Marilyn: Portrait of a Legend (1992) - full transcript
As the definitive sex symbol of all time, Marilyn Monroe's life continues to mystify us even today - over 30 years after her tragic death the question remains...Suicide Or Murder? Her private life has been probed and investigated more than once, but the cloud of mystique surrounding the life and death the most loved and envied goddess in history has never been completely unveiled until now.
[dramatic music]
["Candle In The Wind]
♪ Goodbye, Norma Jean
♪ Though I never
knew you at all ♪
♪ You had the grace
to hold yourself ♪
♪ When those around
you crawled ♪
♪ They crawled out
of the woodwork ♪
♪ And they whispered
into your brain ♪
♪ They set you on a treadmill
♪ And they made you
change your name ♪
♪ And it seems to me
♪ You lived your life like
a candle in the wind ♪
♪ Never knowing who cling to
♪ When the rain set in
♪ And I would've like
to have known you ♪
♪ But I was just a kid
♪ Your candle burned
out long before ♪
♪ Your legend ever did
♪ Loneliness was tough
♪ The toughest role
you ever played ♪
♪ Hollywood created
a superstar ♪
♪ And pain was the
price you paid ♪
♪ And even when you died
♪ Oh, the press
still hounded you ♪
♪ All the papers had to say
♪ Was that Marilyn was
found in the nude ♪
♪ And it seems to me
♪ You lived your life like
a candle in the wind ♪
♪ Never knowing who cling to
♪ When the rain set in
♪ And I would've liked
to have known you ♪
♪ But I was just a kid
♪ Your candle burned
out long before ♪
♪ Your legend ever did
♪ Goodbye, Norma Jean
♪ Though I never
knew you at all ♪
♪ You had the grace
to hold yourself ♪
♪ While those
around you crawled ♪
♪ Goodbye, Norma Jean
♪ From the young
man in the 2nd row ♪
♪ Who sees you as something
more than sexual ♪
♪ More than just
our Marilyn Monroe ♪
♪ And it seems to me
♪ You lived your life like
a candle in the wind ♪
♪ Never knowing
who to cling to ♪
♪ When the rain set in
♪ And I would've liked
to have known you ♪
♪ But I was just a kid
♪ Your candle burned
out long before ♪
♪ Your legend ever did
♪ Your candle burned
out long before ♪
♪ Your legend ever did
[dramatic music]
- It all began in Los
Angeles, California
in the charity ward
of county hospital.
The file number was 149502.
The mother's name, Gladys Baker,
the mother's last name
from a broken marriage.
The child was named Norma Jean.
The birth certificate
carried the name Mortenson.
It was a fake.
Norma Jean was illegitimate.
But history was being
written this June 1st,
for this unwelcomed baby
would go from obscurity
to be desired by millions.
This misbegotten
ward of the court
would turn the heads
of kings and queens,
marry an internationally
acclaimed author
and a sports superstar,
hobnob with the jet set,
meet mafia bosses, the
nation's Attorney General,
and shake the very
foundations of the White House
and the family of the
President of the United States.
She became the
beloved of millions.
But one too many
got next to her.
Was it suicide or murder?
- Marilyn took my
advice on many occasions
during the 16 year period
that we knew each other.
There were many times
that she didn't take it.
I would say the most
crucial time that she
did not take my advice
was on the Friday night
before her death when
she telephoned me
and I was back east
and she told me about
a press conference that
she was going to have
to announce her affairs
with Bobby Kennedy
and Jack Kennedy
on Monday morning,
if she could not reach Bobby
Kennedy over that weekend,
which, of course, she was
very unsuccessful in doing.
And I told her to forget that
and she mentioned the fact
that she had the diary
of everything Bobby
Kennedy had told her
and I told her that was
a walking time bomb.
And I said do yourself a favor,
get rid of the diary, don't
hold the press conference,
and forget the
Kennedys completely.
They're out of your life
now, don't pull 'em back in.
And, of course,
she didn't do that
and she ended up dead
on Saturday night.
- Robert Slatzer, film
director and author,
was married to Marilyn
for a short period
in her early days in Hollywood
and remained her
friend and confidant
until her untimely death.
- This pretty girl came with
a nice shape, I might add,
came through the revolving
door and the door
sort of hit her in the back,
in the derriere, I might say,
and she dropped this great
big scrapbook she had.
And she didn't have
a sophisticated book
that had a big zipper around
it like you see today,
like you see girls carry who
are models and actresses,
it was literally
an old scrapbook,
it was tied together with string
and it fell on the floor,
pictures went all
directions and the meantime,
she almost tore off
part of her heel
by getting through the
door when that happened.
So, I was sitting
there and I sorta
came to the rescue, and I
helped her put the pictures
back in place and everything.
And before she was
called for her interview
that she was out there to see,
which was her first
time at a studio,
I got her phone number, she
got mine where I was staying
at the old Hollywood
Plaza Hotel that time,
and we made a dinner
date that night
and that was the beginning
of what was to become
a 16-year relationship.
- Hollywood in the late 1930s
was called Heartbreak City
due to the number of
young ladies that arrived
with stardom in their eyes
and a dollar in their pockets.
Tinseltown had more pretty
waitresses waiting for
their big break than
the the total number of
executives and technicians
in all of the studios.
The few who did make it
were the toast of the town
and the imaginary
sweethearts of the world.
Norma Jean didn't have to take
a train or bus to Hollywood,
she went to high school in
the shadow of the giants,
MGM, Warners, Fox,
RKO, Paramount.
The blossoming teenager
went to the movies
at every opportunity.
Her favorite was the blonde
bombshell Jean Harlow.
- You know we drink that water?
- Stop! Gee, can't a girl take
a bath in privacy without...
Oh, good morning.
- Red Dust.
Storm-lashed story of
passions that fever
ached in the steaming
melee jungle.
- Jean Harlow fan away
from home at the age of 16.
Norma Jean, the
future Marilyn Monroe,
escaped into marriage at 16.
- Jim Dougherty, who was the
first person to marry Marilyn,
that marriage was sort of
a marriage of convenience
because when the
foster home people,
the people who had the
foster home that were
raising Marilyn, were leaving
to go back to Kentucky.
Why, Marilyn would had
to've do one of two things,
she'd either have to get married
or she'd have to
go to an orphanage.
And that's the way the
law read in California
back in 1942.
And so the marriage
to James Dougherty was
a marriage of convenience.
James Dougherty was a neighbor
of the foster home people
where Marilyn lived at the time.
And that marriage, of
course, came to an end
when Dougherty went to
the Merchant Marines
back around 1943,
and Marily divorced
him around 1946
while he was still on a ship
over in the Indian Ocean.
- Shortly after the marriage,
Norma Jean went to work
in an aircraft factory
owned by the actor,
inventor, Reginald Denny.
It was here she took
up a modeling career.
The legend was about to begin.
["Candle In The Wind"]
- She began posing for
some of these magazines,
which, at the time, were
considered quite risque.
They were magazines
like Tit & Titter
and See & Show
and magazines, at that
time, that you wouldn't want
on your coffee table at home.
- Then an major
advertising agency gave her
a motion picture assignment.
A gas commercial.
- I call her Cynthia.
She's going to have the
best care a car ever had.
Put Royal Triton in
Cynthia's little tummy.
- Right, lady.
- Cynthia will just
love that Royal Triton.
- She did become noticed
by the studio, basically,
by her exposure of the cover
of one of these magazine.
When Howard Hughes,
back in 1946,
was in his near-tragic airplane
crash in Beverly Hills,
he was in his hospital bed
and he was looking through
a series of these magazines
and looking at the
pretty girls and so forth
and he saw Marilyn.
And he had one of his
people contact the agency,
which was a Blue Book
Modeling Company,
which was located over at
the old Ambassador Hotel
at that time, and he wanted
to know who that girl was
and he wanted her to
report to RKO pictures,
which he owned.
And the agent used that
as a bartering situation,
so to speak, and ended
up getting her over to
Darryl Zanuck at Fox
instead of Hugh's right
hand person over at RKO.
So that magazine exposure
did springboard her
into what became her
first screen test.
- You come here for?
- To tell you you
can't stay here.
If those gorillas find you
here, what happens to them?
Nothing? They're just
going to leave them alone?
What's the matter
with you, Benny?
You can't take such a chance.
- You dumb broad.
You stupid little-
- What's the matter?
- They followed you here, or
did you bring them with ya?
I oughta-
- Go ahead, it won't
be the first time
I've been worked over today.
- Norma Jean signed
a one-year contract
with 20th Century
Fox and was provided
with a new name, Marilyn Monroe.
She reluctantly agreed
to the name change.
Her first assignment was
a bit part in the film
"Scudda Hoo! Scudda Hay!"
She ended up on the
cutting room floor.
Her first appearance on the
screen was as a waitress
in "The Dangerous Years."
At the end of the year,
Fox dropped her contract.
Studio executives saw no
potential in this young girl.
For a few moments she was
shattered by being fired.
But, typical of Marilyn,
she shook her head,
set her jaw, and said,
in Hollywood you're never
out of work, just
in between pictures.
Marilyn made the
rounds of the studios,
finally being hired
by Columbia pictures
for a part in "The
Ladies Of The Chorus."
♪ We're the ladies
of the chorus ♪
♪ Here to sing and
dance for you ♪
♪ Our flirty, flirty eyes
will wink in your direction ♪
♪ We will throw you all a kiss
♪ That's filled with
sweet affection ♪
♪ Anyone can see I love you
♪ Anyone can see I care
♪ The way I hold your hand
and smile in your direction ♪
♪ Tells the world
my heart is filled ♪
♪ With nothing but affection
♪ Lock me in your arms forever
♪ That's the place
I want to be ♪
♪ So anyone can see
♪ That I belong to you
and you belong to me ♪
- The job at Columbia
was short-lived.
They dropped her.
She was called for a
one-film assignment
in "Love Happy"
with Groucho Marx.
Her part was a beautiful,
dumb, sexy blonde.
And a Hollywood
tattoo was applied.
She became typecast.
- Is there anything
I can do for ya?
What a ridiculous statement.
- Mr. Grunion, I
want you to help me.
- I've a little sand left,
what seems to be the trouble?
- Some men are following me.
- Really? I can't
understand why.
- 20th Century Fox was
headed by Darryl Zanuck,
who ran the studio
with an iron hand
and little, if any,
compassion for his employees.
An actor was only as good
as the amount of profit
from his or her last film.
Zanuck was the boss,
the hatchet man,
and many an actor quaked in
their boots or high heels
when they saw him on the lot.
Robert Slatzer was summoned
into Zanuck's office
after marrying
Marilyn in Mexico.
- He said, here's a
girl that we've invested
a million dollars in so far,
and the people around the
world, especially the men,
they'll see her pictures
in the newspapers
and in the newsreels,
they visualize
themselves as being
someday married or
someday possibly
with Marilyn Monroe
or meeting her.
He said this is a girl that we
portray as the young, pretty
blue-eyed blonde that
sits home on Friday
and Saturday nights waiting
for the phone to ring
and waiting for that
Prince Charming to come in
and sweep her off her feet
and give her that house
with the picket fence around it
and children and so forth.
Well, this was the farthest
thing from Marilyn's mind
that she ever wanted.
But this was Zanuck's big spiel.
So he said, it's her
career, it's not yours.
And he said, we just
don't want her married
and I think that the two
of you should seriously
consider what you've done.
So we walked out of the office
and we spent the night talking
about it, and so forth,
and, to make a long story
short, about a day later,
two days later, we
drove down to Tijuana,
we looked up the attorney,
we took the piece of paper,
which he was supposed to
file in the courthouse,
which had not been filed
yet, along with many others,
and we bought it back,
I think we paid $50
at that time in American
money, which was quite a bit
of money in 1952 in Mexico.
And he wouldn't give it back
to us because he claimed
it might cause something
to his reputation
down there in Mexico.
And Marilyn wanted
it, I wanted it,
and we got into a argument
over the whole thing.
So, finally, he took a
great big stick match
and he held it up and he lit
the match to the piece of paper
and it burned up and as
we sat there, we watched
our marriage, so to speak,
in writing, go up in flames.
And as Marilyn later on
would say to friends of hers
that joked about a four
or five-day marriage,
she used to say,
well, it lasted longer
than most Broadway Shows.
Well, he tried to
control everybody he had.
I know that one time I
was talking to Henry Fonda
and Henry Fonda was
very angry one day
and he stomped into
Zanuck's office
and I'm going back into the
late '40s when this happened,
and he sounded off to
Zanuck and Zanuck sat there
and listened to everything for
about three or four minutes
and finally Zanuck
stood up and spoke
and he scared the
pants off of Fonda
and Fonda was terrified every
time he'd bump into Zanuck,
he would just almost avoid
him if they were going down,
if they were walking towards
each other in the studio lot,
he would take a shortcut
and go someplace else.
But Zanuck was actually feared.
He was typical of the
tyrants that ran the studios
in those days, like
Louis B. Mayer at MGM,
you had Harry Cohn at Columbia,
you had Jack Warner
over at Warner Brothers,
and Zanuck at Fox.
And Zanuck was feared.
He was a little man but
he smoked a big cigar
and he wielded a big club
and he could blackball people
and do a lot to people
that is almost unspeakable.
- Johnny Hyde saw the
potential of Marilyn,
which Fox and Columbia
Studios had overlooked.
In 1950, she went to
work on her fourth film,
"A Ticket To Tomahawk."
Although the role was a
minor one, she did grace
a song and dance number with
the film's star, Dan Dailey.
The important parts Marilyn's
new agent, boyfriend,
and mentor, Johnny Hyde,
was seeking for Marilyn
were finally realized.
Hyde succeeded in
having Marilyn cast
in John Huston's film,
"The Asphalt Jungle."
The role proved to
be a breakthrough.
The public began to
take notice of her.
The crime drama cast
Marilyn as the mistress
of the much older Rudy Calhern,
who introduces the
seductive blonde to everyone
in the picture as his niece.
In 1950 the revelation
that the young girl
was Calhern's mistress
was not permissible.
Johnny Hyde next obtained
a role for Marilyn
in "All About Eve."
The picture was a
triumph for Bette Davis.
Davis' screen career was lagging
and her portrayal as a
once-great actress whose career
was on the decline became
a comeback film for her.
In "All About Eve",
Marilyn again appeared
with an older man,
George Sanders.
This time she was referred
to as Sanders' protege,
although, once again,
it was clearly evident
that she was Sanders' mistress.
With two convincing
performances behind her,
Johnny Hyde was now able
to arrange a longer term
contract with 20th
Century Fox Studios.
This was to be his last
effort on Marilyn's behalf.
He died in December of 1950.
In her next films,
she continued to play
seductive blondes
filled with bad intent.
In "The Fireball" she's a woman
interested in Mickey Rooney,
but only because he's a
celebrated roller skating champ.
On a studio loan-out
to Metro-Goldwyn-Mayer,
Marilyn appears in a small
part as Dick Powell's
nightclub date in "Right Cross."
She received no screen credit
whatsoever in the film.
While on loan to MGM,
she also played secretary
to Jeffrey Lynn in
"Home Town Story."
Essentially, she was window
dressing to the film,
dressed in a tight-fitting
sweater throughout the movie.
Returning to 20th Century Fox,
Marilyn continued to be
cast as the sexy blonde.
In "As Young As You Feel", she
again portrayed a secretary
in a role incidental
to the film's plot.
Marilyn film roles
were expanded,
concurrent with the public's
growing interest in her.
But while Marilyn was being
given more on-screen time,
the studio kept Marilyn
confined to films
of a lesser stature.
In "Love Nest", she
was an ex-Army WAC
and the love interest
of Jack Paar.
However, her romance was
but one of many subplots.
"Let's Make It Legal",
similarly, cast
her in a minor role
as a beautiful blonde who uses
her physical attributes
to advance herself.
A publicity blitz which
started to gain momentum
in 1952 would never slow.
Scandal, variety
stories, exposed details
of her nude photo sessions,
as well as reports
of her mother's confinement
in mental institutions.
Taking note of the
surge of publicity,
Marilyn was cast in her
most important role,
"Clash By Night."
She held her own
alongside seasoned stars,
Barbara Stanwyck
and Robert Ryan.
"We're Not Married!"
co-mingled Marilyn
in a multi-plot comedy as one
of several women who learn
they are not legally married.
Finally, with the release
of "Don't Bother To Knock",
Marilyn was given star billing
opposite Richard Widmark.
Marilyn was cast as a
psychotic babysitter.
The Howard Hawks' film,
"Monkey Business",
a madcap comedy starring
Cary Grant and Ginger Rogers,
signaled the end of
Marilyn's supporting roles.
During the making of the
film, she was introduced
to a celebrity
visiting the movie set,
baseball star, Joe DiMaggio.
Following a cameo walk-on
in O. Henry's "Full House",
Marilyn found herself
a full-fledged star,
as she headlined Niagara,
a suspenseful thriller
that saw Marilyn as
an adulterous wife
of Joseph Cotten.
The film version of the hit
musical Broadway comedy,
"Gentlemen Prefer Blondes",
was a property in which
the most important
actresses in Hollywood
wanted to participate.
The coveted role of
Lorelei went to Marilyn.
Appearing opposite Jane Russell,
the film grossed
millions for the studio.
Marilyn's salary
totaled $18,000.
Marilyn replaced Betty Grable
as the top film goddess
at 20th Century Fox in "How
To Marry A Millionaire."
Betty Grable's career had been
waning and Marilyn's rising.
[big band jazz music]
- Yes, just watch the fur fly
as the most talked about girls
in Hollywood go out
loaded for big game.
Monroe, Grable, and Bacall.
Adding their own
wonderful dimensions
the the eye-filling
dimensions of CinemaScope.
Letting you in on the grand
and glorious adventures
of three fascinating females,
who pool their beauty
in the greatest plot against
mankind since Helen of Troy,
Marie Antoinette,
and Venus de Milo.
[big band jazz music]
["Candle In The Wind"]
- Marilyn resented being cajoled
into appearing in the picture.
Feeling the sting of
"River Of No Return",
she flatly refused to
appear in the film titled
"Girl In The Pink Tights."
The studio responded by
placing her on suspension
and Marilyn countered
this move by marrying
Joe DiMaggio on
January 14, 1954.
Their wedding was an
international event.
Their honeymoon, which
took them to Japan,
began as a dash for
privacy but became a series
of welcoming riots.
While Joe stayed alone in Tokyo,
Marilyn went on to entertain
the troops in Korea.
Waves of frenzied
approval greeted her.
It was, she said,
like an embrace.
[audience applauding]
[audience cheering]
♪ But diamonds are a
girl's best friend ♪
[audience applauding]
[audience cheering]
- Back in Hollywood,
the quickening tempo
of Marilyn's career brought
her the leading role
in "The Seven Year Itch."
The arc lights and movie
stardom would blank out
the cozy, candlelit
home-cooked dinners Joe wanted.
For Marilyn, it would be
easier to please the crowd.
- She felt very,
very uncomfortable
with the image of
Marilyn Monroe.
I remember her saying even
to me at times when she was
very, very upset with things
at the studio going on,
she would just put her
hands up in the air
and wring her fists
and she would just say,
I just wish I could be
Norma Jean all over again.
- Another tune-filled
CinemaScope musical was next
for Marilyn, "There's No
Business Like Show Business."
Marilyn didn't care for
the script or the picture
so the studio agreed
to give her the lead
in the film version of
the smash Broadway hit,
"The Seven Year Itch",
if she appeared in
"There's No Business
Like Show Business."
As the upstairs
neighbor of Tom Ewell in
"The Seven Year Itch", Marilyn
threatens the man's fidelity,
but even more threatened was
the stability of Marilyn's
real-life marriage.
Joe DiMaggio resented the
furor created when his wife
appeared in the famous
"Seven Year Itch" scene
where her dress is
blown up by the air
rushing through a
sidewalk grating.
Marilyn's attorney,
Jerry Giesler,
announced her
divorce in late 1954.
- Miss Monroe will have
nothing to say this morning.
All I can say as
her attorney is that
this is what we would say
was a conflict of careers.
- Following her divorce,
Marilyn placed herself
in a self-imposed
exile in New York.
She spent several months
studying her craft
before returning to Hollywood
to appear in "Bus Stop."
- I'd rather say that I
have director approval
and that is true.
- Don't you think
it's important?
- Yes, it is, it's
very important to me.
- You're wearing a
high-neck dress now,
the last time I saw
you, you weren't.
Is this a new
Marilyn, a new style?
- No, I'm the same person,
but it's a different suit.
[all laughing]
The film version of William
Inge's play, "Bus Stop",
is quite possibly Marilyn's
finest film performance.
As a saloon singer with
higher aspirations,
she falls in love
with a simple cowboy,
played by Don Murray.
Following "Bus Stop",
Marilyn formed her own
production company to produce
feature films and announced
her intentions to wed
playwright Arthur Miller.
While in New York, she had
dated the then-married Miller.
- Could you tell us
what kind of a wedding
you're going to have?
- Very quiet, I hope.
- Do you feel certain at
this time that you will
be able to get away
to go to England?
- I feel certain I'm
gonna try awfully hard.
- In the event that
you are not able to go,
will Miss Monroe still go?
- Oh, sure, she's got to go,
she's got a contract to go.
- Well, that means
you may not have
a honeymoon together then.
- I think we will.
- I hope so.
- Very soon after
their marriage, the
couple flew to England
to begin work on "The
Prince And The Showgirl."
The prince being
Sir Laurence Olivier
and, of course,
Marilyn was the dancer.
The plot basically concerned
their two different
worlds romance.
By the time the production
ended, Olivier and Marilyn
were no longer on
speaking terms.
One of Marilyn's more
pleasant memories
of the trip to Europe was
being presented to the Queen.
Upon returning to Hollywood,
Marilyn had been offered
the unique opportunity to
portray her childhood idol,
Jean Harlow, in
a film biography.
While Marilyn was eager
to approach the role,
Arthur Miller persuaded her
to turn down the opportunity.
Marilyn did play a blonde of
Jean Harlow's era, however,
in "Some Like It Hot."
Although the film was beset
with production problems,
"Some Like It Hot" remains
one of the greatest comedies
of all times.
♪ Carefree mind all
the time, never blue ♪
♪ Always goin',
don't know where ♪
♪ Always showin' I don't care
♪ Don't love nobody
♪ It's not worthwhile
♪ All alone
♪ Runnin wild
- Following her triumph
in "Some Like It Hot",
Marilyn appeared in her
least successful film,
"Let's Make Love."
Marilyn's fourth marriage
was also in trouble.
Arthur Miller was growing
cold towards Marilyn.
To additionally signal the
end of their relationship,
Marilyn engaged in a quick
but openly publicized affair
with her "Let's Make
Love" costar Yves Montand.
On July 18, 1960,
Marilyn Monroe began work
on her last completed
film, "The Misfits."
The film would also be
her costar's final film.
- Why are you killing him?
- Just stand aside, honey.
- I'll tell you why.
[shouting over each other]
- Get out of here!
[wind blowing]
[horse whinnies]
- Murderer!
You liar!
You're only happy when
you can see something die!
Why don't you kill
yourself and be happy?
You and your God's country.
Freedom! I pity you!
You're three dear,
sweet dead men!
Horse killers! Murderers!
[screams] I pity you!
- Clark Gable would die
two and a half months
before the film was released.
Pressures during the shooting
of the film were intense.
Tensions between Miller and
Marilyn were equally steamy.
As pressure mounted,
Marilyn suffered a breakdown
and returned to a
hospital in Los Angeles,
where she remained
for two weeks.
Ultimately, the film ran
40 days over schedule.
Clark Gable died 12 days
after the film's completion.
Gable's widow accused Marilyn
of creating such stress
for the man as to have brought
about his heart failure.
Prior to the film's release
on January 31, 1961,
Marilyn's marriage to Arthur
Miller ended in divorce.
To compound her personal
problems, Marilyn began to turn
more frequently than ever to
alcohol and prescribed drugs.
Marilyn committed herself
to a psychiatric clinic
in New York in an
effort to rid herself
of chemical dependencies.
Upon her release
from the hospital,
she spent time
recuperating in California.
During this period of her life,
she became acquainted with
both President John F. Kennedy
and Attorney General
Robert Kennedy.
- In my own opinion as to why
Marilyn Monroe got involved
with the Kennedys, that's
Jack Kennedy and Bobby Kennedy
at different times, was
the fact that she was
fascinated with them.
I think that she was very
much in awe over their power.
And the fact that here's the
President of the United States
or the senator of the
United States pursuing you.
And on the other hand,
here's Bobby Kennedy,
the Attorney General
for the United States,
the highest legal
office in the nation.
- Numerous literary sources
have alleged Marilyn
had an affair with
the President.
As the oft repeated story
goes, Robert Kennedy became
involved with Marilyn at the
request of President Kennedy.
He felt their relationship
was drawing attention.
In April of 1962, Marilyn
was back before the cameras
at 20th Century Fox, working
at a lighthearted comedy,
"Something's Got To Give."
As in the past, Marilyn
began causing expensive
production delays on the film.
Infuriated executives
at 20th Century Fox
placed her on suspension.
On May 19, 1962,
Marilyn appeared
at a Madison Square
Garden birthday party
held to honor President Kennedy.
- On this occasion
of your birthday,
this lovely lady is not only
pulchritudinous but punctual.
Mr. President, Marilyn Monroe.
[audience applauding]
[audience cheering]
A woman about whom
it truly may be said, she
needs no introduction.
Let me just say
here she is.
But I'll give her an
introduction anyway.
Mr. President, because in
the history of show business,
perhaps there has
been no one female
who meant so much,
who has done more-
[audience applauding]
Mr. President, the
late Marilyn Monroe.
[audience applauding]
♪ Happy birthday to you
♪ Happy birthday to you
♪ Happy birthday,
Mr. President ♪
♪ Happy birthday to you
[audience applauding]
♪ Thanks, Mr. President
♪ For all the
things you've done ♪
♪ The battles that you've won
♪ The way you deal
with U.S. Steel ♪
♪ And our problems by the ton
♪ We thank you so much
Everybody! Happy birthday!
- Ladies and gentlemen, the
President of the United States.
[audience applauding]
[audience cheering]
- Thank you.
I can now retire from
politics after having had
"Happy Birthday" sung to me
in such a sweet, wholesome way.
- She returned to Fox
and continued to upset
the studios executives in charge
by her constant tardiness.
On June 8, 1962, she was fired
and the film was shelved.
Her last day at work took
place on her 36th birthday,
June 1, 1962.
Marilyn adjourned to
her Brentwood home
to contemplate a
threatening Fox lawsuit,
to continue to abuse her
body with prescribed pills,
and to deal with her alleged
romance with Robert Kennedy.
On the morning of
August 5, 1962,
the world awoke to the
news that Marilyn Monroe
had died in the
early morning hours
in the bedroom of
her Brentwood home,
an apparent victim of an
accidental drug overdose.
- The autopsy shows
that Marilyn Monroe
did not take any oral
capsules of Nembutal.
The policeman on the scene
at Marilyn Monroe's death,
death room, I should say,
her bedroom, at the time,
had asked one of the
doctors how she died.
And the one doctor pointed to
an empty bottle of Nembutal,
and he said, here, this
bottle contained 47 Nembutal
capsules yesterday,
today it's empty,
and she must've
taken 47 Nembutals.
There was not one
Nembutal capsule found
in the digestive system.
In the first place, Nembutal
is a yellow capsule.
It has a yellow food dye in
a gel, and people known to
have taken those, according
to the autopsy surgeons,
they have a yellow trace of
stain from their esophagus
all the way down to
their lower intestines.
Marilyn Monroe did
not have any dissolved
or undissolved Nembutal capsules
in her system whatsoever.
But what she did have
was a 4.5 milligram level
of Nembutal in the blood.
Now, that is equivalent
to about 150 capsules,
according to Abbot Laboratories
back in North Chicago,
that manufacture the product.
On top of that,
the dose of Nembutal that
Marilyn got was enough
to kill about eight Marilyn
Monroes or about three horses,
that's how strong it was.
The police took
latent fingerprints
in Marilyn's
bedroom and her home
and they couldn't even find
her prints on her pill bottles.
Everything had been
completely wiped clean
and we found out through
the years that it was
the CIA that came in and
cleaned the place completely.
They made it completely sterile.
Every dish in the cupboards
out in the kitchen
was completely cleansed.
There was no
fingerprints whatsoever.
They couldn't even find
Marilyn Monroe's fingerprints
in her own house or
even around her own bed.
It was only a diary that
she kept so that she
could remember what Bobby
Kennedy had told her
the last time they
were together.
Because he chastised
her one day, saying,
you don't remember what
I told you last week
and she wanted to
remember, pretty much,
what he had told her,
so she bought this diary
just as a instrument
to go and write down
what he told her in this book.
And then, when they
would have the next date,
before he would come to pick
her up or she would meet him,
she would pick up the diary
and she would read in it
her notations from the last
time they were together.
And then when Bobby
Kennedy would question her
about certain things or talk
about that same subject,
she would be pretty much in
tune with what he had to say
because don't forget, she
was a professional actress.
She was used to learning lines.
And she was very accustomed
to remembering things
that was written down.
And this, of course,
unfortunately, became
one of her greatest downfalls,
was keeping this diary.
So I think that if the
diary hadn't existed,
Marilyn Monroe would
still be alive.
The night that Marilyn
Monroe died, a neighbor,
Abe Landau, who still
lives in the same house
in the same location
adjacent to Marilyn,
he and his wife came home
that night on a Saturday night
about 11:30 to midnight,
in that vicinity,
and they not only saw a
police car at Marilyn's house,
but they saw an ambulance.
And Walter Schaefer, who
owns the Schaefer Ambulance
Company, which is the
biggest ambulance company
in Southern California,
with many outlets,
told me several years
ago that he said, yes,
he said, one of my ambulances
did pick up Marilyn Monroe,
She was alive but comatose.
She was taken to Santa Monica
Hospital and dropped off.
Now, he said, how she
got back at her house
in her bed, dead, I don't know.
We didn't take her there.
But he said we did take
her to the hospital.
So there's still a big
controversy as to whether
the ambulance drivers that
picked her up and took her away
might have brought her
back and been bribed,
Mr. Schaefer didn't
know anything about it.
That's strictly theory.
But we do know that the
body was picked up and taken
to the hospital, but
there's no record of it
ever being admitted.
The patrolman got his
motorcycle and was
heading away from the
Beverly Hills Police Station
about midnight, and he
ended up a few minutes later
down on the corner of
Olympic and Robertson,
which is a main
intersection of Los Angeles,
going towards the
eastern part of town.
He saw a Lincoln
Continental speeding,
going east towards
downtown Los Angeles
and it was going about
70 to 80 miles an hour
and he took off after it
and when he stopped it,
he found Peter
Lawford as the driver
and Dr. Greenson,
Marilyn's psychiatrist,
was sitting in the front
seat, and in the back seat was
Bobby Kennedy, the Attorney
General of the United States.
And he asked Peter
Lawford where he was going
in such a hurry and
Lawford said, I have to get
the Attorney General back
to his hotel so he can pack
and go up to San Francisco
to meet his family.
The cop, of course, said
right away, he smiled,
he said, well, first of all,
he said, you're speeding
and secondly, he said,
you're going the wrong way.
Now, this patrolman knew
Peter Lawford personally.
He had been invited
out to the movie sets
that Lawford had
been doing pictures,
he had been to his home for
parties and things like that,
so they were old friends.
So he didn't give him
a ticket but he said,
the hotel where the
Attorney General is staying
is the other way.
He said, you're going east,
you're not going west.
He said, turn the car around
and get the Attorney General
back to his hotel, but he said,
stay within the speed limit.
So this is another piece of
evidence that Bobby Kennedy
was in town, and what
was Bobby Kennedy,
at a little bit after midnight,
on the night of August four,
when Marilyn Monroe
was already dead,
and he had been
seen at the house
and there was a tape recording
of Bobby Kennedy in a terrible
argument with Marilyn,
which was around
10:30 that night,
which was taken by
Bernard Spindel,
who was a master wiretapper,
who was tapping Marilyn's
house and Bobby Kennedy's house
for Jimmy Hoffa.
And this is on tape.
At 10:30 that night, Bobby
Kennedy and Marilyn Monroe
were in a violent argument.
There was screaming, there
was a slap on the face,
what sounded like
a slap on the face,
according to people
who heard the tape.
A body fell to the floor,
like a thump on the floor.
There was screaming,
And that was all that
the tape picked up.
Marilyn Monroe died
between that time
and between midnight, the
time that Bobby Kennedy's car
was stopped in the
Beverly Hills area.
This goes back again to
the fact that Bobby Kennedy
had to know something
about Marilyn's death.
Or be involved in it, or being
indirectly involved in it.
I was instrumental in getting
the case reopened in 1982
by the district attorney's
office, but they didn't call it
a reopening, they
called it inquiry.
And I must say it was a
rather cursory inquiry
because people that they
questioned, that shoulda been
questioned under oath, were
not questioned under oath.
There were a lot of people
who can tell what happened to
Marilyn Monroe in those last
hours if they were called in.
But these people were not
called in because it was not
under oath, and so it
was a very cursory report
that the district attorney's
office issued in 1982.
In 1985, I petitioned
the Board of Supervisors,
Mike Antonovich, who represents
one of the districts,
and who is very much
is very much in favor
of opening this case.
And it passed five to zero,
it passed unanimously by
the Board of Supervisors
to have a grand jury
investigation of the case
of Marilyn Monroe, her death.
Which had never been
investigated before,
there'd never been a
coroner's inquiry, even,
which is ridiculous.
So, the grand jury approved it
and started investigating it
and they were only on
it for about four days
and they were making some
magnificent progress,
when Ira Reiner, the District
Attorney of the County of
Los Angeles, fired
the grand jury foreman
and put a stop to the inquiry,
which is another
part of the cover-up.
And it's the first time in
the history of California
that a grand jury foreman
has ever been fired.
The Board of Supervisors
rejected the reopening
of the Marilyn Monroe
case in September of 1992.
However, there is still hope.
I'm planning, along
with a few other people,
to go back and get
the case reopened
and bring these people
in, there's about
six or seven of 'em
who are still alive,
including one of her doctors,
her press agent, one
of her attorneys,
people who know things, and
if they ever were questioned,
they could tell what
happened to Marilyn Monroe
that tragic night
of August 4, 1962.
And one of the reasons that
I want this case opened
is the fact to prove that
Marilyn Monroe did not
commit suicide, number
one, and number two,
there is no statute of
limitations on murder.
- Early in the morning,
30 years after Marilyn's
unexplained death, technicians
are readying stage five
at Fox studios for the first
day of shooting a feature film.
A few miles away, news
cameramen, tourists,
old friends, curiosity-seekers,
even Marilyn Monroe lookalikes
are gathered at the cemetery
where Marilyn's
crypt is located.
Call it reverence.
Bizarre. Nostalgia.
Love. Adoration. Worship.
A good news story.
Call this gathering
what you may,
for on the tomb there
are no credit titles,
just Marilyn Monroe, 1926-1962.
Whatever happened to Norma Jean?
♪ Goodbye, Norma Jean
♪ Though I never
knew you at all ♪
♪ You had the grace
to hold yourself ♪
♪ While those
around you crawled ♪
♪ They crawled out
of the woodwork ♪
♪ And they whispered
into your brain ♪
♪ They set you on a treadmill
♪ And they made you
change your name ♪
["Candle In The Wind]
♪ Goodbye, Norma Jean
♪ Though I never
knew you at all ♪
♪ You had the grace
to hold yourself ♪
♪ When those around
you crawled ♪
♪ They crawled out
of the woodwork ♪
♪ And they whispered
into your brain ♪
♪ They set you on a treadmill
♪ And they made you
change your name ♪
♪ And it seems to me
♪ You lived your life like
a candle in the wind ♪
♪ Never knowing who cling to
♪ When the rain set in
♪ And I would've like
to have known you ♪
♪ But I was just a kid
♪ Your candle burned
out long before ♪
♪ Your legend ever did
♪ Loneliness was tough
♪ The toughest role
you ever played ♪
♪ Hollywood created
a superstar ♪
♪ And pain was the
price you paid ♪
♪ And even when you died
♪ Oh, the press
still hounded you ♪
♪ All the papers had to say
♪ Was that Marilyn was
found in the nude ♪
♪ And it seems to me
♪ You lived your life like
a candle in the wind ♪
♪ Never knowing who cling to
♪ When the rain set in
♪ And I would've liked
to have known you ♪
♪ But I was just a kid
♪ Your candle burned
out long before ♪
♪ Your legend ever did
♪ Goodbye, Norma Jean
♪ Though I never
knew you at all ♪
♪ You had the grace
to hold yourself ♪
♪ While those
around you crawled ♪
♪ Goodbye, Norma Jean
♪ From the young
man in the 2nd row ♪
♪ Who sees you as something
more than sexual ♪
♪ More than just
our Marilyn Monroe ♪
♪ And it seems to me
♪ You lived your life like
a candle in the wind ♪
♪ Never knowing
who to cling to ♪
♪ When the rain set in
♪ And I would've liked
to have known you ♪
♪ But I was just a kid
♪ Your candle burned
out long before ♪
♪ Your legend ever did
♪ Your candle burned
out long before ♪
♪ Your legend ever did
[dramatic music]
- It all began in Los
Angeles, California
in the charity ward
of county hospital.
The file number was 149502.
The mother's name, Gladys Baker,
the mother's last name
from a broken marriage.
The child was named Norma Jean.
The birth certificate
carried the name Mortenson.
It was a fake.
Norma Jean was illegitimate.
But history was being
written this June 1st,
for this unwelcomed baby
would go from obscurity
to be desired by millions.
This misbegotten
ward of the court
would turn the heads
of kings and queens,
marry an internationally
acclaimed author
and a sports superstar,
hobnob with the jet set,
meet mafia bosses, the
nation's Attorney General,
and shake the very
foundations of the White House
and the family of the
President of the United States.
She became the
beloved of millions.
But one too many
got next to her.
Was it suicide or murder?
- Marilyn took my
advice on many occasions
during the 16 year period
that we knew each other.
There were many times
that she didn't take it.
I would say the most
crucial time that she
did not take my advice
was on the Friday night
before her death when
she telephoned me
and I was back east
and she told me about
a press conference that
she was going to have
to announce her affairs
with Bobby Kennedy
and Jack Kennedy
on Monday morning,
if she could not reach Bobby
Kennedy over that weekend,
which, of course, she was
very unsuccessful in doing.
And I told her to forget that
and she mentioned the fact
that she had the diary
of everything Bobby
Kennedy had told her
and I told her that was
a walking time bomb.
And I said do yourself a favor,
get rid of the diary, don't
hold the press conference,
and forget the
Kennedys completely.
They're out of your life
now, don't pull 'em back in.
And, of course,
she didn't do that
and she ended up dead
on Saturday night.
- Robert Slatzer, film
director and author,
was married to Marilyn
for a short period
in her early days in Hollywood
and remained her
friend and confidant
until her untimely death.
- This pretty girl came with
a nice shape, I might add,
came through the revolving
door and the door
sort of hit her in the back,
in the derriere, I might say,
and she dropped this great
big scrapbook she had.
And she didn't have
a sophisticated book
that had a big zipper around
it like you see today,
like you see girls carry who
are models and actresses,
it was literally
an old scrapbook,
it was tied together with string
and it fell on the floor,
pictures went all
directions and the meantime,
she almost tore off
part of her heel
by getting through the
door when that happened.
So, I was sitting
there and I sorta
came to the rescue, and I
helped her put the pictures
back in place and everything.
And before she was
called for her interview
that she was out there to see,
which was her first
time at a studio,
I got her phone number, she
got mine where I was staying
at the old Hollywood
Plaza Hotel that time,
and we made a dinner
date that night
and that was the beginning
of what was to become
a 16-year relationship.
- Hollywood in the late 1930s
was called Heartbreak City
due to the number of
young ladies that arrived
with stardom in their eyes
and a dollar in their pockets.
Tinseltown had more pretty
waitresses waiting for
their big break than
the the total number of
executives and technicians
in all of the studios.
The few who did make it
were the toast of the town
and the imaginary
sweethearts of the world.
Norma Jean didn't have to take
a train or bus to Hollywood,
she went to high school in
the shadow of the giants,
MGM, Warners, Fox,
RKO, Paramount.
The blossoming teenager
went to the movies
at every opportunity.
Her favorite was the blonde
bombshell Jean Harlow.
- You know we drink that water?
- Stop! Gee, can't a girl take
a bath in privacy without...
Oh, good morning.
- Red Dust.
Storm-lashed story of
passions that fever
ached in the steaming
melee jungle.
- Jean Harlow fan away
from home at the age of 16.
Norma Jean, the
future Marilyn Monroe,
escaped into marriage at 16.
- Jim Dougherty, who was the
first person to marry Marilyn,
that marriage was sort of
a marriage of convenience
because when the
foster home people,
the people who had the
foster home that were
raising Marilyn, were leaving
to go back to Kentucky.
Why, Marilyn would had
to've do one of two things,
she'd either have to get married
or she'd have to
go to an orphanage.
And that's the way the
law read in California
back in 1942.
And so the marriage
to James Dougherty was
a marriage of convenience.
James Dougherty was a neighbor
of the foster home people
where Marilyn lived at the time.
And that marriage, of
course, came to an end
when Dougherty went to
the Merchant Marines
back around 1943,
and Marily divorced
him around 1946
while he was still on a ship
over in the Indian Ocean.
- Shortly after the marriage,
Norma Jean went to work
in an aircraft factory
owned by the actor,
inventor, Reginald Denny.
It was here she took
up a modeling career.
The legend was about to begin.
["Candle In The Wind"]
- She began posing for
some of these magazines,
which, at the time, were
considered quite risque.
They were magazines
like Tit & Titter
and See & Show
and magazines, at that
time, that you wouldn't want
on your coffee table at home.
- Then an major
advertising agency gave her
a motion picture assignment.
A gas commercial.
- I call her Cynthia.
She's going to have the
best care a car ever had.
Put Royal Triton in
Cynthia's little tummy.
- Right, lady.
- Cynthia will just
love that Royal Triton.
- She did become noticed
by the studio, basically,
by her exposure of the cover
of one of these magazine.
When Howard Hughes,
back in 1946,
was in his near-tragic airplane
crash in Beverly Hills,
he was in his hospital bed
and he was looking through
a series of these magazines
and looking at the
pretty girls and so forth
and he saw Marilyn.
And he had one of his
people contact the agency,
which was a Blue Book
Modeling Company,
which was located over at
the old Ambassador Hotel
at that time, and he wanted
to know who that girl was
and he wanted her to
report to RKO pictures,
which he owned.
And the agent used that
as a bartering situation,
so to speak, and ended
up getting her over to
Darryl Zanuck at Fox
instead of Hugh's right
hand person over at RKO.
So that magazine exposure
did springboard her
into what became her
first screen test.
- You come here for?
- To tell you you
can't stay here.
If those gorillas find you
here, what happens to them?
Nothing? They're just
going to leave them alone?
What's the matter
with you, Benny?
You can't take such a chance.
- You dumb broad.
You stupid little-
- What's the matter?
- They followed you here, or
did you bring them with ya?
I oughta-
- Go ahead, it won't
be the first time
I've been worked over today.
- Norma Jean signed
a one-year contract
with 20th Century
Fox and was provided
with a new name, Marilyn Monroe.
She reluctantly agreed
to the name change.
Her first assignment was
a bit part in the film
"Scudda Hoo! Scudda Hay!"
She ended up on the
cutting room floor.
Her first appearance on the
screen was as a waitress
in "The Dangerous Years."
At the end of the year,
Fox dropped her contract.
Studio executives saw no
potential in this young girl.
For a few moments she was
shattered by being fired.
But, typical of Marilyn,
she shook her head,
set her jaw, and said,
in Hollywood you're never
out of work, just
in between pictures.
Marilyn made the
rounds of the studios,
finally being hired
by Columbia pictures
for a part in "The
Ladies Of The Chorus."
♪ We're the ladies
of the chorus ♪
♪ Here to sing and
dance for you ♪
♪ Our flirty, flirty eyes
will wink in your direction ♪
♪ We will throw you all a kiss
♪ That's filled with
sweet affection ♪
♪ Anyone can see I love you
♪ Anyone can see I care
♪ The way I hold your hand
and smile in your direction ♪
♪ Tells the world
my heart is filled ♪
♪ With nothing but affection
♪ Lock me in your arms forever
♪ That's the place
I want to be ♪
♪ So anyone can see
♪ That I belong to you
and you belong to me ♪
- The job at Columbia
was short-lived.
They dropped her.
She was called for a
one-film assignment
in "Love Happy"
with Groucho Marx.
Her part was a beautiful,
dumb, sexy blonde.
And a Hollywood
tattoo was applied.
She became typecast.
- Is there anything
I can do for ya?
What a ridiculous statement.
- Mr. Grunion, I
want you to help me.
- I've a little sand left,
what seems to be the trouble?
- Some men are following me.
- Really? I can't
understand why.
- 20th Century Fox was
headed by Darryl Zanuck,
who ran the studio
with an iron hand
and little, if any,
compassion for his employees.
An actor was only as good
as the amount of profit
from his or her last film.
Zanuck was the boss,
the hatchet man,
and many an actor quaked in
their boots or high heels
when they saw him on the lot.
Robert Slatzer was summoned
into Zanuck's office
after marrying
Marilyn in Mexico.
- He said, here's a
girl that we've invested
a million dollars in so far,
and the people around the
world, especially the men,
they'll see her pictures
in the newspapers
and in the newsreels,
they visualize
themselves as being
someday married or
someday possibly
with Marilyn Monroe
or meeting her.
He said this is a girl that we
portray as the young, pretty
blue-eyed blonde that
sits home on Friday
and Saturday nights waiting
for the phone to ring
and waiting for that
Prince Charming to come in
and sweep her off her feet
and give her that house
with the picket fence around it
and children and so forth.
Well, this was the farthest
thing from Marilyn's mind
that she ever wanted.
But this was Zanuck's big spiel.
So he said, it's her
career, it's not yours.
And he said, we just
don't want her married
and I think that the two
of you should seriously
consider what you've done.
So we walked out of the office
and we spent the night talking
about it, and so forth,
and, to make a long story
short, about a day later,
two days later, we
drove down to Tijuana,
we looked up the attorney,
we took the piece of paper,
which he was supposed to
file in the courthouse,
which had not been filed
yet, along with many others,
and we bought it back,
I think we paid $50
at that time in American
money, which was quite a bit
of money in 1952 in Mexico.
And he wouldn't give it back
to us because he claimed
it might cause something
to his reputation
down there in Mexico.
And Marilyn wanted
it, I wanted it,
and we got into a argument
over the whole thing.
So, finally, he took a
great big stick match
and he held it up and he lit
the match to the piece of paper
and it burned up and as
we sat there, we watched
our marriage, so to speak,
in writing, go up in flames.
And as Marilyn later on
would say to friends of hers
that joked about a four
or five-day marriage,
she used to say,
well, it lasted longer
than most Broadway Shows.
Well, he tried to
control everybody he had.
I know that one time I
was talking to Henry Fonda
and Henry Fonda was
very angry one day
and he stomped into
Zanuck's office
and I'm going back into the
late '40s when this happened,
and he sounded off to
Zanuck and Zanuck sat there
and listened to everything for
about three or four minutes
and finally Zanuck
stood up and spoke
and he scared the
pants off of Fonda
and Fonda was terrified every
time he'd bump into Zanuck,
he would just almost avoid
him if they were going down,
if they were walking towards
each other in the studio lot,
he would take a shortcut
and go someplace else.
But Zanuck was actually feared.
He was typical of the
tyrants that ran the studios
in those days, like
Louis B. Mayer at MGM,
you had Harry Cohn at Columbia,
you had Jack Warner
over at Warner Brothers,
and Zanuck at Fox.
And Zanuck was feared.
He was a little man but
he smoked a big cigar
and he wielded a big club
and he could blackball people
and do a lot to people
that is almost unspeakable.
- Johnny Hyde saw the
potential of Marilyn,
which Fox and Columbia
Studios had overlooked.
In 1950, she went to
work on her fourth film,
"A Ticket To Tomahawk."
Although the role was a
minor one, she did grace
a song and dance number with
the film's star, Dan Dailey.
The important parts Marilyn's
new agent, boyfriend,
and mentor, Johnny Hyde,
was seeking for Marilyn
were finally realized.
Hyde succeeded in
having Marilyn cast
in John Huston's film,
"The Asphalt Jungle."
The role proved to
be a breakthrough.
The public began to
take notice of her.
The crime drama cast
Marilyn as the mistress
of the much older Rudy Calhern,
who introduces the
seductive blonde to everyone
in the picture as his niece.
In 1950 the revelation
that the young girl
was Calhern's mistress
was not permissible.
Johnny Hyde next obtained
a role for Marilyn
in "All About Eve."
The picture was a
triumph for Bette Davis.
Davis' screen career was lagging
and her portrayal as a
once-great actress whose career
was on the decline became
a comeback film for her.
In "All About Eve",
Marilyn again appeared
with an older man,
George Sanders.
This time she was referred
to as Sanders' protege,
although, once again,
it was clearly evident
that she was Sanders' mistress.
With two convincing
performances behind her,
Johnny Hyde was now able
to arrange a longer term
contract with 20th
Century Fox Studios.
This was to be his last
effort on Marilyn's behalf.
He died in December of 1950.
In her next films,
she continued to play
seductive blondes
filled with bad intent.
In "The Fireball" she's a woman
interested in Mickey Rooney,
but only because he's a
celebrated roller skating champ.
On a studio loan-out
to Metro-Goldwyn-Mayer,
Marilyn appears in a small
part as Dick Powell's
nightclub date in "Right Cross."
She received no screen credit
whatsoever in the film.
While on loan to MGM,
she also played secretary
to Jeffrey Lynn in
"Home Town Story."
Essentially, she was window
dressing to the film,
dressed in a tight-fitting
sweater throughout the movie.
Returning to 20th Century Fox,
Marilyn continued to be
cast as the sexy blonde.
In "As Young As You Feel", she
again portrayed a secretary
in a role incidental
to the film's plot.
Marilyn film roles
were expanded,
concurrent with the public's
growing interest in her.
But while Marilyn was being
given more on-screen time,
the studio kept Marilyn
confined to films
of a lesser stature.
In "Love Nest", she
was an ex-Army WAC
and the love interest
of Jack Paar.
However, her romance was
but one of many subplots.
"Let's Make It Legal",
similarly, cast
her in a minor role
as a beautiful blonde who uses
her physical attributes
to advance herself.
A publicity blitz which
started to gain momentum
in 1952 would never slow.
Scandal, variety
stories, exposed details
of her nude photo sessions,
as well as reports
of her mother's confinement
in mental institutions.
Taking note of the
surge of publicity,
Marilyn was cast in her
most important role,
"Clash By Night."
She held her own
alongside seasoned stars,
Barbara Stanwyck
and Robert Ryan.
"We're Not Married!"
co-mingled Marilyn
in a multi-plot comedy as one
of several women who learn
they are not legally married.
Finally, with the release
of "Don't Bother To Knock",
Marilyn was given star billing
opposite Richard Widmark.
Marilyn was cast as a
psychotic babysitter.
The Howard Hawks' film,
"Monkey Business",
a madcap comedy starring
Cary Grant and Ginger Rogers,
signaled the end of
Marilyn's supporting roles.
During the making of the
film, she was introduced
to a celebrity
visiting the movie set,
baseball star, Joe DiMaggio.
Following a cameo walk-on
in O. Henry's "Full House",
Marilyn found herself
a full-fledged star,
as she headlined Niagara,
a suspenseful thriller
that saw Marilyn as
an adulterous wife
of Joseph Cotten.
The film version of the hit
musical Broadway comedy,
"Gentlemen Prefer Blondes",
was a property in which
the most important
actresses in Hollywood
wanted to participate.
The coveted role of
Lorelei went to Marilyn.
Appearing opposite Jane Russell,
the film grossed
millions for the studio.
Marilyn's salary
totaled $18,000.
Marilyn replaced Betty Grable
as the top film goddess
at 20th Century Fox in "How
To Marry A Millionaire."
Betty Grable's career had been
waning and Marilyn's rising.
[big band jazz music]
- Yes, just watch the fur fly
as the most talked about girls
in Hollywood go out
loaded for big game.
Monroe, Grable, and Bacall.
Adding their own
wonderful dimensions
the the eye-filling
dimensions of CinemaScope.
Letting you in on the grand
and glorious adventures
of three fascinating females,
who pool their beauty
in the greatest plot against
mankind since Helen of Troy,
Marie Antoinette,
and Venus de Milo.
[big band jazz music]
["Candle In The Wind"]
- Marilyn resented being cajoled
into appearing in the picture.
Feeling the sting of
"River Of No Return",
she flatly refused to
appear in the film titled
"Girl In The Pink Tights."
The studio responded by
placing her on suspension
and Marilyn countered
this move by marrying
Joe DiMaggio on
January 14, 1954.
Their wedding was an
international event.
Their honeymoon, which
took them to Japan,
began as a dash for
privacy but became a series
of welcoming riots.
While Joe stayed alone in Tokyo,
Marilyn went on to entertain
the troops in Korea.
Waves of frenzied
approval greeted her.
It was, she said,
like an embrace.
[audience applauding]
[audience cheering]
♪ But diamonds are a
girl's best friend ♪
[audience applauding]
[audience cheering]
- Back in Hollywood,
the quickening tempo
of Marilyn's career brought
her the leading role
in "The Seven Year Itch."
The arc lights and movie
stardom would blank out
the cozy, candlelit
home-cooked dinners Joe wanted.
For Marilyn, it would be
easier to please the crowd.
- She felt very,
very uncomfortable
with the image of
Marilyn Monroe.
I remember her saying even
to me at times when she was
very, very upset with things
at the studio going on,
she would just put her
hands up in the air
and wring her fists
and she would just say,
I just wish I could be
Norma Jean all over again.
- Another tune-filled
CinemaScope musical was next
for Marilyn, "There's No
Business Like Show Business."
Marilyn didn't care for
the script or the picture
so the studio agreed
to give her the lead
in the film version of
the smash Broadway hit,
"The Seven Year Itch",
if she appeared in
"There's No Business
Like Show Business."
As the upstairs
neighbor of Tom Ewell in
"The Seven Year Itch", Marilyn
threatens the man's fidelity,
but even more threatened was
the stability of Marilyn's
real-life marriage.
Joe DiMaggio resented the
furor created when his wife
appeared in the famous
"Seven Year Itch" scene
where her dress is
blown up by the air
rushing through a
sidewalk grating.
Marilyn's attorney,
Jerry Giesler,
announced her
divorce in late 1954.
- Miss Monroe will have
nothing to say this morning.
All I can say as
her attorney is that
this is what we would say
was a conflict of careers.
- Following her divorce,
Marilyn placed herself
in a self-imposed
exile in New York.
She spent several months
studying her craft
before returning to Hollywood
to appear in "Bus Stop."
- I'd rather say that I
have director approval
and that is true.
- Don't you think
it's important?
- Yes, it is, it's
very important to me.
- You're wearing a
high-neck dress now,
the last time I saw
you, you weren't.
Is this a new
Marilyn, a new style?
- No, I'm the same person,
but it's a different suit.
[all laughing]
The film version of William
Inge's play, "Bus Stop",
is quite possibly Marilyn's
finest film performance.
As a saloon singer with
higher aspirations,
she falls in love
with a simple cowboy,
played by Don Murray.
Following "Bus Stop",
Marilyn formed her own
production company to produce
feature films and announced
her intentions to wed
playwright Arthur Miller.
While in New York, she had
dated the then-married Miller.
- Could you tell us
what kind of a wedding
you're going to have?
- Very quiet, I hope.
- Do you feel certain at
this time that you will
be able to get away
to go to England?
- I feel certain I'm
gonna try awfully hard.
- In the event that
you are not able to go,
will Miss Monroe still go?
- Oh, sure, she's got to go,
she's got a contract to go.
- Well, that means
you may not have
a honeymoon together then.
- I think we will.
- I hope so.
- Very soon after
their marriage, the
couple flew to England
to begin work on "The
Prince And The Showgirl."
The prince being
Sir Laurence Olivier
and, of course,
Marilyn was the dancer.
The plot basically concerned
their two different
worlds romance.
By the time the production
ended, Olivier and Marilyn
were no longer on
speaking terms.
One of Marilyn's more
pleasant memories
of the trip to Europe was
being presented to the Queen.
Upon returning to Hollywood,
Marilyn had been offered
the unique opportunity to
portray her childhood idol,
Jean Harlow, in
a film biography.
While Marilyn was eager
to approach the role,
Arthur Miller persuaded her
to turn down the opportunity.
Marilyn did play a blonde of
Jean Harlow's era, however,
in "Some Like It Hot."
Although the film was beset
with production problems,
"Some Like It Hot" remains
one of the greatest comedies
of all times.
♪ Carefree mind all
the time, never blue ♪
♪ Always goin',
don't know where ♪
♪ Always showin' I don't care
♪ Don't love nobody
♪ It's not worthwhile
♪ All alone
♪ Runnin wild
- Following her triumph
in "Some Like It Hot",
Marilyn appeared in her
least successful film,
"Let's Make Love."
Marilyn's fourth marriage
was also in trouble.
Arthur Miller was growing
cold towards Marilyn.
To additionally signal the
end of their relationship,
Marilyn engaged in a quick
but openly publicized affair
with her "Let's Make
Love" costar Yves Montand.
On July 18, 1960,
Marilyn Monroe began work
on her last completed
film, "The Misfits."
The film would also be
her costar's final film.
- Why are you killing him?
- Just stand aside, honey.
- I'll tell you why.
[shouting over each other]
- Get out of here!
[wind blowing]
[horse whinnies]
- Murderer!
You liar!
You're only happy when
you can see something die!
Why don't you kill
yourself and be happy?
You and your God's country.
Freedom! I pity you!
You're three dear,
sweet dead men!
Horse killers! Murderers!
[screams] I pity you!
- Clark Gable would die
two and a half months
before the film was released.
Pressures during the shooting
of the film were intense.
Tensions between Miller and
Marilyn were equally steamy.
As pressure mounted,
Marilyn suffered a breakdown
and returned to a
hospital in Los Angeles,
where she remained
for two weeks.
Ultimately, the film ran
40 days over schedule.
Clark Gable died 12 days
after the film's completion.
Gable's widow accused Marilyn
of creating such stress
for the man as to have brought
about his heart failure.
Prior to the film's release
on January 31, 1961,
Marilyn's marriage to Arthur
Miller ended in divorce.
To compound her personal
problems, Marilyn began to turn
more frequently than ever to
alcohol and prescribed drugs.
Marilyn committed herself
to a psychiatric clinic
in New York in an
effort to rid herself
of chemical dependencies.
Upon her release
from the hospital,
she spent time
recuperating in California.
During this period of her life,
she became acquainted with
both President John F. Kennedy
and Attorney General
Robert Kennedy.
- In my own opinion as to why
Marilyn Monroe got involved
with the Kennedys, that's
Jack Kennedy and Bobby Kennedy
at different times, was
the fact that she was
fascinated with them.
I think that she was very
much in awe over their power.
And the fact that here's the
President of the United States
or the senator of the
United States pursuing you.
And on the other hand,
here's Bobby Kennedy,
the Attorney General
for the United States,
the highest legal
office in the nation.
- Numerous literary sources
have alleged Marilyn
had an affair with
the President.
As the oft repeated story
goes, Robert Kennedy became
involved with Marilyn at the
request of President Kennedy.
He felt their relationship
was drawing attention.
In April of 1962, Marilyn
was back before the cameras
at 20th Century Fox, working
at a lighthearted comedy,
"Something's Got To Give."
As in the past, Marilyn
began causing expensive
production delays on the film.
Infuriated executives
at 20th Century Fox
placed her on suspension.
On May 19, 1962,
Marilyn appeared
at a Madison Square
Garden birthday party
held to honor President Kennedy.
- On this occasion
of your birthday,
this lovely lady is not only
pulchritudinous but punctual.
Mr. President, Marilyn Monroe.
[audience applauding]
[audience cheering]
A woman about whom
it truly may be said, she
needs no introduction.
Let me just say
here she is.
But I'll give her an
introduction anyway.
Mr. President, because in
the history of show business,
perhaps there has
been no one female
who meant so much,
who has done more-
[audience applauding]
Mr. President, the
late Marilyn Monroe.
[audience applauding]
♪ Happy birthday to you
♪ Happy birthday to you
♪ Happy birthday,
Mr. President ♪
♪ Happy birthday to you
[audience applauding]
♪ Thanks, Mr. President
♪ For all the
things you've done ♪
♪ The battles that you've won
♪ The way you deal
with U.S. Steel ♪
♪ And our problems by the ton
♪ We thank you so much
Everybody! Happy birthday!
- Ladies and gentlemen, the
President of the United States.
[audience applauding]
[audience cheering]
- Thank you.
I can now retire from
politics after having had
"Happy Birthday" sung to me
in such a sweet, wholesome way.
- She returned to Fox
and continued to upset
the studios executives in charge
by her constant tardiness.
On June 8, 1962, she was fired
and the film was shelved.
Her last day at work took
place on her 36th birthday,
June 1, 1962.
Marilyn adjourned to
her Brentwood home
to contemplate a
threatening Fox lawsuit,
to continue to abuse her
body with prescribed pills,
and to deal with her alleged
romance with Robert Kennedy.
On the morning of
August 5, 1962,
the world awoke to the
news that Marilyn Monroe
had died in the
early morning hours
in the bedroom of
her Brentwood home,
an apparent victim of an
accidental drug overdose.
- The autopsy shows
that Marilyn Monroe
did not take any oral
capsules of Nembutal.
The policeman on the scene
at Marilyn Monroe's death,
death room, I should say,
her bedroom, at the time,
had asked one of the
doctors how she died.
And the one doctor pointed to
an empty bottle of Nembutal,
and he said, here, this
bottle contained 47 Nembutal
capsules yesterday,
today it's empty,
and she must've
taken 47 Nembutals.
There was not one
Nembutal capsule found
in the digestive system.
In the first place, Nembutal
is a yellow capsule.
It has a yellow food dye in
a gel, and people known to
have taken those, according
to the autopsy surgeons,
they have a yellow trace of
stain from their esophagus
all the way down to
their lower intestines.
Marilyn Monroe did
not have any dissolved
or undissolved Nembutal capsules
in her system whatsoever.
But what she did have
was a 4.5 milligram level
of Nembutal in the blood.
Now, that is equivalent
to about 150 capsules,
according to Abbot Laboratories
back in North Chicago,
that manufacture the product.
On top of that,
the dose of Nembutal that
Marilyn got was enough
to kill about eight Marilyn
Monroes or about three horses,
that's how strong it was.
The police took
latent fingerprints
in Marilyn's
bedroom and her home
and they couldn't even find
her prints on her pill bottles.
Everything had been
completely wiped clean
and we found out through
the years that it was
the CIA that came in and
cleaned the place completely.
They made it completely sterile.
Every dish in the cupboards
out in the kitchen
was completely cleansed.
There was no
fingerprints whatsoever.
They couldn't even find
Marilyn Monroe's fingerprints
in her own house or
even around her own bed.
It was only a diary that
she kept so that she
could remember what Bobby
Kennedy had told her
the last time they
were together.
Because he chastised
her one day, saying,
you don't remember what
I told you last week
and she wanted to
remember, pretty much,
what he had told her,
so she bought this diary
just as a instrument
to go and write down
what he told her in this book.
And then, when they
would have the next date,
before he would come to pick
her up or she would meet him,
she would pick up the diary
and she would read in it
her notations from the last
time they were together.
And then when Bobby
Kennedy would question her
about certain things or talk
about that same subject,
she would be pretty much in
tune with what he had to say
because don't forget, she
was a professional actress.
She was used to learning lines.
And she was very accustomed
to remembering things
that was written down.
And this, of course,
unfortunately, became
one of her greatest downfalls,
was keeping this diary.
So I think that if the
diary hadn't existed,
Marilyn Monroe would
still be alive.
The night that Marilyn
Monroe died, a neighbor,
Abe Landau, who still
lives in the same house
in the same location
adjacent to Marilyn,
he and his wife came home
that night on a Saturday night
about 11:30 to midnight,
in that vicinity,
and they not only saw a
police car at Marilyn's house,
but they saw an ambulance.
And Walter Schaefer, who
owns the Schaefer Ambulance
Company, which is the
biggest ambulance company
in Southern California,
with many outlets,
told me several years
ago that he said, yes,
he said, one of my ambulances
did pick up Marilyn Monroe,
She was alive but comatose.
She was taken to Santa Monica
Hospital and dropped off.
Now, he said, how she
got back at her house
in her bed, dead, I don't know.
We didn't take her there.
But he said we did take
her to the hospital.
So there's still a big
controversy as to whether
the ambulance drivers that
picked her up and took her away
might have brought her
back and been bribed,
Mr. Schaefer didn't
know anything about it.
That's strictly theory.
But we do know that the
body was picked up and taken
to the hospital, but
there's no record of it
ever being admitted.
The patrolman got his
motorcycle and was
heading away from the
Beverly Hills Police Station
about midnight, and he
ended up a few minutes later
down on the corner of
Olympic and Robertson,
which is a main
intersection of Los Angeles,
going towards the
eastern part of town.
He saw a Lincoln
Continental speeding,
going east towards
downtown Los Angeles
and it was going about
70 to 80 miles an hour
and he took off after it
and when he stopped it,
he found Peter
Lawford as the driver
and Dr. Greenson,
Marilyn's psychiatrist,
was sitting in the front
seat, and in the back seat was
Bobby Kennedy, the Attorney
General of the United States.
And he asked Peter
Lawford where he was going
in such a hurry and
Lawford said, I have to get
the Attorney General back
to his hotel so he can pack
and go up to San Francisco
to meet his family.
The cop, of course, said
right away, he smiled,
he said, well, first of all,
he said, you're speeding
and secondly, he said,
you're going the wrong way.
Now, this patrolman knew
Peter Lawford personally.
He had been invited
out to the movie sets
that Lawford had
been doing pictures,
he had been to his home for
parties and things like that,
so they were old friends.
So he didn't give him
a ticket but he said,
the hotel where the
Attorney General is staying
is the other way.
He said, you're going east,
you're not going west.
He said, turn the car around
and get the Attorney General
back to his hotel, but he said,
stay within the speed limit.
So this is another piece of
evidence that Bobby Kennedy
was in town, and what
was Bobby Kennedy,
at a little bit after midnight,
on the night of August four,
when Marilyn Monroe
was already dead,
and he had been
seen at the house
and there was a tape recording
of Bobby Kennedy in a terrible
argument with Marilyn,
which was around
10:30 that night,
which was taken by
Bernard Spindel,
who was a master wiretapper,
who was tapping Marilyn's
house and Bobby Kennedy's house
for Jimmy Hoffa.
And this is on tape.
At 10:30 that night, Bobby
Kennedy and Marilyn Monroe
were in a violent argument.
There was screaming, there
was a slap on the face,
what sounded like
a slap on the face,
according to people
who heard the tape.
A body fell to the floor,
like a thump on the floor.
There was screaming,
And that was all that
the tape picked up.
Marilyn Monroe died
between that time
and between midnight, the
time that Bobby Kennedy's car
was stopped in the
Beverly Hills area.
This goes back again to
the fact that Bobby Kennedy
had to know something
about Marilyn's death.
Or be involved in it, or being
indirectly involved in it.
I was instrumental in getting
the case reopened in 1982
by the district attorney's
office, but they didn't call it
a reopening, they
called it inquiry.
And I must say it was a
rather cursory inquiry
because people that they
questioned, that shoulda been
questioned under oath, were
not questioned under oath.
There were a lot of people
who can tell what happened to
Marilyn Monroe in those last
hours if they were called in.
But these people were not
called in because it was not
under oath, and so it
was a very cursory report
that the district attorney's
office issued in 1982.
In 1985, I petitioned
the Board of Supervisors,
Mike Antonovich, who represents
one of the districts,
and who is very much
is very much in favor
of opening this case.
And it passed five to zero,
it passed unanimously by
the Board of Supervisors
to have a grand jury
investigation of the case
of Marilyn Monroe, her death.
Which had never been
investigated before,
there'd never been a
coroner's inquiry, even,
which is ridiculous.
So, the grand jury approved it
and started investigating it
and they were only on
it for about four days
and they were making some
magnificent progress,
when Ira Reiner, the District
Attorney of the County of
Los Angeles, fired
the grand jury foreman
and put a stop to the inquiry,
which is another
part of the cover-up.
And it's the first time in
the history of California
that a grand jury foreman
has ever been fired.
The Board of Supervisors
rejected the reopening
of the Marilyn Monroe
case in September of 1992.
However, there is still hope.
I'm planning, along
with a few other people,
to go back and get
the case reopened
and bring these people
in, there's about
six or seven of 'em
who are still alive,
including one of her doctors,
her press agent, one
of her attorneys,
people who know things, and
if they ever were questioned,
they could tell what
happened to Marilyn Monroe
that tragic night
of August 4, 1962.
And one of the reasons that
I want this case opened
is the fact to prove that
Marilyn Monroe did not
commit suicide, number
one, and number two,
there is no statute of
limitations on murder.
- Early in the morning,
30 years after Marilyn's
unexplained death, technicians
are readying stage five
at Fox studios for the first
day of shooting a feature film.
A few miles away, news
cameramen, tourists,
old friends, curiosity-seekers,
even Marilyn Monroe lookalikes
are gathered at the cemetery
where Marilyn's
crypt is located.
Call it reverence.
Bizarre. Nostalgia.
Love. Adoration. Worship.
A good news story.
Call this gathering
what you may,
for on the tomb there
are no credit titles,
just Marilyn Monroe, 1926-1962.
Whatever happened to Norma Jean?
♪ Goodbye, Norma Jean
♪ Though I never
knew you at all ♪
♪ You had the grace
to hold yourself ♪
♪ While those
around you crawled ♪
♪ They crawled out
of the woodwork ♪
♪ And they whispered
into your brain ♪
♪ They set you on a treadmill
♪ And they made you
change your name ♪