Terror Circus (1973) - full transcript

(intense music)

(eerie orchestral music)

(horn honking)

(eerie orchestral music)

- Hey, look what I've got.

- Oh, I am so
thirsty I could die.

It's not cold.

- But it's wet.

- You got a great gas station,

and you don't have any
towels in your ladies room.

- Why don't you get
your act together?



- What do you mean, towels?

- [Corrine] Towels, T-O-W-E-L-S.

- I'll get my act together.

- Ooh, fellas!
- Nice.

Which one you want?

- I like the driver.

- Okay, I'll take the other two.

- Listen, you got
a bad thermostat.

You want to fix it?

- Can we make it to Las Vegas?

- You'd be taking a chance.

I think you oughta stay
here with me and Jesse,

go to the circus.

(girls laughing)



What's the matter with that?

(engine sputtering)

Sure, try that.

- [Sheri] Hey, the little
one with the mustache

is kinda cute.

- [Simone] You gotta be kidding.

You hear what he said?

- You think we really have
trouble with the radiator?

- Nah, I don't think so.

He was just saying that
'til we go to the circus

or whatever else he had in mind.

I don't know.

- Maybe they're in the circus.

- You believe they're
the elephants?

- Crazy.

- We're on our way to Las Vegas,

I know a really neat shortcut.

You guys wanna try?

It's down here
about seven miles.

Okay?

(dramatic music)

♪ Evil eyes

♪ Hypnotize

♪ Satan glows

♪ Devil is the man

♪ Night must fall

♪ Darkness calls

♪ Satan shows

♪ Devil is the man

♪ You're possessed by
a relentless demon ♪

♪ I can't rest knowing
you're worth redeeming ♪

♪ Pray with me

♪ Stay with me

♪ Heavens knows

♪ Devil is the man

♪ Heaven knows

♪ Devil is the man

(smooth jazz music)

- [Sheri] This is it.

I'm positive it is.

♪ Going down the highway

- [Sheri] Okay, I
think you turn now.

- [Simone] You
think or you know?

Why don't you heck on the map?

- [Sheri] I know you turn
that way, I remember this.

This is a fantastic shortcut.

It's gonna save us at least
(engine drowns out speech).

(girls laughing)

(smooth jazz music)

You'll both thank me.

- [Simone ] Right,
and if we break down

in the middle of the desert,
we'll really thank you.

(laughs)

(dramatic music)

(upbeat music)

- [Corrine] What's the
matter with this car?

- [Simone] I don't know.

Now what?

(engine sputtering)

- What's the matter
with this car?

- I don't know.

- [Sheri] Man,
it's cold out here.

- Oh god, look at this!
- What is it?

- [Simone] I don't know,
I think it's the radiator.

(girls scream)

Son of a bitch!

(door slams)

Look at this car!

(Simone crying)

- [Corrine] What did you do?

What a job.

- [Simone] Oh god dammit.

Oh god, it's cold.

- [Sheri] I don't believe this.

- [Simone] I don't
know how to fix it.

I haven't the faintest idea
what we're going to do.

- [Sheri] This is really scary.

- [Simone] Just lock the
doors, roll up the windows,

and try to sleep.

- [Corrine] I was looking
forward to a nice,

hot bath in Vegas.

- [Simone] C'est la vie.

- [Sheri] Our first night
and we have to stay here.

- That's life in
the big city, folks.

(dramatic music)

(screams)

Who the hell are you?

What the hell do you mean,
scaring us like that?

- I saw your hood up,

I thought somebody
might be in trouble,

so I stopped to help, alright?

- [Simone] Alright.

- Now, what seems
to be the trouble?

- [Simone] I don't know.

Something's wrong
with the radiator.

- [Andre] Radiator, huh?

- Yeah.

- You're lucky you've
got a radiator left.

- That's show biz.

Any chance of getting
us out of here?

- Of course.

- Something interest you?

- Yes, actually, it's
not everyday that I see

three beautiful girls
out here in the desert.

- We were trying a shortcut.

- Oh.

Now, how best to
solve your problem?

I think first, we gotta
get you outta this wind,

and get you to a telephone.

- Well, we certainly appreciate

anything you can
do for us, mister?

- Just call me Andre.

Listen, come on
over to the Jeep.

- [Simone] What
about our things?

- Leave everything here,
just bring what you need.

Nobody ever comes
out here anyway.

- [Simone] Get my
purse, will ya?

- [Sheri] And get my
hairbrush, please.

- At least, almost never.

- Here you go.
- Thanks.

(girls cheering)

- Well, isn't he cute?

What did he say his name was?

- [Simone] Andre.

- All aboard.

(upbeat music)

(girls laughing)

You girls make
yourselves comfortable.

I've got to get something
out of the house.

- [Sheri] Okay.

- Wow, what a weird
place this is.

- Look at this fantastic cat.

- Hi baby!

- Nasty little thing.

- I don't think he likes us.

- Hello.

(cougar hisses)

What kind of cat is that?

- [Corrine] I don't know.

Why's he got that cat in a cage?

- Why's he got that cat at all?

- Look, circus signs.

- Let's go in the barn.

- You wanna?

Maybe he's got some
more animals in there.

- I don't want to
go in there, okay?

- Come on, we've got
to wait for him anyway.

- It's colder than
hell out here.

- Come on.

(cougar hisses)

Maybe we could
use it in our act.

This is the funniest
thing I've ever seen.

I've never been
in a barn before.

And I hope I'm
never in one again.

- I wonder if this guy is some
kind of a snake freak, man.

- This is terrific,

it looks just like
your apartment, Simone.

- No it doesn't,
mine's got more soul.

- Hey, let's not
go in there, okay?

- Don't worry about it,
I'll take care of you.

Have no fear, Sheri's here.

- You're going to
take care of me?

- After you, after you.

- The great taker care, you're
the one that got us lost.

(dramatic music)

Oh my god.

- They're going to
have a party tonight

but they're not
going to get to go.

No, they're never
going to get to come.

Because I don't want
them, they're bad.

Bad men.

They're always mean to me.

(dramatic music)

- What is this?

- I think we better
get out of here.

- My god, is this
some kind of a joke?

Are they dead--
- Sheri!

- Come on!

(dramatic music)

- Now, where am I going
to put the three of you?

- My house has a
lot of big rooms.

That's gonna be
mine and daddy's.

Maybe we'll have a big yard too.

(redhead coughs)

Nice big kitchen.

Where we can play.

Have a family.

(chained woman humming)

- Where are we?

- In a circus.

- A circus?

You gotta be kidding.

How long have you been here?

- I think two months.

She's been here six.

- He's coming down the road.

Daddy's coming.

Daddy's coming down
the road to the house.

- Doesn't anybody
ever get out of here?

- Why are we all here?

- He wants to control us.

He's like all the other men.

And I hate him.

- We're his toys, his
pets, his animals.

- How did you get here?

- Our car broke
down in the desert,

so we spent the night in it.

And the next morning,
Andre came to the window.

Scared the hell out of us.

Then he seemed real nice.

He asked us if we
wanted to use the phone

and we said sure.

- And he had nice eyes.

- Yeah.

- That's it.

Derek.

When we don't show
up in Las Vegas

Derek will come looking for us.

He'll find the car.

Corrine, listen,
don't worry about it.

Derek will come and
he'll get us out of here.

(laughs)

- Derek won't come for us.

Did anybody come for them?

- What does he do to you?

- I don't know.

Nobody knows.

You'll find out when
your time comes.

- I know what will happen.

He wants us to want him.

He wants us to need him.

He wants to know
everything we're thinking.

(dramatic music)

He watches us.

(dramatic music)
(wood creaking)

- Get over on your own side!

(Andre grunts)

(eerie music)

(door creaks)

(upbeat psychedelic music)

- There's only one
thing I can't tolerate,

and that's someone not living
up to their obligations.

If I have a contract with you

then I expect it to be honored.

- Look, Phil, I'm sure we
can reach an understanding.

- Understanding?

There's only one
thing to understand.

I gave you a fat advance to
bring those girls over here.

I want you to find
them, produce the act,

I'm seeing my attorney.

- Look, Phil, I told you
the girls are missing.

I got every cop in the
state looking for them.

- Like I told you,
you don't find them,

you'll never show your face,
or any part of your body,

in this town again.

Rice peddlers, all these agents.

- Phil, we you take me
to Circus Circus tonight?

I really want to see the show.

- For you dear...

Circus tonight.

(eerie music)

- Keep moving.

Keep moving.

Keep in step.

Shut up.

Keep in step.

(eerie violin music)

Alright, walk faster.

Move around,
faster, keep moving!

(eerie music)

When I tell you raise your
arms for four footsteps

and then you'll lower
them for four footsteps.

Now!

(whistle blows)
(eerie music)

Raise them!
(whip cracks)

Lower them!

(whip cracks)
Do what I tell you!

Raise them, now!

Do as I tell you!

(whip cracks)

(woman whimpering)

(eerie music)

(shotgun blasts)

- Missed the son of a gun.

- Oh, that's too bad.

- Okay, give me a
little of that sauce.

(dramatic music)

- Did you hear something?

- I didn't hear anything.

(branches cracking)

- Hey, there it is again.

Keep it, I'll be right back.

(dramatic music)

- Oh no!

(dramatic music)

(screams)

- I'm cold.

I'm freezing. (sobs)

I'm freezing.

- I want to give her my blanket.

- No, we need them ourselves.

- You didn't finish telling
me what brought you here.

- I was working in a lab
in L.A. on radio activity

and I heard that this
part of the desert

was part of the
nuclear test sight.

So I came out here to do
some tests on cell mutation

on animals and plants

and that's when I met Andre.

(deep moaning)

- What was that?

- I don't know.

(woman coughing)

- You know that
girl is really sick?

- Look, just eat your food and

remain calm because
you'll need your energy

when it comes time
for the performance.

- What performance?

- I don't know, forget about it.

- [Sheri] I can't
take just sitting here

not knowing what's
going to happen to us.

(low moaning)

Those noises are horrible.

What are they?

I'm so glad it's dark and
we can't see those freaks.

- [Corrine] Is this what
we have to look forward to?

Crazy like that one?

Pacing back and forth
like her, or that one.

- [Sheri] We can't let
that happen to us, Corrine.

- [Simone] What
did that girl mean

when she talked
about a performance?

- [Corrine] What performance?

- She said something
about a circus

and he thinks we're all animals.

- Animals in a circus?

- He can't be that crazy.

- Oh, yes he can.

- [Sheri] He can't!

- [Corrine] Simone?

Simone, what is he
going to do to us?

What is he going to do to us?

- I don't know!

(low moaning)

- That girl's been
here for six months.

- And she's crazy!

- Six months, I
couldn't stand it!

- We gotta keep it together.

We're not going to
go crazy in here.

- Players!

- [Karene] It's dinner time.

- We had some visitors today.

Men.

You wouldn't want any of
them around, would you?

They have such strange habits.

That's better.

Now you're learning
some manners.

Are you hungry today?

I thought you might be.

You're a hungry little
girl, aren't you?

Oh. (laughs)

(eerie music)

- 898-7200, please.

Phil Langley.

Phil, yeah, Phil.

Listen, this is Moore.

No, no I don't.

No, I don't.

Naturally, I'm worried about

what might have
happened to them,

but I'm concerned about them.

Right?

I don't know where they are.

Phil, look, I know
you have to cancel.

I know that.

But I'm worried about them.

I'll tell you what
I'm going to do.

I'm going to double
back tomorrow morning

and see if I can find them.

Yeah.

Well, I've already talked
to the police in Nevada

and California, no trace.

Phil, I understand
your situation.

Okay.

Alright.

Okay, Phil.

Thanks.

Yeah, good night.

- Here's something
for my little bears.

You know in the circus

they train bears to do
tricks for their food?

I'm going to teach the
two of you a little trick.

Now, something
for my little doe.

Now, you must eat.

You must.

Good.

Good.

So quiet

for so long.

You all belong to me now.

You know,

you mustn't fight me.

(wind whooshing)

- The keys.

- Keys?

Keys!

- The keys!

- Where?

Where?

- The keys, they're right there.

Honey, the keys!

Put out your hand, you
can reach the keys.

Listen to me!

The keys!

Please, get the keys.

Put your hand over.

(dramatic music)
(woman shouting)

- I got it.

- Hurry, hurry, Marlene.

(women shouting)

(dramatic music)

- Were you going
to run out on me?

Were you going to run out on me?

(hand cracks)
(dramatic music)

(whip whooshes)

(women gasping)

(whip cracking)

(Marlene groaning)

(dramatic music)

I'm your trainer!

You obey me,

and you'll be part
of the greatest

animal menagerie in history.

But if you disobey,

you will suffer!

(dramatic music)

Tomorrow.

Tomorrow.

(dramatic music)

- Operator.

Yeah, this is Moore in 165.

Tell the desk to
have my bill ready,

I'm checking out.

Yeah, okay.

(upbeat psychedelic music)

- Your license, please.

- Look, officer, the
reason I was speeding is

that I'm looking for
three missing girls.

- Yeah, me too.

- No, I'm serious.

Look, I'm an agent,

and those three missing
girls are my clients.

That's why I'm driving up
and down the highway here

looking for them.

- Are you serious about that?

- Of course I'm serious.

As a matter of fact,

I'd like to file a
missing persons report.

- Okay, okay, we can
take care of that.

- Good.

- I'm still going to have
to give you a ticket though.

(dramatic drum music)

- Ladies and gentlemen,

welcome to the greatest
and most astonishing

trained animal act
ever to be presented

under the big top.

It will be our humble pleasure

to dazzle and delight you with
a series of feats unequaled

in the history of
the circus world.

But first,

it's my unpleasant task

to remove from my
well trained menagerie

the untrainable,

the unmanageable,

the dangerous,

and the brutal.

There is one such animal

among us today.

Who is it?

You!

- No!

(woman sobs)

No!

No!

No!

No!

- [Woman] Let her go!

(woman screaming)

(woman sobbing)

- No!

(dramatic music)

- She'll escape.

She'll escape!

She will!

She'll escape!

(woman sobbing)

(cougar hissing)

- I don't need to
use this, do I?

Huh?

- No!

- I thought not.

Here, put this on.

(cougar hisses)

- That's not paint.

- No, it's calf's blood.

- Blood, why?

- I couldn't let
you go without it.

- Let me go?

You're going to let me go?

- Of course.

- When?

- In just a minute.

- What about my sister?

And the others?

- They'll follow you soon.

Just like all the others.

- You let them go?

- Yes.

And now,

my little one,

if you want to live,

run.

Run!

(dramatic music)

(cougar hisses)

(dramatic music)

Run!

Run!

(dramatic music)

(laughs)

(dramatic music)

(woman gasping)

(woman screams)

(dramatic music)

(upbeat psychedelic music)

- Hello, Sheriff Graham?

This is Derek Moore.

Yeah.

Listen, have you found
any trace of them?

No.

Well, I haven't
found them either.

Listen, I'll tell
you what, sheriff,

if you find them tell them...

Nevermind.

No, it's alright.

I'll talk to you later.

Okay, thank you, bye bye.

(dramatic music)

(tinny musical box music)

- When I was a very small boy

I was afraid of the dark.

So I listened to a music box.

I didn't feel so alone.

(Andre humming)

(dramatic music)

- [Young Andre Voiceover]
Father, father what happened?

What happened to your face?

- [Father] Get away from me.

Don't touch me!

- [Young Andre Voiceover]
The men told us not to

go near their testing site.

- [Father] You and your mother.

- [Young Andre Voiceover]
I'll take care of you

until mother comes back.

- [Woman] Andre, you'll
never have it happen.

Andre, you'll never
have it happen.

(distorted voice chattering)

(dramatic music)

- At last,

you've come back.

I never thought
I'd see you again.

I didn't even recognize you.

Here.

I'll get you away
from the animals.

They smell so bad.

I'm afraid you'll find that
things have change a lot

around here in the
last few years.

The circus and all,

it's been very
difficult here alone.

I didn't even recognize you.

Why do you use another name?

Why didn't you tell
me who you are?

- Leave her alone!

God, you're crazy!

We're not the animals, you are!

You're repulsive, you're
nothing but a degenerate!

- You dare insult me?

In front of my mother!

- No!
(dramatic music)

No!
(Sheri screams)

- [Sheri] Oh god no, please!

(Sheri screaming)

- Come.

- Sheri!

Sheri!

Help me! (sobs)

- There, now isn't that better?

10 years.

Time twisting so.

But I never gave up hope.

And now you're here.

You haven't changed at all.

When you went to Chicago

father said that
it was my fault.

He was angry with me.

He said that you couldn't stand
living with the two of us.

And he blamed me.

That's not true, is it, mother?

- No, that isn't true.

- And then the military came.

Tried to drive us away with
their strange experiments.

Father tried to
blame that on me too.

He thought I was trying
to sell the land.

He thought I was
trying to trick him.

- Where is your
father now, Andre?

- He's being cared for.

Father had an accident, mother.

I do everything now.

- What was that?

- Shh!

- It's him again.

- Maybe it's help.

- It's Andre, I know it!
- Shh!

Maybe it's Simone.

Maybe she got loose.

(wood creaking)

Where's Simone?

(eerie music)
(wood creaking)

- Andre, why do you keep those
girls locked up in the barn?

Now that I'm here
couldn't you let them go?

- No, I couldn't let them go.

I captured them.

They belong to me.

You don't know how hard it is.

Sometimes I have to stalk
them from the tower,

then I have to catch them.

And then still don't
work out at times.

Sometimes,

they have to be disposed of.

- Aren't they missed?

Doesn't anyone ever come
looking for their animals?

- No.

No one misses these little
animals out in that jungle.

The jungle has a
very short memory.

- You didn't like
your breakfast?

- Oh no, it was fine.

Fine, I guess I'm just
not hungry, that's all.

- More coffee?

- Yeah, thanks.

- You really must have
a lot on your mind.

Around here I'm considered
the best cook in the county.

- The breakfast was great.

It was good.

But it's true, I got
a lot on my mind.

- Alright.

- By the way, where's the
best place in town to stay?

- Well, there's a nice
hotel just down the block.

Good morning, Frank.

How are you this morning?

- Fine.

- Coffee?
- Yeah.

Been up all night trying to find

a couple of missing motorists.

- The usual?

- Please.
- Coming right up.

- Excuse me.

These missing motorists,
you found them?

- No, sir, I'm afraid we didn't.

- Are they women?

- No, two men camping.

They were reported yesterday
missing from the campsite

about 10 miles from here.

- Well, I'm missing
some people too.

You haven't heard
about three young women

disappearing a
couple of days ago

somewhere between here
and Las Vegas, have you?

- Seems to me we received
a report from the county.

But I thought at the
time patrol dismissed it

as an erroneous report.

- What do you mean
erroneous report?

- We get them all the time.

People get lost out
here for awhile,

later they pop up
like nothing happened.

- [Derek] You mean
you guys do nothing

about looking for these people?

- Yeah, when we can.

Why, what's your
interest in these girls?

- They're my
clients, these girls.

I booked them in Las Vegas.

They're opening at
the Las Vegas Lodge.

I left them a couple of
days ago in Los Angeles

and I said, you know,
we'll all meet in Vegas

and never they never showed up.

So I'm going nuts trying to
find out what happened to them.

- Maybe they stayed
in Los Angeles.

- No, no, no.

This was opening night, they
couldn't wait to get there.

Let me tell you something,

I've been to every town
between here and Vegas,

and I've checked
with highway patrol,

no reports of accidents.

Nothing.

- You say you've checked
all towns along the highway?

- Yeah.

- They obviously
took another route.

What was your name again?

- Derek Moore.

- Alright, Mr. Moore,

can you describe
the womans to me?

You know, how they were
dressed, make of car,

anything that might help?

- Well, there was a
blonde, and two brunettes.

Very pretty girls.

And they were driving a brown
Ford station wagon, '66.

- [Frank] I want to
check out a few things.

I'll be right back.

- [Waitress] Everything's
going to be alright, son.

Frank Stanford's
a darned good man.

He'll do everything he can.

- [Derek] Well, somebody
better do something.

(clock ticking)

(dramatic music)

(Corrine gasps)

- Shh.

Shh.

(dramatic drum music)

(Corrine screams)

(dramatic music)

(Corrine screaming)

(door rattling)

Listen to me!

If you do what I tell you,

you won't get hurt,

and I'll treat you well.

(dramatic music)

Get up.

The one thing I don't have

in my circus

is a reptile.

So I need one.

Put your hands behind you.

Behind you.

You're going to be

my little reptile lady.

You're going to be good at it.

Because if you're not,

you won't be treated well.

Now, get on your knees.

Get on your knees!

Now, lie down!

(dramatic music)

Look at me!

Now crawl.

(Corrine screaming)

Crawl!

Crawl!

Come on.

(dramatic music)

Come on.

Come on!

Come on.

Come on!

Come on!

Now roll over.

Roll over!

Now,

I want you to meet a
little friend of mine.

(Corrine screams)

You'll get used to him.

You're going to learn his ways.

His movements.

You're going to
get inside of him.

And he's going to
get inside of you.

- Please, please.

Please, please! (screams)

- Here's something.

- A credit card receipt.

- Seems that three nights ago

the girl fitting your
description and her car

filled up at the Baker's garage.

- Did the guy at the station
say which they headed for?

- No, but there's only
a couple of routes

they could've taken.

Now, let's see.

Through here is the main
highway leading into Nevada.

This is an old secondary road,

hasn't been used
since the government

closed it up some years back.

- What's that?

- You mean right here?
- Yeah.

- I don't know,
could be anything.

Just an old dirt road.

Probably would lead to
a ranch or something.

- Something.

That's exactly it, something.

The end of the world perhaps.

Even worse,

the gateway to Hades.

- Now, Mr. Alvarez,
the sheriff is busy.

- Well, he should be.

There's someone walking
around out there.

- Now, Mr. Alvarez
are you watching

the flying saucers again?

- Among other things.

I say the testing of the H-Bomb
is changing our whole world.

You're not going to get
me out there, no siree.

- Okay, what do we do now?

- I'll tell you what
we're going to do.

We're going to do a
little snooping around.

First we'll try the old highway.

I'll put in the call to the CHP,

the Nevada boys will check
their end of the highway.

Ms. Bains.
- Hmm?

- When my two partner shows up

send him up the old
highway, pronto.

- Right away, Frank.

- Thank you.

- I want to show you something.

Now, mother, I don't want you
to ever come in here alone.

It's very dangerous.

This is my lab,

my workshop.

I spend a great deal of
time getting things ready

for the show.

It's not much I know,
but it's convenient.

And look, look, look.

See, I can watch the
animals through here.

Now, mother,

I've got to go away
for a little while,

but you'll be safe here.

I've got to go check
on the animals.

- Andre, why don't you
let me check them for you?

- Oh no, mother,
they're too dangerous.

They're vicious.

They'll turn on you.

Breeding is important.

Some of them seem

untrainable.

It'll be my duty as ringmaster
to teach them discipline.

- Andre,

what did you do with Loretta?

- She's with the others.

- What others?

- To soon be part
of our sideshow.

So many things have happened.

I've worked very hard
since you've been gone.

We got a real circus
this time, mother.

Not some make believe like
when daddy was ringmaster,

but a real circus.

Oh, mother,

I'm so glad you're back.

I'm so glad you're back.

(Andre sobs)

We have so much to talk about.

I'll try not to be long.

(dramatic music)

(Simone sobbing)

(engine revs)

- Is that the dirt
road you meant?

- That's the one.

- Turn right here.

Well, go ahead.

- Be around here somewhere.
- Yeah.

Let's go down the road.

(dramatic music)

- Is that Simone?

My god, is that Simone?

- What are they doing in there?

(Simone grunts)

- Fight him, Simone, fight him.

Kill him!

- Damn you, Derek, find us!

- This must be the
gateway to Hades

that old guy was
talking about, right?

Well, what are we gonna do now?

- We're gonna go right through.

Come on, let's go.

(engine revs)

(dramatic music)

(tinny musical box music)

(sobs)

(dramatic music)

(women shouting)

- Simone, please Simone.

Help me, Simone.

- Game.

(women shouting)

- Don't forget me.

What about me?

What about me?

(dramatic music)
(women shouting)

- Go on.

It's okay.

Go.

Go on.

(dramatic music)

- Thank you, Simone.

(dramatic music)

- Oh, Simone, it doesn't work.

It doesn't work.

- [Simone] It's gonna work.

- No.

Go, please, he could
come back any minute.

Please.

Get out of here!

Go.

- Try the next one.

(dramatic music)

(girls gasp)

(dramatic music)

(engine revs)

- Yeah, that's
their car alright.

They must've had engine trouble.

What do you see?

- Don't know exactly.

Looks like an old barn.

Can't quite make it out.

- Well, let's check it out.

- No, first we'll go the old
highway and pick up my deputy,

then we'll go check it out.

(dramatic music)

(door rattling)

- You're no different
from the others.

You're the same
kind of deceitful,

lying animal just
like the rest of them.

I can't trust you.

- Andre, I'm not an animal.

I'm not your mother.

My name is Simone.

- You think that I believe that?

You lied to me like
you did before.

(door rattles)

I heard what you
thought of me years ago.

You and that man.

He said that I was insane
and you said he was right.

- Andre, what are you doing?

- I'm not insane.

I've always known
what I wanted to do.

- [Simone] What are you doing?

- Ladies and
gentlemen, welcome--

(man moaning)

- Lock him up!

Come on, lock him up!

Lock him up!

Come on, hurry!

Lock him up!

Come on!

(man moaning)

Come on, hurry, dammit!

What are you doing?

Come on, hurry!

Get the key!

(dramatic music)
(man moaning)

Hurry, get the key!

(dramatic music)
(Andre groaning)

- What have you done?

- [Simone] Get me out of here!

(man groaning)

(dramatic music)

- Go back!

Go back!

(Simone screaming)

Go back!

Father?

Go back!

Go back!

Father!

(father groaning)
(Simone screaming)

(dramatic music)

(father groaning)

(duck quacks)

(dramatic music)

(father groaning)

(girls screaming)

(father groaning)

(girls screaming)

(Karene laughing)

(girls screaming)
(father groaning)

(Karene laughing)

(girls screaming)
(father groaning)

(engine revs)

(dramatic music)

(door slams)

- [Derek] Thanks.

- Come on.

- Good god!

(cougar growls)

(shotgun blasts)

- Come on.

God, what happened here?

This one's still alive.

What happened here?

Freddie, get the bolt
cutter out of the Jeep.

- My house.

- Jesus Christ.

(Karene singing)

(Karene muttering)

- Can you tell me what happened?

Who done this?

- I found this one
wandering around.

There's two others
just like that, dead.

- You fire that shot?

- Yes, I did.

I killed a cougar.

- Okay, let's get these
people back to Hart.

(dramatic music)

♪ Evil eyes

♪ Hypnotize

♪ Satan glows

♪ Devil is the man

♪ Night must fall

♪ Darkness calls

♪ Satan shows

♪ Devil is the man

♪ You're possessed by
a relentless demon ♪

♪ I can't rest knowing
you're worth redeeming ♪

♪ Pray with me

♪ Stay with me

♪ Heaven knows

♪ Devil is the man

♪ Heaven knows

♪ Devil is the man

♪ Heaven knows

♪ Devil is the man