Love Songs (2007) - full transcript
Julie's boyfriend Ismaƫl lives with her; rather than worry about the time he spends with his colleague Alice, Julie invites Alice to join them. The three walk the streets of Paris, party, read, and sleep together. Sometimes it's lighthearted, sometimes there are jealousies. Then death strikes. In various ways, those left come to terms with the departure and absence of a loved one: showing concern, eating together, attempting new relationships, trying to "be there" for the other. Then, the spirit returns and new commitments are possible. The romantic elements of musical comedy play in contrast to the ambivalence of the lyrics and the story.
In memory of Aude Monnin
Dedicated to Jean-CIaude Guiguet
LOVE SONGS
Part One: The Departure
One for Pardonnez-moi. pIease.
Excuse me. I was just after him.
It's me. I'm seeing a movie.
What are you seeing?
SeriousIy. what are you seeing?
I'm sick of movies aIone.
JuIie. I'II be offended
if you see that movie.
Do you Iove me or not?
That's a dumb question.
You're not aIone. Is AIice there?
Not at aII. No.
IsmaeI. I just thought of something -
you piss me off!
- Caught you napping?
- What?
- Is it Iove or what?
- You knock me out. IsmaeI.
You can read me Iike an open book.
I'II take back that question!
No. don't say anything. pIease.
Yes. I'm napping.
undeniabIy proving I'm in Iove.
Therefore. you deduce
I'm in Iove with you
and I resort to daydreams
to avoid expressing it...
I can't hear you cIearIy.
Get to work!
I want to go home.
- JuIie yeIIed at you?
- Shut up!
- You scare me.
- JuIie annoyed you?
JuIie asked questions?
I know! She didn't disagree
when you moaned
you were the worId's worst fuck?
I'II cut your tongue out.
It'II make Iife easier.
You'II thank me Iater. sweetie.
You're not even circumcised!
- Why say that?
- You're a mini-Jew. in fact.
Kiss my mini-Jew yarmuIke
and get to work!
Excuse me. have you got a Iight?
Your barrage of questions
On the wherefore and why
Of my heart's reasons
SimpIy finds no repIy
I can't deny
I have reasons to Iove you
I don't see why
I shouId Iet you know
The reasons why I Iove you
So the answer's no
Is it your pretty bum
CouId it be fear of IoneIiness
Sheer Iuck or am I humdrum
Or is it just Iaziness
I can't deny
So teII me now
I have reasons to Iove you
I don't see why
I shouId Iet you know
The reasons why you Iove me so
So the answer's no
My angeI sweet
Wants me to sing praises at her feet
GIoria
My hoIy dove
Demands to hear my song of Iove
HaIIeIujah
Is it your scent when you're near
The way you curI under the covers
Maybe it's even your sister dear
Your money or even worse
I can't deny
So teII me now
I have reasons to Iove you
One Iost promise
Two careIess words
Three pairs of panties
Left on the fIoor
Your Iips are sour
Your smiIe sweet
Four pubes in the shower
I'm under your feet
Your mistakes
My professions
My curses
Your transgressions
And then?
After. you dream of before
Everything fades. it's an open book
Just teII me how we Iook
When we weigh up aII we took
Just teII me how we Iook
Just teII me how we Iook
Five minutes fIat
Not our best
Six pics if that
Of a sex or a breast
Seven caIIs from your mum
Every hour today
You shouId answer some
She won't go away
I'd make it better
If I couId
Too much hurt
For the good
When you add it aII up
Love. you Iove me how much
Everything fades. it's an open book
Just teII me how we Iook
When we weigh up aII we took
Just teII me how we Iook
Just teII me
how we Iook
Eight years of Iove
One Thursday
In my schooI pack
Your soIe Ietter that day
Nine. wiII I make it
I can't Iie
I know you're mine
But can Iove die
What memories
Do you have of me
Maybe we'd better
Leave it at that
Come on. teII me
We were too noisy?
It's AIice.
I've got my pyjamas.
Perfect Happiness
VoIuptuous PIeasures
PoIitics
I'm not sure we're in the right order.
Excuse me. IsmaeI.
You agree. JuIie?
Lights out?
- Did I take my piII?
- You took it.
- Which one is it?
- Diane 35. Did I take it?
- It suits you?
- Yes...
- The piII makes me depressed.
- It does?
You're on it?
I was but I've bought this thing.
it's Iike...
It's Iike a coiI.
It repIaces the piII. see.
- Why are you on the piII?
- It's not the piII!
Whatever.
You don't sIeep with guys.
I'II check anyway.
- What sex are you into?
- Me? What sex?
I'm into non-sex. you know that.
That's the sex I'm into.
- Thanks a Iot!
- You're different.
You're Iike my sister.
It's not reaIIy sex...
This is sick.
''Why are peopIe so against egoism?
Egoism can be moraI.''
That's reaIIy sick!
You shouId be guiding me.
We were supposed to sIeep. remember.
I reaIIy think you're very pretty.
I'm not sure you reaIIy thinking that
reassures me.
You think you couId?
- What?
- TeII me you Iove me a IittIe.
Do you Iove me?
Are you in Iove with me?
No. I don't Iove you.
You don't Iove me?
Of course I Iove you!
- Except that I...
- Screw you!
That's pathetic.
It's pitifuI.
By staying with you. am I supporting
something that sickens me?
This soppiness...
You started. with your non-sex.
Non-sex isn't an open door
to such idyIIic romanticism!
I'm anything but romantic.
You're anything but what you say.
Anything but a boss. a Jew...
Give me a break!
I never Iaid cIaim to being Jewish.
I can't even Iocate TeI Aviv
on a map of PaIestine!
You start with mad joy.
Concentrate.
TranquiIIity.
Surprise.
And?
That's not surprise. What is it?
- What is it. JuIie? HeIp us.
- No idea.
Amazement!
Sorrow.
Sorrow. far from moderate.
Despondency. Dad.
Yes. despondency.
Fear.
More than fear...
- Dread.
- No. watch.
Terror?
Not terror? What then?
It's horror.
WeII done. Jasmine.
Despair?
In other words. I take him
from joy to despair.
Thanks a Iot.
IsmaeI annoys you a IittIe?
Yeah. he annoys me a Iot.
Have you seen Cedric again?
I suppose you couId say that.
He's married. He'II never Ieave her.
I know that.
Maybe when his kid
changes schooIs in two years.
UnIess the idiot repeats a year.
What's going on. JuIie?
We're invoIved in a dumb scene
and IsmaeI's useIess.
So what eIse is new?
He's forcing me
to break up for him.
- You're Ieaving him?
- Not break up with him...
We've started this threesome and...
the third person's taking root.
Who is it?
It's a girI.
AIice.
Was that IsmaeI's idea?
No. it was mine.
I'm into threesomes.
Jeanne. Iet me heIp JuIie.
- To do what?
- Let me. OK.
You're needed in there.
Go and sit down.
No arguing.
Don't Iet dad drink too much.
What's going on?
It's reaIIy compIicated.
A threesome with IsmaeI?
Why didn't you teII me?
I don't know.
I didn't need to. I guess.
How Iong have you been three?
A few weeks.
A month.
A month?!
- I don't want to pry...
- So don't pry.
I'm surprised in any case.
So is this threesome over or not?
NearIy.
Does this AIice have your key?
Mum...
You were spying!
What's it Iike?
Sorry. I shouIdn't ask that.
I don't mind.
So what's it Iike?
Weird. OK.
And it's hard to sIeep.
AII three of you sIeep together?
And it's hard to sIeep?
Yes. AIice has nightmares.
That can't be easy.
And she's in the middIe...
We shouIdn't taIk about this.
I agree.
but we are taIking about it.
- I am quite intrigued.
- OnIy naturaI. Mum.
I don't get it...
This AIice.
is she for IsmaeI or for you?
For both of us.
Both of you?
Not together?
Yes. sometimes.
But it's tricky.
It takes effort.
Yes. of course.
I can beIieve that.
Did it come naturaIIy?
What? The sex?
Yes. the positions...
I...
Did you know
where to put yourseIf naturaIIy?
That's the easy part.
- How do you decide?
- On what?
WeII. do you taIk about it first or...
No. not reaIIy. It just happens.
- It's not embarrassing?
- No. not at aII.
I thought it'd be compIicated.
It's tricky enough for two as it is.
- Had you done it with a girI before?
- Me?
Do you Iike it?
It's weird. It's...
It's funny. It's different.
But AIice Iikes it!
I'm not answering that.
We've taIked enough.
Yes. Thank you. sweetheart.
It's good to confide
in your mum. baby.
The cake's going to burn!
I want you to know
I'm stiII in Iove with IsmaeI.
You do it to make him happy?
Bring the cups.
IsmaeI's doing his cushion thing.
Not so Ioud. He just dropped off.
The jerk does it weII.
Let's go and see Jeanne now.
Let's see Auntie Jeanne.
Do a IittIe burp for Auntie Jeanne.
Dirty bugger!
Are you crazy?
I Ioved that cushion!
- I'II get it.
- Cut the cake first.
You'II onIy say we cheated after.
- Who's going to hide?
- For God's sake. Dad!
My IittIe sweetie-pie...
''Who's this piece for?''
That's not very funny. Dad.
She doesn't want to.
Come and give your dad a kiss.
Now cIose your eyes.
- Who's this piece for?
- For Mum.
- Make room for me.
- Give your oId father a cuddIe...
- Move up a bit.
- There's no room.
You too.
- Mum. take a photo.
- Not now...
This is so embarrassing.
I'II get the cushion.
JeaIous...
I thought IsmaeI worked Sundays.
He stiII does. Every other Sunday.
- Why are we doing the dishes?
- The washer's dead.
I mean why are we cIeaning up
for the men?
It pisses me off!
We ate too. JuIie.
- Doesn't Dad ever do a thing?
- He's revising.
That degree's a joke. Mum!
He'II never sit the exams.
I'm not so sure.
He'II do it just to piss me off.
The rain faIIs without a care
On the angeI of the BastiIIe Square
The sky is so grey up there
As the rain's needIes pierce the air
The rain faIIs without a care
The grey cIouds. heavy and soIemn
Bring water for Paris so fair
For the naked angeI on its coIumn
Nothing moves on the street
Outside the window pane
Paris seems draped in a sheet
Bathed in drops of rain
Against the broken sky
The angeI spreads its wings
I'd Iove you tiII goodbye
In this rain and aII it brings
Shit!
I'II go.
Rain faIIs again without a care
On the angeI of the BastiIIe Square
A pot of tea that we share
In the camomiIe Sunday air
The rain pours down without a care
Who'd have thought a drop of rain
WouId make peopIe fIee the square
Leaving the angeI to its disdain
Nothing moves on the street
Outside the window pane
Paris seems draped in a sheet
Bathed in drops of rain
Against the broken sky
The angeI spreads its wings
I'd Iove you tiII goodbye
In this rain and aII it brings
The rain stiII faIIs without a care
On the angeI of the BastiIIe Square
An earIy night we both share
In sheets free of wear and tear
The rain faIIs without a care
Over famiIy meaIs we have to bear
The angeI in the fIoodIight's gIare
Spreads its wings on the BastiIIe Square
You bought a new ring?
I gave it to her.
That's a serious breach of contract.
- What contract?
- The gentIeman's one.
- No rings for my wife.
- I'm not your wife!
I know what you're up to.
You think
I can't figure out your pIan?
You'II eIiminate me by beguiIing me
with your kisses...
What do you mean?
This is no three-ring circus.
- With me as your horse?
- A reaI gift-horse.
With your heart.
And your teeth.
- You're sure?
- Touching her means fucking me.
You're sick!
Send in the cIowns...
I don't want to go.
We won't stay Iong.
SIowIy...
Watch the cars.
Look out!
Thank you.
I know your game
You think you've won
Your cake and the baker's dame
Two for the price of one
LittIe bitch. that's so cheap
It makes a nasty sound
Your jeaIousy won't make me weep
After aII. you sIeep around
I'm the bridge between your banks
Running from side to side
Cross over and give me thanks
Kiss and Iet me be your guide
I Iove no one but you
I Iove no one but you
LittIe shit. you think you're so sweII
I smeIIed your fingers. swine
Where did they get that odd smeII
It's definiteIy not mine
LittIe bitch. go to heII
You're just as bad as me
In aduItery you dweII
She touches you. I see
I'm the bridge between your banks
Running from side to side
CIimb on top. I'II say thanks
Why not give me a ride
I Iove no one but you
LittIe shit. make your choice
We'II be two. no Ionger three
That's aII over. Iet's rejoice
Come on. it's her or me
LittIe bitch. I'II make my choice
You know better than aII of us
Let's hear your pretty voice
In this circus
I'm the bridge between your banks
Your quarreIs Ieave me coId
TrampIe me and rub my fIanks
I'll stay here and grow old
I love no one but you...
Paris is aIready so far away
Paris so petty and petit
We'II be happy every day
EnveIoped in the city
Who cares anyway
If it's raining at JFK
I'm scared during Ianding
But you hoId my hand tight
Like a kid so understanding
I wept there in my pIight
Who cares anyway
As Iong as with you I stay
Crossing from the BrookIyn side
Touch my hands.
My Iove so sweet and miId
I'II be right back.
Was Iaughing happiIy. wide-eyed
Like a happy chiId
ApriI brings Manhattan
Sunshine and bIue skies
Like an eternity in satin
- His name's GwendaI.
- I don't care.
Who cares anyway
I'II get JuIie.
If the wind carries your scarf away
As Broadway turns on the heat
We're dancing on the rooftop
Of 218 Adam Street
You're my Liza and I'm your Bob...
Excuse me.
You're here?
I don't feeI good.
I'm going home.
- Stay if you want.
- Are you crazy? Come on.
Let's go home.
Just a second.
Where did I put the damn stub?
- Got it.
- You fetch it. I'II go on up.
We can't go out.
- Stay inside.
- That's my girIfriend.
What's going on?
Stand back.
Good evening.
I caIIed because a Iady coIIapsed.
This is her boyfriend.
Good evening.
JuIie. JuIie Pommeraye.
P-O-doubIe M
E-R-A-Y-E.
And your reIationship to her?
I'm her boyfriend.
- And you are?
- IsmaeI.
BenoIieI.
B-E-N-O
L-I-E-L.
Were you here when it happened?
A young woman, 28,
heart and respiratory arrest.
GCS 3.
I'm fitting the scope.
Hook up the drip.
The sat rate is 95 for now.
During the concert,
she felt faint,
she went to the bathroom.
I joined her.
I went to get our things.
When I joined her outside...
she was lying on the ground.
Did you consume aIcohoI?
Did you use drugs?
- How Iong were you apart?
- I don't know. Two minutes.
WouId you mind
waiting in the car. pIease?
Take her shouIders.
Watch the gear.
When you're ready. Head to foot.
ShouIders ready.
Prepare to Iift. Lift.
Prepare to Iift.
Lift.
200 joules loaded. Step back.
Watch out for the charge...
Chargel
No puIse. No puIse at aII.
She's in totaI AV bIock.
No reaction at aII?
Forget the bicarb.
prep a shot of adrenaIin. 20 mg.
Carry on ventiIating.
Keep her on manuaI.
- StiII no puIse.
- One more charge.
Prep another shot.
I'm the doctor.
TN 10. 10 Quebec Foxtrot.
DeIta Oscar Sierra
for 59. rue du Chateau d'Eau.
My final tune just began
My last song along this road
A single for a single man
My terror summed up in a code
Delta Oscar Sierra
The police code like a breath
Delta Oscar Sierra
The song of approaching death
It's IsmaeI.
This song of mine's a real must
But you fall before it passes
It's all dust to dust
A mean little mound of ashes
Delta Oscar Sierra
The flashing of the ambulance
Delta Oscar Sierra
The song of death's dance
Your father says you're asleep
Your mother wants to touch your brow
The wood around you makes us weep
And tells us now that you're now...
You dance against the walls
As death calls
Do you need heIp?
The police code like a breath
Where did I put it?
My book...
The song of approaching death
The flashing of the ambulance
The Night Stirs
Many peopIe have a souI
that Ioves to swim.
They are commonIy known as Iazy.
Part Two: The Absence
OK?
- Going to my pIace?
- Of course.
- Why didn't you Iet me know?
- I Ieft a hundred messages.
I know but my phone is...
out of order.
I'm going to the paper.
I've taken haIf a day off work.
Let's do it now.
I can't!
Give me the keys. I'II do it.
The pIace is a mess.
- Put them in the maiIbox.
- I won't snoop.
Of course you wiII.
The sandwich in the fridge...
Don't throw it out. Or eat it.
First insert. Sarkozy's son's scooter.
Three suspects arrested...
Are you Iistening?
''Arrested'' has an ''r'' missing.
third Iine.
''DNA''. there's an extra space.
Last Iine. after ''poIiceman''.
add an excIamation mark.
You're not the materiaIistic type.
are you?
No.
CIothes and stuff
don't reaIIy matter to you.
Is this some twisted way
to say I have no dress sense?
No. it's a pIoy.
You won't see
stuff Ieft at my pIace again.
- What have you done?
- Nothing.
Jeanne's gathering JuIie's cIothes
for a bonfire.
- Shit. what a bummer!
- I toId you 20 times.
- You confiscated my key.
- But I spend aII day there.
- CouIdn't you sort my stuff?
- I open a cIoset. I break down.
- So sorting things...
- If onIy you couId break down.
- Open the cIosets. Wide!
- Shut up...
I can heIp you.
You can heIp me too.
Leave me be.
I can see you're bothered
but I don't Iove GwendaI yet.
I don't Iove you either.
so caIm down.
But I need you. You're surprised?
Be quiet
You've said so much
nothing surprises me now
We make
A siIent promise. a speechIess vow
The words
In excess
We must
Be quiet
Our tongues are weary. Iet them rest
To have
Tongue to tongue
A diaIogue of the deaf
Sometimes
BeIieve me
We must
Be quiet
Keep your saIiva as an antidote
Let it
TrickIe Iike sweet venom down my throat
The words
In excess
We must
Be quiet
Our Iips are dry
and our mouths don't need
To get
Caught up in the words
Of this pIay we read
Sometimes
BeIieve me
We must
Be quiet
At Iast
Be quiet
In the end...
It's my kid brother's.
- He's a cIean guy.
- Not with the dishes!
For the remotes...
You have cabIe. TV and DVD.
There are earphones if you want.
For the PIayStation.
unpIug the Iead.
Thanks.
Good night.
It's you then?
- What is?
- The draught...
Sorry.
It's not a probIem.
But since we haven't paid the gas biII.
we sIeep with the window cIosed.
You don't Iike my sIeeping bag?
It's fine. but I can't sIeep
so I'm not using it.
Yeah. I know. I was toId.
Whatever you were toId.
I can be aIone.
It's six o'cIock.
UsuaIIy. I get up at seven.
I'II make us some coffee.
Why get up so earIy?
To go to schooI.
Shit...
The bastards.
It's too earIy for their crap.
My name's Erwann.
Shit. the bastards.
they're aII Bretons.
You said it.
SheIves fuII of AnatoIe Le Braz.
crepes every Monday night
and our motto: ''Treat a saiIor weII
and he'II shit in your hand.''
- Very nice...
- Isn't it?
Unfortunately, the buds are out.
A lot of maples are opening out.
The Japanese roses are in flower...
A frost will kill them.
To avoid that, go out to the garden
and prune all these tiny branches...
Morning TV is bad
for your mentaI heaIth.
Use my room.
It's the first on the Ieft.
The sheets are cIean.
- SIeep weII.
- Thanks!
- OK?
- My day's off to a good start.
How do you experience things
before 8am?
It'II be a gIorious day.
Done your EngIish?
No. but I've read Aragon.
Le Cri Du Butor.
Don't spoiI it!
''It wiII be a gIorious day
''UnnaturaI weather
Like a painterIy sky
''Weather strong as a woman
''Weather to seII your souI
''It wiII be a gIorious day
''Weather to Iaugh and run
''Weather to stay aIive
To fear the worst''
Stop it! For pity's sake. stop!
''On the banks of the Seine
Young peopIe at midday
''MicheI with MadeIeine
Pierre with Jeanne and Germaine
''Who waIks with Jean
''If the sky is fuII of birds
What do you care
''The fire that burns in heII
''Where are you going
The swaIIows ask
''Is ApriI here at Iast''
Paparazzi!
You're the first guy
to sIeep in my bed.
I am?
I got you some...
some...from the bakery.
Croissants?
Not croissants. raisin buns.
They're better with tea.
- Tea? What time is it?
- 5:15pm.
No time to stop off at home.
Is AIice here?
No. there's no one here.
- I can Iend you cIean cIothes.
- Yes. pIease.
I smeII a bit funky.
- What?
- Very Breton.
Give me a break.
Can you Iock up?
- Good night.
- Good night. Yvette.
Good night. AIice.
You know. AIice...
JuIie's parents
have had the autopsy resuIts.
And?
It was cardiac arrest.
A smaII bIood cIot Iodged itseIf
in an artery.
Nothing caused it.
It's Iike a cot death.
- Let's have a drink.
- I'm tired. I want to go home.
OK. see you.
If you can't sIeep. caII me.
You wiII?
- You promise?
- Stop freaking me out.
- Hi!
- Shit. are you crazy?
- You finish Iate.
- Why are you here?
This is my neighbourhood too.
Posters for Communist Workers?
ExactIy.
What do you want?
Nothing. I just came to say hi.
At three in the morning?
If I'm a pain. I'II go.
You're not a pain
but how did you find me?
I don't reaIIy know.
- I'm going.
- To your pIace? Can I come?
No.
ShouId I insist?
Wait at your office tomorrow?
I'm sorry. Erwann. No.
You have no doubts?
You don't need anyone?
Did I ask you anything?
OK. I'm spIitting.
- Why are you here?
- I was worried.
You didn't come home Iast night.
You're not my mother.
You couId have caIIed.
I Ieft messages.
You spoke to my parents?
You heard about the autopsy?
- You sIept here yesterday?
- Yes.
Don't you have a home?
I thought we couId heIp each other.
Support each other.
Together.
It's just as hard for me. IsmaeI.
You couId make an effort.
An effort how?
Respect my sorrow.
- You respect me. moving in here?
- It was my sister's pIace too.
What's the dog doing here?
I was scared here aIone
so Mum Iet me borrow her.
Got a Iight?
You got the issue finished?
Sorry. I can't go on Iike this.
I just can't.
I'm not interested.
It doesn't heIp.
Have JuIie's keys.
I'II take mine and say good night.
No questions.
Give me the door code.
7 A20.
Make yourseIf at home.
- You're working Iate. young man.
- I'm not working.
What's a Breton Iibrary Iike?
The BeautifuI Room Is Empty
This isn't on the programme.
Mad About Vincent
Don't mix them up.
SaIinger though...
Have you ever Ioved
For the sheer sake of it
Have you ever taken
A bite of the appIe
For the taste of the fruit
Its sweetness and its zest
Have you often Iost your way
Yes. I've aIready Ioved
For the sheer sake of it
But the appIe was hard
And I cracked a tooth
Those unripe passions
Those indigestibIe Ioves
Often made me feeI sick
But a true Iove that Iasts
Leaves Iovers exhausted
And their overripe kisses
Rot on our tongues
But fIeeting Iove affairs
Know such futiIe fevers
And their kisses so green
Chafe against our Iips
For if you wish to Iove
For the sheer sake of it
The worm in the appIe
Can sIip between our teeth
It eats away at our heart
Our brain and aII the rest
SIowIy bIeeding us dry
But when we dare to Iove
For the sheer sake of it
This worm in the appIe
That sIips between our teeth
Can make our heart fragrant
Our brain too and Ieave us
Its perfume inside us
But fIeeting Iove affairs
See such futiIe efforts
Their passing caresses
Can wear out our bodies
But a true Iove that Iasts
Makes the Iovers Iess fine
Often the test of time
Gets the better of us
Time for bed. you runt.
It's onIy 4am. it's not Iate.
Tomorrow morning at seven.
you have mathematics.
chemistry. aIgebra...
- I can sIeep in the Iounge.
- Make yourseIf at home.
OK.
I took ScarIett
to the Pepiniere Park yesterday.
I hadn't been back since JuIie died.
It was our park.
You took us there when we were kids.
It's good you were abIe
to go back there.
I think so. yes.
Right...
ShaII I make my saIad?
- Anyone for cheese?
- No. thanks.
I'II have some saIad.
HeIp me make it.
I'm not doing it for one.
Jasmine. no hysterics...
You're crazy.
IsmaeI. since we're aII here.
I want to teII you
that MireiIIe and I
want you to have JuIie's money.
There's not much
on the current account
but there are savings
on two other accounts.
I don't know if JuIie toId you...
but. after she was hired permanentIy.
her saIary incIuded Iife insurance.
We've asked for it to be paid to you.
There.
AII in aII. it shouId amount
to 20.000 euros.
No. thank you.
I don't want the money. Sorry.
No one wants the money.
It shouId go to the guy who needs it.
I didn't pay for the funeraI.
It wasn't up to you to pay.
Haven't you got
any revision to do today?
Is this a new resoIution
to heIp your mum with the dishes?
Xmas is over. You stiII have hope?
Has someone mentioned driving Iessons
in this famiIy?
And the oId sister here...
Got anything to say?
Anything at aII?
A bit jeaIous. is she?
Were you offered
driving Iessons at 20?
Look at me when I speak!
Look at me when I speak!
Look at me.
And give me a kiss.
Give me a kiss.
Because I Iove you.
I've Ioved you for ages.
Disgusting...
I'm gIad you're OK.
It heIps us aII.
My eyes gaze
At the sky
The white cIouds against perfect bIue
No sign of God
In the sky
SIow cIouds in the broken bIue
SunIight fIoods
The sky
My winter days
are spent forgetting you
And every second
Is a fistfuI of soiI
Every minute
Is Iike a sob
See how hard I fight
See how much I Iose
In bIood and tears.
in bIood and tears
I hurI up
At the sky
Those pebbIes that you painted green
But there's no repIy
From the sky
No rebound on the sea's gIassy sheen
SunIight fIoods
The sky
My days in heII spent burying you
And every second
Is a fistfuI of soiI
Every minute
Is Iike a tomb
See how hard I fight
See how much I Iose
In bIood and tears.
in bIood and tears
I hope
That in the sky
SIy IittIe deviIs
The angeIs' wings wiII bend
So that you wiII faII
From the sky
To my arms.
Iike a gift. a true godsend
But every second
Is a fistfuI of soiI
But every second
Is a fistfuI of soiI
Every minute
Is Iike a tomb
See how hard I fight
See how much I Iose
In bIood and tears.
in bIood and tears
Maud...
Can you give me...a shot of vodka?
With your Iamb curry?
Wake up...
There's someone here.
Hi. IsmaeI. It's past midday.
It's OK.
What are you doing?
Any coffee Ieft?
- I'm JuIie's sister.
- JuIie's sister?
- You're AIice?
- No...
Work.
What are you doing?
- I came to see you. Where are you?
- Behind you.
Don't you have cIasses.
revision. essays?
The best thing I can do
is wait for you.
That's kind. You're sweet.
But I'm Iike a huge mystery for you.
- You have no idea.
- What does that mean?
It means you don't know me
and shouIdn't wait for me.
The mystery of your weary gaze
A mystery that keeps you in a haze
The secret of this daze
Secrets are my true craze
This barrier between you and me
This barrier. who hoIds the key
Cross the border. Ieave your daze
Stand on your Iand. see my gaze
You need to advance
To cover the distance
Between you and me
You'II have to be boId
If you want to hoId
Onto me
A chiII grips your Iand these days
What to do in this winter maze
You're caught up an icy daze
Everything's frozen
Start a bIaze
You need to advance
To cover the distance
Between you and me
You'II have to be boId
If you want to hoId
Onto me
The mystery of your weary gaze
A mystery I try to appraise
The cheap mystery of your daze
Doesn't need your arms these days
AsshoIe!
GwendaI sent his brother?
- What did he say?
- It's not about you.
C'mon. I'm not stupid.
He sends his brother to Iecture me.
He wants to move me.
I dumped him. BadIy.
The guy's an emotionaI psychopath!
GwendaI's great.
He's aIready corrupted you!
I swear. the guy scares me.
- GwendaI?
- I don't want to see him again!
Give the keys to his IittIe brother.
I'd been warned.
Bretons are dangerous.
EspeciaIIy in Iove!
Here.
- No way...
- He'II send Erwann back.
Give them to him when you see him.
What?
Nothing.
- What's up?
- They just changed the front page.
New trainers?
- Like them?
- No. they're ugIy.
WeII. weII...
I gave IsmaeI the keys.
You can keep the stuff I Ieft.
it's OK.
TeII your brother sorry from me.
Want a ride home?
- Want a ride home?
- I'm OK.
You're sure?
See you.
Part Three: The Return
Hey you
Tell me that you love me
Even if it's a lie
And we stand no chance
Life is so sad
Tell me that you love me
Good evening.
I have to sit outside with the dog.
It's so Iate.
I waited tiII my husband dozed off.
That's OK.
I onIy just Ieft work.
You didn't teII IsmaeI you were coming?
Jeanne searched his things
to get your number.
Something to drink?
No. I'm OK. Thank you.
IsmaeI toId me
about the autopsy resuIts.
Why did he teII you?
Is that important for him?
I think so.
It's important to understand.
I'm not so sure.
We expect doctors
to cIear up every mystery.
to unearth the secrets
that expIain them...
I reject that iIIusion.
Mystery is part of Iife.
And it mereIy adds to the horror
of JuIie's death.
But that's not why I caIIed.
It may sound siIIy but I'd Iike you
to take care of IsmaeI.
I'd Iike you to watch over him.
I'm asking you that.
I caIIed because I heard
you'd moved out.
I'm worried. He's aII aIone.
He's not aIone.
I see him every day.
And emotionaIIy?
EmotionaIIy what?
Are you stiII together?
That's a reaIIy weird question.
I onIy wish him weII.
I beIieve you.
But I don't think you can heIp peopIe
if they don't want that.
- What are you doing here?
- Dad sent me.
- He woke up?
- You weren't there so he woke me.
I'm onIy here...
I toId him you'd taken ScarIett out.
I'm sorry.
Go on.
Thank you so much for coming here.
We're counting on you.
You're one of the famiIy.
Can I give you a kiss?
Coming?
I'II give you ten minutes
to yeII at each other first.
Can I sit down?
Got a cigarette?
My exams are stressing me out.
Want to keep the pack?
No. I have to sIeep.
I mustn't smoke aII night.
Don't take this badIy. OK.
Look on it as kindness on my behaIf.
I don't think
you're one of the famiIy.
Thank you.
I don't think you need to be
one of the famiIy to feeI grief.
OK.
Are you getting over it?
No.
ObjectiveIy.
I'm not getting over it at aII.
- And you?
- A IittIe.
I think so.
I'II be going.
See you.
Wash
My soiIed memory in its muddy stream
With your tongue's tip Iick me cIean
And remove every singIe trace
Of what has been
Of what binds me
Of what comes to pass
AIas
StaIk
Hunt her down for within me she fights
And when you have her in your sights
Do not heed her pIeas and cries
You know
That she has to die
This is her second demise
And so
KiII her
Again
Weep
I've done that before. aII in vain
More sobs just wet the piIIows again
Despite my tries.
despite my tries
I have
A dried up heart
And swoIIen eyes
I have
A dried up heart
And swoIIen eyes
So burn
Burn when you sink into my bed of ice
It meIts when you hug me Iike a vice
There's no more sorrow
No more gravity
If I have
Your body Iike a fIow
Of Iava washing over me
My soiIed memory in its muddy stream
Wash
Did ScarIett wake you?
I've brought croissants.
What's going on?
I don't think
I can offer you breakfast.
Shit...
- Can we taIk?
- I don't have much to say.
So Iet's waIk. We're on a street.
No one wiII criticise us.
- I'm not criticising you.
- That's not what I meant.
We deaI with grief the way we can.
I'm not judging you.
But your way is a bit vioIent.
- You're judging me.
- I'm trying to understand.
Understand what?
What went on between JuIie and you.
That's a chaIIenge.
A reaI chaIIenge.
Understand...
why you never wanted kids...
why you were in a threesome...
my sister's Iife before she died.
And a boy in my bed
expIains everything. is that it?
You have the right handbook.
You're Iucky.
She must have had reasons
to be unhappy.
I won't say anything.
- It's for the best. right?
- No. it's not for the best.
No one stops you speaking.
Far from it.
PeopIe need to hear you.
My parents especiaIIy. TaIk to them.
- To say what?
- I don't know. What you feeI...
Give me a break.
I aIready have parents of my own.
You're so seIf-centred.
You're ungratefuI. seIfish...
Sure. I'm thoughtIess. I'm idiotic...
And I'm a faggot on top of it.
It's terribIe...
That's not what I said.
Don't make me Iook Iike a dumb bitch!
The same winter sun
The same snapping twigs
Icy fingertips
Frost on the raiIings
The same smeII of soiI
Of earth gone to earth
It'II aII be there
It'II aII be there
Except for you
The Pepiniere Park at the week's end
One more hour. one more hour if that
One more hour before nightfaII
The same temperature
Down to freezing point
MeIanchoIy beasts
At the gates of the zoo
The same hurried parents.
their chiIdren wrapped up warm
It'II aII be there.
it'II aII be there
Except for you
The Pepiniere Park at the week's end
One more hour. one more hour if that
One more hour before nightfaII
Even if I stay
And waIk where we waIked
FoIIow the same paths
At the same time of day
Even if I'm the same
Even if I'm beautifuI
It'II aII be there.
it'II aII be there
Except for you
The Pepiniere Park at the week's end
One more hour. one more hour if that
One more hour before nightfaII
Night wiII faII
And then
Nothing more
Good Iuck.
Hi. you're back?
Your brother sent you?
TeII him to stop. it's a reaI drag.
I'm Iooking for IsmaeI.
- GwendaI didn't send you?
- No.
- He didn't teII you we spIit up?
- No. But I noticed.
- He's seeing someone?
- Yes. Where's IsmaeI?
He's got a nerve.
No. I don't know.
But I'd Iike him to heIp
with the Iayout.
- He's not answering his phone.
- I know.
- You're not worried?
- ShouId I be?
I Iike BIoc Party too.
- What's going on. Erwann?
- I hoped he'd be here.
- Why do you want IsmaeI?
- I won't hurt him. I'II go.
I have a mock exam tomorrow. Bye.
TeII me something...
This may sound crazy
but I just thought of it.
Are you and IsmaeI together?
I hope so.
See you.
See you!
The dirty deviI...
Why have you come so Iate
CouIdn't you cope
I'd decided not to wait
I'd given up hope
Why have you come so Iate
What brings you here
What bizarre twist of fate
What sudden desire or fear
Why have you come so Iate
Didn't your mother say. dear
You shouIdn't arrive Iate
For an invitation sincere
Without fIowers. fine
But it's onIy poIite
To arrive on time
When time is tight
Why have you come so Iate
When it's aII over and said
And your brand new date
Takes my pIace in your bed
Why have you come so Iate
You don't have an excuse
No story to reIate
No way to make a truce
Why have you come so late
I can't, try as I might
The tales you create
Of a future bright
Where for now it's not so late
My angel, it's all so bizarre
If you could face your fate
You'd see how much older we are
BRITTANY
Hey there, kid, all day long
I've sung an idiot's song
You kept us waiting...
Crawling in the gutter's flow
From Montparnasse to Chateau d'Eau
Are you OK?
One drink after another,
God knows where
I'm meIanchoIy.
Zubrowska, Riesling and Piper
At a loss, not knowing what to do
I've come back here to find you
I run to your arms
To get off the streets
Any noise. I'II kiII you.
The delight of your charms
In your soft, warm sheets
But, alas, instead of that
I thought I heard
''I love you''
That's his problem, true
I thought I heard
''I love you''
That's his problem, true
So what if you do beIieve
So what if I can't be naiiive
However Iost I may be
None of that between you and me
You want a body. that's OK
A pair of arms. why not
In my bed you can stay
Getting the sheets in a knot
But if you want to have aII that
You need to hear
''I Iove you''
You need to hear
''I Iove you''
I'm oId. a widower and sectarian
A poor. idiotic vuIgarian
I'm handsome. young and Breton
I smeII of rain. the ocean
and crepes with Iemon
Be quiet now. you IittIe jeweI
Once again you're wrong. you fooI
I'm precious if you save me. see
OK. but none of that
between you and me
You want a body. that's OK
To get off the streets
In my bed you can stay
In your soft. warm sheets
But if you want to have aII that
You need to hear...
Love me Iess
but Iove me a Iong time.
Your barrage of questions
On the wherefore and why
Of my heart's reasons
SimpIy finds no repIy
I can't deny
I have reasons to Iove you
I don't see why
I shouId Iet you know
The reasons why I Iove you
So the answer's no
.. Is Iike a tomb
See how hard I fight
See how much I Iose
In bIood and tears.
in bIood and tears
You start with mad joy.
Concentrate.
TranquiIIity.
Surprise.
And?
That's not surprise. What is it?
- What is it. JuIie? HeIp us.
- No idea.
Amazement!
Sorrow.
Sorrow. far from moderate.
Despondency. Dad.
Yes. despondency.
Fear.
More than fear...
- Dread.
- No. watch.
Terror?
Not terror? What then?
It's horror.
WeII done. Jasmine.
Despair?
In other words. I take him
from joy to despair.
Thanks a Iot.
The rain faIIs without a care
On the angeI of the BastiIIe Square
The sky is so grey up there
As the rain's needIes pierce the air
The rain faIIs without a care...
What are you doing?
- I came to see you. Where are you?
- Behind you.
Don't you have cIasses.
revision. essays?
The best thing I can do
is wait for you.
That's kind. You're sweet.
But I'm Iike a huge mystery for you.
- You have no idea.
- What does that mean?
It means you don't know me
and shouIdn't wait for me.
The mystery of your weary gaze
A mystery that keeps you in a haze
The secret of this daze
Secrets are my true craze
This barrier between you and me
This barrier. who hoIds the key
Cross the border. Ieave your daze
Stand on your Iand. see my gaze
Take her shouIders.
Watch the gear.
When you're ready. Head to foot.
ShouIders ready.
Prepare to Iift. Lift.
TN 10. 10 Quebec Foxtrot.
DeIta Oscar Sierra
for 59. rue du Chateau d'Eau.
Delta Oscar Sierra
Dedicated to Jean-CIaude Guiguet
LOVE SONGS
Part One: The Departure
One for Pardonnez-moi. pIease.
Excuse me. I was just after him.
It's me. I'm seeing a movie.
What are you seeing?
SeriousIy. what are you seeing?
I'm sick of movies aIone.
JuIie. I'II be offended
if you see that movie.
Do you Iove me or not?
That's a dumb question.
You're not aIone. Is AIice there?
Not at aII. No.
IsmaeI. I just thought of something -
you piss me off!
- Caught you napping?
- What?
- Is it Iove or what?
- You knock me out. IsmaeI.
You can read me Iike an open book.
I'II take back that question!
No. don't say anything. pIease.
Yes. I'm napping.
undeniabIy proving I'm in Iove.
Therefore. you deduce
I'm in Iove with you
and I resort to daydreams
to avoid expressing it...
I can't hear you cIearIy.
Get to work!
I want to go home.
- JuIie yeIIed at you?
- Shut up!
- You scare me.
- JuIie annoyed you?
JuIie asked questions?
I know! She didn't disagree
when you moaned
you were the worId's worst fuck?
I'II cut your tongue out.
It'II make Iife easier.
You'II thank me Iater. sweetie.
You're not even circumcised!
- Why say that?
- You're a mini-Jew. in fact.
Kiss my mini-Jew yarmuIke
and get to work!
Excuse me. have you got a Iight?
Your barrage of questions
On the wherefore and why
Of my heart's reasons
SimpIy finds no repIy
I can't deny
I have reasons to Iove you
I don't see why
I shouId Iet you know
The reasons why I Iove you
So the answer's no
Is it your pretty bum
CouId it be fear of IoneIiness
Sheer Iuck or am I humdrum
Or is it just Iaziness
I can't deny
So teII me now
I have reasons to Iove you
I don't see why
I shouId Iet you know
The reasons why you Iove me so
So the answer's no
My angeI sweet
Wants me to sing praises at her feet
GIoria
My hoIy dove
Demands to hear my song of Iove
HaIIeIujah
Is it your scent when you're near
The way you curI under the covers
Maybe it's even your sister dear
Your money or even worse
I can't deny
So teII me now
I have reasons to Iove you
One Iost promise
Two careIess words
Three pairs of panties
Left on the fIoor
Your Iips are sour
Your smiIe sweet
Four pubes in the shower
I'm under your feet
Your mistakes
My professions
My curses
Your transgressions
And then?
After. you dream of before
Everything fades. it's an open book
Just teII me how we Iook
When we weigh up aII we took
Just teII me how we Iook
Just teII me how we Iook
Five minutes fIat
Not our best
Six pics if that
Of a sex or a breast
Seven caIIs from your mum
Every hour today
You shouId answer some
She won't go away
I'd make it better
If I couId
Too much hurt
For the good
When you add it aII up
Love. you Iove me how much
Everything fades. it's an open book
Just teII me how we Iook
When we weigh up aII we took
Just teII me how we Iook
Just teII me
how we Iook
Eight years of Iove
One Thursday
In my schooI pack
Your soIe Ietter that day
Nine. wiII I make it
I can't Iie
I know you're mine
But can Iove die
What memories
Do you have of me
Maybe we'd better
Leave it at that
Come on. teII me
We were too noisy?
It's AIice.
I've got my pyjamas.
Perfect Happiness
VoIuptuous PIeasures
PoIitics
I'm not sure we're in the right order.
Excuse me. IsmaeI.
You agree. JuIie?
Lights out?
- Did I take my piII?
- You took it.
- Which one is it?
- Diane 35. Did I take it?
- It suits you?
- Yes...
- The piII makes me depressed.
- It does?
You're on it?
I was but I've bought this thing.
it's Iike...
It's Iike a coiI.
It repIaces the piII. see.
- Why are you on the piII?
- It's not the piII!
Whatever.
You don't sIeep with guys.
I'II check anyway.
- What sex are you into?
- Me? What sex?
I'm into non-sex. you know that.
That's the sex I'm into.
- Thanks a Iot!
- You're different.
You're Iike my sister.
It's not reaIIy sex...
This is sick.
''Why are peopIe so against egoism?
Egoism can be moraI.''
That's reaIIy sick!
You shouId be guiding me.
We were supposed to sIeep. remember.
I reaIIy think you're very pretty.
I'm not sure you reaIIy thinking that
reassures me.
You think you couId?
- What?
- TeII me you Iove me a IittIe.
Do you Iove me?
Are you in Iove with me?
No. I don't Iove you.
You don't Iove me?
Of course I Iove you!
- Except that I...
- Screw you!
That's pathetic.
It's pitifuI.
By staying with you. am I supporting
something that sickens me?
This soppiness...
You started. with your non-sex.
Non-sex isn't an open door
to such idyIIic romanticism!
I'm anything but romantic.
You're anything but what you say.
Anything but a boss. a Jew...
Give me a break!
I never Iaid cIaim to being Jewish.
I can't even Iocate TeI Aviv
on a map of PaIestine!
You start with mad joy.
Concentrate.
TranquiIIity.
Surprise.
And?
That's not surprise. What is it?
- What is it. JuIie? HeIp us.
- No idea.
Amazement!
Sorrow.
Sorrow. far from moderate.
Despondency. Dad.
Yes. despondency.
Fear.
More than fear...
- Dread.
- No. watch.
Terror?
Not terror? What then?
It's horror.
WeII done. Jasmine.
Despair?
In other words. I take him
from joy to despair.
Thanks a Iot.
IsmaeI annoys you a IittIe?
Yeah. he annoys me a Iot.
Have you seen Cedric again?
I suppose you couId say that.
He's married. He'II never Ieave her.
I know that.
Maybe when his kid
changes schooIs in two years.
UnIess the idiot repeats a year.
What's going on. JuIie?
We're invoIved in a dumb scene
and IsmaeI's useIess.
So what eIse is new?
He's forcing me
to break up for him.
- You're Ieaving him?
- Not break up with him...
We've started this threesome and...
the third person's taking root.
Who is it?
It's a girI.
AIice.
Was that IsmaeI's idea?
No. it was mine.
I'm into threesomes.
Jeanne. Iet me heIp JuIie.
- To do what?
- Let me. OK.
You're needed in there.
Go and sit down.
No arguing.
Don't Iet dad drink too much.
What's going on?
It's reaIIy compIicated.
A threesome with IsmaeI?
Why didn't you teII me?
I don't know.
I didn't need to. I guess.
How Iong have you been three?
A few weeks.
A month.
A month?!
- I don't want to pry...
- So don't pry.
I'm surprised in any case.
So is this threesome over or not?
NearIy.
Does this AIice have your key?
Mum...
You were spying!
What's it Iike?
Sorry. I shouIdn't ask that.
I don't mind.
So what's it Iike?
Weird. OK.
And it's hard to sIeep.
AII three of you sIeep together?
And it's hard to sIeep?
Yes. AIice has nightmares.
That can't be easy.
And she's in the middIe...
We shouIdn't taIk about this.
I agree.
but we are taIking about it.
- I am quite intrigued.
- OnIy naturaI. Mum.
I don't get it...
This AIice.
is she for IsmaeI or for you?
For both of us.
Both of you?
Not together?
Yes. sometimes.
But it's tricky.
It takes effort.
Yes. of course.
I can beIieve that.
Did it come naturaIIy?
What? The sex?
Yes. the positions...
I...
Did you know
where to put yourseIf naturaIIy?
That's the easy part.
- How do you decide?
- On what?
WeII. do you taIk about it first or...
No. not reaIIy. It just happens.
- It's not embarrassing?
- No. not at aII.
I thought it'd be compIicated.
It's tricky enough for two as it is.
- Had you done it with a girI before?
- Me?
Do you Iike it?
It's weird. It's...
It's funny. It's different.
But AIice Iikes it!
I'm not answering that.
We've taIked enough.
Yes. Thank you. sweetheart.
It's good to confide
in your mum. baby.
The cake's going to burn!
I want you to know
I'm stiII in Iove with IsmaeI.
You do it to make him happy?
Bring the cups.
IsmaeI's doing his cushion thing.
Not so Ioud. He just dropped off.
The jerk does it weII.
Let's go and see Jeanne now.
Let's see Auntie Jeanne.
Do a IittIe burp for Auntie Jeanne.
Dirty bugger!
Are you crazy?
I Ioved that cushion!
- I'II get it.
- Cut the cake first.
You'II onIy say we cheated after.
- Who's going to hide?
- For God's sake. Dad!
My IittIe sweetie-pie...
''Who's this piece for?''
That's not very funny. Dad.
She doesn't want to.
Come and give your dad a kiss.
Now cIose your eyes.
- Who's this piece for?
- For Mum.
- Make room for me.
- Give your oId father a cuddIe...
- Move up a bit.
- There's no room.
You too.
- Mum. take a photo.
- Not now...
This is so embarrassing.
I'II get the cushion.
JeaIous...
I thought IsmaeI worked Sundays.
He stiII does. Every other Sunday.
- Why are we doing the dishes?
- The washer's dead.
I mean why are we cIeaning up
for the men?
It pisses me off!
We ate too. JuIie.
- Doesn't Dad ever do a thing?
- He's revising.
That degree's a joke. Mum!
He'II never sit the exams.
I'm not so sure.
He'II do it just to piss me off.
The rain faIIs without a care
On the angeI of the BastiIIe Square
The sky is so grey up there
As the rain's needIes pierce the air
The rain faIIs without a care
The grey cIouds. heavy and soIemn
Bring water for Paris so fair
For the naked angeI on its coIumn
Nothing moves on the street
Outside the window pane
Paris seems draped in a sheet
Bathed in drops of rain
Against the broken sky
The angeI spreads its wings
I'd Iove you tiII goodbye
In this rain and aII it brings
Shit!
I'II go.
Rain faIIs again without a care
On the angeI of the BastiIIe Square
A pot of tea that we share
In the camomiIe Sunday air
The rain pours down without a care
Who'd have thought a drop of rain
WouId make peopIe fIee the square
Leaving the angeI to its disdain
Nothing moves on the street
Outside the window pane
Paris seems draped in a sheet
Bathed in drops of rain
Against the broken sky
The angeI spreads its wings
I'd Iove you tiII goodbye
In this rain and aII it brings
The rain stiII faIIs without a care
On the angeI of the BastiIIe Square
An earIy night we both share
In sheets free of wear and tear
The rain faIIs without a care
Over famiIy meaIs we have to bear
The angeI in the fIoodIight's gIare
Spreads its wings on the BastiIIe Square
You bought a new ring?
I gave it to her.
That's a serious breach of contract.
- What contract?
- The gentIeman's one.
- No rings for my wife.
- I'm not your wife!
I know what you're up to.
You think
I can't figure out your pIan?
You'II eIiminate me by beguiIing me
with your kisses...
What do you mean?
This is no three-ring circus.
- With me as your horse?
- A reaI gift-horse.
With your heart.
And your teeth.
- You're sure?
- Touching her means fucking me.
You're sick!
Send in the cIowns...
I don't want to go.
We won't stay Iong.
SIowIy...
Watch the cars.
Look out!
Thank you.
I know your game
You think you've won
Your cake and the baker's dame
Two for the price of one
LittIe bitch. that's so cheap
It makes a nasty sound
Your jeaIousy won't make me weep
After aII. you sIeep around
I'm the bridge between your banks
Running from side to side
Cross over and give me thanks
Kiss and Iet me be your guide
I Iove no one but you
I Iove no one but you
LittIe shit. you think you're so sweII
I smeIIed your fingers. swine
Where did they get that odd smeII
It's definiteIy not mine
LittIe bitch. go to heII
You're just as bad as me
In aduItery you dweII
She touches you. I see
I'm the bridge between your banks
Running from side to side
CIimb on top. I'II say thanks
Why not give me a ride
I Iove no one but you
LittIe shit. make your choice
We'II be two. no Ionger three
That's aII over. Iet's rejoice
Come on. it's her or me
LittIe bitch. I'II make my choice
You know better than aII of us
Let's hear your pretty voice
In this circus
I'm the bridge between your banks
Your quarreIs Ieave me coId
TrampIe me and rub my fIanks
I'll stay here and grow old
I love no one but you...
Paris is aIready so far away
Paris so petty and petit
We'II be happy every day
EnveIoped in the city
Who cares anyway
If it's raining at JFK
I'm scared during Ianding
But you hoId my hand tight
Like a kid so understanding
I wept there in my pIight
Who cares anyway
As Iong as with you I stay
Crossing from the BrookIyn side
Touch my hands.
My Iove so sweet and miId
I'II be right back.
Was Iaughing happiIy. wide-eyed
Like a happy chiId
ApriI brings Manhattan
Sunshine and bIue skies
Like an eternity in satin
- His name's GwendaI.
- I don't care.
Who cares anyway
I'II get JuIie.
If the wind carries your scarf away
As Broadway turns on the heat
We're dancing on the rooftop
Of 218 Adam Street
You're my Liza and I'm your Bob...
Excuse me.
You're here?
I don't feeI good.
I'm going home.
- Stay if you want.
- Are you crazy? Come on.
Let's go home.
Just a second.
Where did I put the damn stub?
- Got it.
- You fetch it. I'II go on up.
We can't go out.
- Stay inside.
- That's my girIfriend.
What's going on?
Stand back.
Good evening.
I caIIed because a Iady coIIapsed.
This is her boyfriend.
Good evening.
JuIie. JuIie Pommeraye.
P-O-doubIe M
E-R-A-Y-E.
And your reIationship to her?
I'm her boyfriend.
- And you are?
- IsmaeI.
BenoIieI.
B-E-N-O
L-I-E-L.
Were you here when it happened?
A young woman, 28,
heart and respiratory arrest.
GCS 3.
I'm fitting the scope.
Hook up the drip.
The sat rate is 95 for now.
During the concert,
she felt faint,
she went to the bathroom.
I joined her.
I went to get our things.
When I joined her outside...
she was lying on the ground.
Did you consume aIcohoI?
Did you use drugs?
- How Iong were you apart?
- I don't know. Two minutes.
WouId you mind
waiting in the car. pIease?
Take her shouIders.
Watch the gear.
When you're ready. Head to foot.
ShouIders ready.
Prepare to Iift. Lift.
Prepare to Iift.
Lift.
200 joules loaded. Step back.
Watch out for the charge...
Chargel
No puIse. No puIse at aII.
She's in totaI AV bIock.
No reaction at aII?
Forget the bicarb.
prep a shot of adrenaIin. 20 mg.
Carry on ventiIating.
Keep her on manuaI.
- StiII no puIse.
- One more charge.
Prep another shot.
I'm the doctor.
TN 10. 10 Quebec Foxtrot.
DeIta Oscar Sierra
for 59. rue du Chateau d'Eau.
My final tune just began
My last song along this road
A single for a single man
My terror summed up in a code
Delta Oscar Sierra
The police code like a breath
Delta Oscar Sierra
The song of approaching death
It's IsmaeI.
This song of mine's a real must
But you fall before it passes
It's all dust to dust
A mean little mound of ashes
Delta Oscar Sierra
The flashing of the ambulance
Delta Oscar Sierra
The song of death's dance
Your father says you're asleep
Your mother wants to touch your brow
The wood around you makes us weep
And tells us now that you're now...
You dance against the walls
As death calls
Do you need heIp?
The police code like a breath
Where did I put it?
My book...
The song of approaching death
The flashing of the ambulance
The Night Stirs
Many peopIe have a souI
that Ioves to swim.
They are commonIy known as Iazy.
Part Two: The Absence
OK?
- Going to my pIace?
- Of course.
- Why didn't you Iet me know?
- I Ieft a hundred messages.
I know but my phone is...
out of order.
I'm going to the paper.
I've taken haIf a day off work.
Let's do it now.
I can't!
Give me the keys. I'II do it.
The pIace is a mess.
- Put them in the maiIbox.
- I won't snoop.
Of course you wiII.
The sandwich in the fridge...
Don't throw it out. Or eat it.
First insert. Sarkozy's son's scooter.
Three suspects arrested...
Are you Iistening?
''Arrested'' has an ''r'' missing.
third Iine.
''DNA''. there's an extra space.
Last Iine. after ''poIiceman''.
add an excIamation mark.
You're not the materiaIistic type.
are you?
No.
CIothes and stuff
don't reaIIy matter to you.
Is this some twisted way
to say I have no dress sense?
No. it's a pIoy.
You won't see
stuff Ieft at my pIace again.
- What have you done?
- Nothing.
Jeanne's gathering JuIie's cIothes
for a bonfire.
- Shit. what a bummer!
- I toId you 20 times.
- You confiscated my key.
- But I spend aII day there.
- CouIdn't you sort my stuff?
- I open a cIoset. I break down.
- So sorting things...
- If onIy you couId break down.
- Open the cIosets. Wide!
- Shut up...
I can heIp you.
You can heIp me too.
Leave me be.
I can see you're bothered
but I don't Iove GwendaI yet.
I don't Iove you either.
so caIm down.
But I need you. You're surprised?
Be quiet
You've said so much
nothing surprises me now
We make
A siIent promise. a speechIess vow
The words
In excess
We must
Be quiet
Our tongues are weary. Iet them rest
To have
Tongue to tongue
A diaIogue of the deaf
Sometimes
BeIieve me
We must
Be quiet
Keep your saIiva as an antidote
Let it
TrickIe Iike sweet venom down my throat
The words
In excess
We must
Be quiet
Our Iips are dry
and our mouths don't need
To get
Caught up in the words
Of this pIay we read
Sometimes
BeIieve me
We must
Be quiet
At Iast
Be quiet
In the end...
It's my kid brother's.
- He's a cIean guy.
- Not with the dishes!
For the remotes...
You have cabIe. TV and DVD.
There are earphones if you want.
For the PIayStation.
unpIug the Iead.
Thanks.
Good night.
It's you then?
- What is?
- The draught...
Sorry.
It's not a probIem.
But since we haven't paid the gas biII.
we sIeep with the window cIosed.
You don't Iike my sIeeping bag?
It's fine. but I can't sIeep
so I'm not using it.
Yeah. I know. I was toId.
Whatever you were toId.
I can be aIone.
It's six o'cIock.
UsuaIIy. I get up at seven.
I'II make us some coffee.
Why get up so earIy?
To go to schooI.
Shit...
The bastards.
It's too earIy for their crap.
My name's Erwann.
Shit. the bastards.
they're aII Bretons.
You said it.
SheIves fuII of AnatoIe Le Braz.
crepes every Monday night
and our motto: ''Treat a saiIor weII
and he'II shit in your hand.''
- Very nice...
- Isn't it?
Unfortunately, the buds are out.
A lot of maples are opening out.
The Japanese roses are in flower...
A frost will kill them.
To avoid that, go out to the garden
and prune all these tiny branches...
Morning TV is bad
for your mentaI heaIth.
Use my room.
It's the first on the Ieft.
The sheets are cIean.
- SIeep weII.
- Thanks!
- OK?
- My day's off to a good start.
How do you experience things
before 8am?
It'II be a gIorious day.
Done your EngIish?
No. but I've read Aragon.
Le Cri Du Butor.
Don't spoiI it!
''It wiII be a gIorious day
''UnnaturaI weather
Like a painterIy sky
''Weather strong as a woman
''Weather to seII your souI
''It wiII be a gIorious day
''Weather to Iaugh and run
''Weather to stay aIive
To fear the worst''
Stop it! For pity's sake. stop!
''On the banks of the Seine
Young peopIe at midday
''MicheI with MadeIeine
Pierre with Jeanne and Germaine
''Who waIks with Jean
''If the sky is fuII of birds
What do you care
''The fire that burns in heII
''Where are you going
The swaIIows ask
''Is ApriI here at Iast''
Paparazzi!
You're the first guy
to sIeep in my bed.
I am?
I got you some...
some...from the bakery.
Croissants?
Not croissants. raisin buns.
They're better with tea.
- Tea? What time is it?
- 5:15pm.
No time to stop off at home.
Is AIice here?
No. there's no one here.
- I can Iend you cIean cIothes.
- Yes. pIease.
I smeII a bit funky.
- What?
- Very Breton.
Give me a break.
Can you Iock up?
- Good night.
- Good night. Yvette.
Good night. AIice.
You know. AIice...
JuIie's parents
have had the autopsy resuIts.
And?
It was cardiac arrest.
A smaII bIood cIot Iodged itseIf
in an artery.
Nothing caused it.
It's Iike a cot death.
- Let's have a drink.
- I'm tired. I want to go home.
OK. see you.
If you can't sIeep. caII me.
You wiII?
- You promise?
- Stop freaking me out.
- Hi!
- Shit. are you crazy?
- You finish Iate.
- Why are you here?
This is my neighbourhood too.
Posters for Communist Workers?
ExactIy.
What do you want?
Nothing. I just came to say hi.
At three in the morning?
If I'm a pain. I'II go.
You're not a pain
but how did you find me?
I don't reaIIy know.
- I'm going.
- To your pIace? Can I come?
No.
ShouId I insist?
Wait at your office tomorrow?
I'm sorry. Erwann. No.
You have no doubts?
You don't need anyone?
Did I ask you anything?
OK. I'm spIitting.
- Why are you here?
- I was worried.
You didn't come home Iast night.
You're not my mother.
You couId have caIIed.
I Ieft messages.
You spoke to my parents?
You heard about the autopsy?
- You sIept here yesterday?
- Yes.
Don't you have a home?
I thought we couId heIp each other.
Support each other.
Together.
It's just as hard for me. IsmaeI.
You couId make an effort.
An effort how?
Respect my sorrow.
- You respect me. moving in here?
- It was my sister's pIace too.
What's the dog doing here?
I was scared here aIone
so Mum Iet me borrow her.
Got a Iight?
You got the issue finished?
Sorry. I can't go on Iike this.
I just can't.
I'm not interested.
It doesn't heIp.
Have JuIie's keys.
I'II take mine and say good night.
No questions.
Give me the door code.
7 A20.
Make yourseIf at home.
- You're working Iate. young man.
- I'm not working.
What's a Breton Iibrary Iike?
The BeautifuI Room Is Empty
This isn't on the programme.
Mad About Vincent
Don't mix them up.
SaIinger though...
Have you ever Ioved
For the sheer sake of it
Have you ever taken
A bite of the appIe
For the taste of the fruit
Its sweetness and its zest
Have you often Iost your way
Yes. I've aIready Ioved
For the sheer sake of it
But the appIe was hard
And I cracked a tooth
Those unripe passions
Those indigestibIe Ioves
Often made me feeI sick
But a true Iove that Iasts
Leaves Iovers exhausted
And their overripe kisses
Rot on our tongues
But fIeeting Iove affairs
Know such futiIe fevers
And their kisses so green
Chafe against our Iips
For if you wish to Iove
For the sheer sake of it
The worm in the appIe
Can sIip between our teeth
It eats away at our heart
Our brain and aII the rest
SIowIy bIeeding us dry
But when we dare to Iove
For the sheer sake of it
This worm in the appIe
That sIips between our teeth
Can make our heart fragrant
Our brain too and Ieave us
Its perfume inside us
But fIeeting Iove affairs
See such futiIe efforts
Their passing caresses
Can wear out our bodies
But a true Iove that Iasts
Makes the Iovers Iess fine
Often the test of time
Gets the better of us
Time for bed. you runt.
It's onIy 4am. it's not Iate.
Tomorrow morning at seven.
you have mathematics.
chemistry. aIgebra...
- I can sIeep in the Iounge.
- Make yourseIf at home.
OK.
I took ScarIett
to the Pepiniere Park yesterday.
I hadn't been back since JuIie died.
It was our park.
You took us there when we were kids.
It's good you were abIe
to go back there.
I think so. yes.
Right...
ShaII I make my saIad?
- Anyone for cheese?
- No. thanks.
I'II have some saIad.
HeIp me make it.
I'm not doing it for one.
Jasmine. no hysterics...
You're crazy.
IsmaeI. since we're aII here.
I want to teII you
that MireiIIe and I
want you to have JuIie's money.
There's not much
on the current account
but there are savings
on two other accounts.
I don't know if JuIie toId you...
but. after she was hired permanentIy.
her saIary incIuded Iife insurance.
We've asked for it to be paid to you.
There.
AII in aII. it shouId amount
to 20.000 euros.
No. thank you.
I don't want the money. Sorry.
No one wants the money.
It shouId go to the guy who needs it.
I didn't pay for the funeraI.
It wasn't up to you to pay.
Haven't you got
any revision to do today?
Is this a new resoIution
to heIp your mum with the dishes?
Xmas is over. You stiII have hope?
Has someone mentioned driving Iessons
in this famiIy?
And the oId sister here...
Got anything to say?
Anything at aII?
A bit jeaIous. is she?
Were you offered
driving Iessons at 20?
Look at me when I speak!
Look at me when I speak!
Look at me.
And give me a kiss.
Give me a kiss.
Because I Iove you.
I've Ioved you for ages.
Disgusting...
I'm gIad you're OK.
It heIps us aII.
My eyes gaze
At the sky
The white cIouds against perfect bIue
No sign of God
In the sky
SIow cIouds in the broken bIue
SunIight fIoods
The sky
My winter days
are spent forgetting you
And every second
Is a fistfuI of soiI
Every minute
Is Iike a sob
See how hard I fight
See how much I Iose
In bIood and tears.
in bIood and tears
I hurI up
At the sky
Those pebbIes that you painted green
But there's no repIy
From the sky
No rebound on the sea's gIassy sheen
SunIight fIoods
The sky
My days in heII spent burying you
And every second
Is a fistfuI of soiI
Every minute
Is Iike a tomb
See how hard I fight
See how much I Iose
In bIood and tears.
in bIood and tears
I hope
That in the sky
SIy IittIe deviIs
The angeIs' wings wiII bend
So that you wiII faII
From the sky
To my arms.
Iike a gift. a true godsend
But every second
Is a fistfuI of soiI
But every second
Is a fistfuI of soiI
Every minute
Is Iike a tomb
See how hard I fight
See how much I Iose
In bIood and tears.
in bIood and tears
Maud...
Can you give me...a shot of vodka?
With your Iamb curry?
Wake up...
There's someone here.
Hi. IsmaeI. It's past midday.
It's OK.
What are you doing?
Any coffee Ieft?
- I'm JuIie's sister.
- JuIie's sister?
- You're AIice?
- No...
Work.
What are you doing?
- I came to see you. Where are you?
- Behind you.
Don't you have cIasses.
revision. essays?
The best thing I can do
is wait for you.
That's kind. You're sweet.
But I'm Iike a huge mystery for you.
- You have no idea.
- What does that mean?
It means you don't know me
and shouIdn't wait for me.
The mystery of your weary gaze
A mystery that keeps you in a haze
The secret of this daze
Secrets are my true craze
This barrier between you and me
This barrier. who hoIds the key
Cross the border. Ieave your daze
Stand on your Iand. see my gaze
You need to advance
To cover the distance
Between you and me
You'II have to be boId
If you want to hoId
Onto me
A chiII grips your Iand these days
What to do in this winter maze
You're caught up an icy daze
Everything's frozen
Start a bIaze
You need to advance
To cover the distance
Between you and me
You'II have to be boId
If you want to hoId
Onto me
The mystery of your weary gaze
A mystery I try to appraise
The cheap mystery of your daze
Doesn't need your arms these days
AsshoIe!
GwendaI sent his brother?
- What did he say?
- It's not about you.
C'mon. I'm not stupid.
He sends his brother to Iecture me.
He wants to move me.
I dumped him. BadIy.
The guy's an emotionaI psychopath!
GwendaI's great.
He's aIready corrupted you!
I swear. the guy scares me.
- GwendaI?
- I don't want to see him again!
Give the keys to his IittIe brother.
I'd been warned.
Bretons are dangerous.
EspeciaIIy in Iove!
Here.
- No way...
- He'II send Erwann back.
Give them to him when you see him.
What?
Nothing.
- What's up?
- They just changed the front page.
New trainers?
- Like them?
- No. they're ugIy.
WeII. weII...
I gave IsmaeI the keys.
You can keep the stuff I Ieft.
it's OK.
TeII your brother sorry from me.
Want a ride home?
- Want a ride home?
- I'm OK.
You're sure?
See you.
Part Three: The Return
Hey you
Tell me that you love me
Even if it's a lie
And we stand no chance
Life is so sad
Tell me that you love me
Good evening.
I have to sit outside with the dog.
It's so Iate.
I waited tiII my husband dozed off.
That's OK.
I onIy just Ieft work.
You didn't teII IsmaeI you were coming?
Jeanne searched his things
to get your number.
Something to drink?
No. I'm OK. Thank you.
IsmaeI toId me
about the autopsy resuIts.
Why did he teII you?
Is that important for him?
I think so.
It's important to understand.
I'm not so sure.
We expect doctors
to cIear up every mystery.
to unearth the secrets
that expIain them...
I reject that iIIusion.
Mystery is part of Iife.
And it mereIy adds to the horror
of JuIie's death.
But that's not why I caIIed.
It may sound siIIy but I'd Iike you
to take care of IsmaeI.
I'd Iike you to watch over him.
I'm asking you that.
I caIIed because I heard
you'd moved out.
I'm worried. He's aII aIone.
He's not aIone.
I see him every day.
And emotionaIIy?
EmotionaIIy what?
Are you stiII together?
That's a reaIIy weird question.
I onIy wish him weII.
I beIieve you.
But I don't think you can heIp peopIe
if they don't want that.
- What are you doing here?
- Dad sent me.
- He woke up?
- You weren't there so he woke me.
I'm onIy here...
I toId him you'd taken ScarIett out.
I'm sorry.
Go on.
Thank you so much for coming here.
We're counting on you.
You're one of the famiIy.
Can I give you a kiss?
Coming?
I'II give you ten minutes
to yeII at each other first.
Can I sit down?
Got a cigarette?
My exams are stressing me out.
Want to keep the pack?
No. I have to sIeep.
I mustn't smoke aII night.
Don't take this badIy. OK.
Look on it as kindness on my behaIf.
I don't think
you're one of the famiIy.
Thank you.
I don't think you need to be
one of the famiIy to feeI grief.
OK.
Are you getting over it?
No.
ObjectiveIy.
I'm not getting over it at aII.
- And you?
- A IittIe.
I think so.
I'II be going.
See you.
Wash
My soiIed memory in its muddy stream
With your tongue's tip Iick me cIean
And remove every singIe trace
Of what has been
Of what binds me
Of what comes to pass
AIas
StaIk
Hunt her down for within me she fights
And when you have her in your sights
Do not heed her pIeas and cries
You know
That she has to die
This is her second demise
And so
KiII her
Again
Weep
I've done that before. aII in vain
More sobs just wet the piIIows again
Despite my tries.
despite my tries
I have
A dried up heart
And swoIIen eyes
I have
A dried up heart
And swoIIen eyes
So burn
Burn when you sink into my bed of ice
It meIts when you hug me Iike a vice
There's no more sorrow
No more gravity
If I have
Your body Iike a fIow
Of Iava washing over me
My soiIed memory in its muddy stream
Wash
Did ScarIett wake you?
I've brought croissants.
What's going on?
I don't think
I can offer you breakfast.
Shit...
- Can we taIk?
- I don't have much to say.
So Iet's waIk. We're on a street.
No one wiII criticise us.
- I'm not criticising you.
- That's not what I meant.
We deaI with grief the way we can.
I'm not judging you.
But your way is a bit vioIent.
- You're judging me.
- I'm trying to understand.
Understand what?
What went on between JuIie and you.
That's a chaIIenge.
A reaI chaIIenge.
Understand...
why you never wanted kids...
why you were in a threesome...
my sister's Iife before she died.
And a boy in my bed
expIains everything. is that it?
You have the right handbook.
You're Iucky.
She must have had reasons
to be unhappy.
I won't say anything.
- It's for the best. right?
- No. it's not for the best.
No one stops you speaking.
Far from it.
PeopIe need to hear you.
My parents especiaIIy. TaIk to them.
- To say what?
- I don't know. What you feeI...
Give me a break.
I aIready have parents of my own.
You're so seIf-centred.
You're ungratefuI. seIfish...
Sure. I'm thoughtIess. I'm idiotic...
And I'm a faggot on top of it.
It's terribIe...
That's not what I said.
Don't make me Iook Iike a dumb bitch!
The same winter sun
The same snapping twigs
Icy fingertips
Frost on the raiIings
The same smeII of soiI
Of earth gone to earth
It'II aII be there
It'II aII be there
Except for you
The Pepiniere Park at the week's end
One more hour. one more hour if that
One more hour before nightfaII
The same temperature
Down to freezing point
MeIanchoIy beasts
At the gates of the zoo
The same hurried parents.
their chiIdren wrapped up warm
It'II aII be there.
it'II aII be there
Except for you
The Pepiniere Park at the week's end
One more hour. one more hour if that
One more hour before nightfaII
Even if I stay
And waIk where we waIked
FoIIow the same paths
At the same time of day
Even if I'm the same
Even if I'm beautifuI
It'II aII be there.
it'II aII be there
Except for you
The Pepiniere Park at the week's end
One more hour. one more hour if that
One more hour before nightfaII
Night wiII faII
And then
Nothing more
Good Iuck.
Hi. you're back?
Your brother sent you?
TeII him to stop. it's a reaI drag.
I'm Iooking for IsmaeI.
- GwendaI didn't send you?
- No.
- He didn't teII you we spIit up?
- No. But I noticed.
- He's seeing someone?
- Yes. Where's IsmaeI?
He's got a nerve.
No. I don't know.
But I'd Iike him to heIp
with the Iayout.
- He's not answering his phone.
- I know.
- You're not worried?
- ShouId I be?
I Iike BIoc Party too.
- What's going on. Erwann?
- I hoped he'd be here.
- Why do you want IsmaeI?
- I won't hurt him. I'II go.
I have a mock exam tomorrow. Bye.
TeII me something...
This may sound crazy
but I just thought of it.
Are you and IsmaeI together?
I hope so.
See you.
See you!
The dirty deviI...
Why have you come so Iate
CouIdn't you cope
I'd decided not to wait
I'd given up hope
Why have you come so Iate
What brings you here
What bizarre twist of fate
What sudden desire or fear
Why have you come so Iate
Didn't your mother say. dear
You shouIdn't arrive Iate
For an invitation sincere
Without fIowers. fine
But it's onIy poIite
To arrive on time
When time is tight
Why have you come so Iate
When it's aII over and said
And your brand new date
Takes my pIace in your bed
Why have you come so Iate
You don't have an excuse
No story to reIate
No way to make a truce
Why have you come so late
I can't, try as I might
The tales you create
Of a future bright
Where for now it's not so late
My angel, it's all so bizarre
If you could face your fate
You'd see how much older we are
BRITTANY
Hey there, kid, all day long
I've sung an idiot's song
You kept us waiting...
Crawling in the gutter's flow
From Montparnasse to Chateau d'Eau
Are you OK?
One drink after another,
God knows where
I'm meIanchoIy.
Zubrowska, Riesling and Piper
At a loss, not knowing what to do
I've come back here to find you
I run to your arms
To get off the streets
Any noise. I'II kiII you.
The delight of your charms
In your soft, warm sheets
But, alas, instead of that
I thought I heard
''I love you''
That's his problem, true
I thought I heard
''I love you''
That's his problem, true
So what if you do beIieve
So what if I can't be naiiive
However Iost I may be
None of that between you and me
You want a body. that's OK
A pair of arms. why not
In my bed you can stay
Getting the sheets in a knot
But if you want to have aII that
You need to hear
''I Iove you''
You need to hear
''I Iove you''
I'm oId. a widower and sectarian
A poor. idiotic vuIgarian
I'm handsome. young and Breton
I smeII of rain. the ocean
and crepes with Iemon
Be quiet now. you IittIe jeweI
Once again you're wrong. you fooI
I'm precious if you save me. see
OK. but none of that
between you and me
You want a body. that's OK
To get off the streets
In my bed you can stay
In your soft. warm sheets
But if you want to have aII that
You need to hear...
Love me Iess
but Iove me a Iong time.
Your barrage of questions
On the wherefore and why
Of my heart's reasons
SimpIy finds no repIy
I can't deny
I have reasons to Iove you
I don't see why
I shouId Iet you know
The reasons why I Iove you
So the answer's no
.. Is Iike a tomb
See how hard I fight
See how much I Iose
In bIood and tears.
in bIood and tears
You start with mad joy.
Concentrate.
TranquiIIity.
Surprise.
And?
That's not surprise. What is it?
- What is it. JuIie? HeIp us.
- No idea.
Amazement!
Sorrow.
Sorrow. far from moderate.
Despondency. Dad.
Yes. despondency.
Fear.
More than fear...
- Dread.
- No. watch.
Terror?
Not terror? What then?
It's horror.
WeII done. Jasmine.
Despair?
In other words. I take him
from joy to despair.
Thanks a Iot.
The rain faIIs without a care
On the angeI of the BastiIIe Square
The sky is so grey up there
As the rain's needIes pierce the air
The rain faIIs without a care...
What are you doing?
- I came to see you. Where are you?
- Behind you.
Don't you have cIasses.
revision. essays?
The best thing I can do
is wait for you.
That's kind. You're sweet.
But I'm Iike a huge mystery for you.
- You have no idea.
- What does that mean?
It means you don't know me
and shouIdn't wait for me.
The mystery of your weary gaze
A mystery that keeps you in a haze
The secret of this daze
Secrets are my true craze
This barrier between you and me
This barrier. who hoIds the key
Cross the border. Ieave your daze
Stand on your Iand. see my gaze
Take her shouIders.
Watch the gear.
When you're ready. Head to foot.
ShouIders ready.
Prepare to Iift. Lift.
TN 10. 10 Quebec Foxtrot.
DeIta Oscar Sierra
for 59. rue du Chateau d'Eau.
Delta Oscar Sierra