Lovers and Liars (1998) - full transcript
Caitland, a beautiful model, and daughter of a billionaire, has mysteriously disappeared. Private investigator Darrel Chisum is on the case-and finds himself in the middle of the seductive fashion industry's Vision Advertising Agency, run by a corrupt mogul. Darrel enlists the aid of his friend, an unemployed ad executive, whose advertising skills allow him to work undetected within the empire. They plunge headfirst into the seedy underworld that has swallowed up the billionaire's daughter, and it doesn't take long for them to realize that they are in way over their heads. As Darrel uncovers the dark secret and learns that Caitland may have planned her own kidnapping, it is a race against the clock as Darrel and his friend use brute force and high-tech gadgetry to save her from being sold into an international ring of white slave trading. Their backs are up against the wall, as the world of high fashion and glamour take a downward spiral into deceit, betrayal, and murder.
(dramatic music)
(dramatic music)
(dramatic music)
(woman crying out)
(dramatic music)
(woman crying out)
- Ow, damn you, you're hurting me!
(hand smacks)
(woman crying)
No, no, no!
(Woman screaming)
- Here lookie, lookie.
(woman screams)
(engine rumbles)
(car honks)
- Hey, how you doing Miss Chism?
Oh, fine, fine, fine.
No, that's all right,
I'll find another job.
Darrell?
I just, I dropped them off a while ago.
He said he's going to run some errands
and then I'm going to pick them up now.
Yeah, I hope he's not up
to one of his capers also.
Anyway, you want me to tell him anything?
I'll take care of him,
don't worry about it.
All right, Miss Chism,
I'll tell him you love him.
You take care.
- Okay everybody Mr. Bunch is on his way,
we're gonna get started.
(suspenseful music)
So why don't you take your robes off
and keep the energy going?
Great, you're here.
Why don't you go on and take your place?
(suspenseful music)
(camera clicks)
(suspenseful music)
(camera clicks)
(suspenseful music)
(camera clicks)
(suspenseful music)
(camera clicks)
(suspenseful music)
Kay, got everything ready
for you, it's all yours.
- Good and a very good
morning to you ladies.
Hello, nice to see you again, Wendy.
Well, a little overdressed aren't we?
(Dick chuckles)
Absolutely outstanding my dear.
Oh, me Tarzan, you Jane eh?
(Dick laughs)
Okay, is it warm enough for you?
Well, you're certainly warming me up.
(Dick chuckles)
Suzan, follow me.
(dramatic music)
(camera clicks)
(dramatic music)
- The jap, move her a little to the left
- Her name is Tana Wu, Dick.
She's Chinese.
- Oh, I'm sorry, my mistake.
Would you kindly ask the
chink to move to her left?
- Joey, have Tana move
to the left, please?
- Can we stop screwing around?
Are we ready to do this or not?
Chuck?
- It's Frank
- Whatever.
- Whenever you say Mr. Bunch.
- Oh, I say, I say, I say, damn,
thing's costing me a fortune already.
- Ready to roll, okay,
everybody, this is a take.
Joey, Phil, fog up the rooms.
Ready with playback.
Roll tape.
Action on the set.
(dramatic music)
- [Narrator] In his wildest fantasy,
he's certain you're the star.
(dramatic music)
Relentless, a new sensation for the body.
Hypnotic, alluring.
Downright uncontrollable.
(set banging)
(dramatic music)
- What the hell's going on?
(women screaming)
What the hell's going on here?
(suitcase thuds)
Hey you!
Who the hell's that asshole?
You two, here.
Go get that guy.
Go on.
- Dick, this one looks like she
needs to go to the hospital.
- Oh God.
As if I need that right now?
Look, make her a cup of
tea and call her a cab
and call my attorney, just in case.
(Dick coughs)
(dramatic music)
- He's gotta be down there somewhere!
(dramatic music)
Where the hell did he go?
Call Dick.
- Come on Darrell, God dammit.
(phone beeping)
(metal creaking)
(suspenseful music)
- Hey, hey, hey, hey, wait!
- Jesus Christ Darrel, what's going on?
- Drive, drive, drive!
(suspenseful music)
- Careful, you don't know what's in it.
- Easy, I do know,
there's nothing in here.
There's nothing in here
except an old newspaper,
a crossword puzzle, and a stupid pen.
Look, I wouldn't worry about it.
It was probably just some dirty
pervert looking to sell
some dirty pictures.
- Yeah, yeah.
- And what more you have?
- Fine, fine, okay.
We'll just get everything set up again
cause I want to go home
sometime this week.
- You're so focused.
- Oh, did you get him?
- No, but don't worry about it.
He didn't see anything.
- Shit.
- Forget that, plane
landed an hour ago Dick.
- Oh yeah?
- Yeah.
- Oh, well good.
- They're very pleased.
They want another shipment
as soon as possible.
- Good, that's fine.
Well, there's plenty to
go around here right?
- Yeah.
Did you get a chance
to look at that video?
- What?
- Those two girls for the hairspray spot?
- Yeah, yeah.
They was, they was both okay.
- Which one you want to go with?
- Well, Manny, my man, that depends,
which one of them wants
to, you know, with me?
- Gotcha.
- Yeah, God, I love this business.
(dramatic music)
(engine rumbles)
(car door bangs)
- Eric, Just hear me
out for just one second.
- No, Darrel, no!
I don't, I heard it the whole way home.
I don't want to hear about it.
- Eric, you will not believe
what I'm working on right now.
Okay, I am in the big league.
I'm on, I'm on top of the game.
- The last time he went on top of the game
it cost me 1500 bucks to
bail your out of jail.
- Money well spent if you asked me.
- Yeah, well I didn't think so.
I can't afford to do it
again, especially right now.
- Anyway, Eric, don't worry
about that, all right?
I mean, you're one of the
best ad men in the business.
You were working at
the top agency in town.
- Yeah, until they gave a
promotion to the boss's nephew.
Oh, their loss.
I would have quit too.
- Five years, five years Darrel.
I'm telling you, man, the only way
to get ahead is to go into
business for yourself.
- It's always been my policy.
So what's your plan?
- I want to start my own ad agency.
I figured it'll take, it'll
take about a hundred grand.
I'm just a little short.
- How short?
- About a hundred grand.
- Sounds to me like you're
in the market for a job, huh?
That's perfect.
But that's why I'm here.
I am on a really heavy case right now
and I need you're help.
- No, no way, no way man.
- Come on, at least hear me out.
- No, no, Darrel, look man.
You're the one that should
be out looking for a job.
You got to get out of this,
this window peeping business.
- I like being a PI.
- Well, let me tell you something man.
That can be very dangerous
and you're not, you're
not exactly James Bond.
You're, I mean, you kind of a klutz.
Okay, I'm sorry, I don't mean
to hurt your feelings but.
(dramatic music)
Who's that?
- Caitland Montague,
age 20, she's missing.
I was hired to find her by
her father, Monte Montague.
- Monte Montague, the billionaire?
- [Darrel] That's right.
- He hired you to find her?
- That's right.
Right place and the right time.
I had a friend on the inside
and I ain't going to blow this one.
- What happened to her?
- They don't have a clue.
She just disappeared.
But in the last few
days I traced her steps
to a place called Visions Advertising.
And that's where all of a sudden they end.
- Visions?
I've heard of them, they're sleazy.
- Yeah.
Visions is owned by a
guy named Dick Bunch.
This scumbag has a criminal
record a mile long,
usually involving smuggling.
See, I think he's back in the business
and he's using this whole
agency as a coverup.
- What does that have to
do with the missing girl?
- Here's how it ties in.
See, I got lucky.
I found one of her old boyfriends
and he told me that she left him
for a guy at visions who promised her
he was going to go to this great gig.
He was going to make her a supermodel,
but want to talk to the
people at visions, guess what?
No one remembered her.
They said that they see a lot of girls.
- And what does this have to do with me?
- I'm going to need your help
to find out what's really going on.
- How?
- Look, I need some
insight info on these guys
and they just happened to need
a guy in their creative department.
You obviously need a job,
it's a perfect match.
- No, no, no, no way.
- [Darrel] Eric.
- No, no man.
N-O, I'm not.
- Eric, you have the credibility man,
they will hire you in a second.
It's for me, for me, please.
- No
Darryl, N-O.
- All right look, I will pay
you a hundred bucks okay?
Just go apply for the job, bug the office.
- What?
Bug the office?
What if I get caught?
- God, Erin, you're such a pussy.
You have a black belt.
- I'll tell him that.
I'll tell them that when
they put the gun to my head.
- Eric, this girl is
in real trouble, okay?
I mean, we could really
be saving her life.
I'll pay you 150 bucks.
Every minute counts.
- All right, all right.
Just go make the appointment, all right?
- I already did, thanks.
(Eric sighs)
(dramatic music)
- [Caitland] Hi darling.
I've been thinking about our talk.
Maybe you're right.
This modeling thing, I mean
it just isn't working out.
I'd like to talk about it on Thursday,
when we meet for lunch.
Daddy, I miss you.
Bye.
(dramatic music)
- I waited for her.
Caitland never showed up.
She would've called me by now.
I was going to make it all up to her.
(dramatic music)
It's all my fault.
- I don't understand how sir.
- [Caitland] Stop telling me what to do.
This is not your decision,
this is my decision.
- Caitland be reasonable.
- It's the first time daddy it's not
about you and your money.
It's about me.
The photographers love me.
- They love the fact
that you're a Montague.
- I don't need your name to prove myself.
- Caitland, Caitland, honey, honey,
now look, this, this modeling thing.
What does it amount to?
It's, it's loathsome, it's troublesome.
It's mired with disappointment.
Look, I made you better than that.
You can't do this, you won't do it.
- Oh yes I will,
and there is nothing
you can do to stop me.
- All you're going to do
is embarrass yourself.
You're going to take our
good name and make it--
- What?
- A punchline for Wall Street pundits.
- Pundits?
You can't even talk to me
like a real father okay?
Pundits!
- I won't let you make it out there.
Pride, pride and control.
Tools to build an empire, but
weapons to destroy a dynasty.
I pushed her and I pushed her
and she finally found the door.
I'm afraid the worst has
happened and it's all my fault.
- How's that?
- She always knew how to get
to me, right down to my soul.
(Monty sighs)
She defied me all through
her teenage years,
she taunted me with her
parties, her drinking.
Her boyfriends.
I tried to lead her towards a better path,
but as always she had her own ideas.
- We'll do everything we can.
(dramatic chord)
(dramatic music)
- It was so lucky to get this place
right below Vision's office.
The last tenant actually
had a heart attack.
He died right on his desk.
Is that luck or what?
Here we are.
Oh, check this out, let
me show you something.
See this watch?
A piano wire.
This thing could do some
serious damage, here.
- A nuclear detonator?
- Better, this pen right here
is carrying about a hundred
CCS of metformin hydrochloride.
You just hold it to your mouth and blow,
the guy'll be out 10 seconds flat, here.
Hey, don't suck, blow.
Where's my bug, where's my bug?
- Darrel, where do you get this stuff?
- PI's holy bible.
Where do you think the
movies get their ideas?
- I should have known.
- Oh shit.
- What is it?
- I don't know man.
- The same guy was hanging outside
of Avalon studios yesterday.
- It's just probably a coincidence,
you're getting paranoid.
I could be wrong.
- All right, check this out.
Here is the bug all right?
It's on now.
When you're ready to plant it
just peel the adhesive cover,
and you're ready to roll all right?
Let's synchronize our watches.
You got to go, time for the appointment,
let's go, let's go, let's go.
Now listen.
I'll be with you every
step of the way all right?
If it gets hairy, I'll be there
so fast they won't know what hit them.
- You're a dangerous,
dangerous man Darrel.
- Believe that.
Hey, make me proud man.
(gun clatters)
(dramatic music)
- Dick, listen if you're so nervous
about that pervert why don't
you let me call the police?
- No way, do you hear me, no way okay?
- All right, all right.
- I've got enough problems,
all right, all rght?
- All right.
- Hello girls.
Okay, good to see you,
glad you could make it.
Just going to spend a penny, you know.
(suspenseful music)
- Oh my God!
(Susan screams)
(gun firing)
- Oh shit, oh shit.
(gun firing)
(dramatic music)
- Are you okay?
- Yeah, yeah I'm fine.
What about you?
- Who are you?
- I'm Eric Down.
- Dick Bunch the visionary of Visions.
Eric, I'm certainly glad you
came across when you did.
- Dick, what the hell is going on?
- What does it look like stupid?
Some guy just tried to kill me.
Well get security.
- God, you were really incredible.
- Suzan, Suzan, that is enough.
- Actually I'm your one
o'clock appointment.
- Yeah, yeah.
Well Eric if you're,
if you're advertising's
anything like you're street
fighting you're hired.
Follow me.
Suzan get a grip.
Oh please girls, go on, get back inside.
Come on everybody, back
to work, what you doing?
It was only a car backfiring,
all right, you okay?
Suzan, put the kettle
on and get me vallum,
take half a dozen yourself.
So Eric eh?
You've met Sam.
- No not officially, hi Eric, I'm Sam.
Thank you so much for being there.
- You're welcome.
My pleasure.
- I just talked to security,
they said he got away
but I'll have them go
ahead and call the police.
Okay?
It's the right things to do.
- Well guys, my break times over,
I better get to my meeting.
- You sure you're up to it?
Here, feel my heart all right?
- I'm fine Dick.
Thanks again, oh, and
good luck with the job.
- Thank you.
- Sight men like that I don't need.
America is so violent.
Come to my office.
Yeah, take a seat.
Well, let's see your portfolio.
I mean look, me hands are still shaking.
So what we got?
Swiss mouthwash, Carnegie
Insurance and a Fox Cosmetics.
Yeah well, very nice but
they're all boring eh?
Now let me tell you
something about visions.
We believe in getting
down to the bottom line,
excite your public, make
them want what you've got.
And if the ads a little controversial,
so much the better.
So Eric let us now take a
minute to see how you think.
Take this (speaking in foreign language).
Wong Lee's world of clown,
off the top of your head what ideas
can you come up for this?
- Ooh, try another one,
just try another one.
- All right then.
Well how about Thermics Medicated Shampoo?
- The action starts when you get wet.
- Yeah, I like it, yeah.
Yeah, very nice.
So what you got there then?
Hey?
- What?
- No blue jeans?
That's un American.
You see Eric we also represent
the Growls Jeans account.
And I'll tell you what,
I want you to come up
with a presentation for a
whole new campaign for them.
What you say?
- Excuse me guys, I'm sorry to interrupt.
I got a run and rip up these prints.
- That's fine, come here, come here.
Eric here is gonna work
on the Jeans account.
- Hey, fantastic.
- Yeah.
You see Sam is our Growl Jeans girl.
Aren't you?
- Well great, we're gonna
be working together.
- Mr. Bunch.
- Yeah?
- Can I see you for a second.
- No, give us ten minutes.
- I'm afraid it can't wait.
- Give me a second.
Sam why don't you and Eric make a plan
to discuss our ideas for
the product, all right?
- Okay, sure.
- Oh hang on, did you say
you'd take the position?
- Yeah, yeah.
- Terrific.
Listen, I'm up against
the wall on this one,
everyone shooting at me today.
I'll need something by
10 o'clock tomorrow.
- Tomorrow?
Okay.
- Good, okay.
So collaborate.
- Eric unfortunately
I'm booked solid today,
doesn't give us much time to get together.
- Why don't we get together tonight?
My place.
- You're place?
Sure, okay, how about eight o'clock?
- Great.
Here, I'll give you the address.
- All right.
- I don't have a pen.
- Now what's the matter?
- Our Middle Eastern friends are in town.
- Amir from London?
- Yeah.
- Well what's she doing here?
- I don't know, they just said that
they wanna get together tomorrow at 11:30.
- This is bullshit.
Well next time we're gonna
need some kind of notice.
We'll tell security to
put and extra guard on.
Oh Manny, Manny have this
guy Eric checked out.
Make sure he's for real.
(dramatic music)
- Oh man, that was great!
I heard everything, everything,
it was like I was there.
- That's great, yeah you son of a bitch,
where the hell were you?
- And you, you took the
job, I can't believe it.
- Yeah I took the job for my own reasons.
- So I heard.
- Oh I forgot, yeah, yeah,
you heard everything.
It was like you were there!
- So what'd she look like?
Come on, come on, what she look like?
- She was nice.
She was very nice.
- Baby, see, see, I watch
your back, you watch hers.
Everybody's happy.
- Shut up.
You know you failed to mention that
somebody's trying to kill Dick.
- I didn't know but this is exactly
the kind of information I need.
You know you should consider
working for me full time.
- What are you crazy?
- Why is that so crazy?
There's good money in this business.
After you.
Look at the progress you
made in one day, one day,
boom we're already in
and we're sitting pretty.
- Yeah, boom, I almost get shot Darrel.
- [Bunch] And in the
light of our camel jockey
friends being in town,
are they going to want the next shipment?
- [Manny] I don't know.
- I'm not going to take no chances.
I'm calling Abib to find out
what the hell is going on.
Yeah, hello?
What's that?
Oh yeah, yeah, hi how are ya?
Listen, I just want to ask you,
you know that now that Amir's over here,
do you still want the next delivery?
You do?
Good, good, good, oh really, oh please,
no, I'm sure you'll be
delighted with the merchandise.
Yeah, yeah.
Listen now, Kathy Juno
will contact you, yeah.
Yeah she's leaving today on--
- [Manny] Stella air, flight 336.
- [Bunch] Stella air, flight 336,
which arrived in London at--
- [Manny] Eight o'clock.
- [Bunch] Eight o'clock
- Yes, yes, we got him man, we got him!
- Take care, you take care to, bye.
So there we are, business as usual.
Well that's good so what
time does the plane leave?
- [Manny] 4:55 from McCarran.
- [Bunch] Everything's been taken care of?
- [Manny] I can assure you,
everything's been handled.
- I can't believe this.
We nailed him man, like that, so fast.
Hey, you got to admit,
we make an awesome team.
- Yeah, well how exactly
have we nailed him?
- Yeah, Sergeant Harris please.
Thanks.
What, does a house have to fall on you?
Didn't you listen?
She's delivering a shipment of drugs man.
They're using these girls as couriers.
- Why would, why would
Kathy be running drugs?
- That's the rub, she wouldn't.
You see, we bust Dick, we find Caitland.
Yeah Jack.
Yeah, Darrell, listen got a little
piece of information for you.
Yeah, how'd you'd like to bust Dick Bunch?
No, no you know, the guy
told you about last week.
Yeah right, well, listen,
there's a drug deal going down today
at McCarran airport 4:30 Stella airlines.
No shit.
Yeah, it'll probably get you
those Lieutenant bars you wanted.
Okay, I'll see you at 4:30.
(phone bangs)
Let's roll dude, let's
go, let's go, let's go.
(engine rumbles)
Shit, where's Jack?
- Hey, that guy with the blonde
that's, that's Dick's buddy.
- That must be Kathy.
- All right, when you land in London,
there's going to be a
guy to meet you there.
His name's Abe Safier.
He'll get you to your contact over there,
he'll also take care of
all your arrangements,
hotel, personal phone calls.
- Great.
- Whatever.
- Okay.
- Okay.
- Terrific.
- All right then.
I guess I'll see you in a couple of weeks.
- Okay, great.
- Good luck.
- Thanks Manny.
- Break a leg.
- Bye bye.
- Oh shit, he's leaving,
come on, let's get him.
- No, no, Darrel, Darrel, come on.
Look, let's wait for
the police to get here.
We know where to find him.
It's it's her worried about.
- Jack, Jack, Jack, Jack, Jack.
Jack, Jack over here.
- What do you got Darrel?
- She's right over there.
We got to grab her before
she boards the plane.
- She, who's she?
I thought we were here to bust Dick Bunch.
- We are, she's his courier.
Come on.
- Go over there check to see
if there's any luggage, come on.
- Just a minute sister.
- Ow, let go of me!
- Darrel, we'll handle
it from here please.
We have reason to believe
you have narcotics
on your possession,
we'd like to check your bag, now Micheal.
- What?
Hey, I'm going to miss my plane.
- Where's that flight to Miss Chanel?
- To London for a job.
I'm a model and if I
don't make that plane,
I'm going to be out of that job.
- There's nothing here Sarge.
- [Man] Jack!
- Yeah Bobby, what do you got?
- The woman said the only things
she's carrying is her bag.
- See?
- [Jack] Jesus.
- Now can I have my bag and go now?
- Just a minute, Jack, please, please.
I know that she's caring, okay?
Only an idiot would
carry in her travel bag.
- And if you're wrong, Darrel?
- Jack I'm not okay.
I will, I will stake
my reputation on this.
Okay, we have to strip search her.
- What?
- Jesus Christ.
You're nuts, I only
have your word on this.
- Look, I'm going to miss my plane.
- Jack, please I have a very
reliable source on this one.
- Like who?
- I can't divulge right now.
- All right, that's it
you wanna search me?
Okay fine there?
Is that what you wanted to see?
Can I go now?
- Give her the bag back.
I'm sorry for the delay Miss Chanel.
- Not half as sorry as you're
gonna be when I call your captain.
- Jack, you let her go.
- Darrel, you see that ass?
You thinks he's got a pound
of cocaine stuck up there?
I don't give a shit.
It's the stuff coming
in I'm worried about.
Let's go guys.
Darrel do me a favor, stop
playing cop and stop calling me.
- Man.
I don't get it.
What screwed up?
- Someday you'll have to let me know.
This is where I get off Darrel.
(dramatic music)
(Darrel sighs)
- [Woman] Tell them, tell him Caitland.
Listen very carefully Mr. Montague.
- They don't wanna hurt me.
They want money daddy.
- [Woman] How much?
(Caitland crying)
- 20 million dollars.
- [Woman] No police, no
negotiations, no fucking around.
You got that daddy?
- Daddy.
- Monty, I know what you're going through.
Caitland was like a sister to me,
but these guys are going to screw up
and when they do that's when
we're going to make our play.
- I'll tell you exactly
how are we going to play
it plain and simple.
I'll pay.
- Don't you even want to
discuss this first sir?
- We have no time to discuss this.
- How the hell do you plan
on getting $20 million
together in two hours?
- I can do that and by playing it simple,
I mean just that, we do it
exactly the way they said it.
- Monty come on, be reasonable.
- No police, no negotiations,
no fucking around.
I'll make the delivery.
(doorbell rings)
- Hey.
- Hey.
How you doing?
- Good, thanks.
- Great, have a seat.
- Okay.
- [Eric] Can I get you some wine?
- Yeah sure.
Anything's fine.
Thank you.
- Yeah.
Well, I hope you didn't
come here for nothing.
- What do you mean?
- I'm probably gonna quit.
- Quit?
You're joking.
Why?
- See I never intended on taking
the job in the first place
but after I found that
I was working with you
well, I changed my mind and
now I don't know what to do.
- Wow.
I've heard some pretty
wild lines before Eric but.
So do you always interview for jobs
you have no intention of accepting?
- No, it's a long, long, ugly story.
- Well, you'll have to
tell me about it sometime.
- Does that mean I can see you again?
- You did save my life.
- What, what the hell
was that about today?
- I have no idea.
That, nothing like that has
ever happened there before.
- I don't think Visions
is a good place for you to be working.
- That may be, but finding
another job is not that easy.
Besides the Growl Girl is a
huge deal for me, I need it.
- I don't need the work that badly.
- Eric.
Bottom line, we are in such
a tight deadline over there.
If we don't turn in a pitch tomorrow,
there's a good chance Visions
will lose this account
and that means I'm out of a job.
- Well, that might not
be such a bad thing.
- I know this sounds awfully selfish
but is there any way
you'd consider staying on?
Just to see this campaign through?
It might be fun.
What do you think, a couple days, a week?
How bad can it be?
(suspenseful music)
- Don't move.
(woman screaming)
Shut up!
Where is Montague?
Where is Montague.
- He's out of town.
- Do not lie to me.
Where is he?
- He's at the summer house.
- Liar!
- I called him myself, he
told me he'd bring the money.
- He has call forwarding.
- What?
- All his calls are forwarded
to the summer house.
- Call forwarding?
Wait.
No, don't bother, she's only
the maid, she's no challenge.
- Let's go.
- Yeah, great, that's terrific.
So before we move on I'd just like
you to fill out this little questionnaire.
You know, give us your number.
Bet I know what yours are.
30, 20, 30 eh, am I right?
Just a little something
we like to do to get to know you better.
- Dick.
- [Bunch] What?
- Frank from Avalon
Studios is on line three.
- Hello Frank, how are you?
- I'm fine Mr. Bunch, are you all right?
- Oh I'm fine.
- I heard about the shooting yesterday.
I just thought you oughta
know, a guy came around here
the other day, he said we was a detective.
He wanted to know about
a girl I used to date.
This was probably stupid,
but I later realized I may have
sent him in your direction.
- What do you mean?
- He was looking for
your girl Caitland Ross.
I told him the last
time I actually saw her
was when I walked in on her.
She was all over one of
the guys from Visions.
We argued, I left, she was using me.
- What guy from Visions?
- What's the difference, it's
all water under the bridge.
Look, I just wanted you
to know in case the guy who was shooting
at you turns out to bet he same guy.
- This guy.
- [Frank] What guy?
- The detective.
What'd he look like?
- Oh, short dude, about 5'5
,a sort of dopey expression.
Kinda muscular, sound familiar?
- No, but thank you for
calling, I appreciate it.
- Hey my pleasure, take care of yourself.
- Bye.
So finished?
Right, well love I got your number
so I'll give you a call
when we've decided right?
Okay, find your own way out?
Good.
- Yes Dick?
- Send Manny in here right now.
- Okay.
- Hello, and who might you be?
- Hi, I'm Eric Down.
I'm here for the Growl Jeans presentation.
- Ah, the new kid on the block.
Welcome, I'm Tom Rehnquist.
- Nice to meet you Tom.
- Morning guys.
- Hello Sam.
- Tom.
- You ready for this?
- As ready as I'll ever be.
- [Manny] Everybody's in
the conference room waiting.
- [Bunch] Take a seat.
Caitland Ross.
Was you banging her?
- Dick I don't know what Frank told you.
- Just give me an answer, yes or no.
- Yeah I did.
But let me explain to you what happened.
- What the hell do you
think you were doing?
You're going to jeopardize
our whole operation.
You worth this piece of shit.
- It was before I knew that we were
going to use her Dick
and it just happened.
How was I supposed to know
that she was seeing Frank?
She never even mentioned his name.
- Why didn't you tell me before?
- I don't know.
Maybe because I knew you'd be pissed off
and she stopped seeing Frank
and you kept pushing to
make the deal with her.
So I figured best thing
to do would be, forget it.
Do the deal.
- Man you really blew it.
- Why, what's going on?
- Well you telling.
Some gumshoe's sniffing
around the Avalon studios,
the lone ranger used me for
target practice in the hallway
and now you with more balls than brains.
God damn it Manny!
Next time you have an urge
to use the casting couch,
don't mess around with those girls.
Got it?
Yeah, I got it.
- [Bunch] Let's go an see what
those guys have come up with.
- Very interesting huh little dude.
- Sorry for the delay folks.
- Hello everybody.
All right Well I guess it's show time.
- All right that's enough.
Let's get down to it shall we?
Tom, what you got?
- New 32nd spot for a diamond fair.
- Good.
(dramatic music)
- Look.
- Oh, that's so pretty.
(women gasps)
- That is so big.
- Oh my gosh.
- You know if I had one that
big, I'd be showing it off to.
- Look at the size of that.
- I've never seen one that big before.
- Whoa, that's yummy.
I know.
You think he'd let us try it on?
- Let's ask him.
Can I touch it.
- Oh yeah.
- [Man] In a women's
world where the only thing
that really counts as size,
remember The Jewelers.
- Oh yes, yes, yes.
Very nice.
Very good, I like it.
Good, well done.
Eric, you're on.
- Okay you have this
beautiful beautiful girl.
She's in a blouse, in Growl Jeans.
She's ascending the
stairs, smoke everywhere.
At the top of the stairs her man awaits
and he's got want in his eyes.
As well as other places.
As she gets closer to
him she drops the blouse
and just as they're about to meet
a female announcer says
you'll be looking so good
in your Growl jeans, he'll
just wanna get you out of them.
Man puts his hands on her hips,
she looks over her shoulder,
we get a close up of her face,
we hear pants unzipping, and the girl.
(Sam growls)
- We close on the logo and fade to black.
- Eric I'm sorry but I have to tell you,
but that is absolutely terrific.
(Bunch chuckles)
Yeah, Sam, great.
(group laughs)
Yeah, yeah, yeah.
I want you to make a video of
that right now in the studio.
You make the arrangements
and when you put it together
don't forget to keep in the bottom line.
- What's the bottom line?
- The bottom line, yeah.
You don't know what I'm
talking about, do you?
Oh dear, oh dear, I need a holiday.
Tom, tell our boy what the bottom line is.
- Sex sells.
- Sex sells Eric, sex sells.
And in one way or another,
everyone's buying it.
Thank God.
- By the way Dick.
I've got this killer idea
for the Thurman shocks
and stress campaign.
I'd like to use Kathy for it.
- Well, Kathy is no longer with the firm.
- What, she was just here yesterday.
- Yeah well yesterday she quit.
She's going off to Mary to get marryland.
- Well, maybe if we offer some more money?
- She is no longer with us.
- Just find somebody else.
- End of story.
Yeah, so, well that wraps that up.
(suspenseful music)
- [Eric] Darrel!
- Jesus Christ, what are you doing here?
- Can you bring up the phone numbers
from Dick's phone call to Abib?
- Yeah, definitely.
I just overheard a conversation
between Dick and Manny.
Manny was the guy who was banging Caitland
when the engineer walked in on him,
we're on the right track.
- Listen, get the international operator
and find out what that country code is.
Look in Dick's meeting
Dick said that Kathy got on
a plane to go to Maryland.
We both saw her get on a
plane and go to London.
- Yeah, can you give me the
country code for 964 please?
- You want to know why there wasn't
any merchandise on Kathy at the airport?
Because Kathy was the merchandise.
- Wait, wait, wait,
what do you mean Kathy
was the merchandise?
Yeah, no shit.
I mean thanks.
- It was, it was the
way Dick said sex sells
and everyone's buying.
Scumbag.
I started thinking he's
got the perfect setup.
He interviews all these
beautiful girls for his ads
but they're also potential
goods for his other business.
Do they live alone, will they be missed?
- You'll never guess
what I call just went to.
Iraq.
Oh my God and Caitland, Caitland Montagu.
- Sold off his merchandise.
- White slavery.
- Manny with one thing after another,
this week is really getting
off to a crappy start.
- You know what?
I forgot my cigarettes.
Wanna pull the car around?
I'll be right back.
- See what I mean?
Crappy.
Here mate, get us our car, would you?
Thank you.
(car booms)
Stone the bleeding crows.
(dramatic music)
- [Manny] You all right?
- Is anyone hurt?
- Yeah, the valet.
(gun fires)
(suspenseful music)
(gun fires)
(cop cries out)
- Call an ambulance!
Help!
It'll be all right okay?
Don't move, don't move, all right?
(suspenseful music)
(gun fires)
(engine rumbles)
- Towns got it's weirdos huh?
(sirens wailing)
(com buzzes)
- [Suzy] Dick, Frank from
Avalon Studios just called.
He--
- Don't want to talk to anyone right now,
can't hear a damn thing.
Tell him I'll call him back.
- He doesn't want to talk to you either,
he just wanted me to tell
you to turn on channel seven.
He said that you'd be very
interested in what's going on.
- You'd better not be wasting my time.
- [Reporter] Caitland Montague who
had moved out of the home of billionaire
father Montgomery Montague lived
alone under the name Caitland Ross.
But it was only last night we learned
of Ms. Montague kidnapping when
her fathers chauffer Richard Gareth
was forced to the side of
the road and shot to death.
Apparently arrangements have
been made for a ransom to be delivered.
And believing Montague was on his way
from his mansion the kidnappers
tried to intercept him.
- Great.
- Okay mate, take five.
Ms. Caitland Ross.
I've heard some wonderful
things about you.
- Thank you Mr. Bunch.
- Please, please, call me dick.
- I'm so happy to be
apart of Visions Dick.
It's such an awesome opportunity.
- So tell me about yourself.
- Well I guess what I am
is just a small town girl
with big city dreams.
- [Reporter] Discovering he was not
in his car but in fact
coming from his boat house
the kidnapper shot the
chauffer and then fled.
- Bury this film real deep.
Yeah, yeah, this ones for
export, she's gorgeous.
Clients gonna love her.
Manny, I want her out of
here as soon as possible.
- Okay.
- [Reporter] Montague's maid Lucy Popus
who narrowly escaped death
herself later called police.
She explained the confusion
about Montague's where abouts
was due to call forwarding.
- That's nice, yeah
that's real nice Darrel,
you're inside watching television,
I'm outside getting my ass shot!
Twice.
One guys got a bullet in
him, another guys dead.
I think it's time we get the cops in here.
- We don't wanna do that.
- What are we supposed
to do, fly all over Iraq?
- Caitland Montague is
not in the Middle East.
- New sources reveal that
Ms. Montague's captors
are demanding 20 million
dollars for her release.
Under her alis Caitland was trying
to establish a career as a model.
- Eric, she's been kidnapped.
- God.
Darrel, what the hell is going on?
Does Montague know about this?
- Not until a few minutes ago.
I mean he just called
and said they contacted
him last night and he
didn't want anyone to know.
He was just gonna pay them ransom
rather than risk her life
but things got all screwed up
and now it's leaked out to the press.
He's getting desperate.
- Did he talk to the FBI?
- Yeah but I told him they
would just screw everything up,
they should leave him out of it.
- Oh and this man listens to you?
- Hey at least we have something to go on,
okay we are closer than
anyone on this thing.
- [Reporter] About Caitland
Montague's whereabouts
please contact the Las
Vegas police department.
- You idiot.
You were supposed to check her out.
- Don't do that Dick.
There's no way I could've
known who she was.
- If we could just--
- Oh really?
Well apparently Amir was
smart enough to figure it out.
Look, just tell me
exactly what you told her
before you put her on the plane.
- Same exact thing I tell all of them
before I put them on the plane.
I showed up at her door.
I told her she had a job in London.
She was peeing her pants
she was so excited.
I took her to the airport,
I put her on the plane and that was it.
11 hours later I spoke to Amir,
he said that she got there safely.
- Jesus Christ, you are right.
- Dude, I gotta get Sam out of there.
- Nope, Eric please.
She's the Growl Girl for Christ's sake.
Don't, you'll blow our
cover if you do that
- So obviously she tells him who
she is figuring out that
would be her ticket on.
And then of course, Amir,
that double crossing
little midget, kidnaps her
and then tries to kill me.
- That doesn't make any sense.
Why would they try to kill you?
- Because you don't kill
the daughter of Montgomery Montague.
Bastards rich enough to hunt you down
for the rest of your life.
- I don't get it.
- Do you know what's going
to happen when she gets home?
She's going to tell the police how you
and Visions tried to give
her over to a bunch of ragged pimps.
Oh you got it now have you?
We know far too much.
Yeah, I'm sure Amir
figured he had no choice
but to come on over here and kill us.
- Kill you.
- Oh, you was meant to
be in that car to Manny.
(shoe thuds)
- What's that?
All right, if they want to
play hard ball, so can we.
(bug crunches)
- That's, dude that's the bug.
Shit, come on, shit, they're less to bug.
- Eric please.
- They found the bug.
- It's cool man, he
thinks Amir planted it.
- Eris please, just stay with
it okay, okay we lost the bug.
But this scum bag is gonna
lead us right to Caitland.
- I'm telling you right now,
it's time to bring the cops in.
- Man, no we got these suckers caught,
if anybody else comes in
they could fuck it all up.
- Mean while what if
something else goes wrong?
- Eric, please I will get the
cops in soon enough, I swear.
But for now, let's just
find Caitland, please?
- Call Abib.
- Why?
- I want Amir's number in Las Vegas.
I'm going to draft a letter explaining
our entire operation,
including our ties to Amir.
I'm going to put this in a sealed envelope
which you will hand
deliver to my attorney.
I will then make it very clear to Amir
how dangerous I am to him
dead which will make it--
- [Suzan] Dick?
- Suzan you are interrupting.
- Police are here and they
want to talk to you right away.
- I will be out soon,
as I was saying it will make him
even more receptive to the
idea of a meeting with us.
So, get ahold of Eric, I want
this whole thing played down.
We give the cops a statement
and it's business as usual.
Got it?
- Got it.
- Good.
(dramatic music)
- All the arrangements have been made.
These are the instructions
to the rendezvous point.
We're to meet them.
(phone rings)
Hello?
It's Dick Bunch
- Hello?
- Hey, hey are you okay?
You disappeared on me.
- Hey man, yeah, I was giving
a statement down at the police station.
Dick was convincing bro.
He gave them this song
and dance about how he didn't
know anything, what was going on.
Even I started to believe him.
- What do you expect?
- At this point anything goes, huh?
- I'm glad you're all right.
Listen, I'm calling to let you know
I'll be staking out Visions tonight.
If Dick's going to be making
a move, it's going to be soon.
You want to join me?
- I can't man, Sam's coming over.
- All right well I'll call
you if anything goes down.
- Yeah listen, you do me a favor, okay?
You be careful Darrel.
These guys, aren't
having a pissing contest.
- Look, I will call you before
I do anything, all right?
Hey, we're a team, right?
- Absolutely man.
Okay, listen someone's here, I gotta go.
Okay buddy, bye bye.
- Eric.
Suzan told me what happened.
Oh, I get so worried about you.
You all right?
- Yeah, yeah, I'm fine.
Listen, I um, great gig or not I don't
think that you should go back to Visions.
I'm not.
I just care about you too much.
- Okay.
- Okay.
(dramatic music)
(phone beeps)
- Sorry.
I gotta go, sorry.
- What is it?
- You know my mom, she's been really sick,
I told to page me if she needed me.
- Okay, well.
- Bad timing.
- Tell her I hope she feels better.
- I will.
- I think I'm falling for her daughter.
- I'll tell her.
- Okay.
- Bye.
(suspenseful music)
- Come on.
- [Bunch] Did you get that
letter to my attorney?
- [Manny] Yeah.
- [Bunch] Good.
- Now what?
- We go to the Palomino
club and we sit tight.
- [Manny] Why?
- [Bunch] Cause they're gonna contact us
there to tell us where
the actual meeting with
Amir is gonna take place.
Okay?
Well let's go.
Don't look so nervous.
(engine rumbles)
(dramatic music)
- Hello.
- Eric, Darrel.
Listen, I hope I'm not
interrupting anything but.
- No, no, that's all
right, what's going on?
You all right?
Darrel you all right?
- Yeah. Look I followed Dick,
over to the Palomino club.
Do you remember that guy we saw outside
my window yesterday in the parking lot?
- Yeah.
- Yeah, well he's here to.
- What's he doing?
- So far he's just sitting at his car
but I'm sure that's just temporary.
It just seems every time this guy shows up
the shit hits the fan,
you know what I mean?
- All right man listen, just sit tight,
okay, I'm gonna be there in 15 minutes.
- Thank you.
- Get a grip Manny,
everything's under control.
Hello darling.
- So what do we do now?
- We wait.
And we enjoy the entertainment.
Okay?
(dramatic music)
(suspenseful music)
- Glad to see I did not underestimate
your ability to perform.
- I followed your
instructions to the letter.
Now where's my daughter?
- And your daughter will be back soon.
- That's not acceptable.
Where is she?
How do I know she's all right?
If I'm not satisfied that she's all right
you're going back empty handed.
(suspenseful music)
- Yes.
He wishes to speak to her.
(suspenseful music)
- Caitland.
- Daddy, I wanna come home daddy.
- You all right?
- Daddy please, I am so sorry.
- Now just calm down, I'm here,
I'm taking care of everything.
- I'm sorry daddy.
Just give them the money okay?
I don't wanna die, I love you.
I really love you.
- I'll get you home safe, I promise.
- Your daughter will be
home safely in a few hours.
- I'm gonna tell you something
and I want you to listen very carefully.
If my daughter is hurt
or violated in any way,
this money would mean a damn.
You have no idea what I'm capable of.
- What's going on?
- Nothing yet.
Our friend is right over there.
He's been camping out
ever since he got here.
I've been watching both doors though.
Dick and company are still inside.
- What if they went out the back?
(car door bangs)
♪ I want you to notice ♪
♪ You're wrong again ♪
(dramatic music)
♪ I'll break the chain ♪
(dramatic music)
There they are.
- Looks like the others
haven't shown up yet.
Let's just stay out of sight and wait.
♪ I want you to notice ♪
♪ It happened again ♪
♪ I want you to notice ♪
♪ You're wrong again ♪
(dramatic music)
- Hey, hey, where you going, hey?
- Sam?
I guess your moms feeling better huh?
- Look I can explain okay?
This just isn't a good time.
- That's all right,
I don't think you need to
explain, I think I understand.
- It's not the way it look okay?
Now please just get out of here.
- You heard the lady,
shove off, she's with me.
- Hey look man, nobodies talking to you.
So just keep drinking all right.
- Eric.
Go home, I'll talk to you tomorrow.
Okay?
- You're making a big mistake boy.
- Eric, just calm down.
- Sam.
- You don't even know
what's going on here.
- Eric.
Son of a bitch.
- Your car is waiting for
you out front gentlemen.
- Let's go.
- All right it's time to go
buddy, it's time to leave.
- Look this is my business all right?
You guys just get lost.
Sam.
- All right, you want to be tough guy?
- Oh my.
- Get off me man.
(whacking)
(crying out)
(dramatic music)
- Come on Sam.
Come on Sam.
(engine rumbles)
Come on.
Damn it Sam.
(dramatic music)
(whacking)
- You're a dead man now boy.
(whacks)
(man cries out)
- Ray!
Damn it.
- Sam!
Wait!
- Believe me, I'll talk to
you later, I'm sorry Eric.
I'm sorry!
- Are you involved in this?
- Will you come on, they're getting away!
Screw the hormones man,
goddamn it you asshole.
All right babe, go ahead,
follow that town car.
- [Eric] You fucking nuts man?
Put that gun down.
- Not a chance okay?
I didn't wanna tell you this
but just before Dick;s car blew up
I saw your little sweetie pie
here drive away with our mystery man.
- He's my partner.
Look Eric, I haven't been totally
honest with you all right.
What happened between us,
that was real okay but I'm not a model.
I work for the FBI.
- The FBI?
- Yes, it's true I've been assigned
to find Caitland Montague
and the kidnappers.
- How would you know about the kidnapping?
Monty just released the information today.
- What are you talking about?
- Darrel here is a private investigator,
Darrel, tell her who
you're working for man.
- If you're following the kidnappers
why are you chasing Bunch?
- Cause the two are tied together.
We've had Visions staked
out for a long time now,
we know Dick Bunch runs a
white slavery operation.
In fact we finally got the hard evidence
we needed at the airport yesterday.
We had agents on one of the planes
to intercept the model Kathy Juno.
Some bozo must have screwed
up the whole operation
by calling the local police.
- Yeah it's amazing how one jerk off
can spoil everything, isn't it?
- Yeah.
Anyway Montague contacted us a week ago
and gave us pictures of his daughter.
We saw them as shots of a
Visions model, Caitland Ross.
That's when I went in as a model.
We knew eventually Dick
would lead us to Caitland.
You know I talked to Montague my self,
he never mentioned anything
about hiring a detective.
- He didn't actually personally hire me.
- Wait, wait, wait a second,
what are you talking about?
- Well you know I was
independently working for him.
- Wait a minute, what do
you mean independently?
- I was trying to get the reward.
- The what?
- The reward, the reward okay, the reward.
- There's a reward?
- Yes.
The Montague's may not have been
all that cozy to each other
but old Monty still put up
a million bucks to find her.
- A million dollars?
A million dollars?
Darrel you told me 150 bucks,
you told me you were
gonna pay me 150 bucks.
- Damn it, where are they?
Damn it.
(suspenseful music)
- Bro I was gonna split it with you 50 50
I just didn't want to say anything
in case we didn't find her.
I swear.
Bro it's me.
(suspenseful music)
- What the hell are these guys doing here?
- It's a long story Ray.
So what's the status?
- They just entered that warehouse.
(suspenseful music)
- The backups are on the way.
You guys stay here.
In the meantime I'm going
to check things out.
Don't move.
- [Sam] Okay.
(hatch rattles)
(suspenseful music)
- Open it.
(case clicks)
(suspenseful music)
- Mr. Charm.
(suspenseful music)
- Follow me.
(suspenseful music)
- Stay here guys.
(suspenseful music)
- Amir old son.
Now we had a great relationship,
I'm very disappointing you
decided to screw it up.
- 20 million dollars is good enough
reason to screw up relationship.
- Montague's a very powerful man,
messing around with him
could get you killed.
- His daughter will be returned unharmed.
- And talking of killing,
you tried to do me in, didn't you?
To cover your tracks eh?
- That was poor judgment on my part.
Look.
20 million dollars is good enough reason
for us to all disappear, very, very rich.
- [Bunch] Well personally speaking
I don't want to disappear.
I'd sooner that the old
girl shag every agency
in the world looking for us.
- Well you're not calling
the shots here Mr. Bunch.
Let's just reason this out.
That letter to your attorney
would grieve us greatly,
as would your sudden demise.
I'm sure we can come to terms.
- Don't count on it.
All right now, I'll be the
once calling the shots.
You move.
Come on Manny, let's get the girl.
Here, she's in here.
(suspenseful music)
- Okay, the girl dies.
- Yeah?
She'll have company.
- This is going to be hard enough.
We need to work together.
- Don't bet on it.
Manny, get the girl.
- Dick he's right, we
need to think about this.
- I'll do the thinking you
dumb shit, just get the bitch.
Go on.
Don't even think about that.
- Mr. Bunch what do you
get out of killing us?
- I'll sleep a lot better.
(Manny whacks)
(Dick cries out)
- [Amir] No don't kill him, the letter.
- Oh that's right, the letter,
the letter to the attorney, right.
This letter.
- What the hells going on?
- [Amir] You should treat
your people better Mr. Bunch.
When Manny found out the girl
was Caitland Montague
he came to us, not you.
- Manny I treated you good.
- You treated me like shit Dick.
- Listen we've been
through a lot together,
now don't team up with them jokers.
You're much better than that.
- Oh I'm not teaming up with them Dick.
(gun fires)
- Oh!
- But I'm not teaming up with you either.
You really think I'm stupid don't you?
She never made it to the plane Dick.
And you'd be surprised how easy
it was to get these idiots
to extort millions of
dollars from her old man.
- Okay, than you got your money eh?
Well there's no need to kill me to.
- Oh no see Caitland Ross
left a gleaming trail
right to your front door step Dick.
It's gotta end there, I'm sorry.
There's nothing I can do about that.
They're just gonna have
to find what's left of all
of you in the charred remains
of this unsafe old warehouse.
- But they'll know that you've run
off with the money,
they'll be looking for ya.
- Oh no, you see I'll just scatter
a couple piles of money around.
It'll be worth loosing a couple
of million, don't you think?
To make sure that Montague and
the cops sop looking for me.
That's it you see?
They'll have the kidnappers.
They'll think the money burned in the fire
and sweet little Caitland will
be at home, safe and sound.
- Excuse me Manny, you are not
thinking this thing through.
- She can still identify you.
(gun fires)
(Dick cries out)
- I am not the idiot you think I am.
(dick crying out)
- Guys come on.
- Can't believe this guy.
- [Darrel] Come on, come on.
(suspenseful music)
(gun firing)
(suspenseful music)
- We can't go back out
the same way we came in.
- So what do we do?
- I'll check it out.
- Ms. Montague, I'm Darrel Chism.
I'm the guy who's rescuing
you, Darrel Chism, C-H-I--
- Will you shut up?
You're scaring her.
(suspenseful music)
(gun fires)
(Ray cries out)
- You guys stay here.
- Hey, watch her.
(suspenseful music)
- Shit, Eric doesn't have a gun.
- Who are you guys.
- Just stay here, don't move
a muscle okay, don't move.
Chism.
(suspenseful music)
(gun fires)
(suspenseful music)
(gun firing)
- Oh God.
Come on.
(dramatic music)
(whacks)
(suspenseful music)
(whacking)
(crying out)
- Hold it!
- It's over Manny.
- FBI.
- Caitland.
Caitland, don't do it.
He's not worth the Caitland.
- Everybody drop them.
- No, you don't understand.
- Yes I do understand,
every body drop them.
- Thanks for showing up.
Give me that, get over there.
Move, put it down!
Get over there.
You.
(whacks)
(cries out)
Get over there by your friends.
Get down.
(whacks)
(cries out)
I said get down, move.
- What do we do with him?
- Tie him up.
- Caitland, he's scum,
you don't want to do this.
- [Manny] Shut up.
- Manny is the best thing
that ever happened in my life.
- Sure, it takes some one real special
to help you screw over your own father.
- I'm not screwing him, he screwed me.
- [Manny] Shut up.
- My father never gave a shit about me.
So when he couldn't
control me, he cut me off.
That 20 million dollars is mine!
- Shut up!
(suspenseful music)
Babe you know what to do right?
You go down the road, you call the police,
and you tell them you just
barely go tout of here, Cait.
You with me?
- Yeah Manny, I'm with ya.
- You're sick, pathetic.
- Shut up!
(suspenseful music)
- Oh shit, hurry up, tie him up, hurry up,
we gotta get out of here!
(suspenseful music)
- Now Manny that is really stupid.
Drop those guns or I'll drop
this and blow us all away.
(suspenseful music)
Now I want you to, I want you to--
(suspenseful music)
- Got it!
(suspenseful music)
(gun fires)
- [Caitland] Manny!
No, no!
(suspenseful music)
- Come on, let's go!
(Caitland crying)
(suspenseful music)
- Now, come on!
Come on!
(warehouse booms)
- Holy smokes.
(warehouse booming)
- Woo wee.
- Whoa.
- You have the right to remain silent,
you give up the right to
remain silent anything--
- Anything I say can
and will be used against me in
a court of law, yeah, yeah, yeah.
Been there, done that.
- Well let's do it again.
- Hey, hey, easy, easy.
- What, what?
- Easy man, easy.
- Hey, hey.
Don't think I'm forgetting
about my reward!
We got the money, we
go this daughter back.
It's not my fault she's a conniving bitch!
(dramatic music)
- [Sam] Hey.
- Hey.
- Whoa, impressive you guys really did it.
- Yeah, thanks to the reward money.
- Darrel, I had no idea you
knew a thing about advertising.
- Well I don't but what did
I know about being a detective, right?
- Oh thank God those days are over.
- Amen.
- Yeah, actually Darrel's doing great.
Just got us the Muan Hotel account.
- Hey, congratulations.
- Thank you.
Which reminds me.
You two crazy kids better
hurry up and get going.
You have an appointment with them at two.
- Okay, we'll see you buddy.
- Bye Darrel.
So what do you want for lunch?
- I don't know, where should we go?
- How about my place, we
could start with dessert.
- Sargent Harris please.
Thanks.
(dramatic music)
Jack, Darrel.
Listen, you know those Italians
you're trying nail for counterfeiting?
Yeah, are they still offering reward?
Really?
Well, guess how I'm meeting
with today at two o'clock?
Right, right.
Yeah, I think I can get right inside
their operation but I'm
gonna need your help.
Yeah, easy as pie.
(dramatic music)
(dramatic music)
(dramatic music)
(woman crying out)
(dramatic music)
(woman crying out)
- Ow, damn you, you're hurting me!
(hand smacks)
(woman crying)
No, no, no!
(Woman screaming)
- Here lookie, lookie.
(woman screams)
(engine rumbles)
(car honks)
- Hey, how you doing Miss Chism?
Oh, fine, fine, fine.
No, that's all right,
I'll find another job.
Darrell?
I just, I dropped them off a while ago.
He said he's going to run some errands
and then I'm going to pick them up now.
Yeah, I hope he's not up
to one of his capers also.
Anyway, you want me to tell him anything?
I'll take care of him,
don't worry about it.
All right, Miss Chism,
I'll tell him you love him.
You take care.
- Okay everybody Mr. Bunch is on his way,
we're gonna get started.
(suspenseful music)
So why don't you take your robes off
and keep the energy going?
Great, you're here.
Why don't you go on and take your place?
(suspenseful music)
(camera clicks)
(suspenseful music)
(camera clicks)
(suspenseful music)
(camera clicks)
(suspenseful music)
(camera clicks)
(suspenseful music)
Kay, got everything ready
for you, it's all yours.
- Good and a very good
morning to you ladies.
Hello, nice to see you again, Wendy.
Well, a little overdressed aren't we?
(Dick chuckles)
Absolutely outstanding my dear.
Oh, me Tarzan, you Jane eh?
(Dick laughs)
Okay, is it warm enough for you?
Well, you're certainly warming me up.
(Dick chuckles)
Suzan, follow me.
(dramatic music)
(camera clicks)
(dramatic music)
- The jap, move her a little to the left
- Her name is Tana Wu, Dick.
She's Chinese.
- Oh, I'm sorry, my mistake.
Would you kindly ask the
chink to move to her left?
- Joey, have Tana move
to the left, please?
- Can we stop screwing around?
Are we ready to do this or not?
Chuck?
- It's Frank
- Whatever.
- Whenever you say Mr. Bunch.
- Oh, I say, I say, I say, damn,
thing's costing me a fortune already.
- Ready to roll, okay,
everybody, this is a take.
Joey, Phil, fog up the rooms.
Ready with playback.
Roll tape.
Action on the set.
(dramatic music)
- [Narrator] In his wildest fantasy,
he's certain you're the star.
(dramatic music)
Relentless, a new sensation for the body.
Hypnotic, alluring.
Downright uncontrollable.
(set banging)
(dramatic music)
- What the hell's going on?
(women screaming)
What the hell's going on here?
(suitcase thuds)
Hey you!
Who the hell's that asshole?
You two, here.
Go get that guy.
Go on.
- Dick, this one looks like she
needs to go to the hospital.
- Oh God.
As if I need that right now?
Look, make her a cup of
tea and call her a cab
and call my attorney, just in case.
(Dick coughs)
(dramatic music)
- He's gotta be down there somewhere!
(dramatic music)
Where the hell did he go?
Call Dick.
- Come on Darrell, God dammit.
(phone beeping)
(metal creaking)
(suspenseful music)
- Hey, hey, hey, hey, wait!
- Jesus Christ Darrel, what's going on?
- Drive, drive, drive!
(suspenseful music)
- Careful, you don't know what's in it.
- Easy, I do know,
there's nothing in here.
There's nothing in here
except an old newspaper,
a crossword puzzle, and a stupid pen.
Look, I wouldn't worry about it.
It was probably just some dirty
pervert looking to sell
some dirty pictures.
- Yeah, yeah.
- And what more you have?
- Fine, fine, okay.
We'll just get everything set up again
cause I want to go home
sometime this week.
- You're so focused.
- Oh, did you get him?
- No, but don't worry about it.
He didn't see anything.
- Shit.
- Forget that, plane
landed an hour ago Dick.
- Oh yeah?
- Yeah.
- Oh, well good.
- They're very pleased.
They want another shipment
as soon as possible.
- Good, that's fine.
Well, there's plenty to
go around here right?
- Yeah.
Did you get a chance
to look at that video?
- What?
- Those two girls for the hairspray spot?
- Yeah, yeah.
They was, they was both okay.
- Which one you want to go with?
- Well, Manny, my man, that depends,
which one of them wants
to, you know, with me?
- Gotcha.
- Yeah, God, I love this business.
(dramatic music)
(engine rumbles)
(car door bangs)
- Eric, Just hear me
out for just one second.
- No, Darrel, no!
I don't, I heard it the whole way home.
I don't want to hear about it.
- Eric, you will not believe
what I'm working on right now.
Okay, I am in the big league.
I'm on, I'm on top of the game.
- The last time he went on top of the game
it cost me 1500 bucks to
bail your out of jail.
- Money well spent if you asked me.
- Yeah, well I didn't think so.
I can't afford to do it
again, especially right now.
- Anyway, Eric, don't worry
about that, all right?
I mean, you're one of the
best ad men in the business.
You were working at
the top agency in town.
- Yeah, until they gave a
promotion to the boss's nephew.
Oh, their loss.
I would have quit too.
- Five years, five years Darrel.
I'm telling you, man, the only way
to get ahead is to go into
business for yourself.
- It's always been my policy.
So what's your plan?
- I want to start my own ad agency.
I figured it'll take, it'll
take about a hundred grand.
I'm just a little short.
- How short?
- About a hundred grand.
- Sounds to me like you're
in the market for a job, huh?
That's perfect.
But that's why I'm here.
I am on a really heavy case right now
and I need you're help.
- No, no way, no way man.
- Come on, at least hear me out.
- No, no, Darrel, look man.
You're the one that should
be out looking for a job.
You got to get out of this,
this window peeping business.
- I like being a PI.
- Well, let me tell you something man.
That can be very dangerous
and you're not, you're
not exactly James Bond.
You're, I mean, you kind of a klutz.
Okay, I'm sorry, I don't mean
to hurt your feelings but.
(dramatic music)
Who's that?
- Caitland Montague,
age 20, she's missing.
I was hired to find her by
her father, Monte Montague.
- Monte Montague, the billionaire?
- [Darrel] That's right.
- He hired you to find her?
- That's right.
Right place and the right time.
I had a friend on the inside
and I ain't going to blow this one.
- What happened to her?
- They don't have a clue.
She just disappeared.
But in the last few
days I traced her steps
to a place called Visions Advertising.
And that's where all of a sudden they end.
- Visions?
I've heard of them, they're sleazy.
- Yeah.
Visions is owned by a
guy named Dick Bunch.
This scumbag has a criminal
record a mile long,
usually involving smuggling.
See, I think he's back in the business
and he's using this whole
agency as a coverup.
- What does that have to
do with the missing girl?
- Here's how it ties in.
See, I got lucky.
I found one of her old boyfriends
and he told me that she left him
for a guy at visions who promised her
he was going to go to this great gig.
He was going to make her a supermodel,
but want to talk to the
people at visions, guess what?
No one remembered her.
They said that they see a lot of girls.
- And what does this have to do with me?
- I'm going to need your help
to find out what's really going on.
- How?
- Look, I need some
insight info on these guys
and they just happened to need
a guy in their creative department.
You obviously need a job,
it's a perfect match.
- No, no, no, no way.
- [Darrel] Eric.
- No, no man.
N-O, I'm not.
- Eric, you have the credibility man,
they will hire you in a second.
It's for me, for me, please.
- No
Darryl, N-O.
- All right look, I will pay
you a hundred bucks okay?
Just go apply for the job, bug the office.
- What?
Bug the office?
What if I get caught?
- God, Erin, you're such a pussy.
You have a black belt.
- I'll tell him that.
I'll tell them that when
they put the gun to my head.
- Eric, this girl is
in real trouble, okay?
I mean, we could really
be saving her life.
I'll pay you 150 bucks.
Every minute counts.
- All right, all right.
Just go make the appointment, all right?
- I already did, thanks.
(Eric sighs)
(dramatic music)
- [Caitland] Hi darling.
I've been thinking about our talk.
Maybe you're right.
This modeling thing, I mean
it just isn't working out.
I'd like to talk about it on Thursday,
when we meet for lunch.
Daddy, I miss you.
Bye.
(dramatic music)
- I waited for her.
Caitland never showed up.
She would've called me by now.
I was going to make it all up to her.
(dramatic music)
It's all my fault.
- I don't understand how sir.
- [Caitland] Stop telling me what to do.
This is not your decision,
this is my decision.
- Caitland be reasonable.
- It's the first time daddy it's not
about you and your money.
It's about me.
The photographers love me.
- They love the fact
that you're a Montague.
- I don't need your name to prove myself.
- Caitland, Caitland, honey, honey,
now look, this, this modeling thing.
What does it amount to?
It's, it's loathsome, it's troublesome.
It's mired with disappointment.
Look, I made you better than that.
You can't do this, you won't do it.
- Oh yes I will,
and there is nothing
you can do to stop me.
- All you're going to do
is embarrass yourself.
You're going to take our
good name and make it--
- What?
- A punchline for Wall Street pundits.
- Pundits?
You can't even talk to me
like a real father okay?
Pundits!
- I won't let you make it out there.
Pride, pride and control.
Tools to build an empire, but
weapons to destroy a dynasty.
I pushed her and I pushed her
and she finally found the door.
I'm afraid the worst has
happened and it's all my fault.
- How's that?
- She always knew how to get
to me, right down to my soul.
(Monty sighs)
She defied me all through
her teenage years,
she taunted me with her
parties, her drinking.
Her boyfriends.
I tried to lead her towards a better path,
but as always she had her own ideas.
- We'll do everything we can.
(dramatic chord)
(dramatic music)
- It was so lucky to get this place
right below Vision's office.
The last tenant actually
had a heart attack.
He died right on his desk.
Is that luck or what?
Here we are.
Oh, check this out, let
me show you something.
See this watch?
A piano wire.
This thing could do some
serious damage, here.
- A nuclear detonator?
- Better, this pen right here
is carrying about a hundred
CCS of metformin hydrochloride.
You just hold it to your mouth and blow,
the guy'll be out 10 seconds flat, here.
Hey, don't suck, blow.
Where's my bug, where's my bug?
- Darrel, where do you get this stuff?
- PI's holy bible.
Where do you think the
movies get their ideas?
- I should have known.
- Oh shit.
- What is it?
- I don't know man.
- The same guy was hanging outside
of Avalon studios yesterday.
- It's just probably a coincidence,
you're getting paranoid.
I could be wrong.
- All right, check this out.
Here is the bug all right?
It's on now.
When you're ready to plant it
just peel the adhesive cover,
and you're ready to roll all right?
Let's synchronize our watches.
You got to go, time for the appointment,
let's go, let's go, let's go.
Now listen.
I'll be with you every
step of the way all right?
If it gets hairy, I'll be there
so fast they won't know what hit them.
- You're a dangerous,
dangerous man Darrel.
- Believe that.
Hey, make me proud man.
(gun clatters)
(dramatic music)
- Dick, listen if you're so nervous
about that pervert why don't
you let me call the police?
- No way, do you hear me, no way okay?
- All right, all right.
- I've got enough problems,
all right, all rght?
- All right.
- Hello girls.
Okay, good to see you,
glad you could make it.
Just going to spend a penny, you know.
(suspenseful music)
- Oh my God!
(Susan screams)
(gun firing)
- Oh shit, oh shit.
(gun firing)
(dramatic music)
- Are you okay?
- Yeah, yeah I'm fine.
What about you?
- Who are you?
- I'm Eric Down.
- Dick Bunch the visionary of Visions.
Eric, I'm certainly glad you
came across when you did.
- Dick, what the hell is going on?
- What does it look like stupid?
Some guy just tried to kill me.
Well get security.
- God, you were really incredible.
- Suzan, Suzan, that is enough.
- Actually I'm your one
o'clock appointment.
- Yeah, yeah.
Well Eric if you're,
if you're advertising's
anything like you're street
fighting you're hired.
Follow me.
Suzan get a grip.
Oh please girls, go on, get back inside.
Come on everybody, back
to work, what you doing?
It was only a car backfiring,
all right, you okay?
Suzan, put the kettle
on and get me vallum,
take half a dozen yourself.
So Eric eh?
You've met Sam.
- No not officially, hi Eric, I'm Sam.
Thank you so much for being there.
- You're welcome.
My pleasure.
- I just talked to security,
they said he got away
but I'll have them go
ahead and call the police.
Okay?
It's the right things to do.
- Well guys, my break times over,
I better get to my meeting.
- You sure you're up to it?
Here, feel my heart all right?
- I'm fine Dick.
Thanks again, oh, and
good luck with the job.
- Thank you.
- Sight men like that I don't need.
America is so violent.
Come to my office.
Yeah, take a seat.
Well, let's see your portfolio.
I mean look, me hands are still shaking.
So what we got?
Swiss mouthwash, Carnegie
Insurance and a Fox Cosmetics.
Yeah well, very nice but
they're all boring eh?
Now let me tell you
something about visions.
We believe in getting
down to the bottom line,
excite your public, make
them want what you've got.
And if the ads a little controversial,
so much the better.
So Eric let us now take a
minute to see how you think.
Take this (speaking in foreign language).
Wong Lee's world of clown,
off the top of your head what ideas
can you come up for this?
- Ooh, try another one,
just try another one.
- All right then.
Well how about Thermics Medicated Shampoo?
- The action starts when you get wet.
- Yeah, I like it, yeah.
Yeah, very nice.
So what you got there then?
Hey?
- What?
- No blue jeans?
That's un American.
You see Eric we also represent
the Growls Jeans account.
And I'll tell you what,
I want you to come up
with a presentation for a
whole new campaign for them.
What you say?
- Excuse me guys, I'm sorry to interrupt.
I got a run and rip up these prints.
- That's fine, come here, come here.
Eric here is gonna work
on the Jeans account.
- Hey, fantastic.
- Yeah.
You see Sam is our Growl Jeans girl.
Aren't you?
- Well great, we're gonna
be working together.
- Mr. Bunch.
- Yeah?
- Can I see you for a second.
- No, give us ten minutes.
- I'm afraid it can't wait.
- Give me a second.
Sam why don't you and Eric make a plan
to discuss our ideas for
the product, all right?
- Okay, sure.
- Oh hang on, did you say
you'd take the position?
- Yeah, yeah.
- Terrific.
Listen, I'm up against
the wall on this one,
everyone shooting at me today.
I'll need something by
10 o'clock tomorrow.
- Tomorrow?
Okay.
- Good, okay.
So collaborate.
- Eric unfortunately
I'm booked solid today,
doesn't give us much time to get together.
- Why don't we get together tonight?
My place.
- You're place?
Sure, okay, how about eight o'clock?
- Great.
Here, I'll give you the address.
- All right.
- I don't have a pen.
- Now what's the matter?
- Our Middle Eastern friends are in town.
- Amir from London?
- Yeah.
- Well what's she doing here?
- I don't know, they just said that
they wanna get together tomorrow at 11:30.
- This is bullshit.
Well next time we're gonna
need some kind of notice.
We'll tell security to
put and extra guard on.
Oh Manny, Manny have this
guy Eric checked out.
Make sure he's for real.
(dramatic music)
- Oh man, that was great!
I heard everything, everything,
it was like I was there.
- That's great, yeah you son of a bitch,
where the hell were you?
- And you, you took the
job, I can't believe it.
- Yeah I took the job for my own reasons.
- So I heard.
- Oh I forgot, yeah, yeah,
you heard everything.
It was like you were there!
- So what'd she look like?
Come on, come on, what she look like?
- She was nice.
She was very nice.
- Baby, see, see, I watch
your back, you watch hers.
Everybody's happy.
- Shut up.
You know you failed to mention that
somebody's trying to kill Dick.
- I didn't know but this is exactly
the kind of information I need.
You know you should consider
working for me full time.
- What are you crazy?
- Why is that so crazy?
There's good money in this business.
After you.
Look at the progress you
made in one day, one day,
boom we're already in
and we're sitting pretty.
- Yeah, boom, I almost get shot Darrel.
- [Bunch] And in the
light of our camel jockey
friends being in town,
are they going to want the next shipment?
- [Manny] I don't know.
- I'm not going to take no chances.
I'm calling Abib to find out
what the hell is going on.
Yeah, hello?
What's that?
Oh yeah, yeah, hi how are ya?
Listen, I just want to ask you,
you know that now that Amir's over here,
do you still want the next delivery?
You do?
Good, good, good, oh really, oh please,
no, I'm sure you'll be
delighted with the merchandise.
Yeah, yeah.
Listen now, Kathy Juno
will contact you, yeah.
Yeah she's leaving today on--
- [Manny] Stella air, flight 336.
- [Bunch] Stella air, flight 336,
which arrived in London at--
- [Manny] Eight o'clock.
- [Bunch] Eight o'clock
- Yes, yes, we got him man, we got him!
- Take care, you take care to, bye.
So there we are, business as usual.
Well that's good so what
time does the plane leave?
- [Manny] 4:55 from McCarran.
- [Bunch] Everything's been taken care of?
- [Manny] I can assure you,
everything's been handled.
- I can't believe this.
We nailed him man, like that, so fast.
Hey, you got to admit,
we make an awesome team.
- Yeah, well how exactly
have we nailed him?
- Yeah, Sergeant Harris please.
Thanks.
What, does a house have to fall on you?
Didn't you listen?
She's delivering a shipment of drugs man.
They're using these girls as couriers.
- Why would, why would
Kathy be running drugs?
- That's the rub, she wouldn't.
You see, we bust Dick, we find Caitland.
Yeah Jack.
Yeah, Darrell, listen got a little
piece of information for you.
Yeah, how'd you'd like to bust Dick Bunch?
No, no you know, the guy
told you about last week.
Yeah right, well, listen,
there's a drug deal going down today
at McCarran airport 4:30 Stella airlines.
No shit.
Yeah, it'll probably get you
those Lieutenant bars you wanted.
Okay, I'll see you at 4:30.
(phone bangs)
Let's roll dude, let's
go, let's go, let's go.
(engine rumbles)
Shit, where's Jack?
- Hey, that guy with the blonde
that's, that's Dick's buddy.
- That must be Kathy.
- All right, when you land in London,
there's going to be a
guy to meet you there.
His name's Abe Safier.
He'll get you to your contact over there,
he'll also take care of
all your arrangements,
hotel, personal phone calls.
- Great.
- Whatever.
- Okay.
- Okay.
- Terrific.
- All right then.
I guess I'll see you in a couple of weeks.
- Okay, great.
- Good luck.
- Thanks Manny.
- Break a leg.
- Bye bye.
- Oh shit, he's leaving,
come on, let's get him.
- No, no, Darrel, Darrel, come on.
Look, let's wait for
the police to get here.
We know where to find him.
It's it's her worried about.
- Jack, Jack, Jack, Jack, Jack.
Jack, Jack over here.
- What do you got Darrel?
- She's right over there.
We got to grab her before
she boards the plane.
- She, who's she?
I thought we were here to bust Dick Bunch.
- We are, she's his courier.
Come on.
- Go over there check to see
if there's any luggage, come on.
- Just a minute sister.
- Ow, let go of me!
- Darrel, we'll handle
it from here please.
We have reason to believe
you have narcotics
on your possession,
we'd like to check your bag, now Micheal.
- What?
Hey, I'm going to miss my plane.
- Where's that flight to Miss Chanel?
- To London for a job.
I'm a model and if I
don't make that plane,
I'm going to be out of that job.
- There's nothing here Sarge.
- [Man] Jack!
- Yeah Bobby, what do you got?
- The woman said the only things
she's carrying is her bag.
- See?
- [Jack] Jesus.
- Now can I have my bag and go now?
- Just a minute, Jack, please, please.
I know that she's caring, okay?
Only an idiot would
carry in her travel bag.
- And if you're wrong, Darrel?
- Jack I'm not okay.
I will, I will stake
my reputation on this.
Okay, we have to strip search her.
- What?
- Jesus Christ.
You're nuts, I only
have your word on this.
- Look, I'm going to miss my plane.
- Jack, please I have a very
reliable source on this one.
- Like who?
- I can't divulge right now.
- All right, that's it
you wanna search me?
Okay fine there?
Is that what you wanted to see?
Can I go now?
- Give her the bag back.
I'm sorry for the delay Miss Chanel.
- Not half as sorry as you're
gonna be when I call your captain.
- Jack, you let her go.
- Darrel, you see that ass?
You thinks he's got a pound
of cocaine stuck up there?
I don't give a shit.
It's the stuff coming
in I'm worried about.
Let's go guys.
Darrel do me a favor, stop
playing cop and stop calling me.
- Man.
I don't get it.
What screwed up?
- Someday you'll have to let me know.
This is where I get off Darrel.
(dramatic music)
(Darrel sighs)
- [Woman] Tell them, tell him Caitland.
Listen very carefully Mr. Montague.
- They don't wanna hurt me.
They want money daddy.
- [Woman] How much?
(Caitland crying)
- 20 million dollars.
- [Woman] No police, no
negotiations, no fucking around.
You got that daddy?
- Daddy.
- Monty, I know what you're going through.
Caitland was like a sister to me,
but these guys are going to screw up
and when they do that's when
we're going to make our play.
- I'll tell you exactly
how are we going to play
it plain and simple.
I'll pay.
- Don't you even want to
discuss this first sir?
- We have no time to discuss this.
- How the hell do you plan
on getting $20 million
together in two hours?
- I can do that and by playing it simple,
I mean just that, we do it
exactly the way they said it.
- Monty come on, be reasonable.
- No police, no negotiations,
no fucking around.
I'll make the delivery.
(doorbell rings)
- Hey.
- Hey.
How you doing?
- Good, thanks.
- Great, have a seat.
- Okay.
- [Eric] Can I get you some wine?
- Yeah sure.
Anything's fine.
Thank you.
- Yeah.
Well, I hope you didn't
come here for nothing.
- What do you mean?
- I'm probably gonna quit.
- Quit?
You're joking.
Why?
- See I never intended on taking
the job in the first place
but after I found that
I was working with you
well, I changed my mind and
now I don't know what to do.
- Wow.
I've heard some pretty
wild lines before Eric but.
So do you always interview for jobs
you have no intention of accepting?
- No, it's a long, long, ugly story.
- Well, you'll have to
tell me about it sometime.
- Does that mean I can see you again?
- You did save my life.
- What, what the hell
was that about today?
- I have no idea.
That, nothing like that has
ever happened there before.
- I don't think Visions
is a good place for you to be working.
- That may be, but finding
another job is not that easy.
Besides the Growl Girl is a
huge deal for me, I need it.
- I don't need the work that badly.
- Eric.
Bottom line, we are in such
a tight deadline over there.
If we don't turn in a pitch tomorrow,
there's a good chance Visions
will lose this account
and that means I'm out of a job.
- Well, that might not
be such a bad thing.
- I know this sounds awfully selfish
but is there any way
you'd consider staying on?
Just to see this campaign through?
It might be fun.
What do you think, a couple days, a week?
How bad can it be?
(suspenseful music)
- Don't move.
(woman screaming)
Shut up!
Where is Montague?
Where is Montague.
- He's out of town.
- Do not lie to me.
Where is he?
- He's at the summer house.
- Liar!
- I called him myself, he
told me he'd bring the money.
- He has call forwarding.
- What?
- All his calls are forwarded
to the summer house.
- Call forwarding?
Wait.
No, don't bother, she's only
the maid, she's no challenge.
- Let's go.
- Yeah, great, that's terrific.
So before we move on I'd just like
you to fill out this little questionnaire.
You know, give us your number.
Bet I know what yours are.
30, 20, 30 eh, am I right?
Just a little something
we like to do to get to know you better.
- Dick.
- [Bunch] What?
- Frank from Avalon
Studios is on line three.
- Hello Frank, how are you?
- I'm fine Mr. Bunch, are you all right?
- Oh I'm fine.
- I heard about the shooting yesterday.
I just thought you oughta
know, a guy came around here
the other day, he said we was a detective.
He wanted to know about
a girl I used to date.
This was probably stupid,
but I later realized I may have
sent him in your direction.
- What do you mean?
- He was looking for
your girl Caitland Ross.
I told him the last
time I actually saw her
was when I walked in on her.
She was all over one of
the guys from Visions.
We argued, I left, she was using me.
- What guy from Visions?
- What's the difference, it's
all water under the bridge.
Look, I just wanted you
to know in case the guy who was shooting
at you turns out to bet he same guy.
- This guy.
- [Frank] What guy?
- The detective.
What'd he look like?
- Oh, short dude, about 5'5
,a sort of dopey expression.
Kinda muscular, sound familiar?
- No, but thank you for
calling, I appreciate it.
- Hey my pleasure, take care of yourself.
- Bye.
So finished?
Right, well love I got your number
so I'll give you a call
when we've decided right?
Okay, find your own way out?
Good.
- Yes Dick?
- Send Manny in here right now.
- Okay.
- Hello, and who might you be?
- Hi, I'm Eric Down.
I'm here for the Growl Jeans presentation.
- Ah, the new kid on the block.
Welcome, I'm Tom Rehnquist.
- Nice to meet you Tom.
- Morning guys.
- Hello Sam.
- Tom.
- You ready for this?
- As ready as I'll ever be.
- [Manny] Everybody's in
the conference room waiting.
- [Bunch] Take a seat.
Caitland Ross.
Was you banging her?
- Dick I don't know what Frank told you.
- Just give me an answer, yes or no.
- Yeah I did.
But let me explain to you what happened.
- What the hell do you
think you were doing?
You're going to jeopardize
our whole operation.
You worth this piece of shit.
- It was before I knew that we were
going to use her Dick
and it just happened.
How was I supposed to know
that she was seeing Frank?
She never even mentioned his name.
- Why didn't you tell me before?
- I don't know.
Maybe because I knew you'd be pissed off
and she stopped seeing Frank
and you kept pushing to
make the deal with her.
So I figured best thing
to do would be, forget it.
Do the deal.
- Man you really blew it.
- Why, what's going on?
- Well you telling.
Some gumshoe's sniffing
around the Avalon studios,
the lone ranger used me for
target practice in the hallway
and now you with more balls than brains.
God damn it Manny!
Next time you have an urge
to use the casting couch,
don't mess around with those girls.
Got it?
Yeah, I got it.
- [Bunch] Let's go an see what
those guys have come up with.
- Very interesting huh little dude.
- Sorry for the delay folks.
- Hello everybody.
All right Well I guess it's show time.
- All right that's enough.
Let's get down to it shall we?
Tom, what you got?
- New 32nd spot for a diamond fair.
- Good.
(dramatic music)
- Look.
- Oh, that's so pretty.
(women gasps)
- That is so big.
- Oh my gosh.
- You know if I had one that
big, I'd be showing it off to.
- Look at the size of that.
- I've never seen one that big before.
- Whoa, that's yummy.
I know.
You think he'd let us try it on?
- Let's ask him.
Can I touch it.
- Oh yeah.
- [Man] In a women's
world where the only thing
that really counts as size,
remember The Jewelers.
- Oh yes, yes, yes.
Very nice.
Very good, I like it.
Good, well done.
Eric, you're on.
- Okay you have this
beautiful beautiful girl.
She's in a blouse, in Growl Jeans.
She's ascending the
stairs, smoke everywhere.
At the top of the stairs her man awaits
and he's got want in his eyes.
As well as other places.
As she gets closer to
him she drops the blouse
and just as they're about to meet
a female announcer says
you'll be looking so good
in your Growl jeans, he'll
just wanna get you out of them.
Man puts his hands on her hips,
she looks over her shoulder,
we get a close up of her face,
we hear pants unzipping, and the girl.
(Sam growls)
- We close on the logo and fade to black.
- Eric I'm sorry but I have to tell you,
but that is absolutely terrific.
(Bunch chuckles)
Yeah, Sam, great.
(group laughs)
Yeah, yeah, yeah.
I want you to make a video of
that right now in the studio.
You make the arrangements
and when you put it together
don't forget to keep in the bottom line.
- What's the bottom line?
- The bottom line, yeah.
You don't know what I'm
talking about, do you?
Oh dear, oh dear, I need a holiday.
Tom, tell our boy what the bottom line is.
- Sex sells.
- Sex sells Eric, sex sells.
And in one way or another,
everyone's buying it.
Thank God.
- By the way Dick.
I've got this killer idea
for the Thurman shocks
and stress campaign.
I'd like to use Kathy for it.
- Well, Kathy is no longer with the firm.
- What, she was just here yesterday.
- Yeah well yesterday she quit.
She's going off to Mary to get marryland.
- Well, maybe if we offer some more money?
- She is no longer with us.
- Just find somebody else.
- End of story.
Yeah, so, well that wraps that up.
(suspenseful music)
- [Eric] Darrel!
- Jesus Christ, what are you doing here?
- Can you bring up the phone numbers
from Dick's phone call to Abib?
- Yeah, definitely.
I just overheard a conversation
between Dick and Manny.
Manny was the guy who was banging Caitland
when the engineer walked in on him,
we're on the right track.
- Listen, get the international operator
and find out what that country code is.
Look in Dick's meeting
Dick said that Kathy got on
a plane to go to Maryland.
We both saw her get on a
plane and go to London.
- Yeah, can you give me the
country code for 964 please?
- You want to know why there wasn't
any merchandise on Kathy at the airport?
Because Kathy was the merchandise.
- Wait, wait, wait,
what do you mean Kathy
was the merchandise?
Yeah, no shit.
I mean thanks.
- It was, it was the
way Dick said sex sells
and everyone's buying.
Scumbag.
I started thinking he's
got the perfect setup.
He interviews all these
beautiful girls for his ads
but they're also potential
goods for his other business.
Do they live alone, will they be missed?
- You'll never guess
what I call just went to.
Iraq.
Oh my God and Caitland, Caitland Montagu.
- Sold off his merchandise.
- White slavery.
- Manny with one thing after another,
this week is really getting
off to a crappy start.
- You know what?
I forgot my cigarettes.
Wanna pull the car around?
I'll be right back.
- See what I mean?
Crappy.
Here mate, get us our car, would you?
Thank you.
(car booms)
Stone the bleeding crows.
(dramatic music)
- [Manny] You all right?
- Is anyone hurt?
- Yeah, the valet.
(gun fires)
(suspenseful music)
(gun fires)
(cop cries out)
- Call an ambulance!
Help!
It'll be all right okay?
Don't move, don't move, all right?
(suspenseful music)
(gun fires)
(engine rumbles)
- Towns got it's weirdos huh?
(sirens wailing)
(com buzzes)
- [Suzy] Dick, Frank from
Avalon Studios just called.
He--
- Don't want to talk to anyone right now,
can't hear a damn thing.
Tell him I'll call him back.
- He doesn't want to talk to you either,
he just wanted me to tell
you to turn on channel seven.
He said that you'd be very
interested in what's going on.
- You'd better not be wasting my time.
- [Reporter] Caitland Montague who
had moved out of the home of billionaire
father Montgomery Montague lived
alone under the name Caitland Ross.
But it was only last night we learned
of Ms. Montague kidnapping when
her fathers chauffer Richard Gareth
was forced to the side of
the road and shot to death.
Apparently arrangements have
been made for a ransom to be delivered.
And believing Montague was on his way
from his mansion the kidnappers
tried to intercept him.
- Great.
- Okay mate, take five.
Ms. Caitland Ross.
I've heard some wonderful
things about you.
- Thank you Mr. Bunch.
- Please, please, call me dick.
- I'm so happy to be
apart of Visions Dick.
It's such an awesome opportunity.
- So tell me about yourself.
- Well I guess what I am
is just a small town girl
with big city dreams.
- [Reporter] Discovering he was not
in his car but in fact
coming from his boat house
the kidnapper shot the
chauffer and then fled.
- Bury this film real deep.
Yeah, yeah, this ones for
export, she's gorgeous.
Clients gonna love her.
Manny, I want her out of
here as soon as possible.
- Okay.
- [Reporter] Montague's maid Lucy Popus
who narrowly escaped death
herself later called police.
She explained the confusion
about Montague's where abouts
was due to call forwarding.
- That's nice, yeah
that's real nice Darrel,
you're inside watching television,
I'm outside getting my ass shot!
Twice.
One guys got a bullet in
him, another guys dead.
I think it's time we get the cops in here.
- We don't wanna do that.
- What are we supposed
to do, fly all over Iraq?
- Caitland Montague is
not in the Middle East.
- New sources reveal that
Ms. Montague's captors
are demanding 20 million
dollars for her release.
Under her alis Caitland was trying
to establish a career as a model.
- Eric, she's been kidnapped.
- God.
Darrel, what the hell is going on?
Does Montague know about this?
- Not until a few minutes ago.
I mean he just called
and said they contacted
him last night and he
didn't want anyone to know.
He was just gonna pay them ransom
rather than risk her life
but things got all screwed up
and now it's leaked out to the press.
He's getting desperate.
- Did he talk to the FBI?
- Yeah but I told him they
would just screw everything up,
they should leave him out of it.
- Oh and this man listens to you?
- Hey at least we have something to go on,
okay we are closer than
anyone on this thing.
- [Reporter] About Caitland
Montague's whereabouts
please contact the Las
Vegas police department.
- You idiot.
You were supposed to check her out.
- Don't do that Dick.
There's no way I could've
known who she was.
- If we could just--
- Oh really?
Well apparently Amir was
smart enough to figure it out.
Look, just tell me
exactly what you told her
before you put her on the plane.
- Same exact thing I tell all of them
before I put them on the plane.
I showed up at her door.
I told her she had a job in London.
She was peeing her pants
she was so excited.
I took her to the airport,
I put her on the plane and that was it.
11 hours later I spoke to Amir,
he said that she got there safely.
- Jesus Christ, you are right.
- Dude, I gotta get Sam out of there.
- Nope, Eric please.
She's the Growl Girl for Christ's sake.
Don't, you'll blow our
cover if you do that
- So obviously she tells him who
she is figuring out that
would be her ticket on.
And then of course, Amir,
that double crossing
little midget, kidnaps her
and then tries to kill me.
- That doesn't make any sense.
Why would they try to kill you?
- Because you don't kill
the daughter of Montgomery Montague.
Bastards rich enough to hunt you down
for the rest of your life.
- I don't get it.
- Do you know what's going
to happen when she gets home?
She's going to tell the police how you
and Visions tried to give
her over to a bunch of ragged pimps.
Oh you got it now have you?
We know far too much.
Yeah, I'm sure Amir
figured he had no choice
but to come on over here and kill us.
- Kill you.
- Oh, you was meant to
be in that car to Manny.
(shoe thuds)
- What's that?
All right, if they want to
play hard ball, so can we.
(bug crunches)
- That's, dude that's the bug.
Shit, come on, shit, they're less to bug.
- Eric please.
- They found the bug.
- It's cool man, he
thinks Amir planted it.
- Eris please, just stay with
it okay, okay we lost the bug.
But this scum bag is gonna
lead us right to Caitland.
- I'm telling you right now,
it's time to bring the cops in.
- Man, no we got these suckers caught,
if anybody else comes in
they could fuck it all up.
- Mean while what if
something else goes wrong?
- Eric, please I will get the
cops in soon enough, I swear.
But for now, let's just
find Caitland, please?
- Call Abib.
- Why?
- I want Amir's number in Las Vegas.
I'm going to draft a letter explaining
our entire operation,
including our ties to Amir.
I'm going to put this in a sealed envelope
which you will hand
deliver to my attorney.
I will then make it very clear to Amir
how dangerous I am to him
dead which will make it--
- [Suzan] Dick?
- Suzan you are interrupting.
- Police are here and they
want to talk to you right away.
- I will be out soon,
as I was saying it will make him
even more receptive to the
idea of a meeting with us.
So, get ahold of Eric, I want
this whole thing played down.
We give the cops a statement
and it's business as usual.
Got it?
- Got it.
- Good.
(dramatic music)
- All the arrangements have been made.
These are the instructions
to the rendezvous point.
We're to meet them.
(phone rings)
Hello?
It's Dick Bunch
- Hello?
- Hey, hey are you okay?
You disappeared on me.
- Hey man, yeah, I was giving
a statement down at the police station.
Dick was convincing bro.
He gave them this song
and dance about how he didn't
know anything, what was going on.
Even I started to believe him.
- What do you expect?
- At this point anything goes, huh?
- I'm glad you're all right.
Listen, I'm calling to let you know
I'll be staking out Visions tonight.
If Dick's going to be making
a move, it's going to be soon.
You want to join me?
- I can't man, Sam's coming over.
- All right well I'll call
you if anything goes down.
- Yeah listen, you do me a favor, okay?
You be careful Darrel.
These guys, aren't
having a pissing contest.
- Look, I will call you before
I do anything, all right?
Hey, we're a team, right?
- Absolutely man.
Okay, listen someone's here, I gotta go.
Okay buddy, bye bye.
- Eric.
Suzan told me what happened.
Oh, I get so worried about you.
You all right?
- Yeah, yeah, I'm fine.
Listen, I um, great gig or not I don't
think that you should go back to Visions.
I'm not.
I just care about you too much.
- Okay.
- Okay.
(dramatic music)
(phone beeps)
- Sorry.
I gotta go, sorry.
- What is it?
- You know my mom, she's been really sick,
I told to page me if she needed me.
- Okay, well.
- Bad timing.
- Tell her I hope she feels better.
- I will.
- I think I'm falling for her daughter.
- I'll tell her.
- Okay.
- Bye.
(suspenseful music)
- Come on.
- [Bunch] Did you get that
letter to my attorney?
- [Manny] Yeah.
- [Bunch] Good.
- Now what?
- We go to the Palomino
club and we sit tight.
- [Manny] Why?
- [Bunch] Cause they're gonna contact us
there to tell us where
the actual meeting with
Amir is gonna take place.
Okay?
Well let's go.
Don't look so nervous.
(engine rumbles)
(dramatic music)
- Hello.
- Eric, Darrel.
Listen, I hope I'm not
interrupting anything but.
- No, no, that's all
right, what's going on?
You all right?
Darrel you all right?
- Yeah. Look I followed Dick,
over to the Palomino club.
Do you remember that guy we saw outside
my window yesterday in the parking lot?
- Yeah.
- Yeah, well he's here to.
- What's he doing?
- So far he's just sitting at his car
but I'm sure that's just temporary.
It just seems every time this guy shows up
the shit hits the fan,
you know what I mean?
- All right man listen, just sit tight,
okay, I'm gonna be there in 15 minutes.
- Thank you.
- Get a grip Manny,
everything's under control.
Hello darling.
- So what do we do now?
- We wait.
And we enjoy the entertainment.
Okay?
(dramatic music)
(suspenseful music)
- Glad to see I did not underestimate
your ability to perform.
- I followed your
instructions to the letter.
Now where's my daughter?
- And your daughter will be back soon.
- That's not acceptable.
Where is she?
How do I know she's all right?
If I'm not satisfied that she's all right
you're going back empty handed.
(suspenseful music)
- Yes.
He wishes to speak to her.
(suspenseful music)
- Caitland.
- Daddy, I wanna come home daddy.
- You all right?
- Daddy please, I am so sorry.
- Now just calm down, I'm here,
I'm taking care of everything.
- I'm sorry daddy.
Just give them the money okay?
I don't wanna die, I love you.
I really love you.
- I'll get you home safe, I promise.
- Your daughter will be
home safely in a few hours.
- I'm gonna tell you something
and I want you to listen very carefully.
If my daughter is hurt
or violated in any way,
this money would mean a damn.
You have no idea what I'm capable of.
- What's going on?
- Nothing yet.
Our friend is right over there.
He's been camping out
ever since he got here.
I've been watching both doors though.
Dick and company are still inside.
- What if they went out the back?
(car door bangs)
♪ I want you to notice ♪
♪ You're wrong again ♪
(dramatic music)
♪ I'll break the chain ♪
(dramatic music)
There they are.
- Looks like the others
haven't shown up yet.
Let's just stay out of sight and wait.
♪ I want you to notice ♪
♪ It happened again ♪
♪ I want you to notice ♪
♪ You're wrong again ♪
(dramatic music)
- Hey, hey, where you going, hey?
- Sam?
I guess your moms feeling better huh?
- Look I can explain okay?
This just isn't a good time.
- That's all right,
I don't think you need to
explain, I think I understand.
- It's not the way it look okay?
Now please just get out of here.
- You heard the lady,
shove off, she's with me.
- Hey look man, nobodies talking to you.
So just keep drinking all right.
- Eric.
Go home, I'll talk to you tomorrow.
Okay?
- You're making a big mistake boy.
- Eric, just calm down.
- Sam.
- You don't even know
what's going on here.
- Eric.
Son of a bitch.
- Your car is waiting for
you out front gentlemen.
- Let's go.
- All right it's time to go
buddy, it's time to leave.
- Look this is my business all right?
You guys just get lost.
Sam.
- All right, you want to be tough guy?
- Oh my.
- Get off me man.
(whacking)
(crying out)
(dramatic music)
- Come on Sam.
Come on Sam.
(engine rumbles)
Come on.
Damn it Sam.
(dramatic music)
(whacking)
- You're a dead man now boy.
(whacks)
(man cries out)
- Ray!
Damn it.
- Sam!
Wait!
- Believe me, I'll talk to
you later, I'm sorry Eric.
I'm sorry!
- Are you involved in this?
- Will you come on, they're getting away!
Screw the hormones man,
goddamn it you asshole.
All right babe, go ahead,
follow that town car.
- [Eric] You fucking nuts man?
Put that gun down.
- Not a chance okay?
I didn't wanna tell you this
but just before Dick;s car blew up
I saw your little sweetie pie
here drive away with our mystery man.
- He's my partner.
Look Eric, I haven't been totally
honest with you all right.
What happened between us,
that was real okay but I'm not a model.
I work for the FBI.
- The FBI?
- Yes, it's true I've been assigned
to find Caitland Montague
and the kidnappers.
- How would you know about the kidnapping?
Monty just released the information today.
- What are you talking about?
- Darrel here is a private investigator,
Darrel, tell her who
you're working for man.
- If you're following the kidnappers
why are you chasing Bunch?
- Cause the two are tied together.
We've had Visions staked
out for a long time now,
we know Dick Bunch runs a
white slavery operation.
In fact we finally got the hard evidence
we needed at the airport yesterday.
We had agents on one of the planes
to intercept the model Kathy Juno.
Some bozo must have screwed
up the whole operation
by calling the local police.
- Yeah it's amazing how one jerk off
can spoil everything, isn't it?
- Yeah.
Anyway Montague contacted us a week ago
and gave us pictures of his daughter.
We saw them as shots of a
Visions model, Caitland Ross.
That's when I went in as a model.
We knew eventually Dick
would lead us to Caitland.
You know I talked to Montague my self,
he never mentioned anything
about hiring a detective.
- He didn't actually personally hire me.
- Wait, wait, wait a second,
what are you talking about?
- Well you know I was
independently working for him.
- Wait a minute, what do
you mean independently?
- I was trying to get the reward.
- The what?
- The reward, the reward okay, the reward.
- There's a reward?
- Yes.
The Montague's may not have been
all that cozy to each other
but old Monty still put up
a million bucks to find her.
- A million dollars?
A million dollars?
Darrel you told me 150 bucks,
you told me you were
gonna pay me 150 bucks.
- Damn it, where are they?
Damn it.
(suspenseful music)
- Bro I was gonna split it with you 50 50
I just didn't want to say anything
in case we didn't find her.
I swear.
Bro it's me.
(suspenseful music)
- What the hell are these guys doing here?
- It's a long story Ray.
So what's the status?
- They just entered that warehouse.
(suspenseful music)
- The backups are on the way.
You guys stay here.
In the meantime I'm going
to check things out.
Don't move.
- [Sam] Okay.
(hatch rattles)
(suspenseful music)
- Open it.
(case clicks)
(suspenseful music)
- Mr. Charm.
(suspenseful music)
- Follow me.
(suspenseful music)
- Stay here guys.
(suspenseful music)
- Amir old son.
Now we had a great relationship,
I'm very disappointing you
decided to screw it up.
- 20 million dollars is good enough
reason to screw up relationship.
- Montague's a very powerful man,
messing around with him
could get you killed.
- His daughter will be returned unharmed.
- And talking of killing,
you tried to do me in, didn't you?
To cover your tracks eh?
- That was poor judgment on my part.
Look.
20 million dollars is good enough reason
for us to all disappear, very, very rich.
- [Bunch] Well personally speaking
I don't want to disappear.
I'd sooner that the old
girl shag every agency
in the world looking for us.
- Well you're not calling
the shots here Mr. Bunch.
Let's just reason this out.
That letter to your attorney
would grieve us greatly,
as would your sudden demise.
I'm sure we can come to terms.
- Don't count on it.
All right now, I'll be the
once calling the shots.
You move.
Come on Manny, let's get the girl.
Here, she's in here.
(suspenseful music)
- Okay, the girl dies.
- Yeah?
She'll have company.
- This is going to be hard enough.
We need to work together.
- Don't bet on it.
Manny, get the girl.
- Dick he's right, we
need to think about this.
- I'll do the thinking you
dumb shit, just get the bitch.
Go on.
Don't even think about that.
- Mr. Bunch what do you
get out of killing us?
- I'll sleep a lot better.
(Manny whacks)
(Dick cries out)
- [Amir] No don't kill him, the letter.
- Oh that's right, the letter,
the letter to the attorney, right.
This letter.
- What the hells going on?
- [Amir] You should treat
your people better Mr. Bunch.
When Manny found out the girl
was Caitland Montague
he came to us, not you.
- Manny I treated you good.
- You treated me like shit Dick.
- Listen we've been
through a lot together,
now don't team up with them jokers.
You're much better than that.
- Oh I'm not teaming up with them Dick.
(gun fires)
- Oh!
- But I'm not teaming up with you either.
You really think I'm stupid don't you?
She never made it to the plane Dick.
And you'd be surprised how easy
it was to get these idiots
to extort millions of
dollars from her old man.
- Okay, than you got your money eh?
Well there's no need to kill me to.
- Oh no see Caitland Ross
left a gleaming trail
right to your front door step Dick.
It's gotta end there, I'm sorry.
There's nothing I can do about that.
They're just gonna have
to find what's left of all
of you in the charred remains
of this unsafe old warehouse.
- But they'll know that you've run
off with the money,
they'll be looking for ya.
- Oh no, you see I'll just scatter
a couple piles of money around.
It'll be worth loosing a couple
of million, don't you think?
To make sure that Montague and
the cops sop looking for me.
That's it you see?
They'll have the kidnappers.
They'll think the money burned in the fire
and sweet little Caitland will
be at home, safe and sound.
- Excuse me Manny, you are not
thinking this thing through.
- She can still identify you.
(gun fires)
(Dick cries out)
- I am not the idiot you think I am.
(dick crying out)
- Guys come on.
- Can't believe this guy.
- [Darrel] Come on, come on.
(suspenseful music)
(gun firing)
(suspenseful music)
- We can't go back out
the same way we came in.
- So what do we do?
- I'll check it out.
- Ms. Montague, I'm Darrel Chism.
I'm the guy who's rescuing
you, Darrel Chism, C-H-I--
- Will you shut up?
You're scaring her.
(suspenseful music)
(gun fires)
(Ray cries out)
- You guys stay here.
- Hey, watch her.
(suspenseful music)
- Shit, Eric doesn't have a gun.
- Who are you guys.
- Just stay here, don't move
a muscle okay, don't move.
Chism.
(suspenseful music)
(gun fires)
(suspenseful music)
(gun firing)
- Oh God.
Come on.
(dramatic music)
(whacks)
(suspenseful music)
(whacking)
(crying out)
- Hold it!
- It's over Manny.
- FBI.
- Caitland.
Caitland, don't do it.
He's not worth the Caitland.
- Everybody drop them.
- No, you don't understand.
- Yes I do understand,
every body drop them.
- Thanks for showing up.
Give me that, get over there.
Move, put it down!
Get over there.
You.
(whacks)
(cries out)
Get over there by your friends.
Get down.
(whacks)
(cries out)
I said get down, move.
- What do we do with him?
- Tie him up.
- Caitland, he's scum,
you don't want to do this.
- [Manny] Shut up.
- Manny is the best thing
that ever happened in my life.
- Sure, it takes some one real special
to help you screw over your own father.
- I'm not screwing him, he screwed me.
- [Manny] Shut up.
- My father never gave a shit about me.
So when he couldn't
control me, he cut me off.
That 20 million dollars is mine!
- Shut up!
(suspenseful music)
Babe you know what to do right?
You go down the road, you call the police,
and you tell them you just
barely go tout of here, Cait.
You with me?
- Yeah Manny, I'm with ya.
- You're sick, pathetic.
- Shut up!
(suspenseful music)
- Oh shit, hurry up, tie him up, hurry up,
we gotta get out of here!
(suspenseful music)
- Now Manny that is really stupid.
Drop those guns or I'll drop
this and blow us all away.
(suspenseful music)
Now I want you to, I want you to--
(suspenseful music)
- Got it!
(suspenseful music)
(gun fires)
- [Caitland] Manny!
No, no!
(suspenseful music)
- Come on, let's go!
(Caitland crying)
(suspenseful music)
- Now, come on!
Come on!
(warehouse booms)
- Holy smokes.
(warehouse booming)
- Woo wee.
- Whoa.
- You have the right to remain silent,
you give up the right to
remain silent anything--
- Anything I say can
and will be used against me in
a court of law, yeah, yeah, yeah.
Been there, done that.
- Well let's do it again.
- Hey, hey, easy, easy.
- What, what?
- Easy man, easy.
- Hey, hey.
Don't think I'm forgetting
about my reward!
We got the money, we
go this daughter back.
It's not my fault she's a conniving bitch!
(dramatic music)
- [Sam] Hey.
- Hey.
- Whoa, impressive you guys really did it.
- Yeah, thanks to the reward money.
- Darrel, I had no idea you
knew a thing about advertising.
- Well I don't but what did
I know about being a detective, right?
- Oh thank God those days are over.
- Amen.
- Yeah, actually Darrel's doing great.
Just got us the Muan Hotel account.
- Hey, congratulations.
- Thank you.
Which reminds me.
You two crazy kids better
hurry up and get going.
You have an appointment with them at two.
- Okay, we'll see you buddy.
- Bye Darrel.
So what do you want for lunch?
- I don't know, where should we go?
- How about my place, we
could start with dessert.
- Sargent Harris please.
Thanks.
(dramatic music)
Jack, Darrel.
Listen, you know those Italians
you're trying nail for counterfeiting?
Yeah, are they still offering reward?
Really?
Well, guess how I'm meeting
with today at two o'clock?
Right, right.
Yeah, I think I can get right inside
their operation but I'm
gonna need your help.
Yeah, easy as pie.
(dramatic music)