Out-of-Sync (1995) - full transcript

Radio: HEY, WHAT'S SHAKIN', L.A.?

IT'S 12:03, AND YOU'RE LOUNGING WITH SWAY KINTE...

AND JOE QUICKS, THE LATIN SOUL BROTHER.

IT'S ONE OF THOSE RARE CLEAR AFTERNOONS.

VISIBILITY MUST BE ABOUT...

20 TO 30 FEET.

SO WHILE YOU'RE ENJOYING YOUR LUNCH,

WE'LL KEEP COMING AT YOU WITH CONTINUOUS MUSIC

Both: ON GROOVE 95.

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪



♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA MAKE

♪ MONEY, MONEY, MAKE MONEY, MONEY, MONEY ♪

♪ JUST HOW FAR WILL BROTHERS GO FOR THE DOUGH, YO? ♪

♪ YOU KNOW, TO STEAL-O

♪ CATCH A BODY OR CATCH A KILO ♪

♪ NOTHIN' COMES FREE, YO

♪ THAT'S HOW IT BE, YO

♪ MONEY MANIPULATES THAT MIND

♪ AIN'T THAT RIGHT REAL?

♪ BROTHERS REACT TOO SAVAGE FOR THE CABBAGE ♪

♪ LAVISH LIVIN' MAKES PEOPLE DO THE UNFORGIVEN ♪

♪ FOR THE DOUGH, FOOLS KILL THEY OWN FATHERS AND MOTHERS ♪

♪ HAH, LIKE THE MENENDEZ BROTHERS, YEAH ♪



♪ LIFE'S HARD, BUT THE RENT'S DUE ♪

♪ AND I DO WHAT I GOTS TO ♪

♪ SO WHAT, IF THE HEAT'S ON ♪

♪ WHAT DO YOU DO TO MAKE YOUR ENDS MEET? ♪

♪ 'CAUSE NOT EVERYBODY IN SOCIETY CAN BE AN ATHLETE ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA MAKE

♪ MONEY, MONEY, MAKE MONEY, MONEY, MONEY ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA TAKE

♪ MONEY, MONEY, TAKE MONEY, MONEY, MONEY ♪

♪ NOW SOME OF THE HOMEYS

♪ DWELL IN JAIL CELL HELL FOR THE MAN ♪

♪ REMINISCIN' ABOUT THE PAST WHEN THEY HAD CASH ♪

♪ TRADIN' WAR STORIES, WHAT THEY CELLY, TALKIN' 'BOUT ♪

♪ I DROVE A DROP-TOP PORSCHE CARRERA ♪

♪ MONEY-GREEN, PEANUT-BUTTER TOP, WITH NO JELLY ♪

♪ MOTOROLA FLIPS, LEAVIN' FAT TIPS AT THE BAR ♪

♪ BOUNCERS AT THE CLUBS GAVE ME LOVE ♪

♪ I WAS A ROCK STAR

♪ NOT A ROLLIN' STONE, MORE LIKE PABLO ESCOBAR ♪

♪ FEMALES HAWK WHEN I FLOSSED ON THE AVENUE ♪

♪ COCKY ATTITUDE, BUYIN' GEAR, AND TRAVELIN', TOO ♪

♪ HAVIN' MY WAY WITH THE LADIES ♪

♪ ALL BECAUSE THEY WANNA RIDE IN MY DROP-TOP ♪

♪ THEY TELL THEIR FRIENDS THAT THEY GOT A BROTHER WITH INS ♪

♪ JUST A YOUNG BALLER SLINGIN' CHICKENS ♪

♪ NOW ALL I SEE IS CONCRETE AND STEEL ♪

♪ PUMPIN' IRON, EATIN' 15-MINUTE MEALS ♪

♪ LIVIN' IN A WORLD WHERE EVERY MAN IS YOUR ADVERSARY ♪

♪ SHANK UNDER MY BUNK, FOR FOOLS TRYING TO STEAL MY COMMISSARY ♪

♪ AND IT'S THE SAME THING FROM COMPTON TO THE CATSKILLS ♪

♪ I EVEN GOT A TATTOO THAT SAYS "CASH KILLS" ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA MAKE

♪ MONEY, MONEY, MAKE MONEY, MONEY, MONEY ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA TAKE

♪ MONEY, MONEY, TAKE MONEY, MONEY, MONEY... ♪

[FOOTSTEPS]

[BANG ON DOOR]

YO! DON'T YOU KNOW HOW TO KNOCK?

DON'T YOU KNOW HOW TO PAY?

HEY, WHAT'S UP WITH THAT?

COME ON.

COME ON.

THANK YOU.

OHH.

OH-HO-HO-HO.

OH, THAT'S NICE.

THAT'S NICE.

OHH! SHIT!

NOW BUSINESS.

YOU KINDA LATE WITH THE FUNDS, J. WHAT'S UP?

I TOLD LAMONT I NEED A LITTLE MORE TIME.

THAT'S WHY WE HERE, MY BROTHER--

TO LET YOU KNOW YOU GOT A LITTLE MORE TIME.

HEY, CRASH,

I SAY WE TAKE THESE TURNTABLES AS A DOWN PAYMENT.

DON'T TOUCH MY TURNS.

JUST SIT DOWN! YOU CRAZY? IT'S JUST BUSINESS, J.

WE DON'T GET PAID UNLESS LAMONT'S PAID.

WE TALKING ABOUT BIG BUCKS, MAN.

30 Gs, J.

HA! 30,000.

WE CAN'T JUST BREAK AN ARM OR HAND

LIKE WE WOULD USUALLY DO,

'CAUSE YOU KINDA LIKE THE SAINT OR SOME BULLSHIT.

YEAH, THE SAINT! WICKA-WICKA-WICKA, YEAH!

YEAH! YEAH! YEAH! YEAH!

YOU DO NEED THOSE ARMS AND HANDS

TO MAKE THAT PAPER, DON'T YOU?

YEAH, IT'S FUNNY HOW THAT WORKS.

IT'S HILARIOUS. BUT CHECK THIS OUT.

YOU GOT ONE WEEK, MY BROTHER, TO COME UP WITH THAT MONEY.

THEN THE BOSS SAYS WE DON'T GIVE A FUCK

ABOUT YOUR ARMS AND HANDS!

ARE WE STRAIGHT ABOUT THAT?

HEY, MAN. YEAH, WE STRAIGHT.

ALL RIGHT.

HEY, YO, SAINT,

YOU THINK YOU COULD HOOK ME UP WITH A TAPE, MAN?

I MEAN, IF NOT, YOU KNOW,

I JUST COME BACK IN A WEEK AND MAKE MY HOLE.

[COUGHING]

[RADIO PLAYS RAP]

[CONTINUING RAP]

♪ AND I START TO FLOAT

♪ YOU NEVER HEARD

♪ CHECK THIS OUT WHILE I PASS THE WORD ♪

YEAH, THIS IS ST. JULIAN.

WHAT'S THE SPREAD ON THE LAKERS AND THE BULLS?

WHAT?

SINCE WHEN YOU DON'T TAKE MY BETS, MAN?

♪ I'M MOVIN', GROOVIN'

♪ YES, YOU KNOW, I'M PROVIN' ♪

UH! UH!

YO, J, MAN, I'M ON MY WAY UP, DUDE!

HA HA, DAMN!

YO, J, MAN, WHAT'S UP WITH YOUR DOOR?

NUT AND CRASH PAID ME A VISIT.

I KEEP TELLING YOU, YOU NEED TO CHILL ON THAT BETTING.

HA HA, DAMN!

YO, BRO, AIN'T YOU EVER HEARD OF GROCERIES, MAN?

[PAGER BEEPS]

YO, THIS MUST BE JULIO.

HE'S BUGGING ABOUT PRINTING THEM MAPS.

YOU GET A CALL YET?

NO.

WHAT'S UP WITH THE ICE? YOU AIN'T DRINKING AGAIN?

NO.

YO, HE SAID HE'S GOT TO PRINT THE MAPS EARLY.

HE'S SWEATING AND PANICKING, AS USUAL.

THAT'S WHY I DON'T LIKE PAGERS, MAN.

IF I WANT TO SPEAK TO JULIO, I'LL CALL HIM.

HEY, YO, CHECK ME OUT, RIGHT?

HA HA! OH, YEAH.

♪ WELL, I'M A RAPPER

♪ THAT MEANS I MAKE HIT ALBUMS AND GO TO JAIL ♪

♪ WELL, I'M A RAPPER THAT MEANS I MAKE HIT ALBUMS ♪

♪ 'CAUSE I'M A BLACK MALE, I'M A RAPPER ♪

♪ I'LL SHOOT YO' MAMA AND YO' DA-- ♪ YO! HEY!

DON'T BREAK MY NEEDLES, MAN.

HEY, DON'T EVEN SWEAT ME.

YOU'RE MAD 'CAUSE YOU CAN'T HANDLE THE COMP.

WHAT I CAN'T HANDLE IS YOU KILLING MY REP.

OH, HERE YOU GO.

ABOUT ALL I GOT LEFT. SHOOT.

[TELEPHONE RINGS]

[RING]

COME PLAY.

RAMON! HOW YOU DOING, MY FRIEND?

HUH?

CHECK.

ASK ABOUT THE LOOT.

THAT'S WHAT I TOLD HIM.

I DON'T KNOW WHY HE BUGGING LIKE THAT.

ASK ABOUT THE LOOT.

YO, MAN, DID YOU SEE THE BREASTS ON HER?

ASK ABOUT THE LOOT, MAN.

YO, MAN, IS THE LOOT STRAIGHT?

YEAH. ALL RIGHT.

COOL.

YEAH, WE'LL BE THERE ABOUT 8:30, MAN.

ALL RIGHT.

I'M OUT.

YO, MAN, THE LOOT'S STRAIGHT.

I GOT TO GET THE MAPS. IT'S ON.

UM, YOU GONNA LET ME SPIN, RIGHT?

NO.

DON'T EVEN THINK ABOUT IT, MAN.

CHECK IT.

RIGHT HERE. YOU KNOW THE SAINT'S IN THE HOUSE.

IT'S ALL GOOD. SPEND SOME MONEY. TAKE SOME FLYERS.

YOU NEED TO WORK SOME OF THAT CELLULITE.

ALL RIGHT, YOU ALL, PEACE OUT.

OH, YES! WE ARE HERE!

WHAT'S HAPPENING?

HEY.

YO, WHAT'S HAPPENING?

OK, MAN, I GOTCHA.

THE LAKERS RUN AT THE HALF.

YO, WHAT'S HAPPENING, BABY?

YO! LET'S GET THIS PARTY STARTED!

YOU KNOW WHAT I'M SAYING?

ALL RIGHT! EVERYBODY NOW,

GET READY FOR THE GEEEEE FUNK

FROM THE MAN WHO CAN PUT THE FUNK IN YOUR TRUNK.

ALL HAIL, THE SAINT!

ALL RIGHT, EVERYBODY,

PUT YOUR HANDS IN THE AIR FROM SIDE TO SIDE

AND LET ME HEAR YOU SAY "YEAH!"

YEAH!

SAY "YEAH!"

YEAH!

NOW SCREAM!

WHOO!

SCREAM!

WHOO!

ALL RIGHT, EVERYBODY, PUT YOUR HANDS IN THE AIR!

PUT YOUR HANDS IN THE AIR LIKE THIS HERE.

COME ON, AND JUST BOUNCE! COME ON! BOUNCE!

COME ON! BOUNCE! COME ON! BOUNCE!

EVERYBODY JUST BOUNCE! COME ON! BOUNCE!

COME ON! BOUNCE! EVERYBODY JUST BOUNCE!

CHECK IT.

YOU GOT NOWHERE TO RUN, DICKHEAD.

I SWEAR TO GOD. GIVE ME A BREAK.

YOU ALREADY HAD YOUR BREAK, PAL.

WHAT? YOU CUT YOUR SHIPMENT,

AND YOU DIDN'T THINK WE'D FIND OUT? HUH?

HOW MUCH?

I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

HOW MUCH?!

I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

I DIDN'T CHEAT YOU.

[GASPING]

TELL US THE TRUTH,

OR YOU'RE IN FOR SOME MAJOR PAIN, MAN.

YOU GOT ME WRONG.

OHH! YOU GOT ME WRONG.

UHH!

MAYBE I'M NOT COMMUNICATING THIS PROPERLY.

YOU WANT TO KEEP BREATHING, ASSHOLE?

AH!

ALL RIGHT.

ALL RIGHT!

20...Gs. THAT'S...IT.

YOU BELIEVE HIM?

DO YOU BELIEVE HIM?

YEAH.

[GASPING]

THANKS...DANNY.

[PANTING]

I OWE YOU ONE.

[LAUGHING] OK, OK.

I'LL MAKE IT UP TO YOU. YOU DO THAT.

KILL HIM ANYWAY.

ALL RIGHT, ALL RIGHT, ALL RIGHT.

YOU'RE OK, YOU'RE OK. HEY, YOU LUCKED OUT.

COME ON.

COME ON! BRUSH YOURSELF OFF.

PUT YOUR HAT ON.

YOU LUCKED OUT.

CLEAN THAT PIECE OF SHIT UP.

J! HA HA.

WHAT'S UP, BABY?

OH, PLEASE, MAN.

HEY, YO, CHECK THIS OUT.

THESE 2 HONEYS WANTED TO MEET YOU, MAN.

SHERELLE, HI.

SO...YOU'RE THE SAINT, HUH?

YEAH.

SO WHAT ARE YOU DOING AFTERWARDS?

I MEAN, MAYBE WE CAN GET TOGETHER

AND... SEE WHAT COMES UP.

WELL, I'LL TELL YOU WHAT YOU DO.

I WANT YOU TO GO HOME, RIGHT?

CHANGE YOUR PANTIES...

YOU KNOW... WRING 'EM OUT...

COME BACK WHEN YOU TURN 21.

NO, HE DIDN'T.

SHERELLE, LET'S GO. WE DON'T NEED THIS, OK?

WHAT ARE YOU DOING?

WHERE YOU BE FINDING THEM AT?

MAN, I TRY TO HOOK YOU UP--

FIND RAMON, MAN.

[IMITATING BILL COSBY] SEE, THIS IS THE PROBLEM.

I GET YOU THE KODAK MOMENT, AND YOU MESS IT UP,

SO I HAVE TO GO BACK AND GET THE HOS...I MEAN THE LADIES.

SEE, 'CAUSE YOU MESSED UP, AND I'M GONNA GET IT.

RIDICULOUS. RIDICULOUS.

UH, WHERE IS SHE?

I DON'T KNOW. I CAN'T SEE A GOD DAMN THING IN HERE.

ALL RIGHT. GO GET HER. LET'S GO.

HEY, HEY, HEY, MY MAN! MY MAIN MAN!

SO, BRO, YOU ARE A SAINT, MAN.

ONLY YOU PACK THEM IN LIKE THIS, MAN.

MIRA. OK, LOOK,

I GOT AN ATTORNEY DOIN' A GIG TOMORROW NIGHT, NEEDS A D.J.

HE'S COOL, MAN, HIS PAY IS HOT!

I WOULD NOT HOOK YOU UP INTO ANYTHING BAD.

RAMON, YOU KNOW MY PRICE. YOU KNOW HOW TO FIND ME.

RIGHT, AND HE'S COOL, MAN,

BECAUSE, LIKE TONIGHT, BRO,

TONIGHT, YOUR SHIT WAS ON. BRO, YOUR SHIT WAS...

YOU'RE STALLING, RAY. HUH?

YOU'RE STALLING! COME ON WITH IT.

OK, I READ YOU, SAINT. HERE YOU GO, MAN.

COME ON, RAY. COME ON, MAN.

I STILL SAY A GRAND FOR 4 HOURS WORK IS ROBBERY, BRO.

RAY, REMEMBER-- I'M THE SAINT.

ONLY I CAN PACK THEM IN LIKE THIS, RIGHT?

[BLUES MUSIC PLAYS]

HEH HEH HEH.

WHAT'S UP, MAN?

HEY BROTHER-MAN.

HEY, BABY.

WHAT'S UP, SHIRL?

Q...

WHAT'S UP, MAN?

YOU GOT THAT, "I'M IN DEEP SHIT" LOOK AGAIN.

YO, I NEED TO LAY DOWN A BET, MAN.

I DON'T WANT TO HEAR IT, JASON. SHIT!

YEAH, BUT, Q, I REALLY NEED TO LAY DOWN THIS BET.

YOUR CREDIT'S CUT OFF.

HEY, HEY, CAN'T THAT SHIT WAIT?

IT'S YOUR SHOT. SHOOT.

GOD DAMN!

NEXT TIME YOU COME IN MY POOL JOINT,

BRING SOME SKILLS WITH YOU.

LOOK, MAN, JUST HEAR ME OUT.

I'M LISTENING TO YOU,

BUT YOU'RE NOT LISTENING TO ME.

NOW, THE WORD'S OUT ON YOU.

NOBODY'S GOING TO TAKE YOUR ACTION.

THAT'S RIGHT, PUNK.

YOUR SHIT IS BORING. NOW BACK THE FUCK, UP.

WE ARE PLAYING A GAME HERE.

JUST PLAY, ASSHOLE! ALL RIGHT?

GO AHEAD, MAN.

YOU DO YOUR THING, LET ME DO MINE.

LET ME HANDLE MY BUSINESS, MAN. ALL RIGHT, MAN?

Q...

Q.

I'M NOT ASKING FOR NO CREDIT,

I'M NOT ASKING FOR ANY HANDOUTS. I'M LIQUID, MAN.

ALL I NEED IS SOMEBODY TO LET ME IN, MAN.

JASON, HOW MUCH MONEY YOU GOT?

I GOT ABOUT A G.

AND YOU COME IN HERE WANTING TO THROW IT AWAY.

YOU'RE WASTING YOUR TIME IN HERE.

THE MAN SAID...

TAKE A HIKE.

HEY, YO, B, WHY YOU-- CHUMP!

SHIT! GET OFF HIM!

CHILL OUT!

YO, Q, DON'T DO THIS TO ME, MAN.

I'M NOT DOING ANYTHING TO YOU.

YOU'RE DOING IT TO YOURSELF.

GOING AROUND, PUNISHING YOURSELF FOR SOME PAST SHIT.

NOW YOU WANT ME TO HELP YOU THROW YOUR LIFE AWAY.

HOW YOU EXPECT ME TO GET THE MONEY--

NOW YOU'RE TALKING CRAZY.

I OWE MONEY, MAN.

Q, LOOK, ALL I NEED IS A LITTLE LUCK

AND SOME GOOD ODDS, AND I'M BACK ON TOP, MAN.

TAKE IT OUT IN THE STREET, JASON.

COME ON, GET UP.

TAKE IT OUTSIDE.

NOW PUT MY MONEY ON THE TABLE.

NEXT TIME YOU COME INTO MY POOLROOM,

SHOW ME SOME RESPECT.

JASON.

PETER CLAY. WILSHIRE DISTRICT.

555-3310.

GIVE HIM MY NAME, HE'LL TAKE YOUR MONEY.

ALL RIGHT.

WHOSEVER NEXT...

RACK 'EM UP.

DID I MAKE THE POINT SPREAD?

WHAT?!

I CAN'T HEAR YOU. SPEAK UP, MAN. WHAT?

YEAH, ALL RIGHT, MAN.

YEAH... DAMN!

[COMBO PLAYS SLOW FUNKY JAZZ]

HEY, YO, WHAT'S HAPPENING, MAN?

HEY, HOW YOU DOING?

HONEYS ARE OUT HERE TONIGHT, BRO.

WHO IS SHE RIGHT THERE?

THE ONE RIGHT THERE WITH THE SPARKLY TOP.

HELL, NO. UH-UH. YOU DON'T WANT TO KNOW HER.

NO, I WANT TO KNOW.

I'M TELLING YOU. HER NAME IS YOU-DON'T-WANT-TO-KNOW.

JUST COVER FOR ME.

YOU GONNA LET ME SPIN?

JUST PUT THE RECORD ON. IT'S CUED UP. JUST PUT IT ON.

OH, I GOTCHA, BRO! I GOTCHA!

YES! HOT!

SO DOES THIS WORK WITH OTHER WOMEN?

HIT AND MISS.

SO WHAT SHOULD I DO NOW?

YOU COULD START BY TELLING ME YOUR NAME.

AND HOW SHOULD I FINISH?

I DON'T KNOW.

I JUST HOPE IT TAKES ALL NIGHT, YOU KNOW?

MY NAME IS JASON.

I KNOW WHO YOU ARE.

I'M IMPRESSED.

DON'T BE.

I'M NOT.

A-HA.

[FASTER, FUNKIER MUSIC STARTS]

I THINK YOU SHOULD GO BACK TO WORK

BEFORE YOU LOSE YOUR JOB.

YEAH, RIGHT?

IT WAS NICE BEING SEEN BY YOU.

HEY. HEY.

HOW ARE YOU?

[LAUGH]

OH, YOU LOOK SO GOOD.

THANK YOU. [TIGER GROWL]

[BOTH LAUGH]

I'LL SEE YOU AT THE CAR.

OK. ALL RIGHT.

CALL HER THE SPOILS OF SUCCESS.

TAKES A LOT OF MONEY TO GET A WOMAN LIKE THAT.

LISTEN, SPEAKING ABOUT MONEY,

WHEN'LL YOU SPIN AT MY PLACE

AND QUIT WASTING TIME IN THESE FIRETRAPS?

PLENTY OTHER D.J.s AVAILABLE, SIMON.

BUT YOU'RE THE PIED PIPER.

LOOK AROUND. THESE KIDS ARE HERE BECAUSE OF YOU.

IT'S TIME YOU STARTED MAKING BIG MONEY AGAIN.

IT WAS BIG MONEY GOT ME IN TROUBLE IN THE FIRST PLACE.

YOU PLAYED THE GAME LIKE EVERYBODY ELSE.

YOUR LIFE JUST TOOK AN UNFORTUNATE TURN.

I DON'T REMEMBER YOUR LIFE TAKING ANY BAD TURNS.

I GOT LUCKY.

YOU'RE RIGHT. REAL LUCKY.

LOOK, WHEN YOU CHANGE YOUR MIND,

YOU KNOW WHERE TO FIND ME, OK?

YEAH. OK. BE GOOD.

HUH? YEAH.

♪ ...YOU KNOW YOU JUST CAN'T QUIT ♪

♪ SO COME ON, GIRL, LET'S SHAKE IT ♪

♪ SHAKE IT, SHAKE IT, SHAKE-SHAKE IT ♪

♪ SHAKE IT, AWWW, YEAH ♪

♪ BUT DON'T BREAK IT, BREAK-BREAK IT, BREAK IT ♪

♪ OHHH, NO!

♪ JUST SHAKE IT, SHAKE-SHAKE IT, SHAKE IT ♪

♪ AWW, YEAH, BUT DON'T BREAK IT ♪

♪ BREAK-BREAK IT, BREAK IT ♪

♪ OHHH, NO!

♪ BREAK IT DOWN

♪ AWW, SUKIE, SUKIE NOW

♪ SUKIE, SUKIE NOW

♪ AWW, SUKIE, SUKIE NOW

♪ S-SUKIE, SUKIE NOW

♪ AWW, SUKIE, SUKIE NOW

♪ SUKIE, SUKIE NOW

♪ AWW, SUKIE, SUKIE NOW... ♪

AH! AH! AH! YO! YO! WHAT'S UP?

YO!

OH, THANK GOD.

Police officer: ALL RIGHT,

THOSE OF YOU WHO ARE UNDERAGE, DON'T TRY TO LIE.

YOU'RE ALL UNDER ARREST.

YO! CUT THE SOUNDS!

THE SOUNDS! CUT THEM!

Officer: EVERYBODY! LET'S GO!

ALL RIGHT! CLOSE THAT BAR DOWN. MOVE IT!

COME ON, LET'S GO! BACK UP! BACK UP!

[POLICE AND PATRONS SHOUTING]

[CLOCK TICKING]

SO...

JASON ST. JULIAN,

AKA THE SAINT,

AGE 29. CLUB DISC JOCKEY.

MOVED HERE FROM BROOKLYN, NEW YORK, 1985.

FOLLOWING A BRIEF STINT IN RADIO,

BECAME AN INDEPENDENT RECORD PROMOTER

IN '88 TO '90.

RESPONSIBLE FOR PUSHING A LOT OF SHIT-FOR-MUSIC

UP THE CHARTS.

FALL 1990, INDICTED ON CHARGES OF RACKETEERING,

TAX EVASION,

3 COUNTS OF BRIBERY.

YOU WERE PAYING RADIO STATIONS TO PLAY YOUR RECORDS.

SHAME ON YOU.

CONVICTED.

SERVED 8 MONTHS.

[CELLBLOCK DOOR CLANGS]

1991--2 D.U.I. ARRESTS,

ONE DISTURBING THE PEACE.

1992...

CHECKED INTO REHAB FOR ALCOHOL DEPENDENCY.

YOU WERE REALLY IN A HURRY TO HIT ROCK BOTTOM, WEREN'T YOU?

HOW LONG ARE WE GOING TO PLAY THIS IS YOUR LIFE?

LISTEN, SAINT, WE GOT OVER A HUNDRED ARRESTS

FOR PUBLIC DRUNKENNESS

AND DRUG PARAPHERNALIA AND POSSESSION, OK?

NOW THIS PROMOTER RAMON SAYS

THAT HALF OF THOSE PEOPLE WERE THERE BECAUSE OF YOU,

SO, TECHNICALLY, THAT MAKES YOU ONE OF THE ORGANIZERS

OF THIS LITTLE ILLEGAL EVENT.

AIN'T THERE SOMETHING IN THERE ABOUT A TRIAL?

OH, I GOT A BETTER IDEA FOR YOU.

NOW...

ARE YOU, UH, FAMILIAR WITH A MAN

BY THE NAME OF DANIEL SIMON?

YEAH.

YEAH. "1990-- MAJOR SOURCE OF DRUGS

FOR JUNKIES IN THE MUSIC INDUSTRY."

AND WE HAD HIM COLD.

WE HAD WITNESSES, EVIDENCE, THE WHOLE 9,

BUT HE WALKED.

TO SAVE HIS ASS, HE GAVE UP NAMES

OFF HIS CLIENT LIST.

HELPED US BREAK UP A LITTLE RECORD PAYOLA SCAM.

AND HE ALSO THREW IN A COUPLE OF...

INDEPENDENT PROMOTERS...

INCLUDING YOU.

YOU WERE LUCKY. YOU ONLY DID 8 MONTHS.

I DIDN'T FEEL SO LUCKY.

GOOD.

'CAUSE RIGHT NOW I WANT SIMON.

I WANT YOU...

IN THAT NIGHTCLUB...

GETTING NEXT TO HIM.

YOU WANT ME TO BE YOUR INFORMANT.

LOOK, JASON, SIMON'S GOING DOWN, REGARDLESS.

I'M JUST GIVING YOU A CHANCE TO GET EVEN.

AS A BONUS, I'M WILLING TO DROP TONIGHT'S CHARGES.

NOW, WITHOUT THAT, I LOOK AT YOUR RECORD,

I SEE YOU DOING 2 TO 3.

SO...

THIS MAN'S NAME IS PAULEY.

HIS PARTNER'S NAME IS ROSTAGNO.

THEY DEAL IN AMPHETAMINES, ICE, DESIGNER DRUGS,

ALL THAT SHIT THOSE CLUB FREAKS DIG, OK?

NOW, THE ONLY TIME THEY SHOW THEIR UGLY FACES

IS WHEN THERE'S BIG BUSINESS.

SO YOU SEE THEM, YOU TALK TO ME.

SO LET ME SEE SOMETHING HERE, UM...

CALDWELL.

MY CHOICES ARE EITHER

HELP YOU BRING DOWN DANNY SIMON

OR GO TO JAIL.

YEAH.

I'LL TELL YOU WHAT I WILL DO.

I'LL EVEN GET LAMONT'S GOONS TO CHILL OUT LONG ENOUGH

FOR YOU TO PUT TOGETHER THAT BREAD YOU OWE HIM.

BUT THIS IS JUST BETWEEN YOU AND ME.

YOU TALK DIRECTLY TO ME.

WHAZZUP, BRO?

SO WHAT'S UP, MAN? OUR SHIT ON HOLD, MAN?

WHAT'S HAPPENING?

NAH, I'M GOING TO SPIN AT THE BANK.

GET THE FUCK OUT OF HERE, MAN. FOR WHAT?

WHAT YOU MEAN, "FOR WHAT"?

I NEED THE MONEY. [LAUGHS]

I NEED SOME BIG MONEY, MAN.

COME ON, J, YOU SAID YOU'D NEVER SPIN FOR HIM.

WHAT DO YOU WANT ME TO DO, ROB THIS JOINT HERE?

NO, MAN.

YOU KNOW SIMON, MAN. HE GOT SLAVES, ALL RIGHT?

EVERYBODY I EVER KNEW THAT WORKED FOR HIM

TURNED INTO A... BIG-TIME FOOL.

NO, BABY, I'M STILL EATIN'.

LET'S NOT BATTLE FOR THE BURGERS NOW.

IT'S JUST TILL I GET LAMONT AND THEM OFF MY ASS.

THEN EVERYTHING'S COOL.

YO, MAN. I GOT TO DO WHAT I GOT TO DO, B.

ALL RIGHT, J. YOU'RE GOING TO NEED

SOMEBODY TO WATCH YOUR BACK UP IN THERE, THOUGH.

WHO GONNA WATCH MY BACK?

WHAT AM I GONNA DO, GET A MIRROR? WHO?

NAW, MAN. ME! I'M LIKE TYSON.

I GOT THE BEST JAB IN THE BUSINESS.

SLOW DOWN, BABY. SLOW DOWN. SLOW DOWN.

FRENCH FRIES ARE MELICIOUS.

YEOW!

[FUNK PLAYS]

♪ DON'T

♪ DON'T

♪ SURE, I NEED

♪ DON'T, DON'T, DON'T

♪ GIVE IT UP

♪ YEAH

♪ BABY, I KNOW JUST HOW YOU FEEL ♪

♪ WHEN YOU TOUCH MY BODY I KNOW IT'S REAL ♪

♪ UP AND DOWN AND ALL AROUND ♪

♪ YOU WANT TO KISS ME THERE ♪

♪ YOU WANT TO TAKE ME THERE... ♪

JASON.

FOLLOW ME.

♪ STOP, STOP, STOP HOLDING BACK ♪

♪ YOU'RE IN LOVE

♪ YOU'RE IN LOVE

♪ WHEN YOU COME INTO MY ROOM ♪

♪ YOU'LL BE COMIN' SOON

♪ AND BY THE TIME WE GET GET DOWN ♪

♪ YOU WON'T BE HUMPIN' AROUND ♪

♪ YOU WON'T FIND ANOTHER GIRL ♪

♪ TO DO THE THINGS I DO ♪

♪ TO DO THE THINGS I DO ♪

♪ STOP YOUR SILLY GAMES

♪ AND LET ME THROUGH...

[KNOCK ON DOOR]

AHEM.

JASON, COME ON IN.

COME ON IN. COME ON.

I'M SURE YOU REMEMBER MONICA.

HOW YOU DOING?

HELLO, D.J.

I'LL SEE YOU LATER.

DON'T GET LOST.

WHAT, AND GIVE UP PARADISE?

HAVE A SEAT.

I'M SURE THIS WILL MAKE YOUR PRIDE GO DOWN EASIER.

IT'S 2,000.

I KNOW YOU'RE NOT USED TO GETTING PAID UP FRONT,

BUT JUST CALL IT A GOODWILL GESTURE.

IT'S A STEP UP FOR YOU, JASON.

NO MORE OF THAT CLANDESTINE BULLSHIT.

NO MORE WONDERING WHERE YOUR NEXT DOLLAR'S COMING FROM.

RESPECTABILITY, JASON.

RESPECTABILITY, AND IT'S ALL YOURS...

AS LONG AS YOU RESPECT ME.

[CHUCKLES]

ALL THE TIME, MAN.

[DANCE FUNK PLAYS]

♪ DIGGIN' 'EM UP, RIPPIN' 'EM UP ♪

♪ WE'RE LEAVIN' THE MIC IN THE MIX ♪

♪ TO THE PEOPLE IN THE BACK ♪

♪ THE LADIES ONSTAGE... ♪

♪ YEAH, YEAH, CHECK IT OUT ♪

♪ UH UH UH, CHECK IT ♪

♪ UH UH UH, CHECK IT ♪

♪ UH UH UH, CHECK IT ♪

♪ UH UH UH, CHECK IT... ♪

DANNY TOLD ME TO BRING YOU A DRINK.

I DON'T DRINK.

[CHUCKLES]

OH, PLEASE. I'VE SERVED ENOUGH DRINKS

TO KNOW AN ALCOHOLIC WHEN I SEE ONE.

RECOVERING ALCOHOLIC.

WHAT WAS YOU, A BARTENDER OR SOMETHING?

OR SOMETHING.

YOU DON'T SEEM HAPPY I'M HERE, MAN.

ARE YOU?

OH, I'M HAPPY.

IF THAT'S WHAT YOU'RE TALKING ABOUT.

NOBODY'S HAPPY TO BE HERE.

WE'RE ALL JUST GOING THROUGH THE MOTIONS.

I'LL BRING YOU SOMETHING ELSE.

A WHILE AGO, YOU WAS BROKE AS HELL.

I DON'T KNOW, Q. I JUST HATE THAT BASTARD, MAN.

WHAT DOES IT MATTER? HE'S PAYING YOU, AIN'T HE?

I'M TALKING ABOUT SOMETHING DIFFERENT.

WELL...

WHAT YOU SHOULD BE TALKING ABOUT

IS, HE'S PAYING YOU,

AND YOU NEED THE MONEY.

OH, SO YOU'RE MR. MONEY NOW?

OH, SO YOU'RE MR. ETHICS NOW.

PEOPLE BEEN CALLING YOU THE SAINT FOR SO LONG,

YOU'RE BEGINNING TO BELIEVE YOU ARE ONE.

THERE'S NOBODY FIT TO JUDGE ANYONE AROUND HERE,

LEAST OF ALL YOU.

WHAT YOU THINK YOU'RE DOING?

I'M TELLING YOU SOMETHING.

GET YOUR GAMBLING THING IN CHECK.

YOUR DADDY AND I HAD OUR THING TOGETHER.

YOU YOUNGBLOODS CAN'T DO NOTHING RIGHT.

NOW TAKE THAT LITTLE BIT OF CHANGE

AND PUT IT IN YOUR POCKET AND GET YOURSELF A LIFE.

HEY...

OK, BROTHER, TAKE IT EASY.

ALL RIGHT.

SHIT! I WHOOPED YOUR ASS, BAD!

YEAH! YOU KNOW YOU CAN RUN...

BUT YOU CAN'T HIDE!

WHOA!

STUPID JERK!

[HONKING]

[HONKING]

[HORN BEEPING]

COME ON, MAN! YOU LOST HIM!

MOVE!

MOVE THAT PIECE OF SHIT OUT OF THE WAY!

LADY, GET THE FUCK OUT OF HERE!

I LOST HIM?! YOU LOST HIM!

ARE YOU BLIND? I'M NOT BLIND!

COME ON, MAN! WE WAS ON HIS ASS!

DAMN, NUT! YOU'RE SO STUPID SOMETIMES!

COME ON, NUT, CHILL! WE GOT TO FIND HIM.

YOU'RE BUGGING OUT!

LOST HIM! DAMN!

WE JUST HAD HIM. I DON'T KNOW WHERE...

WHERE ARE YOU, SAINT?

ALL RIGHT, GET YOUR ASS OUT OF THE CAR, J!

GET OUT THE CAR!

ALL RIGHT!

YOU GOT IT PUNK? WHAT?!

THE MONEY SIMON'S GIVING YOU, MOTHERFUCKER!

I TOLD LAMONT...

YOU GOT HOOKED UP. YOU GOT BANK NOW.

YOU KNOW, MAN, IT'S BUSINESS.

ALL RIGHT. WE WANT OURS, YOU KNOW?

SEARCH HIM.

ALL RIGHT. HERE WE GO.

YOU GOT A LOT OF NERVE SHOWING YOUR FACE AROUND HERE.

HOW MUCH IS THAT, NUT?

I TOLD LAMONT I'D GIVE HIM HIS MONEY.

DAMN $1,600? THIS WON'T EVEN COVER INTEREST!

ALL RIGHT, YO, ALL RIGHT.

DON'T TRY TO PLAY US, MAN!

WE HEARD YOU GOT SOMEBODY TO COVER THAT BET.

YOU LOSE ANY MORE OF LAMONT'S MONEY,

WE'LL FORGET ABOUT THAT FAVOR WE OWE Q.

IF WE HAVE TO CHASE YOU AGAIN,

I SWEAR TO GOD, WE'LL HURT YOU!

ALL RIGHT! ALL RIGHT!

GET THAT MONEY, J!

SORRY ABOUT BREAKING THIS TAILLIGHT.

OH, MAN! OH!

ALL RIGHT, MAN. ALL RIGHT, MAN.

GET THAT MONEY, J, MAN. GET THAT MONEY.

I'M GOING TO GET IT, MAN.

WE'RE OUT OF HERE.

GET THAT MONEY, J.

ALL RIGHT.

LET'S GO, MAN.

ALL RIGHT.

I SHOULD BUST YOU.

KILL THEM MOTHERFUCKERS!

[SOFT JAZZ PLAYS]

HEY.

THIS IS SOME REAL MUSIC, MAN.

I CAN'T TAKE THAT STUFF THAT YOU PLAY IN THE CLUBS,

BUT MILES AND MONK AND MINGUS, I MEAN,

THEY'RE SAYING SOMETHING. WHERE'D YOU GET ALL THIS STUFF?

PART OF MY FATHER'S COLLECTION.

YEAH? REAL NICE.

I DIG ERIC DOLPHY-- THE STUFF THAT HE CUT...

WHAT'S THE DEAL, CALDWELL?

COME ON, MAN, YOU KNOW WHAT THE DEAL IS.

I THOUGHT THE DEAL WAS I KEEP AN EYE ON SIMON,

AND YOU KEEP SALT AND PEPPER OFF MY ASS.

IN DUE TIME.

WE DON'T WANT SOMEBODY SUSPECTING

WE'RE WORKING TOGETHER, DO WE?

WE'RE NOT WORKING TOGETHER,

AND I DON'T LIKE THIS SHIT, MAN.

I DIDN'T ASK YOU TO LIKE IT.

I JUST ASKED YOU TO KEEP ME INFORMED ABOUT THOSE 2 GUYS.

IF I WERE YOU, THAT IS WHAT I WOULD DO.

HOW COME I HAVEN'T HEARD FROM YOU LATELY?

THERE WASN'T NOTHING TO TELL.

DO I KNOW THAT?

HMM?

SEE, THE DEAL IS

YOU CHECK IN WITH ME...

EVERY DAY.

HA! THAT ELLINGTON-COLTRANE STYLE, MAN.

DAMN, THAT IS SOME REAL MUSIC.

TOMORROW, HUH?

[RAP MUSIC PLAYING]

JASON!

JASON!

I'LL TAKE HIM, SHORTY.

DANNY WANTED ME TO BRING HIM UP, SOON AS HE GOT HERE.

I'LL TAKE HIM.

COME ON.

SO IS THIS PART OF GOING THROUGH THE MOTIONS?

SHORTY HAD BETTER THINGS TO DO.

YOU DIDN'T?

AND JUST WHAT ARE YOU TRYING TO SAY?

I'M JUST COMMENTING, YOU KNOW.

I THINK YOU'D BETTER KEEP YOUR MIND ON MIXING.

IT IS.

DEFINITELY IS.

ST. JULIAN...

WHAT A GREAT NAME.

YOUR PARENTS MUST HAVE THOUGHT

YOU WERE GOING TO BE SOMEBODY.

GIVE ME THE ENVELOPE.

THANK YOU.

GREAT CROWD TONIGHT.

YEAH, IT'S NICE.

AW, PLEASE. DON'T BE MODEST.

IT'S MORE THAN I USUALLY GET,

AND I'M USED TO LARGE CROWDS.

A LOT OF BABES OUT THERE TONIGHT, HUH?

IT'S A REGULAR HONEY PIT.

HONEY PIT.

YOU DIDN'T EVEN NOTICE.

UH...

YOU SO MUCH AS BREATHE ON MONICA,

I'LL CUT YOUR DICK OFF.

I'M JUST A D.J., SIMON.

DON'T FORGET IT.

I WON'T.

[DISCO DANCE MUSIC PLAYS]

YOU ALWAYS SNEAK UP ON PEOPLE?

YOU'RE NOT AFRAID OF ME, ARE YOU?

SHOULD I BE?

THAT DEPENDS ON WHAT KIND OF A MAN YOU ARE.

TAKE THIS.

MEET ME LATER...

THAT IS, IF YOU'RE NOT STILL AFRAID OF ME.

YOU KNOW YOU'RE SUPPOSED TO CALL ME

BEFORE YOU COME DOWN HERE.

I'M TRYING TO WATCH OUT FOR YOUR ASS.

LET ME EXPLAIN SOMETHING TO YOU, FRANK.

THIS AIN'T THE TYPE OF PLACE YOU NEED TO HANG IN.

IT AIN'T COOL, YO.

HEY, YO, LOOK MAN, I GOT MYSELF COVERED.

IF YOU DID, YOU WOULDN'T BE HERE.

LET ME TELL YOU SOMETHING.

BEFORE YOU START TRYING TO RUN MY LIFE,

YOU NEED TO MAKE SURE YOUR SHIT'S CORRECT.

I TOLD YOU ABOUT MESSING WITH SIMON'S WOMAN.

SHE AIN'T OUT FOR YOU.

CAN'T YOU SEE THAT, DUDE?

YO, FRANK, SLOW DOWN.

I'M NOT MESSING WITH NOBODY.

ALL RIGHT, MAN.

WHATEVER.

YOU'RE SLIPPING, THOUGH.

YEAH, MAN.

MONICA.

♪ I CAN'T BELIEVE YOU'RE HERE ♪

♪ AND WE'RE ALONE

♪ DO YOU KNOW HOW LONG

♪ I'VE BEEN THINKIN' ABOUT YOU? ♪

♪ YOU'RE LIKE A DREAM

♪ AND NOW I'M GONNA MAKE YOU COME TRUE ♪

♪ COME TRUE, BABY

♪ IN THE HEAT OF THE NIGHT ♪

♪ THERE'S NO WRONG OR RIGHT ♪

♪ I KNOW

♪ IT'S JUST YOU AND ME NOW, BABY ♪

♪ YOUR HANDS ON MY SKIN

♪ YOU'RE PULLIN' ME IN

♪ AND I GO

♪ TO THAT SECRET PLACE WITH YOU, BABY ♪

♪ WHEN I KISS YOU LIKE THIS ♪

♪ IT'S WORTH ALL THE RISK ♪

♪ I'M FALLIN'

♪ UNDER YOUR SPELL

♪ THE DEEPER I GO

♪ THE HOTTER MY LOVE

♪ CAN'T STOP, BABY

♪ THERE'S NOWHERE TO RUN ♪

♪ THERE'S NOWHERE

♪ THE DEEPER I GO

♪ THE MORE THAT I KNOW

♪ I DROWN INSIDE YOUR LOVE... ♪

♪ TAKE ME INSIDE YOU ♪

♪ IN A SENSUAL RITE

♪ OOH-WEE

♪ I WANT IT TO LAST FOREVER ♪

♪ MAKIN' LOVE 'TIL THE LIGHT ♪

♪ IT'S AS GOOD AS IT GETS ♪

♪ I KNEW WE'D BE SO GOOD TOGETHER ♪

♪ THE DEEPER I GO

♪ THE HOTTER MY LOVE

♪ COMES DOWN, BABY

♪ THERE'S NOWHERE TO RUN, THERE'S NOWHERE ♪

♪ THE DEEPER I GO

♪ THE MORE THAT I KNOW

♪ I'LL DROWN INSIDE YOUR LOVE... ♪

♪ AW...

♪ YEAH!

♪ AW...

♪ YEAH!

HAD A DREAM TO BE LIKE MIKE.

♪ AW...

♪ YEAH!

GAME HOOP.

OH! OH! WHAT'S THAT?!

OH, MAN! GAME!

YO. YO. YO. CHECK IT OUT, MAN.

ONE SHOT. $50. TOP OF THE KEY.

GET THE FUCK OUT OF HERE.

YOU CAN TALK PLENTY OF SHIT

BUT CAN'T BACK IT UP?

HE CAN'T SHOOT ANYWAY. $100.

OH, YOU'RE A FUNNY MOTHERFUCKER.

WHERE WE GOING TO EAT?

SIZZLER, BABY.

WHOO!

OH! OH! SIZZLER, BABY!

THAT'S WHAT I'M TALKIN' ABOUT!

[TAPE REWINDS]

Monica: I THOUGHT IT WOULD BE NICE

IF I COULD HAVE YOU FOR LUNCH,

BUT MAYBE WE SHOULD EAT FIRST.

I'LL BE AT THE ITALIAN RESTAURANT, SECOND LEVEL,

IN THE BEVERLY MALL, 1:00.

[BEEP]

DAMN!

Sales clerk: SIR, MAY I HELP YOU?

NO, THANK YOU.

I USUALLY PREFER A LITTLE MORE ROOM,

BUT I'M GAME IF YOU ARE.

SLOW DOWN. TERENCE IS FOLLOWING YOU.

HE LIKES IT WHEN DANNY ASKS HIM TO DO THAT FOR HIM.

HE IS A SICK PUPPY.

BUT YOU WATCH HIM.

SO I GUESS THERE'S NO LUNCH FOR YOU TODAY.

I'LL SEE YOU LATER.

WHERE?

WHEN YOU GONNA SEE ME?

I'LL FIND YOU.

COME HERE.

TAKE THIS.

THIS ISN'T MY STYLE.

JUST TAKE IT. JUST TAKE IT.

BE CAREFUL.

VERY FLEXIBLE.

IT DOESN'T GO WITH MY COMPLEXION.

HUH.

YES, SIR?

HUH.

YOU'RE NICE.

HUH.

OHH!

IS THERE NO ESCAPE FROM YOU PERVERTS?

EXCUSE ME.

[THUNDER]

[THUNDER]

♪ THE DEEPER I GO

♪ THE HOTTER MY LOVE

♪ COMES OUT, BABY

♪ THERE'S NOWHERE TO RUN, THERE'S NOWHERE... ♪

CAREFUL, CAREFUL.

SIMON CHECKS FOR MARKS.

SCREW HIM.

I'D RATHER SCREW YOU.

YOU DON'T LIKE HIM, DO YOU?

NAW.

WELL, IT WOULDN'T BOTHER ME EITHER

IF HE GOT SUCKED DOWN A HOLE.

THEN WHY ARE YOU WITH HIM?

SAME REASON AS YOU.

THE MONEY.

I KNOW ALL ABOUT YOU.

THE GAMBLING.

YOUR DEBTS.

EVERYTHING.

EVERYTHING?

SIMON BRAGS ABOUT SETTING YOU UP.

AND NOW LOOK AT YOU.

YOU GOT TO WORK FOR THE BASTARD.

IT'S NOT JUST THE MONEY WITH YOU, HUH?

HE SCREWED OVER MY BABY SISTER.

HE KNOCKED HER UP AND THEN THREW HER OUT.

THE ABORTION ALMOST KILLED HER.

HE DIDN'T EVEN THINK TWICE ABOUT IT.

I'VE BEEN LOOKING FOR THE RIGHT TIME

TO MAKE HIM PAY.

I THINK THE TIME IS NOW.

WHAT ARE YOU TALKING ABOUT?

I'M TALKING ABOUT TAKING OUT SHORTY.

SHORTY HANDLES THE DRUGS.

I HANDLE THE MONEY.

I TAKE THE MONEY BACK TO THE HOUSE,

WHERE THE FENCE PICKS IT UP.

IT'S JUST SHORTY AND ME.

I WOULDN'T TAKE DANNY LIGHTLY, BABY.

SIMON'S NOT GOING TO SUSPECT YOU.

YOU'RE THE D.J.

JUST LAY LOW FOR A COUPLE OF DAYS,

THEN WE'LL SPLIT THE MONEY.

IT SHOULD BE ABOUT 3-400,000.

WE CAN DECIDE WHAT TO DO WITH EACH OTHER LATER.

HOLD UP. WHERE YOU GOING?

I KNOW YOU GOT THE BALLS.

BUT WILL YOU USE THEM?

♪ I COULD DROWN

♪ INSIDE YOUR LOVE, BABY

♪ THE DEEPER I GO

♪ DEEPER

♪ THE HOTTER MY LOVE

♪ OH

♪ CAN'T STOP FOR A MINUTE ♪

♪ THERE'S NOWHERE TO RUN, THERE'S NOWHERE ♪

♪ THE DEEPER I GO

♪ THE MORE THAT I KNOW

♪ I COULD DROWN

♪ I COULD DROWN

WHAT'S GOING ON? GOOD TO SEE YOU.

JASON, JASON, JASON.

YOUR MONEY'S ON THE TABLE.

PERHAPS YOU SHOULD SPEND A LITTLE ON YOURSELF--

HAVE THIS FINE LADY TAKE CARE OF YOU.

SHE IS SO GOOD WITH HER HANDS.

HA HA.

THIS IS SHORT, MAN. THIS IS ONLY 1,500.

JASON, A D.J.'s CAREER IS SHORT.

FLEETING.

YOU'RE ONLY HOT FOR SO LONG,

THEN, POOF, YOU'RE GONE.

WE AGREED ON 2.

IN TODAY'S WORLD,

THE VALUE OF THINGS CONSTANTLY CHANGE.

A MAN WITH YOUR FINANCIAL NEEDS

SHOULD TAKE WHAT HE GETS.

SEE, THIS IS THAT BULLSHIT, SIMON.

IT'S THAT REAL BULLSHIT.

OF COURSE IT IS.

BUT IT'S ALSO BUSINESS.

NOW GET THE FUCK OUT.

HAVE A NICE NIGHT...

ST. JULIAN.

♪ BABY, WON'T YOU TELL ME WHAT'S ON YOUR MIND ♪

♪ TELL ME WHAT'S GOIN' ON ♪

♪ WHAT'S GOIN' ON

♪ WHAT'S GOIN' ON

♪ BABY, WON'T YOU TELL ME WHAT'S ON YOUR MIND ♪

♪ WHAT'S GOIN' ON

♪ WHAT'S GOIN' ON

♪ OH OH

♪ WHAT'S GOIN' ON

♪ I KNOW THAT YOU HAVE BEEN FEELIN' BLUE ♪

♪ FOR A VERY LONG TIME

♪ YOU...

J, WHAT UP, MAN?

I NEED YOU TO SPIN FOR ME.

THIS IS YOUR PROGRAM RIGHT HERE.

IT'S ABOUT 20 MINUTES' WORTH OF MUSIC, MAN.

HEY, WAIT A MINUTE. WHAT'S GOING ON?

YOU WANT TO SPIN? YEAH, MAN.

PLAY THESE JOINTS.

IT'S 20 MINUTES' WORTH OF MUSIC, ALL RIGHT?

ALL RIGHT. ALL RIGHT.

HA HA! YEAH!

ABOUT TIME YOU RECOGNIZED WHO THE MAN WAS.

OHH...

♪ OH, NO, NO

♪ TELL ME

♪ WHAT'S GOIN' ON WITH YOU ♪

♪ BABY, WON'T YOU TELL ME WHAT'S ON YOUR MIND ♪

♪ WHAT'S GOIN' ON AND ON

♪ WHAT'S GOIN' ON

♪ WHAT'S GOIN' ON

♪ YOU SAY YOU NEVER THOUGHT OF LEAVING ♪

♪ BUT YOU LIED TO ME, IT JUST ISN'T SO ♪

♪ IF YOU REALLY NEED YOUR FREEDOM ♪

♪ SUIT YOURSELF, PACK YOUR THINGS AND GO ♪

♪ ALL I NEED FROM YOU IS THE TRUTH ♪

♪ SO PLEASE DON'T WASTE MY TIME ♪

♪ WITH FOOLISH KID GAMES ♪

♪ I AIN'T GONNA PLAY YOUR GAMES, BABY... ♪

♪ WON'T YOU TELL ME, TELL ME WHAT'S GOIN'... ♪

TO THE GIRL IN THE RED DRESS--

YOU WOULDN'T PAY ME ATTENTION BEFORE,

BUT NOW I'M UP HERE CONTROLLING THINGS.

YEAH! HA! HA!

YO, WHAT'S UP, Y'ALL? HOLD UP.

WANT TO GIVE HIM THE MONEY?

I'LL SEE YOU LATER. YOU KNOW WHAT TO DO.

♪ WHAT'S ON YOUR MIND

♪ WHAT'S GOIN' ON...

YOU'RE SURE? YEAH.

OK, JASON, I'M ON MY WAY. YOU DID GOOD.

YEAH. RIGHT.

♪ WHAT'S GOIN' ON

♪ WHAT'S GOIN' ON...

♪ WHAT'S GOIN' ON...

OHH...

SHIT.

WAIT A MINUTE.

COME ON, MONICA, I GOT THINGS TO DO.

PANTYHOSE AND MIDOL-- I SWEAR TO GOD.

OHH! OH!

OHH!

UHH! OHH...

YOU TRYING TO GET US BUSTED?

THEN HANDLE IT.

GET THE BRIEFCASE. I'LL HANDLE IT.

WHAT'S WITH THE GUN?

I WASN'T SURE YOU COULD HANDLE IT.

I'LL HANDLE IT.

GIVE ME THE BRIEFCASE. I GOT TO GET BACK IN.

WAIT. YOU HAVE TO HIT ME.

WHAT?

DANNY KNOWS I WOULDN'T GIVE THE MONEY AWAY THAT EASILY.

I DON'T WANT TO HIT YOU.

HIT ME, ASSHOLE!

GENTLEMEN.

GENTLEMEN,

ENJOY YOURSELVES.

MY TREAT.

YEAH! YEAH!

WHERE RAP IS AT.

OHH...

I UNDERSTAND YOU FELLAS

ARE LOOKING FOR A GOOD TIME.

BRING THIS TABLE A BOTTLE OF CHAMPAGNE.

KEEP IT COMING AS LONG AS THEY WANT.

YES, SIR.

UH-OH.

YOU BE GOOD, NOW.

YOU TAKE CARE OF THESE GUYS. OK.

ALL I GOT IS THIS--

IT'S HAPPENIN', Y'ALL.

♪ D.J...

SAY "YEAH!"

YEAH!

SAY "YEAH!"

YEAH!

J, MAN, I'M SORRY. I'M SORRY.

SAY "YEAH!"

YEAH! YEAH!

NOW SCREAM!

WHOO! WHOO!

J, MAN, WHAT'S GOING ON?

I DON'T KNOW.

OHH!

COPS!

HEY, YO, MAN. 5-0 LIKE A BITCH! CHECK IT OUT.

[PEOPLE SCREAMING]

TURN THAT MUSIC OFF.

NOW!

[MUSIC STOPS]

BINGO. SEARCH WARRANT.

SIMON'S PLACE. TEAR IT APART.

WHAT THE FUCK ARE YOU DOING?! LET'S GO!

ALL RIGHT, COME ON, CHARLIE.

JESUS!

I DON'T SUPPOSE

THAT YOU HAPPENED TO SEE A BRIEFCASE FULL OF MONEY

WALK OUT OF THAT JOINT.

NOPE.

YOU'RE A FUNNY GUY, THOUGH.

DON'T FUCK WITH ME, MAN.

THERE HAD TO BE AT LEAST 2 OR 3 OF THEM.

BIG GUYS.

PROBABLY PART OF AN ORGANIZED GANG

OR SOMETHING.

SO HOW'D YOU GET THE BRUISE?

I FELL.

YOU SHOULD BE MORE CAREFUL.

IF WE ALL DID THAT, YOU'D BE OUT OF A JOB.

HMM.

YEAH, RIGHT.

♪ YA GOTTA GET PAID, GET MADE ♪

♪ SIP CHAMPAGNE EVERY DAY ♪

♪ IN THE SHADE

♪ UH-HUH, THAT'S THE WAY I LIKE IT ♪

♪ GIRLS IN LINGERIE

♪ YEAH

♪ PARADIN' AROUND ME

♪ CHILLIN' IN THE SHADE

♪ COUNTING ALL MY MONEY

♪ DAT PRESIDENT

♪ YOU KNOW I LIKE 'EM PHAT PRESIDENT ♪

♪ I'VE GOT TO REPRESENT, PHAT PRESIDENT ♪

♪ I LIKE MY 5%, PHAT PRESIDENT ♪

[KNOCK ON DOOR]

I DIDN'T THINK YOU'D BE HERE.

NEITHER DID I.

WHY DON'T YOU UNDRESS THIS BOTTLE OF CHAMPAGNE?

WE DID IT, BABY.

[LAUGHS]

HAVE A DRINK.

CELEBRATE WITH ME.

I'LL BE HERE FOR YOU.

♪ TAKE ME INSIDE

♪ SENSUAL NIGHT

♪ OOH-WEE

♪ I WANT IT TO LAST FOREVER ♪

♪ MAKIN' LOVE 'TIL THE LIGHT ♪

♪ THIS IS AS GOOD AS IT GETS ♪

♪ I KNEW

♪ WE'D BE SO GOOD TOGETHER ♪

♪ THE DEEPER I GO

♪ THE HOTTER MY LOVE

♪ COME DOWN FOR ME HONEY ♪

♪ THERE'S NOWHERE TO RUN, THERE'S NOWHERE ♪

♪ THE DEEPER I GO

♪ THE MORE THAT I KNOW

♪ I COULD DROWN INSIDE YOUR LOVE, BABY... ♪

SHIT.

COME ON, GET YOUR ASS UP.

WHAT THE HELL IS WRONG WITH YOU, MAN?

YOU. YOU ARE WHAT'S WRONG WITH ME.

GET YOUR CLOTHES ON. JESUS.

I DON'T BELIEVE THIS.

I JUST DON'T BELIEVE YOU, JASON.

I GIVE YOU A CHANCE TO DO SOMETHING DECENT FOR ONCE,

AND WHAT DO YOU DO?

LOOK...

YOU DICKED ME.

FOR A PIECE OF ASS.

WHOA!

NO, NO, NO! BACK!

GET BACK!

OHH.

YOU SON OF A BITCH.

[BREATHING HEAVILY]

SHE SET YOU UP.

SHE FUCKED YOUR BRAINS OUT.

SHE TOOK THE MONEY,

AND THEN SHE FINGERED YOUR SORRY ASS!

SIMON IS GOING TO CUT YOUR DICK OFF,

AND THEN HE'S GONNA KILL YOU.

SO I SUGGEST THAT YOU FIND HER

AND GET THAT MONEY BACK.

YOU UNDERSTAND?

YOU DON'T EVEN THINK ABOUT RUNNING,

'CAUSE IF YOU DO, AND SIMON DOESN'T FIND YOU,

I WILL.

AND I GUARANTEE YOU THAT.

BITCH.

I'LL CALL YOU ON THE PORTABLE IF I NEED YOU.

YOUR FUCKING HEAD'S BLEEDING.

SHIT. THIS IS VERY INCONVENIENT.

TERENCE.

OHH!

COME ON. GET UP!

HYAH!

HEY! SHORTY!

SHORTY, BRING YOUR CAR AROUND THE BACK!

HE WENT OUT THE FUCKIN' WINDOW!

NO WAY! HE'S OVER THE FENCE!

OVER THE FENCE!

[TIRES SQUEAL]

THAT WAY!

YO, YO, YO, HOMEBOY.

WHAT'S UP, HUH?

WHERE'S THE MONEY, ASSHOLE? HUH?

YOU MOTHERFUCKER!

[TELEPHONE RINGS]

HELLO. Q.

WHAT?

NO.

FOR YOU.

FRANK.

I BEEN TRYING TO GET AHOLD OF YOU ALL DAY.

I'LL EXPLAIN LATER. I NEED SOME INFO ON MONICA.

THIS AIN'T NOTHIN' BUT A...

CAP IT! YOU SEEN HER

HANGING AROUND SOME OTHER SPOTS OR SOMETHING?

AN OLD PARTNER OF MINE USED TO KICK IT TO HER.

HE MIGHT KNOW MORE ABOUT HER.

HE MANAGES SOME CLUB OFF LA BREA...

UM...YO, THE FOG SPOT, MAN.

WHAT'S UP, MAN? WHAT WE DOING?

PICK ME UP AT Q's. I NEED TO TALK TO THAT GUY.

ALL RIGHT, MAN. I'M OUT.

MAN.

YOU'RE SWIMMING IN DEEP WATERS, JASON.

I'M TIRED OF BEING ON THE LOSING END, Q.

[MELLOW MUSIC PLAYS]

♪ BIRD WITHOUT WINGS

♪ GUITAR WITHOUT STRINGS

♪ THE SKY WITH NO BLUE ♪

♪ THAT'S ME, BABY

♪ THAT'S ME WITHOUT

♪ YOU, YOU, YOU

♪ TOGETHER NOW...

HOWARD!

WHAT DO YOU WANT?

ME AND MY MAN WANT THIS GIRL YOU USED TO KICK IT WITH--

MONICA.

WAIT. I HAVEN'T HEARD FROM YOU

SINCE YOU SOLD ME THAT FUCKED UP TV SET.

AND NOW YOU SHOW UP ASKING ME ABOUT SOMEBODY I USED TO BONE?

YOU SHOULD BE ASKING IF I WANT MY $300 IN LARGE OR SMALL BILLS.

WE BOTH KNOW THAT'S BULLSHIT. YOU WANT A DISCOUNT?

GO TO CRAZY ED'S. I DON'T OWE YOU SHIT.

I THINK YOU DO.

WHY YOU ACTING LIKE A PUNK?

I'M A PUNK? YOU'RE A PUNK!

I AIN'T GOT TIME FOR THIS SHIT! I'M LOOKING FOR MONICA!

NOW TELL ME WHAT I NEED TO KNOW.

TELL ME WHAT YOU KNOW, OR WE GOING ROUND AND ROUND.

ALL RIGHT. LAST I HEARD, MAN,

SHE WAS HOOKED UP WITH SOME GANGSTER.

BEFORE THAT, SHE WAS KICKING IT WITH HER SISTER.

WHERE?

GLENDALE. I GOT THE ADDRESS IN MY BOOK.

♪ TO HEAVEN WE'RE BOUND

♪ TO HEAVEN, HEAVEN

J, I'VE NEVER SEEN YOU GET CRAZY LIKE THAT.

YO, THIS MUST BE SOME INTENSE SHIT GOIN' ON.

I FIGURED YOU DOWNED SIMON, RIGHT?

BUT HOW DID HE KNOW IT WAS YOU?

IT'S DEEPER THAN THAT.

THAN WHAT?

THE LESS YOU KNOW, THE BETTER.

I NEED TO BORROW YOUR BUG TO CHECK OUT THIS ADDRESS.

THEN I NEED MY STASH BACK.

I WENT FOR IT BEFORE, BUT--

THEY GOT THE CRIB COVERED? I'M IN AND OUT OF THERE.

FRANK, THESE PEOPLE ARE SERIOUS, MAN.

IT'S LIKE JIFFY LUBE-- IN AND OUT IN 10 MINUTES.

I DON'T KNOW.

DROP ME OFF NEAR YOUR PLACE.

I'LL GRAB THE STASH.

THINK, J. THEY AIN'T LOOKING FOR ME.

THE MONEY'S IN MY SHIPS AHOY ALBUM.

I LIKES THAT. MONEY, MONEY, MONEY.

YOU'RE IN AND OUT OF THERE, THEN YOU MEET ME AT Q's, MAN.

YOU BET.

AND BE CAREFUL.

ALWAYS, BABY.

NO. BE CAREFUL.

COME ON, MAN.

MAN, THIS PLACE IS JACKED UP!

HOW DO YOU EXPECT ME TO FIND A RECORD IN ALL THIS SHIT?

WHAT?

NO. JOHNNY GILL.

HA HA! BROTHER WITH THE TEXAS RISING.

WHAT'S THIS?--OH, WHAT?

DAMN.

I BONED THAT GIRL ON THIS ONE.

AAH! THIS IS THE CUT!

WHAT?

OH, MY GOD.

BUT SURE, THIS IS DOPE.

OOH-EEE!

[SQUEAKING]

[HINGES SQUEAKING]

[SNAPS FINGERS]

SO YOU THOUGHT YOU COULD HIDE, HUH, PUNK?

SO WE GOT SOMEBODY.

WHERE'S THE D.J.?

I DON'T KNOW. I JUST CAME TO GET RECORDS--

HEY! WHERE'S THE SAINT?

I TOLD YOU, MAN, I DON'T KNOW! OH!

OH! OH!

PICK HIM UP.

COME HERE.

HOLD HIM. HOLD HIM.

OOH!

OOH!

UNH!

UNH!

COME HERE. COME HERE.

YOU PIECE OF SHIT.

COME HERE, YOU LITTLE OCTOPUS.

COME HERE.

COME HERE.

WHERE'S THE D.J.?

I DON'T KNOW, MAN.

THAT'S THE WRONG ANSWER.

UNH!

UNH!

UNH!

UNH!

NOW, I'M GOING TO ASK YOU AGAIN.

WHERE'S THIS LITTLE

CROWN PRINCE OF THE ROUNDTABLE? HUH?!

I SAID I DON'T KNOW, MOTHERFUCKER.

YOU LITTLE COCKSUCKER.

HEY, BARON...

YOU WORK ON THIS LITTLE PRICK FOR A WHILE.

HE'S A LITTLE TOUGHER THAN I THOUGHT.

MY PLEASURE.

OOH!

OHHH...

NO...

I'M LOOKING FOR THE SAINT.

HAVE YOU SEEN HIM?

OH! UHH!

NO.

OK. I'M GOING TO LEAVE A MESSAGE...

JUST IN CASE YOU SEE HIM.

SHORTY, YOU COME WITH ME.

DON'T KILL HIM.

MAKE HIM WISH HE WAS DEAD.

DEBRA?

DAMN.

[WATER RUNNING]

[DOORBELL CHIMES]

[DING DONG]

YEAH.

SPEEDY AIR EXPRESS.

GOT A PACKAGE FOR DEBBIE COLLINS.

YEAH.

THAT'S THE WIFE.

YEAH, WELL, SIGN HERE. NUMBER 4.

HAVE A GOOD DAY, SIR.

I GOT YOU, BABY.

YEAH.

YEAH.

I GOT YOU.

[LATIN-AMERICAN MUSIC PLAYS]

[WATER RUNS]

I GUESS I UNDERESTIMATED YOU.

IT'S NICE TO SEE YOU, JASON.

IF I WANTED TO TALK, I WOULD'VE CALLED YOU ON THE PHONE.

I LIKE A MAN WHO KNOWS WHAT HE WANTS.

THE MONEY'S IN THE CLOSET SAFE.

I'LL GO GET THE KEY.

[CLICK]

SORRY, BABY...

BUT A GIRL'S GOT TO DO WHAT A GIRL'S GOT TO DO.

[CLICK]

[CLICK]

[CLICK]

SLIPPING, MONICA.

[RATTLING]

YOU SHOULD'VE KNOWN BETTER

THAN TO LEAVE THAT BAG LYING AROUND LIKE THAT.

I CAN MAKE IT UP TO YOU.

YEAH?

YEAH.

YOU THINK YOU'RE THAT GOOD?

YES.

HUH? YES.

I SEE YOU STILL DON'T KNOW WHAT I REALLY WANT.

IS IT ALL HERE?

HUH?

AM I A RICH MAN?

HUH, MONICA?

YOU HAVE A NICE LIFE, SWEETHEART.

YOU JUST GOING TO LEAVE ME HERE LIKE THIS?

OH, YOU'LL SURVIVE,

WHICH IS MORE THAN I CAN SAY FOR YOUR SISTER...

'CAUSE, UM...

YOUR BOYFRIEND KNOCKED HER OFF.

[DOOR CLOSES]

REMEMBER...

TRY NOT TO WAKE HIM.

YOU HAVE 5 MINUTES.

Woman on P.A.: DR. TOLAN, CALL ICU.

DR. TOLAN, PLEASE CALL ICU.

I'M SORRY, FRANKIE.

HERE.

I GOT A GIFT FOR YOU.

THIS IS YOURS NOW, MAN.

I LOVE YOU, MAN.

♪ I GOT IT, I GOT IT

♪ I GOT IT, I GOT IT

[DRUMBEATS]

♪ I GOT IT...

I THINK THAT'S A GOOD IDEA

ABOUT US LEAVING TOWN AND GOING TO ASPEN.

I CAN'T WAIT TILL WE LEAVE.

I'LL GET A NEW CIGARETTE BOAT

AND TAKE IT ON THE WATER--

WHAT'S UP, SIMON?

SAVE THAT SHIT, SHORTY.

PUT THAT SHIT AWAY.

YOU HURT ME, YOU'LL NEVER GET YOUR MONEY.

I BROUGHT THE NOISE JUST IN CASE, YOU KNOW,

YOU DON'T FEEL THE SAME WAY I DO, YOU KNOW?

HOPE YOU DON'T MIND ME SNEAKING IN,

BUT I FIGURED I WASN'T ON THE GUEST LIST,

GIVEN THE CIRCUMSTANCES.

WHERE IS SHE?

WHO, MONICA?

I'D STAY AWAY FROM HER IF I WAS YOU.

YOU KNOW--HELL HATH NO FURY AND ALL THAT GOOD SHIT.

YOU KNOW?

WELL, YOU GOT A LOT OF NERVE, JASON.

HELL, YEAH. GOT A LOT OF MONEY, TOO.

I WANT MY MONEY. I WANT IT NOW.

WHAT YOU THINK, I WALKED IN HERE WITH IT?

DON'T FUCKIN' PLAY GAMES WITH ME.

I DON'T HAVE TIME FOR GAMES, SIMON.

THAT'S WHY I FIND IT INTERESTING

SOMEONE ELSE IS CLAIMING YOUR MONEY.

WHAT ARE YOU TALKING ABOUT?

SEE FOR YOURSELF.

WHAT THE FUCK IS THIS?

CALL IT A OPPORTUNITY FOR US ALL TO BOND.

IT'S KIND OF A KODAK MOMENT, DON'T YOU THINK?

CALDWELL, WHAT IS THIS SHIT?

I TAKE CARE OF YOU. I ALWAYS HAVE.

HA. TABLE SCRAPS.

OUR DEAL SAYS THAT I GET A PERCENTAGE

OF EVERYTHING THAT COMES THROUGH THIS CLUB.

YOU GET YOUR SHARE.

OH, BULLSHIT!

YOU ARE MOVING A LOT MORE DOPE THROUGH THIS CLUB

THAN YOU'RE TELLING ME ABOUT,

SO WE CAN CALL THIS BALANCING THE BOOKS.

OH, THAT'S GREAT.

NO, THAT'S GREAT. THAT'S PERFECT.

YOU TAKE MY MONEY, AND YOU FUCK MY WOMAN.

HUH? YEAH.

YEAH? YEAH.

YOU...

I FUCKING PAY YOU!

YOU WANT TO ROB FROM ME?

I'M THE ONLY HONEST CROOK HERE!

[LAUGHING]

YOU THINK I'M JUST GOING TO FUCKING ROLL OVER?!

LIKE THAT?!

NO. NO. I DON'T FUCKIN' THINK SO.

IT AIN'T GONNA GO DOWN LIKE THAT!

AAH!

DON'T DO IT!

PUT IT DOWN.

PUT IT DOWN.

YOU DON'T WANT TO BE A COP KILLER.

THAT'S RIGHT.

WHERE'S THE MONEY?

WHERE IS THE MONEY?

IT'S CLOSE.

WHERE?

IT'S OUTSIDE THE CLUB.

THEN YOU AND ME ARE GOING DOWN THROUGH THIS MOTHERFUCKER.

YOU DO ANYTHING, I'LL PUT A HOLE RIGHT THROUGH YOU.

YOU UNDERSTAND?

LEAVE A LITTLE GAP.

[CLUB MUSIC PLAYS]

COME ON!

HEY, WHAT'S UP, MAN?

WHAT ARE YOU TRYING TO DO?

NOTHING. LAST THING I WANT TO DO IS PISS YOU OFF

AFTER YOU JUST FINISHED MURDERING ALL YOUR FRIENDS--

SHUT UP!

YO, WHAT'S UP, MAN?

HOW YOU DOING?

COME ON.

YOU EVER THOUGHT ABOUT DOING YOUR OWN MUSIC VIDEO?

WHAT ARE YOU TALKING ABOUT?

LOOK! LOOK!

OH! OH!

JASON.

Woman: HE'S GOT A GUN.

JASON?

HE SHOT THEM!

[CLICK]

HOO HOO HOO HOO! DAMN!

MY MAN CAME THROUGH!

CRASH, IT'S ALL HERE, MAN!

YOU KNOW I PAY MY DEBTS.

GOOD. AFTER ALL, IT'S ALL BUSINESS, RIGHT, J?

NO DOUBT, AND IT'S ALL GOOD.

HA HA!

YO...

YOU KNOW PLAYOFFS IS ROLLING AROUND.

I'LL PASS, MAN. I'LL PASS.

YOU HOLD THAT.

THAT'S YOUR CABBAGE NOW. THAT'S YOU.

ALL RIGHT. WHATEVER YOU SAY.

SOON THE 411'S GOING TO BE OUT

ON HOW YOU GOT THAT MONEY.

IF I WAS YOU, I'D WATCH MY BACK, GET OUT OF TOWN.

KNOW WHAT I'M SAYING?

I AIN'T HERE. YOU SEE ME?

I'M GONE. I'M INVISIBLE, MAN.

REMEMBER, HOMEY MAN...

IT'S JUST BUSINESS, HUH?

JUST BUSINESS, HUH?

NO, MAN, WITH ME AND YOU, NUT, IT'S ALWAYS PERSONAL.

OOH!

LOOKS LIKE I'M JUST GOING TO HAVE TO--

HEY! HEY!

YOU'RE BREAKIN' MY SHIT, QUINCY!

CRASH...I USED TO WHIP YOUR DADDY'S ASS.

DON'T MAKE IT LIKE FATHER, LIKE SON.

I HEAR YOU! AAH! QUINCY!

DAMN!

FLEE.

FLEE. GET THE FUCK UP, NUT!

OW! OW!

GET UP!

SO.

WHERE YOU GOING?

BACK TO THE EAST COAST, BACK TO NEW YORK.

HAVEN'T BEEN HOME IN A WHILE, YOU KNOW.

LOOK OUT FOR FRANK, ALL RIGHT?

KEEP HIM STRAIGHT.

THE WAY I USED TO KEEP YOU STRAIGHT, RIGHT?

HA HA.

TAKE CARE OF YOURSELF.

AND LIKE THE MAN SAID, WATCH YOUR BACK.

I WILL.

AND, UH...

GET A NEW CAR. THIS IS AWFUL.

I CAN AFFORD IT NOW.

IT'S LIKE A PIECE OF, UH... SHIT.

HA HA! HA HA!

HEY. HEY. COME HERE.

GET UP OFF THE GUY.

WHAT YOU GRABBING ON ME FOR?

SHUT UP. I'M TIRED OF YOU GUYS MESSING AROUND.

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA MAKE

♪ MONEY, MONEY, MAKE MONEY, MONEY, MONEY ♪

♪ JUST HOW FAR WILL BROTHERS GO FOR THE DOUGH, YO? ♪

♪ YOU KNOW, TO STEAL-O

♪ CATCH A BODY OR CATCH A KILO ♪

♪ NOTHIN' COMES FREE, YO

♪ THAT'S HOW IT BE, YO

♪ MONEY MANIPULATES THAT MIND

♪ AIN'T THAT RIGHT REAL?

♪ BROTHERS REACT TOO SAVAGE FOR THE CABBAGE ♪

♪ LAVISH LIVIN' MAKES PEOPLE DO THE UNFORGIVEN ♪

♪ FOR THE DOUGH, FOOLS KILL THEY OWN FATHERS AND MOTHERS ♪

♪ LIKE THE MENENDEZ BROTHERS, YEAH ♪

♪ LIFE'S HARD, BUT THE RENT'S DUE ♪

♪ AND I DO WHAT I GOTS TO ♪

♪ SO WHAT, IF THE HEAT'S ON ♪??

♪ WHAT DO YOU DO TO MAKE YOUR ENDS MEET? ♪

♪ 'CAUSE NOT EVERYBODY IN SOCIETY CAN BE AN ATHLETE ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA MAKE

♪ MONEY, MONEY, MAKE MONEY, MONEY, MONEY ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA TAKE

♪ MONEY, MONEY, TAKE MONEY, MONEY, MONEY ♪

♪ NOW SOME OF THE HOMEYS

♪ DWELL IN JAIL CELL HELL FOR THE MAN ♪

♪ REMINISCIN' ABOUT THE PAST WHEN THEY HAD CASH ♪

♪ TRADIN' WAR STORIES, WHAT THEY CELLY, TALKIN' 'BOUT ♪

♪ I DROVE A DROP-TOP PORSCHE CARRERA ♪

♪ MONEY-GREEN, PEANUT-BUTTER TOP, WITH NO JELLY ♪

♪ MOTOROLA FLIPS, LEAVIN' FAT TIPS AT THE BAR ♪

♪ BOUNCERS AT THE CLUBS GAVE ME LOVE ♪

♪ I WAS A ROCK STAR

♪ NOT A ROLLIN' STONE, MORE LIKE PABLO ESCOBAR ♪

♪ FEMALES HAWK WHEN I FLOSSED ON THE AVENUE ♪

♪ COCKY ATTITUDE, BUYIN' GEAR, AND TRAVELIN', TOO ♪

♪ HAVIN' MY WAY WITH THE LADIES ♪

♪ ALL BECAUSE THEY WANNA RIDE IN MY DROP-TOP ♪

♪ THEY TELL THEIR FRIENDS THAT THEY GOT A BROTHER WITH INS ♪

♪ JUST A YOUNG BALLER SLINGIN' CHICKENS ♪

♪ NOW ALL I SEE IS CONCRETE AND STEEL ♪

♪ PUMPIN' IRON, EATIN' 15-MINUTE MEALS ♪

♪ LIVIN' IN A WORLD WHERE EVERY MAN IS YOUR ADVERSARY ♪

♪ SHANK UNDER MY BUNK FOR FOOLS TRYING TO STEAL MY COMMISSARY ♪

♪ AND IT'S THE SAME THING FROM COMPTON TO THE CATSKILLS ♪

♪ I EVEN GOT A TATTOO THAT SAYS "CASH KILLS" ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA MAKE

♪ MONEY, MONEY, MAKE MONEY, MONEY, MONEY ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA TAKE

♪ MONEY, MONEY, TAKE MONEY, MONEY, MONEY ♪

♪ CASH RULES EVERYTHING BUT ME ♪

♪ SO WHEN I HIT IT

♪ I'M A KNOW EXACTLY WHAT TO DO WITH IT ♪

♪ STAY TRUE WITH, RECOUP MY LABELS LOOT ♪

♪ AND THEN COLLECT ROYALTY CHECKS ♪

♪ THEN SPEND SOME, THE REST I INVEST ♪

♪ OR MAYBE EVEN LEND SOME ♪

♪ TO A RELATIVE OR A FRIEND ♪

♪ 'CAUSE I'M A DOWN-ASS BROTHER TO THE END ♪

♪ I REMEMBER WHEN

♪ WAY BACK, BACK IN THE DAY, BLACK ♪

♪ BEFORE A RECORD DEAL ♪

♪ PUTTIN' IN THE WORK, NOW IS PAYBACK ♪

♪ FOR ALL THOSE TIMES WE USED TO SPIT RHYMES IN A CIRCLE ♪

♪ TRYIN' TO GET A BREAK, BREAKIN' NIGGAS OFF

♪ AND BREAKIN' CURFEW

♪ AND FINALLY, NOW THAT I FOUND ME ♪

♪ I WON'T LET THAT MONEY DEFINE ME ♪

♪ YEAH

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA MAKE ♪

♪ MONEY, MONEY, MAKE MONEY, MONEY, MONEY ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA TAKE ♪

♪ MONEY, MONEY, TAKE MONEY, MONEY, MONEY ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ WOULD YOU ROB, WOULD YOU STEAL, WOULD YOU SHOOT? ♪

♪ WHAT WOULD YOU DO FOR THE LOOT? ♪

♪ SOMETIMES YOU GOTTA MAKE ♪

♪ MONEY, MONEY, MAKE MONEY, MONEY, MONEY ♪

♪ WHAT WOULD YOU DO FOR THE LOOT... ♪