Nothing to Lose (1997) - full transcript

[ Sighs ]

WHERE DO I START ?

[ Sighs ]

IT'S NOT YOU.

WELL, ACTUALLY,
IT IS YOU.

LOOK, I'M JUST NOT--

I'M NOT ATTRACTED
TO YOU ANYMORE.

I NEED SPACE.

YOU KINDA--

YOU KINDA
GROSS ME OUT.

IN THE BEGINNING,
IT WAS DIFFERENT.



IN THE BEGINNING,
YOU WERE BETTER.

BUT THEN I GOT TO KNOW YOU
REAL WELL, AND...

I-- I CAME TO REALIZE...

THAT YOU'RE A FAT IDIOT.
[ Laughing ]

[ Both Laughing ]

I GOT YA.
I GOT YA.

OKAY. OKAY.

OKAY, OKAY, OKAY.
LET ME TRY IT.

YOU GOTTA BE STRAIGHT.
STRAIGHT FACE.
OKAY. OKAY.

OKAY. ALL RIGHT.
OKAY.

I WANT A DIVORCE.

WHY ?

IT'S A PHYSICAL THING.

PHYSICAL ?



I'VE BEEN EXPERIMENTING
WITH OTHER MEN LATELY.

A LOT OF OTHER MEN...
AND WOMEN.

[ Sighs ]
I DON'T KNOW.

I MEAN, ANTONIO CAN DO
THIS THING WITH HIS TONGUE,

AND WILLIAM'S STAMINA
IS AMAZING.

AND AS FAR AS HANDS GO,
WELL, YOUR FATHER'S HANDS ARE--

[ Whooping ]

YOU ARE NO MATCH.
I HAVE NO EQUAL.

[ Yells ]
GET DOWN HERE.

* IF THE SHOE FITS

* I WANT YOU TO WEAR IT
AND WEAR IT GOOD *

* SULKIN' ABOUT THEM TIMES
WHEN I WAS BY MYSELF *

* I WAS ALWAYS LOOKIN'
FOR SOMEBODY ELSE *

* BUT AS TIME WENT ON
I HAD A TALK WITH MY MIND *

* FRIENDS LIKE YOU AND YOU
I GOTTA LEAVE BEHIND *

* AND I'M SAYIN'
CALL ME A FOOL *

* 'CAUSE YOU ONLY
RUB IT IN *

* AND I'LL NEVER SEE YOU
IF I HAD KNOWN *
* I'LL NEVER SEE THEM AGAIN

* 'CAUSE, WELL
I KNOW THE DIFFERENCE
JUST STAY IN MY OWN BUSINESS *

* AND I'LL NEVER, EVER
DUMP IT ON YOU *

* FRIENDS AND ENEMIES
AROUND ME EVERY DAY *

* I CAN'T BELIEVE
THE THINGS THEY SAY *

* TAKIN' ME FOR GRANTED
GIVE ME NO CREDIT AT ALL *

* I'LL JUST KEEP BOUNCIN'
LIKE A BOUNCIN' BALL *

* [ Vocalizing ]

* I DON'T WANNA STEP
ON NOBODY'S FOOT BUT *

* [ Vocalizing ]

* YOU CALL ME A FOOL
BUT YOU ONLY RUB IT IN *

* AND I'LL NEVER SEE YOU
IF I HAD KNOWN *

* I'LL NEVER SEE THAT AGAIN

* 'CAUSE, WELL
I KNOW THE DIFFERENCE
JUST STAY IN MY OWN BUSINESS *

* I'LL NEVER, EVER
DEPEND ON YOU *

[ Man Imitating
Engine ]

[ Continues Imitating ]

B-B-B-BRICKMAN'S !

B-B-BRICKMAN'S POWERBOATS !

GET IT ?
BRICKMAN'S SELLS POWERBOATS.

WE MAKE THE COMPANY MASCOT
A POWERBOAT.

WHAT DO YOU THINK ?

- I LIKE IT.
GOOD WORK, ALAN.
- YES !

ZACHARY, YOU'RE UP.

LADIES AND GENTLEMEN,
ZACHARY !
[ Zachary Mumbling ]

[ Cheering ]
I HAVEN'T TAKEN THESE
TO THE FOCUS GROUP YET.

I'M STILL WORKING ON THAT PART.
I JUST WANTED TO LET YOU KNOW...

- THESE ARE JUST
PRELIMINARY SKETCHES.
- ZACH.

[ Clears Throat ]
LADIES AND GENTLEMEN,

INTRODUCING THE NEW MASCOT
FOR HIDY HO COOKIES--

* DAA, DAA-DAA-DAA

ZIPPY !

[ Chuckling ]
WHAT IS IT ?

- ZIPPY.
- WHAT IS ZIPPY ?

HE'S A COOKIE MAN.
HE'S A COOKIE MAN ?

WHAT IS THAT, UH,
ON THE GROUND BEHIND HIM ?

OH, THAT'S A TRAIL
OF CHOCOLATE CHIPS.

SEE, WHEREVER ZIPPY GOES,
HE LEAVES THIS MAGICAL TRAIL
OF CHOCOLATE...

FOR ALL THE BOYS
AND GIRLS TO--
MAGICAL ?

THIS LOOKS LIKE POOP.
IT LOOKS LIKE PILES OF POOP.

IT LOOKS LIKE ZIPPY'S
WALKING AROUND, JUST CRAPPING
ALL OVER THE PLACE.

IT LOOKS LIKE--
THOSE ARE CHOCOLATE CHIPS.

EMMA, WHAT DO YOU THINK
IT LOOKS LIKE ?
EXCREMENT.

ZACH, LET'S JUST SAY YOU'RE
ABOUT TO TAKE A BIG BITE...

OF A JUICY
CHOCOLATE CHIP COOKIE.

WHAT'S THE LAST IMAGE
YOU WANT FLOATING
THROUGH YOUR HEAD ?

EXCREMENT ?
EXCREMENT.
RIGHT.

LISTEN, I WANNA GO OUT
ON A LIMB HERE.

I'M GONNA SAY, MAYBE WE SHOULD
AVOID ALL BOWEL-RELATED ITEMS
WITH THIS PARTICULAR PRODUCT.

JUST A HUNCH, YOU KNOW ?
I'LL WORK UP
SOMETHING DIFFERENT.

ALL RIGHT. THANKS.
[ Phone Ringing ]
NICK BEAM'S OFFICE.

- OH, HI, ANN.
IT'S YOUR WIFE.
- OOH, AAH--

EVERYBODY OUT.
BIG BUSINESS DEAL.

HELLO.

NOW WE'RE STILL ON FOR TONIGHT.
YOU STOOD ME UP TWICE,
YOU KNOW ?

IT'S A DONE DEAL.
NEW YORK PHILHARMONIC.
LAST NIGHT IN TOWN.

I'LL BE ESCORTING
THE SEXIEST WOMAN IN THE WORLD.

WHAT ABOUT ME ?
WE'LL BRING YA.

[ Giggles ]
OH, GUESS WHAT ?

MY SISTER LEFT A MESSAGE
ON THE MACHINE. SHE'S COMING IN
WITH HER FIANCE NEXT FRIDAY.

NO. OH, WOW.
YEAH !

I FINALLY GET TO MEET
THE MYSTERIOUS QUEEN
OF THE PEACE CORPS.

YES, YOU DO.
HEY, CAN YOU PICK 'EM UP ?

YEAH, SURE.
WHEN IS IT ?

A WEEK FROM TODAY.

I THINK IT'LL BE AROUND 10:30.
I'M NOT SURE.
I'LL HAVE TO CHECK.

P.B. WANTS
TO SEE YOU A.S.A.P.

SORRY, HONEY, I GOTTA GO.
THERE'S AN ONSLAUGHT
OF INITIALS COMING AT ME.

OKAY. TELL HIM HELLO.
I WILL.

- I HATE YOU.
- ME TOO. BYE.

PHILIP.

NICK.

OH, OH !
BUNGEE JUMPING. SUNDAY.

NICK !

NO THANKS, PHILLIP.

- P.B.
- NO THANKS, P.B.

- NICK ?
- P.B. ?

OKAY, OKAY.
OKAY, FORGET IT.

THIS GUY IS NEW.
YEAH.
WHAT DO YOU THINK ?

UH, I THINK
HE LIKES ME.

NIROOG,
THE FERTILITY GOD.

[ Chuckles ]
BOY, I LIKE LOOKING AT THIS.

HANDMADE IN
THE PALEOLITHIC PERIOD.

HAD TO SACRIFICE
MY IDES OF MARCH GOLD AUREUS
IN TRADE.

PITY. BUT, UH,
I THINK WORTH IT.

SO, WHICH ONE OF YOU
WANTED TO SEE ME ?

CHARLES MCGINTY
IS COMING IN AT 5:00.
THE CHARLES McGINTY ?

"McGINTY CRACKERS"
CHARLES McGINTY ?
THE VERY SAME. FANTASTIC.

ANYWAY, I WAS SUPPOSED TO HAVE
DINNER WITH McGINTY TONIGHT.
I'D LOVE FOR YOU TO STAND IN.

OH, NO, UH, S--
PHILLIP, I PROMISED ANN
I WOULD--

NICK. OH, NICK.
YOU GOTTA HELP ME OUT HERE.

I DON'T GET THIS LUCKY
EVERY DAY.

LOOK, IF THIS IS
ABOUT A WOMAN--
YOU'RE A PAL.

I GOTTA GO.

IT JUST NEEDS TO BE--
GUESS WHO JUST CALLED ?

ANN'S DIVORCE LAWYER ?

McGINTY'S SECRETARY.
HE'S RESCHEDULING.

- ALL RIGHT ! YES !
- WANT ME TO GET ANN
ON THE LINE ?

NO, I'M GONNA TRY
TO BEAT HER HOME.
I WANNA SURPRISE HER.

THIS IS GREAT, HUH ?
[ Women Laughing ]

[ Elevator Dings ]

- THE WIFE AGAIN ?
- NO, I JUST MET THIS INCREDIBLE
BRUNETTE ON THE ELEVATOR.

WELL, I'M JEALOUS.
WHAT WOULD I HAVE TO DO
TO GET FLOWERS ALL THE TIME ?

YOU DON'T GET FLOWERS
ALL THE TIME ?
NOPE.

THAT'S A CRIME.

[ Glass Shattering ]
[ Man Muttering ]

[ Grunting ]

[ Muttering ]

[ Muttering Continues ]

[ Bed Squeaking ]

[ Moaning ]

[ Moaning Continues ]

PHILLIP.

[ Moaning Continues ]

[ Car Horns Honking ]

HEY, ASSHOLE,
GET OUTTA THE ROAD !

[ Honking Continues ]

* JUMP, JUMP, JUMP, JUMP,
JUMP, JUMP, JUMP, JUMP,
JUMP, JUMP *

* I SAY FIGHT
YOU'RE OUTTA THE CORNER
A DAY LATE, A DOLLAR SHORT *

* FRIDAY MORNINGS
MOST PEOPLE DON'T GET *

* [ Indistinct ]

* YOU CHANGE YOUR LIFE
FROM LEFT TO RIGHT
YOU GET YOUR WIT TRACKS TIGHT *

* MUST BE TESTING THE MASTER

* THE UNDER HOOD
THE UNDERWORLD'S UNDER MAN *

* NEVER MIND BEING UNDERSTOOD
LONG AS WE UNDERSTAND *

* YOU CAN'T TWIST TRANSISTOR
MIXING FRIENDS *

* SOLDIERS OVER
HERE DON'T SNITCH
THEY BITCH AND BIT *

* ALL HOURS WHILE
THE CROWDS PEEPIN' IN *

* [ Fades ]

[ Exhales Deeply ]

WELCOME TO HELL,
BITCH.

CAR, KEYS, WALLET.
NOW !

[ Imitating Scarface ]
D'YOU HEAR WHAT I SAID ?

OKAY. NOW YOU LISTEN,
AND YOU LISTEN GOOD.

THIS IS A GUN. OKAY ?
DON'T BE FUCKIN' AROUND
WITH NO GUN, WHITE BOY.

HELEN KELLER,
I'M TALKIN' TO YOU.

[ Imitating Deaf Person ]
I KNOW YOU HEAR
WHAT THE FUCK I'M SAYIN'.

BOY, DID YOU PICK
THE WRONG GUY ON THE WRONG DAY.

- [ Engine Revving ]
- OH !

[ Car Horns Honking ]

OH, SHIT.

OH, YOU'RE TRYING TO LOCK ME--
U-U-UNLOCK THE DOOR.

STOP, MOTHERFUCKER !
STOP THE CAR !

STOP THE CAR !
[ Screaming ]

[ Screaming Continues ]

STOP IT NOW !

YOU'RE DRIVING
ON THE SIDEWALK, MAN !
PEOPLE GOT TO WALK THERE !

[ Yells ]
PULL OVER, MAN !

- WHITE BOY,
I SAID, PULL OVER !
- [ Tires Screeching ]

- [ Screaming ]
- [ Horns Honking ]

YO, MAN, THERE'S A TRUCK.

I SAID, YO, MAN,
THERE'S A TRUCK.

YO, MAN, THERE'S A TRUCK
RIGHT THERE. STOP !

WHAT ABOUT MY WALLET ?
YOU WANTED TO ROB ME,
DIDN'T YOU ?

YES. I DISTINCTLY REMEMBER
YOU WANTING TO ROB ME.

HERE'S MY WALLET.
YOU WANT IT ?

HERE IT IS.
HERE. HERE.
RIGHT OUT THERE.

WHAT YOU DOIN', MAN ?
THAT WAS MONEY.

- OH, I'M SORRY. I GOT
SOMETHING ELSE FOR YOU.
- [ Screaming ]

I'M BLIND !
I CAN'T SEE SHIT.

THE HONEYS DUG MY EYES.
THE HONEYS LOVED MY EYES.

- [ Car Horns Honking ]
- [ Screaming ]

[ Whimpering ]

[ Crying ]

ALL RIGHT, YOU WIN, MAN.
ALL RIGHT ? IS THAT WHAT
YOU WANNA HEAR ? YOU WIN.

WHAT THE FUCK ?

NO, YOU AIN'T ONE
OF THEM DESERT SLASHERS,
ARE YOU ?

CUT A PERSON BODY UP AND LEAVE
IT OUT IN THE DESERT IN LITTLE
TINY PIECES AND SHIT, HUH ?

OH, SHIT !
WE ARE IN THE FUCKING DESERT.

I'M IN THE CAR WITH
A PSYCHO, FREAKY, JASON
HACK-KILLER MOTHERFUCKER.

HEY, PLEASE DON'T KILL ME,
FREAKY JASON.

I SAID, PLEASE DON'T KILL ME,
FREAKY JASON.

I DONE FUCKED AROUND
AND CAUGHT A RIDE WITH
THE WRONG WHITE BOY !

GET OUT.
WITH PLEASURE.

"SAYO-FUCKIN'-NARA," PAL.

OH, I CAN'T FEEL
MY ASS.

MY ASS
JUST FELL ASLEEP.

I DIDN'T EVEN KNOW
AN ASS COULD FALL ASLEEP !

IT'S ALL TINGLY
AND SHIT !

COME ON, MAN. YOU CAN'T
LEAVE ME OUT HERE.

YO, MAN ! YOU CAN'T
JUST LEAVE ME OUT HERE.

[ Sighs ]

OKAY, I'LL MAKE
A DEAL WITH YOU.

YOU DRIVE ME HOME,
I'LL FORGET ABOUT THIS
WHOLE KIDNAPPING SHIT.

OH, COME ON.

HELLO.
YOU TRIED TO ROB ME.

YOU HAD A GUN TO MY HEAD.

[ Chuckles ]
LOOK, I TOLD YOU
THE GUN WASN'T LOADED.

YOU GOT YOURSELF
INTO THIS.

YOU KNOW WHAT YOU ARE ?
YOU'RE A BAD PERSON.
YOU'RE AN ARMED ROBBER.

DON'T EXPECT ME
TO FEEL SORRY FOR YOU.

EXCUSE ME.
IS THERE A PROBLEM HERE ?

- YES.
- IS THIS MAN BOTHERIN' YOU ?

- YES, HE IS.
- OH, SO YOU'RE JUST GONNA COME
RIGHT AT THE BROTHER.

WHY DON'T YOU ASK
IF HE'S BOTHERING ME ?

LADY, FOR ALL YOU KNOW,
I COULD BE DENZEL WASHINGTON.

TAKE A GOOD LOOK.

HE COULD BE SOME
CELEBRITY STALKER.

I'M GONNA HAVE TO ASK YOU
TO PAY FOR THIS COFFEE NOW,

'CAUSE I'VE SEEN THESE THINGS
ESCALATE BEFORE.

NO PROBLEM.

MY WALLET.

WOW !

LOOKS LIKE THE CELEBRITY STALKER
DON'T HAVE A WALLET.

OH, WELL, THANK YOU.
I WILL GET YOUR CHANGE, SIR.

[ Chuckling ]

WHAT ?
YOU WANT ME TO THANK YOU ?

SO I OWE YOU A BUCK.

HOW WAS YOU
GOIN' TO GET GAS ?

YOU DON'T HAVE NO MONEY,
NO CREDIT CARDS.

NO I.D.

SHIT, MAN.

OKAY. ALL RIGHT.

YOU GIVE ME MONEY FOR GAS,
AND I'LL... TAKE YOU BACK.

I'M COOL. I'M--
I'M STRAIGHT.

AS A MATTER OF FACT,
I LIKE IT OUT HERE
IN THE DESERT.

YOU KNOW, YOU GET
ALL SWEATY AND SHIT.

JUST BUBBLING
OFF YOUR ASS.

JUST-- WHAT ?

I JUST REMEMBERED.

I HAVE A SPARE CREDIT CARD
IN THE SIDE COMPARTMENT.

[ Grunting ]

UH, RIGHT HERE !

WHAT'S UP ?
[ Chuckling ]

WHAT'S UP, WHITE BOY ?
W-W-WHAT'S UP, HUH ?

COME ON, COME ON.
WHAT YA GOT ?

HUH ? LOOK AT YOU.
YOU DONE FUCKED AROUND
AND GOT DROPPED.

[ Grunting ]

[ Chuckling ]

[ Laughing ]

GET THE FUCK OUTTA HERE.

- WHAT ?
- YOU HIT LIKE
A OLE GIRL, MAN.

GET THE FUCK ON
OUT OF HERE, MAN.
GO ABOUT YOUR BUSINESS.

[ Grunting ]

- MOTHERF--
- [ Grunting ]

WHAT THE HELL IS THIS,
YOUR MERRY-GO-ROUND MOVE ?

[ Groaning ]

- [ Grunting ]
- YO, I UNDERSTAND.

[ Panting, Grunting ]

AHA !

[ Groaning ]

THANK YOU.

[ Groaning ]

HEY. OH, SHIT.

I DIDN'T KNOW
IT WAS EXPIRED.
I NEVER USE IT.

SO WHY ARE YOU OUT HERE ?

WHAT DO YOU CARE ?
I'M CURIOUS.

I'M A STUDENT
OF HUMAN NATURE.

YOU'RE A FREAK
OF HUMAN NATURE.

THAT'S ALL RIGHT.
I FORGIVE YOU.

IT'S CLEAR YOU HAVE
WOMAN PROBLEMS.
[ Chuckles ]

YOU'RE WAY OFF BASE.

I'M OFF BASE ?
YEAH. WAY OFF BASE.

SHE MESS AROUND ON YOU ?
LOOK.

EVEN IF I WANTED TO TALK
ABOUT IT-- WHICH I DON'T--
IT WOULDN'T BE WITH YOU.

YOU GIVE HER
SOME NASTINESS ?
[ Sighs ]

I KNOW YOU GAVE HER
SOME SERIOUS NASTINESS.
JUST FORGET IT.

WHAT ABOUT HIM ?
DID YOU FUCK HIM UP ?

[ Sighs ]
DID YOU WHOOP
HIS ASS ?

I BET YOU HIT
THAT MOTHERFUCKER
WITH A BAT, DIDN'T YA ?

KLING ! POW !
FUCKED HIS ASS UP,
DIDN'T YA ?

NO, WAIT A MINUTE.
YOU CAPPED HIM.

YOU CAPPED
THAT MOTHERFUCKER,
DIDN'T YOU ?

THAT'S WHY YOU OUT HERE
IN THE DESERT, AIN'T YA ?

LOOK. I DIDN'T SHOOT HIM.
I DIDNNYTHING
TO MY WIFE. I JUST LEFT.

WHAT DO YOU MEAN,
YOU JUST LEFT ?
JUST LEFT.

I-I SAW THEM DOING...
YOU KNOW,

AND I... WALKED AWAY.

WHAT A PUSSY.

NO WONDER YOUR WOMAN
IS SNEAKING BEHIND
YOUR BACK, MAN.

KNOW WHAT YOUR PROBLEM IS ?
YOU DON'T HAVE THE RESPECT
OF YOUR WOMAN, MAN.

THAT'S WHAT IT IS.
ME, I GOT ALL THAT.

I GO HOME, MY DINNER'S
ON THE TABLE.

BAM ! I DON'T WANNA
HEAR SHIT, WOMAN.

AND IF I WANT LOVIN'--
IF I'M IN THE MOOD--
I GET THAT TOO.

YOU'RE SO FULL OF SHIT.
WHAT WOULD YOU HAVE DONE ?

I'D HAVE WENT BACK
TO THAT HOUSE AND PULLED
A TERMINATOR ON THE FRONT DOOR.

BOOM, BOOM, BOOM !
WHO THE FUCK DO YOU THINK
YOU'RE PLAYIN' WITH, WOMAN ?

WHO DO YOU THINK I AM,
SOME FRUITY PIE ?
I AIN'T NO FRUITY PIE.

I'M-- I'M NICK BEAM.

THAT'S WHAT I TOLD HER.
I'M NICK BEAM.

AND NICK BEAM
AIN'T PUTTIN' UP
WITH THAT BULLSHIT.

SHE'D HAVE BEEN CRYING,
YOU KNOW ? "OH, NICK, OH, NICK,
PLEASE TAKE ME BACK.

PLEASE, PLEASE, NICK.
IT WAS ONLY ONE TIME."

I'M GONNA "ONE TIME"
YOUR ASS. NICK BEAM IS
THE MASTER OF HIS FATE,

THE RULER OF HIS DESTINY.

SO IF YOU WANNA CRY
ON SOMEBODY'S SHOULDER,

WHY DON'T YOU CRY
ON SUPERDICK ?

AS FOR NICK BEAM,
I'M FIT, LIT,

AND I DAMN SURE
AIN'T TAKIN' NO SHIT.

SO YOU CAN GET
THE FUCK OUT.

THAT'S WHAT I WOULD
YA TOLD THE BITCH.

THAT'S WHAT I
TOLD THE BITCH.
[ Chuckles ]

WHAT THE--

[ Man ]
HEY, HOLD IT. HOLD IT.
BREAK IT UP. BREAK IT UP.

SHOULD I PAY CASH,
OR DO YOU WANNA USE
YOUR CREDIT CARD ?

[ Laughing ]

[ Pump Dings ]

AH, FU-- OH-- AH--
OH, SHIT.

PUT THE MONEY
IN THE BAG.

PUT THE MONEY
IN THE FUCKIN' BAG !

SHIT.
LET'S GO !

SHIT.

YOU WEREN'T GONNA LEAVE
WITHOUT ME, WERE YOU ?

-WHAT DO YOU THINK YOU'RE DOING?
-THERE'S A SPECIAL
THEY GOT GOIN'.

YOU GET A FREE STACK
OF CASH WITH EVERY FILL-UP.
SOME LUCK, HUH ?

- HOW STUPID CAN YOU BE ?
- [ Slams Phone ]

- WE BETTER GET OUT OF HERE.
- YOU TAKE THAT MONEY BACK.

- [ Cocks Rifle ]
- I'M SERIOUS, MAN.
WE BETTER GET GOIN'.

WE'LL GET GOING AS SOON AS YOU
BRING BACK THAT MONEY.

- I'M NOT BULLSHITTIN' !
MOVE OUT !
- I'M NOT GOING ANYWHERE UNTIL--

- [ Glass Shattering ]
- HERE WE GO.

* [ Stereo: Country ]

[ Nick ]
WHY ? WHY ?

WHY ?
I DIDN'T HAVE
ANY MONEY, MAN.

OH, YOU HAD MONEY.
NO. THAT FIVE DOLLARS
I GAVE THE WAITRESS WAS IT.

WHAT THE--
[ Gasps ]

OH, GREAT. BUFORD'S
COME TO KILL US.

- [ Chuckling ]
- [ Truck Horn Honking ]

PERSISTENT HILLBILLY
MOTHERFUCKER.
HE HAS EVERY RIGHT TO BE.

YOU ROBBED HIM...
AT GUNPOINT.
YOU DICK !

HEY, HEY, YOU'RE THE ONE
WHO THREW THE WALLET
OUT THE FUCKIN' WINDOW.

[ Chuckles ]
SMART.

- [ Police Siren Wailing ]
- GREAT.

- * [ Continues ]
- OH, SHIT.

- ALL RIGHT, MAN.
WHAT YOU DOIN' ?
- COME ON, ASSHOLE.

WELL, WOULD YOU LOOK
AT THESE CRAZY SONS A BITCHES ?

OH, SHIT. WE GONNA DIE.
PULL OFF THE FUCKIN' ROAD.

PULL OFF
THE FUCKIN' ROAD !

OH, SHIT !

- OH, SHIT !
- OH, SHIT.

HEY, EARL.

OH, SH--

I'M ALIVE !
YOU ALIVE !

HOW'D YOU KNOW
THAT HILLBILLY
WAS GONNA TURN FIRST ?

YOU DID KNOW HE WAS GONNA
TURN FIRST, DIDN'T YA ?

[ Chuckles ]
YOU KNOW WHAT ?

IT DON'T EVEN MATTER.
I'M ALIVE !

YOU ALIVE, MAN !

GET OUT !
WHAT ?

GET OUT !

IT'S NOT EVEN LOADED,
REMEMBER ?

[ Grunts ]

WHAT ARE YOU EVEN THINKING WHEN
YOU DO SOMETHING LIKE THAT ?

YOU THINK YOU'RE NEVER
GONNA GET CAUGHT ?
WE DIDN'T GET CAUGHT.

THAT'S NOT THE POINT.
IT'S BEETLEHEADED.

IT'S ONLY A MATTER OF TIME
BEFORE YOU DO GET CAUGHT.

WHAT IS BEETLEHEADED ?

IT'S A SYNONYM
FOR "STUPID."

OH. WELL, HERE'S A SYNONYM
FOR "PROCREATION." FUCK YOU !

IT'S EASY FOR YOU
TO POINT THE FINGER...

WHEN YOU'RE SITTIN'
ON YOUR RICH ASS
IN A BIG FUCKIN' HOUSE.

I'M NOT RICH.
OH, YEAH.

HOW BIG'S YOUR TV ?
WHAT ?

I SAY,
HOW BIG'S YOUR TV ?
FIFTY-INCH.

GET IN THE CAR.
OH, PLEASE. LET'S NOT
MAKE THIS A SOCIAL ISSUE.

THE POINT IS THAT EVEN IF
YOU WANTED TO ROB A PLACE,
THERE ARE SMARTER WAYS TO DO IT.

- ENLIGHTEN ME.
- A MASK. WEAR A MASK.

YOU SEE, THE POLICE
HAVE THIS THING
CALLED A "LINEUP,"

AND IF SOMEONE
RECOGNIZES YOU,
YOU GO TO JAIL !

OH, HOW ABOUT THIS
FOR A NOVEL IDEA ?
CASE THE PLACE FIRST.

FIND OUT IF THERE'S
A SECURITY CAMERA
OR A HIDDEN ALARM.

THEN AGAIN, WHY EVEN ROB
A CONVENIENCE STORE ?

HOW MUCH MONEY
COULD YOU POSSIBLY GET ?
TWO, THREE HUNDRED DOLLARS ?

THEN WHAT ? YOU'RE SET
FOR TWO DAYS ! WOW !

WHAT DO YOU KNOW, LANKY ?
I KNOW YOU GO
FOR THE BIG SCORE.

ONE ROBBERY, YOU'RE SET.

NEWS FLASH, BIG SLIM.

PEOPLE WITH BIG MONEY,
THEY PROTECT IT.

SO YOU DO A LITTLE RESEARCH.
TAKE QUALITY DESIGN GROUP
WHERE I WORK.

MY BOSS KEEPS A TON OF CASH
IN HIS VAULT.

AT NIGHT,
THERE'S ONLY TWO GUARDS AND
A PERSONAL SECURITY SYSTEM.

NOW, IN THIS CASE,
I HAPPEN TO EVEN KNOW
THE CODE.

BUT EVEN IF I DIDN'T,
I--

WHAT ?

I GOT A BOOGER IN MY NOSE ?

WHAT ?

[ Imitating Phillip ]
DIVERSIFY.

YOU CAN'T TRUST BANKS,
NICK.

THE ENTIRE SYSTEM
COULD CRUMBLE AT ANY SECOND.

THAT BASTARD'S
SO HEAVILY LEVERAGED,
IT WOULD WIPE HIM OUT.

WAIT A MINUTE.
AM I HEARING YOU RIGHT ?

MR. "HIGH AND MIGHTY"
IS GONNA ROB HIS BOSS ?

YOU HEAR THAT,
GILA MONSTERS ?

OLD NICK BEAM HERE
IS GONNA ROB HIS BOSS !

I SAY, DO YOU HEAR THAT,
GILA MONSTERS ?

YOU KNOW WHAT, NICK ?
YOUR WIFE REALLY MESSED
YOUR HEAD UP BAD, MAN.

YOU'RE SERIOUS ?

HOW MUCH HE GOT ?

ONLY THE BULK
OF HIS PERSONAL ASSETS.

SIX, SEVEN
HUNDRED THOUSAND.

YOU WHAT ?

HEY, YOU GONNA NEED SOME HELP.
OH, NO, THIS HAS
NOTHING TO DO WITH YOU.

HEY, I WAS PRESENT AT THE TIME
OF CREATIVE INSPIRATION,

WHICH ENTITLES ME
TO PARTIAL OWNERSHIP...

IN THIS
CRIMINALISTIC ENDEAVOR.

[ Scoffs ]
GET OUT.

MAYBE I'LL JUST CALL
QUALITY DESIGN GROUP
WHEN WE GET BACK.

[ Chuckles ]
I WANT HALF.

WE'RE GONNA BURY
THIS ASSHOLE.

SURE, YOU'RE RIGHT.
[ Engine Starts ]

* IF YOU EVER PLAN

* TO MOTOR WEST

* TRAVEL MY WAY
TAKE THE HIGHWAY *

* THAT'S THE BEST

* COME ON
GET YOUR KICKS *

* ON ROUTE SIXTY--

[ Zips Zipper ]

[ Closes Car Door ]
* SIX

* WELL, IT WINDS
FROM CHICAGO *

* TO L.A.

* MORE THAN 2,000 MILES

[ Phones Ringing ]

- HIGHWAY SHOOTERS ?
- ONE BLACK, ONE WHITE.
YOU TELL ME ?

YOU WERE THERE,
AND THEY GOT AWAY ?

THEY WERE DRIVING
A 1996 YUKON.

- [ Ringing Continues ]
- LICENSE ?

YOU KNOW, IF I HAD
A LICENSE NUMBER, BART,
I WOULDN'T BE STANDING HERE...

EATING LARGE QUANTITIES
OF SHIT, NOW, WOULD I ?
NO, SIR.

MONITOR CALLS ON BOTH SIDES
OF THE BORDER. FAX THAT PHOTO
TO EVERY PRECINCT ON THE PLANET.

THERE'S SO MUCH AS A SNEEZE
OUT THERE,

I WANNA FEEL THE MIST.

[ Phone Ringing ]

* I HEAR A VOICE

GIVE ME ALL YOUR MONEY
AND A YOO HOO.
THE MONEY'S ALL LOCKED UP.

THAT'LL BE 79 CENTS, PLEASE.
[ Laughing ]

* I SAID
COME ON, LITTLE PRISONER *

* I GOT SOMETHING TO SAY

* [ Stereo: Rap ]
[ Sniffing ]

[ Grunting ]

SOMETHING STINKS, MAN.

YOU SURE YOU AIN'T GOT
A GAS LEAK ?

IT'S MY SHOES.

YOUR SHOES ?

YOU EVER HEARD
OF DR. SCHOLL'S ?

I SPILLED SOME GAS ON MY SHOES
AT THE GAS STATION.

YOU KNOW,
THE ONE YOU ROBBED.

OH, SO YOU GOT A CAMCORDER
UP IN HERE.
WHAT ARE YOU DOING ?

I'M JUST
CHECKIN' IT OUT, MAN.

PUT IT DOWN.
I AIN'T
GONNA BREAK IT, MAN.

JUST LET ME CHECK IT OUT.
JUST LET ME SEE.

YO, THIS IS YOUR WIFE ?

MAN, I SEE WHY
YOU WERE UPSET.

NOT BAD, NICK.
NOT BAD, NICK.

I MEAN, YOU KNOW,
FOR A CHEATIN' BITCH.

LOOK,
DON'T YOU CALL HER THAT.

YOU DON'T KNOW HER.
DON'T CALL HER THAT.

OKAY. NO DISRESPECT.
OKAY ?

WHAT SHOULD I CALL HER ?

MONOGAMOUSLY CHALLENGED ?

[ Laughing ]
GOD.

I'M JUST FUCKIN'
WITH YOU, MAN.

YOU KNOW, THIS IS
AN ALL RIGHT CAMERA
FOR A REGULAR EIGHT.

- IT'S THE BEST ON THE MARKET.
- LET ME EXPLAIN SOMETHING
TO YOU, NICK.

IF YOU AIN'T GOT DIGITAL,
YOU AIN'T GOT SHIT.

THIS HAS ONLY GOT
ONE C.C.D. CHIP.

BROADCAST HAS THREE,
NICK.

DON'T LOOK AT ME LIKE THAT.
WHAT, ARE YOU SURPRISED
I KNOW SHIT ?

THE GUY THAT SOLD ME
THAT CAMERA JUST SET UP
OUR COMPUTER NETWORK.

- WINDOWS NT ?
- NO. JUST WINDOWS.

- MAN, GET OUT OF HERE
WITH THAT SHIT.
- LOOK, HERE'S A NUTTY IDEA.

IF YOU ACTUALLY KNOW
SOMETHING ABOUT THIS STUFF,

WHY NOT USE THAT KNOWLEDGE
AND GET A JOB ?

TAKE A GOOD LOOK AT ME.

I'M NOT EXACTLY
THE CORPORATE COLOR.
THAT'S RIDICULOUS.

- IF YOU WANTED A JOB,
YOU COULD HAVE ONE.
- THERE'S A SPIDER ON YOUR HEAD.

- WHAT ?
- THERE'S A SPIDER
ON YOUR HEAD.

LOOK, I AM SORRY.
I AM NOT UP
ON ALL THIS...

JIVE-TALKIN',
HOMEBOY LINGO.

WHAT'S THAT SUPPOSED TO MEAN,
THERE'S A SPIDER ON YOUR HEAD ?

IT MEANS:
THERE'S A SPIDER ON YOUR
MOTHERFUCKIN' HEAD, MAN.

WELL, GET IT OFF !
GET IT OFF, GET IT OFF !

I AIN'T TOUCHIN'
THAT SHIT.
GET IT OFF !

GET IT OFF, GET IT OFF,
GET IF OFF, GET IF OFF !

- GET IT OFF !
- YO, THAT'S A BIG
FUCKIN' SPIDER, MAN.

[ Screaming ]
OH, SHIT !

[ Screaming Continues ]

* [ Man Scatting ]

* [ Scatting Continues ]
NICK,
IT'S JUST A SPIDER.

* I'M A SCAT MAN

NO, NO.
NOW DON'T GO CRAZY.
[ Laughing ]

- YEAH, YOU GO, BOY.
- * I'M A SCAT MAN

HOLD ON, LET ME FOCUS.
LET ME FOCUS
ON THIS SHIT.

[ Chuckling ]
* I'M A SCAT MAN

OH, SHIT.
* [ Scatting Continues ]

[ Laughing ]

YOU GOT THE HOT FOOT !
YO, NICK !

GET ON THE GOOD FOOT.
GET ON--

[ Grunting ]

* [ Stops ]
AW, GOT IT !

[ Giggling ]

[ Exhales ]

[ Stifled Laughter ]

* I'M A SCAT MAN

* [ Man Scatting ]

* I'M A SCAT MAN

* [ Continues ]

* [ Continues ]

I GOTTA MAKE A CALL.
YOU PUMP.

GIVE ME THE GUN.
WHAT ?

GIMME THE GUN.

MAN, I WASN'T GONNA
ROB THE PLACE, MAN.

THEN YOU WON'T NEED THIS.

[ Imitating Nick ]
THEN YOU WON'T NEED THIS.

YOU MUST BE REALLY FAST.

TWENTY DOLLARS
ON PUMP NUMBER 15...

AND A SOUR FRUITY TWIST.

- YOU A COP ?
- NO.

YOU BASTARDS
HAVE TRIED THIS
TOO MANY TIMES !

OH, LISTEN--
SHUT UP !

I WASN'T GONNA--
SHUT UP.

[ Ringing ]
COUNTY SHERIFF'S
STATION.

HELLO, HELLO.

UH--
YES,
MAY I HELP YOU ?

THAT SHOW, COPS,

I LOVE IT.

HAVE YOU EVER HAD
A REALLY BAD DAY ?

I'M HAVIN' ONE
RIGHT NOW.

NOW, LOOK, BABY,
I TOLD YOU I'D BE HOME LATER.

NOW, THIS GUY SAY
HE GOT A JOB FOR ME
PAYIN' BIG MONEY.

OKAY, NOW, PLEASE,
DON'T ARGUE WITH ME.
NOT NOW. ALL RIGHT ?

I'LL SEE YOU LATER.
OKAY.

[ Sighs ]

OH, OH. OH.

NOW ALL I WANT'S
$20 ON PUMP NUMBER 15
AND A SOUR FRUITY TWIST.

NOW IS THAT TOO MUCH
TO ASK ?
NO, SIR.

DO YOU MIND
IF I TAKE YOUR GUN ?
NO, SIR.

WOULD YOU PLEASE
RIP THE PHONE CORD
OUT OF THE WALL ?

WHAT ?
WOULD YOU RIP THE PHONE CORD
OUT OF THE WALL, PLEASE ?

THANK YOU.

THIS IS FOR THE PHONE
AND FOR THE GUN...
AND FOR THE SOUR FRUITY TWIST.

AND $20 ON PUMP NUMBER 15.
GO ON.

THANK YOU
FOR YOUR PATIENCE.
YES, SIR.

[ Machine Beeping ]

LET ME GET THIS STRAIGHT.

IT'S ALL RIGHT FOR YOU
TO ROB A PLACE, BUT IT AIN'T
ALL RIGHT FOR ME ?

I DIDN'T ROB HIM.
[ Scoffs ]

WELL, YOU GOT A FUNNY WAY
OF NOT ROBBIN' A MOTHERFUCKER.

NICK, LET'S GET OUT OF HERE,
MAN, BEFORE HE CALLS THE COPS.

HE'S NOT GONNA CALL
THE COPS.
HOW DO YOU KNOW ?

I HAD HIM RIP
THE PHONE CORD
OUT OF THE WALL.

OH, SHOOT.
THAT'S PRETTY GOOD.

AND YOU GOT HIS GUN ?

NOT BAD, NICHOLAS.
NOT BAD.

* [ Car Stereo: Classical ]

* [ Humming ]

* [ Continues ]
* [ Continues ]

CHARLIE, THIS SHIT'S
DEPRESSING THE SHIT
OUT OF ME.

IT'S MAKIN' ME SAD.
WHAT ?

OH, COME ON, MAN.
THIS SHIT IS THE SHIT.

THIS IS THE SHIT. IT'S
SUPPOSED TO MAKE YOU SAD.
IT'S GRIM.

OH, MAN, COME ON.
THIS IS THE SHIT.

THIS SHIT IS THE SHIT.
THIS IS THE HELLIFIED
LOVE MUSIC.

I'M IN BAD SHAPE OVER HERE.

YOU KNOW,
MAYBE I CAN TUNE YOU IN...
TO A NICE A.M. STATION...

AND GET YOU
SOME DONNY OSMOND.

[ Chuckling ]

CHARLIE, WHAT'S THIS ?
SLOW DOWN.
GET THE FUCK OUT OF HERE.

PULL OVER AND
TURN THE HEADLIGHTS OFF.

YO, MAN, YOU COULD'VE
GOTTEN ME A PIECE OF LICORICE.

IT'S SOUR.
SO.

STILL COULD'VE GOTTEN ME
A PIECE.

I DIDN'T THINK OF IT.
OH, YOU DIDN'T
THINK OF IT.

JUST SELFISH, MAN.
GUESS THAT'S THE WORLD.

YOU KNOW ? YOU JUST--
YOU JUST SELFISH.
HERE.

[ Gagging ]

DAMN.

I SWEAR, WHITE PEOPLE
MUST GOT TOTALLY DIFFERENT
TASTE BUDS, MAN.

THAT'S A VERY
RACIST THING TO SAY.

OH, YEAH ?
GOOD.

[ Chuckling ]

[ Car Hits Bumper ]
WHAT THE F--

WHOA,
THEY'RE RAMMIN' US.

THANKS FOR
THE LATE-BREAKIN' NEWS.
STEP ON THE GAS, NICK !

[ Laughing ]
I HATE NEW CARS.

- [ Tires Screeching ]
- WHOA !

LOOK AT HIS FACE, MAN.
[ Laughing ]

- [ Mumbling ]
- [ Laughing Continues ]

- OUR TURF, BABY.
- [ Moans ]

[ Screaming ]

[ Groaning ]

THEY DON'T LOOK
LIKE COPS.

DEFINITELY NOT COPS.

GET OUT OF THE CAR.

THERE YOU GO.

ALL RIGHT, MOTHERFUCKERS,
BACK THE FUCK OFF !

[ Cocking Guns ]

OH, SHIT.
[ Chuckling ]
IT'S COOL.

[ Chuckling Continues ]

OH, YEAH, I'M COOL.
WE COOL.

I WAS JUST FUCKIN'
WITH Y'ALL, MAN.

HEY, WHAT'S UP ?
Y'ALL LIVE AROUND HERE ?

BRING YOUR ASS
AROUND THE FRONT OF THE CAR.

COME ON, BABY,
COME ON, BABY.
THERE YOU GO.

THERE YOU GO.

ALL RIGHT. OKAY.
OH, SHIT.
UH-HUH. WATCH YOUR FEET.

COME ON, RUBBER LEGS. LET'S GO.
WATCH WHERE YOU'RE WALKIN'.

WATCH YOUR FEET.
THERE YOU GO, BABY.

PERHAPS YOU TWO HAVEN'T HEARD
THAT MY PARTNER AND I HERE...

OWN THE RIGHTS TO ALL
VIOLENT CRIME ON THIS
PARTICULAR STRETCH OF HIGHWAY.

AND WE DON'T TAKE KINDLY
TO ANY UNAUTHORIZED
CRIMINAL ACTIVITIES.

YOU DON'T UNDERSTAND.
WE WERE--

OH, SHIT.
THAT'S MY CAR.

CAN I HAVE
YOUR ATTENTION, PLEASE ?
YEAH.

I BET YOU USED TO SELL
MORE GIRL SCOUT COOKIES...

THAN ANY OTHER MEMBER OF
THE WHOLE TROOP, DIDN'T YA ?

WHAT WERE YOU CALLING
YOURSELF BACK THEN ?

YOLANDA, YOU LITTLE BITCH ?

CYNTHIA ? SUSAN ?
WHAT WAS IT ?
I CAN'T REMEMBER.

GUYS, I WILL BE GENTLE.
DON'T EVEN WORRY ABOUT IT.
HUH ?

NOW-- NOW,
DON'T EVEN WORRY.
[ Grunting ]

UH-HUH.
[ Grunting ]

I HAVE THESE.

OH, NOW THAT'S NOT
GONNA BE ENOUGH.

WHERE'D YOU PUT
YOUR BOOTY ?
[ Laughing ]

[ Grunting ]

[ Laughing ]

NOW I'VE DONE IT.

I FINALLY FOUND SOMEONE
I LIKE LESS THAN YOU.

SHIT. THAT'S
A FANCY CASE, FRIEND.

YOU KNOW, WHEN
A SWEET-MOUTHED GIRL LIKE YOU
HAS A FANCY CASE LIKE THIS,

A MAN GETS TO THINKIN'...
WHERE'S THE WALLET ?

THAT'S IT.
WE'RE DEAD, MAN.

I'M GONNA NEED
THAT WALLET, ALICE.

WHERE'S THAT
BIG, FAT WALLET ?
GIVE IT TO ME.

GIVE ME YOUR FUCKIN' WALLET,
YOU LITTLE BITCH.

- YOU KNOW WHAT ?
- NICK, NICK,
WHAT YOU DOIN' ?

I'M SURE YOU'RE
A REALLY SCARY GUY.

I'M SURE THAT, NORMALLY,
PEOPLE JUST QUIVER...

AT THE VERY SOUND
OF YOUR VOICE.

BUT, YOU SEE, I CAN'T
SEE THAT RIGHT NOW.

I-I-I JUST SEE...

A WEAK, DESPERATE
LITTLE MAN...

THAT PROBABLY GREW UP
TORTURING LITTLE ANIMALS.

SOME PUNY, LITTLE
UNCOORDINATED...

CAN'T-MAKE-THE-FOOTBALL-TEAM-
SO-I'LL-PICK-ON-THIRD-GRADERS-
AND-STEAL-THEIR-LUNCH-MONEY...

PUNK, JERK-OFF, BULLY...

THAT ONE DAY WAKES UP
AND REALIZES HE'S NOTHING.

JUST A SAD, PATHETIC,
USELESS, ILLITERATE
PIECE OF INBRED SHIT.

I JUST WANT YOU TO KNOW,
I TOTALLY DISAGREE.

[ Chuckling Sarcastically ]

TIME TO DIE.

THAT JUST MAKES YOU
MY BEST FRIEND.

ALL RIGHT,
DROP THE FUCKIN' GUN.

DROP THE FUCKIN' GUN !

GIVE ME THIS,
MOTHERFUCKER.

NOW BACK THE FUCK UP
BEFORE I KICK IN
YOUR BITCH-ASS CHIN.

BACK THE FUCK UP !
I SAID, BACK THE FUCK UP !

DIDN'T I SAY, BACK THE FUCK UP
?
EVERYBODY, BACK THE FUCK UP.

- [ Gasps ]
- OH !

SHIT.

- YOU SHOT ME.
- I'M SORRY, NICK.

PUT DOWN THE GUN.
SHUT UP.

YOU SHOT ME.
I SAID, I'M SORRY, MAN.
I-I DIDN'T MEAN IT.

THE GUN JUST WENT OFF.

YOU KNOW, I HAVE THAT
SAME TROUBLE IN BED.

WELL, RARELY.
EVERY ONCE
IN A GREAT WHILE.

- PUT DOWN THAT GUN, YOU IDIOT.
- WOULD YOU SHUT UP ?
I'M SHOT HERE.

YOU SHUT THE FUCK UP.
WHO THE HELL DO YOU THINK
YOU ARE ?

YOU SHUT THE FUCK UP !
YOU SHUT THE FUCK UP !
LOOK AT YOURSELF.

- MAN, YOU SHUT THE FUCK UP.
- YOU SHUT THE FUCK UP.

- HEY, HEY, HEY !
- PUT THAT FUCKING GUN DOWN
BEFORE YOU TAKE A TOE HIT.

- YOU SHUT THE FUCK UP !
- I DON'T GIVE A SHIT !
- SHUT THE FUCK UP !

- SHUT THE FUCK UP, MAN !
- SHUT THE FUCK UP !
- HEY, HEY, HEY !

HEY ! EVERYBODY,
SHUT THE FUCK UP !

NOW, EVERYBODY,
SHUT THE FUCK UP !

ESPECIALLY YOU.
SHUT THE FUCK UP.

YOU LIKE GIRL SCOUT COOKIES ?
COME HERE. COME HERE.

YOU WANT COOKIE ?
HERE'S A COOKIE.

NOW BACK THE FUCK UP
LIKE I DONE TOLD YOU
TWO DUMB-ASS MOTHER--

BACK UP, BACK UP.

[ Hissing ]
[ Grunting ]

GET IN THE CAR, NICK !
LOOK AT YOU NOW.

[ Grunting ]

THAT'S GOOD.

BYE, COWBOYS !
[ Chuckles ]

[ Gasping ]
NICK.

WHY THE HELL YOU START UP
WITH THAT GUY, MAN ?

- YOU SHOT ME.
- I'M SORRY.

YOU SHOT ME.
I'M SORRY.

YOU DON'T SAY YOU'RE SORRY
WHEN YOU SHOOT SOMEONE.

YOU SAY YOU'RE SORRY
WHEN YOU STEP ON
SOMEONE'S TOE,

OR YOU ACCIDENTALLY
BREAK THEIR GLASSES,

OR YOU FART
WHILE THEY'RE EATING.

YOU DON'T SAY YOU'RE SORRY
WHEN YOU SHOOT SOMEONE.

SHIT.
[ Gasping ]

OH, MY GOD. IT'S GOING NUMB.
IT'S GOING NUMB.
IT'S GOING NUMB.

- WHAT ?
- [ Gasping ]

IT.
- [ Gasping Continues ]

OH, MY GOD !

NICK, THAT'S THE MOST
HIDEOUS THING I EVER SEEN.

HEY, YO, MAN, YOU KNOW,
MAYBE IF YOU WRAP
YOUR ARM IN ICE,

THEY CAN REATTACH IT.

[ Laughing ]

THAT'S FUNNY, MAN.

THAT'S A BABY GASH.
SHUT UP.

BUT IT'S
A BABY GASH.

IT COULD'VE BEEN A LOT WORSE.
IT COULD'VE BEEN A LOT WORSE.

IT COULD'VE BEEN,
BUT IT WASN'T.
WHAT
ARE YOU THINKING, SHOOTING ?

LOOK, JUST CALM DOWN,
ALL RIGHT ?

YOU'RE GONNA UPSET
YOUR WOUND.
[ Chuckles ]

[ Chuckling Continues ]

YEAH. DO YOU FOLKS
WANT A LIFT SOMEWHERE ?

- WHERE YOU FROM ?
- LONDON.

ME TOO !
REALLY ?

YEAH !
THAT'S TERRIFIC.

HOP IN ME CAR. LET'S GO THEN.
COME ON. JUMP IN. LET'S GO.

OH, THIS IS GREAT.
[ Charlie ] HEY, WOULD YOU
SCOOT OVER A SMIDGEN ?

[ Grunting ]
[ Laughing ]

SORRY ABOUT THAT.
CHEERS, MATE.

[ Laughing ]

NICK BEAM.

- WHERE WE HEADED ?
- L.A.

[ Laughing ]
CITY OF ANGELS.

SO WHERE YOU PLAN
ON STAYIN' TONIGHT ?

I'LL JUST SLEEP
IN THE CAR.
YEAH, RIGHT.

YOU CAN STAY AT MY PLACE,
BROTHER.

THANKS.
WELL, JUST FOR THE NIGHT.

WHAT ? DID YOU THINK
I WAS ASKING YOU TO MOVE IN ?

NO, I WAS JUST SAYIN'--
PLEASE, MR. BEAM.

- STAY WITH ME FOREVER.
- JUST SHUT UP.

MR. BEAM.
SHUT UP.

MR. BEAM, MR. BEAM,
MR. BEAM.
YOU KNOW HOW TO SHUT UP ?

MR. BEAM.
IS IT IN YOUR VOCABULARY ?

STAY WITH ME FOREVER,
MR. BEAM.
DO YOU EVER SHUT UP ?

WILL YOU STAY WITH ME
FOREVER, MR. BEAM ?

[ Panting ]

LOOK HERE.
WHEN YOU MEET MY WIFE,

SHE DON'T KNOW NOTHIN'
ABOUT MY SIDELINE GIG.

YOU MEAN
SHE DOESN'T KNOW
YOU'RE A THIEF ?

I'M NOT A THIEF, OKAY ?

I JUST DABBLE
IN FUTURE USED GOODS.

WELL, WHAT DOES SHE THINK
YOU DO ALL DAY ?
LOOK FOR WORK, MAN.

MAYBE IF YOU DID LOOK FOR WORK,
YOU WOULDN'T HAVE TO STEAL.

[ Chuckles ]
DON'T JUDGE ME.

[ Scoffs ]

[ Whispers ]
YOU STEPPED ON MY SHOE.

I DON'T USUALLY
GET IN THIS LATE.

[ Sighs ]
BABY, AM I GLAD
TO SEE YOU.

NO, NO, NO.
NO, TALK TO ME.
EXPLAIN THIS TO ME NOW.

I GOT MUGGED.

OKAY, I DIDN'T GET MUGGED.
I GOT MUGGED.

I GOT MUGGED.
HE GOT BEAT UP.
THANK--

REMEMBER HOW I WAS TELLIN' YOU
I HAD A JOB INTERVIEW ?

BABY, THAT'S HIM.
HE RIGHT THERE.

THAT'S THE PLAYER
RIGHT THERE.

MY NAME'S NICK. NICK BEAM.
NICE TO MEET YOU.

WHEN ARE YOU GONNA
STOP GETTIN' INTO
TROUBLE, TERRANCE ?

- TERRANCE ?
- "T."

OKAY ? MY FRIENDS CALL ME "T."
YOU CAN KISS MY ASS. BOO !

- OKAY, TERRANCE.
- OH, MAMA.

PLEASE GO ON
BACK TO BED, MAMA.

WHAT KIND OF MAN STAYS OUT
TILL 2:30 IN THE MORNING,

THEN COMES BACK LOOKIN'
LIKE A BRUISED TURD ?

MAMA, I AIN'T--
DON'T YOU TALK BACK.

DON'T TALK BACK
TO YOUR MOTHER.
[ Gasping ]

[ Chuckling ]
[ Stammering ]
W-- WHAT-- WHAT'D I DO ?

YOU GOT THAT SLAP
'CAUSE YOU WITH HIM.

- AND I KNOW YOU'RE PART OF
WHATEVER BADNESS HE'S INTO.
- MAMA, ENOUGH.

YOU GOT SOME EXPLAININ'
TO DO IN THE MORNING,
MR. GENTLEMAN.

NOW YOU THINK ON THAT.
OOF.

[ Whimpering ]

WHY DO YOU KEEP ON
SPANKIN' ME, MAMA ?

OKAY.
[ Gasping ]

[ Chuckles ]
SHH.

NO, GO AHEAD. GO AHEAD.
[ Gulps ]

OKAY.
OH.

[ Chuckles ]

NOW YOU COME HERE.

MAMA DIDN'T HAVE TO
SMACK ME THREE TIMES.

[ Chuckling ]
[ Gunfire ]

WE GOTTA
MOVE OUT OF HERE.
I KNOW.

I KNOW.

I HEARD GUNSHOTS.

[ T. ]
HEY, THERE.

HEY, WHAT YOU DOING
UP THIS LATE, PAL ?

HUH ? WHAT'S UP ?
WHAT ARE YOU DOING UP
THIS LATE ?

OH, HOMEY,
WE WOKE YOU.

NOW LOOK, DON'T WORRY.
GIVE DADDY A KISS.

DON'T WORRY.
I AIN'T GONNA LET NOTHIN'
HAPPEN TO Y'ALL.

YOU KNOW THAT, RIGHT ?
WHAT HAPPENED
TO YOUR FACE ?

NO, I'M COOL, LITTLE MAN.

HEY, YOU DO YOUR HOMEWORK ?

YES, SIR.
I SAID, DID YOU DO
YOUR HOMEWORK ?

HMM ? HMM ?
Y-- YES, SIR.

- WHAT ABOUT YOU, LITTLE MISS ?
DID YOU DO ALL YOUR HOMEWORK ?
- I DON'T HAVE ANY HOMEWORK.

YOU DON'T HAVE
NO HOMEWORK ?

ALL RIGHT,
TIME TO GO BACK TO BED.
LET'S GO.

* HUT-TWO-THREE-FOUR
MAKE A RIGHT
AT THE RIGHT DOOR *

* MAKE YOUR CHOICE
'CAUSE YOU GOT TO GROW UP
TO BE SUCCESSFUL *

I HOPE THIS ISN'T
AN INCONVENIENCE FOR YOU.

NOT AT ALL.
YOU SEEM LIKE A NICE MAN.

TERRANCE CAN USE
A FEW OF THOSE
IN HIS LIFE.

GOOD NIGHT.
GOOD NIGHT.

THANKS.

HEY.
MM.

MMM. MMM.

[ Sighs ]

[ Moaning Pleasurably ]

[ Laughing ]

YOU KNOW, I NEVER NOTICED
BEFORE, BUT YOU GOT
REALLY NICE EYES.

- SHUT UP !
- BUT YOU DO.

LET'S GET THIS OVER WITH.
I CAN'T BELIEVE IT.

I'M COMMITTING ARMED ROBBERY
FOR TWO FLASHLIGHTS.
DON'T WORRY ABOUT IT.

LET'S GO.

FREEZE, MOTHERFUCKER !

YOU MOVE YOUR ASS SO MUCH
AS AN INCH, I'LL BLOW IT OFF !

YOU HEAR ME, MOTHERFUCKER ?

HEY.
YOU HEAR ME ?
WHAT ?

WHY YOU ACTING SO MEAN ?
HEY, LOOK, MAN. NOW AIN'T
THE FUCKIN' TIME, ALL RIGHT ?

- YOU SAY SCARY SHIT,
IT SCARES 'EM.
- YEAH, BUT YOU HAVE A GUN.

PLUS, WHAT YOU'RE DOING
IS A STEREOTYPICAL
ROBBER THING.

I MEAN, IT'S A LOT SCARIER
IF SOMEONE WITH A GUN IS CALM
AND COOL AND COLLECTED, MAN.

THAT'S BULLSHIT, MAN.
DON'T--

EXCUSE ME, SIR.

COME HERE.

COME HERE.

COME HERE.

NOW, LOOK, HENRY,

WE'RE GONNA TAKE
SOME THINGS OUTTA HERE,

AND YOU'RE JUST GONNA
STAND THERE.

YOU GOT A PROBLEM
WITH THAT ?

NO.

GOOD.

NOW, HONESTLY,
WHICH ONE DID YOU THINK
WAS SCARIER ?

HONESTLY ?
MM-HMM.

- HE WAS SCARIER.
- [ Laughs ]

REALLY ? YOU DIDN'T FIND
WHAT HE DID CONTRIVED ?

NO. IT WAS SCARY.

WELL, WHAT PART ?

WELL, THE, UH...
"FREEZE, MOTHERFUCKER" PART
WAS SCARY.

AND THEN HE LED ME TO BELIEVE
THAT IF I MOVED MY ASS,

IT MIGHT BE BLOWN OFF.

[ Sighs ]

YOU WERE SCARY TOO.

OH, COME ON,
YOU'RE JUST SAYING THAT.
YOU DON'T HAVE TO LIE.

NO, I'M NOT. I THOUGHT
YOU WERE VERY SCARY.

REALLY ?
YEAH.

- WELL, THANK YOU, HENRY.
- YO, CHECK IT OUT.

THEY'RE FLASHLIGHTS
WITH A.M./F.M. RADIO ON IT.

THEY ALL THAT.
YOU CAN LISTEN TO YOUR MUSIC
WHILE THE LIGHT'S ON, BOY.

ALL RIGHT, ALL RIGHT !

COME ON.
[ Bell On Door Rings ]

FREEZE, SUCKER-BITCH !

THAT WAS MUCH BETTER.

THANK YOU, HENRY.
SEE YA LATER NOW.

WHAT THE HELL IS
"SUCKER-BITCH" ?

[ Electrical Buzzing ]

* [ Techno ]

[ Man With Deep Voice ]
* I WANNA LIVE IN THE JUNGLE

* WHERE YOU DON'T GOT
TO WEAR NO CLOTHES *

* AND THEY GOT
NO BOUTIQUES *

* NOTHIN' CHIC

* IN THE JUNGLE
THEY DON'T HAVE NO DISCO *

[ Charlie ]
YO, YO, RIG !

HEY, YO, RIG !

YEAH, COME ON OVER HERE
AND MEET GINGER AND MARY ANN.

OW ! GOD !
[ Grunts ]

CHARLIE, WE GOTTA GO !

* GO, GO, GO
GO, GO, GO *

* GO, GO, GO
GO, GO, GO *

* BREAK, BREAK
* GO, GO, GO
GO, GO, GO *

HEY, NICK,
WHAT FLOOR IS IT ON ?
FIFTEENTH.

WHAT FIFTEENTH ?
COME ON.

WHY CAN'T WE JUST
USE THE ELEVATOR ?

'CAUSE THERE'S A GUARD
THAT PATROLS THE BUILDING.
THIS IS BULLSHIT !

COME ON, MAN. IT'S
SATURDAY NIGHT. THEY'RE NOT
GONNA BE THERE ANYWAY.

LOOK, I KNOW WE'RE GONNA
GO BACK MONDAY AND GET HIM.
I JUST WANNA CHECK IT OUT.

TAKE A LEFT HERE,
WILL YOU ?

YOU SERIOUSLY BUSTED
UP MY PARTY. YOU KNOW THAT.

THOSE GIRLS WERE ATTRACTED
TO YOU. CHRIST'S SAKE,
THEY'RE ONLY HUMAN.

- YOU'RE A HANDSOME MAN.
WE WILL GO BACK.
- I'LL HOLD YOU TO THAT.

OKAY. MM-HMM.
WHAT'S THE MATTER
WITH YOU ?

[ Laughing ]
YOU SHARP.

OKAY.
YEAH.

[ Panting ]
[ Clanging ]

[ Grunts, Panting ]
BEAT YOU.

I CARRIED THE DAMN BAG.
I STILL BEAT YOU.

BEAT ME AT WHAT ?
CLIMBING STEPS ?

GUESS WE'LL CALL YOU
THE "STEP KING."

OH, SHIT.

NO PROBLEM.
I KNOW THE CODE.

WHAT ?
COME ON.
COME ON.

SHIT !

THAT ASSHOLE MUST'VE
CHANGED THE CODE.

STEP ASIDE.
LET ME TAKE A LOOK.
LET ME TAKE A LOOK.

OKAY, LET ME LOOK.
MM-HMM.

MM-HMM. MM-HMM.

- WHAT ARE YOU GONNA DO ?
- YOU GOT 12 POSSIBLE STATIONS.
YOU'RE ONLY USING SEVEN.

I'M GONNA MAKE THE OTHER
FIVE STATIONS ACTIVE,
RUN A TEST MODE...

AND FORCE THE SYSTEM
INTO ROTATION.

WHAT DOES THAT MEAN ?

[ Beeping ]

WE GOT FIVE MINUTES.

HERE.
PUT ON YOUR MASK.

IS THAT MASK SWEATY ?
I THINK THAT'S THE ONE
I HID BEHIND MY BALLS.

[ Chuckles ]
[ Grunts ]

ALL RIGHT.

YEAH, ALL RIGHT.
ALL RIGHT,
ALL RIGHT.

OOH, YEAH. LET'S GO.
WE GOT THREE MINUTES.
LET'S GO.

- LOOKIN' GOOD.
- YEAH.

PUT THE MONEY IN THERE.
LET'S GO. ALL RIGHT.
LET'S GO.

HERE WE GO. MONEY.
[ Laughs ]
MONEY.

LET'S GO.
MASK, MASK.

LET'S GO, BABY.
LET'S GO, BABY
LET'S GO !

WHAT THE HELL
ARE YOU DOIN' ?
NICK ?

OKAY, THAT'S REAL CLEVER,
NICK. LET'S GO.

COME ON, MAN.

AH.

THIS IS VERY NICE.
IT'S VERY NICE.
IT'S VERY NICE.

OH. I DON'T THINK I'VE
EVER SEEN A MORE BEAUTIFUL
PIECE OF SHIT.

NICK.
[ Grunts ]

VERY NICE.
VERY NICE.
VERY NICE.

AAAH !

YEAH !

THAT'S GREAT. THAT'S GREAT.
YOU DONE CUT THE DICK
OFF A STATUE.

HOW'S IT FEEL, PHILLIP ?

YOU HAD IT ALL, BUT IT
WASN'T ENOUGH FOR YOU.
YOU HAD TO MESS WITH ME.

[ Whispering ]
NOBODY MESSES WITH NICK BEAM.

OOH.

[ Elevator Bell Dings ]

* [ Rock 'N' Roll ]

* I FEEL LUCKY

* I JUST FEEL THAT WAY

* I'M ON A BUS
TO ATLANTIC CITY *

* LATER ON TODAY

YOUR FACE, MAN.
YOU SHOWED YOUR FACE.
IT DOESN'T MATTER.

IT DOES MATTER. THEY
CATCH YOU, THEY CATCH ME.
IT DAMN WELL MATTERS !

[ Elevator Bell Dings ]
* I'M A WINNER

HEY, MAN, LOOK AT ME.
LOOK AT ME, MAN. I'M NOT
GOIN' DOWN FOR THIS SHIT.

* AND NOW I KNOW

* WHY I'VE BEEN SENT

HMM.

* [ Radio: Rap ]

*

* LITTLE RUMP SHAKER
SHE CAN REALLY
SHAKE AND BAKE *

- * SHE'S GOT SKILLS
- [ Grunts ]

*

- * WATCH HER SLIPPIN'
AND A SLIDIN' *
- HERE !

- * MAKIN' BOOTY LEFT TO RIGHT
*
- HERE !

* SHE'S GOT SKILLS

[ Radio Stops ]

HMM. THE ALARM
MUST'VE BEEN SET.

* [ Radio: Static Humming ]

* [ Stations Rapidly
Changing ]

* [ Industrial ]

* [ Volume Increasing ]

[ Man On Radio: Distorted ]
* ADDRESSING THE GROOVE
I SAY A DRINKIN' AGAIN *

* JUST SMOKIN' SMACK
INSIDE THE CIGARETTES
AND LOOKIN' PALE AND THIN *

* IT'S A SHAME

* IT'S A PITY
IN NEW YORK CITY *

* WELL

* WELL, WELL, WELL
WELL, WELL *

* SOMETAS CHANGED

* THE WAY THESE PEOPLE THINK

* [ Slow ]

*

[ Man On Radio In High Voice ]
* HEY THERE, LONELY GIRL

* LONELY GIRL

* LET ME MAKE YOUR
BROKEN HEART LIKE NEW *

OH, SHIT.
* HEY THERE, LONELY--

WHITE PEOPLE.

[ Laughing ]
OUR DATES.

[ T., Nick Laughing ]

OH !

OH. OHH, SHIT.
[ Chuckles ]

OH-HO-HO.
LOOK AT THIS, MAN !

MAMA-SAY, MAMA-SA, MAKUSA !
OH, SMACK ME TWO TIMES !

CALM DOWN.
[ Chuckles ]

MY SON IS GOING
TO THE BEST SCHOOLS.

MY DAUGHTER,
SHE AIN'T EVEN GONNA KNOW
WHAT A FOOD STAMP IS.

MY WIFE, WE GOIN' OUT
ALL THE TIME.
[ Chuckles ]

ALL THE TIME !

WHAT'S WRONG WITH YOU, MAN ?

NOTHING.

YOU SWEATIN' THAT BULLSHIT,
AIN'T YOU ? YOU DID WHAT
YOU HAD TO DO TO THAT GUY, MAN.

DON'T WORRY ABOUT IT,
ALL RIGHT ? PUT THAT SHIT
BEHIND YOU. WHERE YOU GOIN' ?

WHERE YOU GOIN' ?
WHERE YOU GOIN' ?

I'M JUST GONNA--
I'M JUST GONNA TAKE A WALK.

ALL RIGHT.
WELL, HURRY BACK.

I GOT WILLPOWER,
BUT I DON'T KNOW HOW MUCH.

[ Chuckles ]
YOU KNOW WHAT I'M SAYIN' ?
YEAH.

* THERE IS SOMETHIN'

* ON YOUR MIND

* BY THE WAY
YOU LOOK AT ME *

* THERE IS SOMETHIN'

* ON YOUR MIND, HONEY

DID YOU EVER DO SOMETHIN'
THAT YOU THOUGHT WOULD MAKE
YOU FEEL GREAT ?

IN A WEIRD WAY,
YOU ALMOST FEEL WORSE.

REVENGE, HUH.
SOME THINGS HURT
NO MATTER WHAT.

THAT MUST BE A FACT
OF LIFE.

* AND WHAT YOU'RE THINKIN'
[ Danielle ]
HI !

HI !
[ Chuckles ]
NICK.

I CAN'T BELIEVE IT.
WHAT ARE YOU DOIN' HERE ?
[ Giggles ]

DANIELLE.
OOPS.

I DON'T KNOW
WHAT I'M DOIN' HERE.
[ Chuckles ]

WHAT ARE YOU DOIN' HERE ?
SHEILA, MY BEST FRIEND-- WELL,
SHE USED TO BE MY BEST FRIEND.

I GUESS, TECHNICALLY,
MARCY WOULD BE MY BEST FRIEND.

I MEAN, THEY BOTH THINK
THEY'RE MY BEST FRIEND,
WHICH IS OKAY BY ME.

BUT ONCE I DID HAVE THIS
NIGHTMARE WHERE SHEILA AND MARCY
ARE SITTING NEXT TO EACH OTHER,

AND THIS ESKIMO GUY COMES OVER
AND SAYS, "PICK."

I THOUGHT I WAS GONNA DIE.
I MEAN, AN ESKIMO GUY.
WHAT IS THAT ALL ABOUT ?

- [ Chuckles ]
- ANYWAY, SHEILA'S VISITING
AND SHE'S STAYING HERE.

SO I THOUGHT I'D TAKE HER
TO A PARTY AND SHOW HER
A GOOD TIME.

AND SHE MEETS THIS GUY
AND GOES HOME WITH HIM INSTEAD.
AND, OH, WELL.

YOU REALLY LOOK GOOD.

YOU LOOK--
YOU LOOK GOOD TOO.

THANK YOU.
DO YOU WANT...
A DRINK ?

UH-HUH. YEAH. SURE.
[ Giggles ]

YOU KNOW,
I'M SUCH A KLUTZ.

I SPILLED BEER
ALL OVER MY DRESS EARLIER.

AND, WELL,
I THINK IT'S STAINED.
DID IT STAIN, NICK ?

I HAVE SHEILA'S ROOM KEY.
YOU WANNA COME UP ?

* LET'S GET HOT
* OH, YES, IT'S LADIES' NIGHT

* AND THE VIBES IS RIGHT

* OH, YES, IT'S LADIES' NIGHT
OH, WHAT A NIGHT *
* OH, WHAT A NIGHT

* OH, YES, IT'S LADIES' NIGHT
AND THE FEELING'S RIGHT *

* OH, YES, IT'S LADIES' NIGHT
OH, WHAT A NIGHT *
* OH, WHAT A NIGHT

[ Elevator Bell Dings ]

[ Muttering ]

[ Knocking ]
NICK, NICK,
USE YOUR KEY, MAN.

[ Knocking Continues ]

ALL RIGHT. ALL RIGHT,
NICK. DAMN !

HEY, NICK, WHY DIDN'T YOU
JUST USE YOUR KEY ?
TURN YOUR BED DOWN ?

[ Laughing ]

STAY.
[ Giggles ]

* [ Hip Hop ]

*

[ Giggles ]

*

* THE LADY IS LOOKIN' GOOD

* JUST LIKE THE LADY SHOULD
* JUST LIKE
THE LADY SHOULD *

I'VE BEEN THINKING
ABOUT THIS FOR SO LONG.
I WANT YOU SO BAD.

I JUST WANTED TO
MAKE HER HAPPY.

THIS IS GONNA BE A NIGHT
THAT YOU WON'T FORGET.

I TRY TO FORGET,
BUT I CAN'T.

GIVE IT TO ME, NICK.

GIVE ! THAT'S ALL
I DID, WAS GIVE.

[ Muffled Moaning ]

[ Crying ]

NICK ? NICK, YOU'RE
REALLY PUTTING A DAMPER
ON THE MOOD HERE.

I'M SORRY.
I DON'T KNOW.

DANIELLE, I CAN'T.
I JUST CAN'T.

[ Groans ]
* I JUST WANNA
MAKE YOU MINE *

* WE'LL BE TOGETHER
TILL THE END OF TIME *

HEY, KAREEM. ARE YOU AWARE
THAT CHARLIE AND I...

HAD INTENDED TO
COME UP HERE AND
CAP YOUR PUNK ASS ?

AND YOUR
GIRLFRIEND NICK.

BUT, SHIT, YOU TWO MUFFINS
DID SUCH AN OUTSTANDING JOB
WITH THIS FINANCING,

[ Laughing ]
WHO COULD THINK ABOUT KILLING
AT A TIME LIKE THIS ?

THANKS. YOUR APPROVAL
MEANS A LOT.

- DID I TELL YOU TO SPEAK ?
DID I TELL YOU TO SPEAK ?
- CHARLIE... NO.

THAT'S GONNA BE TOO LOUD.

[ Whispering ]
TOO LOUD.

[ Dial Tone Humming ]

[ Sighs ]

[ Ringing ]
HELLO ?

HELLO ?
HI.

OH, MY GOD !
NICK, IS THAT YOU ?
ARE YOU OKAY ?

I'M FINE.

OH, THANK GOD !
I DIDN'T KNOW IF,
IF YOU--

I THOUGHT THAT--
YOU'RE NOT HURT ?

NO.
OH, THANK GOD !
WHERE ARE YOU ?

LOOK, ANN, LET'S
NOT MAKE THIS HARDER
THAN IT HAS TO BE.

I SAW YOU.

WHAT ?
I SAW YOU.

- I KNOW.
- SAW ME WHAT ?
WHAT ARE YOU TALKING ABOUT ?

COME ON.
DO YOU HAVE TO DO THIS ?
YOU AND PHILLIP.

- WHAT ABOUT HIM ?
- YOU'RE DENYING IT.
SHE'S DENYING IT.

I DON'T BELIEVE THIS.
FRIDAY AFTERNOON. REMEMBER ?

WELL, GUESS WHAT.
I CAME HOME EARLY.
I SAW YOU, ANN.

I WAS THERE.
OH.

OH, NO.

YEAH. OH, NO.

NICK, I WAS STILL
AT WORK FRIDAY AFTERNOON.

AT WORK ?
WELL, YOUR CLONE WAS AT
HOME SCREWING MY BOSS.

NICK, IT WAS MY SISTER.
REMEMBER, I TOLD YOU...

SHE WAS COMING NEXT FRIDAY
WITH HER FIANCE ?

WELL, I MADE A MISTAKE.
IT WAS THIS FRIDAY. THEY
CALLED FROM THE AIRPORT.

I TOLD THEM ABOUT THE KEY
IN THE PLANTER. I CALLED, BUT
YOU'D ALREADY LEFT THE OFFICE,

SO I LEFT YOU A MESSAGE
ON THE MACHINE AT HOME.

WHAT ABOUT-- WHAT ABOUT
THE CUFF LINKS ? PHILLIP'S
CUFF LINKS WERE ON THE SINK.

HONEY, THEY'VE BEEN
IN THE DRESSER SINCE
THE CHRISTMAS PARTY.

I LEFT THEM ON THE COUNTER
SO YOU'D FINALLY REMEMBER
TO BRING THEM TO HIM.

SO YOU'RE NOT HAVING
AN AFFAIR ?

[ Laughs ]
NO, YOU DICK !

YOU STILL LOVE ME ?

MORE THAN ANYTHING
IN THE WORLD.

YOU-- YOU WOULDN'T BELIEVE
WHAT I'VE BEEN THROUGH.

[ Chuckling ]
YOU'RE GONNA LAUGH,
BUT I ACTUALLY--

SHIT.

- WHAT'S THE MATTER ?
WHAT'S WRONG ?
- SHIT !

WHAT'S THE MATTER ?
WHAT ?
SHIT !

[ Shouting ]
SHIT ! SHIT !

SHIT, SHIT, SHIT, SHIT,
SHIT, SHIT, SHIT.
[ Elevator Bell Dings ]

[ Chattering ]

GOING DOWN.

DON'T TOUCH IT.
OH, MAN.

[ Panting ]
OH, MAN.

[ Grunting ]

I THINK I CAN OPEN THE DOOR
AND CATCH THE SHEET.

DON'T TOUCH THE SHEET,
PLEASE. DON'T--
NO, NO.

- NO, DON'T MOVE. DON'T MOVE.
- OH, SHIT. OH, SHIT.
I DONE MOVED THE HAND.

I REALLY DON'T THINK
YOU SHOULD BE MOVING RIGHT NOW.
I THINK YOU'RE MOVING.

CALL THE PARAMEDICS.
LISTEN TO ME.
ALL RIGHT.

GET THEM HERE
AS FAST AS YOU CAN !

HAVE THEM MEET ME
WITH A GURNEY.

WAIT.
LET ME PRACTICE.
LET YOU PRACTICE ?

I'M HANGIN' ON A
FUCKIN' LEDGE, MAN.
[ Crying ]

I DON'T WANNA DIE
LIKE THIS, NICK.
ALL RIGHT.

I WASN'T TRYIN'
TO STICK YOU UP, MAN !

FIRST, I'M GONNA SAY "ONE."
THEN I'M GONNA SAY "TWO,"
THEN "THREE." THEN I'M GONNA--

DO IT.
I CAN'T HEAR YOU.

I'M GONNA START WITH ONE
AND COUNT TO THREE !
OKAY.

READY ?
ONE,

RIGHT.
TWO--

I CAN'T HEAR YOU !
YOU GOTTA BE LOUDER, NICK !
I SAID, "TWO" !

ARE YOU ON "TWO" ALREADY ?
START FROM "ONE" !
I'LL START AGAIN.

[ Squeaking ]
ONE,

RIGHT.
TWO,

- I GOT YOU.
- THREE !

[ Screams ]
NICK !

I GOT IT !
I GOT IT !

HA !

WELL, YOU GO, BOY !
YOU MY--

[ Screaming ]

THE ELEVATOR !
THE MONEY !

[ Whistles ]

REMIND ME TO KICK
YOUR ASS LATER.

[ Tires Screeching ]

[ Both Laughing ]
[ Charlie ]
WE'RE RICH, MAN !

WE ARE IN THE BIGS.
CHARLIE, SMELL THAT.

[ Sniffing ]
OH, YES ! YOU, TOO,
CAN BE A MILLIONAIRE !

[ Laughing ]
SUCKERS !

- CHARLIE, CHARLIE,
CHARLIE, SMELL THIS.
- [ Sniffing ]

MORE HOOKERS !
AAAH !

HOOKERS !
WE HIT THE
MOTHER LODE, MAN !

[ Banging ]
WHAT THE FUCK
IS THAT ?

- OKAY. WHAT NOW ?
- I DON'T KNOW.

- WHAT DO YOU MEAN ?
I THOUGHT YOU HAD A PLAN.
- THAT WAS MY PLAN: TO RAM THEM.

RAM THEM.

[ Banging ]
[ Yells ]
SPEED UP !

- SHOOT THE MOTHER--
SHOOT HIM !
- I GOT HIM ! I GOT HIM !

- [ T. ] GEEZ !
- AAAH !

MAN, I'M TIRED OF THIS SHIT.
LET'S GO !

[ Rifle Shot ]

CHARLIE !
LOOK OUT, CHARLIE !

I'M ACTUALLY GRABBING A GUN
AND GOING AFTER BAD GUYS.

YOU THE MAN.
[ Chuckles ]

ALL RIGHT.

YOU SEE 'EM ?
NO.

I'LL, UH--
I'LL LET YOU KNOW.

PLEASE DO.
NICK.

WHAT ?
[ Laughing ]

[ Charlie ]
YOU CHECKIN'
THIS SHIT OUT ?

HEY, NICK,
I LIKE YOU LIKE THIS;

YOU AND YOUR PROM DATE
BOTH HAVING WEAPONS.

THAT WAY I DON'T HAVE TO
KILL AN UNARMED COUPLE.
IT'S NOT MY STYLE.

PUT DOWN THE BAG.
[ Charlie Laughing ]

[ Laughing Continues ]
PAUL BUNYAN, COME AND
TAKE THE BAG.

- LET ME--
- YOU'RE AN IDIOT ! SHUT UP !

SHOOT 'EM.
[ Nick ]
NO, YOU'RE A FUCKIN' IDIOT !

WHO ARE YOU ? CRIME DOG NOW ?
ARE YOU AWARE THERE'S ONLY TWO
KIND OF PEOPLE ON THE PLANET ?

THERE ARE KILLERS,
AND THEN THERE'S
EVERYBODY ELSE.

I'M A KILLER, NICK.
YES, YES, YES, YES.
WHAT ARE YOU, NICK ?

I'M MARRIED.

[ Screams ]
OH !

OH, YOU SON OF A--

[ Charlie ]
WAIT, WAIT, WAIT.

OH, SHIT !

WHAT ARE YOU,
FUCKIN' OUT OF YOUR MIND ?

FUCK !
WHAT,
ARE YOU CRAZY ?

[ Laughing ]

HUH ? WHO'S
IN CONTROL NOW ?

HAND OVER THE BAG,

OR ELSE MY MAN NICK BEAM HERE
GONNA PUT ONE IN YOUR ASS.

AIN'T THAT RIGHT, NICK ?

[ Squeaking ]

[ Rig ] I'LL ROLL OVER.
[ Charlie ]
OKAY, I SEE IT. I SEE IT.

LET ME TRY TO GET AROUND
AND GET YOU.

[ Rig ]
NO, IT'S NOT--
[ Policemen Chattering ]

[ Policeman ]
THEY'RE IN THE ALLEY.
CHARLIE, IT'S THE POLICE.

OH, YES !
THANK GOD YOU'RE HERE.
OH, THIS NIGHTMARE'S OVER.

WHAT THE FUCK
ARE YOU DOIN' ?
PUT THE GUN DOWN !

PUT THAT GUN DOWN,
YOU STUPID PIG !

[ Both Shouting ]
COME ON, MAN !

IT'S THEM.

WELL, SOME FOLKS IN ARIZONA
ARE GONNA BE MIGHTY HAPPY
TO SEE YOU BOYS.

[ Shouting Continues ]

OFFICER ! OFFICER,
TWO OTHER GUYS--

"I'M MARRIED."
KA-BLAM !

[ Laughing ]
YOU'RE TOO MUCH.
IS THE MONEY ALL THERE ?

- LOOKS LIKE IT.
- GREAT. WE HAVE JUST ENOUGH
TIME TO GET IT BACK.

EXCUSE ME ?

WE'RE RETURNING
THE MONEY BACK.
[ Laughing ]

NO, NO.

MAYBE YOU'RE A LITTLE BIT
CONFUSED ABOUT
THE PURPOSE OF A ROBBERY.

OH, T., I DIDN'T TELL YOU.
WHEN WE WERE AT THE HOTEL,
I CALLED MY WIFE.

EVERYTHING'S ALL RIGHT.
YOU SEE, IT WASN'T HER.

SHE WASN'T EVEN THERE.
ISN'T THAT GREAT ?

[ Chuckles ]
IT WAS HER SISTER
AND HER SISTER'S FIANCE.

I DON'T GIVE A DAMN
IF IT WAS HER UNCLE FESTER
AND GUMBY.

YOU AIN'T TAKIN'
THIS MONEY ANYWHERE, MAN.

I DON'T WANNA
HEAR ALL THAT.

LET GO. LET GO.
GIMME THE BAG.
YOU LET GO.

- LET GO OF THE BAG.
- IT'S NOT YOUR MONEY.

- IT'S NOT YOUR MONEY.
- IT'S NOT YOUR MONEY !

- IT'S NOT YOURS.
IT'S HALF MINE.
- LET GO !

LET GO ! LET GO !
YOU LET GO !

[ Both Grunting ]

GET BACK HERE !

[ Grunts ]

[ Groans ]

YOU OKAY ?
YEAH, I'M OKAY.
AND YOU ?

I'LL LIVE.

[ Panting ]
CAN'T LET YOU TAKE
THE MONEY, NICK.

T., MY LIFE
IS IN THAT BAG.

NICK, EVEN IF YOU WANTED
TO TAKE THE MONEY BACK,
YOU CAN'T.

YOUR FACE IS ON
THE VIDEO, MAN.

THEY ONLY REVIEW THE TAPES
IF SOMETHING'S MISSING.

I CAN GO INTO WORK EARLY
AND BRING IT BACK.
NO ONE'LL KNOW.

T.

I CAN GET MY LIFE BACK.

HERE.

YOU FORGET ONE THING, NICK.
I GET MY LIFE BACK TOO.

* MONEY DON'T MAKE
MY WORLD GO 'ROUND *

* I'M REACHING OUT
FOR THE HIGHER GROUND *

* TO A WARM
AND PEACEFUL PLACE *

* I CAN REST
MY WEARY FACE *

* LIFE'S ANSWERS
WE TRY TO FIND *

* OH, WE TRY TO FIND
YES, WE TRY TO FIND *

* BATTLING INSIDE OUR MINDS

* WHERE DO I GO
FROM HERE *

* WILL ALL MY FRIENDS
BE THERE *

* 'CAUSE WE'RE LIVING
WE'RE LIVING *

* IN A CRAZY MAZE

* AND WE'RE FIGHTING
WE'RE FIGHTING *

* TO RISE ABOVE THE HAZE

* LIGHTS AT THE END
OF THE TUNNEL *

* SOMETIMES
THE JOURNEY'S LONG *

* THERE ARE MANY THEORIES

* WHO'S RIGHT
AND WHO'S WRONG *

* PRESSURE'S ON
I HAVE TO CHOOSE *

* I'VE GOT NOTHING TO LOSE

* I CLOSE MY EYES
I TAKE A CHANCE *

* I-I, I NOW DANCE
A DIFFERENT DANCE *

* WHAT'S THE KEY
TO A HAPPY LIFE *

* TELL ME NOW, NOW, NOW

* HEALTHY MIND
AND LOTS OF SPICE *

* RUNNING BAREFOOT
THROUGH THE TREES *

OH, MY GOD !

OW. OUCH.

WHAT HAPPENED TO YOU ?

IT'S A LONG STORY.

I GOT SHOT.
WHAT ?

AND I-- I THINK
I'M WANTED IN ARIZONA.

PLUS, MY SHOES
CAUGHT ON FIRE.

YOU TOLD ME YOU WERE SELLING ME
THE TOP OF THE LINE.
THE TOP OF THE LINE IS DIGITAL.

DID YOU SELL ME A DIGITAL ?
NO, YOU DID NOT.

SO, I'M BRINGING IT BACK,
AND I EXPECT A FULL REFUND.

IF YOU DO NOT GIVE ME A REFUND,
YOU WILL NOT BE DOING BUSINESS
WITH MYSELF OR MY COMPANY.

THANK YOU.

HMM.
SO,

DID YOU HEAR ?

WHAT ?
SOME, UH, VANDALS
BROKE IN OVER THE WEEKEND.

- WHAT ?
- WELL, NOTHING WAS STOLEN.
THEY CUT THE--

THE... THINGY...

OFF P.B.'S STATUE.
[ Laughing ]

UM, THEY'RE REVIEWING
THE VIDEOTAPE.

HI, EVERYBODY.
HOW'S IT GOING ?
NOT NOW, NICK.

- DID ANYBODY SEE THAT
GAME LAST NIGHT ? HOO.
- WHAT GAME ?

- OH, THAT GAME. OVERTIME.
- WILL YOU PLEASE SHUT UP !

DON'T TOUCH IT.
DON'T TOUCH IT.
OH, YOU PIG. OH, YOU PIG.

- [ Nick Screaming On Tape ]
- [ Gasps ]

[ Smashing Statue On Tape ]
OOOH ! OH.

WELL, THAT'S IT.
WHAT'S DONE IS DONE.
LISTEN.

I'VE GOT THIS GREAT IDEA FOR
THE NEW McGINTY CRACKER MASCOT.
MOVE, MOVE ! THANK YOU.

THIS--
NICK, SHUT UP !

[ Static Humming ]
[ Phillip ]
WHAT'S HAPPENING ?

[ T. Laughing On Tape ]
WELL, WHAT IS THIS ?

- WHAT THE HELL IS THIS ?
- [ Guard ] I DON'T KNOW.

[ T. Laughing On Tape ]
SOMEBODY MUST'VE RECORDED
OVER THE TAPE.

- WHO HAD ACCESS ?
- UH... THERE WAS AN ELECTRICIAN
IN HERE THIS MORNING.

WHAT ELECTRICIAN ?
I DID NOT ORDER
AN ELECTRICIAN !

I DID. THE FLICKERS ON THE--
FLUORESCENT LIGHTS WERE
FLICKERING.
[ Sighs ]

- I'M REALLY SORRY, SIR.
- THIS IS TERRIBLE, PHIL.

I WOULD REALLY LIKE
TO BE ALONE NOW.
YOU SHOULD GO.

YOU SHOULD GO. YOU TOO.
I WOULD LIKE TO BE
EXTREMELY ALONE FOR A MINUTE.

I'M GONNA LEAVE YOU ALONE.
THANK YOU VERY MUCH.
THANK YOU, NICK.

[ T. Shouting
On Tape ]
[ Crying ]

ALL RIGHT NOW.
CUT THAT OUT.
Y'ALL WANNA EAT ?

YES.
ALL RIGHT.

DON'T BURN THE MEAT.
I DON'T NEVER
BURN THE MEAT.

UH-HUH. WHAT
HAPPENED THE LAST TIME ?
HEY, DAD DON'T BURN THE MEAT.

I'M GONNA PUT SOME--
JOEY. TONYA.

YEAH, THAT'S--
GO SEE YOUR MAMA,
BOY. YOU KNOW.

NOW THIS IS MY VERY
SPECIAL MUSTARD.

DON'T LET NOBODY
TOUCH THAT.
OKAY, MAMA.

YEAH.

SO, HOW'S THE
ELECTRICIAN BUSINESS ?

[ Laughs ]
HEY.

NOT BAD.
THE HOURS ARE A BITCH.

I WANNA THANK YOU.

I DON'T KNOW WHY--
I JUST WANNA SAY
I APPRECIATE WHAT YOU DID.

WELL, DON'T MENTION IT.
HOW'S THAT ? HOW DID YOU
KNOW WHERE I WAS ANYWAY ?

A FRIEND GAVE ME
A TIP.

A FRIEND, HUH ?
[ Chuckles ]

YOU HUNGRY ?
YES, WE WOULD LOVE
FOR YOU TO JOIN US.

WOULDN'T WE, MAMA ?

I TALKED TO MY BOSS TODAY
AFTER THINGS SETTLED DOWN.

CONVINCED HIM WE NEED
A NEW SECURITY SYSTEM.
GOT ANY IDEAS ?

SURE. I CAN HELP YOU
PICK ONE OUT.

YOU WANNA RUN IT ?
WE NEED SOMEONE TRUSTWORTHY.

I TOLD HIM I KNOW
JUST THE GUY.

WELL, I'M GONNA HAVE TO
THINK ABOUT THIS, NICK.

RIGHT NOW, I'M WEIGHING OUT
SEVERAL LUCRATIVE OFFERS.
THEY ROLLIN' IN.

A LOT OF PEOPLE WANT ME
TO WORK FOR THEM RIGHT NOW.

NOW, THAT'S JUST
THE WAY I LIKE IT.

ALL I NEED NOW IS SOME
OF MAMA'S SPECIAL MUSTARD.

STOP.

- [ Nick ] WHAT'D I DO ?
- [ Laughing ]

[ Groans ]

[ Mama Shouting ]

RUN, RUN !
STAY DOWN, NICK.
GET ON OUTTA HERE.

[ Mama ]
I'LL BEAT YOU INTO THE--

* SEE YOU WHEN YOU GET THERE

* NOW I SEEN PLACES AND FACES
OF THINGS YOU AIN'T NEVER
THOUGHT ABOUT THINKIN' *

* IF YOU AIN'T PEEKED
THEN YOU MUST BE DRINKIN'
AND SMOKIN' *

* PRETENDIN' THAT YOU'RE LOCIN'
BUT YOU'RE BROKEN
LET ME GET YOU OPEN *

* NOW, LITTLE TIMMY
GOT HIS DIPLOMA
AND LITTLE JIMMY GOT LIFE *

* AND TAMICA AROUND THE CORNER
JUST TOOK HER FIRST HIT
OFF THE PIPE *

* THE OTHER HOMEY SHOT
THE OTHER HOMEY AND
RAN OFF WITH HIS MONEY *

* AND WHEN THE OTHER HOMEYS
HEARD ABOUT IT, THEY THOUGHT
THAT IT WAS FUNNY *

* BUT WHO'S THE DUMMY
'CAUSE NOW YOU DONE
LOST A HUSTLER *

* A DOWN-ASS BROTHER
DONE REPLACED BY A BUSTLER *

* AND THOUGH I GOT LOVE FOR YA
I KNOW I CAN'T TRUST YA *

* 'CAUSE MY CREW IS ROLLIN'
NUMBERS AND YOUR CREW
IS ROLLIN' DUSTERS *

* AND JUST BECAUSE OF THAT
YOU ACT LIKE YOU DON'T LIKE
A BROTHER NO MORE *

* I GUESS THAT'S JUST
THE WAY YOU GO *

* I AIN'T TRYIN' TO PREACH
I BELIEVE I CAN REACH
BUT YOUR MIND AIN'T PREPARED *

* I SEE YA WHEN YOU GET THERE

* I'LL SEE YOU
WHEN YOU GET THERE *

* IF YOU EVER GET THERE

* SEE YOU WHEN YOU
GET THERE *

* I'LL SEE YOU
WHEN YOU GET THERE *

* IF YOU EVER GET THERE

* SEE YOU WHEN
YOU GET THERE *

* MORE TEMPTATION AND FATE
I GUESS WE LIVIN' FOR TODAY *

* I SEEN A MAN GET SWEPT
OFF HIS FEET BY A BULL
WITH AN AK *

* THE SITUATION'S SO TWISTED
EVERYBODY GETTIN' LIFTED *

* I'M JUST TRYIN' TO TAKE CARE
OF MY KIDS AND HANDLE
MY BUSINESS *

* 'CAUSE IT'S WAY TOO SERIOUS
SO YOU GOTTA PAY
CLOSE ATTENTION *

* SO YOU DON'T GET CAUGHT
SLIPPIN' WHEN THEY COME
TO DO ALL THE GETTIN' *

* LIFE IS A BIG GAME
SO YOU GOTTA PLAY IT
WITH THE BIG BOYS *

* SOME OF US GOTTA RUN
A LITTLE FASTER 'CAUSE
WE GOTTA LAY THE STRAW *

* BUT I'D BE A FOOL TO
SURRENDER
WHEN I KNOW
I CAN BE A CONTENDER *

* IF EVERYBODY'S ASCENDED
THEN EVERYBODY
CAN BE A WINNER *

* NO MATTER YOUR RAG COLOR
DEEP DOWN WE ALL BROTHERS *

* AND WE GONNA SET A TIME
SOMEBODY UP THERE
STILL LOVE US *

* I'M GONNA SCUFFLE
AND STRUGGLE WITH YA
I'M BREATHLESS AND WEAK *

* I DONE STRIVED MY WHOLE LIFE
TO MAKE IT TO
THE MOUNTAIN PEAK *

* ALWAYS KEEP REACHIN'
SURE TO GRAB ONTO SOMETHIN' *

* I'LL BE THERE
WHEN YOU GET THERE WAITIN'
WITH THE SOUNDS BUMPIN' *

* I'LL SEE YOU
WHEN YOU GET THERE *

* IF YOU EVER GET THERE

* SEE YOU WHEN
YOU GET THERE *

* I'LL SEE YOU
WHEN YOU GET THERE *

* IF YOU EVER GET THERE

* SEE YOU WHEN
YOU GET THERE *

* AS WE WALK DOWN THE ROAD
OF OUR DESTINY *

* AND THE TIME COMES TO CHOOSE
WHICH SHALL IT BE *

* THE WIDE AND CROOKED
OR THE STRAIGHT AND NARROW *

* WE GOT ONE VOICE TO GIVE
AND ONE LIFE TO LIVE *

* STAND UP FOR SOMETHIN'
OR LAY DOWN IN THE GAME *

* LISTEN TO THE SONG
THAT WE SING *

* IT'S UP TO YOU
TO MAKE YOUR BEEF *

* I GUESS I'LL SEE YOU
WHEN YOU SEE ME *

* I'LL SEE YOU

* WHEN YOU GET THERE

* IF YOU WANNA GET THERE

* I'LL SEE YOU
* I'LL SEE YOU

* WHEN YOU GET THERE
* WHEN YOU GET THERE

* IF YOU WANNA GET THERE
* IF YOU REALLY

* I'LL SEE YOU
* I'LL SEE YOU

* WHEN YOU GET THERE
* WHEN YOU GET THERE

* IF YOU WANNA GET THERE
* IF YOU REALLY

* I'LL SEE YOU

* WHEN YOU GET THERE

[ Dog Barking ]