Knight and Day (2010) - full transcript

Encoded by Judas
Enjoy!

WOMAN ON PA:
Welcome to Wichita
Mid-Continent Airport.

Convenient,
friendly,
affordable.

Fly with us.

Please note,
the Kansas Clean Air Act

has designated
this airport
as non-smoking.

Your attention, please.
Baggage claim is located

on the east side
of the terminal.

Hotel and ground
transportation
information boards

and public telephones
are located opposite
the baggage carousels.

Ladies and gentlemen,
please maintain
visual contact



with your personal
property at all times.

Please do not leave
your baggage or
other items unattended.

Thank you for
your cooperation.

MAN: Excuse me.
Sorry.

So, l'm gonna make it
onto the earlier flight,
right?

Are you gonna
check that?

No, l'm gonna carry it on.
lt's got valuables in it.

Here you are.
Thank you.

God, excuse me.
No, l'm sorry.

That bag is
wicked heavy,
anyhow.

l was looking at
my phone. l hate it
when people do that.

You have a little

smudge.

What are these?



Those are two barrel
carburetors for
a Pontiac Tri-Power.

Those are exhaust tips
for a '74 Z-28.

l restore
old cars, so. . .

Hair-dryer.

Oh, my God,
l'm so sorry.

This is getting
to be a habit.

Yeah, it is.

Sorry about that.

Thank you.
Yeah.

Thank you.
Yeah, sure.

Boston?

Yeah.

Gate 1 2.

Enjoy your flight,
Mr. Garcia.
Thank you.

Hi.

l'm sorry. You're
not on this flight.

Well, l just checked in
for this one, like,
1 0 minutes ago.

That must be some
sort of mistake.

l'm sorry,
the computer shows
that we're booked.

Listen, Sharry.

Tomorrow my little sister's
getting married.

l practically raised her.

SHARRY: l'm sorry,
we are completely sold out.

JUNE: Listen, can you
help me out for a second?
She's my little sister.

She's April, l'm June,

she's counting on me
to march her down
the aisle tomorrow.

That's very sweet,

but the 1 1 :50 will
get you there tomorrow
morning with plenty of time.

Your boarding pass,
sir?

Sometimes things
happen for a reason.

Enjoy your flight,
Mr. Miller.

Thank you.

WOMAN ON PA: This is
the final boarding call for
US Midland Air, flight 77

non-stop service
to Boston's Logan Airport,
now boarding at gate 1 2.

Would all passengers
holding a valid boarding
pass, please proceed...

FlTZGERALD: l should've
seen it coming, boss.

He went on tilt,
he came undone.

Coming undone
in our business means
you need a margarita.

lt doesn't mean
capping a dozen people

in a government lab
and blowing it up.

lt doesn't mean
stealing an object of
critical importance.

Does he have
the Zephyr or not?
We believe so.

Uh-huh.
You believe so.

Check it out.
l don't care
what you believe, Fitz.

l need you to
clean your mess up.
Go back and play it again.

l want the Zephyr.

We'll have it in hand
by the time he lands
in Boston.

Find out who
and what she is.

Should l have
the field office
pick her up in Wichita?

Mmm-mmm. l got
a better idea.

Miss Havens?
We did find
a seat for you.

MALE ATTENDANT ON PA:
l'd like to have
your attention, please.

We apologize
for the delay.

We will be departing
Wichita Airport shortly.

Thanks for your patience.

JUNE: l know
it's policy or whatever
and it's just your job,

but it's kind of lame.

SHARRY: Again,
l apologize.

Fitz. What did you do?

lt's no wonder
these airlines are
going out of business.

ATTENDANT:
We have been cleared
onto the runway.

There's nobody
on the plane.

MALE ATTENDANT:
The captain has turned on
the "fasten seatbelt" sign.

Please remain seated
until the sign
has been turned off

and it's safe to move
about the cabin.

l'm June,
by the way.

l'm Roy Miller.

Nice to meet you.

lt's very nice
to meet you.

STEWARDESS:
Tequila on the rocks?

Yeah. Just in
time, thanks.

So, your sister's
getting married
tomorrow?

Excuse me?
Your sister.

She's getting
married tomorrow.
Congratulations.

Oh. Yeah, thanks.

You know, Roy,
l'm a bad liar.

l'm sorry,
how's that?

April is getting married,
but not till Saturday.

You had me fooled.

Well, l do have
a fitting tomorrow.

So, l do, actually,
have to go home.

l hope this isn't
gonna be a rough flight.

lt might be.

Wichita is a long way
to go for a carburetor.

lt's not
just any carburetor.
lt's a triple deuce.

Oh.
l'm restoring
a '66 GTO.

And Kansas has
the best scrap.

Really?

My dad had a garage,

and when l was a kid,
he bought this chassis.

He used to
take us to yards,

and search for parts,
you know?

He died in '98,

and now that
April's getting married,

l just figured,
why not finish it up,

give it to her sort of
as a wedding present?

Kind of like a present
from our dad, too,
you know?

That's nice.

Yeah.
Yeah.

l used to think that

someday, when
the last part went in,

l would just
climb into that GTO
and start it up.

Just drive
and drive and drive,
and just keep driving

until l got to the tip
of South America.

Cape Horn.
Yeah.

There's beautiful islands
down there.

Yeah?

Pirate islands.

Yeah, "someday."
That's a dangerous word.

Dangerous?

lt's really just
code for "never."

l think a lot about
things l haven't done.

Dive in the Great
Barrier Reef.

Ride the Orient Express.

Live on the Amalfi Coast
with nothing

but a motorcycle
and a backpack.

Kiss a stranger
on the balcony of
the Hotel Du Cap.

Where is that?

South of France.

Hmm.

What about you?
What's your list?

Well, yours sounds
pretty good.

Wow.

Thanks.

lt's no problem.

l'll just put this up here,
if that's all right.

You know what?

l'm gonna go back
and use the restroom.

l'll help you.
Thanks.

Lots of turbulence, huh?

l'll be out
in a minute.
Sure.

"Kiss a stranger
on the balcony of
the Hotel Du Cap"?

l mean, what kind
of a line is that?

l mean, it's, like,
a really good line.

Ma'am? Ma'am?

Did you see his hands,
by any chance?

They just, like,
snatched that bag
right out of the air.

Lightning-fast reflexes.

Not cool.

Okay.

Huh?

This will help.

Ocupado.

Enough. lt's over, Roy.

Yeah, l agree.
Enough.

Where's the Zephyr?

Why is the girl
on the plane?
Tell me.

Why did Fitz put her
on the plane?

Don't move, Miller.

So what are you gonna do?
What are you gonna do?

You're just gonna
let this opportunity
pass you by?

No, of course
you're not.

You're gonna walk
right through that door,
you're gonna get it right.

lt's not your first
rodeo, woman.

Hey.

l decided
to join you.

l'm sorry. l. . .

No, no, don't. . .
lt's great.
l'm sorry.

lt's just, like,
the tequila and
the altitude and everything.

There's something
l've gotta tell you.

What? Oh, my God,
you're in a relationship.
l'm so sorry.

No, no, no.
That's not it.

Okay, l'm all ears.
What is it?

Are we landing?

No, not yet. Uh. . .

No?

Listen, there's
no need to panic.
l have

contained the situation.

Situation?

Yeah. We've lost
the pilots.

Where did they go?

l mean, they're dead.

The pilots are dead.
Shot. lt's. . .

Shot?

By who?

Well, me.

Actually, l shot
the first pilot.

He shot the second pilot
accidentally. lt's just

one of those things.

Seriously, this is great!

Really, l'm relieved
you are taking this so well.

Where are you going?

l'm just gonna go
check on things
and think about landing.

Would you mind putting
your seatbelt on for me?

That would be great.
Yeah.

This is weird.

MlLLER: Mayday. Mayday.
This is US Midland
Air 77 heavy.

What's happening?
Everybody's dead out there!

Come on in. Sit down.
Mayday, mayday, mayday.

Everybody's dead in here.
MlLLER: l'm declaring
an emergency.

Oh, my God !
Are we going down?
l'm sorry?

Are we going down?

No, June, it's just
a rapid descent.
Please, sit down.

MAN ON RADlO: Please state
your emergency, Midland 77.

l'm sorry,
l think l've heard
enough of this guy.

Are you a pilot?
Who are you?

The shoulder straps.

You can put those over,
and it clicks in
right down there.

You wanna click it
right there, that's it.

Okay, l got it,
l got it. Okay. . .

Gear down,
showdown.

Why can't we just
land in an airport?

No, no, that wouldn't
be a good idea.

They'll be waiting for us.

What do you mean?
Waiting for us?

Who?

l think
the less you know,
the better.

What?

MlLLER: Okay, we're gonna
touch down here.

JUNE: Oh, God. Oh, my God !

That's a truck.
That's a truck!
Yeah.

That's a truck!
Yup.

That's a truck!

JUNE: Oh, my God !
Oh, my God !

Here l am
Rock you like a hurricane

That's a curve.
That's a curve!
l see it. l see it.

Oh, my God !

Oh, God !

Okay, this is good.

JUNE: What's good?

Take a sip of that.

lt'll take the edge off.

Are you shot?

Yeah, how about that?

lt's just a scrape.
That's good news.

June, we have to

discuss what's
gonna happen next.

You need to go
to the hospital.
Prison, maybe?

Some people are gonna
come looking for you now.
Bad people.

You know, l feel
a little weird.

Yeah, that'll pass
once you fall asleep,

which should be in
a couple of minutes.

What?
l need you
to listen, June.

Did you drug me?

Yes.

You drugged me.

Yeah, it's for
your own good.

Now, look.
These bad people

who are going to come and
see you, they're gonna ask
you about me. Okay?

And you need to tell them
you don't know me.

June? June?
Okay.

You need to tell them
you don't remember anything.

And you need to avoid
getting in any vehicle
with them at all costs.

Okay, who are "them"?

Well, they're serious
people, June.

They'll probably
identify themselves
as federal agents,

and they'll DlP you.

Dip me? ln what?

Dis-lnformation Protocol.
They'll tell you
a story about me.

About how l'm mentally
unstable, paranoid.

How l'm violent
and dangerous,

and it'll all sound
very convincing.

l'm already convinced.

There's a few common
DlP keywords to listen for.

Reassuring words.
Words like, "stabilize,"
"secure," "safe."

lf they say these words,
particularly
with repetition. . .

Okay.

. . .it means
they're going
to kill you.

Oh, God !

Or intern you
somewhere offshore
for a very long time.

Okay?
Okay.

Now, stay with me.
lf they tell you
you're safe. . .

lf they tell me
l'm safe,

they're gonna kill me.

Don't get in what?

Vehicles.

Any vehicles.
Okay, any vehicles.

Just run.
l'll run.

Run.
Run.

And if they ask you
about me. . .

Uh-huh.

l don't know you.
l don't know you at all.

Who are you, Roy?

WOMAN ON TV:
...a mixing of
rain and snow,

good for ski country,
but probably...

MAN ON TV: Thanks, Andrea.
You're welcome.

Now, back to
our top news story
of the morning.

Here's Bradley Moss,
with an on-the-scene report.

MOSS: According
to FAA sources,

at approximately
7:30 last night,

all contact was lost
with a Boston-bound
commuter jet from Wichita.

The plane was apparently
passing through an area
of turbulence

and may have met up
with wind shear

or a lightning storm causing
an electrical failure.

Now, this is
all conjecture
at this point,

as all that's left
is a crater in
an lndiana cornfield.

Coming !

Rodney?

Oh ! Thank God.

l wanted to make sure
you were okay.

Yeah, why?

You were on that flight
from Kansas, right?

Yeah.
l saw on the news
about the crash.

What news?
What crash?

Anyway, you're alive.

l'm alive, yeah.

Sure, that's cool.
Hey, but, June,
you know. . .

l told myself that
if l found you alive,

that l was gonna
ask you to dinner.

How about l call
you later, okay?

JUNE: lt's just another day.
lt's just a normal day. Okay.

She's moving.

APRlL: Wow!

And gotta
love the boots.

Yeah, you know.

l promise l'll wear
heels on the day.

Hey. Can l talk to you
for a second?
Yeah.

So, this weekend,
l was thinking
about Dad's GTO.

Really?

Yeah, it's just
sitting there.

And l was wondering
how you would feel
about maybe selling it.

You wanna sell
Dad's GTO?

Ben and l, we really
want our own place.

Excuse me?

Excuse me.

Anyone here belong
to that blue truck
parked outside?

Yeah, why?

You're about to
get a ticket.

Thought l put enough
quarters in there.
Yeah.

l hate getting tickets.

Ooh ! Excuse me.

Please step inside, miss.

Uh. . . Let me just go
grab a few things.

Miss Havens, good afternoon.
Special Agent-in-Charge,
Fitzgerald.

Will you join us
inside the car
for a moment?

We know
you were on the flight
with him last night.

The one that crashed.

Who are you again?

FBl. You do
know Mr. Miller.

No, l don't.

Well, we chatted
a little bit before
security, but. . .

l see.
And once you were
on the flight,

what happened then?
More chatting?

ls this funny to you?
No.

He's dangerous,
Miss Havens,
and out of control.

He said that
you'd say
he was crazy.

So, you did talk to him.
And about me, no less.

No. No, not you,
specifically.

About whom, then?

Simon Feck?

l don't know who that is.

Look, this is getting
really twisted around,

and l think l should
probably call a lawyer.

Mmm.

We're gonna take you
to a secure location,
Miss Havens,

until Miller is contained.

Someplace safe.

With you?
Yes, ma'am.

JUNE: You wanna tell me
where we're going?

Fellas?
Don't worry, miss,
you're safe.

Excuse me?

You're safe with us.

l wanna know
where we're going.

Just a shortcut
till the situation
is stabilized.

We'll keep you safe.

You said that already.

Because l meant it.

AGENT: What is Jackson doing?

Shooter! Shooter!
Evade! Evade!
Shooter on the freeway.

The dot's on your back!

Follow me, now!

Are you insane?
l'm not going
out that door!

Oh, my God !

Get your foot off. . .

Oh, my God !
Hey, June!

l can't see!
You are doing great.

l can't see!
Get out of the way!

Open the door.

l can't get his foot
off the gas.
Open the door, June.

Open the door, June.
That's a beautiful dress,
by the way.

One second.

Oh, my God !

WOMAN: l totally know
what you're talking about.

lt's so boring,
l can't even
stand it. Totally.

Thank you.

Who are you?

Oh, God !

What are you doing?

Hi, June.
Move out of the way,
l can't see!

Please unlock
the door, June.

Unlock the door.
That way,
l can help you.

l can't let go!
You need to
let go, June.

June, door!
Got it!

Just pull over!
Oh, my God !

Come on. Come on. Come on.
Yup, come over here.

Right over here.
Just stay down,
you're doing good.

Here, hold this.
Well, well, well.

Check this out.

Nice.

These guys are
loaded for bear.

You're doing well, June.

Excellent driving.
Over a dead guy, no less.

You're a natural.

That's a beautiful dress.

ls that for
April's wedding?
Uh-huh.

Saturday?
Yeah.

Yeah, that
will be nice.
Yeah.

Please, stop
shooting people, okay?

Just stop shooting people.

l understand.

You're in shock.

How about you stay here

while l go have a word
with the guys in the tunnel.

Okay?
Okay.

Actually, l'm just
gonna go shoot them.
l'll be right back.

By the way,
your timing when
you opened that door. . .

Okay.
. . .was sublime.

You saved us,
l hope you know that.

You saved us.
Okay.

Hey! Hey!

Hey, wait!

Wait! Wait! Wait!

Oh, no.

Excuse me, sorry.

There you are.

MlLLER: June?

June?

Rodney?

MAN: He's in the gym.
Over there.

Hey!
Hey!

What are you doing here?

Whoa! That's a. . .
Hey, guys,
say hello to June.

That's a dress.

Thanks.

Everything all right?
Yeah.

No, it's. . .

lt's complicated.

You know what?
l've been feeling
the same way.

You wanna talk?

Maybe over some pie?

My point is. . .

My point is,
that plane crash
made me think

about our break-up.

You know, this bulb
went off, bing !

"Rodney,
why are you giving up?
You're being passive."

"Getting back at her
because she didn't
want the ring."

"So June didn't want
to be engaged right now,

"and that freaks
your mom out. Big deal !

"What about all the things
you and June wanted
to do together, huh?"

Our list, you know?

Like camping in Vermont
with my brother and Sheila
in their new Winnie.

Tickets to Blue Man Group,
the battlegrounds tour.

l wanna talk about
the plane crash. Okay?

Sure, what about it?

l was on it.
l mean, in it.

l mean, l was in it.

So you were in
the plane crash?

l wasn't supposed
to be on that plane,
but l was on it,

and there was this guy
who was some sort of

secret agent
or something,
and he. . .

He killed everybody
on board.

And then
he landed the plane.
Next thing you know,

l wake up,
l'm in my room.

l have no idea
how l got there.

He must've drugged me
or something.

Then l go
to April's fitting,

because l have to wear
this ridiculous dress.

These other guys,
these other agents come,
they snatch me up.

Next thing you know,
l'm in Grand Theft Auto
on the l-93.

Why are you
touching my hand?

Because l'm here for you.

Jeez, you are
so stressed out!
Well, yeah !

And l get it.
Really?

l completely understand.
l mean. . .

Wow, June.
l know.

Your little sister's
getting married. . .
lt's like. . .

. . .and that is stressful.
What are you
talking about, Rodney?

You didn't even listen
to what l was talking about.

No, l did. Look, l would
probably be the same way
in that situation.

What can l do to help?
Setting up? We can
bring the guys over. . .

No, no, no. Okay.

Oh, Christ.

Hi, June.
Look, l. . .

l'm sorry if
l'm interrupting
anything, but. . .

l'm Roy Miller.

Rodney Burris.

Rodney, hi.
How are you?

We're running out of time,
and maybe l didn't
make it clear enough,

but we're gonna have
to stick together
for a little bit,

because of our. . .

You know,
our situation.

ln case you didn't notice,
Rodney is a fireman, okay?

So he's perfectly capable
of handling any situation
that comes up.

Thank you very much,
you can leave us alone.

l have no doubt.

Ever since l was
a little kid,

l have great respect
for firemen.

l appreciate it.
Fact of the matter is,

l don't think you guys
get paid enough.
Yeah, we don't.

You're in Engine 1 0.

Yeah, Engine 1 0.

Yeah. Have you taken
your lieutenant's exam yet?

l'm working on it.

Yeah? How's that going?

lt's a bitch.

Did you ever do a tour
in that hall, what is it?

Oh, Grove Hall,
that's where the action is.

lt's the fastest way
up the ladder.

Rodney!
House of Flames!

l often thought l. . .

l should have
been a fireman.

Rodney,
this is the guy.

What?

This is the guy.

What? "This is the guy"?

l'm sorry,
who are you?

l'm the guy?

l'm the guy.
This is the guy.
This is the guy.

This is the guy.
l'm a guy.

l'm the guy.
You are a guy.

l'm a guy.
JUNE: He's the guy!
He's the guy!

Rodney,
whatever happens. . .
God.

Please, for your
own safety. . .
Rodney, whatever happens,

you should know. . .
. . .please stay
in the booth.

What are you
talking about?

JUNE: Wait!

Everybody!
Everybody get down.

Get down, down, down !
Everybody down.

Rodney, get down,
or l will blow
her head off.

l'll blow her head off.

What did l say?

Rodney, what did l say?

Just calm down,
buddy.
Answer! Huh?

Sorry, l thought
you were making a move.

Sorry. lt's all right,
l thought he was
making a move.

Making a little pie.
Pies for everybody.
Everybody.

Everybody gets pies, okay?
No ice-cream, à la mode.

Weakens the legs, people.
Lincoln knew it.
lt's why they got to him.

No one follows us,
or l kill myself
and then her.

Get in the car.
Please.
No.

Watch your head.

We're at 560 Harris.
They're getting
into a blue Volvo.

Rodney! Rodney!
Rodney?

Oh, my God !
Rodney!

lt's okay.
Look at me.

Okay. Look at me,
it's okay.
Shit!

l shot you through
and through. No bone,

nowhere near the
femoral artery, okay?

All right?

This is gonna be better
for you than Grove Hall.
lt's all good.

Okay? You good?

Good?
Good.

Good?

There were four
security cameras
in that restaurant, June.

Now there is proof
you're my hostage.

So we've cleared your name,
with the locals, at least.

You know? lt's a start.
Something to build on.

You shot Rodney!

Yeah, l did.

But l asked him
to stay in the booth.

You shot Rodney!

lt might be the best thing
that ever happened to him.

Yeah, right, because
we all should get shot
every now and then !

Rodney. . . Rodney is
a good guy, June.

But not really
right for you.

l mean, you know,
in my opinion.
But a good guy.

Took a bullet,
he's gonna be a hero.
Probably get a promotion.

Stop the car.
Stop the car.
What?

Stop the car.
Stop the car. Stop the car.
Just stop the car!

June, l understand
you want off the carousel.

l do, l wanna get
off the carousel.
Please, Roy.

Can you stop the car,
please? Right now!

l'm not one of those
"l told you so"
kind of guys,

but l did warn you
to stay off the plane
last night.

When?

Well, when l said,
"Sometimes things
happen for a reason."

That's not a warning.
That's not a warning, Roy!

That's like
a needlepoint expression
or a bumper sticker.

Next time, try, "June,
if you get on this plane,
you will fucking die!"

Huh? You know, Roy,
maybe they meant it

when they said that
l would be safe.

You really
mean that, June?

Yeah !

Did you feel
safe with them?

Safer than l do now!

Okay, okay.
All right.

Just so you understand,

right now,
out there,
on your own,

your life expectancy
is like here.

With me, it's here.
Without me, here.

With me, without me.
With me, without me.

So. . .

l wouldn't advise
going home.

But, you know,
it's up to you.

So right now
l need another car,
keep moving.

Someone else
is depending on me.

Someone whose
life is in danger.

Someone who trusts me.
Every second l waste
chasing you,

l'm letting him down.

WOMAN ON TV: Rodney,
why did you make

this brave call
to leap into action?

RODNEY ON TV: Well,
l didn't think.

l just did what any man
would do in that situation,
you know?

l leapt into action.
Thanks.

Like you said,
it's really the job.

You should be so proud.

Thanks.
Good job.

lt really
didn't even hurt.

lt was kind of
like a bee sting.

What a brave firefighter.

The doctors tell me Rodney
is going to be okay,
just a flesh wound.

A true blue Boston hero.
Back to you, Don.

This is what
it's all about.

That, right there,
is what everybody wants.

A Burger King toy?

Open it up.

lt's warm.
What is it?

A battery.

A battery?

lt's code-named Zephyr.
Not your average Duracell.

lt's high output.
Never runs out.

What do you mean,
"never"?

That little thing there
is the first perpetual
energy source since the sun.

So, what, your flashlight
never runs out of juice?

lt can power a lot more
than a flashlight, June.

Really?
How much more?
Mmm.

Small city.

Large submarine.

lt's big.

The guy who invented it

is barely out
of high school.

Simon Feck.

l was assigned
with another agent
to watch him

at a facility,
a lab in Wichita.

And the other guy,
the agent,

is the guy who
picked you up
this morning.

Fitzgerald.

A couple of weeks ago,
l found out he was
going to sell the battery

and kill Simon.

So l got Simon
out of there,

put him someplace safe
and went back
for the battery.

And Fitz set me up.
Made it look
like l went rogue.

That's when l met you.

So. . .

So, what's next?
l mean, what's the plan?

l think
we get some rest,

pick up Simon,
and get you back for
your sister's wedding.

l'm pretty good
at what l do, June.

And tonight, we're safe.

Scout's honor.

Safe and secure?

Good night, Roy.

Were you really
a Boy Scout?

Eagle Scout.

l was a Brownie.

That's cool.
Mmm.

Good night, Roy.

MlLLER: Pies for everybody.
Everybody.

Everybody gets pies, okay?
No ice-cream...

So, what do you think?
Are we looking
at another player?

We're looking at a pawn.
l talked to her, so did he.

She owns a garage,
no passport,

gone nowhere,
been nowhere.

She's a nobody.

You've been two steps
behind since this began,
Fitz.

Are you sure someone is
not taking you to school?

Clean this shit up.

This is a safe-house?

Simon !

l see you, you see me

Simon?

Oh, girl
you've got to know

Stay close.

Hey, Simon, this is
no time to play.

You can't escape my

Private eyes
They're watching you

They see your every move

Private eyes

What is all this?

Simon. lt's what he does.

l'm late,
and he's gone.

You play with words
You play with love

You can twist it around
Baby, that ain't enough

'Cause, girl, l'm gonna know

lf you're letting me in
or letting me go

Don't lie when
you're hurting inside

'Cause you can't escape my

Private eyes
They're watching you

They see your
every move, baby

Private eyes
They're watching you

Mmm-hmm.

Mmm !

Simon.

Why you try to put up
a front for me

l'm a spy
but on your side, you see

Slip on, into any disguise

Hmm. "Made in Austria."

Who are these people?
Are they Fitzgerald's guys?

No, it's other guys.

Other bad guys?

Worse guys.
Hold my mags.

Worse guys?

Now, l need you
to listen carefully.
Do exactly as l say.

On three, l'm gonna
lay down cover,

then we're gonna run
to those shelves over there.

Okay.

Okay?
Yeah.

You ready?
Yeah.

One. . .

Oh, my God !

Sorry. l panicked.

What number
would you like?

Let's just stick
with three, it's good.

Okay. One. . . Two. . .

Three.

These guys are fancy.
Mags.

Could be
Antonio Quintana's men.

He's a Spanish
arms dealer.

He also wants
the battery.

Ready?
Uh-huh.

Let's move.
Okay.

June. June!

How the hell
are we gonna
get out of here?

And where the hell
is Simon?

l don't know yet,
but he left a message.

A message?
Wait.

What l need you
to do right now
is wait here.

What?
Yeah. l'm gonna
find us a way out.

l can't wait here!
l'll be right back.

Wait! Roy!

Just take this.

Roy?

Shit.

June?

June! June! June! June!

June! June! June! June!

June!

Please stop
saying my name.

You keep saying my name,
it's freaking me out.

Okay. l understand.
Okay.

Drink this.
What is it?

Brotine-zero.
They're gonna
smoke us with D-5.

Oh, yeah.

Where's yours?

Oh, shit.

l'm sorry.
Oh, no.

They're coming.

June.

l know this looks bad,

but we'll be out of here

in a couple of minutes.

l got this.

We gotta go, June.
Here, l'll help you.

We've been hit!

But it's okay!

We get through this,
we're home free!

Ready, set, go!

We're almost there.

Hey, there,
sleepy head.

How long
have l been out?

Eighteen hours.

Where am l?

My place.

We're off-grid.

No one's ever
found me here.

Shame we can't stay longer.

We got a rendezvous
with Simon.

He's fine.
l figured out
his code.

He's crazy about trains.

He used the passport
l gave him and went
to Austria.

You drugged me again, Roy.

Yeah.

You can't do that.

Well, you weren't
coping well.

l'm not sure,
if you were awake,

if they would've
even let you live.

What am l wearing?

Huh?
Huh?

A bikini.
We're in the tropics.

How did l get
in the bikini?

June, l've been trained
to dismantle a bomb
in the pitch black

with nothing
but a safety pin
and a Junior Mint.

l think l can
get you in and out
of some clothes without

looking.

l'm not saying
that's what l did, but. . .

Okay. Sorry. Reflex.

l deserved that.
Hit me again.

l won't stop you.

June.

June?

June!

. . .paper clips
and Junior Mints. . .

"Not that l'm saying
that's what l did."

Shit!

ls this his phone?

Movement alert.

5826

Amapola.

That's a '67 Grand Prix.

l thought we were
off the grid.

April.

April?

April ! l know!
No, l'm okay!

Listen, April. . .
April? April?

April, can you
hear me? April !

April, can you. . .

JUNE ON RECORDlNG:
l know! No, l'm okay!
Listen, April... April?

April, can you hear me?
April!

We don't know, Antonio.

We traced her phone
to the Azores.
We're in range now.

Get to them
before the agency.

Perfect timing.
Lunch is ready.

You must be thirsty.

lt's coconut.
lt's loaded
with electrolytes.

Just. . . Whoa. Okay?

Okay. Just. . . Whoa.

Yeah?

Yeah !

Hey. You got skills.

My dad wanted boys.
Yeah?

Let me go.

You can get out
anytime you want.

l'll show you.

Hands like Houdini.

Turn your palms down,

and all at once,

throw your hands
to the ground
and your hips back.

Nice.

That was good.

Who are you?

Really.

l don't understand.

Follow me.

l don't understand.
l came in clean.

My phone is secure.
lt's secure.
Unless you made a call.

And you didn't make a call.

No, l didn't make a call.

l took a call.

You took a call?

lt was a quick one.

You. . .

Come on.

JUNE: l thought
we were off the grid,

and then
the phone rang.
lt's okay.

lt was my sister and
l had to take the call.

You know? l didn't
want her to worry.
Watch your step.

No, no, no. . .

l can't get into that.
l just can't
get into that thing.

l can't get into that.

June.
Roy. . .

Just, please, knock me out.
Use broton-seven or whatever.

lt's okay.
You're grabbing my neck.

You asked me
not to drug you.

Okay, good.

Hands
like Houdini. Hands. . .

Roy?

l can't feel my face!

MlLLER: Okay, time.

Okay, Simon. . .

Roy, the pull
on this thing. . .

We said 1 0 minutes.
The traction on this thing.

lt can pull up to
50,000 metric tons!
l get it.

lt's a diesel hydraulic!

Don't you wanna
see your Zephyr?

Yes.

Excuse me.
Guten Morgen, miss.

Can you tell me
where we are?

Right now, miss?
We are in Austria.

Austria, huh?

Would you like
some breakfast, miss?

Yeah, that would
be great. Thanks.

Okay, l'm gonna
have some pancakes,

scrambled eggs. . .

Scrambled eggs.
. . .and. . .

With a glass of milk.

And a glass of milk.

Can l get a Harvey
Wallbanger, please?

Certainly, sir.

You know, statistically,
you're a lot more likely
to die riding on a train

than any other form
of transportation.

1 0.3 times more likely
than dying on a plane.

Simon?

Simon Feck?

Yes.

My name is June.
l'm a friend
of Roy Miller's.

Oh !

Have you found him yet?
Have you seen him?

No, not yet.

Don't you wanna
answer that?
Yeah.

But l can't.

l'm not supposed to.

lt might be Roy.

Yeah, but he told me not to
answer the phone, because
the signal can be tracked.

That's right.
Of course.

Did Roy happen to tell you
about the plan here?

Are we supposed to
meet him here, or. . .
Um. . .

What did you say
that drink was?

A Harvey. . .

lt's a Harvey Wallbanger.

Do you mind
just ordering me
one of those?

Because it looks great.

l'll just be right back.
You just stay here
for a second.

l'll be right back.

Something is wrong.
lt's getting hotter, Roy.

She didn't answer
her phone.

l told her not to.
That's. . .

We just got here.

That's good news.

l'm sure
she'll turn up. Roy. . .

l left a note
posted right there.

We may have
an issue here.

The temperature. . .

She's hungry. . .
She's hungry.

lt's getting too hot.
We need to cool it down.

Yeah, she went to
get something to eat.

Good. Come on, Simon.

May l help you?
Yeah.

l'm feeling
a little bit train-sick.

ls it okay if l hang out
here for a while?

Of course, l will
get you some water.

Here you go.

Antonio Quintana
wants to know

where is the battery?

Where is the battery?

Uh. . .

l'm sorry,
l'm looking for ice.

Roy.
Bernhard.

Miller.

Wrong room.
lt's okay. lt's okay.

You know him?
Yeah.

He's an assassin,
platinum grade.

He's come
to collect Simon.

Oh, my God.

And to kill you.
That's Simon?

Yeah, June, Simon.
Simon, June.
Hi.

Jeez! l'm okay.
l got this.

Simon, please move.

You have quite
some balls, Fräulein.

Hands like Houdini.

l'm so sorry.

But you were
trying to kill me.

That's disgusting.

Oh, my God. Just die!

Oh, shit.

l got to get you guys
someplace safe.

They're not
on the train.

Oh, really?

Cameras at
the last station
show nothing.

They must have gotten
off between stops.

Locals haven't
found anything.

Always the classics, Roy.

JUNE: Salzburg, Austria.
Very nice.

MlLLER: Yes. Uh-huh.

No, we just got in.

Well, we're talking now.
No, l understand.

Well, it's good
to hear your voice,
too, Naomi.

l'll meet you at the caprice.
As soon as you can be there.

lt's a beautiful
city, huh?

Yeah.

Never seen anything
quite like it.

Neither have l.

l got to go
out for a bit.

Okay.

l was thinking
about ordering
some room service.

And l thought maybe
we could have dinner
or something.

That sounds great.

9:00?

9:00 sounds great.

June?

Could you do me a favor
and just stick around here?
lt's better.

Oh, yeah, of course.
Where else am l gonna go?

See you in a bit.

They're not gonna hurt you.
You're too valuable to them.

Now, just breathe,
listen to your music.

Here, as a matter of fact,
l got that for you.

l know you like them.

Cool, thanks.

Listen, order as much
room service as you like,
but don't leave the room.

Okay.

We need to talk
about the Zephyr later.
And we will.

You seem different.

Do l?

So, who's your companion?

She's beautiful.
The blonde.

She seems capable.

l just met her.

She's a nobody.

Just someone
l picked up
along the way.

That's a shame.

This is getting boring.
Are we gonna do a deal
or not?

Don't speak to me
like that.

l will speak to you
any way l please, Tony.

We both know
you're lucky
l'm here.

l have the battery.
l'm on a schedule.

The world is full of bad guys
and people are calling.

l understand.

What's your price?

l have a figure in mind.

What's it worth to you?

Are you angry about
your island, Roy?

Tick, tick, tick,
tick, tick, Tony.

l'm lsabel George,
Director of Counter
Espionage at the ClA.

l'm sure you are.

Forgive me, l just. . .

l just don't know
exactly what to believe.

Well, that's
understandable,

considering that
the last five days

you've been fed a steady diet
of misinformation and fantasy

by an agent of ours
who's recently gone rogue.

Well, he said that Fitzgerald
was the one that wanted
to steal the battery.

Well, let's
examine the facts.

Miller told you that he was
protecting the Zephyr from
people wanting to misuse it.

But now he's trying
to sell it to

an international
arms dealer.

Antonio Quintana.

One of Europe's leading
weapons manufacturers.

Ask yourself,
Miss Havens,

has Roy Miller said
anything to you that's
proven to be true?

JUNE: God, excuse me.
MlLLER: No, l'm sorry.

Sorry,
l was looking at my phone.
l hate it when people do that.

Oh, my God,
l'm so sorry.

MlLLER: This is getting
to be a habit.

JUNE: Yeah, it is.

lSABEL: He used you as a mule
to carry the battery through
security, Miss Havens.

He's been playing you.

He's a spy,
that's what he does.
He lies for a living.

Any love, empathy,
we train that right
out of them.

What did you imagine?

The two of you would move
into a condo together,
get a dog?

You can't have
a life with him.
That's fantasy.

But you can
have yours back.

She's been gone
eight minutes.

We need you to get
back to the hotel
before Miller.

What am l supposed
to do?
FlTZGERALD: All right, then.

This pen is a transmitter.

Once you have confirmation
that Miller has not hidden
the Zephyr,

that it's somewhere nearby,
or on his person,

you can confirm this
by simply clicking
the top button.

l'm sorry l'm late.

Everything go okay?

Well enough.

lt's getting hotter.

So, did you
get your price?

l followed you tonight.

You have nothing to say?

Here's to Wichita

where we first. . .

Bumped into each other.

Do you think
that was fate, Roy?

l don't believe in fate.

But l believe in luck.

l don't know
what to believe.

Huh.

That hurt more than
l thought it would.

l'm going home.

They promised that
if you turned yourself in,

they'd protect you.

l love your optimism.

Never lose it.

FlTZGERALD:
Get her out of here.

MAN: He's not here, sir.

Did they tell you
you're going home?

You've seen the inside
of the honeycomb, June!

You can't go home.

OFFlCER ON RADlO:
The suspect is on the roof.

Oh, shit.

Director George!

Get her in the car.

FlTZGERALD:
He's heading
toward the river.

Stand down !
He has the battery!

Hey! Hey! Hold it!

Hold your fire!

Stand down !

He has the battery!

Did you secure the kid?

Yeah.

Did they find Roy?

We'll find the body.
We have to.

He went down
with the Zephyr.

APRlL: Thank you, guys.

Fitz?

Fitz, l think
we just made a wrong turn.
Ramstein is that way, west.

l think
we're going south.

You know what?
You're right.

Tell him we're
back on track.

l don't have the battery,
but no one's gonna
get it now.

Yeah, l've got
the next best thing.

l'll see you in Spain
in two days.

Hey, Wilmer.

How was the party?
lt was nice.

l see the goat
is still out there.

Yeah.

l thought it was
a wedding present.

lt was, but,

l think l wanted her
to want it more than
she wanted it.

Okay.

DJ ON RADlO: ...Boston's
classic rock station.
Here are the Kingsmen.

This just come in?

G-body Grand Prix.
Longest hood in history.

Gonna be a real beaut.

Oh, no

Me gotta go

Ru-pa. . . Fee-pa. . .
No, it's. . .

5826 Amapola.

That's like an hour
from here.

Maybe it's a safe-house.

Here we go.

Shit!

Who's out there?
l'm not afraid
to use this.

MOLLY: Oh, Frank,
look at her!

l want to know
what she's doing on my lawn
in the middle of the night.

l. . . l have the pistons
you ordered.

Pistons?

For the '67 Grand Prix.

Molly, l didn't. . .

You are all wet.
Please, come inside.

That Pontiac you have
out there, Frank,
is a real classic.

Mmm-hmm.

l really love
pre-'70s Grand Prixs.

Mmm-hmm.

So, you two
lived here long?

This old place?
lt's been our home
for 40 years.

Sit down, honey.
Have a cookie.

Frank thinks we should move,
but you know what?
l am comfortable.

And we can afford to stay,

thanks to Publishers
Clearing House.

You won Publishers
Clearing House?

Twice.

Plus, we won
two lotto quick picks

Frank doesn't even
remember buying.

Because l didn't
buy them.

Oh, yeah, like
you didn't order pistons
off the lnternet.

You don't know
what you're typing into
that computer, Frank.

Another couple of minutes
on your clothes, honey.

So,

Roy Miller.

This was one of
his safe-houses, wasn't it?

What in the hell
are you talking about?

Honey, what's
this all about?

l'm sorry,
l just thought, maybe. . .

l must've had
this all wrong.

l was just looking
for some information
about my friend, Roy.

lf you'd like to change,
there's a powder room
right there.

That's our son, Matthew.

We lost him in Kuwait.
There was a chopper crash.

He saved the lives
of two of his crewmen, and. . .

He just always took
care of everyone.

He was an Eagle Scout.

This was taken the day
he got that swimming badge.

He could swim clear
across Lake Sunapee

with practically
one breath.

l just, um. . .

l've been terribly rude.

l'm June Havens.

Molly Knight.

This is June Havens,
and l'm leaving
a message on my own machine

for whoever is listening
to this phone call.

l have the Zephyr.

l have the Zephyr,
and l'm ready
to make a deal.

l'm sitting on Route 28,
right outside New Hampshire.

And if you want
the Zephyr,

you better come
and get it.

Hey, fellas.

So,

you want the Zephyr?

l got the Zephyr.
lt's right here.

Come and get it.

Come on. Let's go!

Ouch !
ANTONlO: Welcome to España.

Today is the festival
of San Fermin.

Have you ever
seen a bullfight,
Miss Havens?

My name is
Antonio Quintana.

l know who you are.

What did he give me?

lt's something
we're developing
at my company.

A new kind of
truth serum.

Really?

l have a few
questions for you
about the battery,

since we both know
what you gave to
my men was a joke.

Wow.

l don't like you very much.

The truth !

Good !

JUNE: Wow.

You know, l really
like Miller, though.

'Cause, you know,
l was totally wrong
about him in Salzburg.

He wanted me to hear
that phone call so
that l would follow him.

l'd turn him in,
and then he could
get me home safely.

He was trying
to protect me.

Shut up.

lt's crazy that l could
feel so powerful
and capable around him. . .

Shut up.
. . .and yet
he takes care of me.

Shut up!
Where is the battery?
Where is it?

l bet you've never made
a girl an omelette,
have you, Antonio?

Don't test me, June.

Or got her
to her sister's
wedding on time.

lt's really the little
things, honestly.

But they count so much.
Enough !

Okay!

Miller is dead !
Roy Miller is dead,
he's out.

No.

No, he's not.
He can hold his breath
for a really long time.

He is dead !

l'm not gonna ask you again.
But if you don't tell me
what l need to know,

you're gonna die!
l don't know
where the battery is.

Then why did you
tell everyone
you had it? Why?

Because l was trying
to find Roy.

Well, Antonio,
whenever there's bad guys
like you around,

Roy's not too far away.

You're gonna die.

Finally!

Nice to meet you, John.

Antonio.

Too bad you couldn't
get the battery.

Where is the boy?

You didn't think
l'd just bring
the package, did you?

Why don't you follow me
down to the river
and bring the money?

Okay.

JUNE: ls this
thatching in here?

Because l've never seen
anything like that before.

We have really old
architecture in Boston,
but nothing like this.

You're really lucky,
because this place is. . .

Let me tell you.
You're really lucky,
it's beautiful here.

My thoughts are so clear.

ls this all weapons money,
or is this family money?

Gardens! He likes
gardens, huh?

JUNE: Do you guys ever
do any gardening?

lt's really relaxing.
lt's amazing how much
you can just. . .

This really is a happy
place. Look at these
trumpet flowers. They. . .

Okay, Eduardo,
you don't have to
pull me around.

You can just tell me
where you want me
to go, okay?

This way, blondie.

See? Now we're
communicating.
Uh-huh.

l bet you're taking me
someplace safe and secure.

Someplace special.
Antonio's special place.

Antonio has
a special place?
That's so nice.

Everyone should
have a special place.

Luis?

ls there a problem,
Eduardo?

Hi, Roy.
Hi, June. You're
supposed to be home.

You're supposed
to be dead.
l can explain.

You don't have to.
l came here to get Simon.

l just, you know,
caught up with him.

That's cool.

His name is Eduardo.
Eduardo.

l need you to listen,
because when you wake up,

you're gonna call your boss
and you're gonna tell him

that Roy Miller, that's me,
has the battery and
escaped with the girl.

You have the battery?
Yeah.

Oh.
You tell him
l'm coming for him.

Yes.
Okay.

Let's go.

l'm worried about Simon.
l haven't seen him.

My tracker has
been spotty.

Life with you is so exciting.
You excite me, Miller.

l took too long
to get here.

7:00.
What?

7:00.

l think l feel
like having sex.

l think we'd have
really great sex.

Did they give
you something?

Uh-huh.

You should hydrate.

Roy?

Roy.

Roy?

June.

June?

You don't seem
very happy
to see me, Roy.

What?

Not really.

l am happy.

So the red dot is us?
No, we're yellow.

The red dot is Simon.

ANTONlO: Go! Go! Go! Go! Go!

Air time.
Air time?

He says his name
is Roy Miller.

He says he has the battery.

Miller is here.

There he is!

This way. Follow me!

Bulls?

There's Fitz!
l see him.

Take the guns.
Okay.

Here.
Whoa.

What next?

Let them have it.

June Havens,
you've got skills.

Let's go!

Go.

See you down there.
Are you sure?

No.

Sorry.

Get up.
Okay.

Freeze right
there, Roy!

Hey, Simon.

Get down on
your knees, now!

Roy!
Now! Now!

Put them in the water.
ln the water.

l just want
the kid, Fitz.

FlTZGERALD: Okay.

Well, l hope you brought
what l want, otherwise
l'm gonna have to kill him.

And l swear to you,
l'll do it.

l believe you.
Just like Wichita.

l understand.
Okay.

l'm just gonna
get the battery.

lt's right here.
SlMON: Don't give it
to him, Roy.

Please don't give it
to him. No, no.

Roy, Roy, please
don't give it to him.

FlTZGERALD:
Put it on the deck.

Roy, Roy, please
don't give it to him !
FlTZGERALD: Easy, easy.

Simon, it's okay.

Roy, don't give it to him !

Shut it!
Stop it! Shut it!
Roy! Whoa! Whoa!

Okay. Okay,
l'll make another one.

You don't understand.
Simon, don't talk.

SlMON: l'll just
make another one.

Make another one?

Am l dying?

No, you fainted.

l'm sorry.

No, that's okay.

No, no. l've been
trying to tell you. . .

Why is it hot?

Because it's
filled with power.

The battery. . .
l messed up.
lt's deteriorating.

l know. lt's unstable.

Hmm.

You're a smart guy, Simon.
l know you'll figure it out.

Oh, my glasses.
Thank you.

Roy,

you're shot.

Get help.

Roy.

You're beautiful,
June Havens.

Stay with me.
Roy, look at me.

Stay with me.

We're here now, Miller.
We got you. We got you.

DOCTOR: Charge at 360.
MlLLER: June.

Clear!

Oh, no

Me gotta go

Aye-yi-yi-yi, l said

Louie Louie...

lt's been a spectacular
couple of weeks, Miller.

lt's good to
see you, lsabel.

Hi, guys.

You cleaned house, Roy.

l have to
thank you for that.

l trusted
the wrong man.

lt happens.

Simon's happy.
He's got a new lab.

Where is June?

l sent her home.

She gets it.

She knows you two
lead different lives
and she's moving on.

As should you.

You gave up those things.

You let go of who you were.
Family, friends,
that's the deal.

Why are we still
talking about this?

Because the agency
invested a lot in you.

And you're an asset
only as long as
you stay focused.

You look good.

Get some rest.

We got to transfer you
to a secure facility tomorrow.
For your safety.

Nurse? What. . .
What did you give me?

Brotine-zero.

Stay under there, Roy.

You're dead.

Make way, please.

Going to the mortuary.

Don't worry, Roy.
l got this.

lt's time for a vacation.

JUNE:
Ride like the wind

And l've got

Such a long way to go

To make it to
the border of Mexico

Hey, there,
sleepy head.

What day is it?

Someday.

Someday, Roy.

What am l wearing?

A pair of shorts.

How did l get
into shorts?

Roy, l've been trained
to rebuild a six-speed
transmission

with nothing
but a pair of pliers
and a crescent wrench.

l think l can get you
into a pair of shorts
without looking.

l'm not saying
that's what l did.

You're both the navigator
and the DJ.

And we have
a long way to go
to Cape Horn.

With me, without me.
With me,

without me.

With you.

Put some tunes
on the radio, Mr. DJ.

Yes, ma'am.

l don't want it someday

l don't want it one day

Got to have it somehow

l want it right now

l wanna live my life

MOLLY: Oh, my God, Frank.

What is this envelope
with tickets to Cape Horn?

FRANK: What are
you talking about?

Did you order tickets
to South America?

Molly, l didn't order
tickets to anywhere.

You don't know
what you're typing on
that computer, Frank.

Molly. . .
Then, we must've
won them !

Molly...
Well, we're going,
aren't we?

lt's gonna be
so awesome-blossom
and beautiful

And l'm gonna be
with you, baby

And you're gonna
be with me

l'd rather have it
sooner or later

But right now, baby
l have to wait impatiently

For that someday

Waiting for the one day

Hoping for it somehow

Gotta have it right now

'Cause l don't want it someday

l don't want it one day

Gotta have it somehow

l want it right now

The past is history, girl

The future's a mystery, girl

Today's a precious gift
that's why it's called
the present

l want you night and day, girl

Come on, let's fly away, girl

Let's not be scared to have
a little taste of heaven

'Cause l wanna
live my life
no regrets at all

l'm stumbling onto love
and loving the fall

l wanna be with you, baby

And you wanna be with me

l'd rather have it
sooner or later

But right now, baby
l have to wait impatiently

For that someday

Waiting for the one day

Gotta have it somehow

l want it right now

l don't want it someday

l don't want it one day

Gotta have it somehow

l want it right now

Night and day