE TIME FOR ME?
HAVE TIME FOR ME?
YOUR FATHER'S JUST GONNA
YOUR FATHER'S JUST GONNA
LOVE THIS, MISS THORNE.
HELLO, SIR, IT'S FORBUS.
HELLO, SIR, IT'S FORBUS.
THERE'S TROUBLE DOWN AT
THERE'S TROUBLE DOWN AT
THE GARAGE-- NO, SIR, I THINK
THE GARAGE-- NO, SIR, I THINK
YOU BETTER COME DOWN.
OKAY, MAXWELL, OVER THERE.
YOU ARE IN TROUBLE, BOY.
YOU ARE IN TROUBLE, BOY.
MR. FORBUS, IT WASN'T--
MR. FORBUS, IT WASN'T--
SHUT UP.
MATTHEWS!
WHAT'S THE EMERGENCY, FORBUS?
WHAT'S THE EMERGENCY, FORBUS?
BE CAREFUL, FORBUS.
BE CAREFUL, FORBUS.
THIS MAN TRIED TO ASSAULT
THIS MAN TRIED TO ASSAULT
YOUR DAUGHTER, SIR.
YOUR DAUGHTER, SIR.
UM, YEAH, I-I CAME IN
UM, YEAH, I-I CAME IN
TO ASK FLORET WHAT TIME WE'D
TO ASK FLORET WHAT TIME WE'D
BE LEAVING FOR THE AIRPORT.
BE LEAVING FOR THE AIRPORT.
AND HE ATTACKED ME.
AND HE ATTACKED ME.
IT WAS AWFUL, AND THEN
IT WAS AWFUL, AND THEN
MR. FORBUS CAME JUST IN TIME.
MR. FORBUS CAME JUST IN TIME.
JUST A MINUTE, SIR.
JUST A MINUTE, SIR.
THEY ARE BOTH LYING.
THEY ARE BOTH LYING.
HOW DARE YOU, FLORET.
HOW DARE YOU, FLORET.
ARE YOU CALLING MISS THORNE
ARE YOU CALLING MISS THORNE
AND ME LIARS?
AND ME LIARS?
THAT'S RIGHT-- I AM.
THAT'S RIGHT-- I AM.
NOW, LISTEN TO ME, SIR.
NOW, LISTEN TO ME, SIR.
SHUT UP.
SHUT UP.
ALL RIGHT, FORBUS,
ALL RIGHT, FORBUS,
LOCK THEM UP.
NOW YOU'RE REALLY IN TROUBLE,
NOW YOU'RE REALLY IN TROUBLE,
FLORET.
LOCK THEM UP.
NOBODY'S LOCKING ANYONE UP.
NOBODY'S LOCKING ANYONE UP.
STAY OUT OF THIS, PAUL.
STAY OUT OF THIS, PAUL.
I'M IN THIS AS DEEP
I'M IN THIS AS DEEP
AS YOU ARE-- YOU ARE GOING
AS YOU ARE-- YOU ARE GOING
TO MAKE A TELEPHONE CALL, SIR.
TO MAKE A TELEPHONE CALL, SIR.
YOU ARE GOING TO RING THE GATE,
YOU ARE GOING TO RING THE GATE,
AND TELL THEM
AND TELL THEM
TO LET US THROUGH.
OKAY, YOU TWO, OVER THERE.
OKAY, YOU TWO, OVER THERE.
COME ON.
YOU REALIZE WHAT
YOU REALIZE WHAT
YOU'RE DOING, FLORET?
YOU'RE DOING, FLORET?
I THINK SO, GOVERNOR.
I THINK SO, GOVERNOR.
HELLO, FRONT GATE?
HELLO, FRONT GATE?
MY CAR'S COMING THROUGH.
MY CAR'S COMING THROUGH.
DON'T TRY TO STOP IT.
DON'T TRY TO STOP IT.
DON'T ARGUE-- LET IT THROUGH.
BACK UP.
BACK UP.
RIGHT, GET HER IN THE CAR.
HEY!
MATTHEWS, GET THE VAN!
MATTHEWS, GET THE VAN!
YES, SIR.
STAND BY THE RADIO
STAND BY THE RADIO
AND I'LL CONTACT YOU.
AND I'LL CONTACT YOU.
RIGHT, SIR.
[ MUSIC ]
[ MUSIC ]
THIS CAR IS TOO EASY TO SPOT.
THIS CAR IS TOO EASY TO SPOT.
WE'RE LEAVING IT.
WE'RE LEAVING IT.
I THINK WE LOST THEM.
I THINK WE LOST THEM.
HOW'D YOU LIKE THAT ACT
HOW'D YOU LIKE THAT ACT
I PUT ON-- DID YOU SEE
I PUT ON-- DID YOU SEE
MY FATHER'S FACE?
THEY MUST HAVE PULLED OFF
THEY MUST HAVE PULLED OFF
THE ROAD-- FORBUS, YOU MOVE IN
THE ROAD-- FORBUS, YOU MOVE IN
THROUGH THIS END OF THE WOODS,
THROUGH THIS END OF THE WOODS,
MATTHEWS CAN TAKE THE TOP END,
MATTHEWS CAN TAKE THE TOP END,
AND I'LL SKIRT AROUND.
[ TWIG SNAPPING ]
[ GIGGLING ]
[ MUSIC ]
WAIT FOR ME!
OH!
[ MUSIC ]
THERE'S SOMETHING IN MY HAIR!
THERE'S SOMETHING IN MY HAIR!
I CAN'T KEEP UP WITH YOU.
[ MOTORCYCLE ENGINE ]
HEY!
HEY, MAN-- BIG, TALL MAN.
HEY, MAN-- BIG, TALL MAN.
SHUT UP.
SHUT UP.
WELL, WHAT'S HE ANGRY
WELL, WHAT'S HE ANGRY
ABOUT?
I'M THE ONE WHO SHOULD BE
I'M THE ONE WHO SHOULD BE
ANGRY.
ANGRY.
SHUT UP.
SHUT UP.
EVERYBODY KEEPS TELLING ME
EVERYBODY KEEPS TELLING ME
TO SHUT UP-- I JUST THINK--
GRAYBOURNE THREE
GRAYBOURNE THREE
TO GRAYBOURNE-- OVER.
TO GRAYBOURNE-- OVER.
GRAYBOURNE THREE, OVER.
GRAYBOURNE THREE, OVER.
IT'S THE GOVERNOR HERE,
IT'S THE GOVERNOR HERE,
DAVEY-- WE'VE LOST THEM.
DAVEY-- WE'VE LOST THEM.
FORBUS FOUND THE CAR, OVER.
FORBUS FOUND THE CAR, OVER.
SHALL I SEND MORE MEN OUT?
SHALL I SEND MORE MEN OUT?
OVER-- HELLO, OVER.
OVER-- HELLO, OVER.
NO, THERE'S NO POINT.
NO, THERE'S NO POINT.
THEY'LL BE OUT OF THE AREA
THEY'LL BE OUT OF THE AREA
BY NOW.
BY NOW.
GRAYBOURNE TO GRAYBOURNE
GRAYBOURNE TO GRAYBOURNE
THREE, SHOULD I INFORM
THREE, SHOULD I INFORM
THE POLICE-- OVER.
THE POLICE-- OVER.
YES, YES.
YES, YES.
DO WHAT'S NECESSARY.
DO WHAT'S NECESSARY.
IT'S OUT OF OUR HANDS.
IT'S OUT OF OUR HANDS.
OVER AND OUT.
[ PHONE RINGING ]
[ PHONE RINGING ]
YES, SPEAKING.
RIGHT-- UH, KEEP ME INFORMED,
RIGHT-- UH, KEEP ME INFORMED,
PLEASE-- THEY'VE BEEN SPOTTED.
PLEASE-- THEY'VE BEEN SPOTTED.
CLOSE TO WHERE THEY ABANDONED
CLOSE TO WHERE THEY ABANDONED
THE MOTORCYCLE.
THE MOTORCYCLE.
SO WE JUST WAIT?
SO WE JUST WAIT?
I HAVE CONFIDENCE IN ANGELA.
I HAVE CONFIDENCE IN ANGELA.
FIRST CHANCE SHE HAS, SHE'LL
FIRST CHANCE SHE HAS, SHE'LL
TRY TO GET AWAY FROM 'EM.
[ SCREAMING ]
WELL, WE'RE GOING AROUND
WELL, WE'RE GOING AROUND
IN CIRCLES.
IN CIRCLES.
SHE'S RIGHT, PAUL.
SHE'S RIGHT, PAUL.
WE ARE GOING AROUND IN CIRCLES.
WE ARE GOING AROUND IN CIRCLES.
DO YOU KNOW WHERE WE'RE GOING?
DO YOU KNOW WHERE WE'RE GOING?
AS SHE SAYS, AROUND IN
AS SHE SAYS, AROUND IN
CIRCLES-- DO YOU WANT
CIRCLES-- DO YOU WANT
TO GO THROUGH THE HIGH STREET,
TO GO THROUGH THE HIGH STREET,
MAYBE ASK SOMEONE THE WAY?
MAYBE ASK SOMEONE THE WAY?
SHUT UP.
SHUT UP.
OKAY, PAUL, YOU CALL THE SHOT.
OKAY, PAUL, YOU CALL THE SHOT.
WE'VE GOT TO HEAD SOUTH.
WE'VE GOT TO HEAD SOUTH.
WE'VE GOT MAKE HAMBULL BEFORE
WE'VE GOT MAKE HAMBULL BEFORE
DARK TOMORROW.
DARK TOMORROW.
WHY HAMBULL?
WHY HAMBULL?
I'VE GOT A FRIEND THERE.
I'VE GOT A FRIEND THERE.
HE'S GOT A BOAT.
HE'S GOT A BOAT.
YOU MEAN, WE'RE GONNA CROSS
YOU MEAN, WE'RE GONNA CROSS
THE CHANNEL?
OKAY, LET'S REST.
OKAY, LET'S REST.
ARE YOU TIRED?
ARE YOU TIRED?
NO, BUT SHE'S NEARLY HAD IT.
NO, BUT SHE'S NEARLY HAD IT.
WHY DON'T WE DITCH HER?
WHY DON'T WE DITCH HER?
SHE'S OUR ONLY HOPE,
SHE'S OUR ONLY HOPE,
YOU FOOL.
YOU FOOL.
WITHOUT HER--
WITHOUT HER--
OH!
[ MUSIC ]
[ MUSIC ]
THAT'S PETER'S YACHT.
THAT'S PETER'S YACHT.
THE ONE WITH THE HIGH BAR.
[ SPLASH ]
[ SPLASH ]
YOU MADE THE HEADLINES.
YOU MADE THE HEADLINES.
PETER.
PETER.
I HAD A FEELING
I HAD A FEELING
YOU WERE GONNA COME.
YOU WERE GONNA COME.
LISTEN, I NEED YOUR HELP.
LISTEN, I NEED YOUR HELP.
YOU'VE GOT IT.
YOU'VE GOT IT.
THANKS.
THANKS.
YOU HAVEN'T GOT ANY MORE
YOU HAVEN'T GOT ANY MORE
TROUBLE ON THE WAY?
TROUBLE ON THE WAY?
NO, NO.
NO, NO.
ONLY ME.
ONLY ME.
I'LL GET YOU ABOARD.
I'LL GET YOU ABOARD.
LET'S GO.
LET'S GO.
SHE'S KIDNAPPED?
SHE'S KIDNAPPED?
BY FORCE.
MIND YOUR HEAD.
MIND YOUR HEAD.
CAN YOU TAKE US TO PARIS?
CAN YOU TAKE US TO PARIS?
I'VE NEVER BEEN TO PARIS.
I'VE NEVER BEEN TO PARIS.
FRANCE, BELGIUM,
FRANCE, BELGIUM,
YOU NAME IT.
YOU NAME IT.
WELL, WE DON'T
WELL, WE DON'T
HAVE TO DECIDE YET.
HAVE TO DECIDE YET.
YEAH, WELL, I'M FOR FRANCE.
YEAH, WELL, I'M FOR FRANCE.
WELL, WE CAN'T LEAVE
WELL, WE CAN'T LEAVE
BEFORE THE EVENING TIDE, ANYWAY.
BEFORE THE EVENING TIDE, ANYWAY.
CAN WE, PETER?
CAN WE, PETER?
NO, AND I'VE GOT
NO, AND I'VE GOT
SOME THINGS TO DO.
SOME THINGS TO DO.
WE'LL LET YOU KNOW WHEN YOU
WE'LL LET YOU KNOW WHEN YOU
RETURN, PETER, OKAY?
RETURN, PETER, OKAY?
OKAY.
OKAY.
CIAO.
CIAO.
CIAO.
WELL, CARL, WHAT IS IT?
WELL, CARL, WHAT IS IT?
FRANCE.
FRANCE.
FRANCE IT IS-- ARE YOU
FRANCE IT IS-- ARE YOU
MAKING IT UNANIMOUS, PAUL?
I'M AFRAID NOT.
I'M AFRAID NOT.
WELL, EVEN IF YOU VOTE
WELL, EVEN IF YOU VOTE
BELGIUM, IT'S STILL FRANCE.
BELGIUM, IT'S STILL FRANCE.
I'M GOING BACK TO GRAYBOURNE.
I'M GOING BACK TO GRAYBOURNE.
OH, HE'S GOT TO BE KIDDING.
OH, HE'S GOT TO BE KIDDING.
I'M NOT GOING TO SPEND
I'M NOT GOING TO SPEND
THE REST OF MY LIFE RUNNING.
THE REST OF MY LIFE RUNNING.
THAT GIRL, LINDA, ISN'T IT?
THAT GIRL, LINDA, ISN'T IT?
YOU DON'T WANT TO LEAVE HER?
YOU DON'T WANT TO LEAVE HER?
WELL, GO BACK TO HER.
WELL, GO BACK TO HER.
CARL AND I WILL MANAGE
CARL AND I WILL MANAGE
WITHOUT YOU, WON'T WE, CARL?
WITHOUT YOU, WON'T WE, CARL?
WE SURE WILL TRY.
WE SURE WILL TRY.
WELL, GOOD LUCK, OLD BUDDY.
WELL, GOOD LUCK, OLD BUDDY.
GOOD LUCK,
GOOD LUCK,
TO BOTH OF YOU.
PAUL MAY BE YOUR FRIEND,
PAUL MAY BE YOUR FRIEND,
CARL, BUT HE IS VERY SQUARE.
HE WOULD HAVE RUINED ALL
HE WOULD HAVE RUINED ALL
OUR FUN-- DO YOU HAVE A LIGHT?
THEY TELL ME IT WORKS BETTER
THEY TELL ME IT WORKS BETTER
IF YOU TRY IT LYING DOWN.
IF YOU TRY IT LYING DOWN.
I LOVE THAT ONE-- COME ON.
[ EROTIC MOANING ]
PITY WE NEVER GOT
PITY WE NEVER GOT
TO THAT BEFORE.
TO THAT BEFORE.
OH, THAT'S YOUR FAULT.
[ KNOCKING ]
HMM, SO YOU'VE CHANGED
HMM, SO YOU'VE CHANGED
YOUR MIND-- WELL, YOU'LL
YOUR MIND-- WELL, YOU'LL
REALLY HAVE TO BEG FOR IT.
REALLY HAVE TO BEG FOR IT.
FIRST COME, FIRST SERVED.
FIRST COME, FIRST SERVED.
RIGHT, CARL?
YOU PLANNED IT!
YOU PLANNED IT!
THAT'S RIGHT, ANGELA.
THAT'S RIGHT, ANGELA.
BUT I WARNED YOU NOT TO PLAY
BUT I WARNED YOU NOT TO PLAY
WITH CARL-- SO GO AHEAD, ANGELA,
WITH CARL-- SO GO AHEAD, ANGELA,
YELL "RAPE"-- YOUR FATHER
YELL "RAPE"-- YOUR FATHER
ALWAYS BELIEVES YOU.
[ MUSIC ]
WHY?
WHY?
WHY NOT-- IT'S-IT'S EASY
WHY NOT-- IT'S-IT'S EASY
TO FIND SOMEONE TO WANT YOU
TO FIND SOMEONE TO WANT YOU
FOR BED.
AND THAT'S BETTER THAN
AND THAT'S BETTER THAN
NOT BEING WANTED AT ALL.
NOT BEING WANTED AT ALL.
BUT, THERE, THAT'S NOT DOWN
BUT, THERE, THAT'S NOT DOWN
IN PRISON REGULATIONS,
IN PRISON REGULATIONS,
IS IT, DADDY?
IS IT, DADDY?
[ CRYING ]
[ MUSIC ]