Ghost Whisperer (2005–2010): Season 4, Episode 6 - Ghost Whisperer - full transcript

Are you wondering how healthy the food you are eating is? Check it - foodval.com
---
Melinda: PREVIOUSLY
ON GHOST WHISPERER...

LET'S HAVE A BABY.
GOD, I LOVE YOU.

YOU DID CONCEIVE, BUT YOUR BODY
DIDN'T SUPPORT THE PREGNANCY.

YOU HAVE TO UNDERSTAND...

YOU MOVE BETWEEN THE
WORLD OF LIFE AND DEATH.

SOMETIMES YOU COME BACK FROM
ONE WITH A TOUCH OF THE OTHER.

A TOUCH? OF DEATH.

BE CAREFUL. IT MIGHT BRUSH OFF.

ON WHAT? ON WHAT YOU TOUCH.

WELL, WHAT IS THIS PRESCRIPTION?

IT'S FOR A HORMONE. IT HELPS
THE EMBRYO ATTACH ITSELF.



BASICALLY MAKES IT
FEEL MORE AT HOME SO IT...

AND THIS IS ALL WE NEED?

YEAH.

[BOTH LAUGH]

SO WE'RE GONNA BE
ABLE TO HAVE A BABY?

REALLY? I CAN'T BELIEVE
YOU WORKED ON WALL STREET.

NEITHER CAN I. UH,
I TOLD YOU THAT.

NO, YOU TOLD ME HE HATES SUITS.

I TOLD YOU HE
HATED BEING A SUIT.

A SUIT WHO IS ON HIS
WAY TO A CORNER OFFICE.

WHAT CAN I SAY?
WELL, I GOTTA TELL YOU,

I'M GLAD I'M FINALLY
GETTING A CHANCE

TO MEET THE
LEGENDARY JIM CLANCY.

HE'S HEARD A LOT ABOUT YOU.



YOU CAN HEAR A
LOT ABOUT SOMEBODY

WHEN THEY'VE WORKED
80 HOUR WEEKS TOGETHER.

SO LISTEN, JIM, YOU DON'T MISS

THE ANXIETY AND THE TENSION

OF TEARING OPEN THAT JOURNAL
THE MOMENT YOU WAKE UP, HUH?

UH, NO.

WHAT I'M LOOKING FORWARD TO

IS SEEING YOUR
WEDDING ANNOUNCEMENT

IN THIS SUNDAY'S TIMES.
IT MAKES ME VERY HAPPY.

OH, ME, TOO. ME, THREE.

TIMES A THOUSAND.
A MILLION SQUARED.

HUH?

MOMMY, HOW MUCH LONGER?

JUST A FEW MORE THINGS AND
WE'RE OFF TO THE LAKE HOUSE.

AND GUESS WHAT...

JIM AND MELINDA ARE GONNA STAY
WITH US ALL THROUGH THE WEDDING.

WAIT UNTIL YOU GUYS
SEE NATALIE'S DRESS.

OH, SHE LOOKS LIKE A PRINCESS.

A BALLERINA.

A BEAUTIFUL BALLERINA.

♪ I COULD FALL IN LOVE... ♪

UM, ARE YOU SURE YOU'RE
OK WITH EVERYTHING?

PLACE SETTINGS, FURNITURE?

BECAUSE FURNISHING
EVENTS IS KIND OF NEW TO US

AND WE JUST WANT
TO GET IT RIGHT.

PLEASE, YOU GUYS.
I LOVE EVERYTHING.

I'M NOT EVEN WORRIED ABOUT IT.

WELL, THEN, WHY DON'T YOU
LET US TAKE CARE OF THE REST?

YEAH, GO GET SOME
FROZEN YOGURT WITH NAT,

AND WHEN YOU GET BACK, WE'LL BE
ALL PACKED UP AND READY TO GO, RIGHT?

MM-HMM.

DID I TELL YOU ABOUT THIS GUY?

OH... THANKS, HONEY. I LOVE YOU.

YOU, TOO.

BYE, JIM. SEE YOU, TRISH.

BYE!

GONE.

OH, WHERE IS IT?
IT'S RIGHT HERE!

AH! IT'S GOT NEW SATIN LINING

AND RESTITCHED EMBROIDERY.

IT LOOKS PERFECT.
WHAT DO YOU THINK?

THINK SHE'S GONNA
LOVE THIS NECKLACE?

SHE'S GONNA LOVE IT. I WANT IT.

CAN I HAVE IT? [LAUGHING]

SEE YOU GUYS IN A COUPLE?

ALL RIGHT. OK.

HERE, LET ME BRING THIS OUT.

YEAH. YOU GOT IT? YEP.

SEE YOU, GUYS.

ALRIGHTY. OK,
WE'LL SEE YOU GUYS.

THANKS, GUYS.

ALL RIGHT, YOUR BAG'S IN
THE CAR. THE CAR'S PACKED.

YOU GOT EVERYTHING...
SHOES, DRESSES...

MEDICINES?

FULL COURSE. TALKED TO DR. CHEN,

WE'RE ALL SET FOR SATURDAY.

WOW. OK, LITTLE PERSON,
WE ARE GOING TO MAKE YOU

IN THE MOST BEAUTIFUL
CABIN IN THE WHOLE WOODS.

YOU'RE GONNA HAVE
TO GET USED TO THIS.

YOU SEE, WHEN YOU'RE PREGNANT,

PEOPLE ARE GONNA START
TALKING TO YOUR STOMACH.

YOU KNOW WHAT, MR. CLANCY?

WHAT?

YOU MAKE ME VERY HAPPY.

IT'S GONNA WORK THIS TIME.

YEAH.

[BIRDS CHIRPING]

WHOOO...

WHOOO...

WHAT IS THAT?

OH, MY GOD.

IS IT A SCARY GHOST?!

AAH!

[BOTH LAUGHING]

AGAIN, MOMMY!

LATER, BABY.

WE STILL HAVE MORE
ROOMS TO OPEN UP.

GUESTS ARE COMING.

GRANDMA WILL BE HERE SOON.

I BROUGHT YOUR BLANKET.
AND DO YOU KNOW WHAT?

WHAT?

MOMMY USED TO SLEEP IN THAT BED

EVERY SUMMER WHEN
I WAS A LITTLE GIRL.

[CAR HORN HONKS]

EVERYONE'S HERE!

LET'S GO.

BUT, MOMMY, I WANT
TO PLAY UP HERE.

PLEASE, PLEASE,
PLEASE, PLEASE, PLEASE?

OK, OK, OK, OK! 5 MINUTES.

BUT BE CAREFUL, BABY.

OK!

[CREAKING]

HOW DID YOU DO THAT?

ARE YOU MAGIC?

OK.

BUT DON'T TALK SO FAST.

IT'S HARD TO UNDERSTAND.

Melinda: YOU GOT IT.

Jim: YES, MY DARLING.

HEY, YOU GUYS, LET
ME HELP YOU WITH THAT.

[DOOR CREAKING]

OH.

OK.

Hunter: HEY, WHERE'S NAT?

OH, SHE'S IN MY
OLD ROOM PLAYING.

OLD ROOM PLAYING?

YEAH, DON'T WORRY. SHE'S OK.

WELL, I MEAN, THE HOUSE HAS BEEN,
YOU KNOW, LOCKED DOWN AND CLOSED

FOR A FEW MONTHS NOW.
IT MIGHT BE RUSTIC TO YOU,

BUT I THINK IT'S
A LITTLE RICKETY.

[DOOR CREAKING]

I DON'T THINK WE
SHOULD BE IN HERE.

THIS IS HUNTER'S ROOM.

[DOOR CREAKING]

[SLAM]

WHERE'D YOU GO?

[SCUTTLING]

IS THIS FOR ME?

WHAT DO I DO WITH IT?

[DOOR CREAKING]

WAIT, IS THIS A GAME?

Hunter: NATALIE!

[DOOR SLAMS]

HEY. HEY, SWEETIE,

YOU SAID THAT NAT WAS
IN YOUR OLD ROOM, RIGHT?

YEAH. ISN'T SHE? NO, NO.

I MEAN, I CHECKED
ALL THE BEDROOMS,

BUT THERE'S SO
MANY STAIRWAYS AND...

NAT?

NAT?

NATALIE?

TRISH, I'LL CHECK
AROUND THE GROUNDS?

THE CREEK, PLEASE. ALL RIGHT.

NAT?

NATALIE? NAT?

NAT, HONEY?

NATALIE?

COME OUT, COME OUT,
WHEREVER YOU ARE!

NAT, WHERE ARE YOU?

Natalie: WHY DON'T YOU
WANT ANYBODY TO HEAR US?

HEY, LISTEN.

THAT'S NATALIE. WHY DON'T YOU
WANT ANYONE TO KNOW YOU'RE HERE?

HONEY...

DIDN'T YOU HEAR ME CALLING YOU?

[WHISPERING] Shh!
We're supposed to whisper.

NATALIE, WHO WERE
YOU TALKING TO?

COME ON, HONEY.

THERE'S NO ONE
IN HERE. LET'S GO.

YOU SCARED MOMMY.

MOMMY, THERE WAS
SOMEONE IN THERE!

YOU SCARED HIM AWAY.

HE WANTED ME TO FIND SOMETHING.

OH, THERE SHE IS. HEY, KIDDO...

UM, NATALIE...

HOW DID YOU GET THAT?

HE WANTS MOMMY TO HAVE IT.

WHO, SWEETHEART? WHO
ARE YOU TALKING ABOUT?

THIS IS FROM ME.

THIS WAS... THIS WAS
SUPPOSED TO BE A SURPRISE.

SO, UH, SURPRISE.

IT'S OK, YOU CAN OPEN IT.

THANKS, HONEY. IT'S OK.

[GASPS]

AAH!

AAH! AH!

NATALIE!

NATALIE, WHAT DID YOU DO?!

IT WASN'T ME!

NATALIE...

OK, OK. CALM DOWN.

HE'S BEEN WAITING FOR US!

Melinda: WHO'S BEEN
WAITING FOR US?

HE SAYS HE NEVER
WANTS US TO LEAVE.

Jim: YOU OK? OK.

Child, whispering:
Can you see us?

THERE'S BERRY-PICKING
IN THE MORNING,

DIRECTIONS TO THE
TRAILS FOR RIDING,

LUNCH, THEN AT 4:00,
COCKTAIL CROQUET.

AH, SPORT OF CHAMPIONS.

AND TOMORROW NIGHT,
THE REHEARSAL DINNER.

IT'S REALLY SWEET OF
THEM TO ORGANIZE ALL THIS.

WHAT WAS HE LIKE,

NATALIE'S DAD?

AH, HE WAS A LITTLE
BIT LIKE HUNTER.

YOU KNOW, KIND OF
LOW-KEY BUT FRIENDLY.

YOU KNOW, THEY'D BEEN
TOGETHER SINCE COLLEGE.

SO THEY SPENT SOME TIME HERE.

PROBABLY.

WHAT?

JUST MUST BE HARD
FOR HIM TO LET GO.

BEFORE THE ANT THING,

I HEARD NATALIE
TALKING TO SOMEBODY.

RIGHT, TO HER
IMAGINARY FRIEND, HUH?

YEAH, THE FRIEND
WAS WHISPERING BACK.

OH, NO.

YOU KNOW, LITTLE
KIDS CAN SEE SPIRITS.

SHE'S STILL YOUNG ENOUGH.

AND YOU THINK IT'S
TRICIA'S FIRST HUSBAND?

HE DIED, SHE'S
GETTING REMARRIED.

HOW WOULD YOU FEEL?

PROBABLY ABOUT AS MAD
AS A MOB OF RED ANTS.

HEY, MELINDA. MEET
ANOTHER GUEST.

THIS IS CHRISTOPHER MURRAY,
AN OLD FRIEND OF HUNTER'S.

HI, NICE TO MEET YOU.
NICE TO MEET YOU.

AND YOU KNOW MY MOM,
OF COURSE, MARGARET.

YEAH, WELL, YOU KNOW,

SHE RESCUED ME ON ONE
OF HER MORNING WALKS.

IT'S NOT THAT EASY
TO FIND THIS PLACE.

WELL, WE'RE
OBVIOUSLY GLAD YOU DID.

SO, UH, WHY DON'T
WE GET YOU SETTLED.

SURE.

OH, YEAH, THIS, UH,

A LITTLE SOMETHING
FOR THE GROOM.

ISN'T THAT THOUGHTFUL?

CHRISTOPHER AND HUNTER HAVE
KNOWN EACH OTHER SINCE THEY WERE 15.

NOW THEY'RE OPENING A
RESTAURANT TOGETHER.

IT'S THAT PLACE I INVESTED
IN IN DALLAS I TOLD YOU ABOUT.

OH, YEAH.

I'M SURE IT'S HARD TO KEEP IT
ALL STRAIGHT WITH THIS MOGUL.

ONE SECOND WE'RE SLINGING
AROUND RICH GUYS' GOLF CLUBS

AND THEN THE NEXT
SECOND, HE IS THE RICH GUY.

HOLD ON A SECOND.

I MEAN, YOU WERE THE ONE WHO
ACTUALLY CAME UP WITH THE IDEA

FOR THE RESTAURANT IN
THE FIRST PLACE, NOT ME.

OPENING ONE WAS MY IDEA,

BUT EVERYTHING ELSE WAS YOURS.

THE CONCEPT, THE NAME.

WHAT IS THE NAME?

AXIOM STEAKHOUSE.

HMM.

YOU'LL HAVE TO ASK THE
GENIUS WHAT THAT MEANS.

COME ON, I CAN'T BRAG
ABOUT MY OLD FRIEND?

NO, NO, KEEP
BRAGGIN'. NO PROBLEM.

JUST SAVE SOME FOR THE TOAST.

LET'S GET YOU A ROOM, SHALL WE?

[CHUCKLES] SEE
YOU LATER, DARLING.

BYE, MELINDA. BYE.

I'M SO GLAD THAT ONE OF
HIS FRIENDS TOOK INITIATIVE.

HUNTER'S NOT IN
TOUCH WITH HIS FAMILY,

AND MOST OF HIS
FRIENDS ARE FROM WORK.

HE WON'T ADMIT IT,

BUT I THINK HE
KEPT HIS LIST SHORT

SO IT WOULDN'T BE
TOO MUCH ABOUT HIM.

HMM.

WHERE IS SHE GOING?

YOU KNOW, I TAKE MY EYES
OFF HER FOR ONE MINUTE...

IT'S SO UNLIKE HER,
WANDERING OFF LIKE THAT.

YOU KNOW WHAT, I CAN
GO CHECK IF YOU WANT,

'CAUSE I'M GOING OUT
FOR A RUN ANYWAY.

YOU SURE? YEAH. YEAH.

THANKS.

NATALIE?

[METAL CREAKING]

[METAL CREAKING LOUDLY]

NATALIE?

HEY.

IT'S PRETTY DOWN HERE, HUH?

YOU KNOW, THEY HAD
A STREAM LIKE THIS

WHERE I GREW UP, TOO.

DID YOUR FRIEND
BRING YOU OUT HERE?

IT'S OK IF HE DID.

I KNOW THAT MOST GROWNUPS
DON'T BELIEVE IN IMAGINARY FRIENDS,

BUT I DO.

IS HE HERE WITH YOU RIGHT NOW?

HE DOESN'T LIKE TO
BE AROUND PEOPLE

BECAUSE HE'S REALLY SICK.

OH.

OK, WELL, THAT'S HARD.

YOU KNOW, YOUR MOM TOLD ME
THAT YOUR DAD WAS REALLY SICK?

DO YOU THINK MAYBE THAT'S
WHY HE'S BEING SO SHY...

I DON'T WANT TO TALK
ABOUT THIS ANYMORE.

OK. I'M SORRY.

DO YOU MIND IF I TALK TO HIM?

NO! I DON'T WANT YOU
TO AND NEITHER DOES HE.

WHY NOT?

BECAUSE HE'S MAD.

HE'S REALLY MAD.

[NATALIE GRUNTING]

[MUSIC PLAYING, CHATTER]

MOMMY, MOMMY!
WELL, HELLO, PRINCESS!

YOU HAVE TO COME WITH ME.

HE WANTS YOU TO SEE SOMETHING.

WHO, YOUR FRIEND?

YOU KNOW WHAT, BABY,
I CAN'T PLAY RIGHT NOW.

THE REHEARSAL
DINNER'S ABOUT TO BEGIN.

MOMMY, HE SAYS IT'S IMPORTANT.

HE SAYS YOU HAVE TO COME NOW.

PLEASE, PLEASE,
PLEASE, COME ON, PLEASE?

OK, BUT LISTEN, IT
HAS TO BE QUICK.

OK. QUICK, QUICK.

COME ON, LET'S GO.
ALL RIGHT! OH! OK.

HE WANTS US TO FOLLOW HIM!

NAT...

OK, WHAT DID YOU
WANT TO SHOW ME?

DID YOU DO THAT?

THAT MEANS HE WANTS
YOU TO LOOK INSIDE.

THAT'S THE GAME.

RIGHT, THE GAME.

OK.

OW!

MOMMY!

WHO PUT AN ICE PICK
IN THE LINEN DRAWER?

DID YOU PUT THAT IN THERE?

NO! I DON'T KNOW WHY
HE DID THAT TO YOU.

NATALIE, YOU KNOW WHAT?

STOP. STOP WITH THE
IMAGINARY FRIEND.

NO MORE GAMES, NOT LIKE THESE.

SWEETIE...

I LOVE YOU.

I LOVE YOU SO MUCH, AND
NOTHING IS GOING TO CHANGE THAT.

BUT I'M GETTING
MARRIED TOMORROW,

NO MATTER WHAT.

DO YOU UNDERSTAND?

[DOOR CREAKS]

NATALIE?

CAN I COME IN?

I HEARD ABOUT WHAT
HAPPENED TO YOUR MOM.

IT MUST HAVE BEEN REALLY SCARY.

I DON'T KNOW WHY HE'S
BEING SO MEAN TO HER.

WHAT ARE YOU DRAWING?

THAT'S ME AND MOMMY
CATCHING BUTTERFLIES.

IT'S LOVELY.

WHAT ARE THE OTHER ONES?

THAT'S OWEN.

OWEN?

IS THAT YOUR FRIEND?

MM-HMM.

HE'S A LITTLE BOY.

ARE THOSE LEG BRACES?

IS THAT WHAT YOU MEANT
WHEN YOU SAID HE WAS SICK?

MM-HMM.

WHY DOES HE LOOK SO SAD?

BECAUSE HE SAYS SOMETHING
VERY BAD IS GOING TO HAPPEN.

I... I DON'T MEAN TO BE DENSE,

BUT I DON'T UNDERSTAND
WHY YOU'RE ASKING ME.

WHY WOULD I KNOW THIS BOY?

HE'S NOT EVEN REAL.

SOMETIMES KIDS WILL
MODEL IMAGINARY FRIENDS

AFTER A REAL PERSON
THAT THEY'VE MET.

SO, DID NAT EVER SEE ANYONE
MAYBE WITH LEG BRACES?

YOU KNOW, IT COULD HAVE
BEEN FROM A WHILE AGO.

MAYBE IN THE HOSPITAL
WHEN JEREMY WAS SICK?

I HAVE NEVER SEEN
NAT WITH THIS BOY

AT THE HOSPITAL OR
ANYWHERE. BUT, UH,

I GOTTA SAY, I'M REALLY
PROUD OF YOU, HONEY.

I MEAN, MY GOSH...

LOOK AT HOW CREATIVE YOU ARE...

OWEN'S REAL.

OF COURSE. IN YOUR
MIND, OF COURSE.

MOMMY, I DIDN'T MAKE HIM UP.

WELL, LET'S TAKE A
LOOK AT THESE PICTURES.

SOMEONE DECIDED TO GIVE HIM
A RED SHIRT AND BLUE PANTS...

BUT I DIDN'T DRAW THOSE.

I JUST DREW THIS ONE.

WAIT, THAT ONE'S IN MARKER.

THOSE ARE IN CRAYON.

WE DON'T HAVE ANY CRAYONS HERE.

I KNOW THOSE
DRAWINGS. DON'T YOU?

WHY WOULD I, MOM?

YOU DREW THEM.

THERE WAS A GAME YOU
PLAYED THAT SUMMER.

A STRANGE LITTLE GAME.

WITH THESE DRAWINGS?

WITH YOUR MADE-UP FRIEND.

MY MADE-UP FRIEND?

WHAT WAS THE GAME?

IT WAS SORT OF A WORD GAME,

WITH A TREASURE HUNT MIXED IN.

YOU'D HIDE OBJECTS AROUND,

AND THEY SPELLED
OUT WORDS SOMEHOW.

WAIT, WAIT, I... I SEEM
TO REMEMBER THIS,

BUT IT'S A GAME THAT
YOU SHOWED ME, MOM.

YOU SHOWED ME HOW TO PLAY.

YOU TOOK THE FIRST LETTER

OF EACH HIDDEN THING

AND PUT IT TOGETHER, RIGHT?

NO, SWEETHEART, I
REMEMBER DISTINCTLY.

I USED TO THINK, GOODNESS,

MY TRICIA'S WORKING AWFULLY HARD

FOR ME TO BELIEVE...

OWEN DID IT! HE HID THE CLUES.

HE STILL DOES.

OK, NAT, HONEY, LOOK, I KNOW...

YOU KNOW WHAT, TRICIA, WHY
DON'T YOU AND I GO AND TAKE A WALK?

AM I SUPPOSED TO BELIEVE

I JUST CONVENIENTLY
FORGOT ALL THIS?

THAT I USED TO SEE GHOSTS,

INCLUDING A BOY GHOST
I USED TO PLAY WITH?

ALL CHILDREN BELIEVE IN THINGS

THEY STOP BELIEVING
IN AS ADULTS.

MEMORIES FADE,

AND PEOPLE HAVE NO ROOM FOR IT
NEXT TO THEIR LOGIC AND REASON.

BUT YOU DO.

WELL, I DON'T HAVE A CHOICE.

[SIGHS] OK.

SO LET'S SAY THIS OWEN
IS REAL. WHAT NOW?

WE HAVE TO FIND OUT
WHAT HE WANTS FROM YOU.

OTHER THAN WRECKING MY WEDDING?

WELL, WE'RE OK IN ONE WAY...

AT LEAST HE WANTS
TO TALK TO YOU.

NOW WE JUST HAVE TO GET
HIM TO CUT TO THE CHASE,

WHICH IS WHY I BROUGHT YOU HERE.

HERE?

IS HIS VOICE IN THE
BABBLING BROOK?

DOES HE USE A TREE PHONE?

I REMEMBER MY WEDDING DAY, TOO.

I WAS ALSO A LITTLE ON EDGE.

I'M SORRY, I DON'T MEAN
TO BE DISRESPECTFUL.

IT'S JUST, I'M SO
STRESSED OUT...

HE'S HERE.

WHERE?

HE'S A LITTLE SHY,
SO HE DOESN'T LIKE

TO STAY IN ONE PLACE...

OWEN.

HI.

I'M MELINDA. LOOK, I
CAME HERE TO TELL YOU

THAT TRICIA, SHE IS NOT
HAVING FUN PLAYING YOUR GAME.

SHE'S NOT SUPPOSED TO.

ARE YOU TALKING
TO HIM RIGHT NOW?

WHATEVER IT IS YOU
WANT HER TO KNOW,

JUST TELL HER.

NO.

OK, YOU DON'T UNDERSTAND.

SHE DOESN'T HAVE
TIME TO PLAY YOUR GAME

BECAUSE SHE'S
GETTING MARRIED TODAY.

LOOK, SINCE THE TWO OF
YOU CAN TALK TO EACH OTHER,

WHY DOESN'T HE JUST
PLAY THE GAME WITH YOU?

[GASPS] NO!

WHAT WAS THAT?

SHE HAS TO PLAY.

TELL HER IF SHE
DOESN'T, SHE'LL BE SORRY.

TELL HER!

HE SAYS THAT YOU HAVE TO
PLAY. YOU'RE THE ONLY ONE.

YOU KNOW WHAT?

I KNOW YOU'RE TRYING TO HELP,

BUT I WALK DOWN
THE AISLE IN 6 HOURS,

AND THIS IS, UH,

THIS IS JUST TOO MUCH FOR ME.

I'LL SEE YOU BACK AT THE LODGE.

TRISH, HONEY, EVERYONE'S
GETTING TOGETHER OUTSIDE

FOR SOME CANDIDS
BEFORE THE CEREMONY.

ARE YOU STILL OBSESSING
OVER THAT SEATING CHART?

IF I COULD THINK,
I'D BE DONE ALREADY.

JUST TELL THEM I'LL BE
DOWN IN ABOUT 10 MINUTES.

I'D BETTER TELL THEM 20.

MOM, SERIOUSLY,
IF YOU DON'T STOP...

[DOOR CREAKING]

OK.

FINE.

LET'S PLAY.

[GASPS]

WHAT AM I SCARED OF?

[DOORS SLAMMING]

[GASPING]

ANY LUCK?

IT SURE WOULD HELP IF I
HAD MORE THAN A FIRST NAME.

YOU TRIED CROSS-REFERENCING
THE LODGE NAME

OR THE STREET NAME...

YEAH, SORRY. OF COURSE YOU HAVE.

IT'S JUST TRISH
IS AN OLD FRIEND.

I'M A LITTLE WORRIED ABOUT HER.

YOU AND ME BOTH.

IF WE DON'T GET A HANDLE
ON THIS GHOST SOON...

I KNOW, DON'T SAY IT.

[STAIRS CREAKING]

[GASPS]

[GASPS]

HEY. YOU GUYS SEEN TRISH?

SHE WAS SUPPOSED TO BE DOWN
HERE TO TAKE SOME PICTURES.

OH, SHE'S UPSTAIRS OBSESSING
OVER THE SEATING CHART.

UM, I'M GONNA GO,

UH, TRACK TRISH DOWN.

[GASPS]

BOB?

WHO'S BOB?

WHAT IS THIS, APPLES?

YOU WANT ME TO BOB FOR APPLES?

[MIRROR CREAKING]

[GASPING]

[FOOTSTEPS APPROACHING]

WELL, SHE'S NOT IN HER ROOM.

I'M SURE SHE'LL BE HERE
ANY SECOND, IT'S JUST...

WELL, WE CAN BOTH HELP YOU LOOK.

AAH! AAH!

BREATHE, TAKE IT
EASY, TAKE IT EASY.

AAH! JUST GET IT
OFF! JUST GET IT OFF!

IT'S OFF, IT'S OFF.
SWEETIE, IT'S OFF.

LISTEN TO ME. HEY, I GOT IT
OFF, OK? IT'S THE LAST ONE.

IT'S THE LAST ONE, I SWEAR.

[GASPING] WHY IS HE DOING
THIS? I JUST WANT THIS TO END!

OH, IT'S GOTTA BE A MESSAGE. WE
JUST HAVE TO FIGURE OUT WHAT IT IS.

NO, WE DON'T, OK?

PLEASE SAVE IT.

CAN'T YOU SEE SHE'S
BEEN THROUGH ENOUGH?

LOOK, I KNOW YOU GUYS
ARE TRYING TO HELP,

AND YOU'RE OLD FRIENDS
AND WE APPRECIATE IT,

BUT THE LAST THING TRISHA NEEDS
TO HEAR ABOUT RIGHT NOW IS GHOSTS.

OK? SO PLEASE. IT'S OK. [KISS]

LET'S FACE IT, WE ALL HAVE THE
SAME THING ON OUR MINDS, EVEN NAT.

AND I'M SURE I'D MISS JEREMY,
TOO, IF I KNEW HIM, BUT I DON'T, SO...

WE GET IT, OK?

JUST TAKE CARE OF YOUR FIANCEE.

THE GAME IS LEADING TO
SOMETHING, SOME ANSWER.

THERE'S SOMETHING
HE WANTS HER TO KNOW.

NATALIE SAID YOU TAKE THE FIRST
LETTER FROM EVERY WORD, RIGHT?

RIGHT. SO FAR WE
HAVE ANTS, ICE PICK,

AND LEECHES.

A-I-L.

AIL... WHAT DOES THAT MEAN?

AILMENT?

I MEAN, NATALIE SAID
OWEN WAS SICK, RIGHT?

SO MAYBE THE SUBJECT
OF THE MESSAGE IS AILMENT.

YEAH, BUT WHAT
DISEASE WOULD HE HAVE

WHERE HE'D HAVE
TO WEAR LEG BRACES?

POLIO. BUT ONLY IF HE
DIED A LONG TIME AGO.

WELL, THE LODGE HAS BEEN IN
TRICIA'S FAMILY FOR GENERATIONS.

UM, THERE'S HEMIPLEGIA,

UH, MUSCULAR DYSTROPHY...

OOH, WAIT.

THAT MIGHT BE WHAT I
NEED TO GET HIS NAME.

THERE YOU GO.

THE OWEN GRACE MUSCULAR
DYSTROPHY FOUNDATION.

HIT THE MISSION STATEMENT.

"FOUNDED IN 1981
BY THE GRACE FAMILY

IN HONOR OF THEIR
SON OWEN, WHO DIED..."

HMM.

BUT HE DIDN'T DIE
OF THE DISEASE.

HE DROWNED IN MORTON CREEK.

WHICH IS HERE, RIGHT
ON THE PROPERTY.

AND WHERE NATALIE WAS PLAYING.

AND PROBABLY TRICIA, TOO.

WAIT, YOU DON'T THINK MAYBE SHE
HAD SOMETHING TO DO WITH HIS DEATH?

OWEN?

OWEN!

WE NEED TO TALK.

LOOK, I KNOW WHAT HAPPENED.

I KNOW THAT YOU DROWNED HERE.

I CAN HELP YOU, OK, BUT
YOU NEED TO TALK TO ME.

TRISH IS DONE PLAYING YOUR GAME.

SHE CAN'T BE.

IT'S NOT OVER YET.

PEOPLE DON'T WANT TO
PLAY GAMES THAT HURT THEM.

HURT TRICIA?

I'M TRYING TO HELP HER.

WITH ANTS, ICE
PICKS, AND LEECHES?

SHE HATES THAT STUFF. EXACTLY.

BUT THAT'S A CLUE, TOO.

WHAT DOES THAT MEAN?

WHAT IS A CLUE?

NO, I'M NOT TELLING YOU.

IT'S OUR GAME.

SHE HAS TO FIGURE IT OUT,

NOT YOU.

OK...

OWEN, WHAT IF I GET
HER TO KEEP PLAYING?

THEN WILL YOU TELL
ME WHAT HAPPENED?

THAT IS MY BEST DEAL, OK?

YOU HAVE TO TELL ME
WHAT HAPPENED HERE.

THIS IS WHERE I FIRST MET HER.

[CHILDREN PLAYING, LAUGHING]

HEY!

WAIT UP!

HEY! WAIT UP!

BUT THEY WOULDN'T.

I'LL BE RIGHT BACK. WAIT THERE.

TRICIA CAME BACK
WITH A PIECE OF ROPE.

THERE. NOW YOU CAN CROSS.

[BRACES SQUEAKING]

CAREFUL, OWEN!

WE WENT BACK TO HER
HOUSE AND PLAYED TILL DARK.

THE NEXT DAY I CAME
BACK TO SEE HER AGAIN,

ONLY SHE WASN'T THERE...

BUT THEY WERE.

[LAUGHING]

TRISH?

TRICIA!

TRICIA DIDN'T COME.

I THOUGHT MAYBE SHE WAS
ALREADY ON THE OTHER SIDE.

AND I REALLY WANTED TO PLAY.

SO THAT'S WHY YOU'RE STILL HERE?

BECAUSE YOU BLAME
HER FOR WHAT HAPPENED?

NO. I JUST TOLD YOU,

SHE WASN'T EVEN HERE.

I JUST WANTED TO
SEE HER, SO I WAITED.

THAT'S ALL.

AND YOU'VE BEEN
WAITING HERE EVER SINCE?

I KNEW SHE'D COME BACK.

I JUST DIDN'T KNOW
SHE'D BE IN TROUBLE.

WHAT KIND OF TROUBLE?

IT'S A GROWN-UP SECRET.

SHE WOULDN'T WANT
ANYONE ELSE TO KNOW.

I GAVE HER THE CLUES.

WELL, WHATEVER IT IS THAT
YOU GAVE HER, IT'S NOT ENOUGH.

YES, IT IS.

SHE JUST MISSED A FEW.

TELL TRICIA TO KEEP PLAYING.

[INDISTINCT CHATTER]

I'M NOT SUGGESTING THAT
WE LOOK FOR MORE CLUES,

BUT IF YOU COULD AT LEAST
LOOK AT WHAT WE HAVE.

NO.

TRICIA, I UNDERSTAND.

NO, I DON'T THINK
YOU DO, MELINDA.

THIS IS MY WEDDING DAY.

LOOK WHAT I FOUND
A FEW MINUTES AGO

IN WHAT WOULD HAVE
BEEN MY WEDDING BED.

IT'S A ROPE. THE SAME ONE

THAT YOU HELPED OWEN
CROSS THE CREEK WITH.

ROPE, THAT'S AN "R," RIGHT?

OK, AND WE'VE GOT AN A-I-L.

WHAT IS THAT, RAIL?

OR LIAR.

THAT WOULD DESCRIBE THE GHOST

FOR EVER LETTING ME
THINK THIS WOULD BE OVER.

HE SAID THAT YOU HAVE ALL
THE CLUES THAT YOU NEED,

YOU JUST HAVEN'T
FIGURED THEM OUT YET.

WHAT DOES THAT MEAN?
THAT WE'RE ALMOST THERE.

LET'S JUST FINISH THIS, OK?

ONCE AND FOR ALL.

YEAH, I SAW THOSE
IN THERE BEFORE.

WHO DO THEY BELONG TO?

IT SAID "BOB" IN THE MIRROR.

I... WAIT... BOB COULD MEAN...

SHORT FOR ROBERT.

RGL.

NATALIE SAID THAT
OWEN LED HER HERE.

MAYBE THERE'S
SOMETHING WE MISSED.

NOT UNLESS IT'S HUNTER'S BOXERS.

OR THIS.

"A GIFT FOR THE GROOM
FROM YOUR OLD FRIEND CHRIS."

WHAT IS THIS?

IT'S HUNTER AND CHRISTOPHER
FROM 12 YEARS AGO.

TRISH, CAN I...

"ROBERT LANGOWSKI."

OH, WAIT.

RGL?

BOB?

THE LIAR...

IT'S HUNTER.

[INDISTINCT CHATTER]

2:30, MAN.

WHAT'S KEEPING HER?

THERE MUST BE A DOZEN CHECKS

MADE OUT TO CHRISTOPHER FOR
WAY MORE THAN WE AGREED ON.

GOSH, WHAT DOES
ALL OF THIS MEAN?

WHATEVER IT IS, I THINK
OWEN WAS PROTECTING YOU.

FROM HUNTER?

FROM ROBERT LANGOWSKI.

THE RESTAURANT IN
DALLAS, AXIOM STEAKHOUSE?

IT DOESN'T EVEN EXIST.

CHRISTOPHER WAS
BLACKMAILING HIM.

THREATENING TO OUT HIM...

THE WAY HE HID THE
PRESENT, THE LIES...

YEAH, I THINK THERE'S MORE.

I JUST GOT OFF THE PHONE
WITH ONE OF MY POLICE FRIENDS.

NO ONE UNDER THE
NAME HUNTER CLAYTON

OR ROBERT LANGOWSKI EVER WENT
TO THE HARVARD BUSINESS SCHOOL.

I'M SORRY, TRISH.

IRELAND, OF COURSE. TRICIA'S
ALWAYS WANTED TO GO THERE,

SO FOR OUR HONEYMOON...

ROBERT LANGOWSKI?!

I FOUND IT, THE PICTURE
OF YOU WITH CHRISTOPHER...

TRICIA, WHAT ARE YOU
DOING? DON'T YOU TOUCH ME!

EVERYTHING...
NONE OF IT IS REAL?

LET ME EXPLAIN... I...

TRICIA. SWEETHEART!

[GUESTS MURMURING]

DARLING, WHAT'S WRONG?

OWEN?

YOU DID IT.

TRICIA KNOWS THE
TRUTH. THE GAME IS OVER.

YOU SAVED HER FROM
MARRYING HUNTER.

ISN'T THAT... ISN'T THAT
WHAT YOU WANTED?

OWEN?

Jim: MAYBE HE CROSSED OVER.

Melinda: I DON'T THINK SO.
DID EVERYBODY LEAVE?

OH, PEOPLE CLEARED OUT OF
THERE LIKE THE PLACE WAS ON FIRE.

TRICIA AND HER MOM
ARE PACKING TONIGHT

TO DRIVE DOWN TO THE CITY.

MAYBE WE CAN CHECK IN ON
THEM THIS WEEKEND, GO DOWN.

SO, HELP ME OUT HERE. YEAH.

ARE YOUR GHOSTS ALL-KNOWING NOW?

I MEAN, HOW DID OWEN
KNOW THE TRUTH?

WELL, HUNTER WAS AT
THE LODGE FOR A FEW DAYS,

YOU KNOW, SETTING THINGS
UP BEFORE THE WEDDING.

OWEN PROBABLY
OVERHEARD SOMETHING.

AND THEY'RE NOT "MY GHOSTS."

SORRY.

DID DETECTIVE NEELY SAY WHAT
WAS GOING TO HAPPEN TO HUNTER

OR BOB OR WHOEVER
THE HECK HE IS?

WELL, THERE'S NO LAW LYING
ABOUT YOUR BACKGROUND.

BUT FINANCE IS ALL ABOUT TRUST,

SO HIS CAREER IS OVER.

WELL, MARRIAGE IS
ABOUT TRUST, TOO.

[JIM GRUNTS]

ALL RIGHT, ONE MORE
TRIP, WE SHOULD BE DONE.

MM-HMM. YOU WANT
ME TO GO WITH YOU?

UH, NO.

UM, WHY DON'T YOU STAY HERE,

YOU KNOW, GET
EVERYTHING DONE HERE,

AND THEN THAT'LL GIVE US TIME
TO COME HOME EARLY, RIGHT?

SHH.

OH, RIGHT. YEAH, OK.
SO I'LL SEE YOU THERE.

ALL RIGHT.

[SQUEAKING]

OWEN?

[SQUEAKING CONTINUES]

OWEN?

WHERE HAVE YOU
BEEN? WHAT'S WRONG?

I TRIED TO FIX
EVERYTHING FOR HER.

AND YOU DID. SHE'S SAFE NOW.

HUNTER'S GONE.

HE'S STILL AT THE LODGE.

HE IS? 'CAUSE...

I MEAN, I'M SURE HE'S
GONNA LEAVE SOON.

THERE'S NO REASON FOR
HIM TO STAY THERE NOW.

SAME GOES FOR YOU.

I THINK YOU'RE WRONG.

HE'S REALLY MAD.

AND HE'S ACTING WEIRD.

ACTING WEIRD HOW?

I DON'T WANT ANYONE
ELSE TO GET HURT.

ESPECIALLY NOT YOU.

[VIBRATING]

Jim, on voicemail:
YOU'VE REACHED JIM.

IF THIS IS AN
EMERGENCY, CHANCES ARE

I'M ALREADY ON MY...

[SIGHS] FORGET IT.

[TELEPHONE RINGS]

DETECTIVE NEELY.

HEY, DETECTIVE NEELY,
YEAH, IT'S MELINDA.

HEY, MELINDA. WHAT'S UP?

UM, LISTEN, HUNTER
IS STILL AT THE LODGE.

AND JIM,

HE'S UP THERE...

IS EVERYTHING OK?

HE'S NOT ANSWERING HIS
CELL. I'M KIND OF FREAKING OUT.

I CAN'T REALLY EXPLAIN IT.

CAN YOU JUST MEET ME THERE?

YEAH, I'M ON MY WAY.

THANKS.

HELLO?

IS SOMEBODY HERE?

IS SOMEBODY HERE?

[GROANS]

WHAT ARE YOU DOING?

I'M WAITING.

WELL, SHE'S NOT COMING BACK.

YOU KNOW, LET ME ASK
YOU SOMETHING, JIM.

YOU THINK THAT GHOST WAITED HIS
WHOLE LIFE TO BE WITH SOMEONE LIKE HER?

YOU NEED TO LEAVE.

HIS WHOLE LIFE? [LAUGHS]

THAT'S RIGHT, I
FORGOT, HE'S A GHOST.

HIS WHOLE LIFE.

HE'S DEAD.

LOOK, COME ON. LISTEN TO ME...

COME TO THINK OF IT...

SO AM I.

RIGHT.

YOU KNOW, I GREW UP BY A
LAKE JUST LIKE THIS ONE, JIM.

WHEN I WAS A KID, I
USED TO SIT ON THE BEACH

AND I HAD TO WATCH THE
SUMMER FAMILIES COME AND GO.

I REMEMBER I WANTED
TO... GO WITH 'EM.

I WORKED REALLY HARD IN MY LIFE.

YOU KNOW WHAT?

AND IT'S NEVER BEEN ENOUGH.

SO I TOLD A LIE.

JUST A SMALL,
LITTLE, ITTY-BITTY ONE.

JUST SO I COULD OPEN
THE DOOR, YOU KNOW?

AND IT JUST GOT
BIGGER AND BIGGER.

WELL, NOW'S THE
TIME TO SHUT IT DOWN.

OK?

GIVE ME THE GUN, HUNTER.

WHAT, THIS?

DISPATCH 10 TO 180, CONFIRM
YOUR LOCATION, OVER.

280 TO DISPATCH, I'M OFF
HIGHWAY 5 NEAR MORTON CREEK.

POSSIBLE INTRUDER. STAND BY.

COPY THAT.

WHERE'S JIM?

HE'S STILL INSIDE. STAY HERE.

HUNTER, YOU REBUILT
YOUR LIFE FROM NOTHING.

YOU'VE DONE THAT,
YOU DID IT BEFORE.

DO IT AGAIN.

YOU KNOW, YOU'RE RIGHT.

[CHUCKLES]

NOTHING.

'CAUSE THAT'S WHAT I AM.

AND THAT GHOST IS MORE
REAL THAN YOU'LL EVER BE.

[GASPS]

[BOTH GRUNTING]

[GUNSHOT]

[GASPS] AAH!

NO!

JIM! [GASPS]

JIM, IT'S BOBBY.

TRY TO OPEN YOUR
EYES IF YOU CAN.

I'M HERE WITH MELINDA.
CAN YOU HEAR ME?

JIM, WAKE UP.

JIM, PLEASE WAKE UP.

[SIGHS] MEL...

I'M RIGHT HERE.

OH, MY GOD, I'M SO SORRY.

I TRIED TO GET HERE
AS FAST AS I COULD.

DON'T BE SORRY.

THERE'S NO PAIN.

YOU DON'T HAVE TO BE BRAVE.

HMM.

I'M NOT, HONEY, I'M IN SHOCK.

I DON'T FEEL ANY PAIN.

OHH!

OH, GOD!

GUYS, IT DOESN'T
MEAN I DIDN'T FEEL THAT.

DUDE, WAIT.

HEY...

SORRY ABOUT OUR DATE.

SHH, IT'S OK.

RAIN CHECK... YES, YES.

WE GOTTA GO.

I'LL HOLD YOU TO THAT.

ALL RIGHT, GOOD. LET'S GO.

GOT THAT. IT'S ALL RIGHT.

[SIREN]

I DIDN'T KNOW WHAT YOU WANTED,

SO I GOT YOU HOT CHOCOLATE,

TEA, AND COFFEE.

YOU'RE SWEET.

HEY, I'LL JUST PUT IT DOWN HERE.

SO ANY NEWS?

HE WAS SUPPOSED TO BE OUT
OF SURGERY 40 MINUTES AGO.

MS. GORDON? YES?

JIM'S SURGERY WAS SUCCESSFUL,

AND HE'S IN STABLE CONDITION.

OH, THANK GOD.

IF YOU LIKE, I CAN WALK YOU
DOWN TO THE RECOVERY AREA.

WE'LL WAIT HERE.

THE DAMAGE WAS MUCH
LESS THAN WE FIRST THOUGHT.

THE BULLET WENT
STRAIGHT THROUGH HIS ARM

AND JUST BARELY GRAZED HIS RIBS.

SO HE'S GOING TO BE OK?

WELL, WE'LL BE KEEPING
AN EYE ON HIM TONIGHT.

THERE'S ALWAYS THE
RISK OF INFECTION,

AND ESPECIALLY WITH
GUNSHOT WOUNDS,

WE NEED TO KEEP AN
EYE OUT FOR EMBOLISMS.

WE'LL HAVE OUR BEST CARDIOLOGIST
WATCHING HIM THROUGH THE NIGHT.

THANK YOU.

THE NURSE WILL CALL YOU IN SOON.

HOW IS HE?

HE'S RESTING.

I FEEL HORRIBLE, FOR
SO MANY REASONS.

IT'S OK, IT'S NOT YOUR FAULT.

HE'D BE HAPPY THAT YOU'RE HERE.

THANKS.

OWEN'S HERE, TOO.

HE IS?

YOU CAN TALK TO
HIM IF YOU'D LIKE. I...

THINK HE WANTS YOU TO.

OWEN...

OWEN, I WISH I
COULD STILL SEE YOU,

LIKE I USED TO.

BUT SOMEHOW I'VE GOTTEN BLIND

AS I'VE GOTTEN OLDER.

I BROUGHT A STRANGER
INTO OUR LIVES.

HOW COULD I NOT SEE WHO HE WAS?

YOU SEE ENOUGH.

HE SAYS YOU SEE ENOUGH.

YEAH, BUT I WAS COMPLETELY...

MOMMY, MOMMY!

YEAH?

LET HIM TALK.

TELL HER TO LOOK HARD.

ASK HER WHAT SHE SEES.

HE WANTS YOU TO LOOK HARD...

TO SEE WHAT YOU SEE.

NOTHING.

SORRY, I JUST...

I ONLY SEE MY GIRL.

[CHUCKLES]

WHAT?

YOU TELL HER.

HE SAYS YOU STILL SEE IT.

WHAT? WHAT DO I SEE?

EVERYTHING.

EVERYTHING...

THAT MATTERS.

[EXHALES]

COME HERE.

[CRYING]

THANK YOU, OWEN.

NO...

THANK YOU.

YOU WERE MY FRIEND.

WAS THAT HIM?

YEAH.

WHAT'S THAT LIGHT?

YOU SEE IT BECAUSE YOU
DID A REALLY GOOD JOB.

I BET YOUR GRANDMA'S THERE.

SHE'S BEEN WAITING.

I SEE HER.

BYE, NAT.

BYE, TRISH.

BYE, OWEN.

HE'S GONE.

I LOVE YOU.

I LOVE YOU SO MUCH, SWEET GIRL.

HAS HE WOKEN UP YET?

JUST THE ONCE, AFTER ANESTHESIA.

DO YOU MIND IF I STAY
UNTIL HE WAKES AGAIN?

THANK YOU.

OH...

[SIGHS]

YOU'RE MORE BEAUTIFUL
EVERY TIME I SEE YOU.

YOU'RE AWAKE.

I LOVE YOU.

[CHUCKLES]

MEL, THERE'S A THING
THAT HAPPENED, UM...

UH, THAT'S CALLED AN EMBOLISM.

IT'S A TECHNICAL TERM, AND YOU
DON'T NEED TO KNOW ABOUT IT.

LET ME GO GET YOU A DOCTOR.

NO, PLEASE, JUST
LOOK AT ME, RIGHT HERE.

PLEASE, LOOK AT ME RIGHT NOW.

LOOK... LOOK AT ME RIGHT HERE.

I WANT YOU TO REMEMBER
ME THIS WAY, PLEASE.

P.A.: CODE BLUE, CODE BLUE,

ROOM 335.

[MEDICAL STAFF, OVERLAPPING]

START COMPRESSIONS.

NO PULSE. HE'S IN V-TACH.

1... 2... 3...

DOCTOR? GOT NOTHING.

LET'S GET A...

8... 9... 10...

I GOT IT. KEEP GOING.

I WILL ALWAYS LOVE YOU, MELINDA.

NO.

ALWAYS.

NOT YOU.

Doctor: DON'T GIVE
UP. KEEP GOING.

PLEASE, NOT YOU.

NO... OH, PLEASE, NOT YOU!

[SOBBING]

OH... PLEASE, NOT YOU.

[SOBBING]