Drag Race España (2021–…): Season 2, Episode 6 - Spanish Ball - 10th, 20th, and 30th Century - full transcript
We are throwing a Ball, and a construction challenge, and the theme is Spain across 3 centuries.
Hello, hello, hello!
[Supremme] Previously on
Drag Race Spain...
You're going to have
someone else inside of you
in today's maxi challenge:
¡Snatch Game!
[Supremme] Diamante Merybrown.
How did you feel?
-[Diamante] Completely lost.
-[Supremme] RuPaul is really
tough.
[Supremme] Onyx.
In the Snatch Game, you were a
bit like
Hugáceo last season.
You got stuck on one note
and that note wasn't funny.
[Supremme] Sharonne.
You had the voice,
you had the body language,
and you had her energy, her
spirit.
Condragulations, my dear. You
are
the winner of this week's
challenge.
Diamante Merybrown. Shantay, you
stay.
Onyx. Sashay away.
I just want to say,
I'm so happy I got to meet you.
I don't want to live here
anymore.
I'm going back to my planet.
Ladies on fire
- AFTER ONYX'S ELIMINATION
-[Estrella] A wounded dog.
[Sharonne] That's funny.
[Sharonne] I like that.
That sucks.
Onyx is going to be missed.
Especially by me.
I had a real connection with
him.
But it is what it is.
"I actually am an alien,
"because with you girls,
I was surrounded by stars."
-[Drag Sethlas] That's so nice.
-[Diamante] Onyx.
[Diamante] It's kind of
bittersweet.
I really love her, with all my
heart.
But we came here to compete.
Make friends once we leave.
I'll be first in line.
She was a very good friend.
It really sucks that she's gone,
but I'm sorry, in this
situation,
I want to be here.
[Drag Sethlas] Sure, Diamante
came
for whatever reason she came
for.
And she doesn't care if Onyx is
gone.
She feels bad, but not really.
Onyx, I love you so much.
But that's that.
[Diamante] So...
[Marina] Done and dusted.
[Estrella] What's done is done.
"She's my friend, yeah,
but I don't know, fuck her,
"I'm really happy to still be
here."
I was like, "That's so rude,
right?"
I don't know.
Congratulations, Sharonne.
-[Estrella] Congratulations!
-[Sharonne] Thank you.
Your second win, girl.
Wow. That's amazing!
And in the top every week,
right?
Yes. So far, yeah.
She's never messed up!
[Estrella] The bitch
has never been out of the top
three.
It's either top or win,
top or win, top or win.
She's never been safe, though.
What do you think about Onyx
leaving?
I didn't expect it.
I'm sad, but like you said,
you had to give it your all
in the LIP-SYNC. Period.
-[Sharonne] And you gave it your
all.
-[Estrella] You gave it your
all.
To be honest,
Diamante is a really hard
worker,
but our energies don't vibe,
not since the beginning.
I think Diamante is a bit extra
sometimes.
I have to be honest.
[Sharonne] You did use
a very theatrical approach,
using the "watermelon" trick.
-[Diamante] Watermelon.
-[Venedita] Didn't you know that
part?
I didn't learn that part
specifically.
I learned my parents
and then I stopped doing
the "I'm tired" bits
and then going for others
so that it looked like
I didn't want to do that.
But I didn't know those parts.
-[Diamante] I knew the last
three lines.
-[Estrella] She's a strategist!
Diamante is cheating.
The LIP-SYNC is the LIP-SYNC and
you have
to save yourself however you
can.
I'm traditional. I think
the LIP-SYNC is what it is.
You won't save yourself
by being theatrical.
Well, Onyx knew all the words
and I'm still here.
She's more traditional
and you have to know all the...
Good for you, sweetheart.
A round of applause.
A badge.
Well, ladies.
We have a long way to go,
but we're here for another week.
-[Drag Sethlas] Let's go.
-[Diamante] Let's get out of
this shit.
Drag boot camp continues.
-[Estrella] Oh, no, your brain!
-[Marina] No, no...
Your brain!
Is the fabric glued down?
I glued it with silicon, girl.
[Estrella] With silicon, girl.
The silicon seeped through her
cover
and got stuck in her hair.
[Marina] No, no, no, no!
Marina's giving it her all, of
course.
-[Estrella] We're out of
options!
-[Marina] Ah!
Who even thinks of using silicon
to glue something to their head?
[Marina] Got it.
Holy shit!
Everyone's nuts here.
-[Estrella] Ay, ay, ay, ay.
-[Sharonne] Got it. Got it.
[Marina] My head.
We almost lost her
and would have to bring back
Onyx.
Thank you, darling.
[Supremme] The winner
of Drag Race Spain will receive
a year's supply of products
from Krash Kosmetics
and 30.000.
Tonight's judges are Ana
Locking,
Javier Calvo, and Javier
Ambrossi.
With our special guest judge,
Choriza May.
-[Drag Sethlas] A pink river.
-[Sharonne] It must be very
deep.
Ah, ah, ah, ah.
Our entrance was inspired by
Hocus Pocus,
Abracadabra, with Bette Midler.
[Estrella] I'm done with this
shit.
-[Diamante] I can't take it
anymore.
-[Estrella] It's horrible.
The witches have never left the
Werk Room.
Not there. That spot feels
different.
Let's leave that spot free,
okay?
It's free now, actually.
-[Marina] True.
-[Estrella] There are seven of
us left.
What could we be doing?
Fingers crossed they get kicked
out
somehow so I can make it to the
final.
Your boyfriend is gone.
-[Drag Sethlas] He wasn't my
boyfriend.
-[Juriji] Sure.
We were getting to know each
other.
-[Juriji] "Getting to know each
other."
-[Estrella] Bam bam bam bam.
-[Juriji] Sethlas, please.
-[Venedita] They were just
sewing.
-[Estrella] Boom boom boom.
-[Sharonne] Bam bam bam.
What's obvious to me
is that I need a phone number
for Diamante's life coach
to help me get over
my emotions that fast.
No!
That´s a gratuitous personal
attack
that was just thrown my way?
You're like, "She's my friend,
but I don't care about her."
I have to prioritize because...
What good is it being sad now?
You prioritize. Prioritize.
Actually, it seems like
a good attitude to me.
She's a little unhinged now.
I know what the maxi challenge
will be.
-[Diamante] What?
-[Juriji] Ana Locking and the 7
dwarves.
I love it!
Ana Locking and the seven
dwarves.
We've gone a few weeks
without "ratatatatatata."
-[Sharonne] Yeah.
-[Venedita] Maybe we're
finally...
-[Diamante] They got rid of
that.
-[Venedita] Abolished it. I'd
like that.
-[Alarm rings]
-[Supremme] Gird your loins,
bitches.
You like that?
See how I can open my mouth?
Past, present, or future,
there's no time in history
in which Spain has not shined
brightly.
And today, we'll see it in all
its glory.
Come on.
A blood sausage for Spain.
And my sausage for the trade.
Look at the funny earrings.
Supremme is wearing
blood sausage on her ears.
To be honest, it's... cute.
Hello, hello, hello!
[Drag Sethlas] So colorful!
-[Contestants] Wow!
-[Drag Sethlas] Cute!
-[Sharonne] Hounds-tooth.
-[Estrella] I love hounds-tooth.
Queens, today's the day
for you to face one of the most
difficult,
but one of the most popular,
challenges in this competition.
We can't forget our weekly
reminder
of the prizes
for winning Drag Race Spain.
A year's supply of products
from Krash Kosmetics.
A crown and a scepter.
And 30.000.
Difficult challenges. Honestly,
it's freaking me out.
Oh, my God, just tell us
already.
Before explaining this week's
challenge,
I need a little help in
motivating and inspiring you
all.
Oh, Pit Crew!
[Estrella] I wish I was inside.
-[Drag Sethlas] Wow!
-[Estella] Oh, my God. Ugh!
[Drag Sethlas] The Pit Crew...
I'm speechless.
[Diamante] Hello, handsome.
Plastic.
-[Diamante] I'm not liking this.
-[Estrella] There's a bit of
everything.
All of it old.
[Estrella] Paper, metal, and
plastic.
I don't know what you want us to
do.
What are we recycling?
As you saw in the video
a moment ago,
I use anything to get me out of
trouble,
stay fashionable, and even
create trends.
It's hitting me.
It's hitting me because
we were talking about it at the
table:
it's been a few weeks
and we still haven't done any...
sewing.
What's important is knowing how
to stay ahead and create
fashion,
which is exactly what you need
to do
in this week's maxi challenge.
[Diamante] I don't understand
fashion.
You're talking to someone who
wears
panties and a bra to go perform.
Drag Race Spain is throwing a
ball!
-[Estrella] Oh, my God!
-[Diamante] Let's go.
Son of a bitch.
Today, in our ball,
you'll be taking us on a tour
of Spanish fashion,
with a runway look from the 10th
century,
a second look from the 20th
century,
and a third look from the
future:
the 30th century.
Supremme comes and tells us
that we have to serve
Spain in the 30th century,
but what if our planet
doesn't exist in the 30th
century?
What about that?
And that 30th-century look
will have to be made in the Werk
Room.
[Supremme] With what materials?
Bring on the plastic!
-[Diamante] Wow!
-[Estrella] Oh, my God!
Jesus Christ!
[Drag Sethlas] There's so much
shit!
Not shit. Don't look at it as
shit.
Look at it as an opportunity.
I don't know how to sew,
that's the truth.
I don't know how to sew.
I don't know how to pattern.
My hands...
Paper...
I love paper.
Fortunately, I have good
proportions
and good taste.
Finally, metal.
-[Venedita] Let's see the metal.
-[Diamante] Metal's tough,
right?
-[Sharonne] It's louder.
-[Estrella] Come on, whip it
out.
I want to be thrown into the
heap.
Just thrown in.
You have one minute to select
and grab all the materials
you need for your future looks.
Ready?
Three, two, one...
Go!
Oh, my God!
Running for materials
seems really tacky to me.
That's mine! Ay!
[Estrella] The bolt! You bitch!
This is a fierce fight.
We're 25 vultures fighting
over a single carcass.
I need more hands!
I'm too small for this!
I can't take this!
I'm going for something
different.
I already am, but even more so.
[Estrella] This is pricking me!
¡No, I took that, Juriji!
-[Juriji] It's not in your
hands.
-[Estrella] But it was on the
ground.
Juri stole the umbrella I had.
She said it was on the ground.
What a...
Hey, what did I pick?
I can't compete with you guys!
You're all vultures!
Girl, if you want something
and you leave it on the ground
beside all the metal...
This is mine.
Five, four,
three, two, one...
Time!
It might look like I don't have
much,
but I only took what I'm going
to need.
Remember: reminisce about the
past,
recreate the presence,
and use the materials you have
selected
to construct a futuristic outfit
for a Spanish drag queen
in the 30th century.
Because if we don't recycle,
ladies,
we won't make it to the 30th
century.
We have to create a look
based on Spain in the 30th
century
with the recycled shit
we collected from the ground.
This maxi challenge is sponsored
by Gran Hotel de las Reinas,
the official Drag Race Spain
tour.
Good luck and don't fuck it up.
Goodbye.
[Estrella] The sewing challenge
is torture.
The sewing challenge is torture.
Most of us are no good at
sewing.
-[Sharonne] I have no idea how
to sew.
-[Marina] Me neither.
I studied design, but I didn't
sew much.
I studied design. I love
fashion,
but I was much more passionate
about it when I was younger.
When you were young.
As if you're an old woman.
You've got a bit of an
advantage.
Not really.
I haven't done it in a long time
and I delegated a lot of it
to other people.
Do you sew?
Me neither.
The concept of sewing
fabric to fabric and
"ratatatata,"
that's fine; making a look, no.
Logically, we have to use
all the recyclable material
they gave us.
Let's see what we can do.
-[Diamante] It's going to be
lots of fun.
-[Sharonne] Sure.
With the materials they've given
us,
it's going to take a miracle,
not a drag queen.
I'll be honest:
I'm looking at this machine
and I don't understand a thing.
Don't you know anything at all,
at all, about sewing?
I learned how to thread the
needle once
in all of these threads,
but I don't remember.
[Marina] The sewing machine is
like
a bunch of hieroglyphs
that I can't decipher.
Where's the manual for this
machine?
-[Venedita] Manual.
-[Juriji] The instructions.
-[Marina] It must be inside.
-[Juriji] I don't know.
I look like an idiot.
I know you're very creative.
Are you going to make everything
with cardboard? No fabric at
all?
No. I'm going to stick with
what I collected from the
containers.
A-ha.
To step outside the box a
little.
Seeing the material options I
have,
I'd rather go another way.
Because I see a lot
of the queens taking fabric
and starting to sew.
But I don't like to be ordinary.
I have no idea about any of
this.
I've got no clue either.
This is a first for me.
-[Marina] I made a pattern, like
this...
-[Drag Sethlas] It's rustic,
darling.
Rustic, but it's not bad.
I'm going to close it here.
See, it doesn't reach my armpit?
The neckline.
It has to come up higher,
though,
because it stops here on you.
Marina...
I see Marina and I think
"Danger, danger, danger,
"LIP-SYNC, LIP-SYNC, LIP-SYNC."
-[Estrella] Juri.
-[Juriji] What's up?
-[Estrella] So mean.
-[Juriji] I have to work.
-[Estrella] Do you hate me?
-[Juriji] I hear you. I'm
listening.
Every time I talk to Juriji, she
sighs,
as if I were a pest.
Can I borrow the tape measure?
I'll give it right back.
The tape measure...
-[Juriji] Anything else,
Estrella?
-[Estrella] No, girl, that's it.
I'm sorry for bothering you,
Juri.
Estrella is a real pest.
She's trying to distract me,
but I don't care.
I answer her and keep working on
my look.
I'm doing terrible, Juriji. It's
awful.
[Venedita] Especially because
you can see your ass.
Yeah, my pants ripped.
Look at that rip.
No. I've already seen
the rip lots of times.
Hey, editors! How are you?
-[Supremme] Hello.
-[Estrella] Hello.
-[Supremme] Hello.
-[Contestants] Hello.
Keep working. I'll come to you.
-[Supremme] Venedita, how are
you?
-[Venedita] Hey. I'm good.
Let's see. What is it:
a dress or a bodysuit or...?
-[Venedita] It's a dress.
-[Supremme] A dress.
I'm modifying it. I'm marking
it,
so it won't be this long, but...
The dress foundation is...
This isn't elastic. This is
like...
Is this plastic?
-[Venedita] It's plastic.
-[Supremme] And can you sew it?
-[Supremme] Have you sewn
plastic before?
-[Venedita] Yeah.
Maybe you can sew it,
but when you move...
[Venedita] Honestly, I'm
thinking,
"This is going to open
the second I put a stitch in
it."
Do you think you have
an advantage in this challenge?
Not really because people say,
"She studied design,"
but, to be honest,
everyone's overstating that.
I think you're just saying that.
You know you have an advantage.
No, I don't think I do.
I'm a little overwhelmed.
You're a little overwhelmed?
Alright.
Things aren't going
how I expected, so I'm not
very...
Yeah, that happens here.
I'm worried about falling short
because Supremme told me
that they're really expecting
something from me here.
So I'm going to try
to do the best that I can
and hope the jury can see that.
-[Supremme] Estrella, let's have
a look.
-[Estrella] Hey, girl.
-[Supremme] I'm here to chat.
Let's see.
-[Estrella] Okay.
-[Supremme] You're patterning.
-[Estrella] Yeah. Well, I tried.
-[Supremme] Do you know how to
pattern?
-[Estrella] No.
Alright. What is this then?
An armhole?
No, this is like...
I tried to make typical cowgirl
pants
that don't have that rise here,
near my pussy.
-[Supremme] Right.
-[Estrella] You know what I
mean?
I think it's very simple,
but very visually appealing.
I don't want to worry you,
but I think this outfit
looks easier than it should.
I get it.
Every time Supremme visits,
she makes me doubt myself.
The idea is to do
a sexualized robot doll,
and make this into
breasts that are also guns.
-[Supremme] Those are big for
breasts.
-[Estrella] Sure.
Yeah, but...
[Estrella] Supremme made me
doubt myself for Snatch Game
and now she's telling me
I don't know... I don't know
how...
Supremme, I'm getting sick of
you.
Thank you so much, Supremme,
for the encouragement.
I'm encouraging you,
but I'm also warning you
while you've still got time.
[Estrella] You're going to
make me depressed.
Ay, this lady won't let me rest.
[Supremme] How are you?
-[Diamante] Well, here we are.
-[Supremme] With a pattern and
everything.
Yeah, I'm trying.
-[Supremme] Do you sew?
-[Diamante] No.
Obviously, before I came here,
I did what everyone should do
and took a few sewing classes.
Okay.
I took about twelve classes,
maybe.
Each class was an hour and a
half.
I think I learned enough
to produce a good look.
Yes. I see potential.
[Diamante] I always go for broke
if I'm not sure about something,
I'm not going to tell you that
because that would make me
self-conscious.
Oh, my God,
I'm a philosopher when I want to
be.
-[Supremme] Marina, how are you?
-[Marina] Hi, Supremme.
-[Supremme] How are you?
-[Marina] A little lost.
I'm working on the pattern,
which I've never done before.
I've done a top
and the measurements are fine
for now.
-[Supremme] Do you see?
-[Marina] No.
-[Supremme] At all?
-[Marina] Nope.
-[Supremme] And that's plastic?
-[Marina] Yes.
-[Supremme] Or paper...?
-[Marina] It's like plastic
paper.
Are you going to sew it?
Or are you going to glue it?
I don't know what to tell her.
I'm desperate.
I'm looking at her, saying,
"Supremme,
I'm going to make patterns,
"but I don't have a clue
about any of this." It's awful!
I think I'm going to sew the
neck,
so that it looks more polished,
but the back is going to be
complicated
because I've got this too
to give a little more structure
and a bit more volume.
Right. These don't seem
like easy materials.
-[Marina] Right.
-[Supremme] To work with.
[Marina] I can't take it
anymore!
But I'll do whatever I can
to pull through.
[Supremme] Let's see
what you're up to, my dear?
Well, well, this is going to
be...
I went crazy. I had a very clear
concept.
I have to pump up the volume
because, last week,
I was in the bottom
and I don't want to be there
again.
Absolutely. I saw what you had
and I said, "That's all
cardboard."
-[Drag Sethlas] That's right.
-[Supremme] Then I thought,
-[Supremme] "I see potential."
-[Drag Sethlas] I see a lot of
potential.
And it's coming along well,
with the glue gun, of course.
And the patterns
for the shoulder pads, the
breasts...
Where other people see
cardboard,
drag queens from the Canaries
see endless possibilities:
It's rigid, you can cut it, you
can
glue it with silicon... It's
great.
-[Supremme] Sharonne.
-[Sharonne] Hi, Supremme.
How are you?
What ideas do you have for...?
Well, my concept for the ball is
opulence.
It doesn't look like
you're going to sew, right?
-[Supremme] Are you going to
sew?
-[Sharonne] Yeah. There was a
scrap
of fabric left and I'm going to
try to do something with it.
I didn't have much fabric,
but I'll see if I can do a
little sewing,
which is something I've never
done.
I don't know how it's going to
turn out.
[Sharonne] This week, with this
challenge,
I'm definitely not going to be
in the top.
The other queens are
definitely a lot more
experienced
in making looks. I don't know;
maybe not.
How are you?
What are you making? Tell me.
Well, there's a lot of shimmer
here,
so there's a lot of potential,
right?
-[Juriji] Yes.
-[Supremme] You have a pattern
too.
-[Juriji] Right.
-[Supremme] Are you going to
sew?
-[Juriji] Yeah, I'm going to
sew.
-[Supremme] Good.
It's like...
It's a bodysuit
that's going to start like this,
okay?
Very high.
Yeah, very high and it has a
hood.
-[Supremme] Great.
-[Juriji] Yes.
And then it has cone boobs.
Alright.
I'm going to take two traffic
cones
and put them here,
like two boobs.
I think you made smart choices.
There's potential here.
-[Supremme] Are you good at
sewing?
-[Juriji] Yeah, I do alright.
I'm more of a DIYer, but yeah.
Alright. Well, the pattern is
great.
It's really well done.
[Juriji] I have a clear concept,
but I'm very slow.
Everybody knows that.
Good luck with your work,
darlings.
Be fearless, please.
And gag us with these futuristic
looks
that you're working on.
I hope our special guest judge
will be blown away by the
runway,
like she blew us away
with her personality.
Straight from Drag Race UK,
Choriza May!
I'm Choriza May.
And compared to this,
Brexit and Valencia
combined aren't as exciting.
What's up? Bring me the
leftovers!
Awesome!
My pussy is like a peach
My pussy is like a peach
She's so funny.
I think what she's done is
incredible.
We'll see you on the runway.
Bye and get to work!
-[Sharonne] Bye.
-[Drag Sethlas] That's awesome.
It's awesome, bitch.
Oh, my God.
I can't wait to see how this
turns out.
Let's go.
ELIMINATION DAY
-[Drag Sethlas] It's a new day.
-[Diamante] One day more, one
day less.
Today is a very complicated day
in the Werk Room
because sewing is not what I do.
[Diamante] Oh, my God, what are
we doing?
-[Venedita] I have some news,
ladies.
-[Marina] Tell us.
I want to change my drag name.
[Sharonne] To?
I want to be called Ester.
-[Drag Sethlas] Why?
-[Venedita] Ester Colero.
Ester Colero.
I like that.
I know that I sew...
I sew and I studied design and
all that,
but I think there are people
who said they haven't
and then kept it to themselves,
because my friend here...
My friend here made a dress in a
minute.
-[Venedita] It's simple, but she
made it.
-[Drag Sethlas] It's all coming
together.
[Estrella] Diamante says
she doesn't know how to sew
and she made a black dress
with a pleated bust,
but I don't know.
I wish I didn't know how to sew
the way Diamante doesn't.
How many classes
did you take before coming here?
I went to sewing classes or a
month.
-[Estrella] Ah, a month.
-[Diamante] One month.
It was just taking a pattern,
tracing it, and sewing it.
I made a black dress.
I didn't make a new design
for Óscar de la Renta.
It's a really basic black dress.
It's the first piece I've made
in my life.
The only thing I made
in my sewing class was a slip
cover.
One month for a slip cover?
In just one month?
I don't know. There's something
fishy.
Ladies, we have the new Galliano
here.
She went from making a slip
cover
to making her first piece:
a dress with pleats and
everything.
It's not that complicated.
It's a basic dress.
I don't know how to sew.
I don't know how to sew.
Who are you kidding?
Sethlas is very calm.
I'm calm. I believe in myself.
I'm calm because, at the end of
the day...
Sethlas is the queen of
silicone.
Give me a glue gun
and I'll stick whatever you
need.
Before coming here, this was the
challenge
I was most looking forward to.
"Give me a load of crap
and I'll make something out of
it."
Then, when I got here
and the time came, it was a
disaster.
I'm overwhelmed and stifled
and I can't take it anymore.
I'm totally on edge.
I'm screwed.
In my case, I've never used
a sewing machine before.
I've done everything
with staples and with glue.
You might not know how to sew,
but if you have good taste...
I have faith in my silhouette,
my skin, and the fact that
I can sell it on the runway.
Are you selling skin or an
outfit?
-[Marina] I'm going to sell
everything.
-[Diamante] Alright.
Marina's strange. She gets
really mad.
Alright. We have things to
finish
and there's not much time.
Let's get to work, bitches.
I don't want to see
anyone complaining later.
-[Venedita] Let's go.
-[Estrella] Let's see what
happens.
Oh, my God.
Alright, gorgeous, come on.
Come on!
My friend wrote me this
in case I was feeling down some
day,
or I didn't feel confident.
My dear Iván...
He's not just my friend.
He's like a brother to me.
When I came to Barcelona, I was
like...
I felt really lonely and then I
met Iván.
Iván and what was known
as the Caricari Family at that
time.
-[Drag Sethlas] Caricari?
-[Estrella] Yeah. The Caricari
family?
It was all "Caricari,"
like the "House of Caricari,"
the "caricaricari"...
-[Estrella] Like that.
-[Drag Sethlas] That's awesome.
At that time,
they were the people
who gave me a family,
a place in the world
and a chance to find myself.
Iván helped me a lot
psychologically with moving on.
He helped me see the light
at times when I couldn't.
Iván is everything to me.
"If you're reading this letter,
"you need a little push
with this dream, which seems
like fiction.
"With this fiction, which is
your dream."
When I read this card,
I can hear Iván's voice,
but also all of the voices
of my friends outside of here.
No matter what happens,
the important thing is I have
them.
"You've come this far for a
reason,
"so trust in yourself,
not just on this runway..."
-[Estrella] On this runway,
yeah.
-[Drag Sethlas] In your life.
"Not just on this runway..."
"For me, you are..."
"The winner in life's race."
He says that I'm the winner
in life's race.
Iván says things like that.
"Strut your stuff,
have fun... and be free.
"Because being free
is worth more than any prize."
-[Juriji] Olé.
-[Drag Sethlas] Give it a kiss.
-[Estrella] A kiss.
-[Drag Sethlas] A kiss for you
letter.
It gave me a jolt of energy
and strength to say,
"There are people out there
who love and support you
"and you have to go out there,
have fun like you always do,
"and, if you have to LIP-SYNC,
give it your all."
I love him so much.
He's the best part of my life.
["Covergirl" by RuPaul plays]
Welcome to the main stage
of Drag Race Spain.
Hey, just to say,
that everyone's so well dressed
for tonight's show, right?
-[Ana] Totally.
-[Javier Calvo] Always.
-[Supremme] First up, Javier
Ambrossi.
-[Javier Ambrossi] Hello,
Supremme.
How are you?
Welcome to another week.
Thank you. I'm happy to be here.
I want to ask you:
how would you have dressed,
or what would you like to have
worn,
on the 10th-century runway?
I would have gone
with a classic: the loincloth.
-[Javier Ambrossi] No?
-[Supremme] Yes, yes, yes.
I would like to see it.
-[Javier Ambrossi] Sha!
-[Supremme] Ay, bam!
Bam.
-[Supremme] The war has begun.
-[Javier Ambrossi] Surprise.
Ana Locking, how are you, my
darling.
Very good, darling. Very good.
And I can see you're incredible.
-[Supremme] Just hanging around.
-[Ana] As per usual.
Young and discreet.
Let me ask, do you think
everything has been thought of
in fashion,
or is there still more to
discover?
I like do think it's not about
inventing or not inventing
things,
but that fashion takes us places
we've never been before
and broadens our imagination.
That's totally what drag has
done for me.
Just take one look at me.
Yes, yes. You're perfect.
Like always. As usual.
Javier Calvo, how are you?
Hey, Supremme. I'm happy.
I want to know, what would you
wear
in the very, very, very distant
future?
Well, I'm getting more naked
by the day, as you can see,
so I don't know what I'd have
left.
Nipple covers?
A loincloth?
-[Supremme] The basics.
-[Javier Calvo] Loincloth,
nipple covers.
The basics and a classic. Sure.
If she had been a contestant on
our show,
we might have called her
Martadela,
but on the English version,
nothing could be better
than a nice Spanish chorizo,
of course.
Straight from Drag Race UK,
we have Choriza May.
Ay, it's a pleasure to be here,
Supremme.
I don't feel at home. I am at
home.
But I have doubts.
Do you think
they'll buy my chorizo here?
And, more importantly, do you
think
they'll put it in their mouths?
Yes, girl. Yes.
Of course.
You're here to be savored
and enjoyed by everyone.
-[Supremme] Thanks for joining
us.
-[Choriza] Thank you.
Tonight, our queens
are bringing their
professionalism
to the Drag Race Spain ball.
A ball in which they will travel
through the eras of Spanish
fashion
and take inspiration from the
looks
of the 10th, 20th, and 30th
centuries.
For the last category,
they have made the looks
themselves
as a key part of tonight's
challenge.
Racers, start your engines
and may the best drag queen win.
-["Phenomenon" by RuPaul plays]
-[Supremme] Category is the 10th
century.
[Supremme] Sharonne.
[Sharonne] For my concept
of wealth in the 10th century,
I wanted to take inspiration
from a queen
who only lives
for her jewels and her
treasures.
Is this 10th century, ladies?
You'll have to tell me
because I wasn't there.
She really likes a big...
jewel!
When she opens her robes,
we see that she keeps
absolutely everything in there
because she's afraid
someone will steal them.
Opulence. You own everything.
"My treasure's inside.
My treasure is safe."
Abrigoberta Bandini.
[Supremme] Estrella Xtravaganza.
Hi, I'm Guarra de Arco.
My 10th-century look is like a
mercenary.
I'm wearing a white tunic
with red stones.
I don't know what the cross
means.
I looked it up online
and it's from the 10th century,
though.
-[Javier Ambrossi] He poked me.
-[Javier Calvo] Either marry or
kill me.
The robe is like
beautiful, purple velvet.
I'm carrying a sword,
like, "I'm coming to kill you."
I haven't killed anyone yet,
but I'm coming to slay.
-[Ana] She likes it.
-[Choriza] She likes to swallow
it.
-[Ana] And get impaled by it.
-[Choriza] At the same time.
If this is the military uniform,
I might sign up.
[Supremme] Venedita Von Däsh.
[Venedita] For my 10th-century
look,
I was inspired
by the initial research into
astronomy
that happened at the time,
during the Arabic era.
That was when they started to
learn
a bit about the stars and stuff.
Venedita, the first drag queen
to walk on the moon.
[Ana] What an honor!
It's basically a moon dress.
And when it opens,
there are some constellations
with really beautiful little
lights.
Does she have a dark side?
For sure.
The dark side of the moon is a
woman.
[Supremme] Diamante Merybrown.
[Diamante] For the ball, I
decided
to focus on architecture.
For the 10th century, I decided
to recreate the mosque in
Córdoba,
with the arches, the lattices,
and the hints of gold.
The mosque of Córdo-drag.
With this look, I also wanted to
show
that Spain
is really a mixing pot of
cultures.
That's a harem, girl.
This look is one of my
favorites.
I'm fascinated by it: the
silhouette,
the colors, and the prints.
It's awesome.
She needs to mosque it up,
right?
[Supremme] Drag Sethlas.
[Drag Sethlas] For my
10th-century
Spanish look, I'm serving
a printed, designer fabric
that depicts the Glosas
Emilianenses,
the oldest manuscripts in Spain.
Don't ask me any questions
because I don't know. Google it.
A book's a book.
I'm wearing a dress with a
pleated skirt
and a cape at the back.
I think she wrote it with a
feather.
A lot of feathers.
There are no sleeves.
The sleeves are tucked in.
And it has what looks like
the wings of a bat on the back.
Remember: always read the fine
print.
[Supremme] Marina.
Oh, don't be shady.
[Marina] My 10th-century runway
is inspired by the Earth.
I'm the bride of the wheat god.
She's sad because she has to
marry him.
I'm dreaming of wheat
What have you done to me?
You can't sort the wheat from
the chaff...
This look is not
celiac-friendly.
There's no room for comedy
with this look. It's all drama.
María Teresa Campos.
Iconic.
Every moment here is iconic.
It all starts with an m:
Marina, meteoric, mariconica.
The runway drag queen.
[Supremme] Juriji Der Klee.
Fray Luis de Putón.
[Juriji] For my 10th-century
look,
I enter as a monk
who sheds his cassock
and transforms into Joan of Arc.
Who was the first trans man,
according to my sources.
Juana de Armas.
Suddenly, my wings open
and I leave the judges gagging.
Angels spread their wings,
not their legs.
My wings are mechanical
and I hid a remote control on my
sword.
She's really opening up.
See? I'm not stupid.
-[Supremme] Category is, the
20th century.
-["The Beginning" by RuPaul
plays]
[Supremme] Sharonne.
[Sharonne] In the 20th century,
wealth
is linked to the arrival of the
Euro.
I represented that
with a lady who's kind of a
yuppy
and a little extra.
-[Ana] Oh, oh!
-[Javier Calvo] That's one
strange ATM.
-[Ana] I love her for her money.
-[Supremme] Opulent inside and
out.
When she opens her coat,
she's covered with bills.
This look is very money.
Cruella de Bill.
I almost swallowed the bill,
but I'm sure if I did,
it would come out somewhere.
She's a walking piggy bank.
That look is money in the bank.
[Supremme] Estrella Xtravaganza.
From A to F.
For my 20th-century look,
I'm giving gay Franco
and queering military power
and dictatorships.
Ay, she's very militant.
Ugh, a conscientious objector.
GI Estrella.
I'm wearing Franco's uniform,
the jacket, which is very ugly.
This just in: Franco had a white
ass.
You're a very naughty boy,
Franco.
A very naughty boy.
You like being spanked.
Sit down, bitch!
Run, run, run!
[Supremme] Venedita Von Däsh.
For my 20th-century look,
I've transformed into the first
lady,
"La Collares."
I've wearing a green satin
dress,
which is very sixties.
It's vintage, totally authentic,
and I've got the comb and the
mantilla.
Eyes to God and a string of
pearls.
I'm carrying a sign that clearly
reads,
"Franco is dead."
Hallelujah!
This thing with Franco is a bad
idea.
I think she's stuck, frankly.
And then she becomes a parody.
Let's see, let's see.
To finish, I reveal
lots of strings of pearls down
there.
Did you like it?
-This pearl smells like an
oyster.
-[Javier Calvo] Fuck.
[Supremme] Diamante Merybrown.
[Diamante] For the 20th century,
I decided to take you to
Barcelona
and highlight Gaudí,
one of the greatest architects
in the history of this country.
Drag queens and masks:
Los Javis are in their element.
I decided to take inspiration
from Casa Batlló
for this rose print
because, on Saint George's Day,
the entire facade of the house
is practically covered with
roses.
I don't trust St. George.
Running around killing drag
queens.
I feel like I'm stepping outside
of my comfort zone
and being a bit more
fashionable.
[Supremme] Drag Sethlas.
-[Ana] Wow!
-[Javier Calvo] Technology.
A non-binary computer?
[Drag Sethlas] For the
20th-century look,
I'm going to continue the theme
of communication.
And, obviously,
what blossomed in the 20th
century?
The internet.
I'm serving a full bodysuit
that represents the binary
system
and a completely disassembled
computer
around my body.
I'll insert my USB
if you give me your hard drive.
Red pill or blue pill? Both.
To look for my USB port, you
know?
[Supremme] Marina.
-[Supremme] Wow!
-[Javier Ambrossi] Do you need a
bag?
[Marina] With this bride, I'm
breaking
away from the idea of obligation
and serving a freer,
but also a sluttier, bride
with this plastic element
because this was the century
when we filled the planet with
plastic.
Greta Thunberg
would be very proud of you.
[Choriza] Life in plastic is
fantastic.
The hair.
I only do it to people I don't
like.
That won't come out.
My expression is totally blasé,
as if I don't care at all,
but, at the back of it all,
I'm just a moron.
A fun one, though,
so... it works.
-[Javier Calvo] To the recycling
bin.
-[Supremme] Absolutely.
[Supremme] Juriji Der Klee.
Juriji in the 20th century
is a Swedish baby doll
who has come to Spain
to have a good time.
She's very Swede.
I pull off my dress and bam,
there's the reveal.
A 70s-style welcome mat.
-[Supremme] Homo sweet home.
-[Javier Ambrossi] Beware the
pussy.
I used to watch erotic movies
on "Cine de barrio" with my
grandmother.
El felpudo de la Cantudo
is my absolute favorite.
If she's Swedish, I'd like to
mount her like a piece of IKEA
furniture.
Fernando Esteso sucked her
nipple.
-["Call Me Mother" by RuPaul
plays]
Category is, Spain in the 30th
century.
[Supremme] Sharonne.
Wow.
She looks like gold,
but she's actually tit-anium.
In the 30th century, I am
imagining
that we'll be trading with gold
again
because we will have wasted
all of our other resources
and we won't have legal tender.
On one hand, the scarecrow;
on the other, the tin man.
And a lion in the bedroom.
The rest of the look
represents that run-down
society,
which is suddenly without
resources,
without water
and without a lot of options.
It's very powerful.
[Supremme] Estrella Xtravaganza.
Oh, careful, darling.
[Estrella] For my 30th-century
look,
I want to continue
my focus on military powers.
I'm serving military powers
after they've come
completely out of the closet,
so, obviously, I've come as a
drag robot.
CyberCelia is here.
That's amazing.
I made the legs and the neck
piece
with a shower curtain.
And I made the bra guns
so that I can spread justice
in the 30th century.
Albal Flores.
This look makes my tits hard.
Albal Carrillo.
[Supremme] Venedita Von Däsh.
[Venedita] For my 30th-century
look,
I have a clear vision of
what fashion would look like at
that time.
We no longer have raw materials.
We can't rely on flora and fauna
anymore,
so we have to recycle.
Ugh, Venedita Von Trash.
But that doesn't mean you can't
have
good taste and create beautiful
things.
She has a flower
on her ass... and her head.
You can see her bush.
I like the shapes. I like the
volume.
The gradient effect I made
with scraps of tool.
I'm pretty happy.
-[Javier Ambrossi] She's toxic.
-[Javier Calvo] And she's been
seeded.
[Supremme] Diamante Merybrown.
With a "drag-bolic" antenna
and everything.
Antena 3000.
Can you watch Atresplayer
Premium
with that antenna?
For the 30th century, I decided
to imagine a post-apocalyptic
future
where everything has gone
to shit because of mankind.
Where's the colander, Mom?
I decided to focus
on this imaginary building
which was once the highest
in Madrid and super luxurious,
but which is now just ruins
and used as a shelter
by the survivors of the
apocalypse.
She's come from the future
to slap some sense into you.
[Supremme] Drag Sethlas.
[Drag Sethlas] Communication
in the 30th century
looks like
you're not communicating at all:
your mouth is sewn shut
and hands have turned to cones.
-[Ana] Wow!
-[Javier Calvo] Punky Brewster.
What are the key elements
of communication?
Girl, watch your edges.
I'm serving futuristic,
I'm serving geometry,
I'm serving a look you'll never
forget.
I've been in that Bermuda
Triangle.
[Supremme] Marina.
My 30th-century runway is the
anti-bride.
Bound.
-[Supremme] Not anymore.
-[Choriza] Liberated.
-[Supremme] A cougar unleashed.
-[Choriza] Express divorce.
The idea of marriage has become
obsolete.
Free love is what matters.
I'm serving a black bride
with very alienesque makeup
because it's a 30th-century
moment.
Who knows what fashion will look
like?
She has a perky heart.
[Supremme] Juriji Der Klee.
My 30th-century look is
retro-futuristic.
It's inspired by Barbarella
and Jean-Paul Gaultier,
with the breasts like this.
How can I say no?
Citizens of Spain, Jordi Hurtado
is not dead yet.
Barbarella Rey.
My three runways
are connected by a single
thread:
all three are warriors in their
own way.
She's so happy after murdering.
What a monster!
Baby's got back.
Queens, congratulations to all
of you
for your fantastic visions
of Spanish fashion through the
years.
Thank you so much. You were
incredible.
A round of applause for our
girls.
Now, when I say your name,
please step forward.
Sharonne.
You're safe.
-[Supremme] You may leave the
stage.
-[Sharonne] Thank you.
The rest of you represent
the tops and bottoms of the
week.
Estrella, we'll start with you.
What happened to the materials
you had yesterday? Because...
I'll tell you.
Those were actually the shoulder
pads.
What happened was, afterwards,
I couldn't really figure out
how to add the breast antenna,
so I gave it to Diamante.
Estrella was going to put
two of the things Diamante has
on her head
on her breasts and I said,
"I think they might be a bit too
big."
-[Supremme] But you were very
committed.
-[Estrella] I was really
determined,
but then bit by bit,
I saw them breaking
and I said, "Change it up."
[Supremme] Okay.
Hi, Estrella. How are you?
Good. Having fun on the runway
because I told myself,
"If I've already messed it up,
then I'm going to laugh about
it."
Totally.
It looked like you were having
fun.
Your personality really shines.
All three looks
fell a little short, though.
I did what I could.
Obviously, that was much.
In the end, with the shower
curtains...
Look, these shower curtains
have come a long way.
Let's talk to Venedita Von Däsh.
Hello.
Venedita, I think one part of a
ball
is about illusion
and then there's another part
that we can't forget,
which is the fun part.
You looked at us the whole time,
you made us laugh, you really
understood
who you are and how
to get your message across
and that was really obvious
today.
I love you.
There's a connection
between drag and fashion
and it's that drag both
celebrates
and parodies fashion at the same
time.
And you do that so well.
You create a look
with little hoop skirts on the
side.
You used the mesh
that Dovima Nurmi didn't know
how to use
and knew how to use it.
It's a look that's ready to
wear,
or even Demi couture.
It's incredible.
That's amazing. Thank you.
Now let's speak to Diamante
Merybrown.
I think you know
that this look is not up to
standard
in terms of execution
nor in terms of construction
and imagination,
that it falls a bit short.
Obviously, the first look
was very nice. I really liked
it,
but it didn't take me to...
It didn't make me feel anything.
It was a total runway look.
I think it was perfect as
fashion,
but I think that look
was lacking an element of drag.
In the second look,
there was one part that I loved,
which was the corset with that
sleeve
and that spiral ruffle,
but the rest of the dress
didn't take me to Catalonia.
It was more Andalusia.
Let's move on to Drag Sethlas.
-[Choriza] Reveal.
-[Ana] Hello.
-[Drag Sethlas] Hey, baby.
-[Ana] Hey, baby.
[Ana] Hey, baby.
Sethlas, it's amazing
how you told a story
with the three looks
and how you connected them.
The first look with those
manuscripts
was awesome. Gorgeous.
It was incredible.
Thank you.
The second look, the binary
system,
I don't know. It made me feel
like everything around you was a
zero
and you were the one.
You're amazing
because you interpret things
well.
Even things I didn't think of,
you're able to interpret them.
-[Javier Ambrossi] Fictional
things.
-[Ana] I love it!
-[Drag Sethlas] Yeah, zero and
one.
-[Javier Ambrossi] Of course,
darling.
You're shameless.
I love how shameless you are.
I love it.
The most impressive part
is that, even though you created
two of the looks at home,
my favorite look
is the one you're wearing.
This is when creativity matters
and you're bursting with
creativity.
Thank you.
We're going to talk to Marina
now.
I love the way you take the
stage,
the energy that you have,
the way you interpret things.
The bride of the wheat god
is something I won't forget,
just like I'll never forget
Ocaña.
You deliver unforgettable
moments.
The plastic and the plastic
veil.
All of the flair that you added
and the minor details
in those first two looks were
amazing.
But I have a problem
with this last look...
I don't think it reached
the same standard as the others.
I don't understand it
and that really upsets me
because I'm a big fan of yours.
Marina, I'm also a big fan of
yours.
The first bride was incredible.
For the second look, I would
have liked
if there was a lot more
pomp and circumstance around
her.
I don't think this third look
lives up to
the standard of those of your
competitors.
Now let's talk to Juriji.
Your first look, the monk
who suddenly transforms
into Joan of Arc,
but the Luc Besson version:
you were Milla Jovovich.
Then you went Germanic
and very sixties
with that reveal and the hairy
pussy.
-[Supremme] The welcome mat.
-[Javier Calvo] You convey joy
and magic
through the attitude you have on
stage.
-[Javier Calvo] I think you
shone today.
-[Juriji] Thank you.
There's something wonderful
about you,
which is this interplay
between strength and
vulnerability,
and that's what makes your drag
work.
And that was clear
in all three of your looks
today.
Tonight, you emerged fully.
Thank you.
Queens, thank you all so much.
You may go backstage
and join your fellow queen.
Thank you.
[Choriza] Oh, poor Sharonne.
She must be so bored.
-[Javier Ambrossi] She's
sleeping.
-[Choriza] Alone.
Sharonne, my darling, what can
be do?
Well, let's take a seat.
The first time I'm safe and I'm
on my own.
Shall we sit down? Are you sure?
With all of this?
Won't my dress rip?
No, bitch, you're not going
to rip your dress. Sit down.
What do I do? Who do I talk to?
With myself, I guess.
I'm going to ruin everything.
Do you know what's going on?
I didn't calculate the space
right.
This is going to be very
uncomfortable.
It's super uncomfortable.
Oh, who cares if I'm making a
mess?
Who cares if I'm ruining my
dress?
They're not coming.
Look, I'm cleaning the chairs.
-[Drag Sethlas] Mom!
-[Sharonne] Oh, my baby.
-[Sharonne] I can't sit down.
-[Drag Sethlas] Me neither.
-[Sharonne] I can't find a way
to sit.
-[Drag Sethlas] You look crazy.
I think I'm in the top today.
Oh, my God, Sharonne. Finally.
You're safe.
-[Venedita] How do you feel,
bitch?
-[Sharonne] This look is my
salvation.
Sharonne is finally safe.
Bitch. She's always at the top.
What did the judges say?
I'm a little confused.
Choriza's the only one who spoke
to me.
The rest didn't say anything.
It was like, "Forget about her."
What did Choriza say?
That I'm very funny,
but the breastplate didn't work.
I'm happy.
I'm not happy. Jesus, help me.
Do you want me to be happy?
Make me happy.
I think I'll be lip-syncing. I
don't know
if it will be against Diamante
or Marina.
[Diamante] I think it will be
me.
Because they complimented
her first two looks a lot
and the one that fell a little
short,
so to speak, was this third
look.
But they didn't like
my first two looks very much
either.
[Diamante] I don't agree at all.
I think I was serving up fashion
with my first look.
I think it was drag enough and I
gave them
something different with the
second.
And with the third look, I think
I knew how to use the materials
and portray a clear concept.
Even with a fucking antenna on
my head.
Marina, is this the first time
that you've been in the bottom?
And...
How...?
To be honest, I'm doing better
than I thought I would be.
Like, I don't feel nervous
or depressed or like I want to
cry.
If I have to LIP-SYNC,
I'll put up a fight,
but I don't see it as a terrible
thing.
It's not about whether you
agree.
I think it's a matter of taste.
And they just didn't like my
look?
-[Diamante] How are you, Juri?
-[Juriji] I'm really happy/
I started with a look
that I'm honestly crazy about.
It cost a fortune.
And then I said,
"You're self-sabotaging again.
"change your head space,
and have more faith in
yourself."
Spanish Gibraltar!
-[Diamante] Bitch!
-[Drag Sethlas] Hello, gorgeous.
My countrywoman.
Choriza May is in the house.
-[Sharonne] How are you,
darling?
-[Kissing noises]
I think Choriza's the best.
She's incredible.
They can have horchata or
paella,
but Valencia has the best queens
in Spain.
-[Choriza] How are you all
doing?
-[Contestants] Great.
It's so amazing being here
again,
but with my Spanish sisters.
-[Estrella] It's wonderful.
-[Choriza] How are you feeling?
Every day is an emotional
rollercoaster
for all of us.
Her coming to the Werk Room
to encourage us is fantastic
because she's been where we are.
I wanted to tell you
that you're doing really well,
you all did a great job,
but don't get cocky
because it's over before you
know it.
But then you're out in the real
world
and everyone is going to love
you
because you all have so much
charisma.
I was telling you that,
in particular, Estrella.
-[Choriza] It's not the most
polished.
-[Estrella] It's a disaster.
-[Choriza] A kind of baked
potato moment.
-[Estrella] Yeah.
But you're a star
and your personality shines
through.
Thank you.
The look is definitely a mess.
Choriza, you're right.
I like you, we're good.
Choriza, I love you.
I have a little Déjà vu.
I'm a bit traumatized,
but it's wonderful to be here.
You were a trailblazer too
because you were the first
to go on a version outside of
Spain.
-[Sharonne] The first Spanish
queen.
-[Choriza] Totally.
And representing all this,
which is Spanish drag.
I love Choriza.
I like that her accent
is a little foreign, like mine.
I better go. I forgot for a
minute
that I'm supposed to be judging,
not here being judged.
It was awesome.
Thank you so much, ladies.
Congratulations.
-[Contestants] Thank you.
-[Choriza] I'll see you around.
-[Choriza] Bye, darlings.
-[Drag Sethlas] Bye. Careful.
My only hope for today is that,
when they say LIP-SYNC, they
say,
"You can start the mascletá now,
yes."
Alright, ladies.
See you later and
congratulations.
Now that we're alone, besties,
are you ready
to get into the meat of things?
I have ground beef and stuff
meat.
I especially like when it's
stuffed.
Perfect, darling.
Let's start with Estrella.
I really enjoyed
the statement Estrella made
about including everyone in the
military,
but the looks weren't up to the
standard
of the other queens,
who did a much better job.
There's something priceless#
about her, though,
which is her comedy, her humor,
and the performance
she brings to the stage.
She always has something to say.
Estrella is the perfect name for
her
because she is a star.
Even without comparing her to
the others,
it clear that the looks
didn't live up to her comedy
and her personality.
Let's move on to Venedita Von
Däsh.
Absolutely spectacular.
I think her personality
transcends whatever she does
and that's something we're
looking for:
someone with a powerful brand
and lots of versatility.
She's elevating drag to fashion
and fashion to drag.
There's a really impressive
fusion there
that's completely feminine.
The moon was really great.
Even though it was really fun,
I don't know if Carmen Polo
was executed as well
as some of the other queens.
And the last look was great.
Now let's talk about Diamante
Merybrown.
It wasn't the best night for
Diamante
because what she wanted
to describe to us through her
looks
perhaps wasn't always clear.
She didn't talk about history
either.
There were motifs
from the mosque in Córdoba
and the caliphate,
but it didn't say anything
about that era.
It was just a print, right?
She puts all the emphasis on
strength.
Yes, she presents it really
well,
but not everything requires that
and I think that's a problem for
her.
Let's talk about Drag Sethlas
now.
It was a fantasy
from the first look to the last.
for me, what's really impressive
is that the third look was my
favorite
and she made it here
with limited time and materials.
Today she showed us
that she wants to tell a story
and to bring other styles
of construction to the runway,
but without losing her essence
because she told the same story
throughout history
and never lost the essence of
Sethlas
or the essence of drag from the
Canaries.
I think you also have to
pay attention to details and
quality.
The second look, the internet
one,
was full of details
and executed perfectly.
Let's move on to Marina.
I loved the first look,
I liked the second look,
and I didn't really like the
third look.
She kind of went downhill.
I can't defend that third look.
You know she's one of my
favorites,
but it's very tough;
it was just a guerrilla.
But we can't forget
that her first look was really
good.
The second look was also good.
And she has something.
I think she gave
the best performance on the
runway.
You can tell she's committed
to the stories she's telling.
She's not just looking to tell
a nice story well.
Last but not least, Juriji.
Juriji is getting better and
better
in this competition.
Her drag is already very special
and very specific.
And she understands that she's
here
to compete and show the world
who she is.
I was completely captivated
by her three looks today.
And the stories she chose
to tell through those looks
were really great, in my
opinion.
We asked her to come out
of her shell and, today, I
think...
Silence.
Have we reached a decision?
-[Ana] Yes.
-[Choriza] Yes.
Bring back my girls.
[Dramatic music plays]
Welcome back, queens.
The judges and I have
deliberated
and we've made some decisions.
-[Supremme] Juriji Der Klee.
You're safe.
-[Juriji] Thank you very much.
You may join the other girls.
Drag Sethlas.
-[Supremme] Condragulations.
You've won.
-[Drag Sethlas] Ah, finally!
I'm so used to winning that...
Just kidding.
Put the tape back on.
I'm prettier when I'm quiet,
right?
-[Supremme] You may join the
other girls.
-[Drag Sethlas] Thank you so
much.
I'm a winner.
I'm a winner, baby.
I needed that rush of energy.
I needed it.
Venedita Von Däsh.
You're safe.
Thank you.
You may join the other girls.
Estrella Xtravaganza.
You're more than capable
of doing anything you want.
But you have to believe
in yourself a little more.
I'm sorry, my dear, but this
week,
you are up for elimination.
Okay.
[Estrella] I'm frustrated.
I'm broken inside.
I'm disappointed in myself.
Diamante Merybrown.
There are special moments in
life
when, if you don't pull out all
the stops
and give it your all,
you don't get what you're hoping
for.
I'm sorry,
but you are also up for
elimination.
Marina, you're safe.
You may join the other girls.
After this scare in the bottom,
I just have to keep going.
Try to do my best
and continue learning and having
fun here.
Two queens stand before me.
I highly recommend
you pull out all the stops
because you will be performing a
song
that requires you to leave
all your passion on the stage.
"Se nos rompió el amor"
by Rocío Jurado.
Wow!
This LIP-SYNC is mine. I'm
telling myself,
"Yeah, you're going to nail it!"
This is your last chance to
impress us
and save yourself from
elimination.
I think Diamante can slay this
LIP-SYNC.
I don't know how Estrella
is going to keep up with her.
It seems tough.
The time has come for you
to LIP-SYNC
for your life.
[Diamante] I worked really hard
to get here.
And I won't let
a poorly constructed look
send me home.
Good luck
and don't fuck it up.
["Se nos rompió el amor"
by Rocío Jurado plays]
Our love was broken
From overuse
From so many wild embraces
From giving ourselves completely
Every step of the way
A good day
Slipped through our hands
I found nourishment in you
For a long time
We devoured each other whole
Like wild animals
Let's close our eyes
And think
Our love was broken
From overuse
Let's go. Come on!
That's it! Come on!
I can see that Estrella is
feeling it.
She's tapped into something
and she is Rocío Jurado.
Our love was broken
So deeply
So much beauty
Could never exist
Such beautiful things...
Diamante looks like she's
feeling it.
It's really lovely actually
because they take each other's
hand
and look at each other as they
cry.
Wow. Epic.
And a Grey morning
Embraced us
We heard a cold, dry creaking
Let's close our eyes
And think
Our love was broken
From overuse
Bravo. Incredible.
Gorgeous!
Oh, my God.
My queens.
What a wonderful LIP-SYNC,
ladies.
We expected nothing less.
Congratulations to both of you.
I'll see what the judges have
decided
and let you know straight away.
[Dramatic music plays]
Estrella Xtravaganza.
Although you performed
"Se nos rompió el amor"...
tonight you...
have a second chance.
Congratulations. Shantay, you
stay.
Thank you so much.
I love you.
I'm safe, bitches!
Diamante Merybrown.
Our love for you
can never be broken
because a diamond is forever.
But now, I'm so sorry,
sashay away.
Thank you so much for this
experience.
I'm so grateful.
As the song says,
such beautiful things can't last
forever.
Thank you very much,
from the bottom of my heart.
Diamante is going back to sewing
class.
Maybe I'll buy her some fabric
when I get out of her.
Remember, I'm Diamante:
the fantasy from behind
and a surprise in the front.
[Choriza] Yes!
[Diamante] I'm sad.
You never know when you might go
home
and today it was my turn.
They could have told me
my makeup was running.
I discovered drag because of
this show
and being here is a dream.
I'm taking away an incredible
experience.
And I learned a lot.
And laughed a lot.
Just being here and being able
to experience all of this...
I'm satisfied.
Leave this here...
To remember me by.
I'm leaving happy,
happy to have seen
the fruits of so much labor.
You have to fight for your
dreams.
Even if it seems crazy, or like
a cliché,
they can come true.
Go fuck yourselves.
Who cares what I do?
Who cares what I say?
This is who I am and who I will
always be.
And I'll never change!
Let the music play!
["To the Moon" by RuPaul plays]
Next week on Drag Race Spain...
Hello, hello, hello!
I'm so nervous!
Can any of you guess
what kind of sport
the outfits you're wearing are
used for?
Today's maxi challenge
is about promoting the best
our country has to offer to the
world.
You're going to star in three
ads
and try to convince
drag queens all over the world
that Spain
is the perfect destination for
them.
No, no, no.
I'm freaking out.
Shoulder pads, breasts, and
pussy.
That's incredible, right?
We moved away from characters
that were somewhat grounded.
The character wasn't
very clear to the viewer.
I didn't know what to focus on.
If you don't like my drag,
that's fine.
I don't give a shit.
[Supremme] Previously on
Drag Race Spain...
You're going to have
someone else inside of you
in today's maxi challenge:
¡Snatch Game!
[Supremme] Diamante Merybrown.
How did you feel?
-[Diamante] Completely lost.
-[Supremme] RuPaul is really
tough.
[Supremme] Onyx.
In the Snatch Game, you were a
bit like
Hugáceo last season.
You got stuck on one note
and that note wasn't funny.
[Supremme] Sharonne.
You had the voice,
you had the body language,
and you had her energy, her
spirit.
Condragulations, my dear. You
are
the winner of this week's
challenge.
Diamante Merybrown. Shantay, you
stay.
Onyx. Sashay away.
I just want to say,
I'm so happy I got to meet you.
I don't want to live here
anymore.
I'm going back to my planet.
Ladies on fire
- AFTER ONYX'S ELIMINATION
-[Estrella] A wounded dog.
[Sharonne] That's funny.
[Sharonne] I like that.
That sucks.
Onyx is going to be missed.
Especially by me.
I had a real connection with
him.
But it is what it is.
"I actually am an alien,
"because with you girls,
I was surrounded by stars."
-[Drag Sethlas] That's so nice.
-[Diamante] Onyx.
[Diamante] It's kind of
bittersweet.
I really love her, with all my
heart.
But we came here to compete.
Make friends once we leave.
I'll be first in line.
She was a very good friend.
It really sucks that she's gone,
but I'm sorry, in this
situation,
I want to be here.
[Drag Sethlas] Sure, Diamante
came
for whatever reason she came
for.
And she doesn't care if Onyx is
gone.
She feels bad, but not really.
Onyx, I love you so much.
But that's that.
[Diamante] So...
[Marina] Done and dusted.
[Estrella] What's done is done.
"She's my friend, yeah,
but I don't know, fuck her,
"I'm really happy to still be
here."
I was like, "That's so rude,
right?"
I don't know.
Congratulations, Sharonne.
-[Estrella] Congratulations!
-[Sharonne] Thank you.
Your second win, girl.
Wow. That's amazing!
And in the top every week,
right?
Yes. So far, yeah.
She's never messed up!
[Estrella] The bitch
has never been out of the top
three.
It's either top or win,
top or win, top or win.
She's never been safe, though.
What do you think about Onyx
leaving?
I didn't expect it.
I'm sad, but like you said,
you had to give it your all
in the LIP-SYNC. Period.
-[Sharonne] And you gave it your
all.
-[Estrella] You gave it your
all.
To be honest,
Diamante is a really hard
worker,
but our energies don't vibe,
not since the beginning.
I think Diamante is a bit extra
sometimes.
I have to be honest.
[Sharonne] You did use
a very theatrical approach,
using the "watermelon" trick.
-[Diamante] Watermelon.
-[Venedita] Didn't you know that
part?
I didn't learn that part
specifically.
I learned my parents
and then I stopped doing
the "I'm tired" bits
and then going for others
so that it looked like
I didn't want to do that.
But I didn't know those parts.
-[Diamante] I knew the last
three lines.
-[Estrella] She's a strategist!
Diamante is cheating.
The LIP-SYNC is the LIP-SYNC and
you have
to save yourself however you
can.
I'm traditional. I think
the LIP-SYNC is what it is.
You won't save yourself
by being theatrical.
Well, Onyx knew all the words
and I'm still here.
She's more traditional
and you have to know all the...
Good for you, sweetheart.
A round of applause.
A badge.
Well, ladies.
We have a long way to go,
but we're here for another week.
-[Drag Sethlas] Let's go.
-[Diamante] Let's get out of
this shit.
Drag boot camp continues.
-[Estrella] Oh, no, your brain!
-[Marina] No, no...
Your brain!
Is the fabric glued down?
I glued it with silicon, girl.
[Estrella] With silicon, girl.
The silicon seeped through her
cover
and got stuck in her hair.
[Marina] No, no, no, no!
Marina's giving it her all, of
course.
-[Estrella] We're out of
options!
-[Marina] Ah!
Who even thinks of using silicon
to glue something to their head?
[Marina] Got it.
Holy shit!
Everyone's nuts here.
-[Estrella] Ay, ay, ay, ay.
-[Sharonne] Got it. Got it.
[Marina] My head.
We almost lost her
and would have to bring back
Onyx.
Thank you, darling.
[Supremme] The winner
of Drag Race Spain will receive
a year's supply of products
from Krash Kosmetics
and 30.000.
Tonight's judges are Ana
Locking,
Javier Calvo, and Javier
Ambrossi.
With our special guest judge,
Choriza May.
-[Drag Sethlas] A pink river.
-[Sharonne] It must be very
deep.
Ah, ah, ah, ah.
Our entrance was inspired by
Hocus Pocus,
Abracadabra, with Bette Midler.
[Estrella] I'm done with this
shit.
-[Diamante] I can't take it
anymore.
-[Estrella] It's horrible.
The witches have never left the
Werk Room.
Not there. That spot feels
different.
Let's leave that spot free,
okay?
It's free now, actually.
-[Marina] True.
-[Estrella] There are seven of
us left.
What could we be doing?
Fingers crossed they get kicked
out
somehow so I can make it to the
final.
Your boyfriend is gone.
-[Drag Sethlas] He wasn't my
boyfriend.
-[Juriji] Sure.
We were getting to know each
other.
-[Juriji] "Getting to know each
other."
-[Estrella] Bam bam bam bam.
-[Juriji] Sethlas, please.
-[Venedita] They were just
sewing.
-[Estrella] Boom boom boom.
-[Sharonne] Bam bam bam.
What's obvious to me
is that I need a phone number
for Diamante's life coach
to help me get over
my emotions that fast.
No!
That´s a gratuitous personal
attack
that was just thrown my way?
You're like, "She's my friend,
but I don't care about her."
I have to prioritize because...
What good is it being sad now?
You prioritize. Prioritize.
Actually, it seems like
a good attitude to me.
She's a little unhinged now.
I know what the maxi challenge
will be.
-[Diamante] What?
-[Juriji] Ana Locking and the 7
dwarves.
I love it!
Ana Locking and the seven
dwarves.
We've gone a few weeks
without "ratatatatatata."
-[Sharonne] Yeah.
-[Venedita] Maybe we're
finally...
-[Diamante] They got rid of
that.
-[Venedita] Abolished it. I'd
like that.
-[Alarm rings]
-[Supremme] Gird your loins,
bitches.
You like that?
See how I can open my mouth?
Past, present, or future,
there's no time in history
in which Spain has not shined
brightly.
And today, we'll see it in all
its glory.
Come on.
A blood sausage for Spain.
And my sausage for the trade.
Look at the funny earrings.
Supremme is wearing
blood sausage on her ears.
To be honest, it's... cute.
Hello, hello, hello!
[Drag Sethlas] So colorful!
-[Contestants] Wow!
-[Drag Sethlas] Cute!
-[Sharonne] Hounds-tooth.
-[Estrella] I love hounds-tooth.
Queens, today's the day
for you to face one of the most
difficult,
but one of the most popular,
challenges in this competition.
We can't forget our weekly
reminder
of the prizes
for winning Drag Race Spain.
A year's supply of products
from Krash Kosmetics.
A crown and a scepter.
And 30.000.
Difficult challenges. Honestly,
it's freaking me out.
Oh, my God, just tell us
already.
Before explaining this week's
challenge,
I need a little help in
motivating and inspiring you
all.
Oh, Pit Crew!
[Estrella] I wish I was inside.
-[Drag Sethlas] Wow!
-[Estella] Oh, my God. Ugh!
[Drag Sethlas] The Pit Crew...
I'm speechless.
[Diamante] Hello, handsome.
Plastic.
-[Diamante] I'm not liking this.
-[Estrella] There's a bit of
everything.
All of it old.
[Estrella] Paper, metal, and
plastic.
I don't know what you want us to
do.
What are we recycling?
As you saw in the video
a moment ago,
I use anything to get me out of
trouble,
stay fashionable, and even
create trends.
It's hitting me.
It's hitting me because
we were talking about it at the
table:
it's been a few weeks
and we still haven't done any...
sewing.
What's important is knowing how
to stay ahead and create
fashion,
which is exactly what you need
to do
in this week's maxi challenge.
[Diamante] I don't understand
fashion.
You're talking to someone who
wears
panties and a bra to go perform.
Drag Race Spain is throwing a
ball!
-[Estrella] Oh, my God!
-[Diamante] Let's go.
Son of a bitch.
Today, in our ball,
you'll be taking us on a tour
of Spanish fashion,
with a runway look from the 10th
century,
a second look from the 20th
century,
and a third look from the
future:
the 30th century.
Supremme comes and tells us
that we have to serve
Spain in the 30th century,
but what if our planet
doesn't exist in the 30th
century?
What about that?
And that 30th-century look
will have to be made in the Werk
Room.
[Supremme] With what materials?
Bring on the plastic!
-[Diamante] Wow!
-[Estrella] Oh, my God!
Jesus Christ!
[Drag Sethlas] There's so much
shit!
Not shit. Don't look at it as
shit.
Look at it as an opportunity.
I don't know how to sew,
that's the truth.
I don't know how to sew.
I don't know how to pattern.
My hands...
Paper...
I love paper.
Fortunately, I have good
proportions
and good taste.
Finally, metal.
-[Venedita] Let's see the metal.
-[Diamante] Metal's tough,
right?
-[Sharonne] It's louder.
-[Estrella] Come on, whip it
out.
I want to be thrown into the
heap.
Just thrown in.
You have one minute to select
and grab all the materials
you need for your future looks.
Ready?
Three, two, one...
Go!
Oh, my God!
Running for materials
seems really tacky to me.
That's mine! Ay!
[Estrella] The bolt! You bitch!
This is a fierce fight.
We're 25 vultures fighting
over a single carcass.
I need more hands!
I'm too small for this!
I can't take this!
I'm going for something
different.
I already am, but even more so.
[Estrella] This is pricking me!
¡No, I took that, Juriji!
-[Juriji] It's not in your
hands.
-[Estrella] But it was on the
ground.
Juri stole the umbrella I had.
She said it was on the ground.
What a...
Hey, what did I pick?
I can't compete with you guys!
You're all vultures!
Girl, if you want something
and you leave it on the ground
beside all the metal...
This is mine.
Five, four,
three, two, one...
Time!
It might look like I don't have
much,
but I only took what I'm going
to need.
Remember: reminisce about the
past,
recreate the presence,
and use the materials you have
selected
to construct a futuristic outfit
for a Spanish drag queen
in the 30th century.
Because if we don't recycle,
ladies,
we won't make it to the 30th
century.
We have to create a look
based on Spain in the 30th
century
with the recycled shit
we collected from the ground.
This maxi challenge is sponsored
by Gran Hotel de las Reinas,
the official Drag Race Spain
tour.
Good luck and don't fuck it up.
Goodbye.
[Estrella] The sewing challenge
is torture.
The sewing challenge is torture.
Most of us are no good at
sewing.
-[Sharonne] I have no idea how
to sew.
-[Marina] Me neither.
I studied design, but I didn't
sew much.
I studied design. I love
fashion,
but I was much more passionate
about it when I was younger.
When you were young.
As if you're an old woman.
You've got a bit of an
advantage.
Not really.
I haven't done it in a long time
and I delegated a lot of it
to other people.
Do you sew?
Me neither.
The concept of sewing
fabric to fabric and
"ratatatata,"
that's fine; making a look, no.
Logically, we have to use
all the recyclable material
they gave us.
Let's see what we can do.
-[Diamante] It's going to be
lots of fun.
-[Sharonne] Sure.
With the materials they've given
us,
it's going to take a miracle,
not a drag queen.
I'll be honest:
I'm looking at this machine
and I don't understand a thing.
Don't you know anything at all,
at all, about sewing?
I learned how to thread the
needle once
in all of these threads,
but I don't remember.
[Marina] The sewing machine is
like
a bunch of hieroglyphs
that I can't decipher.
Where's the manual for this
machine?
-[Venedita] Manual.
-[Juriji] The instructions.
-[Marina] It must be inside.
-[Juriji] I don't know.
I look like an idiot.
I know you're very creative.
Are you going to make everything
with cardboard? No fabric at
all?
No. I'm going to stick with
what I collected from the
containers.
A-ha.
To step outside the box a
little.
Seeing the material options I
have,
I'd rather go another way.
Because I see a lot
of the queens taking fabric
and starting to sew.
But I don't like to be ordinary.
I have no idea about any of
this.
I've got no clue either.
This is a first for me.
-[Marina] I made a pattern, like
this...
-[Drag Sethlas] It's rustic,
darling.
Rustic, but it's not bad.
I'm going to close it here.
See, it doesn't reach my armpit?
The neckline.
It has to come up higher,
though,
because it stops here on you.
Marina...
I see Marina and I think
"Danger, danger, danger,
"LIP-SYNC, LIP-SYNC, LIP-SYNC."
-[Estrella] Juri.
-[Juriji] What's up?
-[Estrella] So mean.
-[Juriji] I have to work.
-[Estrella] Do you hate me?
-[Juriji] I hear you. I'm
listening.
Every time I talk to Juriji, she
sighs,
as if I were a pest.
Can I borrow the tape measure?
I'll give it right back.
The tape measure...
-[Juriji] Anything else,
Estrella?
-[Estrella] No, girl, that's it.
I'm sorry for bothering you,
Juri.
Estrella is a real pest.
She's trying to distract me,
but I don't care.
I answer her and keep working on
my look.
I'm doing terrible, Juriji. It's
awful.
[Venedita] Especially because
you can see your ass.
Yeah, my pants ripped.
Look at that rip.
No. I've already seen
the rip lots of times.
Hey, editors! How are you?
-[Supremme] Hello.
-[Estrella] Hello.
-[Supremme] Hello.
-[Contestants] Hello.
Keep working. I'll come to you.
-[Supremme] Venedita, how are
you?
-[Venedita] Hey. I'm good.
Let's see. What is it:
a dress or a bodysuit or...?
-[Venedita] It's a dress.
-[Supremme] A dress.
I'm modifying it. I'm marking
it,
so it won't be this long, but...
The dress foundation is...
This isn't elastic. This is
like...
Is this plastic?
-[Venedita] It's plastic.
-[Supremme] And can you sew it?
-[Supremme] Have you sewn
plastic before?
-[Venedita] Yeah.
Maybe you can sew it,
but when you move...
[Venedita] Honestly, I'm
thinking,
"This is going to open
the second I put a stitch in
it."
Do you think you have
an advantage in this challenge?
Not really because people say,
"She studied design,"
but, to be honest,
everyone's overstating that.
I think you're just saying that.
You know you have an advantage.
No, I don't think I do.
I'm a little overwhelmed.
You're a little overwhelmed?
Alright.
Things aren't going
how I expected, so I'm not
very...
Yeah, that happens here.
I'm worried about falling short
because Supremme told me
that they're really expecting
something from me here.
So I'm going to try
to do the best that I can
and hope the jury can see that.
-[Supremme] Estrella, let's have
a look.
-[Estrella] Hey, girl.
-[Supremme] I'm here to chat.
Let's see.
-[Estrella] Okay.
-[Supremme] You're patterning.
-[Estrella] Yeah. Well, I tried.
-[Supremme] Do you know how to
pattern?
-[Estrella] No.
Alright. What is this then?
An armhole?
No, this is like...
I tried to make typical cowgirl
pants
that don't have that rise here,
near my pussy.
-[Supremme] Right.
-[Estrella] You know what I
mean?
I think it's very simple,
but very visually appealing.
I don't want to worry you,
but I think this outfit
looks easier than it should.
I get it.
Every time Supremme visits,
she makes me doubt myself.
The idea is to do
a sexualized robot doll,
and make this into
breasts that are also guns.
-[Supremme] Those are big for
breasts.
-[Estrella] Sure.
Yeah, but...
[Estrella] Supremme made me
doubt myself for Snatch Game
and now she's telling me
I don't know... I don't know
how...
Supremme, I'm getting sick of
you.
Thank you so much, Supremme,
for the encouragement.
I'm encouraging you,
but I'm also warning you
while you've still got time.
[Estrella] You're going to
make me depressed.
Ay, this lady won't let me rest.
[Supremme] How are you?
-[Diamante] Well, here we are.
-[Supremme] With a pattern and
everything.
Yeah, I'm trying.
-[Supremme] Do you sew?
-[Diamante] No.
Obviously, before I came here,
I did what everyone should do
and took a few sewing classes.
Okay.
I took about twelve classes,
maybe.
Each class was an hour and a
half.
I think I learned enough
to produce a good look.
Yes. I see potential.
[Diamante] I always go for broke
if I'm not sure about something,
I'm not going to tell you that
because that would make me
self-conscious.
Oh, my God,
I'm a philosopher when I want to
be.
-[Supremme] Marina, how are you?
-[Marina] Hi, Supremme.
-[Supremme] How are you?
-[Marina] A little lost.
I'm working on the pattern,
which I've never done before.
I've done a top
and the measurements are fine
for now.
-[Supremme] Do you see?
-[Marina] No.
-[Supremme] At all?
-[Marina] Nope.
-[Supremme] And that's plastic?
-[Marina] Yes.
-[Supremme] Or paper...?
-[Marina] It's like plastic
paper.
Are you going to sew it?
Or are you going to glue it?
I don't know what to tell her.
I'm desperate.
I'm looking at her, saying,
"Supremme,
I'm going to make patterns,
"but I don't have a clue
about any of this." It's awful!
I think I'm going to sew the
neck,
so that it looks more polished,
but the back is going to be
complicated
because I've got this too
to give a little more structure
and a bit more volume.
Right. These don't seem
like easy materials.
-[Marina] Right.
-[Supremme] To work with.
[Marina] I can't take it
anymore!
But I'll do whatever I can
to pull through.
[Supremme] Let's see
what you're up to, my dear?
Well, well, this is going to
be...
I went crazy. I had a very clear
concept.
I have to pump up the volume
because, last week,
I was in the bottom
and I don't want to be there
again.
Absolutely. I saw what you had
and I said, "That's all
cardboard."
-[Drag Sethlas] That's right.
-[Supremme] Then I thought,
-[Supremme] "I see potential."
-[Drag Sethlas] I see a lot of
potential.
And it's coming along well,
with the glue gun, of course.
And the patterns
for the shoulder pads, the
breasts...
Where other people see
cardboard,
drag queens from the Canaries
see endless possibilities:
It's rigid, you can cut it, you
can
glue it with silicon... It's
great.
-[Supremme] Sharonne.
-[Sharonne] Hi, Supremme.
How are you?
What ideas do you have for...?
Well, my concept for the ball is
opulence.
It doesn't look like
you're going to sew, right?
-[Supremme] Are you going to
sew?
-[Sharonne] Yeah. There was a
scrap
of fabric left and I'm going to
try to do something with it.
I didn't have much fabric,
but I'll see if I can do a
little sewing,
which is something I've never
done.
I don't know how it's going to
turn out.
[Sharonne] This week, with this
challenge,
I'm definitely not going to be
in the top.
The other queens are
definitely a lot more
experienced
in making looks. I don't know;
maybe not.
How are you?
What are you making? Tell me.
Well, there's a lot of shimmer
here,
so there's a lot of potential,
right?
-[Juriji] Yes.
-[Supremme] You have a pattern
too.
-[Juriji] Right.
-[Supremme] Are you going to
sew?
-[Juriji] Yeah, I'm going to
sew.
-[Supremme] Good.
It's like...
It's a bodysuit
that's going to start like this,
okay?
Very high.
Yeah, very high and it has a
hood.
-[Supremme] Great.
-[Juriji] Yes.
And then it has cone boobs.
Alright.
I'm going to take two traffic
cones
and put them here,
like two boobs.
I think you made smart choices.
There's potential here.
-[Supremme] Are you good at
sewing?
-[Juriji] Yeah, I do alright.
I'm more of a DIYer, but yeah.
Alright. Well, the pattern is
great.
It's really well done.
[Juriji] I have a clear concept,
but I'm very slow.
Everybody knows that.
Good luck with your work,
darlings.
Be fearless, please.
And gag us with these futuristic
looks
that you're working on.
I hope our special guest judge
will be blown away by the
runway,
like she blew us away
with her personality.
Straight from Drag Race UK,
Choriza May!
I'm Choriza May.
And compared to this,
Brexit and Valencia
combined aren't as exciting.
What's up? Bring me the
leftovers!
Awesome!
My pussy is like a peach
My pussy is like a peach
She's so funny.
I think what she's done is
incredible.
We'll see you on the runway.
Bye and get to work!
-[Sharonne] Bye.
-[Drag Sethlas] That's awesome.
It's awesome, bitch.
Oh, my God.
I can't wait to see how this
turns out.
Let's go.
ELIMINATION DAY
-[Drag Sethlas] It's a new day.
-[Diamante] One day more, one
day less.
Today is a very complicated day
in the Werk Room
because sewing is not what I do.
[Diamante] Oh, my God, what are
we doing?
-[Venedita] I have some news,
ladies.
-[Marina] Tell us.
I want to change my drag name.
[Sharonne] To?
I want to be called Ester.
-[Drag Sethlas] Why?
-[Venedita] Ester Colero.
Ester Colero.
I like that.
I know that I sew...
I sew and I studied design and
all that,
but I think there are people
who said they haven't
and then kept it to themselves,
because my friend here...
My friend here made a dress in a
minute.
-[Venedita] It's simple, but she
made it.
-[Drag Sethlas] It's all coming
together.
[Estrella] Diamante says
she doesn't know how to sew
and she made a black dress
with a pleated bust,
but I don't know.
I wish I didn't know how to sew
the way Diamante doesn't.
How many classes
did you take before coming here?
I went to sewing classes or a
month.
-[Estrella] Ah, a month.
-[Diamante] One month.
It was just taking a pattern,
tracing it, and sewing it.
I made a black dress.
I didn't make a new design
for Óscar de la Renta.
It's a really basic black dress.
It's the first piece I've made
in my life.
The only thing I made
in my sewing class was a slip
cover.
One month for a slip cover?
In just one month?
I don't know. There's something
fishy.
Ladies, we have the new Galliano
here.
She went from making a slip
cover
to making her first piece:
a dress with pleats and
everything.
It's not that complicated.
It's a basic dress.
I don't know how to sew.
I don't know how to sew.
Who are you kidding?
Sethlas is very calm.
I'm calm. I believe in myself.
I'm calm because, at the end of
the day...
Sethlas is the queen of
silicone.
Give me a glue gun
and I'll stick whatever you
need.
Before coming here, this was the
challenge
I was most looking forward to.
"Give me a load of crap
and I'll make something out of
it."
Then, when I got here
and the time came, it was a
disaster.
I'm overwhelmed and stifled
and I can't take it anymore.
I'm totally on edge.
I'm screwed.
In my case, I've never used
a sewing machine before.
I've done everything
with staples and with glue.
You might not know how to sew,
but if you have good taste...
I have faith in my silhouette,
my skin, and the fact that
I can sell it on the runway.
Are you selling skin or an
outfit?
-[Marina] I'm going to sell
everything.
-[Diamante] Alright.
Marina's strange. She gets
really mad.
Alright. We have things to
finish
and there's not much time.
Let's get to work, bitches.
I don't want to see
anyone complaining later.
-[Venedita] Let's go.
-[Estrella] Let's see what
happens.
Oh, my God.
Alright, gorgeous, come on.
Come on!
My friend wrote me this
in case I was feeling down some
day,
or I didn't feel confident.
My dear Iván...
He's not just my friend.
He's like a brother to me.
When I came to Barcelona, I was
like...
I felt really lonely and then I
met Iván.
Iván and what was known
as the Caricari Family at that
time.
-[Drag Sethlas] Caricari?
-[Estrella] Yeah. The Caricari
family?
It was all "Caricari,"
like the "House of Caricari,"
the "caricaricari"...
-[Estrella] Like that.
-[Drag Sethlas] That's awesome.
At that time,
they were the people
who gave me a family,
a place in the world
and a chance to find myself.
Iván helped me a lot
psychologically with moving on.
He helped me see the light
at times when I couldn't.
Iván is everything to me.
"If you're reading this letter,
"you need a little push
with this dream, which seems
like fiction.
"With this fiction, which is
your dream."
When I read this card,
I can hear Iván's voice,
but also all of the voices
of my friends outside of here.
No matter what happens,
the important thing is I have
them.
"You've come this far for a
reason,
"so trust in yourself,
not just on this runway..."
-[Estrella] On this runway,
yeah.
-[Drag Sethlas] In your life.
"Not just on this runway..."
"For me, you are..."
"The winner in life's race."
He says that I'm the winner
in life's race.
Iván says things like that.
"Strut your stuff,
have fun... and be free.
"Because being free
is worth more than any prize."
-[Juriji] Olé.
-[Drag Sethlas] Give it a kiss.
-[Estrella] A kiss.
-[Drag Sethlas] A kiss for you
letter.
It gave me a jolt of energy
and strength to say,
"There are people out there
who love and support you
"and you have to go out there,
have fun like you always do,
"and, if you have to LIP-SYNC,
give it your all."
I love him so much.
He's the best part of my life.
["Covergirl" by RuPaul plays]
Welcome to the main stage
of Drag Race Spain.
Hey, just to say,
that everyone's so well dressed
for tonight's show, right?
-[Ana] Totally.
-[Javier Calvo] Always.
-[Supremme] First up, Javier
Ambrossi.
-[Javier Ambrossi] Hello,
Supremme.
How are you?
Welcome to another week.
Thank you. I'm happy to be here.
I want to ask you:
how would you have dressed,
or what would you like to have
worn,
on the 10th-century runway?
I would have gone
with a classic: the loincloth.
-[Javier Ambrossi] No?
-[Supremme] Yes, yes, yes.
I would like to see it.
-[Javier Ambrossi] Sha!
-[Supremme] Ay, bam!
Bam.
-[Supremme] The war has begun.
-[Javier Ambrossi] Surprise.
Ana Locking, how are you, my
darling.
Very good, darling. Very good.
And I can see you're incredible.
-[Supremme] Just hanging around.
-[Ana] As per usual.
Young and discreet.
Let me ask, do you think
everything has been thought of
in fashion,
or is there still more to
discover?
I like do think it's not about
inventing or not inventing
things,
but that fashion takes us places
we've never been before
and broadens our imagination.
That's totally what drag has
done for me.
Just take one look at me.
Yes, yes. You're perfect.
Like always. As usual.
Javier Calvo, how are you?
Hey, Supremme. I'm happy.
I want to know, what would you
wear
in the very, very, very distant
future?
Well, I'm getting more naked
by the day, as you can see,
so I don't know what I'd have
left.
Nipple covers?
A loincloth?
-[Supremme] The basics.
-[Javier Calvo] Loincloth,
nipple covers.
The basics and a classic. Sure.
If she had been a contestant on
our show,
we might have called her
Martadela,
but on the English version,
nothing could be better
than a nice Spanish chorizo,
of course.
Straight from Drag Race UK,
we have Choriza May.
Ay, it's a pleasure to be here,
Supremme.
I don't feel at home. I am at
home.
But I have doubts.
Do you think
they'll buy my chorizo here?
And, more importantly, do you
think
they'll put it in their mouths?
Yes, girl. Yes.
Of course.
You're here to be savored
and enjoyed by everyone.
-[Supremme] Thanks for joining
us.
-[Choriza] Thank you.
Tonight, our queens
are bringing their
professionalism
to the Drag Race Spain ball.
A ball in which they will travel
through the eras of Spanish
fashion
and take inspiration from the
looks
of the 10th, 20th, and 30th
centuries.
For the last category,
they have made the looks
themselves
as a key part of tonight's
challenge.
Racers, start your engines
and may the best drag queen win.
-["Phenomenon" by RuPaul plays]
-[Supremme] Category is the 10th
century.
[Supremme] Sharonne.
[Sharonne] For my concept
of wealth in the 10th century,
I wanted to take inspiration
from a queen
who only lives
for her jewels and her
treasures.
Is this 10th century, ladies?
You'll have to tell me
because I wasn't there.
She really likes a big...
jewel!
When she opens her robes,
we see that she keeps
absolutely everything in there
because she's afraid
someone will steal them.
Opulence. You own everything.
"My treasure's inside.
My treasure is safe."
Abrigoberta Bandini.
[Supremme] Estrella Xtravaganza.
Hi, I'm Guarra de Arco.
My 10th-century look is like a
mercenary.
I'm wearing a white tunic
with red stones.
I don't know what the cross
means.
I looked it up online
and it's from the 10th century,
though.
-[Javier Ambrossi] He poked me.
-[Javier Calvo] Either marry or
kill me.
The robe is like
beautiful, purple velvet.
I'm carrying a sword,
like, "I'm coming to kill you."
I haven't killed anyone yet,
but I'm coming to slay.
-[Ana] She likes it.
-[Choriza] She likes to swallow
it.
-[Ana] And get impaled by it.
-[Choriza] At the same time.
If this is the military uniform,
I might sign up.
[Supremme] Venedita Von Däsh.
[Venedita] For my 10th-century
look,
I was inspired
by the initial research into
astronomy
that happened at the time,
during the Arabic era.
That was when they started to
learn
a bit about the stars and stuff.
Venedita, the first drag queen
to walk on the moon.
[Ana] What an honor!
It's basically a moon dress.
And when it opens,
there are some constellations
with really beautiful little
lights.
Does she have a dark side?
For sure.
The dark side of the moon is a
woman.
[Supremme] Diamante Merybrown.
[Diamante] For the ball, I
decided
to focus on architecture.
For the 10th century, I decided
to recreate the mosque in
Córdoba,
with the arches, the lattices,
and the hints of gold.
The mosque of Córdo-drag.
With this look, I also wanted to
show
that Spain
is really a mixing pot of
cultures.
That's a harem, girl.
This look is one of my
favorites.
I'm fascinated by it: the
silhouette,
the colors, and the prints.
It's awesome.
She needs to mosque it up,
right?
[Supremme] Drag Sethlas.
[Drag Sethlas] For my
10th-century
Spanish look, I'm serving
a printed, designer fabric
that depicts the Glosas
Emilianenses,
the oldest manuscripts in Spain.
Don't ask me any questions
because I don't know. Google it.
A book's a book.
I'm wearing a dress with a
pleated skirt
and a cape at the back.
I think she wrote it with a
feather.
A lot of feathers.
There are no sleeves.
The sleeves are tucked in.
And it has what looks like
the wings of a bat on the back.
Remember: always read the fine
print.
[Supremme] Marina.
Oh, don't be shady.
[Marina] My 10th-century runway
is inspired by the Earth.
I'm the bride of the wheat god.
She's sad because she has to
marry him.
I'm dreaming of wheat
What have you done to me?
You can't sort the wheat from
the chaff...
This look is not
celiac-friendly.
There's no room for comedy
with this look. It's all drama.
María Teresa Campos.
Iconic.
Every moment here is iconic.
It all starts with an m:
Marina, meteoric, mariconica.
The runway drag queen.
[Supremme] Juriji Der Klee.
Fray Luis de Putón.
[Juriji] For my 10th-century
look,
I enter as a monk
who sheds his cassock
and transforms into Joan of Arc.
Who was the first trans man,
according to my sources.
Juana de Armas.
Suddenly, my wings open
and I leave the judges gagging.
Angels spread their wings,
not their legs.
My wings are mechanical
and I hid a remote control on my
sword.
She's really opening up.
See? I'm not stupid.
-[Supremme] Category is, the
20th century.
-["The Beginning" by RuPaul
plays]
[Supremme] Sharonne.
[Sharonne] In the 20th century,
wealth
is linked to the arrival of the
Euro.
I represented that
with a lady who's kind of a
yuppy
and a little extra.
-[Ana] Oh, oh!
-[Javier Calvo] That's one
strange ATM.
-[Ana] I love her for her money.
-[Supremme] Opulent inside and
out.
When she opens her coat,
she's covered with bills.
This look is very money.
Cruella de Bill.
I almost swallowed the bill,
but I'm sure if I did,
it would come out somewhere.
She's a walking piggy bank.
That look is money in the bank.
[Supremme] Estrella Xtravaganza.
From A to F.
For my 20th-century look,
I'm giving gay Franco
and queering military power
and dictatorships.
Ay, she's very militant.
Ugh, a conscientious objector.
GI Estrella.
I'm wearing Franco's uniform,
the jacket, which is very ugly.
This just in: Franco had a white
ass.
You're a very naughty boy,
Franco.
A very naughty boy.
You like being spanked.
Sit down, bitch!
Run, run, run!
[Supremme] Venedita Von Däsh.
For my 20th-century look,
I've transformed into the first
lady,
"La Collares."
I've wearing a green satin
dress,
which is very sixties.
It's vintage, totally authentic,
and I've got the comb and the
mantilla.
Eyes to God and a string of
pearls.
I'm carrying a sign that clearly
reads,
"Franco is dead."
Hallelujah!
This thing with Franco is a bad
idea.
I think she's stuck, frankly.
And then she becomes a parody.
Let's see, let's see.
To finish, I reveal
lots of strings of pearls down
there.
Did you like it?
-This pearl smells like an
oyster.
-[Javier Calvo] Fuck.
[Supremme] Diamante Merybrown.
[Diamante] For the 20th century,
I decided to take you to
Barcelona
and highlight Gaudí,
one of the greatest architects
in the history of this country.
Drag queens and masks:
Los Javis are in their element.
I decided to take inspiration
from Casa Batlló
for this rose print
because, on Saint George's Day,
the entire facade of the house
is practically covered with
roses.
I don't trust St. George.
Running around killing drag
queens.
I feel like I'm stepping outside
of my comfort zone
and being a bit more
fashionable.
[Supremme] Drag Sethlas.
-[Ana] Wow!
-[Javier Calvo] Technology.
A non-binary computer?
[Drag Sethlas] For the
20th-century look,
I'm going to continue the theme
of communication.
And, obviously,
what blossomed in the 20th
century?
The internet.
I'm serving a full bodysuit
that represents the binary
system
and a completely disassembled
computer
around my body.
I'll insert my USB
if you give me your hard drive.
Red pill or blue pill? Both.
To look for my USB port, you
know?
[Supremme] Marina.
-[Supremme] Wow!
-[Javier Ambrossi] Do you need a
bag?
[Marina] With this bride, I'm
breaking
away from the idea of obligation
and serving a freer,
but also a sluttier, bride
with this plastic element
because this was the century
when we filled the planet with
plastic.
Greta Thunberg
would be very proud of you.
[Choriza] Life in plastic is
fantastic.
The hair.
I only do it to people I don't
like.
That won't come out.
My expression is totally blasé,
as if I don't care at all,
but, at the back of it all,
I'm just a moron.
A fun one, though,
so... it works.
-[Javier Calvo] To the recycling
bin.
-[Supremme] Absolutely.
[Supremme] Juriji Der Klee.
Juriji in the 20th century
is a Swedish baby doll
who has come to Spain
to have a good time.
She's very Swede.
I pull off my dress and bam,
there's the reveal.
A 70s-style welcome mat.
-[Supremme] Homo sweet home.
-[Javier Ambrossi] Beware the
pussy.
I used to watch erotic movies
on "Cine de barrio" with my
grandmother.
El felpudo de la Cantudo
is my absolute favorite.
If she's Swedish, I'd like to
mount her like a piece of IKEA
furniture.
Fernando Esteso sucked her
nipple.
-["Call Me Mother" by RuPaul
plays]
Category is, Spain in the 30th
century.
[Supremme] Sharonne.
Wow.
She looks like gold,
but she's actually tit-anium.
In the 30th century, I am
imagining
that we'll be trading with gold
again
because we will have wasted
all of our other resources
and we won't have legal tender.
On one hand, the scarecrow;
on the other, the tin man.
And a lion in the bedroom.
The rest of the look
represents that run-down
society,
which is suddenly without
resources,
without water
and without a lot of options.
It's very powerful.
[Supremme] Estrella Xtravaganza.
Oh, careful, darling.
[Estrella] For my 30th-century
look,
I want to continue
my focus on military powers.
I'm serving military powers
after they've come
completely out of the closet,
so, obviously, I've come as a
drag robot.
CyberCelia is here.
That's amazing.
I made the legs and the neck
piece
with a shower curtain.
And I made the bra guns
so that I can spread justice
in the 30th century.
Albal Flores.
This look makes my tits hard.
Albal Carrillo.
[Supremme] Venedita Von Däsh.
[Venedita] For my 30th-century
look,
I have a clear vision of
what fashion would look like at
that time.
We no longer have raw materials.
We can't rely on flora and fauna
anymore,
so we have to recycle.
Ugh, Venedita Von Trash.
But that doesn't mean you can't
have
good taste and create beautiful
things.
She has a flower
on her ass... and her head.
You can see her bush.
I like the shapes. I like the
volume.
The gradient effect I made
with scraps of tool.
I'm pretty happy.
-[Javier Ambrossi] She's toxic.
-[Javier Calvo] And she's been
seeded.
[Supremme] Diamante Merybrown.
With a "drag-bolic" antenna
and everything.
Antena 3000.
Can you watch Atresplayer
Premium
with that antenna?
For the 30th century, I decided
to imagine a post-apocalyptic
future
where everything has gone
to shit because of mankind.
Where's the colander, Mom?
I decided to focus
on this imaginary building
which was once the highest
in Madrid and super luxurious,
but which is now just ruins
and used as a shelter
by the survivors of the
apocalypse.
She's come from the future
to slap some sense into you.
[Supremme] Drag Sethlas.
[Drag Sethlas] Communication
in the 30th century
looks like
you're not communicating at all:
your mouth is sewn shut
and hands have turned to cones.
-[Ana] Wow!
-[Javier Calvo] Punky Brewster.
What are the key elements
of communication?
Girl, watch your edges.
I'm serving futuristic,
I'm serving geometry,
I'm serving a look you'll never
forget.
I've been in that Bermuda
Triangle.
[Supremme] Marina.
My 30th-century runway is the
anti-bride.
Bound.
-[Supremme] Not anymore.
-[Choriza] Liberated.
-[Supremme] A cougar unleashed.
-[Choriza] Express divorce.
The idea of marriage has become
obsolete.
Free love is what matters.
I'm serving a black bride
with very alienesque makeup
because it's a 30th-century
moment.
Who knows what fashion will look
like?
She has a perky heart.
[Supremme] Juriji Der Klee.
My 30th-century look is
retro-futuristic.
It's inspired by Barbarella
and Jean-Paul Gaultier,
with the breasts like this.
How can I say no?
Citizens of Spain, Jordi Hurtado
is not dead yet.
Barbarella Rey.
My three runways
are connected by a single
thread:
all three are warriors in their
own way.
She's so happy after murdering.
What a monster!
Baby's got back.
Queens, congratulations to all
of you
for your fantastic visions
of Spanish fashion through the
years.
Thank you so much. You were
incredible.
A round of applause for our
girls.
Now, when I say your name,
please step forward.
Sharonne.
You're safe.
-[Supremme] You may leave the
stage.
-[Sharonne] Thank you.
The rest of you represent
the tops and bottoms of the
week.
Estrella, we'll start with you.
What happened to the materials
you had yesterday? Because...
I'll tell you.
Those were actually the shoulder
pads.
What happened was, afterwards,
I couldn't really figure out
how to add the breast antenna,
so I gave it to Diamante.
Estrella was going to put
two of the things Diamante has
on her head
on her breasts and I said,
"I think they might be a bit too
big."
-[Supremme] But you were very
committed.
-[Estrella] I was really
determined,
but then bit by bit,
I saw them breaking
and I said, "Change it up."
[Supremme] Okay.
Hi, Estrella. How are you?
Good. Having fun on the runway
because I told myself,
"If I've already messed it up,
then I'm going to laugh about
it."
Totally.
It looked like you were having
fun.
Your personality really shines.
All three looks
fell a little short, though.
I did what I could.
Obviously, that was much.
In the end, with the shower
curtains...
Look, these shower curtains
have come a long way.
Let's talk to Venedita Von Däsh.
Hello.
Venedita, I think one part of a
ball
is about illusion
and then there's another part
that we can't forget,
which is the fun part.
You looked at us the whole time,
you made us laugh, you really
understood
who you are and how
to get your message across
and that was really obvious
today.
I love you.
There's a connection
between drag and fashion
and it's that drag both
celebrates
and parodies fashion at the same
time.
And you do that so well.
You create a look
with little hoop skirts on the
side.
You used the mesh
that Dovima Nurmi didn't know
how to use
and knew how to use it.
It's a look that's ready to
wear,
or even Demi couture.
It's incredible.
That's amazing. Thank you.
Now let's speak to Diamante
Merybrown.
I think you know
that this look is not up to
standard
in terms of execution
nor in terms of construction
and imagination,
that it falls a bit short.
Obviously, the first look
was very nice. I really liked
it,
but it didn't take me to...
It didn't make me feel anything.
It was a total runway look.
I think it was perfect as
fashion,
but I think that look
was lacking an element of drag.
In the second look,
there was one part that I loved,
which was the corset with that
sleeve
and that spiral ruffle,
but the rest of the dress
didn't take me to Catalonia.
It was more Andalusia.
Let's move on to Drag Sethlas.
-[Choriza] Reveal.
-[Ana] Hello.
-[Drag Sethlas] Hey, baby.
-[Ana] Hey, baby.
[Ana] Hey, baby.
Sethlas, it's amazing
how you told a story
with the three looks
and how you connected them.
The first look with those
manuscripts
was awesome. Gorgeous.
It was incredible.
Thank you.
The second look, the binary
system,
I don't know. It made me feel
like everything around you was a
zero
and you were the one.
You're amazing
because you interpret things
well.
Even things I didn't think of,
you're able to interpret them.
-[Javier Ambrossi] Fictional
things.
-[Ana] I love it!
-[Drag Sethlas] Yeah, zero and
one.
-[Javier Ambrossi] Of course,
darling.
You're shameless.
I love how shameless you are.
I love it.
The most impressive part
is that, even though you created
two of the looks at home,
my favorite look
is the one you're wearing.
This is when creativity matters
and you're bursting with
creativity.
Thank you.
We're going to talk to Marina
now.
I love the way you take the
stage,
the energy that you have,
the way you interpret things.
The bride of the wheat god
is something I won't forget,
just like I'll never forget
Ocaña.
You deliver unforgettable
moments.
The plastic and the plastic
veil.
All of the flair that you added
and the minor details
in those first two looks were
amazing.
But I have a problem
with this last look...
I don't think it reached
the same standard as the others.
I don't understand it
and that really upsets me
because I'm a big fan of yours.
Marina, I'm also a big fan of
yours.
The first bride was incredible.
For the second look, I would
have liked
if there was a lot more
pomp and circumstance around
her.
I don't think this third look
lives up to
the standard of those of your
competitors.
Now let's talk to Juriji.
Your first look, the monk
who suddenly transforms
into Joan of Arc,
but the Luc Besson version:
you were Milla Jovovich.
Then you went Germanic
and very sixties
with that reveal and the hairy
pussy.
-[Supremme] The welcome mat.
-[Javier Calvo] You convey joy
and magic
through the attitude you have on
stage.
-[Javier Calvo] I think you
shone today.
-[Juriji] Thank you.
There's something wonderful
about you,
which is this interplay
between strength and
vulnerability,
and that's what makes your drag
work.
And that was clear
in all three of your looks
today.
Tonight, you emerged fully.
Thank you.
Queens, thank you all so much.
You may go backstage
and join your fellow queen.
Thank you.
[Choriza] Oh, poor Sharonne.
She must be so bored.
-[Javier Ambrossi] She's
sleeping.
-[Choriza] Alone.
Sharonne, my darling, what can
be do?
Well, let's take a seat.
The first time I'm safe and I'm
on my own.
Shall we sit down? Are you sure?
With all of this?
Won't my dress rip?
No, bitch, you're not going
to rip your dress. Sit down.
What do I do? Who do I talk to?
With myself, I guess.
I'm going to ruin everything.
Do you know what's going on?
I didn't calculate the space
right.
This is going to be very
uncomfortable.
It's super uncomfortable.
Oh, who cares if I'm making a
mess?
Who cares if I'm ruining my
dress?
They're not coming.
Look, I'm cleaning the chairs.
-[Drag Sethlas] Mom!
-[Sharonne] Oh, my baby.
-[Sharonne] I can't sit down.
-[Drag Sethlas] Me neither.
-[Sharonne] I can't find a way
to sit.
-[Drag Sethlas] You look crazy.
I think I'm in the top today.
Oh, my God, Sharonne. Finally.
You're safe.
-[Venedita] How do you feel,
bitch?
-[Sharonne] This look is my
salvation.
Sharonne is finally safe.
Bitch. She's always at the top.
What did the judges say?
I'm a little confused.
Choriza's the only one who spoke
to me.
The rest didn't say anything.
It was like, "Forget about her."
What did Choriza say?
That I'm very funny,
but the breastplate didn't work.
I'm happy.
I'm not happy. Jesus, help me.
Do you want me to be happy?
Make me happy.
I think I'll be lip-syncing. I
don't know
if it will be against Diamante
or Marina.
[Diamante] I think it will be
me.
Because they complimented
her first two looks a lot
and the one that fell a little
short,
so to speak, was this third
look.
But they didn't like
my first two looks very much
either.
[Diamante] I don't agree at all.
I think I was serving up fashion
with my first look.
I think it was drag enough and I
gave them
something different with the
second.
And with the third look, I think
I knew how to use the materials
and portray a clear concept.
Even with a fucking antenna on
my head.
Marina, is this the first time
that you've been in the bottom?
And...
How...?
To be honest, I'm doing better
than I thought I would be.
Like, I don't feel nervous
or depressed or like I want to
cry.
If I have to LIP-SYNC,
I'll put up a fight,
but I don't see it as a terrible
thing.
It's not about whether you
agree.
I think it's a matter of taste.
And they just didn't like my
look?
-[Diamante] How are you, Juri?
-[Juriji] I'm really happy/
I started with a look
that I'm honestly crazy about.
It cost a fortune.
And then I said,
"You're self-sabotaging again.
"change your head space,
and have more faith in
yourself."
Spanish Gibraltar!
-[Diamante] Bitch!
-[Drag Sethlas] Hello, gorgeous.
My countrywoman.
Choriza May is in the house.
-[Sharonne] How are you,
darling?
-[Kissing noises]
I think Choriza's the best.
She's incredible.
They can have horchata or
paella,
but Valencia has the best queens
in Spain.
-[Choriza] How are you all
doing?
-[Contestants] Great.
It's so amazing being here
again,
but with my Spanish sisters.
-[Estrella] It's wonderful.
-[Choriza] How are you feeling?
Every day is an emotional
rollercoaster
for all of us.
Her coming to the Werk Room
to encourage us is fantastic
because she's been where we are.
I wanted to tell you
that you're doing really well,
you all did a great job,
but don't get cocky
because it's over before you
know it.
But then you're out in the real
world
and everyone is going to love
you
because you all have so much
charisma.
I was telling you that,
in particular, Estrella.
-[Choriza] It's not the most
polished.
-[Estrella] It's a disaster.
-[Choriza] A kind of baked
potato moment.
-[Estrella] Yeah.
But you're a star
and your personality shines
through.
Thank you.
The look is definitely a mess.
Choriza, you're right.
I like you, we're good.
Choriza, I love you.
I have a little Déjà vu.
I'm a bit traumatized,
but it's wonderful to be here.
You were a trailblazer too
because you were the first
to go on a version outside of
Spain.
-[Sharonne] The first Spanish
queen.
-[Choriza] Totally.
And representing all this,
which is Spanish drag.
I love Choriza.
I like that her accent
is a little foreign, like mine.
I better go. I forgot for a
minute
that I'm supposed to be judging,
not here being judged.
It was awesome.
Thank you so much, ladies.
Congratulations.
-[Contestants] Thank you.
-[Choriza] I'll see you around.
-[Choriza] Bye, darlings.
-[Drag Sethlas] Bye. Careful.
My only hope for today is that,
when they say LIP-SYNC, they
say,
"You can start the mascletá now,
yes."
Alright, ladies.
See you later and
congratulations.
Now that we're alone, besties,
are you ready
to get into the meat of things?
I have ground beef and stuff
meat.
I especially like when it's
stuffed.
Perfect, darling.
Let's start with Estrella.
I really enjoyed
the statement Estrella made
about including everyone in the
military,
but the looks weren't up to the
standard
of the other queens,
who did a much better job.
There's something priceless#
about her, though,
which is her comedy, her humor,
and the performance
she brings to the stage.
She always has something to say.
Estrella is the perfect name for
her
because she is a star.
Even without comparing her to
the others,
it clear that the looks
didn't live up to her comedy
and her personality.
Let's move on to Venedita Von
Däsh.
Absolutely spectacular.
I think her personality
transcends whatever she does
and that's something we're
looking for:
someone with a powerful brand
and lots of versatility.
She's elevating drag to fashion
and fashion to drag.
There's a really impressive
fusion there
that's completely feminine.
The moon was really great.
Even though it was really fun,
I don't know if Carmen Polo
was executed as well
as some of the other queens.
And the last look was great.
Now let's talk about Diamante
Merybrown.
It wasn't the best night for
Diamante
because what she wanted
to describe to us through her
looks
perhaps wasn't always clear.
She didn't talk about history
either.
There were motifs
from the mosque in Córdoba
and the caliphate,
but it didn't say anything
about that era.
It was just a print, right?
She puts all the emphasis on
strength.
Yes, she presents it really
well,
but not everything requires that
and I think that's a problem for
her.
Let's talk about Drag Sethlas
now.
It was a fantasy
from the first look to the last.
for me, what's really impressive
is that the third look was my
favorite
and she made it here
with limited time and materials.
Today she showed us
that she wants to tell a story
and to bring other styles
of construction to the runway,
but without losing her essence
because she told the same story
throughout history
and never lost the essence of
Sethlas
or the essence of drag from the
Canaries.
I think you also have to
pay attention to details and
quality.
The second look, the internet
one,
was full of details
and executed perfectly.
Let's move on to Marina.
I loved the first look,
I liked the second look,
and I didn't really like the
third look.
She kind of went downhill.
I can't defend that third look.
You know she's one of my
favorites,
but it's very tough;
it was just a guerrilla.
But we can't forget
that her first look was really
good.
The second look was also good.
And she has something.
I think she gave
the best performance on the
runway.
You can tell she's committed
to the stories she's telling.
She's not just looking to tell
a nice story well.
Last but not least, Juriji.
Juriji is getting better and
better
in this competition.
Her drag is already very special
and very specific.
And she understands that she's
here
to compete and show the world
who she is.
I was completely captivated
by her three looks today.
And the stories she chose
to tell through those looks
were really great, in my
opinion.
We asked her to come out
of her shell and, today, I
think...
Silence.
Have we reached a decision?
-[Ana] Yes.
-[Choriza] Yes.
Bring back my girls.
[Dramatic music plays]
Welcome back, queens.
The judges and I have
deliberated
and we've made some decisions.
-[Supremme] Juriji Der Klee.
You're safe.
-[Juriji] Thank you very much.
You may join the other girls.
Drag Sethlas.
-[Supremme] Condragulations.
You've won.
-[Drag Sethlas] Ah, finally!
I'm so used to winning that...
Just kidding.
Put the tape back on.
I'm prettier when I'm quiet,
right?
-[Supremme] You may join the
other girls.
-[Drag Sethlas] Thank you so
much.
I'm a winner.
I'm a winner, baby.
I needed that rush of energy.
I needed it.
Venedita Von Däsh.
You're safe.
Thank you.
You may join the other girls.
Estrella Xtravaganza.
You're more than capable
of doing anything you want.
But you have to believe
in yourself a little more.
I'm sorry, my dear, but this
week,
you are up for elimination.
Okay.
[Estrella] I'm frustrated.
I'm broken inside.
I'm disappointed in myself.
Diamante Merybrown.
There are special moments in
life
when, if you don't pull out all
the stops
and give it your all,
you don't get what you're hoping
for.
I'm sorry,
but you are also up for
elimination.
Marina, you're safe.
You may join the other girls.
After this scare in the bottom,
I just have to keep going.
Try to do my best
and continue learning and having
fun here.
Two queens stand before me.
I highly recommend
you pull out all the stops
because you will be performing a
song
that requires you to leave
all your passion on the stage.
"Se nos rompió el amor"
by Rocío Jurado.
Wow!
This LIP-SYNC is mine. I'm
telling myself,
"Yeah, you're going to nail it!"
This is your last chance to
impress us
and save yourself from
elimination.
I think Diamante can slay this
LIP-SYNC.
I don't know how Estrella
is going to keep up with her.
It seems tough.
The time has come for you
to LIP-SYNC
for your life.
[Diamante] I worked really hard
to get here.
And I won't let
a poorly constructed look
send me home.
Good luck
and don't fuck it up.
["Se nos rompió el amor"
by Rocío Jurado plays]
Our love was broken
From overuse
From so many wild embraces
From giving ourselves completely
Every step of the way
A good day
Slipped through our hands
I found nourishment in you
For a long time
We devoured each other whole
Like wild animals
Let's close our eyes
And think
Our love was broken
From overuse
Let's go. Come on!
That's it! Come on!
I can see that Estrella is
feeling it.
She's tapped into something
and she is Rocío Jurado.
Our love was broken
So deeply
So much beauty
Could never exist
Such beautiful things...
Diamante looks like she's
feeling it.
It's really lovely actually
because they take each other's
hand
and look at each other as they
cry.
Wow. Epic.
And a Grey morning
Embraced us
We heard a cold, dry creaking
Let's close our eyes
And think
Our love was broken
From overuse
Bravo. Incredible.
Gorgeous!
Oh, my God.
My queens.
What a wonderful LIP-SYNC,
ladies.
We expected nothing less.
Congratulations to both of you.
I'll see what the judges have
decided
and let you know straight away.
[Dramatic music plays]
Estrella Xtravaganza.
Although you performed
"Se nos rompió el amor"...
tonight you...
have a second chance.
Congratulations. Shantay, you
stay.
Thank you so much.
I love you.
I'm safe, bitches!
Diamante Merybrown.
Our love for you
can never be broken
because a diamond is forever.
But now, I'm so sorry,
sashay away.
Thank you so much for this
experience.
I'm so grateful.
As the song says,
such beautiful things can't last
forever.
Thank you very much,
from the bottom of my heart.
Diamante is going back to sewing
class.
Maybe I'll buy her some fabric
when I get out of her.
Remember, I'm Diamante:
the fantasy from behind
and a surprise in the front.
[Choriza] Yes!
[Diamante] I'm sad.
You never know when you might go
home
and today it was my turn.
They could have told me
my makeup was running.
I discovered drag because of
this show
and being here is a dream.
I'm taking away an incredible
experience.
And I learned a lot.
And laughed a lot.
Just being here and being able
to experience all of this...
I'm satisfied.
Leave this here...
To remember me by.
I'm leaving happy,
happy to have seen
the fruits of so much labor.
You have to fight for your
dreams.
Even if it seems crazy, or like
a cliché,
they can come true.
Go fuck yourselves.
Who cares what I do?
Who cares what I say?
This is who I am and who I will
always be.
And I'll never change!
Let the music play!
["To the Moon" by RuPaul plays]
Next week on Drag Race Spain...
Hello, hello, hello!
I'm so nervous!
Can any of you guess
what kind of sport
the outfits you're wearing are
used for?
Today's maxi challenge
is about promoting the best
our country has to offer to the
world.
You're going to star in three
ads
and try to convince
drag queens all over the world
that Spain
is the perfect destination for
them.
No, no, no.
I'm freaking out.
Shoulder pads, breasts, and
pussy.
That's incredible, right?
We moved away from characters
that were somewhat grounded.
The character wasn't
very clear to the viewer.
I didn't know what to focus on.
If you don't like my drag,
that's fine.
I don't give a shit.