The 72nd Annual Tony Awards (2018) - full transcript

LIVE FROM DOWNTOWN LOS
ANGELES, IT'S THE 72nd EMMY

AWARDS.
PLEASE WELCOME YOUR HOST, JIMMY

KIMMEL!

[ CHEERS AND APPLAUSE ]

♪

WELL, HELLO, AND WELCOME TO
THE PANDEMMYS.

IT'S GREAT TO FINALLY SEE PEOPLE
AGAIN.

THANK YOU FOR RISKING EVERYTHING
TO BE HERE.

THANK ME FOR RISKING EVERYTHING
TO BE HERE.

YOU KNOW WHAT THEY SAY, YOU
CAN'T HAVE A VIRUS WITHOUT A

HOST. THE BIG QUESTION I THINK WE
SHOULD ANSWER IS WHY WOULD YOU



HAVE AN AWARDS SHOW IN THE
MIDDLE OF A PANDEMIC?

SERIOUSLY, I'M ASKING.
WHY ARE WE HAVING AN AWARDS SHOW

IN THE MIDDLE OF A PANDEMIC?
AND WHAT THE HELL AM I DOING

HERE?
THIS IS THE YEAR THEY DECIDE

THEY HAVE TO HAVE A HOST?
WHY IS A QUESTION I'VE BEEN

ASKED A LOT THIS WEEK.
AND I GET IT, IT MIGHT SEEM

FRIVOLOUS AND UNNECESSARY, BUT
YOU KNOW WHAT ELSE SEEMS

FRIVOLOUS AND UNNECESSARY?
DOING IT EVERY OTHER YEAR.

WHAT IS HAPPENING TONIGHT IS NOT
IMPORTANT.

IT'S NOT GOING TO STOP COVID OR
PUT OUT THE FIRES, BUT IT'S FUN.

AND RIGHT NOW, WE NEED FUN.
THIS HAS BEEN A MISERABLE YEAR.

IT'S BEEN A YEAR OF DIVISION,

INJUSTICE, DISEASE, ZOOM SCHOOL,
DISASTER, AND DEATH.

WE'VE BEEN QUARANTINED AND
LOCKED DOWN, CONFINED TO OUR



HOMES LIKE PRISONERS.
WHAT DID WE FIND IN THAT DARK

AND LONELY TUNNEL?
WE FOUND A FRIEND WHO IS THERE

FOR US 24 HOURS A DAY.
OUR OLD PAL, TELEVISION.

THAT'S RIGHT.
TELEVISION IS YOUR FRIEND, IT'S

YOUR BIG BROTHER, YOUR SISTER,

YOUR MAMA'S FAMILY, YOUR TWO
DADS, THREE SONS, CRAZY

EX‐GIRLFRIEND, EVEN YOUR DOG,
THE BOUNTY HUNTER.

TELEVISION IS THERE FOR YOU,
EVERY DAY OF YOUR 600‐POUND

LIFE.
THE WORLD MAY BE TERRIBLE, BUT

TV HAS NEVER BEEN BETTER.
AND TONIGHT, WE ARE PAYING

TRIBUTE TO THE GREAT SHOWS AND
THE HISTORY MAKING NOMINEES.

HATS OFF TO THE TELEVISION

VISIONARY NORMAN LEAR, THE
OLDEST WINNER EVER AT AGE 98.

NORMAN DIDN'T GROW UP DREAMING
OF WINNING EMMYS.

IN FACT, TELEVISION WASN'T
SOMETHING PEOPLE HAD UNTIL HE

WAS A TEENAGER.
WHEN HE HWAS A BOY, HIS DREAM WS

NOT TO GET KICKED TO DEATH BY A
HORSE. NORMAN, YOU ARE A MIRACLE.

THE ONLY THING I'LL BE PRODUCING
WHEN I'M 98 IS PHLEGM.

CONGRATULATIONS ARE ALSO IN

ORDER FOR A YOUNG UPSTART NAMED

QUIBI, WHICH HAS TEN NOMINATIONS
THIS YEAR, INCLUDING DUMBEST

THING TO EVER COST $1 BILLION.
THERE WERE SO MANY GREAT DRAMAS

THIS YEAR, AND COMEDIES, TOO.
A LITTLE SHOW FROM OUR FRIENDLY

NEIGHBORS UP NORTH IS UP FOR
EVERY EMMY.

15 NOMINATIONS FOR "SCHITT'S
CREEK."

BY THE WAY, YOU'RE GOING TO BE
SEEING THAT LOGO A LOT.

IN ORDER TO MEET BROADCAST
STANDARDS, THE SENSORS HAVE

DECIDED EVERY TIME I SAY THAT,

WE'RE REQUIRED TO PUT "SCHITT'S

CREEK" ON THE SCREEN.

HBO CAN SHOW YOU A BLUE PENIS,
NO PROBLEM.

I CAN'T SAY THAT WORD.
AND SPEAKING OF BLUE

PENISES, "WATCHMEN" HAS 26
NOMINATIONS.

IT'S A SUPERHERO SHOW, VERY

REALISTIC EXCEPT FOR THE PART
WHERE ANYONE IN OKLAHOMA IS

WEARING A MASK.

ISN'T "WATCHMEN" ALSO WHAT JERRY

FALWELL JR. WAS INTO?
HEY, WAS THAT ME? WAIT.

IF I'M DOWN THERE, HOW AM I UP
HERE?

THAT WOULD MEAN THAT NO ONE IS
IN THE AUDIENCE.

THAT WOULD MEAN THAT I'M UP HERE
ALL ALONE.

JUST LIKE PROM NIGHT.
OF COURSE I'M HERE ALL ALONE.

OF COURSE WE DON'T HAVE AN
AUDIENCE.

THIS ISN'T A MAGA RALLY, IT'S
THE EMMYS.

INSTEAD OF A LIVE AUDIENCE, WE
TOOK A PAGE FROM BASEBALL AND

FILLED THE SEATS WITH CARDBOARD
CUTOUTS OF THE NOMINEES.

WE HAVE REGINA, HUGH, JASON,

MERYL ‐‐ WAIT A MINUTE.
GO BACK ONE. JASON? JASON?

I KNOW IT'S YOU.
I SAW YOUR EYES MOVING.

THEY DIDN'T MOVE.

YES, THEY DID MOVE.

MIND YOUR BUSINESS, KIMMEL.
BIG NIGHT FOR ME.

I KNOW IT'S A BIG NIGHT, BUT
YOU CAN'T BE IN HERE.

WE HAVE VERY STRICT SAFETY
PROTOCOLS.

I'M CLEAN, GUY.
I'M A BIG WASHER‐UPPER.

SMELL MY HANDS.
THEY'RE LIKE A GARDEN.

I'M SURE YOU'RE CLEAN.
WE JUST HAVE A LIMIT ON HOW MANY

PEOPLE WE CAN HAVE IN THE
BUILDING. YOU NEED TO GO.

NO, I DON'T.
I HAVEN'T LEFT THE HOUSE FOR SIX

MONTHS.
I WANT TO BE HERE, I WANT TO EAT

SHRIMP WITH THE CAST OF "THE
CROWN."

I WANT MARIO LOPEZ TO ASK ME
ABOUT MY PANTS. LET'S GO.

YOU CAN STAY, AS LONG AS YOU

PROMISE TO LAUGH AT MY JOKES.

HUH. I'M OUT.
I'M GOING TO CALL A CAR.

YOU'RE NOMINATED, YOU KNOW.

I KNOW.
IF I WIN, GIVE IT TO CHEADLE.

WHEN WAS THAT PHOTO TAKEN?

IT'S TOUGH. I DON'T AGE.

LET'S GET GOING.
BUT FIRST, LET'S HAVE A STANDING

OVATION FOR ME.

[ CHEERS AND APPLAUSE ]

THANK YOU. IT'S TOO MUCH.
THANK YOU. ALL RIGHT.

HERE'S HOW THE SHOW WILL WORK.
OR NOT.

WE'RE ATTEMPTING TO DO SOMETHING
THAT HAS NEVER BEEN ATTEMPTED

BEFORE. AND FOR GOOD REASON.
INSTEAD OF BRINGING THE NOMINEES

TO US, WE WENT TO THEM.
WE HAVE LIVE FEEDS TO AND FROM

MORE THAN 100 LOCATIONS AROUND
THE WORLD.

YOU KNOW HOW HARD IT IS TO GET

YOUR PAIRENTS TO FACETIME?
MULTIPLY THAT A LOT.

THIS IS WHERE THE MAGIC HAPPENS.
THIS IS THE NERVE CENTER.

WE'VE TAKEN EVERY SAFETY
PRECAUTION, AND THESE ARE

TONIGHT'S NOMINEES.
HELLO, EVERYONE, AND

CONGRATULATIONS.
THEY'RE ALL STANDING BY.

WE'VE BEEN WATCHING YOU FOR
WEEKS NOW, WITH CAMERAS AND

MICROPHONES IN YOUR HOMES.
HOW MANY OF YOU HAVE ALREADY

STARTED DRINKING? SHOW OF HANDS.
VERY GOOD.

I FEEL LIKE I'M IN A BEST BUY.
THIS IS WONDERFUL.

SO HERE'S HOW THIS IS GONNA
HAPPEN.

IF YOU WIN, WE'LL HAVE A GUY
DRIVE TO YOUR HOUSE AND CHUCK

THE EMMY THROUGH YOUR WINDOW.
NO, WE WON'T DO THAT, BUT WE

WILL BE CONNECTED TO EVERYONE
THROUGHOUT THE SHOW, HOPEFULLY.

THIS IS THE SHOW THAT WILL
FINALLY ANSWER THE QUESTION,

DOES ALAN ARKIN KNOW HOW TO USE

A WEBCAM?
WE DON'T HAVE AN ORCHESTRA THIS

YEAR, BUT D‐NICE IS SPINNING THE
HITS ALL NIGHT LONG.

LET'S GIVE OUT SOME EMMY AWARDS.

LET'S DO IT.

YOU KNOW, NOT EVERYONE STAYED
AT HOME TONIGHT.

HERE TO KICK THINGS OFF IN THE
FLESH, SHE IS MY FRIEND AND

YOURS. PLEASE WELCOME EMMY WINNER
JENNIFER ANISTON.

THANKS, JIMMY.

WHAT?

I SAID, THANKS, JIMMY.

WHAT?

NEVER MIND.

YES, I'D LOVE SOME WINE.

NO, I SAID NEVER MIND.

OH.

WHY ARE YOU STANDING SO FAR
AWAY FROM ME?

DR. FAUCI SAID 60 FEET, SO ‐‐

NO, HE SAID SIX FEET.

THANK YOU, YOU ALSO HAVE SEXY
FEET.

OH, GOD. OKAY.
HERE ARE THE NOMINEES FOR

OUTSTANDING LEAD ACTRESS IN A
COMEDY SERIES.

WHAT?

OH, MY GOD.

CATHERINE O'HARA, "SCHITT'S

CREEK."

LINDA CARDELLINI, "DEAD TO ME."

I WAS THERE IRONICALLY.

THEY HAVE A COUPLE OF GOOD
SONGS.

NAME ONE.

ISSA RAE, "INSECURE."

WHAT UP, PAL? HEY, BUDDY.

IT'S NOT A DOG.

CHRISTINA APPLEGATE, "DEAD TO
ME."

ARE YOU THE WINE SHERIFF?

WHAT IS YOUR PROBLEM, LADY?

TRACEE ELLIS ROSS, "BLACK‐ISH."

DAD IS GOING TO GET I

INDIGESTION.

RACHEL BROSNAHAN, "THE
MARVELOUS MRS. MAISEL."

NOW THEY'RE HERE TO WATCH
THEIR DIVORCED DAUGHTER TELL

JOKES ON STAGE AND IT WILL KILL
THEM, AND THEY WILL FINALLY HAVE

WON.

[ CHEERS AND APPLAUSE ]

OKAY, NOW WE JUST NEED TO

SANITIZE THE ENVELOPE.
I GOT IT HERE. I WILL SPRAY IT.

A LOT.

THAT'S A LOT.
THAT'S A LITTLE EXTREME, JIMMY.

YOU NEVER KNOW WHERE THE ACC ACC

ACCOUNTANTS' HANDS HAVE BEEN.
NOW, INTO THE BASKET.

LIGHT IT UP. WAIT FIVE SECONDS.
IF YOU GRAB THE FIRE

EXTINGUISHER.

OKAY, OH, GOSH.

ONCE ALL THE GERMS HAVE BEEN
BURNED OFF ‐‐

HERE WE GO.

PERFECT.

GOT IT.

PERFECT.

OKAY.

AND ‐‐ OH.

GOT IT.

RIGHT? ALL RIGHT.
SANITIZED FOR YOUR PROTECTION.

NOW, THIS IS EXCITING.

PUT IT OUT.

WE'RE DELIVERING THE EMMY
LIVE TO SOME OF THE WINNING

NOMINEES IN THEIR HOMES.
THEY WILL BE GETTING THE

TROPHIES IN THEIR HOUSES.

WHAT? AT THEIR HOUSES?

YEAH.

BUT I'M HERE.

OH. RIGHT.
YOU SHOULDN'T BE, BECAUSE YOU'RE

NOMINATED.
BECAUSE YOU WON'T GET IT IF

YOU'RE NOT AT HOME.

JIMMY, WHAT ARE YOU TALKING
ABOUT? YOU ASKED ME TO COME HERE.

ARE YOU SURE THAT WASN'T
JIMMY FALFALLON.

YOU HAD BETTER GET HOME NOW.
IT'S ONLY NINE HOURS BEFORE YOUR

CATEGORY.
TAKE FOUNTAIN, IT'S ALWAYS

FASTER. AND THE EMMY GOES TO ‐‐
CATHERINE O'HARA, "SCHITT'S

CREEK."

♪

[ CHEERS AND APPLAUSE ]

OKAY, WE HAVE ‐‐ NO, HOW COOL

IS IT THAT EUGENE HAS A
MICROPHONE IN HIS BEDROOM?

THANK YOU FOR NOMINATING ME, AND
FOR TOPPING OFF THIS FUN EVENING

WITH A TROPHY TREAT.
I'LL FOREVER BE GRATEFUL TO

EUGENE AND DANIEL LEVY FOR
GIVING ME THE OPPORTUNITY TO

PLAY A WOMAN OF A CERTAIN AGE,
MY AGE, WHO GETS TO BE FULLY HER

RIDICULOUS SELF.
THEY GATHERED THE MOST

FUN‐LOVING PEOPLE IN TORONTO,
AND LED US TO BE THE BEST WE CAN

BE FOR EACH OTHER.
BUT I MUST PAY AN ESPECIALLY BIG

TRIBUTE TO DEBRA HANSON, OUR
WARDROBE WHISPERER.

AND MY MAKEUP ANGEL, AND TO OUR

HAIR WRANGLER.
EVERY DAY, THEY MADE ME WHO I

THOUGHT I WAS.
AND I WOULD BE AN UNGRATEFUL

PERSON NOT TO SHARE IT WITH THEM.
I WISH YOU ALL A SOUND MIND AND

A SOUND BODY.
AND THESE ARE THE STRANGEST OF

DAYS.
MAY YOU HAVE AS MUCH JOY BEING

HOLED UP IN A ROOM OR TWO WITH
YOUR FAMILY AS I HAD WITH MY

DEAR ROSES. THANK YOU SO MUCH.

[ CHEERS AND APPLAUSE ]

THAT'S GOOD SPORTSMANSHIP THERE.

CONGRATULATIONS, CATHERINE.
WE'RE GOING TO GIVE OUT A LOT OF

AWARDS ON THIS SHOW.
BUT WE'RE ALSO GOING TO GIVE

BACK. FOR EVERY EMMY WE HAND OUT
TONIGHT, THE SHOW THAT WINS IT

WILL DONATE $100,000 TO A GREAT
CHARITY THAT FEEDS CHILDREN WHO

NEED IT ‐‐ NO KID HUNGRY.
OUR MISSION TONIGHT IS TO

BANKRUPT POPTV.
THIS IS GOING TO BE FUN.

WE HAVE SO MUCH TO COME.
WHICH OF YOUR FAVORITE STARS

WILL GIVE A SPEECH THAT GOES ON
SO LONG WE HAVE TO MUTE THEM?

WE'LL FIND OUT TOGETHER WHEN WE
COME BACK, LIVE FROM THE EMMY

AWARDS.

♪

[ CHEERS AND APPLAUSE ]

WHAT'S UP, Y'ALL?
MY NAME IS D‐NICE, AKA CEO OF

CLUB QUARANTINE, AND WE ARE HERE
TONIGHT AT THE EMMY AWARDS.

I HOPE YOU ARE HAVING A GOOD
TIME. GOOD, BECAUSE I KNOW I AM.

ONE OF THE LOGISTICAL CHALLENGES
WE FACED THIS YEAR IS HOW TO

DELIVER THE EMMYS IN PERSON TO
THE WINNERS AROUND THE WORLD.

THE SOLUTION ‐‐ THE TV ACADEMY
FOUNDATION GAVE US THEIR TOP

INTERNS FROM THE CLASS OF
2020 TO DELIVER THE TROPHIES TO

THE WINNERS IN ALL‐NEW K5s,

PROVIDED BY KIA.

♪

MY EMMY INTERNS.
BEING SELECTED FOR THIS MISSION

IS THE GREATEST HONOR OF YOUR
YOUNG LIVES.

YOU WILL BE DRIVING TO OVER 100
HOUSES TO DELIVER THESE EMMYS.

SHOULD YOU FAIL, I WILL DENY
EVER HAVING MET YOU.

SHOULD YOU SUCCEED, IN TRUE
HOLLYWOOD FASHION, I'LL TAKE ALL

OF THE CREDIT.

HOW WILL WE REMAIN SOCIALLY
DISTANT?

YOU'LL WEAR ONE OF THESE.

CAN I READ THE SCRIPT?

SECURITY?

AND TO MAKE SURE YOU DELIVER
THESE EMMYS ON TIME, WE HAVE

SPECIALLY TRAINED KIA DRIVERS IN

THE NEW K5. GO, GO, GO!

THIS IS GOING TO BE FUN.

WHY ARE YOU GOING SO FAST?

WAY TOO CLOSE!

IS THERE A SECOND SEAT BELT?

AH!

WHOA!

THANK GOD WE'RE HERE.
OH, MY GOD, WE'RE NOT THERE.

AH!

HONESTLY, THAT WASN'T SO BAD.

WOW.
YOU GUYS TOTALLY CRUSHED THAT

ONE.
WHAT ARE YOU CELEBRATING FOR?

YOU STILL GOT 99 HOUSES TO GO.
MOVE IT! NOW! GO, GO, GO, GO!

AH!

WELCOME BACK TO THE NO
PEOPLE'S CHOICE AWARDS.

I'M JIMMY KIMMEL FROM EMMYS
MISSION CONTROL.

YOU KNOW, THEY SAY THAT LAUGHTER
IS THE BEST MEDICINE, BUT THIS

YEAR, WE LEARNED THAT IS
DEFINITELY NOT TRUE.

IN FACT, LAUGHTER PROBABLY
SPREADS THE VIRUS MORE.

SO STRAP ON YOUR MASKS, HERE ARE
THE NOMINEES FOR OUTSTANDING

LEAD ACTOR IN A COMEDY SERIES.

EUGENE LEVY, "SCHITT'S CREEK."

NOW, THAT'S A FRAMER.

YOU JUST DELETED IT.

DON CHEADLE, "BLACK MONDAY."

NOW I KNOW YOU'RE LYING.
EVERYBODY HAS A ROUTINE TO "MY

PREROGATIVE."

♪

TED DANSON, "THE GOOD PLACE."

MICHAEL, WHAT ARE YOU DOING?

I'M RETURNING MY DAMN ESSENCE

TO THE DAMN FABRIC OF THE DAMN
UNIVERSE.

RAMY YOUSSEF, "RAMY."

WHEN I WAS A KID, THERE WAS
ALWAYS THIS SMALL PART OF ME

THAT WISHED ONE OF MY PARENTS
COULD DIE, SO I COULD HAVE,

LIKE, A THING.

MICHAEL DOUGLAS, "THE
KOMINSKY METHOD."

SHE GOT A GLIMPSE OF WHO YOU
REALLY ARE.

YOU CAN'T DO THAT WITH WOMEN.
TRUST ME. IT'S NEVER GOOD.

ANTHONY ANDERSON, "BLACK‐ISH."

WHAT THE HELL ARE YOU DOING?

AH!

CLOSE THE DOOR!

OH, SWEET BLACK JESUS!

AND THE EMMY GOES TO ‐‐

EUGENE LEVY, "SCHITT'S CREEK."

♪

[ CHEERS AND APPLAUSE ]

YOU SEE, I TOLD YOU I WAS GOOD.

I GUESS IT'S KIND OF IRONIC THAT
THE STRAIGHTEST ROLE I EVER

PLAYED LANDS ME AN EMMY FOR A
COMEDY PERFORMANCE.

SO NOW I SERIOUSLY HAVE TO
QUESTION JUST WHAT I'VE BEEN

DOING FOR THE PAST 50 YEARS.
BUT THAT'S FOR ANOTHER TIME.

I WANT TO THANK MY DARLING WIFE
OF 43 YEARS, DEB.

FOR ALL THE LOVE, SUPPORT, AND
SAGE COUNSEL THROUGH THE YEARS.

I LOVE YOU.
I WANT TO THANK OUR AMAZING

PRODUCTION TEAM, TERRIFIC
WRITERS, AND EXCEPTIONALLY

TALENTED CAST WHO I LOVED
WORKING WITH FOR SIX YEARS,

INCLUDING MY DEAR FRIEND OF MANY
YEARS, CATHERINE O'HARA.

WHO CAN EVIDENTLY MAKE ANYONE
LOOK GOOD.

AND AS A DAD, WORKING WITH BOTH
MY KIDS, DANIEL AND SARAH.

HI, HONEY.
SUCH A LJOY, LOVE YOU BOTH.

COULD NOT BE PROUDER.

THAT BRINGS ME TO MY MULTI EMMY

NOMINATED PARTNER, DANIEL LEVY.
WHO TOOK OUR SHOW AND

BRILLIANTLY GUIDED IT TO THIS
LITTLE EMMY PARTY TONIGHT.

THANK YOU, SON.
THANK YOU, ACADEMY.

AND TO MY FELLOW EMMY NOMINEES,
IT WAS AN HONOR TO BE IN YOUR

COMPANY. THANK YOU. THANK YOU.

[ CHEERS AND APPLAUSE ]

WOW, THEY'RE GOING CRAZY IN
M IN CANADA.

THERE'S CHAOS ON THE STREETS.
BEHIND EVERY GREAT SITCOM IS A

ROOM FULL OF SWEATY WRITERS
ORDERING LUNCH.

HERE TO PRESENT THE EMMY TO
THESE VERY PEOPLE, TRACEE ELLIS

ROSS.

SO I'M HERE TO PRESENT THE
EMMY FOR OUTSTANDING WRITER FOR

A COMEDY SERIES, AND THANK YOU!
STAY SAFE.

MAKE A PLAN FOR VOTING.
WEAR A MASK. AND GOOD NIGHT.

WAIT, TRACEE, YOU FORGOT TO
PRESENT THE AWARD.

NO, NO, NO.
I AGREED TO DRESS FOR THE

OCCASION, AND COME SOMEWHERE
OTHER THAN MY HOME.

AND I'VE DONE THAT.
IT WAS REALLY NICE.

SO GOOD NIGHT.

BUT IT'S AN AWARDS SHOW.

YES, I KNOW THAT'S WHAT IT
IS. BUT JIMMY, PEOPLE ARE VERY

FRAGILE RIGHT NOW.
AND I'M FRAGILE RIGHT NOW.

SO ONCE AGAIN, I BID YOU GOOD
NIGHT.

BUT YOU HAVE TO NAME A
WINNER. IT'S THE LAW.

IT'S NOT THE LAW.

IT'S NOT?
I THOUGHT IT WAS THE LAW. OKAY.

DON'T YOU THINK THERE'S
ENOUGH, LIKE, DIVIDEDNESS IN

THIS COUNTRY?
AREN'T WE TIRED OF PEOPLE

PITTING EACH OTHER AGAINST EACH
OTHER? ISN'T IT SUBJECTIVE?

WHAT IS THIS PRIZE STUFF, PRIZES?

IF YOU DON'T READ THE WINNER,
YOU DON'T GET A GIFT BAG.

OKAY. HERE'S MY QUESTION.

IS THERE A CENSUS FORM, AND IS
MY POLLING LOCATION IN THE GIFT

BAG? AND A BEJEWELLED FACE MASK?

YES, AND A SUGAR SCRUB.

HERE ARE THE NOMINEES.

DAVID WEST REED, "SCHITT'S
CREEK."

DIDN'T WE MANAGE TO MAKE DO
HERE IN THIS ROOM OVER THE PAST

FEW YEARS?

YES. IN THE SAME WAY ROGUE

CRUSTACEANS ARE KNOWN TO MAKE DO.

DANIEL LEVY, "SCHITT'S CREEK."

YOU'RE WEARING A WEDDING
DRESS, TO MY WEDDING.

MICHAEL SHORE, "THE GOOD PLACE".

I WON'T EXACTLY KNOW WHAT'S
GOING TO HAPPEN.

PAUL SIMS, "WHAT WE DO IN THE
SHADOWS."

DID YOU MAKE A FART?

STEPHANIE ROBINSON, "WHAT WE

DO IN THE SHADOWS."

WONDERFUL GAME.

IT'S A SAFETY HAZARD.

SAM JOHNSON AND CHRIS

MARCIL, "WHAT WE DO IN THE
SHADOWS."

♪ TELL US MR. HITLER, WHAT DO

YOU HAVE PLANNED NEXT ♪

♪

BEFORE I READ THIS, YOU ARE
ALL LOVED AND FANTASTIC AND

YOU'RE ALL WINNERS.
AND SO, THE EMMY GOES TO DANIEL

LEVY, "SCHITT'S CREEK."

♪

[ CHEERS AND APPLAUSE ]

HOLY COW. OH, MY GOODNESS.

THIS TENT IS ON FIRE. OKAY.
WRITERS DON'T GET AWARDS, WHAT

IS THIS?
FIRST OF ALL, I WANT TO SAY

THANK YOU TO MY DAD FOR GIVING
ME THE REINS TO THIS SHOW, EVEN

THOUGH I DIDN'T HAVE ANY
EXPERIENCE IN A WRITER'S ROOM.

IT FEELS LIKE A WILD CHOICE ON
YOUR PART, BUT I'M GRATEFUL FOR

IT.
I WOULDN'T BE HERE IF IT WEREN'T

FOR YOU.
THANK YOU TO MY TEAM, DAVID,

MIKE, EVERY SINGLE WRITER THAT
SAT IN OUR WRITER'S ROOM AND

OFFERED UP EMBARRASSING, DEEPLY
TRIGGERING THINGS SO THE ROSE

FAMILY COULD BE WHAT THEY ARE.
GETTING TO TELL THOSE STORIES

HAS BEEN THE GREATEST EXPERIENCE
OF MY LIFE.

THANK YOU TO CDC AND POP FOR
BROADCASTING THESE STORIES

WITHOUT HESITATION.
THANK YOU TO ALL THE FELLOW

NOMINEES, IT WAS AN HONOR TO BE
NOMINATED ALONGSIDE YOU.

AND I WANT TO RECOGNIZE ISSA RAE

AND THE WRITERS ON "INSECURE."
THANK YOU FOR THIS TREMENDOUS

HONOR. THANK YOU SO MUCH.

[ CHEERS AND APPLAUSE ]

♪

WHEN WE COME BACK, THE EMMY
FOR OUTSTANDING DIRECTING IN A

COMEDY SERIES.
PLUS, WE FIND OUT WHO TAKES HOME

THE GOLDEN LADY FOR SUPPORTING
ACTOR IN A COMEDY SERIES.

IT'S THE 2020 EMMYS, BABY, HERE
ON ABC.

YOU ARE WATCHING THE 72nd
EMMY AWARDS ON ABC.

AND NOW, FOR ANOTHER OUTSTANDING
PERFORMANCE, BROUGHT TO YOU BY

THE ALL‐NEW KIA K5.

♪

WELCOME BACK TO THE EMMY.
WE HAVE A LOT OF AWARDS TO GIVE

OUT.
AND I INTEND TO DO THAT AS SOON

AS I GET THE NEXT BATCH OF
ENVELOPES WHICH ARE DEFINITELY

SUPPOSED TO BE HERE NOW.
YOU'RE THE POSTMAN?

WHAT HAPPENED TO COLIN?

I'M THE NEW MAILMAN.

OLD MAILMAN HAVE UNFORTUNATE
ACCIDENT.

I HOPE HE'S OKAY?

HE IS NOT.

WHAT'S YOUR NAME?

DEREK.

DEREK?

YEAH, DEREK.

WHERE ARE YOU FROM, DEREK?

ST. PETERSBURG.

RUSSIA?

NO, FLORIDA.
I'M FROM SUNSHINE STATE, WHERE

THE OLD PEOPLE DIE, AND THE
YOUNG PEOPLE WEAR THE TANK TOP.

HOW LONG HAVE YOU BEEN
WORKING FOR THE POST OFFICE,

DEREK?

I START JUST BEFORE ELECTION,
2016.

MAY I PLEASE TAKE YOUR BALLOT?

I'M NOT READY TO VOTE.
I JUST NEED THE ENVELOPES.

IT'S OKAY TO MAIL IN.

I'LL DO THAT FROM MY HOUSE,
THANK YOU.

IT'S SO SAFE.
YOU WILL NOT REGRET.

WHAT IS YOUR LAST NAME, DEREK?

MAGIC JOHNSON.

DEREK MAGIC JOHNSON?
OKAY. GIVE ME THE ENVELOPES.

A LITTLE SOCIAL DISTANCE
WOULD BE APPRECIATED.

IT'S JUST THE NAME OF ACTORS,

EUGENE LEVY, REGINA KING.

DON'T SAY ISTHE ACTORS.

DON'T WORRY.
EVERYTHING IS OKAY AT THE USSPS.

AND PLEASE THANK ALL THE MAIL
CARRIERS FOR EVERYTHING YOU DO

FOR US.

LISTEN, YOU ARE MANY WELCOME.
DON'T MENTION IT.

OKAY.

SERIOUSLY, DO NOT MENTION IT.

OKAY. HERE ARE THE NOMINEES FOR

OUTSTANDING DIRECTING FOR A
COMEDY SERIES.

AMY SHERMAN‐PALLADINO, "THE
MARVELOUS MRS. MAISEL."

"IT'S COMEDY OR CABBAGE."

I WILL KILL YOUR CHILDREN.
I WILL KILL THEM, DRESS UP IN

YOUR CLOTHES, AND I WILL HAUNT
YOU.

MATT SHAKMAN, "THE GREAT."
"PILOT."

YOU DON'T TALK, MY LOVE.

OF COURSE.

JAMES BURROWS, "WILL &
GRACE." "WE LOVE LUCY."

IT'S SO TASTY, TOO.

RAMY YOUSSEF, "RAMY."
"MIAKHALIFA.MOV."

TRUST ME, THIS MAN WAS CHOSEN.

HE'S THE LeBRON JAMES OF PRAYING.

ANDREW CIVIDINO, DANIEL LEVY,
"SCHITT'S CREEK."

"HAPPY ENDING."

♪

IS IT ME OR DO THEY LOOK LIKE
HUSBAND AND WIFE?

KIND OF.

GAIL MANCUSO, "MODERN FAMILY."

"FINALE PART 2."

I DON'T WANT TO BE THE FIRST
PERSON TO LET GO. IT WAS AWFUL.

DANIEL PALLADINO, "THE
MARVELOUS MRS. MAISEL."

"MARVELOUS RADIO."

HANDS. BELT BUCKLE.

TUNA FISH.

ALL RIGHT.
THE KEY MATCHUP TO WATCH HERE,

AMY SHERMAN‐PALLADINO VERSUS HER
HUSBAND, DAN.

WILL A MARRIAGE CRUMBLE BEFORE
OUR EYES?

WE'RE ABOUT TO FIND OUT.
THE EMMY GOES TO ‐‐

ANDREW CIVIDINO, DANIEL LEVY,
"SCHITT'S CREEK."

♪

[ CHEERS AND APPLAUSE ]

ANDREW AND I MET IN FILM SCHOOL.

I DROPPED OUT, HE STAYED IN.
I DON'T KNOW WHAT THAT MESSAGE

IS, BUT THIS IS A FEW CIRCLE
MOMENT, GO, GO, GO.

I JUST TOUCHED MY FACE, SO
THIS IS TERRIBLE.

THANK YOU TO POP, CBC, AND TO

OUR UNFLAPPABLE D. O. P., AND I
WANT TO SAY A SPECIAL THANK YOU

TO CATHERINE O'HARA AND EUGENE
LEVY, THEIR GRACE, THEIR GENIUS,

AND THEIR GENEROSITY IS, IT
BUBBLES THROUGH THE ENTIRE SET.

THEY'RE ROLE MODELS.
AND I WANT TO THANK DAN FOR

INVITING ME INTO THE WORLD OF
"SCHITT'S CREEK," A WORLD THAT

IS DRIVEN BY LOVE, AND I'M VERY
GRATEFUL THAT YOU LET ME INTO IT.

THANK YOU.

AND THANK YOU TO AN
INCREDIBLE CAST, WHO MADE IT SO,

SO EASY TO DIRECT.
THANK YOU SO MUCH.

[ CHEERS AND APPLAUSE ]

YOU KNOW, WE'RE NOT JUST
CELEBRATING OURSELVES TONIGHT.

WE'RE ALSO SHINING A LIGHT ON
DOCTORS, NURSES, TEACHERS,

FARMERS, TRUCKERS ‐‐ PEOPLE WHO
DO SO MUCH TO KEEP THIS COUNTRY

GOING.
TONIGHT, WE INVITED SOME OF

THEM, OUR ESSENTIAL WORKERS, TO
BE PART OF THE SHOW AND HAND OUT

AWARDS TO THOSE WHO ARE MUCH
LESS ESSENTIAL THAN THEY ARE.

HEY, EVERYONE.
I'M CINDY AND I'M A U. S. HISTORY

TEACHER.
I'M TEACHING HISTORY, LIVING

THROUGH HISTORY, AND WHEN THE
PANDEMIC STARTED, I THOUGHT,

HEY, I'LL SEE MY KIDS IN A WEEK
OR TWO.

AND THEN THOSE WEEKS TURNED INTO
MONTHS.

I CAN'T WAIT TO COME BACK TO
WORK JUST TO SEE THEIR FACES.

SO TO MY FORMER AND CURRENT
STUDENTS, I LOVE YOU. I MISS YOU.

AND TO THE NOMINEES FOR
OUTSTANDING SUPPORTING ACTORS IN

A COMEDY SERIES, I LOVE Y'ALL,
TOO. GOOD LUCK.

HERE ARE THE NOMINEES.

ANDRE BRAUGHER, "BROOKLYN
NINE‐NINE."

WILLIAM JACKSON HARPER, "THE
GOOD PLACE."

ALAN ARKIN, "THE KOMINSKY
METHOD." STERLING K. BROWN, "THE

MARVELOUS MRS. MAISEL."
TONY SHALHOUB, "THE MARVELOUS

MRS. MAISEL."
MAHERSHALA ALI, "RAMY."

KENAN THOMPSON, "SATURDAY NIGHT
LIVE."

DANIEL LEVY, "SCHITT'S CREEK."

AND THE EMMY GOES TO ‐‐
DANIEL LEVY, "SCHITT'S CREEK."

[ CHEERS AND APPLAUSE ]

♪

OH, NO.
OKAY, THE INTERNET IS ABOUT TO

TURN ON ME. I'M SO SORRY.
OKAY, FIRST OF ALL, I WOULD NOT

BE HERE IF IT WEREN'T FOR THE

SIX‐YEAR MASTERCLASS LED BY TWO
BRILLIANT COMEDIC MINDS, MY DAD,

EUGENE LEVY, AND THE MAGNIFICENT

CATHERINE O'HARA.
THEY LED BY EXAMPLE, WITHOUT

EGO, AND WITH EXCITEMENT.
AS ACTORS, WE WERE GIVEN THE

SAFETY AND SECURITY TO TRY,
EXPERIMENT, AND GROW, BECAUSE OF

YOU. SO THANK YOU.

AND TO ANDY MURPHY, THANK YOU

FOR YOUR UN UNBELIEVABLE WORK O
THIS SHOW.

AND THANK YOU TO MY INCREDIBLE
TEAM, MICHAEL, KRISTEN, MEGAN,

BRITT, EVERYBODY AT WME FOR
FIELDING CALLS WHEN I WAS GOING

NUTS.
THIS IS A NIGHT TO REMEMBER, AND

I CANNOT THANK THE ACADEMY
ENOUGH FOR THEIR GENEROSITY.

THIS IS COMPLETELY OVERWHELMING.
AND I THANK YOU, THANK YOU,

THANK YOU, THANK YOU.

[ CHEERS AND APPLAUSE ]

MULTITALENTED, FIERCELY
OUTSPOKEN, AND ARTIST ON THE

RISE, ZENDAYA.

[ APPLAUSE ]

TELEVISION HAS THE POWER TO
INFLUENCE AND SHAPE OUR CULTURE.

SOMETIMES IT CAN REFLECT WHO WE
ARE OR DISTORT IT.

FAR TOO OFTEN, IT FALLS SHORT OF
IDEAL AND CHALLENGES US TO BE

BETTER.
WHEN THE POTENTIAL OF TELEVISION

IS UNLOCKED, IT FORCES US TO
RECOGNIZE THAT DESPITE OUR

DIFFERENCES, WE SHARE AN
UNBREAKABLE HUMAN BOND.

AND WHEN WE SEE THAT, OUR
DIFFERENCES CAN FADE AWAY.

WHO DECIDES WHICH STORIES CAN BE
TOLD?

TRUTH IN STORYTELLING HAS TO LIE
WITH THOSE WHO HAVE LIVED THOSE

STORIES ON A DAILY BASIS.
TAKE A LOOK AT WHAT HAPPENS WHEN

YOU TRY TO TELL ISSA RAE NO.

MY FIRST HOLLYWOOD PICTURE
WAS KIND OF UNOFFICIAL.

I HAVE THIS WEB SERIES, IT WAS
THE THIRD I HAD EVER MADE.

THE EXECUTIVE WAS LIKE, YES, I
SAW YOUR SHOW. FUNNY STUFF.

I WAS LIKE, UM, THANK YOU.
HE WAS LIKE, IT'S ABOUT THIS

BLACK WOMAN AND HER BLACK WOMAN
PROBLEMS. HILARIOUS.

I WAS LIKE, THAT'S NOT WHAT IT'S
ABOUT, BUT OKAY.

HE WAS LIKE, THE BLACK AUDIENCE
WANTS TO SEE FAMILIAR FACES.

YOU MIGHT NEED TO SWITCH UP THE
CHARACTERS.

AND MIND YOU, HE'S THIS
EXECUTIVE WHO IS NOT BLACK

TELLING ME WHAT BLACK PEOPLE
LIKE.

AND IT JUST BECAME VERY CLEAR TO
ME THAT HE DIDN'T GET THE SHOW.

AND I REMEMBER JUST FUMING IN
THAT MEETING, LIKE, WHY DOES HE

GET TO TELL ME WHAT GETS TO BE
ON TV?

WHY DOES HE GET TO TELL ME WHAT
PEOPLE LIKE ME LIKE TO SEE?

WHEN I'M HERE, I'M TELLING YOU
WHAT I WANT TO SEE. I MADE IT.

FOR ME THAT MOMENT WAS THE
MOTIVATION I NEEDED TO KEEP

DOING WHAT I WAS DOING.
TO KIND OF BET ON MYSELF.

THAT FUELED ME.
LIKE, OKAY, I'LL SHOW YOU.

AND, YOU KNOW, ONE OF US GOT
FIRED AFTER THAT.

♪

♪

HI, I'M TIM LLOYD.
THE LOVE THAT I'VE RECEIVED FROM

MY CUSTOMERS HAS BEEN AWESOME.
ESPECIALLY THE ONE THAT HAD A

MASK MADE FOR ME.
IT WAS HANGING ON THE DOOR WHEN

I MADE A DELIVERY, AND IT ALMOST
MADE ME CRY.

I PULL UP, AND THEY SAY, WE'RE
JUST CHECKING ON YOU.

THEY'VE BEEN AWESOME.
I LOVE BRINGING SMILES TO

PEOPLE'S FACES.
MUCH LIKE THE NOMINEES FOR

OUTSTANDING SUPPORTING ACTRESS
IN A COMEDY SERIES.

BETTY GILPIN.

DARCY CARDEN.

ALEX BORSTEIN. KATE McKINNON.

CECILY STRONG. ANNIE MURPHY.

AND THE EMMY GOES TO ‐‐ ANNIE

MURPHY, "SCHITT'S CREEK."

[ CHEERS AND APPLAUSE ]

♪

OH, MY GOD.

WOW, WOW, WOW.

OH.
THE SIX YEARS I'VE SPENT WORKING

ON THIS SHOW HAVE BEEN THE BEST
SIX YEARS OF MY ENTIRE LIFE.

AND I'M SO, SO PROUD OF THE CAST
AND THE CREW AND THE WRITERS AND

I CAN'T BELIEVE THAT EUGENE AND
CATHERINE ARE MY FRIENDS.

AND I'M SO PROUD TO BE A PART OF
A SHOW THAT STANDS FOR LOVE AND

KINDNESS AND INCLUSIVITY AND

AC ACCEPTANCE.
WE NEED THOSE FOUR THINGS MORE

THAN EVER RIGHT NOW.
AND HI TO MY FAMILY AND FRIENDS.

I LOVE YOU SO MUCH.
THIS IS JUST REALLY, REALLY WILD.

THANK YOU SO, SO MUCH.

[ CHEERS AND APPLAUSE ]

"SCHITT'S CREEK" HAS NOW WON

17 EMMYS, TWO PEABODIES, AND I

THINK A SOUL TRAIN AWARD.
CONGRATULATIONS.

HERE WITH OUR NEXT AWARD, A MAN
WHO NEEDS NO INTRODUCTION, AND

ALSO DOESN'T WANT ONE BECAUSE
HE'S A VERY PRIVATE PERSON.

SAY HELLO TO JASON SUDEIKIS.

♪

THANK YOU. THANK YOU, JIMMY.

THE WINNER OF THIS EMMY CATEGORY
WILL TAKE ITS PLACE AMONG SOME

TRULY LEGENDARY SHOWS.

SHOWS LIKE "I LOVE LUCY" AND ‐‐
REALLY?

THIS CAN'T WAIT FIVE MINUTES?
OKAY. SORRY, FOLKS, WE'RE LEGALLY

OBLIGATED TO GET COVID TESTS
EVERY HOUR. ACADEMY POLICY.

BUT DON'T WORRY, YOU WON'T EVEN
NOTICE SHE'S HERE.

SO, ANY WAY, SOME TRULY
LEGENDARY SHOWS.

"I LOVE LUCY," "ALL IN THE

FAMILY," "EVERYBODY LOVES
RAYMOND," ‐‐ WOW, THAT'S DEEP.

WHAT IS YOUR BIRTHDATE?

I DON'T REMEMBER.
I THINK YOU DENTED MY BRAIN.

ARE WE DONE? NO BIG DEAL.
ANYWAY, THE NOMINEES FOR

OUTSTANDING COMEDY SERIES ARE ‐‐

"CURB YOUR ENTHUSIASM".

IT'S FUNNY HAS HELL.
I GAVE THEM AN EMMY‐WORTHY

PERFORMANCE.
AND THIS BEAUTIFUL, SEXY BALD

MAN. J.B. SMOOVE.
YEAH, LARRY, I'M STILL MAD YOU

TRIPPED ME.

IT'S SO NICE TO SEE A FEMALE
BUDDY MURDER SOAP OPERA COMEDY,

THAT'S NOT THE SAME OLD, TIRED
FEMALE BUDDY MURDER SOAP OPERA

COMEDY WE'VE ALL SEEN BEFORE.
LINDA, I'M SO PROUD OF YOU.

I LOVE THE SHOW.

I CAN'T SCREEN RECORD.
FORK! WE HAD ONE THING TO DO.

THIS IS DARCY'S BIG NIGHT.

ALL I WANTED TO SAY WAS
CONGRATULATIONS.

SHE'S ONE OF OUR BEST FRIENDS.

AND "THE GOOD PLACE" IS ‐‐ IT
IS WORKING.

OH, FORK.

WHO THE BEST? IT'S YOU.
BLACK GIRL MAGIC.

MY GIRLS DO THEIR DUTY.

THE IN AND OUT OF LOVE IS OH, SO
CUTE TO SEE.

AND IN THE LOVE SCENES, THEY
SHOW THE BOY'S BOOTY.

GAB?

I GOT TO GO. GO "INSECURE."

I SEE IT'S ALAN ARKIN AND
MICHAEL DOUGLAS, TWO PEOPLE I

WORKED WITH, WITH GREAT PLEASURE.
AND, YOU KNOW, THOSE TWO, I

THINK THEY HAVE A VERY GOOD
FUTURE.

A 1950s SOCIALITE, AND AN NFL

PLAYER, WHAT DO THEY HAVE IN
COMEDY?

THEY BOTH LOVE SACHS, OR SACKS.

THEY NAME‐CHECKED ME.
AND I MET THE CAST BACKSTAGE AT

A SHOW IN ITALY.
AND I FOUND OUT DANIEL LEVY WAS

NAMED AFTER ONE OF MY SONGS.

OUR FAVORITE SHOW, "WHAT WE

DO IN THE SHADOWS" GOT NOMINATED

FOR SO MANY EMMYS.
IT RECEIVED ONE, TWO, THREE,

FOUR, FIVE, SIX, SEVEN, EIGHT,

EIGHT NOMINATIONS!

[ LAUGHTER ]

[ APPLAUSE ]

AND THE EMMY GOES TO ‐‐ WHEN
DO I GET THE RESULTS, BY THE WAY?

THREE TO SIX WEEKS.

VERY HELPFUL.
OKAY, THE EMMY GOES TO ‐‐

"SCHITT'S CREEK"!

[ CHEERS AND APPLAUSE ]

♪

OH, MY GOODNESS.
WE GET ONE OF THESE?

OH, BOY.
OUR SHOW AT ITS CORE IS ABOUT

THE TRANSFORMATIONAL EFFECTS OF
LOVE AND ACCEPTANCE.

WE NEED IT NOW MORE THAN EVER
BEFORE.

IF YOU HAVE NOT REGISTERED TO
VOTE, PLEASE DO SO, AND THEN GO

OUT AND VOTE.
THAT'S THE ONLY WAY WE NEED LOVE

AND ACCEPTANCE OUT THERE.
DAD, DO THE REST OF THE FUN

STUFF, SORRY FOR MAKING THIS
POLITICAL.

I WANT TO THANK OUR GOOD
FRIEND PETER, WHO WAS SO

INSTRUMENTAL IN PUTTING THIS ALL
TOGETHER, AND GETTING US OFF THE

GROUND. I WANT TO THANK SALLY AND
EVERYONE AT CBC.

I WANT TO THANK THE CMF, BRAD

SCHWARTZ AND POPTV, AND OUR DISTR

DISTRIBUTOR, ITV, AND NETFLIX
FOR THE SPARK THAT SEEMED TO

START EVERYTHING.
I ALSO WANT TO THANK ONCE AGAIN

THIS YOUNG MAN, WHO TOOK OUR
FISH OUT OF WATER STORY ABOUT

THE ROSE FAMILY AND TRANSFORMED
IT INTO A CELEBRATION OF

INCLUSIVITY, A CASTIGATION OF
HOMOPHOBIA, AND A DECLARATION OF

THE POWER OF LOVE.
THANK YOU, DANIEL.

THANK YOU, ACADEMY, THANK YOU.

AND THANK YOU TO A TREMENDOUS
CAST.

WE'RE SO PROUD TO BE ACCEPTING
THIS AWARD WITH SO MANY OF OUR

CAST AND CREW MEMBERS.
AND EVERYONE AT HOME, THIS IS

FOR ALL OF YOU WHO SHOWED UP AND
DID IT 110%.

I'M SO PROUD TO BE ABLE TO
ACCEPT THIS AWARD IN CANADA WITH

OUR CANADIAN CAST AND CREW.
THANK YOU SO, SO, SO MUCH.

[ CHEERS AND APPLAUSE ]

I DON'T KNOW ABOUT YOU, BUT
I'VE HAD ENOUGH OF THIS CANADIAN

STUFF.
THE KACANADIANS HAVE WON ALL TH

STUFF TONIGHT.
"SCHITT'S CREEK" WON SEVEN ‐‐

OH, THEY FELL JUST SHORT.
THIS IS A KILLER.

IF THEY HAD WON ONE MORE EMMY,

THEY WOULD HAVE BEEN ABLE TO
TRADE THEM IN FOR THIS, A

STANLEY CUP.
BUT THEY DIDN'T, SO WE'LL KEEP

IT HERE FOR ANOTHER 27 YEARS.
SORRY, CANADA.

WE'LL BE BACK, WITH A MAGIC BOX.
> IT'S D‐NICE HERE WITH AN EMMY

DELIVERY UPDATE, LIVE FROM THE
STAPLES CENTER. CHECK THIS OUT.

FOR HEALTH AND SAFETY REASONS,
THE WINNERS AREN'T HERE TONIGHT,

BUT THEY STILL NEED THEIR EMMYS,
SO KIA HAS PROVIDED US WITH NEW

K5 CARS TO DELIVER EMMYS TO THE
WINNERS AT THEIR HOMES.

AND RIGHT NOW, THEY'RE OUT ON
THE STREETS FOR DELIVERY.

TRYING TO GET THEM TO THE
WINNERS. COME ON, LET'S GO.

♪

♪

TRUMP SHOULD HAVE BUILT THAT
WALL ON THE NORTHERN BORDER.

HAS THE PRESIDENT TWEETED ABOUT
US YET?

IT'S SUNDAY, HE'S PROBABLY AT
CHURCH.

BECAUSE OF THE PANDEMIC, WE'RE
MIXING IT UP.

THIS YEAR, WE HAD TO GET
CREATIVE ABOUT HOW TO GET THE

TROPHIES TO THE WINNERS.
SO THE EMMYS RESEARCH AND

DEVELOPMENT TEAM, WHICH IS A
DEDICATED GROUP OF SCIENTISTS

WITH SPRAY TANS, CAME UP WITH
THIS BOX.

EACH NOMINEE IN THIS CATEGORY,
WHICH INCLUDES ME, HAS ONE OF

THESE BOXES.
ONLY THE WINNER'S BOX CONTAINS

AN EMMY.
IT WILL BE OPENED BY REMOTE

CONTROL AND AN EMMY WILL POP
OUT OF THE BOX.

TREVOR, SAMANTHA, STEPHEN, JOHN,
DO YOU HAVE YOUR BOXES?

BY THE WAY, ONLY ONE AMERICAN, I

SEE YOU THERE, STEPHEN.
THE PRODUCERS HAVE ASSURED ME

THAT THIS IS GOING TO WORK,
WHICH MEANS THIS IS NOT GOING TO

WORK.
OUR NEXT PRESENTER, HE HAD THE

FORESIGHT TO GROW A VIRUS BEARD
FOUR FULL YEARS BEFORE THE

PANDEMIC.
PLEASE WELCOME THE PRIDE OF

INDIANAPOLIS, DAVID LETTERMAN,
TO PRESENT THE EMMY FOR

OUTSTANDING VARIETY TALK SERIES.

GET OUT OF HERE!

IT'S NOT ALBANY.
I SAID I WANTED TO GO TO NEWARK.

WHY ARE YOU BEING MEAN TO ME?

I HATE YOU!

I HATE YOU.

THANKS A LOT, UBER.

HI, I'M DAVE LETTERMAN.
GUESS I'LL WAIT A SECOND FOR THE

VIRTUAL APPLAUSE TO DIE DOWN.
HOW ABOUT A NICE HAND FOR JIMMY

KIMMEL AND SHELLEY LONG.
I THINK THE KIDS ARE DOING A

GREAT JOB. KEEP UP THE GOOD WORK.
BY THE WAY, REGIS, I CHECKED,

YOU'RE IN THE MONTAGE, BUDDY.
THANK YOU, SIR.

OH, THIS TUXEDO, THE LAST TIME I

WORE IT WAS IN 1986, WHEN I
HOSTED THE EMMY.

HERE'S WHAT I FOUND IN THE
POCKETS, JOKES FROM 1986.

I'M GOING TO READ THEM, THEY'LL
BE A LOT OF FUN.

YOU SUCK!

1986, SO MANY STARS, SO MUCH
COCAINE.

NEIL DIAMOND IS HERE TONIGHT,
WHERE DID YOU GO FOR THAT SPRAY

TAN, CHERNOBYL? 1986.

OLIVER NORTH AND ANGELA LANSBURY

HAVE A NEW SHOW, TRADING ARMS
FOR HOSTAGES, SHE WROTE.

I NEED THE ENVELOPE.
THANK YOU VERY MUCH.

OKAY, THE NOMINEES ARE ‐‐
"FULL FRONTAL WITH SAMANTHA BEE."

SAMANTHA BEE.
"JIMMY KIMMEL LIVE!"

"LAST WEEK TONIGHT WITH JOHN
OLIVER."

"THE DAILY SHOW WITH TREVOR
NOAH."

aND "THE LATE SHOW WITH STEPHEN
COLBERT." AND THE EMMY GOES TO ‐‐

"LAST WEEK TONIGHT WITH JOHN
OLIVER."

CONGRATULATIONS, EVERYBODY.
GOOD NIGHT.

♪

[ CHEERS AND APPLAUSE ]

THANK YOU. THANK YOU SO MUCH.

THANK YOU SO MUCH TO THE ACADEMY
FOR SENDING WHAT IS TECHNICALLY

A SMALL BOMB TO MY HOUSE.
THE WAY THIS YEAR HAS GONE, I

WOULDN'T HAVE BEEN SURPRISED IF
IT BLEW THIS ROOM UP AND CAUSED

A SMALL WILDFIRE.
THANK YOU TO ALL OF OUR STAFF,

IN FACT, ALL OF US AT THESE

VARIETY SHOWS, WE'VE ALL BEEN
FORTUNATE NOT TO STOP DURING THE

PANDEMIC.
WE'VE BEEN INCREDIBLY LUCKY, AND

IT'S ONLY BECAUSE OF OUR STAFF
AND HOW HARD THEY'VE WORKED.

NONE OF US ARE TECHNICALLY
GIFTED, AND THEY HAD TO TALK TO

ME ACROSS ZOOM AS IF I WAS A
PASSENGER ON A PLANE WITH A

PILOT WHO HAS JUST PASSED OUT.
CALMLY TRYING TO TALK ME THROUGH

IT, THAT EVERYTHING WILL BE OKAY.
I'D LIKE TO THANK HBO,

ESPECIALLY NINA.
I WANT TO THANK MY WIFE KATE, I

LOVE YOU VERY MUCH.
SHE'S DONE MY MAKEUP, SHE'S KEPT

A 4‐YEAR‐OLD AND A 2‐YEAR‐OLD
OUT OF THIS ROOM AS I'VE BEEN

TRYING TO DO THE SHOW.
MY 4‐YEAR‐OLD AT ONE POINT DID

BURST IN AND SAY, DAD, WHO ARE
YOU TALKING TO? I SAID, NOBODY.

HE SAID, WHAT ARE YOU TALKING
ABOUT? I SAID, POLICE BRUTALITY.

HE SAID, THAT DOESN'T SOUND FUN,
AND HE WAS RIGHT.

THANK YOU TO MY STAFF.
I HAVEN'T SEEN YOU IN SIX MON

MONTHS, I MISS YOU SO MUCH.
THANK YOU TO HBO, TO MY WIFE, TO

ALL THE OTHER HOSTS AND THE
OTHER HOSTS' STAFF FOR WORKING

SO HARD. THANKS A LOT.
GOOD NIGHT.

[ APPLAUSE ]

THIS IS VERY CREEPY.

I SEE JOHN'S STAFF ALL THE TIME.

I'M JUST GOING TO CHECK MY BOX
TO MAKE SURE THERE WASN'T A

MISTAKE. OH, LOOK AT THAT.

PARTICIPATION AWARD.
AND YOUNG SHELDON, SEASONS ONE

AND TWO ON DVD.
OH, BLU‐RAY, EVEN BETTER.

CONGRATULATIONS TO JOHN OLIVER,

I WILL BE REPORTING HIM TO
I.C.E. TOMORROW.

THE NEXT EMMY IS FOR OUTSTANDING
LEAD ACTRESS IN A LIMITED SERIES

OR MOVIE.
THIS CATEGORY HAS BEEN AROUND

SINCE 1955, BUT THIS IS THE
FIRST YEAR THE WINNER WILL BE

ABLE TO CELEBRATE WITH HER CATS.
HERE ARE THE NOMINEES.

KERRY WASHINGTON.

IT FELT LIKE EXACTLY HOW I
FELT. IT FELT LIKE THE END OF THE

WORLD.

CATE BLANCHETT.

THEY SAY WOMEN ARE LIKE TEA
BAGS.

YOU DON'T KNOW THEIR STRENGTH
UNTIL THEY GET INTO HARD WATER.

OCTAVIA SPENCER.

YOU ARE ALL ACCOMPLISHED
WOMEN WITH COLLEGE DEGREES.

MOST OF YOU ARE SMARTER THAN
YOUR HUSBANDS.

GO OUT THERE WHERE ALL THE
ACTION IS.

REGINA KING.

BECAUSE IF YOU KNOW
EVERYTHING THAT IS GOING TO

HAPPEN, WHAT IS THERE TO BE
AFRAID OF? WHAT IS THERE TO RISK?

I'M TAKING A RISK.

SHIRA HAAS.

♪

[ APPLAUSE ]

GREAT PERFORMANCES.
ONE OF YOU IS ABOUT TO RECEIVE A

KNOCK ON YOUR DOOR.
COULD BE AN EMMY.

COULD BE CHINESE FOOD.
THE EMMY GOES TO REGINA

KING, "WATCHMEN."

[ CHEERS AND APPLAUSE ]

♪

WOW.

THIS ‐‐ THIS IS SO FREAKING
WEIRD.

OH.
MY SISTERS, IT'S AN HONOR TO BE

IN THIS CATEGORY WITH YOU.
I TRULY LOVE BEING A THESPIAN.

THANK YOU, TELEVISION ACADEMY,

FOR CHOOSING ME TO REPRESENT THE
THESPIAN COMMUNITY.

DAMON, I LOVE YOU, BROTHER.
MAN, THANK YOU FOR YOUR

BRILLIANT MIND.
THANK YOU FOR CHOOSING ALL OF US

TO JOIN THIS JOURNEY AS YOU
STEPPED OUTSIDE OF YOUR COMFORT

ZONE.
AND LED US ON A JOURNEY WHERE WE

COULD BRING ART TO TRUTH TO
POWER.

THE WRITING TEAM, STACEY, NICK,

CLAIRE, LYLA, PETER, WARNER
BROTHERS, HBO.

YOU GOT TO VOTE.
I WOULD BE REMISS NOT TO MENTION

THAT, BEING A PART OF A SHOW
LIKE "WATCHMEN."

HAVE A VOTING PLAN, VOTE UP THE
BALLOT, PLEASE.

REST IN POWER, RBG.
AND THANK YOU.

[ CHEERS AND APPLAUSE ]

♪

‐‐ IN A LIMITED SERIES OR
MOVIE, AND WAY, WAY MORE.

IT'S THE EMMYS 2020 AND WE ARE
DOING IT. LET'S GO.

♪

♪

WE'RE BACK.

HERE ARE THE NOMINEES FOR LEAD
ACTOR IN A LIMIT SERIES OR

MOVIE.

PAUL MESCAL, "NORMAL PEOPLE."

I DON'T THINK PEOPLE LIKE ME.

MARK RUFFALO, "I KNOW THIS
MUCH IS TRUE."

THAT LOOKS GOOD, BUDDY.

HUGH JACKMAN, "BAD EDUCATION."

SO WHAT HAPPENS WHEN OUR NEXT
BUDGET GOES UP FOR APPROVAL IN

MAY?
THE ONE THAT GETS US TO FIRST,

WHAT HAPPENS?

JEREMY POPE, "HOLLYWOOD."

I'M SORRY I FOUGHT YOU.
I WAS FIGHTING THEIR FIGHT.

BUT NOW IT'S TIME TO FIGHT OURS.

JEREMY IRONS, "WATCHMEN."

ALL BEST WISHES AND
ENCOURAGEMENT.

ADRIAN VOIGHT.

[ CHEERS AND APPLAUSE ]

AND THE EMMY GOES TO ‐‐ WELL,

NOW WE KNOW WHO WOULD WIN A
BATTLE BETWEEN THE HULK AND

WOLVERINE.
MARK RUFFALO, "I KNOW THIS MUCH

IS TRUE."

[ CHEERS AND APPLAUSE ]

♪

WOW. OKAY.

TO BE WITH THESE GUYS, PAUL AND
HUGH AND JEREMY AND JEREMY, IT'S

SUCH AN HONOR.
SUCH BEAUTIFUL PERFORMERS THIS

YEAR AND BEAUTIFUL PEOPLE.
I WANT TO THANK HBO, I'M COMING

TO YOU FROM ANCESTRAL LAND IN
UPSTATE NEW YORK.

HBO, THE ACADEMY, THANK YOU SO
MUCH. DEREK, YOU DID SOMETHING

BEAUTIFUL.
I COULDN'T HAVE DONE IT WITHOUT

YOU.
IT WAS A GREAT COLLABORATION.

YOU'RE MY BROTHER AND MY FRIEND.
THE REST OF THE CAST, YOU GAVE

CAREER‐DEFINING PERFORMANCES.
YOU'RE THE BEST OF THE BEST.

AND I BELIEVE THAT GREAT ACTING
HAPPENS BETWEEN PERFORMERS IN

THE MOMENT.
I CAN'T BE UP HERE RIGHT NOW

WITHOUT YOU BEING HERE.
THIS IS AS MUCH FOR YOU AS IT IS

FOR ME.
I'M SENDING IT TO YOU FOR PART

OF THE YEAR FOR THE REST OF MY
LIFE.

THE CREW, WE HAD THE BEST CREW
IN THE WORLD.

IT WAS A HARD SHOOT.
YOU CARRIED US EVERY DAY WITH

GRIT, DETERMINATION, DIGNITY,
AND CLASS. YOU HELD ME UP.

YOU KNOW WHAT I'M TALKING ABOUT.
I LOVE YOU.

OUR STORY WAS ABOUT A MAN, IT'S
ABOUT FAMILY.

IT'S ABOUT A MAN WHO IS FIGHTING
FOR HIS BROTHER WHO IS LIVING

WITH MENTAL ILLNESS.
IT'S A STORY THAT IS COMMON

THROUGHOUT SO MUCH OF THE WORLD
TODAY.

AND IT ASKS A BIG QUESTION, HOW
ARE WE GOING TO DEAL AND HONOR

AND TAKE CARE OF EACH OTHER AND
OUR MOST VULNERABLE PEOPLE?

AND WE DO THAT WITH LOVE, AND WE
DO THAT WITH COMPASSION, AND BY

FIGHTING FOR THEM.
AND THAT IS WHAT WE HAVE TO DO

TODAY.
WE HAVE TO COME TOGETHER WITH

LOVE, FOR EACH OTHER.
AND IF YOU HAVE PRIVILEGE, YOU

HAVE TO FIGHT FOR THOSE WHO ARE
LESS FORTUNATE, AND MORE

VULNERABLE.
AND THAT IS WHAT A GREAT ABOUT

AMERICA, OUR DIVERSITY.
ONE THING I'VE LEARNED FROM MY

WIFE AND CHILDREN, WE'RE
STRONGER TOGETHER WHEN WE LOVE

EACH OTHER AND WE RESPECT EACH
OTHER'S DIVERSITY.

AND SO WE HAVE A BIG, IMPORTANT
MOMENT AHEAD OF US.

ARE WE GOING TO BE A COUNTRY OF
DIVISION AND HATRED, A COUNTRY

ONLY FOR CERTAIN KIND OF PEOPLE,
OR ARE WE GOING TO BE ONE OF

LOVE, STRENGTH, AND FIGHTING FOR
ALL OF US, WHO HAVE THE AMERICAN

DREAM AND THE PURSUIT OF LIFE,
LIBERTY, LOVE, AND HAPPINESS, IN

THIS GREAT COUNTRY OF OURS.
THAT'S WHAT WE'RE FACING RIGHT

NOW. SO GET OUT AND VOTE, MAKE A
PLAN, AND VOTE FOR LOVE AND

COMPASSION AND KINDNESS.
I LOVE YOU ALL.

THANK YOU SO MUCH.
AND GOD BLESS YOU.

[ CHEERS AND APPLAUSE ]

THAT WAS NICE.
SHOULD WE HAND OUT ANOTHER ONE?

LET'S DO IT.
NEXT TO PRESENT THE EMMY FOR

OUTSTANDING WRITING FOR A
LIMITED SERIES OR MOVIE, PLEASE

WELCOME RANDALL PARK.

♪

[ CHEERS AND APPLAUSE ]

GOOD EVENING.
YOU KNOW, THIS YEAR HAS TAUGHT

US MANY THINGS.
FOR INSTANCE, I LEARNED THAT THE

COVID TRANSMISSION RATE BETWEEN
HUMANS AND ALPACAS IS VERY LOW.

I ALSO LEARNED THAT WHEN YOU
READ AN EMAIL TOO QUICKLY, THE

PHRASE, "YOU'RE PRESENTING WITH
AN ALPACA" LOOKS A LOT LIKE THE

PHRASE, "YOU'RE PRESENTING WITH
AL PACINO."

ANYWAY, HERE ARE THE NOMINEES
FOR OUTSTANDING WRITING FOR A

LIMITED SERIES OR MOVIE.

SALLY ROONEY, ALICE BIRCH.
"NORMAL PEOPLE," "EPISODE 3."

SHE COMES OVER TO OUR HOUSE,
YOU HAVE SEX WITH HER, IS THAT

IT?
DO YOU TALK TO HER IN SCHOOL, IN

FRONT OF YOUR FRIENDS?
ARE YOU NICE TO HER?

SUSANNAH GRANT, MICHAEL
CHABON, AYELET WALDMAN,

"UNBELIEVABLE," "EPISODE 1."

I'M PRETTY POSITIVE THAT IT
HAPPENED?

PRETTY POSITIVE OR POSITIVE?

MAYBE I BLAOCKED IT OUT.

ANNA WINGER, "UNORTHODOX,"
"PART 1."

DAMON LINDELOF, CORD
JEFFERSON, "WATCHMEN," "THIS

EXTRAORDINARY BEING."

YOU AIN'T GONNA GET JUSTICE
WITH A BADGE.

YOU'RE GOING TO GET IT WITH THAT
HOOD.

TANYA BARFIELD, "MRS.
AMERICA," "SHIRLEY."

WHY AM I THE ONLY ONE AT THIS
CONVENTION THAT THINKS A BLACK

WOMAN AS PRESIDENT IS WORTH THE
RUN?

DO YOU WANT TO READ THE NAME?
NO, OKAY, I'LL DO IT.

AND THE EMMY GOES TO ‐‐

DAMON LINDELOF, CORD JEFFERSON,
"WATCHMEN."

[ CHEERS AND APPLAUSE ]

♪

DAMON AND MY NAME IS ON THE
SCRIPT, BUT WE ALSO REALIZE THAT

TV IS WRITTEN BY COMMITTEE.
WE WANT TO THANK ALL THE

WRITERS.
THEY WORKED WITH US ON THE SHOW,

AND MADE IT WHAT IT IS.
THANK YOU TO HBO AND WARNER

BROTHERS FOR NOT BATTING AN E

EYELASH FOR WHAT IS IN THE
SCRIPTS.

AND THANK YOU TO REGINA, JOE,
DANIEL, WHO WERE ALL AMAZING IN

THE EPISODE.
THANK YOU TO MY MOTHER, WHO

WOULD GET A KICK OUT OF THIS.
THANK YOU TO MY FATHER, WHO IS

MY DATE TONIGHT.
THANK YOU TO BABALOO FOR READING

THE DRAFTS.
THANK YOU TO MY THERAPIST, IAN,

I'M A DIFFERENT MAN THAN I WAS
TWO YEARS AGO.

I LOVE YOU, YOU'VE CHANGED MY
LIFE IN MANY WAYS.

THERAPY SHOULD BE FREE IN THIS
COUNTRY.

AND WE WANT TO RECOGNIZE THE MEN

AND WOMEN WHO DIED IN TULSA IN
1921.

WE SHOULD NEVER FORGET THEM.
THANK YOU SO MUCH FOR THIS HONOR.

I LOVE YOU.

I LOVE YOU.

[ CHEERS AND APPLAUSE ]

♪

ALL RIGHT, Y'ALL.
AFTER THIS BREAK, WE'LL BE

HANDING OUT THE OUTSTANDING
DIRECTOR AND OUTSTANDING

SUPPORTING ACTOR AND ACTRESS
EMMYS IN A LIMITED SERIES OR

MOVIE, AND MORE TO COME, ON THE
EMMYS.

♪

GREETINGS FROM THE
INTERNATIONAL SPACE STATION.

I'M COMMANDER CHRIS CASSIDY.
WE'VE TAKEN SOCIAL DISTANCING TO

THE NEXT LEVEL, ORBITING 250
MILES ABOVE THE EARTH.

LIKE ON EARTH, TELEVISION IS OUR
FRIEND UP HERE ON THE STATION.

WHEN I LOOK DOWN ON THE PLANET,
IT TRULY BRINGS HOME THE FACT

THAT WE'RE ALL IN THIS TOGETHER.
WE SHOULD CHERISH THE THINGS WE

HAVE IN COMMON, BECAUSE THERE'S
FAR MORE THAT UNITES US THAN

DIVIDES US. FROM ALL OF US ON THE
INTERNATIONAL SPACE STATION,

HAVE A GREAT EVENING.
AND LET'S GET BACK TO THE SHOW.

HE OBVIOUSLY HAS NO IDEA WHAT
IS GOING ON DOWN HERE RIGHT NOW.

TAKE US WITH YOU.
SOME OF OUR NOMINEES ARE

WATCHING THE SHOW TOGETHER
TONIGHT, INCLUDING KERRY

WASHINGTON AND HER FELLOW
NOMINEE REESE WITHERSPOON.

HI, REESE. HI, KERRY.

HI, JIMMY.

WOW, IT'S A BIG PARTY.
WHAT'S WITH THE GLASSES AND THE

DECORATIONS?

WE'RE HAVING A NEW YEAR'S EVE
PARTY.

WHY?

BECAUSE WE'RE READY FOR THIS
YEAR TO BE OVER.

YOU CAN DO THAT?
YOU CAN JUST END THE YEAR?

OF COURSE.
WE'RE EMMY NOMINATED TELEVISION

PRODUCERS.

OKAY, VERY INTERESTING.
IT LOOKS LIKE A GREAT PARTY.

WE'RE GOING TO GET STARTED.

10, 9, 8, 7 ‐‐

IT'S NOT EVEN MIDNIGHT.

6, 5, 4, 3 ‐‐

NOBODY EVEN KNOWS WHAT DAY IT
IS.

2, 1!

[ CHEERS AND APPLAUSE ]

♪

HAPPY NEW YEAR, GUYS.

I WISH I COULD KISS YOU.

I WISH I COULD KISS YOU GUYS,
TOO.

WE DON'T WANT THAT. THANK YOU.

ALL RIGHT.
IT'S GOING TO BE A GREAT NEW

YEAR.

IT ALREADY HAS.

OUR NEXT EMMY CATEGORY,
OUTSTANDING DIRECTING FOR A

LIMITED SERIES OR MOVIE.

LYNN SHELTON, "LITTLE FIRES
EVERYWHERE," "FIND A WAY."

LENNY ABRAHAMSON, "NORMAL
PEOPLE," "EPISODE 5."

MARIA SCHRADER, "UNORTHODOX."
STEPHEN WILLIAMS, "WATCHMEN,"

"THIS EXTRAORDINARY BEING."
NICOLE KASSELL, "WATCHMEN,"

"IT'S SUMMER AND WE'RE RUNNING
OUT OF ICE."

STEPH GREEN, "WATCHMEN," "LITTLE
FEAR OF LIGHTNING."

[ APPLAUSE ]

AND THE EMMY GOES TO ‐‐
MARIA SCHRADER, "UNORTHODOX."

[ CHEERS AND APPLAUSE ]

♪

THIS IS SO INCREDIBLE!
THIS IS SO UNEXPECTED.

IT'S BEEN SO INCREDIBLE ALREADY,
THESE PAST FEW MONTHS WHEN WE'VE

ALL BEEN IN THE LOCKDOWN, AND
SEEING OUR SHOW TRAVELING THE

WORLD.
AND THEN BEING NOMINATED FOR THE

EMMYS ALREADY FELT LIKE A
CORONATION.

BUT NOW, THIS, I ‐‐ I'M
SPEECHLESS. SPEECHLESS.

I THANK THE ACADEMY OF

TELEVISION, AND I OF COURSE
FIRST OF ALL THANK MY PARTNERS.

THE CREATORS OF THE SHOW, FOR
INVITING AND TRUSTING ME TO

DIRECT IT.
I WANT TO THANK NETFLIX AND

RACHEL, WHO IS ALSO IN THIS
ROOM, FOR PICKING IT UP AND

TRUSTING IT AND GIVING SO MUCH
KNOWLEDGE AND SUPPORT.

AND OF COURSE ALL THE TEAM.
AND I WANT TO MENTION JUST A FEW

OF THEM WHO HELPED TO SHAPE THE
SHOW.

AND MAKE IT BECOME WHAT IT IS.

AND THIS IS THE DIRECTOR OF
PHOTOGRAPHY, THE PRODUCTION

DESIGNER, THE EDITORS, AND
THEY'VE BEEN SO BEAUTIFUL, LIKE

THE WHOLE TEAM.
AND OF COURSE, THE ACTORS.

THANK YOU, THANK YOU, THANK YOU
FOR LETTING ME HAVE SUCH AN

INTIMATE CONTACT AND WORK WITH
YOU.

IT'S BEEN ADVENTUROUS, POWERFUL,
AND AT THE SAME TIME DELICATE.

THANK YOU, THANK YOU, THANK YOU.

[ CHEERS AND APPLAUSE ]

I'M CAROLINE NELSON.
I'M A SHEPHERD AND RANCHER IN

MONTANA.
I'VE ALWAYS KNOWN FARMERS AND

RANCHERS ARE TOUGH, BUT IT'S
NEVER BEEN MORE EVIDENT THAN IN

THE PANDEMIC.
AND I THINK IF EVERYBODY KNEW

THE FARMER THAT RAISED THEIR
FOOD, THE WORLD WOULD BE A

LITTLE BIT OF A HAPPIER PLACE.
I'M SO HONORED TO BE

REPRESENTING FARMERS AND
RANCHERS TONIGHT AS I PRESENT

THE NOMINEES FOR OUTSTANDING
SUPPORTING ACTOR IN A LIMITED

SERIES OR MOVIE.

DYLAN McDERMOTT, "HOLLYWOOD."
JIM PARSONS, "HOLLYWOOD."

TITUSS BURGESS, "UNBREAKABLE
KIMMY SCHMIDT: KIMMY VS. THE

REVEREND." YAHYA ABDUL‐MATEEN II,
"WATCHMEN."

JOVAN ADEPO, "WATCHMEN."
LOUIS GOSSETT JR., "WATCHMEN."

[ APPLAUSE ]

AND THE EMMY GOES TO ‐‐
YAHYA ABDUL‐MATEEN II,

"WATCHMEN."

[ APPLAUSE ]

♪

OH, MAN.
MAN, THANK YOU SO MUCH TO THE

ACADEMY.
I'M SO EXCITED RIGHT NOW.

I WANT TO GIVE ‐‐ SAY THANK YOU
FIRST OFF TO MY MAMA AND MY

DADDY. MAN, I'M SURPRISED.

TO MY SIBLINGS, MY SQUAD, I LOVE
Y'ALL SO MUCH.

I WANT TO GIVE A BIG SHOUT‐OUT
TO ALL THE WEST OAKLAND, ALL THE

NEW ORLEANS PEOPLE, I LOVE Y'ALL
SO MUCH.

THANK YOU SO MUCH TO HBO, TO
DAMON, FOR YOUR WORDS AND

CREATIVITY.
THANK YOU TO NICKY FOR TAKING

CARE OF ME.
REGINA, FOR BEING THE BEST.

"WATCHMEN" WAS A STORY ABOUT

TRAUMA, AND THE LASTING SCARS OF

WHITE DOMESTIC TERRORISM, POLICE
CORRUPTION AND BRUTALITY.

BUT IT WAS ALSO A STORY OF A GOD
WHO CAME DOWN TO EARTH TO

RECIPROCATE TO A BLACK WOMAN ALL
THE LOVE SHE DESERVED.

AND HE DID ALL OF THAT IN THE
BODY OF A BLACK MAN, AND I'M SO

PROUD TO HAVE BEEN ABLE TO WALK
INTO THOSE SHOES.

I DEDICATE THIS TO ALL THE
PEOPLE IN MY LIFE, MY EARLY

INVESTORS.
I LOVE YOU, I APPRECIATE YOU,

AND THIS IS FOR YOU. THANK YOU.

[ APPLAUSE ]

MANY OF US HAVE BEEN COOPED
UP AT HOME FOR MONTHS NOW.

WE'VE ALL BEEN PASSING THIS
QUARANTIME IN OUR OWN WAYS, SO

WE ASKED SOME OF OUR FAVORITE TV
STARS TO SHARE WHAT THEY'VE BEEN

UP TO SINCE EVERYTHING WENT TO
HELL.

WHAT HAVE I BEEN DOING IN
QUARANTINE?

♪

RIDING MY BIKE.

I'VE BEEN LIVING INSIDE MY
GARDEN SHED TO AVOID MY FAMILY.

WHAT?
YOU THOUGHT THESE THINGS PRUNED

THEMSELVES?

MOST ACTORS BENEFITED FROM
THE FACT THAT WE SHOULD BE

WEARING A MASK.
THEY GO OUTSIDE, AND NO ONE

RECOGNIZES THEM AT ALL.
BUT FOR ME, IT'S THE OPPOSITE.

OH, IT'S THE GOOD DOCTOR.

I'VE BEEN MAKING WINE IN MY
BATHROOM TOILET. IT'S NOT GOOD.

JUST BEEN WIPING DOWN GROCERIES.

RICK, CAN'T YOU DO SOMETHING
ABOUT THIS?

WHY WOULD I.
YOU KNOW HOW MUCH MONEY WE'VE

BEEN SAVING ON MOUTH ANIMATION?

WHAT HAVE I BEEN DOING?
MORE LIKE, WHO HAVE I BEEN DOING.

JUST KIDDING, I'M MARRIED.

BUT WE TOTALLY DID IT.

I'VE BEEN WORKING ON MY GARDEN.

LOOKS BEAUTIFUL.

JUST TRYING TO GET TO KNOW
MYSELF IN A WAY, BECAUSE A LOT

OF PEOPLE SAY, HEY, YOU'RE A
REAL [ BLEEP ].

AND I'M LIKE, THAT'S NOT A SIDE
OF MYSELF THAT I KNOW.

I'M GOING TO GET TO KNOW THAT.
AND TURNS OUT THEY WERE RIGHT.

I'M A GRADE‐ "A" [ BLEEP ].

WHEN I GET NERVOUS, I DO
EMBROIDERY.

TEN MORE SECONDS. KEEP HOLDING.

YOU'RE DOING GREAT, LADIES.

I GAVE UP SKYDIVING AND QUIT
MY CLASS IN ALLIGATOR WRESTLING.

BUT THAT IS PRETTY MUCH IT.

I'VE BEEN IMPRISONED BECAUSE

OF CAROLE [ BLEEP ] BASKIN.

IF YOU'VE BEEN WITH US FROM
THE BEGINNING, YOU KNOW THAT I

AM D‐NICE.
AND IF YOU HAVEN'T, LET ME

INTRODUCE MYSELF, MY NAME IS
D‐NICE.

I'LL SEE YOU WHEN WE COME BACK.
EMMYS 2020, HERE ON ABC.

♪

[ CHEERS AND APPLAUSE ]

♪

COMING AT YOU, A PROUD TRUCK

DRIVER AND ESSENTIAL WORKER.
I'M A THIRD GENERATION LADY

TRUCK DRIVER, AND ESPECIALLY
DURING THIS PANDEMIC, THE

COMMUNITY DEPENDS ON US TO
CONTINUE BRINGING THE NEEDS.

SO LET US TRUCK DRIVERS OUT HERE
KNOW THAT WE'RE APPRECIATED.

A PAT ON THE BACK, OR A
THUMBS‐UP GOES A LONG WAYS.

WE'VE CONTINUED GOING DURING THE
PANDEMIC AND WE WILL KEEP GOING

AFTER.

I'M PROUD TO ANNOUNCE THE
NOMINEES FOR OUTSTANDING

SUPPORTING ACTRESS IN A LIMITED
SERIES OR MOVIE.

HOLLAND TAYLOR, "HOLLYWOOD."

UZO ADUBA, "MRS. AMERICA."

MARGO MARTINDALE, "MRS.
AMERICA."

TRACEY ULLMAN, "MRS. AMERICA."

TONI COLLETTE, "UNBELIEVABLE."

JEAN SMART, "WATCHMEN."

[ APPLAUSE ]

WILL THE EMMY GO TO UZO,
TONI, MARGO, HOLLAND, TRACEY OR

JEAN?

THAT'S NOT TRACEY ULLMAN.
WAIT, WHO IS ‐‐ IS THAT TRACY

MORGAN?

YEAH.
OF COURSE IT'S ME, JIMBO, WHO

ELSE HAS A 2 MILLION‐GALLON
SHARK TANK IN HIS MUD ROOM?

I DIDN'T SEE THAT.
YOU'RE IN TRACEY ULLMAN'S SPOT.

I KNOW.
SHE CALLED ME AND ASKED ME TO

FILL IN.
US TRACYS STICK TOGETHER.

YOU DO?

WE DO. YOU REMEMBER DICK TRACY?

YES.

I HAD HIS BACK, TOO.
I HAD HIS BACK, TOO.

YOU DID?

AND I COVERED THE ENTIRE EAST
COAST LEG OF A TRACY CHAPMAN

TOUR BACK IN '88, TOO.

I DIDN'T KNOW THAT.

NOW YOU KNOW.
AND IF TRACY ULLMAN WINS THAT

EMMY, I'M TAKING IT.
I'M GOING TO BE THE BEST

SUPPORTING ACTRESS IN A LIMITED
SERIES. ME.

GOOD LUCK TO YOU.
AND GOOD LUCK TO ALL NOMINEES.

AND THE EMMY GOES TO ‐‐
UZO ADUBA, "MRS. AMERICA."

[ APPLAUSE ]

WOW. WOW. WOW.

WOW. OKAY. WOW. MOM, I WON.

OH, MY GOSH.
I JUST WANT TO SAY, THANK YOU,

WOW, THANK YOU VERY, VERY MUCH
TO THE ACADEMY.

I WANT TO SAY A HUGE THANK YOU
TO THE WOMEN THAT I WORKED WITH

ON "MRS. AMERICA," ACROSS THE
BOARD.

ALONG WITH THE WOMEN HERE IN

THIS CATEGORY.

MARGO, TRACEY, JEAN, HOLLAND,
TONI.

I LOVE YOU, YOU'RE EXCEPTIONAL.
I WANT TO SAY A TREMENDOUS THANK

YOU TO FX, OUR PRODUCERS,

STACEY, COCO, TO DAVI, TONYA, TO
RYAN AND ANNA, AND EVERYONE WHO

JUST CAME TOGETHER TO TELL THIS
BRILLIANT STORY.

AND I WANT TO SAY LASTLY, THANK

YOU, I WANT TO THANK MY FRIENDS,
MY FAMILY, MY MOM, MOST

ESPECIALLY, WITHOUT WHOM I WOULD
NOT BE HERE, AND MY TEAM.

THANK YOU BEYOND WORDS.
I LOVE YOU ALL, YOU GUYS.

YOU CARRIED ME AND LIFTED ME.
I AM BEYOND GRATEFUL.

THANK YOU SO MUCH, AND LET'S GO
CHANGE THE WORLD.

GOD BLESS YOU ALL.
THANK YOU VERY, VERY, VERY, VERY

MUCH. WOW. YEAH.

[ APPLAUSE ]

WOW! OH, MY GOD.

MOMMY? MOMMY!

MOMMY.
OUR NEXT PRESENTER IS SOMEONE

I'M PROUD TO CALL MY FRIEND,
EVEN THOUGH HE'S REPEATEDLY

ASKED ME TO STOP DOING THAT.
PLEASE WELCOME NINE‐TIME EMMY

NOMINEE, ANTHONY ANDERSON.

♪

[ APPLAUSE ]

ALL RIGHT.
J.K., BEFORE WE ANNOUNCE THE

NOMINEES, I HAVE A FEW THINGS
THAT I'D LIKE TO SAY.

YOU DO?

YES, I DO.

BUT IN REHEARSAL, WE DECIDED ‐‐

WE HAVE A RECORD NUMBER OF
BLACK EMMY NOMINEES THIS YEAR,

WHICH IS GREAT.
THIS IS THE PART WHERE THE WHITE

PEOPLE START TO APPLAUD.

OH.

AND NOD.

OH.

THANK YOU, JIMMY.
THIS EMMYS WOULD HAVE BEEN NBA

ALL‐STAR WEEKEND AND WAKANDA ALL
WRAPPED IN ONE.

THIS WAS SUPPOSED TO BE THE
BLACKEST EMMYS EVER.

Y'ALL WOULDN'T HAVE BEEN ABLE TO
HANDLE HOW BLACK IT WAS

GONNA BE.
BUT BECAUSE OF COVID, WE CAN'T

EVEN GET IN THE DAMN BUILDING.

WELL, THANK YOU, ANTHONY.

THESE EMMYS WOULD HAVE BEEN
SO BLACK, LIKE HOT SAUCE IN YOUR

PURSE BLACK.
HOWARD UNIVERSITY HOMECOMING

BLACK.
IT WOULD HAVE BEEN, YOU FIT THE

DESCRIPTION, BLACK.

THAT DOES SOUND GREAT, AND I
WISH WE'D ‐‐

WE WOULD HAVE HAD SPEECHES
QUOTING OUR GREAT POETS LIKE

MAYA ANGELOU, LANGSTON HUGHES,
CARDI B.

"WAP," JIMMY.
I'M TALKING ABOUT THAT WAP, WAP.

OH, THE SONG. TOTALLY. RIGHT.

BUT INSTEAD OF THAT SEXY
MELANATED ENERGY, HERE I AM,

ALONE IN A STERILIZED GREEN
ROOM, TRYING NOT TO SNEEZE ON A

LLAMA. WHAT A DAMN SHAME.

IT WAS ACTUALLY AN ALPACA.

DON'T WHITE‐SPLAIN IT TO ME,
JIMMY.

IT SHOULD HAVE BEEN A PIT BULL.
BUT NO, NOT TONIGHT.

THIS ISN'T WHAT IT SHOULD HAVE
BEEN. BUT YOU KNOW WHAT?

I'M STILL ROOTING FOR EVERYBODY
BLACK.

BECAUSE BLACK STORIES, BLACK
PERFORMANCES, AND BLACK LIVES

MATTER. SAY IT WITH ME, JIMMY.

Both: BLACK LIVES MATTER.

LOUDER, JIMMY.

Both: BLACK LIVES MATTER.

LOUDER, JIMMY.
SAY IT SO THAT MIKE PENCE CAN

HEAR IT.

Both: BLACK LIVES MATTER.

THAT'S RIGHT.
AND BECAUSE BLACK LIVES MATTER,

BLACK PEOPLE WILL STAY HOME
TONIGHT. TO BE SAFE.

WHICH IS FINE, BECAUSE GUESS
WHAT?

Y'ALL DON'T KNOW HOW TO LIGHT US
ANYWAY.

JIMMY, I'M GLAD I GOT THAT OFF
MY CHEST.

I AM, TOO. I'M GLAD YOU DID.

I'M APPRECIATIVE YOU GAVE ME
A SAFE SPACE.

IT'S MY PLEASURE. YOU KNOW THAT.

COULD YOU SCOOT OVER SO I CAN
STAND ON THE STAR?

HERE ARE THE NOMINEES FOR
LIMITED SERIES.

"UNORTHODOX."

I COME FROM A COMMUNITY WHERE
WOMEN ARE NOT ALLOWED TO SING IN

PUBLIC.

WHY NOT?

A WOMAN PERFORMING LOUDLY
AMONG MEN IS CONSIDERED TO BE

IMMODEST.

"WATCHMEN."

ANGER.

THAT'S WHAT I WOULD HAVE
THOUGHT, TOO. BUT IT WASN'T.

IT WAS FEAR.

"UNBELIEVABLE."

I MEAN, WE HAVE FOUR
DIFFERENT VERSIONS. TIED, UNTIED.

I DIALED WITH MY HANDS.

WHY DID YOU TELL CONNOR YOU
USED YOUR TOES?

"MRS. AMERICA."

YOU JUST ANNOUNCED.

I DIDN'T GET ANYWHERE IN MY
LIFE WAITING ON SOMEBODY'S

PERMISSION.

IF HE CAN'T SUPPORT ME, GET OUT
OF MY WAY.

"LITTLE FIRES EVERYWHERE."

HE REALLY DOESN'T LEAVE A
BABY ALONE IN THE COLD.

YOU DIDN'T MAKE GOOD CHOICES.
YOU HAD GOOD CHOICES.

OPTIONS THAT BEING RICH AND
WHITE AND ENTITLED GAVE YOU.

[ APPLAUSE ]

AND THE EMMY GOES TO ‐‐

"WATCHMEN"!

[ APPLAUSE ]

♪

WE ALL TESTED, I SWEAR.
THANK YOU TO THE ACADEMY FOR

THIS INCREDIBLE RECOGNITION, TO

OUR FELLOW NOMINEES, TO ALAN
MOORE, DAVE GIBBONS, TA‐NEHISI

COATES, TO HBO AND WARNER
BROTHERS, TO OUR PARTNERS,

SPOUSES, AND CHILDREN, WHO
TOLERATED OUR ABSENCE AND

ENABLED OUR PRESENCE.
THANK YOU TO EVERY PERSON WHO

INVESTED NINE HOURS OF THEIR
LIFE INTO "WATCHMEN."

I KNEW THIS WAS NEVER MY STORY
TO TELL.

THE ONLY REASON I'M STANDING
HERE NOW IS BECAUSE OF THE

PEOPLE STANDING BESIDE ME.
I WANT TO THANK THE PEOPLE

STANDING BESIDES ME, ZOOMING AND
ZAPPING IN FROM AROUND THE

WORLD.
THEY TOLD THEIR STORIES, AND I'M

HONORED TO BE ABLE TO ACCEPT ON
THEIR BEHALF.

HISTORY IS MYSTERY, IT'S BROKEN
INTO A MILLION PUZZLE PIECES.

AND MANY ARE MISSING.
WE KNOW WHERE THEY ARE BUT WE

DON'T SEEK THEM OUT BECAUSE WE
KNOW FINDING THEM WILL HURT.

SOMETIMES WE CAUSED THAT HURT,
MAYBE WE EVEN BENEFITED FROM IT.

BUT WE HAVE TO NAME IT BEFORE WE
CAN REPAIR IT.

BE CAREFUL, BE CLUMSY, RUN HOT,
STAY COOL.

BE THE BULL IN THE CHINA SHOP,
PICK UP WHAT YOU BROKE AND GLUE

IT BACK TOGETHER.
DON'T STOP UNTIL IT'S GREAT.

AFFIRM. IT'S NEVER GREAT ENOUGH.
DISSENT. BE CONSISTENT.

EMBRACE PARADOX, AND STOP
WORRYING ABOUT GETTING CANCELLED.

AND ASK YOURSELF WHAT YOU'RE
DOING TO GET RENEWED.

WE DEDICATE THIS AWARD TO THE
VICTIMS AND SURVIVORS OF THE

TULSA MASSACRE OF 1921.
THE FIRES THAT DESTROYED BLACK

WALL STREET STILL BURN TODAY.
THE ONLY WAY TO PUT THEM OUT IS

TO FIGHT THEM TOGETHER.
STAY SAFE, GOD BLESS, AND THANK

YOU FOR THIS.
I'M GOING TO GO THROW UP.

♪

[ CHEERS AND APPLAUSE ]

PLEASE WELCOME TONY AND EMMY
AWARD WINNING ACTRESS CYNTHIA

ERIVO.

[ APPLAUSE ]

WHEN WE DON'T SEE OURSELVES
ON TELEVISION, WE START TO FEEL

INVISIBLE.
WHEN WE DO SEE OURSELVES, IT

REMINDS US THAT WE ARE
INVINCIBLE.

OUR STORIES MAY SEEM UNIQUE TO
SOME, BUT THEY RESONATE WITH

MANY.
OUR STORIES ARE YOUR STORIES.

TELEVISION ACTS AS A MIRROR TO
OUR SOCIETY. TO OUR WORLD.

WE DESERVE TO SEE OUR OWN
REFLECTION.

LENA WAITHE IS AN UNSTOPPABLE
CREATIVE FORCE WHO IS COMMITTED

TO MAKING SURE THAT WE ALL SEE
OURSELVES REFLECTED EVEN WHEN

THE WORLD IS DETERMINED TO MAKE
US DISAPPEAR.

♪

PEOPLE ARE GIVEN PURPOSE IN
THIS LIFE.

AND MINE WAS TO TELL STORIES.
IT'S A WAY TO CONNECT AND A WAY

TO HELP OTHER PEOPLE SEE
THEMSELVES.

GROWING UP, I WATCHED A TON OF
TV. I THINK I WAS RAISED IN A

THREE‐PARENT HOUSEHOLD.
MY MOTHER, GRANDMOTHER, AND THE

TELEVISION.
I REMEMBER WATCHING "A DIFFERENT

WORLD," AND A VERY, YOU KNOW,
YOUNG JADA PINKETT SAID HER NAME.

SHE SAID MY NAME IS LENA JAMES.
I'M WATCHING IT WITH MY FAMILY,

THEY ALL GASPED AT THE SAME TIME.
THAT WAS A MOMENT THAT THE

UNIVERSE SPOKE TO ME, YES, YOU,
I'M TALKING TO YOU, LENA.

I JUST REALLY FELT SEEN IN A WAY
THAT I HADN'T EVER FELT SEEN

BEFORE.
I STILL THINK THERE'S A LOT MORE

TERRITORY TO BE COVERED IN TERMS
OF INTERSECTIONALITY WITH

BLACKNESS AND QUEERNESS.
WE NEED TO CONTINUE TO TELL

STORIES THAT DON'T NECESSARILY
LOOK LIKE OUR LIVES.

THAT'S THE ONLY WAY WE'RE GOING
TO CONTINUE TO GROW AS A SOCIETY.

EVEN IF I GET SOMETHING WRONG OR
SOMEBODY DOESN'T LIKE THE WAY I

DO SOMETHING, I RESERVE THE
RIGHT TO DO IT MY WAY.

WE'VE AT LEAST EARNED THE RIGHTS
TO TELL OUR STORIES THE WAY WE

SEE FIT.

ON FRIDAY, WE LOST A GREAT
AMERICAN.

RUTH BADER GINSBURG WAS A
COMPASSIONATE AND TIRELESS

CHAMPION OF EQUALITY AND JUSTICE.
SHE SAID HER LEGACY WAS TO MAKE

LIFE A LITTLE BETTER FOR PEOPLE
LESS FORTUNATE THAN SHE.

SOUNDS LIKE PRETTY GOOD WORDS TO
LIVE BY, TO ME.

WE LOST MANY BELOVED LUMINARIES
THIS YEAR.

IT'S TIME TO HONOR AND REMEMBER
THOSE WHO MADE AN INDELIBLE MARK

ON ALL OF US.

HERE TO PAY MUSICAL TRIBUTE TO
ALL OF THEM, PLEASE WELCOME HER.

♪

I WANT PEOPLE TO ENJOY WHAT I
DO.

AND UNDERSTAND WHAT I'M DOING.
IT'S FOR THEIR ENJOYMENT.

AND THAT'S ALL I CAN ASK FOR.

♪ IT'S BEEN SEVEN HOURS AND 13

DAYS ♪

♪ SINCE YOU TOOK YOUR LOVE

AWAY ♪

♪ I GO OUT EVERY NIGHT AND SLEEP

ALL DAY ♪

♪ SINCE YOU TOOK YOUR LOVE

AWAY ♪

♪ SINCE YOU'VE BEEN GONE I CAN

DO WHATEVER I WANT ♪

♪ I CAN SEE WHOEVER I CHOOSE

♪ I CAN EAT MY DINNER IN A FANCY

RESTAURANT ♪

♪ BUT NOTHING NOTHING CAN TAKE

AWAY THESE BLUES ♪

♪ BECAUSE NOTHING COMPARES

NOTHING COMPARES TO YOU ♪

♪ IT'S BEEN SO LONELY WITHOUT

YOU HERE ♪

♪ I'M LIKE A BIRD WITHOUT SONG

♪ NOTHING CAN STOP THESE LONELY

TEARS ♪

♪ FROM FALLING OH NO TELL ME

BABY TELL ME WHERE I WENT WRONG ♪

♪ I CAN PUT MY ARMS AROUND

EVERYONE I SEE ♪

♪ SO THAT THEY'D ONLY REMIND ME

OF YOU ♪

♪ I WENT TO THE DOCTOR GUESS

WHAT HE TOLD ME GUESS WHAT HE
TOLD ME ♪

♪ HE SAID TRY TO HAVE FUN NO

MATTER WHAT YOU DO BUT HE'S A
FOOL ♪

♪ BECAUSE NOTHING COMPARES NO

NOTHING COMPARES TO YOU ♪

♪ OH OH OH

♪

IS THAT SUPPOSED TO BE AN
IMPLIED THREAT OF SOME SORT?

BECAUSE IF IT IS, I'M JUST AS
TOUGH AS YOU.

MAYBE TOUGHER.

♪

♪ NOTHING COMPARES TO YOU

♪ NOTHING COMPARES NOTHING

COMPARES TO YOU ♪

PURPOSE CROSSES DISCIPLINES.
PURPOSE IS AN ESSENTIAL ELEMENT

OF YOU.
IT'S THE REASON YOU'RE ON THE

PLANET AT THIS PARTICULAR TIME
IN HISTORY.

THE STRUGGLES ALONG THE WAY ARE
ONLY MEANT TO SHAPE YOU FOR YOUR

PURPOSE.

♪ NOTHING COMPARES TO YOU

♪

♪

THOSE ARE NOT STATUES.
THERE ARE THE ACCOUNTANTS FROM

ERNST AND YOUNG.
THEY LICK ALL THE ENVELOPES.

SOMETIMES THEY LICK THE STATUES,
TOO. THEY'RE WEIRD.

WE HAVE MUCH MORE ON THE WAY.
BUT FIRST, I WANT TO CHECK IN

AND SEE IF JENNIFER ANISTON IS
HOME. OH, HI, JEN.

HI.

YOUR CATEGORY IS COMING UP, I
WANTED TO MAKE SURE YOU WERE

THERE.

YES, I BARELY MADE IT.
BUT WE'RE HERE.

OH.

HEY, JIMMY.
COURTENEY COX, YOU'RE THERE?

OF COURSE I AM.
WE LIVE TOGETHER.

YOU DO?

YEAH, WE'VE BEEN ROOMMATES
SINCE 1994.

IS THIS LIVE TV?

UNBELIEVABLE.
LISA KUDROW, YOU LIVE THERE, TOO?

YEAH. WHERE ELSE WOULD I LIVE?

I DON'T KNOW, WITH YOUR
FAMILY, MAYBE?

YEAH, LOTS OF PEOPLE LIVE
WITH THEIR FAMILIES.

SO FUNNY.

LOOK WHO IT IS.
THE HOST WITH THE MOST. RUDENESS.

OH.

ARE YOU CALLING TO KICK ME
OUT OF MY OWN HOUSE TOO, CREEP?

BATEMAN ALSO LIVES IN YOUR
HOUSE?

JUST UNTIL HE GOES OFF TO
COLLEGE.

BY THE WAY, YOU GUYS ARE KILLING
IT. THIS IS SO GREAT.

THANK YOU.
THANK YOU FOR BEING THERE, AND

WATCHING ALL TOGETHER.
I APPRECIATE THE SUPPORT.

IT'S SO NICE THAT YOU GUYS ARE
GATHERED AROUND THE MONITOR,

WATCHING THE SHOW.
AND THANKS AGAIN FOR COMING

EARLIER ‐‐ WHAT? OH. OKAY.

DINNER IS READY.

OH. DINNER IS READY.

WE'RE DVR‐ING IT.

OKAY, THANKS.
WITHOUT OUR NEXT CATEGORY, WE

WOULD NEVER KNOW WHO IS THE TOP
CHEF OR WHAT BRET MICHAELS LOOKS

LIKE AS A BANANA.
WE WOULD BE LOST.

HERE ARE THE NOMINEES FOR
OUTSTANDING COMPETITION PROGRAM.

"NAILED IT!"
"RuPAUL'S DRAG RACE." "TOP CHEF."

"THE MASKED SINGER." "THE VOICE."

PAST LOSERS OF THIS CATEGORY
HAVE GONE ON TO BECOME THE

PRESIDENT OF THE UNITED STATES.
AND THE EMMY GOES TO ‐‐

"RuPAUL'S DRAG RACE."

[ APPLAUSE ]

♪

THANK YOU SO MUCH! OOH!
OH, MY GOODNESS.

THANK YOU SO MUCH.
THAT IS SO VERY KIND OF YOU.

THANK THE ACADEMY FOR THIS
BEAUTIFUL HONOR.

WE LOVE MAKING TELEVISION, IT'S
AN HONOR TO MAKE TELEVISION.

AND ALL THE KIDS GET TO TELL
THEIR STORIES ON OUR SHOW.

AND IT'S BEAUTIFUL.
AND A SPECIAL THANK YOU TO THE

VIEWER, AND A SPECIAL NOTE TO
THE VIEWER.

KIDDO, I KNOW HOW YOU FEEL RIGHT
NOW.

JUST KNOW THAT YOU ARE LOVED,
AND DON'T GIVE UP ON LOVE.

BELIEVE IN LOVE, AND THE POWER
OF LOVE, OKAY? THANK YOU SO MUCH.

THANK YOU. I LOVE IT!

[ APPLAUSE ]

AND NOW, PLEASE WELCOME THE
CHAIRMAN AND CEO OF THE

TELEVISION ACADEMY, FRANK
SHERMAN.

GOOD EVENING, EVERYONE.
TELEVISION AND ITS STORIES HAVE

BECOME AN INTRICATE PART OF OUR
LIVES.

TELEVISION IS NO LONGER JUST A
REFLECTION OF THE CULTURE, BUT

AN INVALUABLE PART OF THE
CULTURE.

IN THE MIDST OF AN UNPRECEDENTED
GLOBAL HEALTH CRISIS, THE ENTIRE

WORLD HAS BEEN FORCED TO SPEND
MUCH MORE TIME AT HOME THAN EVER

THOUGHT POSSIBLE, QUALITY
TELEVISION SHOWS HAVE BECOME A

FORM OF CURRENCY.
WE'RE LOOKING FOR A NEW SHOW TO

GET LOST IN OR TO LEARN FROM.
AND WE CAN SHARE THE SHOWS AND

CONNECT OVER THE STORIES.
AND THAT CONNECTION IS PRICELESS

TODAY.
TELEVISION HAS ALWAYS BEEN THE

MEDIUM THAT HELPED US UNDERSTAND
EACH OTHER, THE STRUGGLES, THE

JOYS, AND THE HEARTACHE.
I SEE HOW THAT OPENS OUR EYES

AND HOPEFULLY BRINGS US TOGETHER
AS A PEOPLE.

WE CAN OPEN PORTALS INTO EACH
OTHER'S WORLDS, HEAR EACH

OTHER'S VOICES, AND SEE OTHER
PERSPECTIVES MORE CLEARLY.

AND FEW HAVE DONE MORE TO
WIDEN THE SCOPE OF TELEVISION

THAN TYLER PERRY.
THE GOVERNOR'S AWARD WAS CHOSEN

BY THE TELEVISION ACADEMY BOARD,
A GROUP OF INDUSTRY

PROFESSIONALS WHO DEDICATE THEIR
TIME TO FOSTER EXCELLENCE IN

TELEVISION.
IT'S ONLY GIVEN OUT WHEN THERE

IS A RECIPIENT WHO HAS EXCEEDED
THE HIGH STANDARDS OF OUR MEDIUM.

AND HONORING MR. PERRY ARE CHRIS
ROCK AND OPRAH WINFREY.

IN LIFE, WE ARE GIVEN NO

GUARANTEES, AND IT TAKES
EXTRAORDINARY GRIT AND

DEDICATION TO NAVIGATE THE ROUGH

TERRAIN THAT LIFE CAN GIVE YOU,

AND STILL HAVE THE INTERNAL
FORTITUDE TO BELIEVE IN YOURSELF.

MY FRIEND, TYLER PERRY, HAS DONE
JUST THAT, AGAINST ALL ODDS.

HE'S A MAN OF DEEP FAITH.
HE'S A VISIONARY WHO IS LED BY

UNWAVERING PASSION, AND A
BUSINESSMAN WHO BET ON HIMSELF,

AND BY DOING SO SHOWED THE WORLD
THERE'S A DIFFERENT PATH TO

ULTIMATE SUCCESS.
TYLER IS THIS YEAR'S RECIPIENT

OF THE GOVERNOR'S AWARD, BECAUSE
HE DREAMED THE IMPOSSIBLE DREAM.

HE BEARED THE UNBEARABLE SORROW,
AND FOUGHT THE UNBEATABLE FOE,

TO RUN WHERE THE BRAVE DARE NOT
GO.

HE'S DONE WHAT NO ONE BEFORE HAS
ACCOMPLISHED, TO MAKE IT IN

HOLLYWOOD AS AN OUTSIDER.
KNOWING THE TRADITIONAL

HOLLYWOOD WAY WASN'T FOR HIM, HE
CARVED HIS OWN PATH.

HE WROTE A PLAY.
INVESTED HIS OWN MONEY IN IT.

AND IT FLOPPED, HARD.

I THOUGHT 1,200 PEOPLE WOULD
SHOW UP, AND ONLY 30 DID.

IT LASTED A WEEKEND.
THEN HE LIVED IN A CAR, WHICH

SUCKS, BECAUSE TYLER IS 6'5",
AND HIS CAR WAS A GEO METRO.

LIVING THAT CAN BE A MIGHTY
MOTIVATOR.

AND A MOTIVATED TYLER PERRY
WOULD SOON FIND SUCCESS ON HIS

OWN TERMS.

AND OF COURSE, HOLLYWOOD
WELCOMED AN INDEPENDENT BLACK

MAN WITH OPEN ARMS.
WAIT, I MISREAD THAT.

HOLLYWOOD SAW HIM AS A FAD AND
DIDN'T DO [ BLEEP ] TO HELP HIM.

HE IS BOTH TALENTED AND CRAZY,
FINANCING HIS OWN FILMS, RACKING

UP HIT AFTER HIT.
IN THE HOOD, THEY SAY I GOT

RECEIPTS. AND TYLER HAD RECEIPTS.

AND WE DID A FILM, BECAUSE
TYLER ENSURED THAT BLACK PEOPLE

WOULD BE REPRESENTED IN FRONT OF
AND BEHIND THE CAMERA.

HIS SETS FELT LIKE
WATCHING "BLACK PANTHER."

THERE WERE BLACK PEOPLE
EVERYWHERE.

AND AFTER HE AMASSED $1 BILLION

AT THE NORTH AMERICAN BOX
OFFICE, HE TURNED HIS EYE TO

TELEVISION.

AND JUST LIKE HIS FILMS,
TYLER PERRY DID TV HIS WAY.

HE CREATED A WHOLE NEW BUSINESS
MODEL, GETTING TBS TO PURCHASE

100 EPISODES OF "HOUSE OF
PAYNE" IN A DEAL WORTH $200

MILLION.

HE SHOT THREE TO FOUR
EPISODES IN A WEEK.

THE MAN THAT ALWAYS FOUND A
WAY TO MAKE A WAY.

FOREVER INNOVATING, HE DECIDED
TO MAKE HIS OWN WAY IN ATLANTA,

GEORGIA.
HE PURCHASED 330 ACRES OF LAND

AND CREATED TYLER PERRY STUDIOS.

AND THE DUDE WHO WAS ONCE
HOMELESS, ALWAYS KEPT THE TOUGH

TIMES IN MIND AND REACHED BACK
TO THOSE IN NEED.

HIS PHILANTHROPY SAYS HE'S STILL
CONNECTED TO HIS FELLOW MAN.

HE'S A GAME CHANGER WHO BUILT
A SUCCESSFUL EMPIRE WHILE

IGNORING EVERY CONVENTIONAL NORM.
HE IS A MAVERICK.

AN INNOVATOR.
HE'S MY BROTHER, AND THIS YEAR'S

GOVERNOR'S AWARD RECIPIENT,
TYLER PERRY.

♪

[ APPLAUSE ]

I WANT TO SAY A VERY SPECIAL
THANK YOU TO THE TELEVISION

ACADEMY.
TO THE BOARD OF GOVERNORS, TO

TIM, ARI, MATT, TO EVERYBODY AT
TYLER PERRY STUDIOS AND MY

FOUNDATION. THIS IS AMAZING.
I DIDN'T EXPECT TO FEEL THIS WAY.

WHEN I WAS ABOUT 19, I LEFT HOME
AND MY GRANDMOTHER GAVE ME A

QUILT THAT SHE HAD MADE.
AND THIS QUILT WAS SOMETHING

THAT I DIDN'T REALLY CARE FOR.
IT HAD ALL THESE DIFFERENT

COLORS AND PATCHES IN IT.
I WAS EMBARRASSED BY IT.

I PUT NO VALUE IN IT AT ALL.
WHEN THE DOG GOT WET, I DRIED

HIM OFF WITH IT.
WHEN I CHANGED THE CAR OIL, I

LAID IT ON THE GROUND.
I HAD NO RESPECT FOR THIS QUILT.

MANY YEARS LATER, I WAS WALKING
PAST A FANCY ANTIQUE STORE, AND

THERE IN THE WINDOW WAS A QUILT.
IT WAS JUST LIKE THE ONE SHE HAD

GIVEN ME.
AND AN ATTENDANT SAID, THIS WAS

MADE BY AN AFRICAN‐AMERICAN
WOMAN WHO WAS A FORMER SLAVE.

EACH PATCH REPRESENTED A PART OF
HER LIFE.

ONE WAS FROM THE DRESS SHE WAS
WEARING WHEN SHE FOUND OUT SHE

WAS FREE, ANOTHER WAS FROM HER
WEDDING DRESS WHEN SHE JUMPED

THE BROOM.
AND AS I WAS HEARING THIS STORY,

I BECAME SO EMBARRASSED.
HERE I WAS, A PERSON WHO PRIDES

MYSELF ON CELEBRATING OUR
HERITAGE AND CULTURE, AND I

DIDN'T EVEN RECOGNIZE THE VALUE
IN MY GRANDMOTHER'S QUILT.

I DISMISSED HER WORK AND HER
STORY BECAUSE IT DIDN'T LOOK

LIKE WHAT I THOUGHT IT SHOULD.
NOW, WHETHER WE KNOW IT OR NOT,

WE ARE ALL SEWING OUR OWN QUILTS
WITH OUR THOUGHTS AND BEHAVIORS,

OUR EXPERIENCES AND OUR MEMORIES.

LIKE IN MY OWN QUILT, WHEN I WAS
ABOUT 10 YEARS OLD, I REMEMBER

MY FATHER STANDING AT THE DOOR.
I WAS WONDERING WHY HE STOOD

THERE SO LONG.
HE WAS FRUSTRATED AND WALKED

AWAY.
MY MOTHER SAID HE WAS WAITING

FOR THE MAN TO PAY HIM AND HE
NEVER DID.

THEY NEEDED THE MONEY AT THE
TIME.

SHE SAID, DON'T YOU EVER STAND
BY A DOOR WAITING FOR WHITE

FOLKS TO DO NOTHING FOR YOU.
NOW, YOU HAVE TO UNDERSTAND.

MY MOTHER WASN'T A RACIST.
BUT IN HER QUILT, SHE COULDN'T

IMAGINE A WORLD WHERE HER SON
WAS NOT WAITING BY THE DOOR FOR

SOMEONE.
SHE COULDN'T IMAGINE ME ACTUALLY

BUILDING MY OWN DOOR AND HOLDING
IT OPEN FOR THOUSANDS OF PEOPLE.

SHE COULDN'T IMAGINE ME OWNING
LAND THAT WAS ONCE A CONFEDERATE

ARMY BASE.
WHERE THEY PLOTTED AND PLANNED

ON HOW TO KEEP BLACKS ENSLAVED.

NOW, ON THAT LAND, BLACK, WHITE,

GAY, STRAIGHT, LESBIAN,
TRANSGENDER, EX‐CONS, ALL COMING

TOGETHER TO ADD PATCHES TO A

QUILT THAT REPRESENTS DIVERSITY
AT ITS BEST.

I STAND HERE TONIGHT TO SAY
THANK YOU TO ALL OF THE PEOPLE

WHO ARE CELEBRATING AND KNOW THE
VALUE OF EVERY PATCH AND EVERY

STORY AND EVERY COLOR THAT MAKES
UP THIS QUILT THAT IS OUR

BUSINESS.
THIS QUILT THAT IS OUR LIVES.

THIS QUILT THAT IS AMERICA.
BECAUSE IN MY GRANDMOTHER'S

QUILT, THERE WERE NO PATCHES
THAT REPRESENTED BLACK PEOPLE ON

TELEVISION.
BUT IN MY QUILT, HER GRANDSON IS

BEING CELEBRATED BY THE
TELEVISION ACADEMY.

I THANK YOU FOR THIS.
GOD BLESS YOU. THANK YOU.

[ APPLAUSE ]

♪

♪

WELCOME BACK TO THE EMMYS.
AND BY THE WAY, DON'T COMPLAIN

ABOUT HOW LONG THE SHOW IS.
THE LAKERS GAME IS OVER.

WHAT ELSE DO YOU HAVE TO DO?
PLAY CANDYLAND WITH THE KIDS FOR

THE 9,000th TIME?
WE'VE GOT YOU RIGHT WHERE WE

WANT YOU, YOU SON OF A BITCH.
OUR NEXT AWARD IS FOR

OUTSTANDING LEAD ACTOR IN A
DRAMA SERIES.

AND HERE ARE THE NOMINEES.

BRIAN COX, "SUCCESSION."
JEREMY STRONG, "SUCCESSION."

JASON BATEMAN, "OZARK."
STERLING K. BROWN, "THIS IS US."

BILLY PORTER, "POSE."
STEVE CARELL, "THE MORNING SHOW."

AND THE EMMY GOES TO ‐‐
JEREMY STRONG, "SUCCESSION."

[ APPLAUSE ]

♪

OH, MAN.

THANK YOU SO MUCH.

THANK YOU TO THE ACADEMY, THANK
YOU TO HBO.

WOW.

I GOT TO THANK SOME PEOPLE WHO
HAVE BEEN THERE FOR ME AND

BELIEVED IN ME.

WHEN SOMETHING LIKE THIS FELT

BASICALLY IMPOSSIBLE.
MEREDITH, MAX, SCOTT, PAUL,

EMILY, MARA, STEVE, MY MOM, MY
DAD, MY BROTHER ADAM, MY WIFE

EMMA.

FRANK, FRANCINE.
I READ A POEM BY STEVEN DUNN

THAT SAID, ALL I EVER WANTED WAS

A BOOK SO GOOD I'D BE FINISHING
IT FOR THE REST OF MY LIFE.

THIS JOB IS THAT FOR ME.
JESSE ARMSTRONG, I OWE THIS TO

YOU. BRIAN COX, I SHARE THIS WITH
YOU.

THANK YOU SO MUCH.

[ APPLAUSE ]

♪

WE'VE GOT MORE JIMMY AND MORE
AWARDS COMING UP.

AND SPEAKING OF AWARDS,
TONIGHT'S WINNERS ARE GETTING

THEIR EMMYS DELIVERED IN THE NEW
K5s, PROVIDED BY KIA.

IN FACT, THEY'RE MAKING THE
FINAL STOPS OF THE NIGHT.

KEEP WATCHING, IT'S THE EMMYS,
2020, BABY.

♪

♪

WE'RE BUSTING A LOT OF MOVES
HERE.

EACH OF THE WOMEN IN OUR NEXT
CATEGORY IS AN EXTRAORDINARY

TALENT.
AND THIS YEAR, INSTEAD OF BEING

JUDGED ON THEIR HAIRSTYLE OR
WHAT THEY WEAR, THEY WILL BE

JUDGED ON WHAT KIND OF LIVING
ROOM FURNITURE THEY HAVE.

OUR NOMINEES FOR OUTSTANDING
LEAD ACTRESS IN A DRAMA SERIES.

ZENDAYA, "EUPHORIA."
LAURA LINNEY, "OZARK."

JODIE COMER, "KILLING EVE."
OLIVIA COLMAN, "THE CROWN."

SANDRA OH, "KILLING EVE."
JENNIFER ANISTON, "THE MORNING

SHOW."

AND THE EMMY GOES TO ‐‐
ZENDAYA, "EUPHORIA."

[ CHEERS AND APPLAUSE ]

♪

I'M REALLY, REALLY NERVOUS.
OKAY. OKAY. OH, GOSH.

I JUST WANT TO SAY THANK YOU TO

THE TV ACADEMY, AND ALL THE

OTHER INCREDIBLE WOMEN IN THIS
CATEGORY, I ADMIRE YOU ALL.

THIS IS CRAZY.
THANK YOU, HBO AND A24 FOR YOUR

SUPPORT.
THANK YOU TO MY FAMILY AND MY

TEAM.
TO THE INCREDIBLE CAST AND CREW

OF "EUPHORIA."
I'M SO LUCKY TO WORK WITH YOU

AND I'M INSPIRED BY EVERYTHING
YOU DO.

AND SAM, I APPRECIATE YOU SO
MUCH.

I'M SO GRATEFUL YOU TRUSTED ME
WITH YOUR STORY, RU.

I HOPE I CAN CONTINUE TO DO YOU
PROUD.

AND I KNOW THIS IS A WEIRD TIME
TO BE CELEBRATING, BUT THERE IS

HOPE IN THE YOUNG PEOPLE OUT
THERE. I KNOW OUR TV SHOW DOESN'T

ALWAYS FEEL LIKE A GREAT EXAMPLE
OF THAT, BUT THERE IS HOPE IN

THE YOUNG PEOPLE.
AND TO MY PEERS OUT THERE DOING

THE WORK IN THE STREETS, I SEE
YOU, I ADMIRE YOU, AND I THANK

YOU. AND THANK YOU SO, SO MUCH.
THIS IS ‐‐ WHOA, OKAY. THANK YOU.

[ CHEERS AND APPLAUSE ]

WOW. HOW HOW ABOUT THAT.
SHE'S YOUNGER THAN BABY YODA,

AND HAS AN EMMY.

YOU KNOW OUR NEXT PRESENTER HAS
A LITTLE SOMETHING FOR THE NERDS.

HERE TO PRESENT THE EMMY FOR
OUTSTANDING WRITING FOR A DRAMA

SERIES IS LAVERNE COX.

GOOD EVENING, EVERYONE.
I'M LIVING PROOF OF THE AMERICAN

DREAM, THAT ANYONE IN THIS
COUNTRY CAN LOSE THE EMMY FOUR

YEARS IN THE SAME CATEGORY, AND
YET SOMEHOW END UP ON THIS STAGE

PRESENTING AN AWARD TO SOMEBODY
WHO PROBABLY ‐‐ WHAT HAPPENS TO

AN AMERICAN DREAM DEFERRED?
DOES IT SHRIVEL UP LIKE A RAISIN

IN THE SUN?
STICK TO THE SCRIPT, LAVERNE.

STICK TO THE SCRIPT.
AND NOW HERE'S THE NOMINEES FOR

WRITING IN A DRAMA SERIES.

PETER MORGAN, "THE CROWN."
"ABERFAN."

JESSE ARMSTRONG, "SUCCESSION."

"THIS IS NOT FOR TEARS."

GORDON SMITH, "BETTER CALL
SAUL." "BAGMAN."

THOMAS SCHNAUZ, "BETTER CALL
SAUL." "BAD CHOICE ROAD."

MIKI JOHNSON, "OZARK."
"FIRE PINK."

JOHN SHIBAN, "OZARK."
"BOSS FIGHT."

CHRIS MUNDY, "OZARK." "ALL IN."

[ APPLAUSE ]

AND THE EMMY GOES TO ‐‐
JESSE ARMSTRONG, "SUCCESSION."

[ APPLAUSE ]

♪

THANK YOU VERY MUCH.
THIS IS SO WEIRD TO BE HERE IN

LONDON, AND ACCEPTING THIS.
I LOVE WRITING FOR THIS SHOW SO

VERY MUCH.
AND FOR THIS AMAZING CAST, AND

WITH THIS AMAZING CREW, PROBABLY
300 PEOPLE TAKE THE EPISODE FROM

SCRIPT TO ON SCREEN.
AND I'M GOING TO THANK EVERY

SINGLE ONE OF THEM.
BECAUSE THAT'S POLITE.

AND WE'RE HERE IN LONDON, AND
YOU CAN'T STOP US.

NO, I WOULD LIKE TO SAY THANKS
TO SAM, MY OLD WRITING PARTNER.

WHO I'VE DONE SO MUCH WITH.

RICHARD, K. C., FRANNY, NORA,

ADAM, KEVIN, SCOTT, AND I'D LIKE
TO SAY THANKS TO ALL THE WRITERS

ON "SUCCESSION," ESPECIALLY THE
ONES WHO WROTE ON THIS SEASON

WITH ME.

I WANT TO THANK TEDDY, JOHN,
LUCY, GEORGIA, WILL, AND SUSAN.

THANK YOU SO MUCH.

[ APPLAUSE ]

LOOKS LIKE THEY WERE HAVING
AN INTERVENTION FOR JESSE THERE.

THE GREAT OSCAR AND EMMY
AWARD‐WINNING DIRECTOR STEVEN

SPIELBERG ONCE SAID, “I DON'T
DREAM AT NIGHT. I DREAM AT DAY.

I DREAM ALL DAY.
I'M DREAMING FOR A LIVING.”

IN ANY OTHER INDUSTRY, THAT
WOULD GET YOU FIRED FOR CAUSE.

BUT IN HOLLYWOOD, IT MAKES YOU A
NOMINEE FOR OUTSTANDING

DIRECTING FOR A DRAMA SERIES.

BENJAMIN CARON, "THE CROWN."
"ABERFAN."

JESSICA HOBBS, "THE CROWN."
"CRI DE COEUR."

LESLI LINKA GLATTER, "HOMELAND."
"PRISONERS OF WAR."

MIMI LEDER, "THE MORNING SHOW."
"THE INTERVIEW."

ALIK SAKHAROV, "OZARK."
"FIRE PINK."

BEN SEMANOFF, "OZARK."
"SU CASA ES MI CASA."

ANDRIJ PAREKH, "SUCCESSION."
"HUNTING."

MARK MYLOD, "SUCCESSION."
"THIS IS NOT FOR TEARS."

[ APPLAUSE ]

AND THE EMMY GOES TO ‐‐
ANDRIJ PAREKH, "SUCCESSION."

[ APPLAUSE ]

♪

MAN, I AM DEEPLY HONORED AND
NOT THE LEAST BIT HUMBLED BY

THIS AWARD.
THIS IS ON MY BIRTHDAY, SO THANK

YOU. I WANT TO THANK HBO, AND THE
ENTIRE CAST, THE SHOW HAS BEEN

SUCH A PROFESSIONAL DREAM.
I WANT TO THANK MY WIFE AND

DAUGHTER, WHO PUT UP WITH MY
ARTISTIC PURSUITS.

AND MY MOM AND DAD AND BROTHER.

I WANT TO DEDICATE THIS EMMY TO

ALL THE KIDS WHOSE NAME IS

DIFFICULT TO PRONOUNCE.
THIS IS PROOF THAT YOU BELONG.

AND THIS EMMY IS OURS.
THANK YOU GUYS.

♪

[ APPLAUSE ]

♪

HEY, THERE.

MY BROTHER AND I ARE PROUD TO
BE ESSENTIAL WORKERS DURING THE

PANDEMIC.

BEING A DOCTOR CAN BE A
LITTLE BIT STRESSFUL.

AND WITH EVERYBODY WEARING
MASKS, IT'S HARD TO TELL WHETHER

EVERYBODY IS SMILING ANYMORE.
BUT WEAR MASKS, DO SOCIAL

DISTANCING, AND PAY ATTENTION TO
YOUR MENTAL HEALTH.

DON'T FORGET TO KICK BACK AND
WATCH SOME GREAT TV.

YOU CAN START BY WATCHING THE
AMAZING PERFORMANCES BY THESE

NOMINEES FOR OUTSTANDING
SUPPORTING ACTOR IN A DRAMA

SERIES.

GIANCARLO ESPOSITO, "BETTER
CALL SAUL."

BRADLEY WHITFORD, "THE
HANDMAID'S TALE."

BILLY CRUDUP, "THE MORNING SHOW."
MARK DUPLASS, "THE MORNING

SHOW."
NICHOLAS BRAUN, "SUCCESSION."

KIERAN CULKIN, "SUCCESSION."
MATTHEW MACFADYEN, "SUCCESSION."

JEFFREY WRIGHT, “WESTWORLD.”

AND THE EMMY GOES TO ‐‐
BILLY CRUDUP, "THE MORNING SHOW."

OH, WOW.

[ APPLAUSE ]

♪

THIS IS A PRETTY INCREDIBLE
EXPERIENCE.

THANKS A LOT TO THE ACADEMY AND
OBVIOUSLY THE FELLOW ACTORS IN

THE CATEGORY.
IT'S SOME OF THE BEST ACTORS

THAT I'M FAMILIAR WITH AND HAVE
BEEN FOR A LONG TIME.

I KNEW THE SECOND I GOT THIS
PART, IT WOULD BE SOMETHING I

WOULD BE FORTUNATE ABOUT.
I'VE TRIED TO THANK EVERYONE

INVOLVED IN THIS PROJECT, AND
EVERYONE IN MY LIFE, IF I

HAVEN'T, PLEASE CALL ME AND YELL
AT ME.

BECAUSE I'VE BEEN MEANING TO.
IT'S TAKEN AN ARMY OF SUPPORT.

I'M INCREDIBLY GRATEFUL.
NOT THE LEAST OF WHICH TO

EVERYBODY AT APPLE, YOU GAVE ME
A WONDERFUL OPPORTUNITY.

AND I'M GLAD TO HAVE DELIVERED
SOMETHING FOR YOU.

AND TO THE YOUNG PEOPLE IN MY
LIFE, MY GLORIOUS SON WILL, MY

NEPHEWS, ASH, ALL MY
GODCHILDREN, SASHA AND KAI,

PLEASE SAVE US. SORRY TO ASK.

BUT THANKS IN ADVANCE FOR ALL OF
YOUR HELP.

I LOVE YOU, AND THANK YOU.

[ APPLAUSE ]

LOVE YOU, BILLY.

WOW.

HE SAID THAT HE WANTED TO DO
THE SHOW, HE TOLD ME HE WASN'T

SURE ABOUT IT.
I THINK HE DID IT FOR THE MONEY.

OH, HI. OUR NEXT ESSENTIAL
WORKER/PRESENTER IS A NURSE FROM

NEW YORK CITY.
WHICH WOULD BE A GREAT SHOW FOR

YOU. TO HAND OUT THE EMMY FOR
OUTSTANDING SUPPORTING ACTRESS

IN A DRAMA SERIES, KATIE DUKE.

I'M KATIE DUKE, I'M A
NURSE‐PRACTITIONER IN NEW YORK

CITY.
WHEN THE PANDEMIC FIRST HIT, I

WOKE UP AND HAD CRIPPLING BODY
ACHES. I KNEW I HAD COVID.

I FELT SO ALONE, MY FAMILY AND
FRIENDS CAN'T SEE ME.

AND I'M IN AN ISOLATION ROOM ON
OXYGEN, I'M GETTING STEROIDS.

I HAVE COVID PNEUMONIA.
I FELT SCARED, AND I'M NOT

ASHAMED TO ADMIT THAT.
I WAS TERRIFIED.

WHEN I RETURNED TO WORK, I
RETURNED WITH A WHOLE NEW SET OF

EYES.
I WAS REMINDED HOW SPECIAL LIFE

IS. AND I'M INCREDIBLY EXCITED TO
PRESENT THE NOMINEES FOR

OUTSTANDING SUPPORTING ACTRESS
IN A DRAMA SERIES.

LAURA DERN, "BIG LITTLE LIES."

MERYL STREEP, "BIG LITTLE LIES."
HELENA BONHAM CARTER, "THE

CROWN."
SAMIRA WILEY, "THE HANDMAID'S

TALE." FIONA SHAW, "KILLING EVE."
JULIA GARNER, "OZARK."

SARAH SNOOK, "SUCCESSION."
THANDIE NEWTON, "WESTWORLD."

[ APPLAUSE ]

AND THE EMMY GOES TO ‐‐
JULIA GARNER, "OZARK."

[ APPLAUSE ]

OH. OH, MY GOSH.

WOW. FIRST, I AM SHOCKED, TO BE

HONEST.
I WANT TO SHOW GRATITUDE TO ALL

THE WOMEN IN THIS CATEGORY.
YOU ARE THE REASON WHY I'M

ACTING IN THE FIRST PLACE.
SO THANK YOU.

THANK YOU TO THE TELEVISION
ACADEMY FOR THIS AWARD.

AND THANK YOU TO CHRIS AND
EVERYBODY IN THE WRITER'S ROOM.

AND JUST SETTING THE TONE
FOR "OZARK."

THANK YOU JASON AND LAURA.
LAURA, I LOVE YOU SO MUCH.

JUST FOR BRINGING ME UNDER YOUR
WINGS, TEACHING ME TO BE A

BETTER ACTOR AND PERSON.
AND NETFLIX, AND EVERYONE.

THANK YOU SO MUCH.
LET'S TRY TO MAKE THE WORLD

BETTER.
THERE WILL BE A LIGHT AT THE END

OF THIS TUNNEL.
THANK YOU SO MUCH.

I LOVE YOU ALL.
THANK YOU, THANK YOU, THANK YOU.

TO MY HUSBAND AND MY FAMILY.
THANK YOU, I LOVE YOU.

[ APPLAUSE ]

♪

PLEASE WELCOME ACTRESS AND
ACTIVIST YARA SHAHIDI.

[ APPLAUSE ]

THE STORIES WE TELL ON TV
SHAPE HOW WE SEE OURSELVES AND

OTHERS.
AND HOW WE ARE SEEN CAN MANY

TIMES DETERMINE HOW WE ARE
TREATED.

THE DREAM OF TELEVISION IS THE
FREEDOM TO LIVE OUTSIDE OF BOXES

AND ASSUMPTIONS.
WE CONTINUE TO STRIVE FOR A MORE

COMPLETE DEFINITION OF
INCLUSIVITY.

IN THIS PIECE, AMERICA FERRERA
REMINDS US THAT WHEN TV HAS MORE

VOICES, IT'S JUST BETTER.

♪

I WAS 16 YEARS OLD WHEN I GOT
MY VERY FIRST AUDITION.

AND I WAS THIS LITTLE, BROWN,
CHUBBY VALLEY GIRL WHO SPOKE,

YOU KNOW, LIKE A VALLEY GIRL.
I WALKED IN, DID MY AUDITION.

THE CASTING DIRECTOR LOOKED AT
ME AND SHE WAS LIKE, THAT'S

GREAT.

CAN YOU DO THAT AGAIN, BUT THIS
TIME SOUND MORE LATINA.

UM, SO, LIKE, DO YOU WANT ME TO
DO THIS IN SPANISH?

SHE WAS LIKE, NO, NO, NO, DO IT
IN ENGLISH.

BUT JUST, YOU KNOW, LIKE, SOUND
MORE LATINA. I AM A LATINA.

AND THIS IS WHAT I SOUND LIKE.
AND SHE LOOKED AT ME AND WAS

LIKE, OKAY, SWEETIE, THANK YOU.
BYE.

I TOLD MY FAMILY, AND THEY SAID,
THEY WANTED YOU TO SPEAK IN

BROKEN ENGLISH.
WHAT DID YOU THINK WAS GOING TO

HAPPEN?
THEY WERE GOING TO HAVE YOU

STARRING IN THE NEXT ROLE MEANT
FOR JULIA ROBERTS?

AND I WAS LIKE, YEAH, THAT IS
WHAT I THOUGHT.

THAT REALIZATION HAS FUELED ME
TO CREATE MORE OPPORTUNITY FOR

LITTLE BROWN GIRLS TO FULFILL
THEIR TALENT AND THEIR DREAM.

♪

♪

[ APPLAUSE ]

OKAY, YOU'VE BEEN VERY
PATIENT. THANK YOU FOR WATCHING.

THIS IS THE BIG ONE, THE LAST
AWARD OF THE NIGHT.

IN MY EXPERIENCE, THIS IS WHERE
THINGS SOMETIMES GO ASKEW.

OUR FINAL PRESENTER IS ONE OF
OUR FINEST ACTORS AND ONE OF THE

FEW ACTORS TO HAVE WORKED WITH
O.J. AND OLAF.

HERE TO PRESENT THE EMMY FOR
OUTSTANDING DRAMA SERIES,

TWO‐TIME EMMY WINNER AND DOUBLE

NOMINEE TONIGHT, STERLING K.
BROWN.

♪

WHOO! OH, WOW.
I DID NOT SEE THIS COMING.

THEY TOLD US "SUCCESSION" WAS A
SHOE‐IN.

FOR US TO WIN BEST DRAMA IN AN
UNBELIEVABLY LOADED SEASON, I'M

BLOWN AWAY.
AND THEY SAID NETWORK TELEVISION

WAS DEAD. OKAY.

TO OUR PARTNERS AT DISNEY AND

NBC, BACK UP THE BRINKS TRUCKS,
YOU CHEAPSKATES.

WE WON BEST DRAMA, AND WE NEED
RAISES.

BECAUSE THIS RIGHT HERE, THIS

RIGHT HERE IS AN ENVELOPE.

WHY DO I HAVE AN ENVELOPE?
I'M PRESENTING?

WE WEREN'T EVEN NOMINATED?

I WILL BE AT WORK TOMORROW,
HAPPILY, ON TIME, AND WITHOUT

COMPLAINT.
THIS IS STILL A HUGE HONOR.

HERE ARE THE NOMINEES FOR
OUTSTANDING DRAMA SERIES.

"THE HANDMAID'S TALE."
"BETTER CALL SAUL."

"KILLING EVE." "SUCCESSION."
"THE CROWN." "THE MANDALORIAN."

"OZARK." "STRANGER THINGS."

[ APPLAUSE ]

THAT WAS EMBARRASSING.
THE EMMY FOR OUTSTANDING DRAMA

SERIES GOES TO ‐‐

"SUCCESSION."

♪

[ APPLAUSE ]

THANK YOU VERY MUCH INDEED.
THIS IS SO VERY ‐‐ SUCH A VERY

NICE MOMENT.
AND IT'S VERY SAD NOT TO BE WITH

THE CAST AND SOME OF THE CREW,
TO SHARE IT WITH YOU ALL TONIGHT.

BUT THIS IS A WONDERFUL
ACHIEVEMENT FOR THE WHOLE GROUP.

ROOM SERVICE ‐‐ JUST, YEAH,
PROBABLY.

BUT FOR BEING ROBBED OF THE
OPPORTUNITY TO SPEND THIS TIME

WITH OUR PEERS AND WITH THE CAST
AND CREW, I THINK I'D LIKE TO DO

A COUPLE OF UN‐THANK YOUS.
UN‐THANK YOU TO THE VIRUS FOR

KEEPING US APART.
UN‐THANK YOU TO PRESIDENT TRUMP

FOR HIS CRUMMY AND UNCOORDINATED
RESPONSE.

UN‐THANK YOU TO BORIS JOHNSON
FOR THE SAME THING IN OUR

COUNTRY.
UN‐THANK YOU TO THE NATIONALISTS

AND QUASI‐NATIONALISTS.

SO, UN‐THANK YOU.

[ APPLAUSE ]

I DON'T THINK WE EVER HAD
UN‐THANK YOUS BEFORE.

THAT'S OUR SHOW.
BEFORE WE GO, I'D LIKE TO

ANNOUNCE THAT WE RAISED
$2.3 MILLION FOR NO KID HUNGRY,

AND THE TELEVISION ACADEMY IS
ADDING AN ADDITIONAL $500,000 ON

TOP OF THAT, FOR A TOTAL OF
$2.8 MILLION TONIGHT.

YOU CAN DONATE TOO.

WINNERS TONIGHT AND ALL THE
NOMINEES, I'LL SEE YOU GUYS AT

THE SAD ZOOM AFTERPARTY.
MEETING ID 459 956 7155.

STAY SAFE.

PLEASE VOTE.

AND BABA BOOEY.

[ APPLAUSE ]