Nervous Ticks (1992) - full transcript

[CHAIRMAN OF THE BOARD'S
"GIVE ME JUST A LITTLE
MORE TIME" PLAYS]

♪ Give me
Just a little more time ♪

♪ And our love
Will surely grow ♪

♪ Give me
Just a little more time ♪

♪ And our love
Will surely grow ♪

♪ Life's too short
To make a mistake ♪

♪ Let's think of each other
And hesitate ♪

♪ Young and impatient
We may be ♪

♪ There's no need
To act foolishly ♪

♪ If we part
Our hearts won't forget it ♪

♪ Years from now
We'll surely regret it ♪



♪ Give me
Just a little more time ♪

♪ And our love
Will surely grow ♪

♪ Give me
Just a little more time ♪

♪ And our love
Will surely grow ♪

DJ:
KIIS FM, classic rock.

"Give Me
Just a Little More Time."

6:30 with Bruce Vidal. More music coming, but first...

MAN:
$100,000.

KIIS is giving away the gold
at the end of the rainbow,

and all you have to do
is listen to win.

$100,000 is hidden
in the KIIS Money Maze.

Crack this maze
and the cash is yours.

$100,000,
the gold is out there.

All you have to do
is learn where it is.



BRUCE:
You gotta love it.

The sound of gold coins pouring, know what that means?

We're getting ready to enter
the KIIS FM Money Maze.

Now I will take the 17th caller at 555-5477.

Caller 17 gets a chance
to win $100,000.

[PHONE RINGS] Call me right now.

WOMAN:
KIIS FM. Sorry,
you're the 12th caller.

[DJ PIERRE'S
"I MIGHT BE LEAVING YOU" PLAYS]

♪ Won't you tell me baby
What's on your mind ♪

♪ Just let me know
If I'm wasting my time ♪

♪ It's been a while since
You've told me you love me ♪

♪ Do you still care
Are you thinking of me ♪

♪ I love him, waitin'
Time's been a wrestling ♪

♪ You just don't know what
You're putting me through ♪

♪ Let's stay together
I love you forever ♪

WOMAN:
I don't understand why we had
to get to the airport so early.

MAN:
It's an international flight.
Supposed to get here early.

WOMAN:
Two hours early?

How is it some people
can find a way

to be more affectionate to
their wives than their clients?

Who are these people?
Where are these people?

Are they in the airport with us?
In the elevator with us?

I don't know who they are.

Don't lawyer me to death.Oh, fine, you know,

find someone else, because
I do not make you happy.

[ELEVATOR BEEPS]

Well, I hope you manage
to survive the next two hours.

The international gates
are down here.

Right down
on the left.

Hey, York.
Seve,
what are you doing?

Look at this.

New off the press,
"Tennessee Tease".

She must be a big tease.
Tennessee is a big state.

You're supposed to be
filling in for me at 5.

What do you mean?
You're going where?

I'm going to Rio with Nancy.The crazy one?

She's not crazy,
just unpredictable.

You don't remember
the day you met this woman?

Of course I remember.

When she loses her luggage of
underwear and opens her shirt

to show us the bra that matches
to find her baggage.

That is not a woman
playing with a full check.

[BOTH CHUCKLE]

We found her bag though,
didn't we?

Now I see it,
you are in love.
No, well...

Yeah,
I'm so happy for you, my friend.

[CHUCKLES]

Our flight is at 8.
I gotta go home, pack,

pick her up
and then get back here.

To find a girl
who is beautiful and rich,

who loves
your greased nightstick.

Greased nightstick?

So what if she's crazy
and still married, huh?

Where are you going?Seve is still on his break.

Have a good trip.
You're going to miss this job.

[WOMAN SPEAKS OVER INTERCOM]

Sir, sir,
here you go.

They stopped in St. Louis
on the way back from Denver.

I'm sorry
about the delay.

These are
the wrong ones.

Wait a minute,
you said red bag, right?

And the clubs are covered
with the ducks?

The skis,
the skis aren't mine.

Are you sure about that?

They are Rossignols.
I would never ski Rossignols.

I hate the French.

Aren't you
Fred C. Milford?

There must be two of us.

All right, all right,
I'll be back. Sorry.

WOMAN:
Mr. Daley.

Mr. Daley.Yeah, Janice?

Um, I know
this is your last day

and you have to leave,
Right.

but the flight just came in
from San Diego

without a single
piece of luggage,

and passengers are complaining

they're missing
their carry-on luggage.
Right.

But I can handle all that.
I can handle all that

if you would just handle
Mr. Cole.
Mr. Cole?

Mr. Cole,
this is Mr. Daley.

He'll be helping you.

York? York.
Yeah, well, York.

York, I got a problem, man.

I can imagine. You've lost
a piece of luggage, right?

Well, actually,
it's a small metal briefcase

with a three-digit
combination lock.

And my name is engraved on it.

And my initial's on it.
The handles and everything.

Great. It's very helpful
having a full description.

Can you tell me
about the contents?

Uh, well, uh, uh--
My suitcase

contains some very valuable
camera equipment.

It's packed
in that custom cut,

uh, foam rubber stuff,
you know?
Right.

Uh, listen, um--

Listen very carefully.

If I don't deliver my suitcase
to the people expecting it,

they have instructions
to shoot me,

throw my body
into the trunk of a car,

and drop a match
in the gas tank.

Can you help me,
York?

Daley.
Reynolds' office now.

Uh, uh, uh--Excuse me.

York.I'll be right back.

Daley, Daley,
Daley, Daley, Daley.

You weren't going to leave
without saying goodbye.

No, Mr. Reynolds, I--You don't have to apologize.

And no more
of that Mr. Reynolds crap.

From now on, it's Leslie.

But just between
the two of us.

I was gonna stop by
your office,

but there's a time factor
involved, and--

Go. I understand these things
completely.

I understand you're asking
6,000 for your car?

That's right.

I'll give you 1,500.Uh, Mr. Reynolds--

Take it or leave it.

Here's the first 500.

Thank you.

I need one little favor
before you leave.

Kind of getting in your
last licks and all that.

My last licks?They're short a man.

In the baggage load. I told them
you'd fill in.

Oh, oh, oh.

Mr. Reynolds, I--

Leslie.You're my best man, Daley.

Never lost
a piece of luggage.

Employee of the Year,
two years running.

Can I still count on you?

When?Now.

Now?Mm-hmm.

I mean-- Okay.Okay.

I just need about 30 seconds.Thanks, Daley.

I knew I could count on you
down to the wire.
Right.

[WOMAN SPEAKING OVER INTERCOM]

[INDISTINCT CHATTERING]

Katie,
you got my upgrade?

It's so late,
I thought you decided not to go.

Why wouldn't I go?Oh, I don't know.

Maybe, uh,
you decided to stay,

maybe she didn't wanna go,
maybe her husband caught you.

You have
a sick imagination.

You haven't seen
the best of it.

Just give me the tickets,
all right?

York, you worry me.

This woman
is out of your league.

Oh, no, no, no.
I got everything under control.

Trust me.

Well, there you go.

Two tickets, Rio de Janeiro,
stopping in Dallas,

first class, one way,
leaving at 8:00 tonight.

You don't belong back here,
Daley.

I know,
Millicent.
Git!

Thanks, Katie.

Send me a postcard.I will.

No, you won't.I won't.

[♪♪♪]

See you, Bob.

Have a good one.Right.

[♪♪♪]

You the guy
that's holding us up?

We got a flight for Rome
leaving in three minutes.

You gotta hurry up
and get a move on it.
Yeah.

[GRUNTS]

Oh, wait a sec.
Wait a minute, okay?

Wait a minute,
you gotta--

Get your ass out here.
We got to get these bags on.

[♪♪♪]

[♪♪♪]

Jesus Christ, man,
you're slow.

Maybe it'd go a little faster
if you gave me a hand.

What did you say?

I said
maybe it'd go a little faster

if you gave me a hand.

Well, I got a minute,
I might as well.

You're too slow,
trying to cause a delay.

I'm out of here,
man.

[♪♪♪]

[♪♪♪]

[PANTING]

[♪♪♪]

[♪♪♪]

[WOMAN SPEAKING OVER INTERCOM]

[INDISTINCT CHATTERING]

[♪♪♪]

Mr. Cole.

[SCREAMS]

A fucking miracle.
[LAUGHS]

You saved a man's life.

God is gonna bless you.
You got a friend for life.

For life, for life.
You got a friend for life.

[LAUGHS]

[♪♪♪]

[WOMAN SPEAKING OVER INTERCOM]

[INDISTINCT CHATTERING]

Is your father around?

Uh, is, like, your father
or your mother around?

[WOMAN SPEAKS ARABIC]

I thought I could move your car
so I could get out.

[WOMAN SPEAKING ARABIC]

I need you to move your car
so I can get my car out.

[SPEAKING ARABIC]Okay.

Yeah.
Look, I don't mean to be rude.

[SPEAKS ANGRILY IN ARABIC]

I thought, you know--
I know you're on the phone,

but if you could just move
your car over there so that I--

You could just put it
down for a second,

and then I-- Okay?
Just-- Okay?

I'm sorry,
but could you move your car now?

[SPEAKING ARABIC]

I know, I've been here
all day long and--

Right, Jesus Christ,
I know, cars and--
Children.

Yeah, I'm really sorry
I had to, you know...

Can you call them back,
or--?

[GRUNTS]

[ENGINE STARTS]

♪ You can't hurt me no more ♪

♪ The feeling's gone ♪

♪ You can't hurt me ♪

♪ No more ♪

♪ You can't hurt me no more ♪

BRUCE:
You know what
that sound means?

The KIIS FM Money Maze,

and right now
I'm looking for caller 29.

The 29th caller.

WOMAN:
KIIS FM. Sorry,
you're the 17th caller.

Hi.[GASPS]

Mr. Daley.
Look, relax, relax, relax.

Look, I need you
to do me a favor, okay?

Can you take me to this
gas station outside the airport?

I am supposed to meet
some people.

At the gas station?Right.

There's supposed to be an Arco
station outside the airport.

I think that's closed.I didn't ask you!

Do I care if it's closed?

Oh, I'm sorry.
I'm sorry I am yelling.

Why am I yelling?

Well, there's a lot of tension
when you travel.

Tension?

I'm not tense.

Are you fucking tense?No.

Then drive
the goddamn car.

[ENGINE STARTS]

[STATION ID PLAYS OVER RADIO]

♪ KIIS FM ♪

BRUCE: 102.7 KIIS FM...COLE: Drive faster, Daley!

Don't worry, Mr. Cole.
I'm in kind of a hurry myself.

Yeah?
So, what's your hurry?

I have sort of a date.

[CHUCKLES]

You got a girl
waiting on you, huh?

I hope so.

Nice girl?Yeah. Nice.

A woman, huh?

That's nice, that's nice.
A woman changes everything.

Yeah, I do.

You don't wanna go
too far.

No,
it's right up ahead.

No, I mean with a woman.

You don't wanna fall in love,
man.

I don't?No.

Then you got no
fucking perspective.

Can't see the trees
from the bushes.

Start thinking
with the wrong head.

You know what I mean?Yeah.

Yeah.

[100 PROOF'S
"EVERYTHING GOOD IS BAD" PLAYS]

♪ We both know the difference ♪

This it?
It's dark.

I hate the fucking dark.

You said
the Arco station.

Give me the keys.

Now, Mr. Cole,
you said that--

Hey,
I know what I said.

Look, you've been very helpful,
Daley.

Let's not blow it.

Give me the keys.

[TURNS OFF RADIO]

How long
is this gonna take?

[CHUCKLES]

As long as it takes,
huh?

[LAUGHS]

[TURNS RADIO ON]

BRUCE:
Listening to the radio.

You know how the game
is played. Let's do it.

Let's enter the KIIS FM
Money Maze for $100,000.

MAN: Welcome to the KIIS Money Maze,

where every step
could be your last.

Discover the path
through the maze

and $100,000
could be yours.

But make one false step and...

[OBJECTS CLATTER]

[WOMAN SCREAMS]

BRUCE:
Sheryl Burns,
you've arrived

at the first intersection
in the maze.

Do you turn left or right,
or continue straight ahead?

Left.

At the second intersection,
go left, right or straight?

Straight.SHERYL: Straight.

BRUCE:
The third intersection?

Straight. Straight again.

BRUCE: The fourth intersection?Left.

SHERYL: Left?BRUCE: Correct. For $100,000,

at the fifth intersection,
which way?

Right.SHERYL: Left.

[IMITATES BUZZER][WOMAN SCREAMS]

BRUCE:
I thought you were
gonna be our winner.

Okay, let's go.What? I-I--

Look, we have to go now.

Mr. Cole,
I was glad to help, but--

York!
Drive the car!

Drive the car.All right.

Let's go, let's go.
Drive, man.

[♪♪♪]

Where are we going?

I don't know. Just drive.Okay.

Are they following us?Shut up and drive!

No, I--I think
they're following us.

Hey, I told you to shut up!
Shut up!

Shut up and drive!I'm telling you.

Shut up and drive!

Drive! Drive!

Who was that?Keep your eyes on the road!

Why are they shooting at us?Keep your eyes on the road!

Why are they shooting?None of your business!

It is my business!You're the driver!

I'm not your driver!

You have another job?No! I'm not!

I'm not!
You are!

Open your mouth again,
you're through.

Find somebody else
for this.

Okay, that's it.
You're fired, you hear me?

Get out!
Get out of the car!

You're fired.I don't care!

Hey, we're being stopped.

Stop it! Stop it!
Stop! Stop!

[TIRES SCREECH]

This isn't going very well.

What are you talking about?

How much better
could it go?

On your date.It's sort of more than a date.

Well, what is it, then?Well, we're moving to Rio.

Whoa.
Well, we're not moving,
actually.

See,
she's not single.

[CHUCKLES]

Yes,
it's kind of complicated,

but the fact is,
our flight leaves at 8.

You're running
a little bit late, aren't you?

Right,
so I can't really, you know.

You know,
I need you to take me with you.

To Rio?
No, no, no,
to the fucking airport.

You're going that way,
aren't you? Let's go.

Is that too much to ask?

Please?

Please?

Look. We'll go to my apartment,
we'll pick up my stuff,

we'll go get Nancy

and then go to the airport.Nancy?

Yeah, Nancy. That's her name.Nancy.

[DEAN CHAMBERLAIN'S
"FAITH HEALER" PLAYS]

A really ordinary name,
isn't it?

Leave the keys.

Look, this is my car.

It's 6:47.

You have exactly five minutes
or I'll drive myself.

All right. All right.

Warshow.

You seen my wife?

What did you do that for?

My wife said
she was going upstairs.

Her sister called.
She hates to miss her sister.

Sonya!

Sonya!

You out yet?

The movers
are coming next week.

Sonya!

Sonya!

Nope.

You got a microwave?

Maybe Sonya wants it
for Christmas.

I've got a kitchen sink
that leaks.

Sonya?What?

Where were you?

Waiting for Carmen.Excuse me.

I've been here for 10 minutes.

Who else's always calling?Edna. Don't wanna talk to Edna.

What do you want me to do?
Just leave her on the phone?

Yes. I'm not talking.

[COUPLE CONTINUES ARGUING]

[SIGHS]

[TURNS ON RADIO]

[KEITH 2'S
"TREAT YOU LIKE A LADY" PLAYS ]

[SHOWER RUNNING]

[GASPS]

Mrs. Fennel?Mr. Daley.

What are you doing here?What?

What are you doing
in my shower?

Turn around.Okay.

I suppose you're wondering
what I'm doing in your shower.

Not at all.

I thought you'd left
on your trip already.
No.

Tonight.

My husband
broke our shower

and I said you're away,
I'll use yours.

What?
I said my husband
broke our shower

and I said I'll use yours.Wait.

[WOMAN SCREAMS]

WOMAN:
Hello.

Hello.

U, Mr. Daley,
this is my friend Marci.

Mr. Daley, can I talk to you
for a minute in the other room?

Sure.

[CLEARS THROAT]

Look, you don't have
to say a word.

My lips are sealed.

I'm leaving the country.

Whatever you do in my shower
is your business.

You wouldn't tell
my husband, would you?

Oh, no, not a soul.

I don't know how,
it just happened.

We met one day
in the elevator.

I just never thought I would
ever do anything like this.

She seems
like a very nice girl.

Oh, she is.

I-I hope you understand. I
thought you had left already.

Consider me gone.

Just let the movers in
next week.

And the plants?The plants?

You can have the plants,
Mrs. Fennel.

Thanks for all your help.
You've been a terrific neighbor.

Don't forget
your passport.

Thanks.
Thanks again.

Goodbye, Mr. Daley.
We'll miss you.
Yes.

Bon voyage.

Adieu.

Mr. Daley,
have you seen Sol?

Didn't he go down with you?I thought he came up.

Mrs. Scudder's dishwasher
has a problem.

Sol! Sol!

You're a nice man, Mr. Daley.
I'm sorry to see you leave.

Thanks,
Mrs. Warshow.

What's happening
to your microwave?

I'm keeping it.

Sol, get in!

No,
you get out!

I'm telling you,
get in!

And I'm telling you,
get out!

Listen,
I've been waiting for you--

Excuse me.Hey!

Thank you,
Mr. Daley.

[COUPLE CONTINUES ARGUING]

[SIGHS]

[♪♪♪]

[ENGINE STARTS]

MAN [OVER RADIO]:
Uno, dos, tres, cuatro.

[GIL SCOTT HERON'S "THE BOTTLE"
PLAYS OVER RADIO]

[ENGINE RATTLES ON RADIO]

BRUCE:
Who could it be? We're
hearing that familiar sound

for the fourth time this hour.

Time to play
the KIIS FM Money Maze.

There's still $100,000
on the line.

And this time,
I'll take the 98th caller,

someone whose temperature
is about to climb.

♪ So low ♪

♪ You've got it all worked out When, where and how ♪

♪ And I know ♪

♪ Enough talent there
For a girls show ♪

♪ So pick her up ♪

♪ At 10:00 by the road block ♪

♪ I'm burning up ♪

♪ For love is pain
And music's sorrow ♪

♪ I'm gonna beat myself
With the bottle tonight ♪

♪ No other lover ♪

♪ Comes wearing lipstick
Guns and knives ♪

♪ There will be
No place up there for-- ♪

[TURNS OFF RADIO]

[♪♪♪]

[SIGHS]

Hello.

Hal Cheshire.Ah.

You the electrician?

The electrician?

Waiting 'till Rudman leaves
I expect.

Off he goes.

That's him.

My Mom used to say,

"A man goes bald

because his hair is escaping
his evil thoughts."

[CHUCKLES]

He even drives
in a nasty manner.

[TIRES SCREECH]

Ah.
Well, gotta go to work.

And don't forget
your tool kit.

Oh.

Thank you,
thank you very much.

[♪♪♪]

[MAN AND WOMAN
TALKING ON TELEVISION]

[GIGGLES]

Hi.Hi.

Is that
all you're bringing?

No, this is somebody else's
suitcase.

Okay,
what do you want me to do?

It's all taken care of.
We should go.

What are you wearing?I had a problem.

I couldn't get
the zipper down.
Let me try.

Where are your bags?
You packed?

What did you do to this?

Why are you worrying now?'Cause I wanna do it.

What?I wanna do it.

Yeah. Yeah.[GIGGLES]

It.

Sex? You wanna have sex?
Now?

Call it "making love".

I like to hear you say,
"making love."

[GIGGLES]

What are you talking about?

[WHISPERS]

We have a plane
we have to catch.

What?We have a--

I heard you.

You don't wanna
make love?
Ah, no--

Do you know
what time it is?

It's 6:00 or 6:30 or 7:00,
one of those.

Well,
our flight leaves at 8.

Look, uh

You have two microwaves.

I have two
of everything.
Hah!

All your appliances are on.

York,
I wanna do it.

[GIGGLES]

Honey, it's natural.
You're nervous.

But we should go,
okay?

Want me
to take your baggage?
Yes.

You know why I wanna do it
so badly?

Um, because you love me.

Besides that.

Uh, you're horny?Besides that.

You're under pressure.Yes.

No!

That has nothing
to do with it, okay?

[SIGHS]

I just wanted to do it
one last time.

What do you mean?

One last time.

Hey,
we're going to Rio together.

One last time
before what?

Before we kill Ron.

Ron knows everything
about us.

What?

We have to kill Ron.

Why? What did you tell him?
About me?

Everything!

Uh,
that we're leaving?

Everything. What airline,
the flight number,

the name of your friends
in Rio.

He thinks we're leaving
tomorrow, though.

What did you tell him
about me?

That you know
how to fuck like a man.

Oh, great,
that's all?

No.

Uh-huh.
Well, what?

I told him your name.

He knows my name?

And your phone number,
and your address.

Okay,
so where did he go?

To kill you.

Can we turn these off?
All of them?

Where is your luggage?

Why are you so obsessed
about finding my luggage?

Because that's what I do
for a living.

I find luggage, and I have
the urge to do something

that I know
a little bit about.

See? That's why I came up
with this plan to kill Ron.

No, I-I don't wanna kill Ron.
That's not a possibility.

I think you're just nervous
about going with me

and unhappy
in your marriage,

so you've turned on
all your appliances.

It's kill or be killed,
York!

I told you
he was in the Marines!

You said he was
in the Marine Corps Band.

Well, they killed people.

With what?
Piccolos? Tubas?

If you don't wanna go,
just say so.

I can ask for my job back,
probably get my apartment back.

He'll follow us! Don't you see?I still have my car.

He'll hire someone.

We'd be dancing and one of
the musicians would pull a gun

out of his tuba,
and shoot us down!

You're not comfortable.
It's a sign, all right?

Think.
This is one's fault--

But I can't pull it off
right now so, I'm going.

Where?
I don't know.
Home.

Don't go home, York.

Never go home.

Okay, uh, I'll just go
to the airport first

and, uh,
return this bag.

We can still meet tomorrow
afternoon at the motel.

I knew
I wouldn't get you to do it.

Kill Ron?Make love.

Ah, not now.
I-I can't now.

Don't go home, York.

Don't go home.

Don't go home.
I can't even
get my zipper down.

He's got a gun.He'll relax.

He'll kill you!
These things
blow over.

Managed to avoid Rudman,
did you?

Hah-hah!
Guess I'm lucky.

[GRUNTS]

[GRUNTS]

Whoa, whoa!

[CHUCKLES NERVOUSLY]

Excuse me.

Oh, hey.
Oh, sorry, very sorry.

Sorry?Yeah.

Well,
you nearly killed me.

Oh, I am teaching my wife
how to drive.

Oh, why doesn't she go
to a parking lot?

Oh, three-point turn
very difficult.

Big test tomorrow.

Oh, big test?

[ALL CHUCKLES]Good luck.

It's okay, bye-bye.

[ENGINE STARTS]

BRUCE [OVER RADIO]:
102.7 KIIS FM.

707, what a night for lovers.

[DOLLHOUSE MUSIC'S
"SOCIETY BALL" PLAYS ON RADIO]

All right,
don't panic.

Now hand me that case.Uh--

Hand me the case!

All right. Now drive back
to your apartment.

My apartment?
Which word
didn't you understand?

Okay, okay.

Wanna know your first mistake?
Working for Cole.

That was your first mistake.

Can I ask you a question?

Yeah, sure, go ahead.
I like a good conversation.

I'm kind of a people person.Great.

Could you put the gun down?No.

Okay.

That's a good question, though.Good.

Well, can I ask you
another question?
Yeah, sure.

Who are you?My name's Rusty.

Okay, Rusty.
Wanna know your first mistake?

I don't work for Cole.

You don't work for Cole?No.

I never saw him before
until today.

You wanna know
your second mistake?

I didn't
even make the first mistake.

Your second mistake
was lying to me.

You shouldn't have.I didn't lie to you.

Now you help Cole
pull the switch on the Iceman.

I kinda have to kill you.

You ever shot a guy?No, I never have.

They said I wouldn't
feel anything the first time,

you know, but I did,
I felt guilty.

You know what I mean?

Like how could I accept money

to do something
that was so much fun.

You know?
Kind of like a ball player.

You know what I mean?

[TRUCK HORNS]

Move!

Turn around.

[GASPS]

Push the button.

[CHUCKLES]

This one.

Rusty?Yeah?

Can I ask you
another question?
Sure.

What are we doing here?

We're going up
to wait for Cole.

And what makes you think
Cole's here?

Well, if he's not here,
he'll show up.

What makes you so sure?

Well, you drove Cole here,
right?

And on the way,
Cole pulled a switch on Iceman.

If you say so.

So where did Cole leave
the case?

Here?

I guess you answered
your own question now.

Mrs. Fennel!Oh, Mr. Daley!

What are you doing back?

What happened to you?

Oh, oh.
It's not what you think.

We have to...Oh, York.

I let your friend
into your apartment.

I told him you were gone,

but he said he knew
you'd be back.

I guess he was right.Thank you.

A friend.
Who that might be?

Am I a genius or what?You're a genius, Rusty.

Yes, I am a genius.
Now what?

Unlock the door.

What are you gonna do to him?I haven't decided yet.

Hold this.
Keep your mouth shut.

[BARKS]
You don't have a dog
or anything, do you?

No.

MAN:
York, is that you?

Yeah, it's me.

[GUNFIRE]

[♪♪♪]

[GRUNTS]

[SUITCASE THUMPS]

Oh, sorry.

[GROWLS]

Looking for this?

Hey, Mr. Warshow.
Thanks.

Mr. Daley,
have you seen my wife?

[FALTERS]

have you tried the elevator?

Ah, you're a good man,
Mr. Daley.

[♪♪♪]

[CAR ENGINES STARTS][CAR RADIO TURNS ON]

Where the hell do you get off,
asshole?

Lu?
Just shut up
and drive the car!

[CAR PARK GATE OPENS]

Okay, Lu.
About the kitchen--

Just shut up, okay?

You just shut up,
and you just drive,

and you just help me
find Marci.

I'm sorry. Who's Marci?Oh, like you don't know.

Like you haven't been
covering up,

lying for them,
letting them use your apartment.

Marci?
Oh, you mean you and Marci

And then
Marci and Mrs. Fennel.

Then Mrs. Fennel and you are
And now Marci

Yeah, she's gone!
And it's all your fault!

If you hadn't let them...

Lu, I don't know
what you're talking about!

I never saw her before today.

And I certainly didn't know
that she and you were

Friends.

You didn't know?No.

We gotta find her.

Oh, what did I do
to drive her away?

It's okay.
It's okay, Lu.

I know
what you're going through.

I'm in love with a girl myself.

That's wonderful, Mr. Daley.

Actually
it's not so wonderful.

Her husband's trying to kill her
and I'm on my way to rescue her.

I'm sorry, I didn't know that.It's all right.

She seems like a very nice girl.

I'm sure that she'll come back.

No, I promised her
I wouldn't lose my temper.

And now I have gone,
and I have done it again!

Oh, there she is.
There she is.
Oh, God!

Oh, God. Mr. Daley!

[CHUCKLES]

Oh, Thank you.Yes.

Marci!

Look, I'm sorry.

[THE BLUE NOTES'
"DON'T LEAVE ME THIS WAY" PLAYS]

♪ Baby ♪

♪ My heart is full of love ♪

♪ And desire for you ♪

♪ Now come on down and do ♪

♪ What you gotta do ♪

♪ You started this fire ♪

♪ Down in my soul ♪

♪ Now can't you see
It's burnin' ♪

♪ Out of control ♪

♪ Now come on, girl,
And satisfy ♪

♪ The need in me ♪

♪ 'Cause only
Your good lovin' ♪

♪ Can set me free ♪

♪ Stay free ♪

[CAR RADIO TURNED OFF]

Forgot something, did you?What?

I saw your disappointed face
when you drove off.

And I thought, pity,
the poor chap's mislaid a nut.

A nut?Or a screw.

Something silly, but vital part.

That sends him scurrying off
to the hardware store.

It's always something,
isn't it?

Your tool kit.

[CHUCKLES]

[SIGHS]

[INDISTINCT CHATTERING
ON TELEVISION]

Nancy, it's me.

Nancy!

MAN:
...telephoned authorities
about an hour ago

with information that a bomb
had been placed in a suitcase

on board Grandview Air--

WOMAN:
Call 1-800-A-B-C-D-E-F-G.

1-800-A-B-C-D...

[WOMAN CRYING]

Huh, honey.

Um, all right, honey

[GROANS]York, it's you!

Come on, we got to go.We have to kill him.

No! We have to get out of here.

Don't you wanna hear
my plan, York?

I wanna get
to the airport.

He's coming.
Where are the bags?
Upstairs.

Upstairs.But it's no use, York.

He'll follow us.

Why did you tell him
where we were going?

I didn't know he would get
so crazy. He seemed calm.

He said, "Tell me the truth."
So I told him everything.

You haven't finished packing.

That's okay.
I'll get this.

What if we went someplace else?
What if we didn't go to Rio?

But, the tickets!No, we could go anywhere.

We could go to Bali.
We could go to Hawaii.

We could go to Nigeria.Why would we go to Nigeria?

That's not the point.

He's going to kill us
if we don't kill him!

Okay, what time is it?It's about a quarter after.

Ah, can I close this now?Okay. We'll wait for Ron.

When he gets here,
I'll give you a signal.

All ready.
Now, ah, oh!
Yes

Are these supposed
to be packed?

Yeah, that's my hair stuff.Okay.

I'll scratch my head
like this.

This is the signal.Okay, I got the signal.

Can I take these
downstairs?
No!

Five minutes after the signal,
we kill Ron.

Uh... what else?

All right,
first I'll bring him up here.

And I tie him up.

Is everything in the bag?Let me check.

Okay, I'll just keep it
out here for now.

Ties. He's got lots of ties.Shoes, lots of shoes.

Okay, we'll get them in here.

And now,
can I take it downstairs?

No, no, no.
Did I pack my travel alarm?

I was using it to cook.Okay, I'll get it right now.

I'll come with you.Oh, no.

Yes.Oh, no! You stay here.

And pack, okay?Yes.

I want to show you
where we keep the insulin.

The insulin?
Ron's a diabetic.
He needs insulin.

But if he takes too much,
he overdoses.

This is your plan?Right.

I have him tied up,
you give him the shot,

he's dead.
What do you think?

Perfect.
Too bad we have to leave.

Right, it was here somewhere.

What are you talking about?
We have plenty of time.

You want this on the carry-on?

This is insulin.

And this is a needle.

You stick this in here
and pull out the little plunger.

Make sure the tube is full.

If you only pull it out hallway,
he may go into shock

but he won't die.

Uh, look,
is there anything else

that you want packed?York, York.

This? This?This is us in Rio.

[BOTH CHUCKLES]

♪ Here we are ♪

We have to get our bags
on the flight.

Don't forget why
we're doing this. Come on!

[HUMS]

MAN:
Nancy? Where the hell are you?

It's him. He's here.

MAN:
Goddamn it, Nancy!
Did you blow the fuses again?

The basement.What?

Hide there.

No, I'm not leaving you
alone with him.

That's the plan, York.

You have to leave me alone
with him.

No, no, I can't,
he's turned out all the lights.

He's got a gun,
he's gonna shoot you.

I know how his mind works.

Go!Wait.

Go where?The basement.

Where is that?Downstairs.

Where is that?Downstairs.

Never mind.Don't forget, York.

Five minutes after
I scratch my head like this.

I can't see you.Like this.

Okay.York.

How the hell did you let this
happen again?

Why is it my fault?

Who else turns on
every appliance in the house

and then goes to sleep?

Where the hell
is the flashlight?

Where it usually is.

Why the hell is the flashlight
in the refrigerator?

Well, maybe I read it somewhere,
okay?

It's for the batteries.What is that smell?

Tuna fish.

I made you tuna fish for lunch
and you refused to eat it.

You're running away
with another man

and you expect me
to eat tuna fish?

Where are you going?To check the fuses.

Is that all right with you?

Or does that interfere
with your plans?

[♪♪♪]

Oh! Geez, thanks.

I left my flashlight
in the car.

I'm looking for this.

Yeah. Yeah.

One more and it's solved.

Ah! That's it.

You can turn that off now.Who are you?

Electrician.

The electrician?

You're Mr. Rudman?Yes.

Well, your wife called me
a few minutes ago.

Having some problems
with the cuisinart.

And then all of a sudden...

Power outage.

I gotta say, your wife
runs a lot of appliances.

She gets a little nervous.

Yeah. Can't say I blame her.

You know, you run a lot of juice
through a low energy fuse.

You have a lot of blackouts?

Only about once a month or so.

You ever think
about a back-up generator?

I worked on a house once

installing back-up
for a back-up even.

A man who liked
of electric blankets.

Well, I'm glad you were here.

Thank you very much, Mr....

Oh, no, don't thank me.

I happened to pick up
after your wife called.

I'm right behind you.

All right,
I got to tell you something.

You've got a lot of potential
with this basement, all right?

Ever thought
of rewiring it?

You should check out outlets
while I'm finishing up,

because you could have
an entertainment system.

Big-screen TV's.I watch a lot of TV in my work.

Besides, the distraction
would be a killer.

Oh, that's too bad.

Well, would you mind if I ask
what it is you do?

I write jingles,
music for commercials.

That's great. Very cool.
Anything I might recognize?

Know
the hair dryer commercial

that's a take-off
on James Bond?

With the animation
and the Shana-na thing?

Yeah, where the villain
gets blown away, right?

[CHUCKLES]That's some of your work, huh?

You're good.
You're very good.

I know, thank you.

You have an impressive husband,
Mrs. Rudman.

Who's that?
I'm speaking
about Mr. Rudman.

Oh, yes!
He's very talented.

Well, the talented Mr. Rudman
and his wife

have something to discuss.

My dear?We do?

Well, I better just finish up
on that cuisinart.

I got to be out of here
in a couple of minutes.

Do you happen to have the time?

All the clocks in the kitchen
stopped.

Oh, 7:22.

Geez, I better hurry!

Nancy!
Something to discuss.

Now!

Once again,
I'm glad you were here.

Certainly.

I know my suitcase
is there.

but I'm telling you,
I'm not going. I can't.

I still love you too much.

You love me?

I'll do anything
to prove it to you.

Anything?

You know your favorite fantasy,

the one I'm always too scared
to try?

You'll do that?

To make you believe
I still love you.

But you'll do that?If you want to.

Come upstairs a minute.

You're not gonna kill me?

You went over to Geoffrey's
to borrow those Magnums.

I know you, Ron Rudman.

They are Elizabethan
dueling pistols.

Well, those could kill me.

Don't you think
if I wanted to kill,

I would find a gun fired
in the past 400 years?

MAN:
A Grandview Air jumbo jet
is returning

after terrorist claimed to have hidden a bomb in luggage.

A few moments ago,
police arrested one woman

in connection
with this bomb threat.

102.7 KIIS FM.

[BILLY PAUL'S
"ME AND MRS. JONES" PLAYS]

♪ Me and Mrs. Jones ♪

♪ We got a thing ♪

♪ Goin' on ♪

♪ We both know
That it's wrong ♪

♪ But it's much too strong ♪

♪ To let it go now ♪

[GRUNTS]

[TORTURE MACHINE ROLLS]

[TORTURE MACHINE STOPS]

Is it tight enough?Tighter, tighter.

This is-- This is it.

I don't know how to work these.

Wait, wait! Okay, hold on.

Okay. There you go!Tighter!

Don't stop! Keep going.

You're a bad little boy,
aren't you, Ron?

How bad am I?You're terrible,

You deserve a spanking,
don't you, Ron?

[WHIPS]

How's that? Is that's good?It's not great.

Okay, wait, here.

Kiss my poos, you, slug!

Kiss them!I don't kiss swine.

["ME AND MRS. JONES"
CONTINUES TO PLAY]

♪ We gotta be extra careful ♪

♪ We can't afford to build ♪

♪ Our hopes up too high ♪

MAN [ON RADIO]:
All right, it's 7:25.

Time to play
the KIIS FM Money Maze.

So come on and get it.

The 7th caller plays the Maze.

7th caller at 5-5-5-54-77.

I feel it.

Everybody feels it.
Somebody's gonna win tonight.

I feel it.
Feel this.

[KIIS TEASER PLAYS ON RADIO]

KIIS FM,
you're caller number seven.

[FEEDBACK ON RADIO]
What?

You're caller 7.
Turn your radio down.

Ah, yeah.

I've got the lucky
7th caller,

and I got a feeling
this could be it.

This could be the time

we get into the KIIS FM
Money Maze

and come out the other side,

with one clever
and patient listener

picking up a check
for $1000,000.

Are you ready, Number 7?

Yes, I am.

All right, then, let's do it.

[WOLF HOWLING]

Welcome to the Kiss Money Maze

where every step
could be your last.

Discover the path
through the maze

and $100,000 could be yours.

but make one false step and...

[WOMAN SCREAMS]

Lucky 7, you've arrived
at the first intersection.

Do you turn left, right
or continue straight ahead?

I would turn left. Correct.

At the second intersection,
go left, right or straight?

Left. Correct.

At the third intersection?Straight.

At the fourth intersection?

[SIGHS]Left.

Correct. Only three more turns, and the hundred grand is yours.

Now at the fifth intersection, which way do you go?

I would go right.

Correct. Two more.

You arrived at the sixth
intersection, which way?

Right. Oh, my God. This is incredible!

We've made it again to the seventh and final turn.

For $100,000, a hundred thousand tasty clams.

Which way do you turn?
Which way? Come on!

I'd go...

Right! Yes, you did it! You've won!

Way to go!
You've solved the maze!

A hundred thousand dollars,
Number 7.

Congratulations!
You did it! Wow!

Now, listen, tell me your name.

Hello, can you hear me?

You've won!
You're our winner!

Hello, sir, are you there?
$100,000 for you.

Hello, sir? Sir, I have to have your name.

That's hard to say right now.
It's really hard to say.

This is my boss.

He talks and talks and talks.

So if youTake your time.

Hello, sir, are you there?

Hello, sir.
Sir, I need your name.

Look, can we talk
in a more convenient time?

Look, pal, you've got a three count, okay?

OneLook, no, no. Don't do that!

TwoPlease.

Three. Bye.

That was sad.

That was a really sad thing.

How is it going
with this cuisinart?

Almost done with this one.

Yeah, right up
to finishing up part.

Then I can show it
to Mrs. Rudman.

Mrs. Rudman
won't need to see it.

Well, she asked me if she could.

She is resting.Really?

Ah, well, get it running.

NANCY:
Ron! I wanna do it again!

In a minute!

I guess she's not resting now.

What is it now?

Whoa! Almost 7:30!
I gotta get moving here.

You don't play the piano
by any chance, do you?
Piano?

I was just wondering.

As a matter of fact,
I used to play.

I can still fool around.

The piano?

I'm going to get killed.
I'm a dead man. Let's see.

[CHUCKLES]

Whoa!

It works!That's great.

Could I steel you
for one more minute?

Um...

Just something
in the music room.

I really should be going.It won't take long.

Come on.

Geez! I gotta tell you,
you got a lovely home here.

Thank you.

Have a seat.

This is my pride and joy.

Geez, you really got a big
instrument.

That's what I was hoping
you could help me with.

You got an electrical problem?I think so.

Here, let me turn it on.

[SOUND EFFECTS PLAYS]

Ooh!Try it.

You want me to play it?Just a few notes.

Play a song.You want me to play a song?

I want you to hear
what the problem is.

Ah, I don't know, geez.

You know I said
I could play, but

All I know is like "Chopsticks"
or "Girl from Ipanema."

That's fine. That's perfect.Girl from Ipanema?

Just a few bars.

I don't think I can remember.
It's been quite a while.

Maybe if you sing the words.Sing the words?

Yeah, sing.
If it helps you, sing.

Okay.

♪ Tall and tan
And lean and lovely ♪

Is that it?No, wait, wait a minute.

♪ Tall and tan ♪

♪ And young and lovely ♪

♪ The Girl from Ipanema
Goes walking ♪

And when...When she passes...

When she passes...When she passes...

♪ Each she passes goes ♪

Aaah!

[CHUCKLES]Quite good, yeah!

Okay!

One more time.A little faster, huh?

Okay.

♪ Tall and tan
And young and lovely ♪

♪ The Girl from Ipanema
Goes walking ♪

♪ And when she passes
When she passes ♪

[SOUR NOTE]

Whoa! Jesus!

There, there it is.
You see my point?

Yeah, that's got to be
pretty annoying.

No kidding.
Any ideas? How to fix it?

I know that's not
your specialty.

Even if I had a specialty,
I don't think it'd be pianos.

Well, okay,
it was just worth a shot.

Ah, before you go.

Can I ask you
one more question?

Could you sit down a minute?

Sit down?
Yeah, just sit down
Just relax.

Right.

Okay.

Now I know
this is gonna seem strange

but I'll explain in a minute.

If you, as an electrician,

wanted to commit
the perfect murder,

how would you do it?

The perfect murder?Yeah, you know

No trail, no clue.

Make it look like an accident.

Oh, well...

Why would I wanna commit
a perfect murder?

Oh, just leave that aside.That's a very strange question.

I don't know
if I can leave it aside.

Leave that aside!

You know you see,
I'm writing a musical.

And I have two things
stopping me now.

One is that damn drum machine.

And the other is this character

who is plotting
to commit the perfect murder.

Only, I can't think what it is.

So you thought
that maybe I could, uh

Yeah, well, I thought
maybe there was some

electrical device or gimmick

that, you know, that
fooling around on the job

something might've came up.

Oh, yeah, well, let's see.

I don't know.

If I ever gonna kill somebody

and make it look like
an accident,

I would probably...

Stick their fingers in a socket
to electrocute them.

Give them a shock in the bath

while they're
trying to fix something.

That happens a lot.

It does?Oh, yes.

Well, thank you.
That sounds very helpful.

I don't know what I did,
but I'm glad I was of service.

Ah, you're the first person
I ever met

who was writing a musical.

I think I better be going.

I don't know
what Mrs. Rudman's doing,

but I'm sorry I couldn't help
with the piano.

Don't worry. Don't apologize.

It was nice of you
to look at it.

You'll send us the bill?Bill?

The bill.
You'll mail us the bill?

Oh, yeah. The bill, yeah.
I'll put that right in the mail.

Probably won't charge you
for the piano, though.

That was kind of fun.Yeah, it was, wasn't it?

Yeah. You don'tThank you.

Mrs. Rudman won't be very happy
if I just leave, you know.

Mrs. Rudman will be fine
with that.

All right,
well, then give her my best.

I will.

Tell her that
if she has anymore problems,

she can just let me know.

Bye, bye.All right.

Bye.

[SIGHS]

She's having an affair.

Who is?The wife.

Three afternoons a week.

When the husband goes
to his health club,

she drives off
to God knows where,

for an hour or two
of perfectly torrid love-making.

Judging from the look in her eye
when she returns.

Really?

Well, I pity the wife
when Rudman finds out.

She's likely to end up
like Gertie.

Your wife?Yes.

What? No, no, no.

My terrier.

Gertie enjoyed an occasional,
how shall I say,

poop on the Rudman's lawn.

I discouraged it, of course,
but what can you do?
Yeah.

One evening, Rudman approaches
me here in this driveway.

He doesn't say a word
about Gertie.

He tells me
he's writing a musical,

and he's got a problem.

Since I read mysteries,

would I know a discreet way
to bump off a character?

Wanting to be helpful,

I suggest
the simplest method I know.

Run the victim down
with an automobile,

and claim it was an accident.

He thanks me,
very appreciative, and all that.

Next day,

I come home and find Gertie

dead in the road.

And guess who's claiming
it's an accident?

I couldn't prove a thing.

Excuse me.

I've got to take a run
for the loo.

[BLOWS]

[PANTS]

[♪♪♪]

[CLANKS]

[♪♪♪]

Looking for me?

Hi. You're okay.

What are you doing here?

I came to protect you.

What's the gun for?Self-defense.

You have a bat.

Ah, I have a bat.

I don't understand.

Why do you think
I would want to hurt you?

Don't play dumb with me, York.
I know your little scheme.

What scheme? It's Rio.

Rio, sun, beaches,
good food, cheap wine.

You didn't just tell him
how to kill me

and make it look
like an accident?

Ah! All right.
Look, he asked me right?

He didn't.
He asked the electrician.

Who's the electrician?I'm the electrician.

Well, I was the electrician.You are the electrician?

I had to tell him something.
You said he was gonna kill me!

So Ron was right.
That's why you came back.

For the money.What? What money?

This money.

[CHUCKLES]

Finally we meet.

Actually,
we met a little earlier.

I know. The electrician.

The boy from Ipanema.

Step back, please.

Nancy didn't believe me
until I showed her this.

What?You thought it was simple.

Finding a rich
emotionally unstable woman.

Hey!Make her fall in love with you.

Stealing her checks,

you deplete her husband's
bank account signing his name.

But then you take her
and leave the country,

so as not to arouse suspicion.

Then when you get to Rio,
you dump her, taking the money.

You're crazy.Watch who you're calling crazy.

Look that's not even my bag!

All right, York,
you have a bag that's not yours?

Okay, I can explain it.

I can explain it all to you.Shoot.

Now?No, wait for my signal, dear.

That sounded
like a signal to me.

Let your friend speak.He's not my friend.

Are you, York?Actually, I am your friend.

But at this particular moment,
I am a little sorry that we met.

Would you give the signal
already?

I can't believe this.
You'd really murder me.

With pleasure.

You lied to me.

No, no, I didn't lie.

I don't think anyone's
contemplating murder, Mr. Daley.

"Officer, the intruder was
going through my wife's jewels.

"So we surprised him.

"He tried to attack us,
we fired, and...

we killed him."

That's show business.

I see, you got the finale
to your musical.

Now what?Now you run.

I run?

I run, so that you can shoot me
in the back.

Oh, something like that.

No.

Run, Mr. Daley!Yeah, run!

Wait a minute.
Why does he have to run?

The police will check
if the bullet wound was made

while the perpetrator
was escaping.

It's clever,
but I won't move.

Let's just kill him,

and position his body,
make it look like an accident.

You sound pretty blood-thirsty,
Nancy.

Oh, I am.

I mean to think
I ever loved you.

You never told me
you loved him.

I told you
I was having an affair.

What did you think that meant?

Swapping stories
about lost luggage?

You liked hearing
about my work.

NANCY:
Could we just kill him?
Come on, Ron.

RON:
I'll kill him when I'm ready.

What's it going to take
to make you ready?

Want me to tell you
how much I loved him?

RON:
Shut up, Nancy.

How good he was in bed?Run!

I loved her.Shut up.

You want us to do it
in front of you,

so you can see how much
I enjoy it.

Shut up, Nancy!My eyes roll back in my head

and little beads of sweat
on my upper lip.

Run!

And I would shout things.
Things like, don't stop York!

Run!I'm coming!

I'm coming!

Run!I'm coming!

Run!

Don't stop!

[GRUNTS]

[GUNSHOT]

[SIGHS]

I didn't lie about the bag.

[KNOCKS ON DOOR]

SECURITY:
Hello, Security, anybody home?

Ah. Ah. Aah.

Aaah!

[BOTH GRUNTING]

Aaah!

SECURITY:
Rodman is that you?

SECURITY:
Sir, can you open the door?

SECURITY:
Are you okay in there?

[KNOCKS ON DOOR]Jesus!

SECURITY:
Mr. Rodman.

Hello! Open the door!

[KNOCKS ON DOOR]

It's security.
Who's in there!

[♪♪♪]

SECURITY:
Someone, please open the door!

Hey!

[TIRES SQUEAL]

[TIRES SQUEAL]

Faster, we're gonna be late.

Jesus, Mr. Cole!

You know, you can drive
a little safer,

you scared
the hell out of me.

[PANTING] Uh-huh?

I want to thank you
for holding onto this,

Look. I got one more thing
I need you to do for me.
No.

Excuse me?I can't really help you anymore.

I just need a ride
to the airport.

You are going that way?
No.

COLE:
You had to catch a plane

at eight o'clock.Nancy's dead.

So, you're not going?

Her husband shot her.

COLE: There's been a shooting?There's been several.

Remember when I was telling you,
you can't fall in love--

Hey, you got your bag back.

Can I give you
some advice, York?
No.

Okay, get out of town, man.
Get on the plane and go to Rio.

They're gonna get you.
The security or the cops

or my friends.Oh, friends like Rusty?

COLE:
Ooh!

Okay, well,
I'm sorry about that.

It was either me or you
and I chose me.

Okay, I know
you're not the kind of guy

who would do that.
You're not the kind of guy

who would
run through that defense,

through that crowded secondary
in a clutch game.

You don't think I could pull
a switch on the Iceman?

Rusty tell you why I did that?Yeah.

Oh, yeah, yeah, I did it.
But Ice owed me, man!

I was like the son he never
knew, that he wanted to adopt.

Know what I'm talking about?Yeah.

Yeah. You know.Oh, no! Oh, no!

[GUNSHOT]

Let's go
to the airport!

[GUNSHOT]

[GUNSHOT]Get to the airport.

[GUNSHOT]Get to the fucking airport now!

Drive faster! Faster!

[CAR HONKS][GUNSHOT]

[GUNSHOT]

[POLICE CAR SIRENS]

[TIRE SQUEALS]

[SIGHS]

All right, that's it.

Hey.

Hey!

Jesus!

Oh, man.

MAN 1 [OVER CAR STEREO]:
The seventh and final turn for a hundred thousand dollars.

Which way do you turn? Right.

MAN 2:
You did it!
You've solved the maze!

That makes you win
a hundred thousand dollars!

Way to go!
What's your name!

MAN 1: We need your name.MAN 3: It's Sol Warshow.

MAN 1:
Sorry to cut you out, but we got to go to the news room.

Here's a special report.

MAN 4:
There's relief
at the airport

where a Grandview jet
landed safely

after threats
that a suitcase bomb

had been loaded into
the baggage compartment--

Oh, Mr. Daley, thank God.Yeah?

This gentleman needs your help.I can't now, I'm leaving.

Oh, I completely forgot!

You bought tickets to Rio.Yeah, correct, tickets!

Hey, is that the guy?
Hey, hey, you!

Sir, I don't work
for the airline now, sorry.

You're trying to dump me,
just like all the others.

Maybe I can help you.

I went to the baggage claim to
pick up my skies

and they gave me
the wrong skies.
You sure?

Yes, I'm sure,
these aren't Rossignols.

I've never skied on anything
but Rossies.

Is your name by any chance
Fred C. Milford?

How do you know?Wait here.

There you go.

Sir. Happy now?

Oh, yeah, two hours later
I'm real happy, yeah.

[♪♪♪]

You took my 'alls.

What?

My 'alls.
You're wearing them.

Where did you get them?

There was the only locker
that was open and--

The one time
I forget to lock it.

I was gonna return them

but I can't.What do you mean?

I can't get my zipper down.
It's stuck.

Oh, well, that happens.

Oh, I see.
Here.

Great.

I've been trying.Daley!

Oh, I'm sorry, I didn't know.

No, no, no.
No, Mr. Reynolds.

Leslie, remember.

Well, I got
the rest of your money, the car?

Oh, great,
the car is parked out front

and the keys are in it.Oh, well, I'll get my wallet.

Yes.Okay.

See, you just have to know
how to handle it.
Thanks.

Can I just get my jacket
out of there?

What did you do
to those things?

Oh, it's a long, long story,
but I'm so glad to see you.

Yeah, oh, great!
Aaah! Aaah!

Great! Thanks.
Thanks again.

Thanks.Next time

It won't happen again.

[CLEARS THROAT]That's what I want to hear.

[♪♪♪]

Millicent,
I need a boarding pass.

You'll have to wait in line
like everybody else.

Come on, give me a break.

My flight leaves
in five minutes.

I work for the airline!

I heard you quit, so
get in line with everybody else

and don't give me any baloney
about working for the airline.

What if I told you
I paid for these tickets?

Full fare.

All right.

Let me see your ticket
and passport.

Passport?
MILLICENT:
That's right.

Ticket and passport.

You can't get a boarding pass
without a passport.

My passport!

[♪♪♪]

[PANTING]

Damn!

[SIGHS]

Give me the case York.

YORK:
Seve?

Bring it over here,
don't argue.

I don't understand.
What are you doing?

SEVE: I have a gun.I want the case.

Even I understand
this much English.

You're in this with Cole, huh?

How else do you think he got
this stuff to the airport?

But his eyes got too big
for his balls.

He thought
the Iceman was stupid,

but you know better, huh?

Yeah, yeah, I know better.

All right let's go,
there's a car waiting.

Where are we going?Not going anywhere.

You know, Daley, your car is not
in very good shape!

[BOTH GRUNTING]

Oh! Oh! Oooh!

Oooh! Oh, oh, oh!

Oh.

Oh. Oh. Oh.

Come on, move!
Come on, come on.

[BOTH GRUNTS]

[FIRE ALARM BLARES]

[COUGHS]

Are you okay?

Oh, you saved my life.
Ooh! Ooh!

It comes with the job, sir.

I still want
my $500 back.

[SEVE GROANS]

[CHUCKLES]

Yes! Yes! Yes!

[PANTING]

[♪♪♪]

MAN 1:
Fire! Fire!

MAN 2: What's going on?MAN 3: Give me more! Let's go!

Man 3:
The locker room! Come on!

Give me a hard time, Millicent
and I'll kill you.

Come on, come on.Here.

[♪♪♪]

No.

Uh, ticket?

Oh, yeah, here.

[CHUCKLES]
Uh, here.

You're in the front row.Okay, thanks.

[SIGHS]

[SIGHS]

Thank God we're leaving,
I mean, I love to travel,

but those last couple of hours

before the flight leaves
are just so dull.

Yeah, I know exactly
what you mean.

PILOT:
This is your Captain speaking.

I wanna be the first
to welcome you aboard.

It's a beautiful night
for flying,

so I don't foresee
any turbulence aloft.

Our flying time today
should be about nine hours,

which means we'll be arriving
in Beirut right on schedule.

[THE BLESSING'S
"LET'S MAKE LOVE" PLAYING]

♪ So low ♪

♪ You've got it all worked out When, where and how ♪

♪ And I know ♪

♪ Enough talent there
For a girls show ♪

♪ So pick her up ♪

♪ At 10 o' clock
By the road block ♪

♪ I'm burning up ♪

♪ For love is pain
And music's sorrow ♪

♪ I'm going to beat myself
With the bottle tonight ♪

♪ No other lover
Comes wearing lipstick ♪

♪ Guns and knives ♪

♪ There will be no place
Up there for you and I ♪

♪ 'Cause we've got
Our own religion paradise ♪

♪ Things we do that we can't ♪

♪ Dignify by calling love
Feels so good inside ♪

♪ So don't set to rights
Or try denying me ♪

♪ I see visions from above ♪

♪ Of two-tailed devils
Making love ♪

♪ You know it tastes so sweet
It's gonna cloud my eyes ♪

♪ And rot my teeth, yeah ♪

♪ So let's make love ♪

♪ So low ♪

♪ Baby's all dressed up
With no place to go ♪

♪ And I know ♪

♪ She chose horns and hooves
Over haloes ♪

♪ So pick her up ♪

♪ At 10 o' clock
By the road block ♪

♪ I'm burning up ♪

♪ For love is pain
and music's sorrow ♪

♪ I'm gonna beat myself
With the bottle tonight ♪

♪ No other lover
Comes wearing lipstick ♪

♪ Guns and knives ♪

♪ There will be no place
Up there for you and I ♪

♪ 'Cause we've got
Our own religion paradise ♪

♪ Things we do that we can't ♪

♪ Dignify by calling love
Feels so good inside ♪

♪ So don't set to rights
Or try denying me ♪

♪ I see visions from above ♪

♪ Of two-tailed devils
Making love ♪

♪ You know it tastes
So sweet ♪

♪ It's gonna cloud my eyes
And rot my teeth ♪

♪ Let's make love ♪ ♪ Let's make love ♪

♪ I maybe in love ♪

♪ Baby, yeah, yeah ,yeah ♪

♪ Come on, let's make love ♪

This is Bruce Vidal
saying so long.

It's been a great night
give away. $100,000.

That was "Let's Make Love."

Dedicated
to my girlfriend Nancy.

Meet you at the motel
in a half-an-hour.

Bye-bye.