Rockshow (1980) - full transcript

[crowd cheering]

[music - "venus and mars"]

Sitting in the stand
of the sports arena

waiting for the show to begin.

Red lights, green
lights, strawberry wine.

A good friend of mine
follows the stars.

Venus and Mars are
all right tonight.

[music - "rock show"]

Yeah!

Tell me what's that man
holding in his hand?

He looks a lot like a
guy I knew way back when.



It's Silly Willy
with the Philly band.

Could be, ooh-ee.

What's that man moving
cross the stage?

It looks a lot like the
one used by Jimmy Page.

It's like a relic
from a different age.

Could be, ooh-ee.

If there's a rock show
at the concertgebow,

they've got long hair
at the Madison Square,

you've got rock and roll at the
Hollywood Bowl, we'll be there.

Ooh yeah.

All right, baby.

The lights go down.

They're back in town OK.

Behind the stacks
you glimpse an axe.



The tension mounts.

You score an ounce.

Ole.

Temperatures rise as you see
the whites of their eyes.

Oh, if there's a rock
show at the concertgebow,

they've got long hair
at the Madison Square,

you've got rock and roll at the
Hollywood Bowl, we'll be there.

Oh yeah.

Come on, baby.

Oi.

Oi.

Oi.

In my green metal suit I'm
preparing to shoot up the city.

Oi.

And the ring at
the end of my nose

makes me look rather pretty.

Oi.

It's a pity there's nobody
here to witness the end,

save for my dear old friend and
confidante Mademoiselle Kitty.

Kitty.

Kitty.

Kitty.

Oh tell me, what's that
man moving to and fro?

That decibel meter doesn't
seem to be reading low.

But they was louder
at the Rainbow.

Could be, ooh-ee.

Well if there's a rock
show at the concertgebow,

they've got long hair
at the Madison Square,

you've got rock and roll at the
Hollywood Bowl, we'll be there.

Ooh yeah.

Oh, if there's a rock show,
boys, I'm going to be there.

Long hair, M-M-Madison
Square yeah, yeah.

Rock and roll at the
Hollywood Bowl yeah, yeah.

I'm taking you there.

With your long blond hair
and your sexy soul, baby.

Oh, baby.

I got tickets for you,
yeah, yeah, yeah, yeah.

Oh, boogie, boogie.

Oh my baby, baby.

Yeah for my soul.

[music - "jet"]

Come on now.

Yeah, yeah, yeah, yeah.

Oh come on, baby.

Oh yeah, yeah, yeah,
yeah, yeah, yeah.

Oh yeah.

Jet.

Jet.

Jet.

I can almost remember
their funny faces.

That time you told them that you
were going to be marrying soon.

And Jet, I thought the only
lonely place was on the moon.

Jet.

Jet.

Jet.

Was your father as bold
as the sergeant major?

How come he told you that you
were hardly old enough yet?

And Jet, I thought the major
was a lady suffragette.

Jet.

Jet.

Ah mater want Jet
to always love me.

Ah mater want Jet
to always love me.

Ah mater, much later.

Ooh, she said.

Woo, she said.

Oh yeah, Jet.

Jet, don't you know that I--

I thought you was a
little lady suffragette?

Jet.

Jet.

Ah mater want Jet
to always love me.

Ah mater want Jet
to always love me.

Ah mater, much later.

Ooh, she said.

Woo, she said.

Yeah.

Jet.

With the wind in your
hair of a thousand laces,

climb on the back and we'll
go for a ride in the sky.

Jet, don't you know that I--

I thought you was a
little lady suffragette?

Jet.

Yeah.

Oh, don't you know that I--

I thought she was a
little lady suffragette?

Jet.

My little lady.

Ooh, yeah, yeah, yeah, yeah.

Woo.

[crowd cheering]

Woo!

All right.

How are you feeling, good?

[music - "let me roll it"]

You gave me something
I understand.

You gave me loving in
the palm of my hand.

Oh, I can't tell you how I feel.

My heart is like a wheel.

Let me roll it.

Let me roll it to you.

Let me roll it.

Come on, baby.

Let me roll it to you.

I want to tell you
and now's the time.

I want to tell you that
you're going to be mine.

Oh, I can't tell you how I feel.

My heart is like a wheel.

Let me roll it.

Let me roll it to you.

Let me roll it.

Yeah, yeah, yeah.

Let me roll it to you.

Oh, I can't tell you how I feel.

My heart is like a wheel.

Let me roll it.

Let me roll it to you.

Let me roll it.

Yeah, baby.

Let me roll it to you.

Yeah.

Oh yeah.

Thank you.

Thanks a lot.

How are you doing?

Are you feeling good?

Oh yes, oh yeah.

Well all right.

Listen, this is Denny Laine.

Evening, all.

This next song is a
song you might know.

It's called "Spirits
of Ancient Egypt."

[MUSIC - "SPIRITS OF ANCIENT
EGYPT"]

You're my baby and I love you.

You can take a pound of love
and cook it in the stew.

When you're finished doing that,
I know what you'll want to do.

'Cause you're my
baby and I love you.

I'm your baby.

Do you love me?

I can drive a Cadillac
across the Irish sea.

When I've finished doing that,
I know where I want to be.

'Cause I'm your baby
and you love me.

Spirits of ancient Egypt.

Shadows of ancient Rome.

Spirits of ancient Egypt.

Hung on the telly.

Hung on the telly.

Hung on the telephone.

Oh, 'cause your my baby,
I know you know you could

sell an elevator to Geronimo.

When you're finished doing that,
I know where you'll want to go.

'Cause you're my
baby and you love me.

Spirits of ancient Egypt.

Echoes of sunken Spain.

Spirits of ancient Egypt.

Hung on the phone a--

hung on the phone a--

hung on the phone again.

Spirits of ancient Egypt.

Oh.

[crowd cheering]

Thank you.

Thank you very much.

Well we'll stick
with the shovel--

shuffle rhythm, I should say.

The shovel rhythm.

This here is Jimmy McCulloch.

Yeah.

Do another one from the
"Venus and Mars" album.

This one is called
"Medicine Jar."

[music - "medicine jar"]

What's wrong with you?

I wish I knew.

You say time will tell.

I hope that's true.

There's more to life
than blues and reds.

I say, I know how you fell
now your friends are dead.

Dead on your feet, you won't
get far if you keep on sticking

your hand in the medicine jar.

Well now don't give
up, whatever you do.

You say time will tell.

I hope that's true.

If you go down and
lose your head,

I say, I know how you fell
now your friends are dead.

Dead on your feet, you won't
get far if you keep on sticking

your hand in the medicine jar.

Dead on your feet, you won't
get far if you keep on sticking

your hand in the medicine jar.

What can I do?

I can't let go.

You say time will
heal, but very slow.

So don't forget the
things you said.

I say I know how you feel
now your friends are dead.

Dead on your feet, you won't
get far if you keep on sticking

your hand in the medicine jar.

Dead on your feet, you won't
get far if you keep on sticking

your hand in the medicine jar.

The medicine jar.

The medicine jar.

The medicine jar.

Get your hand out.

[crowd cheering]

Great.

Thanks a lot.

We're going to
change around here.

Denny's going to
play a bit of bass.

We're going to do a piano tune.

It goes back a few albums,
but I'm sure you know it.

[music - "maybe i'm amazed"]

Maybe I'm amazed at the way
you love me all the time.

Maybe I'm afraid of
the way I love you.

Maybe I'm amazed at the way
you pulled me out of time.

You hung me on a line.

Maybe I'm amazed at the
way I really need you.

Maybe I'm a man and
maybe I'm a lonely man

who's in the middle
of something that he

doesn't really understand.

Maybe I'm a man and maybe
you're the only woman

who could ever help me.

Darling, won't you
help me to understand?

Ooh.

Ah.

Maybe I'm a man and
maybe I'm a lonely man

who's in the middle
of something that he

doesn't really understand.

Maybe I'm a man and maybe
you're the only woman

who's able to help me.

Baby, won't you help
me to understand?

Ooh.

Ah.

Maybe I'm amazed at the way
you're with me all the time.

Maybe I'm afraid of
the way I leave you.

Maybe I'm amazed at the way
you help me sing my song.

You right me when I'm wrong.

Maybe I'm amazed at the
way I really need you.

Yeah.

Yeah.

Yeah, yeah, yeah,
yeah, yeah, yeah.

Yeah, yeah, yeah,
yeah, yeah, yeah, yeah.

Oh, yeah, yeah.

Now baby, won't you
help me understand?

Ooh.

Ah.

Maybe I'm a man and
maybe I'm a lonely man

who's in the middle
of something that he

doesn't really understand.

Maybe I'm a man and
you're the only woman

who's ever going to help me.

Now baby, won't you
help me to understand?

Ooh.

Ah.

Oh baby, I'm amazed.

Babe, I'm amazed.

Yeah.

Baby, I'm amazed.

Yeah, yeah, yeah.

Yeah, baby, I'm amazed.

I'm amazed with you.

Ooh.

Ooh.

[crowd cheering]

Thank you.

Thank you.

Cheers.

Thank you very much.

Thanks a lot, folks.

We'd like to play a tune
now which we recorded

in New Orleans, Louisiana.

And this song is called
"Call Me Back Again."

[music - "call me back again"]

Well, when I-- when I was
just a little baby boy,

every night I would call because
your number brought me joy.

Ooh, I've called your house
every night since then,

but I ain't never, no, no,
never heard you calling me.

Come on and call me.

Call me back again.

Tell me, baby, why
won't you call me?

Call me back again.

Oh yeah.

Ooh, I've called your house
every night since then,

but I ain't never, no, no,
never heard you calling me.

So come on, won't you call?

Call me back again.

Every night I've been
calling your name.

Call me back again.

So come one and
call me back again.

Well when I, I,
I, I, I, I, I, I--

when I was just a little baby
boy, every night, every night,

I would call
because your number,

you know it brought
me such great joy.

Ooh, I've called your name,
child, every night since then.

But I ain't never no,
no, no, no, no, no, no,

never heard you, ain't
never heard you calling

me, my sweet, sweet baby.

Call me back again.

So you know you-- you
better call me back again.

Woo.

Call me back again.

I call the operator,
call the operator.

Call me back again.

But I still can't
get through to you.

Call me back again.

Yeah.

Yeah.

Yeah.

Oh, yeah, yeah,
yeah, yeah, yeah,

yeah, yeah, yeah,
yeah, yeah, yeah,

yeah, yeah, yeah, yeah, yeah.

Ooh babe.

Ooh babe.

Ooh babe.

You've got me crying, babe.

Come on and call me back again.

Got me running.

[crowd cheering]

Hey.

Well you're a grand
bunch here tonight.

I'll tell you that.

I'll tell you a lot for nothing.

Listen, before we
go any further,

have we got any English
people in the audience?

All right.

Have we got any
people from Canada?

How about Americans?

Yeah.

All right.

We'd like to do a
tune now which goes

back into the mists of time.

And if anyone feels like
clapping along with this one--

when it starts though, you know.

It goes like this.

That wasn't it.

Ooh.

All right.

Woo.

[music - "lady madonna"]

Lady Madonna,
children at your feet.

Wonder how you manage
to make ends meet.

Who finds the money?

When you pay the rent?

Did you know that
money was Heaven sent?

Friday night arrives
without a suitcase.

Sunday morning
creep in like a nun.

Monday's child has learned
to tie his bootlace.

See how they run.

Lady Madonna, baby
at your breast.

Wonder how you manage
to feed the rest.

See how they run.

Lady Madonna, lying on the bed.

Listen to the music
playing in your head.

Come on, baby.

Tuesday afternoon
is never ending.

Wednesday morning
papers didn't come.

Thursday night you
stockings needed mending.

See how they run.

Lady Madonna,
children at your feet.

Wonder how you manage
to make ends meet.

Hey.

Whoa, whoa, whoa.

Whoa.

Whoa, yeah.

[crowd cheering]

Oh.

Oh, sugar.

[crowd cheering]

Thank you.

[MUSIC - "THE LONG AND WINDING
ROAD"]

The long and winding road
that leads to your door

will never disappear.

I've seen that road before.

Don't leave me standing here.

Lead me to your door.

The wild and windy night
that the rain washed away

has left a pool of tears
crying for the day.

Don't keep me waiting here.

Let me know the way.

Many times I've been alone
and many times I've cried.

Anyway, you'll never know
the many ways I've tried.

But still they lead me back
to the long and winding road.

You left me standing here
a long, long time ago.

Oh yeah.

Don't keep me standing here.

Lead me to your door.

But still they lead me back
to the long and winding road.

You left me standing here
a long, long time ago.

Ooh yeah.

Oh yeah.

Don't keep me waiting here.

Don't keep me waiting.

Lead me to your door.

Ooh.

[crowd cheering]

Woo.

Thank you.

Listen, I'd like to hand
you over now for a few words

from my friend, missus,
and better half Linda.

Thank you very much.

This next song is about
a British secret agent

and it's full of
intrigue intrigue.

Woo-hoo.

It's called "Live and Let Die."

[music - "live and let die"]

When you were young and
your heart was an open book,

you used to say
live and let live.

You know you did, you know
you did, you know you did.

But if this ever changing
world in which we live in

makes you give in and
cry, say live and let die.

Live and let die.

Live and let die.

Live and let die.

What does it matter to you?

When you've got a job to do,
you've got to do it well.

You've got to give
the other fellow hell.

You used to say
live and let live.

You know you did, you know
you did, you know you did.

If this ever changing
world in which we live in

makes you give in and
cry, say live and let die.

Live and let die.

Live and let die.

Let it die.

Live and let die.

[crowd cheering]

This is where we
have a little sit

down now and play our
acoustic guitars for a while.

So take your socks
off if you like.

Uh, not if you're
sitting down in the front.

Don't.

This is a wee drinking song
from "Band on the Run" here.

[MUSIC - "PICASSO'S LAST
WORDS (DRINK TO ME)"]

A grand old painter
died last night,

his paintings on the wall.

Before he went, he bade us well
and said goodnight to us all.

Drink to me, drink to my health.

You know I can't drink anymore.

Drink to me, drink to my health.

You know I can't drink anymore.

3 o'clock in the morning,
I'm getting ready for bed.

It came without a warning, but
I'll be waiting for you, baby.

I'll be waiting for you there.

So drink to me,
drink to my health.

You know I can't drink anymore.

Drink to me, drink to my health.

You know I can't drink anymore.

[speaking french]

[music - "richard cory"]

They say that Richard Cory owns
one half of this whole town.

With political connections,
he spreads his wealth around.

He was born into society,
a banker's only child.

He had everything
a man could want--

money, praise, and style.

The papers print his picture
almost every place he goes.

Richard Cory at the opera,
Richard Cory at the shows.

And the rumor of his parties
and the orgies on his yacht.

He really must be happy
with everything he's got.

But I work at his factory and
I curse the life I'm living,

and I curse my poverty.

Oh, I wish that I could be--

I wish that I could be--

I wish that I could
be Richard Cory.

Yeah.

He really gave to the
charities in town.

He had the common touch.

And they were thankful
for his patronage

so they thanked him very much.

My mind was filled with wonder
when the evening headline read,

Richard Cory went
home last night

and put a bullet
through his head.

But I work in his factory and
I curse the life I'm living,

and I curse my poverty.

I wish that I could
be-- yeah, yeah, yeah.

I wish that I could be--

Oh I wish that I
could be Richard Cory.

Or Paul Simon, whichever
suits you the best.

[crowd cheering]

Thank you.

Thank you, Dennis.

Uh, does anyone know
what a rhythm box is?

Hands up.
OK.

Um, listen, for anyone who
doesn't know what a rhythm

box is, it's this little
thing you can get in a shop,

you plug it in your wall
and you hit the button

and it sounds like that.

[inaudible].

Amazing what we can
do these days, you know.

Isn't it?

[music - "bluebird"]

Late at night when
the wind is still,

I'll come flying
through your door,

and you'll know
what love is for.

I'm a bluebird.

I'm a bluebird.

I'm a bluebird.

I'm a bluebird.

Yeah, yeah, yeah.

I'm a bluebird.

I'm a bluebird.

I'm a bluebird.

Yeah, yeah, yeah.

Touch your lips
with a magic kiss,

and you'll be a
bluebird too, and you'll

know what love can do.

I'm a bluebird.

I'm a bluebird.

I'm a bluebird.

I'm a bluebird.

Yeah, yeah, yeah.

I'm a bluebird.

I'm a bluebird.

I'm a bluebird.

Yeah, yeah, yeah.

Ah bluebird, ah-ha.

Bluebird, ah-ha.

Bluebird, ah-ah-ah.

Fly away through the midnight
air as we head across the sea,

and at last we will be free.

You're a bluebird.

You're a bluebird.

You're a bluebird.

You're a bluebird.

Yeah, yeah, yeah.

You're a bluebird.

You're a bluebird.

You're a bluebird.

Yeah, yeah, yeah.

Ah bluebird, ah-ha.

Bluebird, ah-ha.

Bluebird, ah-ah-ah.

Howie Casey.

At last we will be free.

Bluebirds, you and me.

At last we will be free.

Oh now, bluebird, ah-ha.

Bluebird, ah-ha.

Bluebird, ah-ah-ah.

All alone on a desert island,
we're living in the trees,

and we're flying in the breeze.

We're the bluebirds.

We're the bluebirds.

We're the bluebirds.

We're the bluebirds.

And we're singing
bluebirds, ah-ha.

Bluebird, ah-ha.

Bluebird, ah-ah-ah.

Ooh.

[crowd cheering]

Muchas gracias.

OK, listen.

We'd like to do a
tune now which is a--

well it's known in the business
as a slight toe tapper.

You know them.

You know.

So listen, if anyone feels
like tapping their toes,

do it to this one.

It's going back a bit, this,
but uh, if you're over 12,

you're all right.

[MUSIC - "I'VE JUST SEEN A
FACE"]

I've just seen a face.

I can't forget the time
or place we first met.

She's just the girl
for me and I want

all the world to see we've met.

La la la la-ah la.

Had it been another day, I
might have looked the other way

and I'd have never been aware.

But as it is, I'll
dream of her tonight.

La la la da-da da.

Falling, yes I am
falling, and she

keeps calling me back again.

Falling, yes I am
falling, and she

keeps calling me back again.

Take it, boy.

Falling, yes I am
falling, and she

keeps calling me back again.

Falling, yes I am
falling, and she

keeps calling me back again.

I have never known
the likes of this.

I've been alone and
I have missed things

and kept out of
sight, but other girls

were never quite like this.

La la la da-da da.

Falling, yes I am
falling, and she

keeps calling me back again.

Falling, yes I am
falling, and she

keeps calling me back again.

[crowd cheering]

Thank you.

I'd like to change
over to my other piano,

as Winifred Atwell once said.

[music - "blackbird"]

Blackbird singing in
the dead of night.

Take these broken
wings and learn to fly.

Mm.

All your life, you were
only waiting for this moment

to arise.

Blackbird singing in
the dead of night.

Take these sunken
eyes and learn to see.

Mm.

All your life, you were
only waiting for this moment

to be free.

Blackbird fly.

Blackbird fly into the light
of the dark black night.

Blackbird singing in
the dead of night.

Take these broken
wings and learn to fly.

Mm.

All your life, you were
only waiting for this moment

to arise.

Blackbird fly.

Blackbird fly into the light
of the dark black night.

Blackbird singing in
the dead of night.

Take these sunken
eyes and learn to see.

Mm.

All your life, you were
only waiting for this moment

to be free.

You were only waiting for
this moment to be free.

You were only waiting for
this moment to be free.

[crowd cheering]

Thanks a lot.

This one will take you back
a bit, if you remember it.

See how you go.

[music - "yesterday"]

Yesterday, all my troubles
seemed so far away.

Now it looks as though
they're here to stay.

Oh, I believe in yesterday.

Suddenly, I'm not half
the man I used to be.

There's a shadow
hanging over me.

Oh, yesterday came suddenly.

Why she had to go, I don't know.

She wouldn't say.

I said something wrong
now I long for yesterday.

Yesterday love was such
an easy game to play.

Now I need a place to hide away.

Oh, I believe in yesterday.

Mm mm mm mm mm mm-mm.

[crowd cheering]

Thank you.

Thank you!

We'd like to dedicate
this next tine we're going

to play to, uh, Fred Astaire.

It goes like this.

[MUSIC - "YOU GAVE ME THE
ANSWER"]

You gave me the answer
to love eternally.

I love you and you,
you seem to like me.

Wherever we wander,
the local folk agree.

I love you and you,
you seem to like me.

Heading back for
old familiar places,

places where the
cobwebs blow away.

I can forget the
airs and graces.

Should do this
more often, chaps.

This is fun.

You'll never be crowned
by the aristocracy.

To their delight,
you'd merely invite

them in for a cup of tea.

I love you and you,
you seem to like--

you seem to like--
you seem to like me.

Ooh.

[crowd cheering]

Thank you.

This next song is
a bit of a rocker.

In fact, it's a lot of a rocker.

And it's about
three comic book--

strip cartoon characters.
Here they come.

Come on, lads.
Get down here!

The song is called
"Magneto and Titanium Man."

[MUSIC - "MAGNETO AND TITANIUM
MAN"]

Well I was talking last night.

Magneto and Titanium Man.

We were talking about you, baby.

You were involved
in a robbery that

was due to happen at a quarter
to 3 in the main street.

Well I didn't believe them.

I didn't believe them.

Magneto and Titanium Man.

But when the Crimson
Dynamo finally assured me,

I knew you were
involved in a robbery

that was due to happen
at a quarter to 3

in the main street.

So we went out.

Magneto and Titanium Man.

And the Crimson Dynamo
came along for the ride.

We went to town with
the library and we

swung all over that long,
tall bank in the main street.

Well there she were
and to my despair,

she's a five-star criminal
breaking the code.

Magneto said, "Now the time
has come to gather our forces

and run."

Oh no.

Can't be so.

Then it occurred to me.

You couldn't be bad.

Magneto was mad.

Titanium too.

And the Crimson Dynamo just
couldn't cut it no more.

You were the law.

Ah yeah.

We went to town with
the library and we

swung all over that long,
tall bank in the main street.

You know what I mean?

Well there she were
and to my despair,

she's a five-star criminal
breaking the code.

Yeah.

Yeah, yeah, yeah, yeah.

Magneto said, "Now the time
has come to gather our forces

and run."

Oh no.

Can't be so.

Then it occurred to me.

You couldn't be bad.

Magneto was mad.

Titanium too.

And the Crimson Dynamo, well he
just couldn't cut it no more.

You were the law.

[crowd cheering]

My, my, my.

I'd like to do a
flash from the past

for whoever knows it out there.

We've already said--

[music - "go now"]

--goodbye.

But since you've
got to go, oh you'd

better go now, go
now, go now, go

now before you see me crying.

Yeah, yeah.

I don't want you to tell me
what you intend to do now.

Yeah.

How many times do I have
to tell you, darling,

I'm still in love with you now.

Whoa, oh, oh, oh.

We've already said so long.

I don't want to see you go.

Oh you'd better go now,
go now, go now, go now.

Don't you even try, yeah,
telling me that you really

want to us to end this way.

Yeah.

How many times do
I have to tell you,

darling, I want you to stay?

Hey, hey, hey, hey.

You know that I
want you to stay.

I want you to stay.

Since you've got to
go, oh you'd better

go now, go now, go now, go now.

Don't you even cry, yeah.

Well I don't want you to tell
me what you intend to do now.

Yeah, yeah, yeah, yeah.

How many times do I have
to tell you, darling,

I'm still in love with you now.

Whoa, oh, oh, oh.

I don't want to see you go.

But darling, you'd
better go now.

Yeah, yeah, yeah,
yeah, yeah, yeah.

OK.

[crowd cheering]

That was for all the over 12s.

OK.

While we're still on the
subject of loving and leaving,

this one's for the
lovers amongst you.

[music - "my love"]

And when I go away, I know my
heart can stay with my love.

It's understood, it's
in the hands of my love

and my love does it good.

Whoa, whoa, whoa.

Whoa, whoa, whoa, whoa.

My love does it good.

When the cupboard's
bare, I'll still find

something there with my love.

It's understood, it's
everywhere with my love

and my love does it good.

Whoa, whoa, whoa, whoa.

Whoa, whoa, whoa, whoa.

My love does it good.

Oh, I love, oh, my love.

Only my love holds
the other key to me.

Oh, my love, oh, my love.

Only my love does it good to me.

Oh, whoa, whoa, whoa.

Whoa, whoa, whoa, whoa.

My love does it good.

Don't ever ask me why I
never say goodbye to my love.

It's understood, it's in the
hands of my love and my love,

she does it good.

Whoa, whoa, whoa, whoa.

Whoa, whoa, whoa,
whoa, whoa, whoa, whoa.

My love does it good.

Oh, I love, oh, my love.

Only my love does it good to me.

Whoa, whoa, whoa, whoa, whoa.

Whoa, whoa, whoa.

[crowd cheering]

Great.

Thank you.

Thank you very much
for the [inaudible]..

OK, listen.

For anybody who's, uh--

who'd like to sort
of move around a bit

and, uh, a bit of
exercise, shake your bum,

here is a song to
shake thy bum to.

[MUSIC - "LISTEN TO WHAT THE MAN
SAID"]

All right.

Any time, any day, you
can hear the people

say that love is blind.

Well I don't know, but
I say love is fine.

Oh.

Oh.

Soldier boy kisses girl,
leaves behind a tragic world.

But he won't mind.

He's in love and he
says love is fine.

Oh.

Oh.

Oh, yes indeed we know that
people will find a way to go

no matter what the man said.

And love is fine
for all we know.

For all we know,
our love will grow.

That's what the man said.

Won't you listen to
what the man said?

He said, oh.

Oh.

Take it away, [inaudible].

Oh.

Oh.

Oh, yes indeed we know that
people will find a way to go

no matter what the man said.

And love is fine
for all we know.

For all we know,
our live will grow.

That's what the man said.

Won't you listen to
what the man said?

He said, oh.

Oh.

Oh, yes indeed we know that
people will find a way to go

no matter what the man said.

And love is fine
for all we know.

For all we know,
our love will grow.

That's what the man said.

Won't you listen to
what the man said?

Well he said, oh.

Yes he did.

Oh.

The wonder of it all, baby.

The wonder of it all, baby.

The wonder of it all, baby.

Yeah, yeah, yeah.

Ooh.

Oh.

Oh, bring it home.

[crowd cheering]

Rock and roll!

Thank you.

OK, thanks a lot.

Um, we're going to
do a few songs now

which are off our LP which is
called "At the Speed of Sound."

Yes.

All right.

And, uh, here we go.

[music - "let 'em in"]

Whoa, yeah, yeah,
yeah, yeah, yeah.

Someone knocking at the door.

Somebody ringing the bell.

Someone's knocking at the door.

Somebody's ringing the bell.

Do me a favor.

Open the door and let 'em in.

Yeah, yeah.

Someone knocking at the door.

Somebody ringing the bell.

Someone's knocking at the door.

Somebody's ringing the bell.

Well do me a favor.

Open the door and let 'em in.

Let 'em in now.

Sister Suzy, Brother John,
Martin Luther, Phil and Don.

Yeah, yeah.

Uncle Ernie, Auntie Gin.

Open the door and let 'em in.

Oh, yeah, yeah.

Oh yeah.

Oh yeah.

Sister Suzy, Brother John,
Martin Luther, Phil and Don,

Brother Michael, Auntie Gin.

Well open the door
and let 'em in.

Oh, yeah, yeah.

Someone knocking at the door.

Somebody ringing the bell.

Someone knocking at the door.

Somebody ringing the bell.

Well do me a favor.

Open the door and let 'em in.

Yeah, yeah, yeah,
yeah, yeah, yeah, yeah.

Someone knocking at the door.

Yeah.

Yeah, yeah, yeah.

[crowd cheering]

Thank you.

OK, this one is, uh--

it's called "Time to Hide."

[music - "time to hide"]

'Cause if you don't, I'm gonna.

[making indian noise]

Say, from the Apache tribe
where I come from, baby.

Oh, my baby.

Yeah, yeah, yeah, yeah, yeah.

Hey.

If I have to run, I'm not
running out on you, babe.

If I have to shake a little
sand out of my shoes,

I'm running from the law,
or they'll put me inside.

Yeah.

Baby, won't you let me
have a little time to hide?

Whoa, oh.

Baby, won't you let me
have a little time to hide?

I've been on the run since
the good lord knows when.

And the day I die, I'll
still be running then.

Running from the times when
I would lay me down and cry.

Baby, won't you let me
have a little time to hide?

Ooh, oh.

Baby, won't you let me
have a little time to hide?

Will I love you tomorrow?

Yes I will.

Yes I will, my love.

Will I beg, steal, or borrow?

Yes I will, my love.

Oh, yes I will, my love.

To spend a little time happy
to be by your side, baby,

won't you let me have
a little time to hide?

Baby, won't you let me
have a little time to hide?

If I have to run, I'm not
running out on you, baby.

If I have to shake a little
sand out of my shoes,

oh, I'm running from the law
or they'll put me inside.

Yeah.

Baby, won't you let me
have a little time to hide?

Whoa, whoa, yeah.

Baby, won't you let me
have a little time to hide?

Baby, won't you let me
have a little time--

baby, won't you let me
have a little time--

baby, won't you let me
have a little time to hide?

[crowd cheering]

Denny Laine.

The tune we're going
to play now is, um--

no, it's not that one.

And it is called
"Silly Love Songs."

[music - "silly love songs"]

You'd think that
people would have

had enough of silly love songs.

But I look around me
and I see it isn't so.

Some people want to fill the
world with silly love songs.

What's wrong with that?

I'd like to know
'cause here I go again.

I love you.

Sing it if you know it.

I love you.

Oh yeah.

I love you.

I love you.

Ah, I can't explain.

The feeling's plain to me.

Now can't you see?

Ah, she gave me more.

She gave it all to me.

Now can't you see?

What's wrong with that?

I need to know 'cause
here I go again.

I love you.

I love-- love you.

Love doesn't come in a minute.

Sometimes it
doesn't come at all.

I only know that when I'm
in it, oh, it isn't silly.

No, it isn't silly.

Love isn't silly at all.

Yeah, yeah.

How can I tell you
about my loved one?

How can I tell you
about my loved one?

How can I tell you
about my loved one?

How can I tell you
about my loved one?

I love you.

I love you.

I love you.

I love you.

I love you.

I love you.

I love you.

I love you.

Oh yeah.

You'd think that
people would have

had enough of silly love songs.

But I look around me
and I see it isn't so.

Oh, no.

Some people want to fill the
world with silly love songs.

And what's wrong with that?

Oh, what's wrong with that?

Whoa, oh, oh.

Yeah, yeah.

Ooh.

Oh yeah.

Thank you.

Woo-hoo.

Woo-hoo.

[crowd cheering]

All right.

[music - "beware my love"]

Whoa, whoa, whoa.

Whoa, whoa, whoa.

I must be wrong,
baby, but I don't

believe that he's the one.

But if you insist,
I must be wrong.

But I have to leave,
and when I'm gone,

I'll leave a message in my song.

Yeah.

Beware, my love.

He'll bowl you over.

Beware, my love.

Before you're much older,
he's going to sweep

you up under his carpet.

You'd be in luck if
I didn't stop it.

Beware, my love.

It's going to wear you
out and in a minute,

ooh, you'll hear a shout,
and then you'll be in it.

Oh, beware, my love.

He's going to take you under.

Beware, my love.

The sound of his thunder.

Whoa, yeah, yeah.

But I don't believe
that he's the one.

But if you insist,
I must be wrong.

I must be wrong, baby.

But I have to leave.

When I'm gone, I'll leave
him a message in my song.

That's where I'm
going to leave it.

Beware, my love.

He's going to bowl you over.

Whoa, yeah.

Beware, my love.

Before you're much
older, baby, that's

going to wear you
out and in a minute,

you're going to hear a shout,
and then you'll be in it.

Yeah, you better
beware, my love.

You better beware.

Yeah.

Oh, beware, my love.

Ooh yeah.

'Cause in a minute
you'll be in it.

Yeah, you better
beware, ooh yeah.

Ooh, ooh, ooh, ooh.

You better beware.

Beware, my love.

Yeah, yeah.

'Cause in a minute, you're
going to be in it, baby.

Yeah.

I can't say I've found out.

I tell you to beware, my love.

Beware, my love.

Beware, my love.

Hey.

Beware, my love.

That you better beware, my love.

Baby, beware, my love.

Yeah.

You better beware, my love.

Beware, my love.

Beware, my love.

Beware, my love.

Beware, my love.

Beware, my love.

Yeah.

You better beware.

Oh yeah.

You better beware, my love.

You beware.

Oh, yeah, yeah.

Oh, beware, my love.

Yeah, yeah, yeah.

Beware.

Beware.

Yeah.

Beware, my love.

Whoa, yeah, yeah, yeah.

Beware!

[crowd cheering]

Oh yeah.

All right.

Woo.

You've probably
noticed these fellows

up at the back here
who have been helping

us on horns all evening.

Well, I'd like to
introduce them to you.

OK?

Starting over on your
left, we have a fellow

who comes from Louisiana.

A little place called
Thibodaux near New Orleans.

And that's Thaddeus
Richard on sax.

All right.

Give him a real big cheer.

He loves to hear it.

OK.

And then coming next this
way, also on saxophone,

you have a fellow who comes
from the port of Liverpool.

He's a great sax player.
That's Howie Casey.

And then on trumpet,
coming one more this way,

you have a fellow who
comes from Dallas, Texas.

That's Steve Howard.

Slow Steve.

And then last, but not
least, a fellow here who's

been with us for a while now.

On trombone, from Macon,
Georgia, Tony Dorsey.

All right, listen.

And as it is the last
night of the tour,

I want to really thank them.

They know it, but I want you to
thank them for playing with us.

All right.

The biggest cheer you can give.

Come on.

Yeah!

[crowd cheering]

They're going to help us play a
tune called "Letting Go," man.

It goes like this.

[music - "letting go"]

Ah, she tastes like wine.

Such a human being so divine.

Ooh, she feels like sun.

Mother nature, look
at what you've done.

Oh, I feel like letting go.

Ooh, yeah, yeah, yeah, yeah.

Oh, I feel like letting go.

Ooh, yeah.

She looks like snow.

I want to put her
in a Broadway show.

Ah, yeah, she'll dance and dine.

Like a Lucifer
she'll always shine.

Oh, hey, I feel like letting go.

Yeah, yeah, yeah.

Oh, I feel like letting go.

Oh, I feel like letting go.

Yes I do.

Oh, I feel like letting go.

Oh, yeah, she sings it so.

I want to put her on the radio.

One day and there you are.

Ladies and gentlemen,
a brand new star.

Oh, I feel like letting go.

Oh, I feel like letting go.

Do you feel like letting go?

Tell me, do you feel
like letting go?

Yeah.

Do you feel like letting go?

Do you feel like letting go?

Yeah, yeah, yeah.

Do you feel like letting go?

Do you feel like letting go?

Yeah.

Do you feel like letting go?

Do you feel like letting go?

Yeah, yeah, yeah,
yeah, yeah, yeah, yeah.

[crowd cheering]

Right.

Great.

Thanks a lot.

Um, and we're coming towards
the end of our show now.

[crowd booing]

So listen, anything you've
got left that you want to do,

you better do it.

Woo.

All right.

All right.

[music - "band on the run"]

Stuck inside these four walls.

Sent inside forever.

Never seeing no one nice
again like you, mama.

You, mama.

You.

If I ever get out of here,
thought of giving it all away

to a registered charity.

All I need is a pint a day
if I ever get out of here.

If we ever get out of here.

Yeah, yeah, yeah.

Well the rain exploded
with a mighty crash

as we fell into the sun.

And the first one said
to the second one there,

"I hope you're having fun."

Band on the run.

Band on the run.

And the jailer
man and sailor Sam

were searching everyone
for the band on the run.

Band on the run.

Band on the run.

Band on the run.

Well, the undertaker drew a
heavy sigh seeing no one else

had come.

And a bell was ringing
in the village square

for the rabbits on the run.

Band on the run.

Band on the run.

And the jailer
man and sailor Sam

were searching everyone
for the band on the run.

Band on the run.

Yeah.

Yeah, for the band on the run.

Band on the run.

For the band on the run.

Yeah, yeah, yeah.

Band on the run.

Well, the night was
falling as the desert

world began to settle down.

In the town, they're
searching for us everywhere,

but we're never
going to be found.

No, no.

Band on the run.

Band on the run.

And the county judge
who held a grudge

will search forever more
for the band on the run.

Band on the run.

For the band on the run.

Yeah, yeah, yeah.

Band on the run.

Whoa, oh.

Ooh.

Ooh ooh-hoo.

[crowd cheering]

All right!

Thank you.

Oh, yeah, yeah,
yeah, yeah, yeah.

[crowd cheering]

I'll tell you what.

Do you fancy a little
bit of rock and roll?

You got it.

My, my, my.

[music - "hi, hi, hi"]

Well, when I met
you at the station,

you were standing with
a bootleg in your hand.

I took you back
to my little place

for a taste of a
multicolored band.

We're going to get hi, hi,
hi while the night is young.

Won't you be my
funky little mama?

I'm going to rock it.

We've only just begun.

We're going to get hi,
hi, hi with the music on.

We won't say bye
bye bye bye bye bye

bye bye 'til the night is gone.

I'm going to do it to you.

I'll do you.

Banana, you've
never got it done.

Hey.

We're getting hi, hi,
hi in the midday sun.

Ooh.

Oh, oh, oh.

Oh, oh, oh.

Whoa, oh, oh.

Well, boy, well now
now, take off your face.

Recover from the
trip you've been on.

I want you to lie on the bed,
get you ready for my polygon.

I'm going to do it to you.

I'll do you.

Banana, as you've
never gotten done.

Yeah.

And like a rabbit,
I'm going to grab it.

I'm going to do it
'til the night is done.

We're going to get hi,
hi, hi with the music on.

We won't say bye
bye bye bye bye bye

bye bye 'til the night is gone.

I'm going to do it to you.

I'll do you.

Banana, you've
never gotten done.

We're getting hi, hi, hi.

We're going to get hi, hi, hi.

We're going to get hi,
hi, hi in the midday sun.

We'll get--

Oh, I'm going to do you.

I do you 'cause I've
never been done.

We're going to get hi, hi, hi.

We're going to get hi, hi, hi.

We're going to get hi,
whoa, in the midday sun.

Whoa.

[crowd cheering]

Thank you.

All right!

Oh yeah!

[crowd cheering]

[girl screaming]

[music - "soily"]

Ooh yeah.

Ooh yeah.

I said, ooh yeah.

Ah ooh yeah.

I said, ooh yeah.

Whoa, yeah.

Oh yeah.

Oh.

People gathered here tonight,
I want you to listen to me.

To your left and to
your right, you've

got some pretty soily company.

Reader, writer, farmer, priest,
breed controller born deceased.

Indian, lawyer, doctor, dog, and
a plumber with a fattened hog.

Soily, soily.

Well the cat in the satin
trousers said it's oily.

Soily, soily.

Well the cat in the satin
trousers said it's oily.

You know he's right.

Yeah, that soily song.

Soily people.

Oh come on, baby.

It's flying 'round.

Hey.

Roman, Italian, country men,
I want you to listen to me.

I've said it twice
and I'll say it again.

We've got some
pretty soily company.

There's liar, and
cheater, jungle chief,

saint, believer on relief.

Action painter, Hitler's son,
and a commie with a Tommy gun.

Soily, soily.

Well the cat in the satin
trousers said it's oily.

Soily, soily.

Well the cat in the satin
trousers said its oily.

Oh baby, that soily song.

Soily people.

Come on, baby.

It's flying 'round.

Yeah.

Roman, Italian, country men,
I want you to listen to me.

I've said it twice
and I'll say it again.

We've got some
pretty soily company.

Liar, cheater, jungle chief,
saint, believer on relief.

Action painter, Hitler's
son, and a commie

with another Tommy gun.

Soily, soily.

Well the cat in the satin
trousers said it's oily.

Soily, soily.

Well the cat in
the satin trousers

said it's oily, yeah, yeah.

Well the cat in the satin
trousers said it's oily.

Hey.

Soily, soily.

Well the cat in the
satin trousers said

it's-- that's what he said now.

Oh yeah.

Oh yeah.

Oh yeah.

Oh yeah!

Oh yeah!

[crowd cheering]

Wonderful.

That is it.

See you.

Ta ta.

See you next time,
Seattle, Canada, America.

I love you!

And thank you for
coming on top of that.

See you next time.

[crowd cheering]