Indecent Exposure (1981) - full transcript
(upbeat funky music)
- Mama Mia, what is
wrong with you girls?
I want sweat, real sweat, you
know what I'm talking about?
Realism.
No, no, no, I don't want
any of this phony crap here.
- [Woman] Okay.
- Layla.
You, you're suppose to
be the actress here.
Tell me, how am I
suppose to get these
$100 an hour bitches to sweat?
Hey Ted baby, hey,
what's happening?
- Hi Tony.
- I didn't see you come in.
- Okay girls, now we want
you to look your best.
Mr Rossini is a bit
of a perfectionist,
but it's only because he
wants you to look very well
and this is a disco layout.
We want to see everything
in the costume,
we wanna see the front,
we wanna see the back.
We wanna see the sides.
So when I say "move",
please girls for me, move.
- Hey what's the matter?
You look like shit.
- I just dropped by
to cheer myself up.
I'll stick around till
you're through okay?
- Sure, sure, it's
good to see you.
I'll be right with you.
Hey Layla, Layla avanti avanti.
I need to see you.
June get the cameras
ready, we work all night.
Avanti.
(upbeat music)
(camera clicking repeatedly)
- [Tony] Ah yes, now
keep it going girls.
You come here with me.
Want you to see yourself, now.
Right here, I want
you to look at me.
Tell me what you
think of this hey?
Tell me, yes you tell me, tell
me what you think of this.
(moaning)
Tell me, tell me what you think.
- [Woman] What's on
your reputed mind?
- [Tony] I think we get the
creative juices flowing,
what do you think baby?
- [Layla] My, my come
on girls, come on,
I want you to dance
till you're wet.
Come on move it, faster.
Now.
(upbeat funky music)
That's it girls.
- [Tony] Yeah.
- [Layla] Come on.
- [Tony] Very good
glrls, keep it up, yes.
Ah you bitch.
(woman moaning and panting)
- [Woman] Come on, shove it up.
(upbeat funky music)
- [Tony] Keep it dancing
up there, keep it dancing.
Don't pull out, don't pull out.
Keep it dancing,
keep it up.
(upbeat funky music)
(man groaning)
- Here dear Teddy,
is to old friends
and to new adventures.
So you're job gives you nothing,
and neither does that
nice middle-class girl
you're shacked up with.
- Joan's been faithful
and supportive and
- And boring and truish,
et cetera, et cetera.
- Yeah that too.
- Reservations are all set,
I rented a van for morning
and I called and
confirmed all the girls
that are being interviewed.
Oh hello Mr. Perlis.
Gee you're not looking too well,
are you feeling all right?
- [Tony] Floyd here is
suffering from terminal boredom.
- Oh that's too bad, I
wish you could go along
with us on this trip.
It would be nice to have
someone intellectual
along for a change.
- Why don't you go wrap a set.
- It's nice to have seen
you Mr. Perlis, bye.
- Holy shit, holy
shit, that's it.
That is it, you,
you come with us.
- What the hell are
you talking about?
- Look man, look.
We've been friends
for years huh, right?
Look I've got lots of
bucks, I'll put you on,
at something, I
don't know, anything.
I'll put you on.
- Hold it, what are
you talking about?
- Let me explain, tomorrow,
we are leaving on a tour
of the state to photograph
girls, not professional models,
but girls that
Layla interviewed.
Model for a day,
it's an ad gimmick.
Look it doesn't matter,
you come with us, huh?
It would great Teddy,
just like the old days.
- Cut it Tony.
I mean in the old days, you
weren't Antonio Rossini,
renowned fashion photographer.
You were just Tony
Ross, stud, fuck off
and all around hell raiser.
For that matter, so was I.
Now I got, mortgage payments,
a job, a girlfriend, alimony.
- The entire catastrophe.
- Thanks anyway.
- Lots of fringe benefits man.
- Come on Tony, I
just can't take off.
- Why not?
Hey Teddy boy, come here.
Here.
This is my dear friend is to
adventure and your new job.
- Hey thank you.
- Excuse me.
One thing burger brain,
this is a very big account.
The first time your dead
weight friend there fucks up,
it's either him or me.
The whole thing is just
damn unprofessional.
- Hey look, maybe this
isn't such a good idea.
- No, no, no, don't worry.
She'll get over it.
She always does.
Listen, listen, on
this trip my friend,
you are gonna see
more untamed pussy
than you ever thought possible.
(laughing)
Listen, don't worry
about Layla huh?
I'll take care of her.
- Mr. Perlis, I'm glad you're
coming with us on this trip.
- Well whatever happens,
it's gotta be better
than what I'm leaving behind.
- [June] Let's
see, our first stop
is just a few hours from here.
At a health food store?
- Oh come peach pussy, you
can't be that pissed off
that Ted joined us.
- For the last three
years, I have busted my ass
for you and this business.
You didn't even have the
decency to consult me
about bringing him along.
Getting real tired of being
treated like baggage Tony.
- Well my five fingered friend,
it looks like we're
gonna be spending
a lot of time together.
Alone, we've been cut off.
- You got it.
(yelps)
- I can't take it.
- God I wish you
didn't pay so well.
- I usually have to
listen to the two of them
going at it all of the time.
I'm really glad you're along,
'cause I've someone
to talk with.
(bell ringing)
- There you are Karma, you look
absolutely wonderful today.
This is Antonio Rossini.
- Bonjourno.
- Antonio this is our earth
mother image, Karmaline.
- You might be a bitch
to work with love,
but you sure can pick them.
- Come stai miss lady,
it's a great great honor.
- Thank you.
I'm just glad that
my energy and vibes
are right for your
photos Mr. Rossini.
Are you a Scorpio?
- Why yes, yes I am.
- Scorpios are so intense.
It's a good sign.
- Karma, I'd like to introduce
you to my assistant Teddy.
- Hi, how do you do?
- Oh you're very sensitive.
You must be an Aquarius.
- No.
- Well yes, yes, Teddy
is an Aquarius right?
Very sensitive boy.
Teddy is our costume
consultant, yes.
He will help pick out
the costume for you
and assist you in dressing.
- How perfect.
I just know I can
trust you Teddy.
- Layla.
You select the settings,
and tell June which
lights to pick huh?
Now Karma tell me,
is there a place
that you can change quickly?
- Right back here
in my store room.
- Ah va bene, va bene.
- Tony look I can't do this.
- Oh sure you can, come on
look you wanted adventure.
- No, look, I don't
know the first
thing about wardrobe.
- This is an adventure,
it doesn't matter.
(clears throat)
(clears throat)
- I have your wardrobe.
- Can't you wait till
after working hours,
to get your friend laid?
- Hey look, what have
you got against Ted
having a good time?
The poor bastards been
tied down for years.
- It's amazing how you
make your own power trip
sound like concern.
Truth is you just like
manipulating people.
God Tony, you've changed.
You know I can
hardly remember why
I ever thought I loved you.
- Mama Mia.
- I'm so flattered
that I was chosen
to be in these ads.
I want to show what a healthy
diet can do for the body.
Do you think you could
help me with this?
- Yeah, sure.
Here we go.
- I'll get that.
Help me with these buttons here.
- You think you should
try on the breast--
vest?
- I'll try it on later.
Ted, if you find me attractive,
I mean I think that's wonderful.
Sex is a healthy part of nature
and did you know that sex can be
most enjoyable
meditation that there is.
And I think if we're going to be
really in tune with each other,
a sexual meditation is
very important, don't you?
- Oh yeah.
- Can you believe it?
Tony's back there
with that Karma woman.
I think it's disgusting.
All he ever thinks
about is sex, sex.
- Sex, someone call?
- But who's with...
Ted.
- Hey June, June come on.
What is with you huh?
- You wouldn't
understand dildo head.
- Dildo head.
(Ted moaning)
- [Ted] on what is it?
- [Karma] Just coconut milk.
Doesn't it feel wonderful?
- [Ted] Oh yeah, yeah it does.
Coconut milk huh?
(moaning)
(slow seductive music)
(moaning)
(heavy breathing)
- [Ted] How about a break?
Yeah.
Okay.
(squealing)
(heavy breathing and moaning)
(Ted moaning)
- All right, get this
down, let's get this down.
- Well I think she's ready now.
I did my best.
- I'm all set.
- Ah then let's hit it kids.
Va bene, now I want this
natural, just natural.
Very good.
Now you just action, action.
Karma you were magnificent.
- Can't you stay
for a little while?
You look like a man that
could use some meditation.
- No I catch you
on the way back.
I always wanted to
get into health foods.
Andiamo, come.
Well Karma was great hey?
You know if the rest of
these non-professionals
turn out as well,
it'll be a snap.
- Well what do you expect?
I mean after all, it was
my job to select the women.
- Yes and you are
the best aren't you?
- At some things.
- So what am I, chopped liver?
Where's my applause
for lugging and lifting
and lighting and
making it possible,
for Mr wonderful here,
to push his little button
and rake in all the money?
- How stupid, how
simply stupid of me
to forget your vital
contribution in this.
- You know, can you
put down the mask
for just once and say
something nice to me.
I do deserve it you know.
- I'm sorry.
- Hey June, you know how
good you are at your job,
don't expect him to get serious.
I think he's forgotten how.
- Well lover boy,
tomorrow ought to be
interesting don't you think?
Oh come off it,
for craps sake man.
You got a fun fuck out of it.
What do you care if it's
available to everybody?
- Maybe I do care,
so just lay off huh?
- Well you know,
maybe just some of us,
aren't cut out for meditation.
- Real good Tony, keep it
up and you'll turn Ted here
into the same kind of
person it's taken you
years to become.
- See that, there's
hope for you yet.
- That's what I'm afraid of.
- No, no, no, no, girls,
that is not the way we do it.
Now start again.
Oh Layla.
- Hello, Serena Zukov,
this is Antonio Rossini.
- Ah bonjourno, I can
see why Layla chose you.
You are indeed a tribute
to the art of dance
and the essence of
athletic femininity.
- Thank you Mr Rossini.
I'm certain that
what you see however
is best discovered
without this bullshit.
- Smart lady huh?
- A very dedicated artist,
so you can forget about
getting laid here, sorry.
- The class is done.
I'm ready.
- No problem Ms Zukof, I have
your costume ready for you.
- Girls.
I told you not to
observe this shooting.
- Oh pardon me Serena
but is it possible,
are these young
women your students?
- Yes, why you ask?
- Well I thought
that maybe they could
be in the shoot so
there is a background.
- Oh?
- That is of course if
you have no objections,
I just thought it might
set the mood more clearly.
- Oh please Ms Zukof.
- We just want to see what
a fashion shoot is like.
Please.
- We won't get in
the way, honestly.
- Well, it would be
good for you, yes.
Well all right.
- Oh wow, this is so much
better than we hoped for.
- Now just be subtle
and let's hope
Ms Zukof doesn't catch us.
- You think it Will work?
- Girls.
Come on with this time.
(gentle piano)
- He's very good.
- Oh God, I think
he's wonderful.
- My, my you are
smitten aren't you?
- So what?
You wouldn't understand anyway.
- Oh yes.
Va bene, va bene,
oh yes, yes, yes.
Scusi, Scusi.
Oh va bene, yes okay.
I got a great idea.
Tu, tu.
- Yes.
- Yes, give me a tuxedo
out of wardrobe for Ted.
- What?
- A tuxedo avanti,
tuxedo, you know?
- I can see it coming now.
- What like a butterfly.
Very good, very good.
Marvelous, marvelous.
(dramatic music)
Very good, very good.
- Dorina, Dorina, you were superb,
magnificent, magnificent.
- Well thank you Mr
Rossini and my students
they did well I hope.
- Very well, very
well, but of course
not as professional as you.
I need to keep them to
make a few more shots.
But you did not
stay, you go home.
I will lock up.
- Well that is very nice of you.
Because I do have a lecture
tonight at recital hall.
You are a gentleman so I see.
- Grazia.
- Thank you, goodbye.
- Ciao and bona note.
- Oh no, he's not gonna--
- Oh yes, what else?
Did you see the way they were
flashing during the shoot?
They deserve it.
- Hey I don't know how
you put up with it,
I mean the two of you
used to be lovers.
- I don't wanna talk about it.
So I'm going, you
wanna come along?
- Sure as hell don't
wanna stay here.
- Hey where the hell
are you two going?
- We didn't want to
intrude on your creativity.
- Don't worry, we'll be back
to break down the equipment.
Wouldn't want you
to strain yourself.
- Good, I didn't
like them anyway.
And besides, they wouldn't
appreciate our little surprise.
- Surprise?
- Yeah, didn't
you say you wanted
some more shots of just us?
- Well what did you
girls have in mind?
- Just a little dance
routine of our own.
- Ready?
- What did you say to them?
- Nothing, nothing man.
I think they just like us.
And who could blame them.
(funky music)
(gentle piano)
(heavy breathing)
(gentle moaning)
- I didn't know you were
that interested in Ted
or anyone for that matter.
- Look just because I
don't go around undressing
for every guy that walks by,
doesn't meant that I--
- June that's not what I meant.
Look I know we haven't
been the best of friends
but give me a chance all right?
- Sorry.
You know the truth is,
I've always been a
little jealous of you,
besides what chance
do I have with Ted,
with Tony leading
him around by his,
you know, his thing.
(laughing)
- June, let me tell
you a few things.
Number one, just because Ted
wants to get his yayas out
after all these
years of boredom,
doesn't make him a
terrible human being.
You might notice, he's isn't
doing all that well anyway.
(laughing)
If you need any
help, I'm a woman.
Underneath all those overalls
and jeans you are too.
We might wear different costumes
but we're all in the same play.
- Thanks.
- Sure.
(gentle music and women moaning)
- [Tony] This was
very good, bravissimo.
- [Ted] Will you
cut the accent Tony?
- Look man, I'm telling
you it was very good.
What do you want me to say?
So tell me, tell me,
is sex without romance
really so terrible?
- I think I could
learn to tolerate it.
- You could?
(laughing)
- You know I don't understand
what you ever saw in Tony.
I'm sorry, but I just don't.
- Well he was different
once, before the fame
and the money got to him.
I think it's gotten to me too.
If you two jail bait
suckers are ready,
maybe we can get going.
- You know what?
Somehow I don't
think they approve.
- Hey wait up.
Excuse me.
I'm coming with you.
- Listen I told you,
you must call me
when I get back to the city,
now not now, go away, go away.
- Look you said we
had what it took
to become professional
models didn't you?
I want out of this
hick town now.
Take me with you.
- You creeps.
- Listen honey face
it, you've been had.
Let it be a lesson to you huh?
These two guys just
aren't worth the effort.
- Come on let's go, everybody,
come on June, let's go.
Put that stuff in
there, what is this?
- What a waste.
We went to all the trouble
to fuck a couple of old men,
pretending it was
fun for nothing.
Shit.
- Come on let's go
everybody, in the truck,
in the truck, in
the truck Layla, in.
- Is Tony with you?
- No he decided to turn
in early, are you okay?
- A little smashed,
slightly depressed,
completely disillusioned,
almost suicidal.
Nothing serious.
Care to join me?
- Yeah for a drink I think.
Bartender, let me have a brandy.
- You know, after the
shoot's wrapped, I'm done.
I don't think I can
take it any longer.
You know, I keep thinking,
maybe Tony will change but...
- I'm part of that aren't I?
Part of the reason
that everybody's --
- Oh not anymore.
You know what?
Beginning to enjoy
having you around.
- Thanks Layla.
- Don't let anybody
hear about it,
might ruin my image.
(laughing)
Maybe June doesn't have
such bad taste after all.
Never mind.
- Look I know she likes
me, but I don't know.
- I like her too.
I guess she thinks
that sex is something
that only unintellectual
people engage in.
- Something like that.
- That's too bad.
Other than that, she's
a damn fine lady.
- So are you.
- Thanks Ted.
- I think I'll go to bed.
This life in the fast lane is,
a little too much for me.
You all right?
- Me?
Well I'm still in first gear.
We do have to work
tomorrow though don't we?
Little trick I learned.
- One for the road.
- You got it.
- Here's your coat.
- Oh thanks.
- Hi.
- Hi Einstein.
What cha working on?
Tomorrow's lighting plan?
- No, it's my diary.
I was just writing that,
never mind, you're drunk
you don't wanna hear it now.
- Oh I'm not as drunk
as I'd like to be.
I never am June.
Come on what are
you writing huh?
- Men can't please me.
I won't let them.
Even Ted has proven weak
and Layla is not the--
- Go on.
- Is the not the selfish
bitch I thought she was.
(laughing)
- That's good.
- My only fear...-
Listen June, if there's something
you don't want to tell me
listen I understand completely.
- No, no I wanna say it.
Layla I trust you.
I want to say it.
My only fear is I will never
be able to get out of my mind
and into my body.
I'm afraid to be passionate.
- Oh June, it's okay.
Honey it will come in time.
Honestly.
- Please, I trust you.
- June I,
are you sure?
I don't wanna do anything.
(gentle seductive music)
I love your body June.
I just want you to feel good.
Tell me if I do
anything you don't like.
- [June] Okay.
- [Layla] Okay.
(gentle piano)
- That was beautiful.
Do the men that
you've been with,
make you feel that good?
- Sure know the right
things to say don't you?
- Well do they?
- They used to.
Sometimes I feel like
it's even better.
- I was having the
most amazing fantasy.
- I know.
- Really?
- You were thinking about a man,
especially when you were coming.
- I was.
But how did you know?
- Oh I've been there,
quite a few times before.
Who were you thinking of?
- Well, just a man.
It's not important.
- No you're right.
You won't have any problems
when the right man comes along.
I can tell you that,
that's for sure.
You're a natural
born lover, lover.
(upbeat music)
- And after that I left home
and found the job with Tony.
- Gee, just one bad
turn after another.
(laughing)
- You two are in one hell
of a good mood this morning.
- Well we got a good
nights sleep last night.
(upbeat music)
- Well we sure are proud
of our little Chrissy,
being chosen to model for your
ads and all aren't we mother?
- We certainly are.
I only hope she'll do well.
She's so young you know, only
just graduated high school.
- [Man] Straight As.
- [Woman] Valedictorian.
- Oh that's wonderful.
- [Man] Yes.
- Yes, yes I'm sure
that she will do fine.
You see our Layla here has
a wonderful eye for talent
and I'm sure that Chrissy--
Oh Chrissy.
- Hello Chrissy.
Don't you look nice
today, you ready?
- Hi Miss Ford.
- Now don't you
worry about a thing,
we'll have Chrissy back in
about three or four hours.
- Oh that's fine, just fine.
- I'll find my glasses
and we'll catch the Jeanette
Mcdonald Nelson Eddy festival.
We're just in time
for the matinee.
- Don't worry Mr.
and Mrs. Hudson,
Chrissy here she
is a good hands.
Good.
- You lay one
finger on that girl,
and I'll have you by
your professional balls.
Got it?
- Ms Ford is right, she
said that Chrissy has
that certain innocent appeal
that I've been looking for.
Avanto.
Avanti ciao.
- Ciao.
Bye, bye bye dear.
(gentle piano)
- [Chrissy] God bless you.
- You did a splendidly Chrissy.
Your parents can be very proud.
- Thank you Mr. Rossini.
- [Layla] We have to get
you right home and into bed.
- Oh absolutely Layla.
We can't have our Chrissy here
getting sick on us can we?
And since our hotel
is right on the way
and we must pack anyway,
I'll drop you all off
and I take Chrissy home.
- How thoughtful of you Tony.
- Oh it is nothing.
- But I have a better idea.
- Damn it woman, now why
the hell did you do that?
You're starting to piss me off.
- We have work to do
Tony and you know it.
Besides Ted I trust, got it?
- You know what I got?
I got a good mind to go fire
you, that's what I got Layla.
- You don't have a good
mind to do anything.
- Tony-
- What?
- Are you really that
upset about losing a chance
to screw Chrissy?
- No, no I'm not but
I'm the boss here.
I'm in control and
I don't want anybody
telling me what to
do, especially her
and that includes you.
- I'm really sorry
you caught a cold.
I hope your parents
will understand.
- It's not your fault, really.
I was getting a cold
anyway before today.
- Well look here's your
bag, I'm sorry about this.
- You're nice thank you but
really I'll be all right.
- Yeah good.
Hey, let me take you inside.
I hope you feel better,
I'm really sorry.
- It's all right, honest.
Maybe some hot tea or something.
The kitchen's over there.
- Tea?
Yeah, yeah sure, I'll make
you some hot tea before I go.
But I have to leave very soon.
- Thank you.
- Very, very soon.
Chrissy, Chrissy.
Hello?
Chrissy.
- Oh gosh, I must
of fallen asleep,
I guess I don't feel so good.
- I have your tea here.
- Oh would you bring
it to me please?
- Bring it to you?
Certainly sure.
- Thanks.
I'm sure glad you're here
to help me Mr. Perlis.
Really.
- Yeah well I really
have to go now.
That is if you'll be okay?
- Of course, I'll be
okay once I put some
of that vapor rub on.
Would you get it for me please?
- Yeah, yeah sure.
- I'll hold this up if
you'll put some on me.
- Yeah just a little bit.
- Come on silly
bastard let's play.
(gentle seductive music)
That's fun.
- I shouldn't be doing
this you know that.
- [Chrissy] Oh yeah,
bite my nipples.
Bite them, bite them.
(moaning)
- [Ted] What if your
parents come home?
- [Chrissy] He's beautiful.
- [Ted] Take this off.
- [Chrissy] Get your pants off.
(heavy breathing and moaning)
I want it so bad from you.
So bad.
(heavy breathing and moaning)
- [Ted] Where did
you learn to do that?
- [Chrissy] I read a lot.
Come here, yeah.
Put your cock in my pussy.
Real deep.
- [Ted] Oh yeah.
- [Chrissy] Push it in, come on.
Oh I love it.
Oh yeah.
Oh it's so good,
your cock is so good.
(heavy breathing and panting)
Come on fuck me, come on.
Oh yeah.
(groaning)
Oh yeah.
With tongue, with tongue.
Oh yeah, yeah.
With tongue, lick
my clit, my clit.
(groaning)
Yeah.
Yeah.
Come on top of me,
let me see you come.
- [Ted] Oh yeah?
- [Chrissy] I wanna see you.
- [Ted] Okay.
- [Chrissy] I
wanna see you come.
(Ted groaning)
Ted, can we play a game?
Just one game.
You don't have to do anything
but just lie still okay?
- [Ted] Yeah sure,
whatever you want.
(upbeat playful music)
- [Chrissy] Hey Ted, Ted.
- [Mother] Chrissy.
- So until we actually
see this woman's house,
there's no way we can--
- It's a mansion, a mansion.
The lady lives in a mansion.
- Mansion or whatever,
until we actually get there,
I can't give you anything
more than a general idea
of a lighting plan.
- June, June so why the
hell do you work with me?
- What?
- Come on you heard me.
- Lots of reasons.
- Come on June, Layla and
I don't do anything more
than trade insults.
Ted wants to leave, right?
And you're the
only one left, why?
- Thanks.
- Come on you know what I mean.
Why are you here?
- At first I thought
you were a genius.
I still do, but you
are an asshole genius.
- Well that much we know.
- Well then I thought if
I could make any sense
out of what was going
on in that studio,
I could understand anything.
- And?
- No way, now I don't
know why I stay.
Sorry I just wish I could help.
- Yeah me too.
Fuck it, it doesn't matter,
it all stinks lately.
- I'm really sorry Tony.
- Yeah.
Don't worry.
Thanks.
- [Tony] How you
doing boy scout?
- Oh fine.
- [Tony] Hey listen Ted, I might
have to go away for a while
I don't know, I wanna go to
Spain for a couple of months
or Greece, wanna come along?
- No I can't.
I gotta find a new job.
A real job.
- [Tony] Yeah.
- By the way, Chrissy
wasn't so innocent.
- You're shitting me?
Oh you gotta tell me, this
has gotta be a classic.
Come on.
- Hey now look, don't
tell Layla all right?
I mean I feel really
shitty about that.
- I'm not gonna say anything.
Look this is the great Antonio
Rossini speaking to you.
So you gotta tell
me, what happened?
- You wanna know what happened?
- I want to know what happened
right from the beginning.
- You want to know
what happened?
- What happened?
- Tony Rossini wants
to know what happened.
- Yes.
- I'll tell you.
I was raped.
- You were raped?
- Raped.
- He was raped, he was raped.
(laughing)
- She raped me.
She raped me.
- You were raped?
- Yes.
- By this?
(laughing)
- Did you hear that?
I wonder what those two--
- I know what kind
of laughter that is.
Thank God tomorrow's
our last day.
- Oh Harmon our guests
are arriving a bit early,
I do hope we're prepared.
- Of course madame.
- Of course, after so
many adventures together,
how could I even ask.
Or of the mid once this
time, tall quite intelligent.
This should be a true test
of your theories Ariellanna.
(suspenseful music)
- Holy shit.
Hey Layla why
didn't you tell me?
- I hadn't seen it myself.
I met her in New York
at the ad agency,
she's a stockholder.
She offered herself and her
home for one of the layouts.
I had the impression
they couldn't say no.
- Who the hell is this woman?
- Arielanna Vanlearn Devain
Hieress of the Devain
publishing empire.
Degrees in psychology,
art and science.
Quite reclusive since the death
of her husband nine years ago.
Stockholder and--
- Thank you Ms Britannica.
Well troops lets get a going.
- Welcome, Mrs. Devain will
be joining you for cocktails
after you've freshened up.
- I do not think it's
necessary to freshen up.
- After you've freshened up sir.
- I think we're going to
have to freshen up hey?
Andiammo come on.
The women first.
- Well well my how handsome.
I hope you found
everything you needed.
- Yes, yes.
- Thank you very
much for the clothes.
- Oh yes, you seem to have
thought of everything.
- One of my little
quirks, perfection.
I provided some clothes
for the ladies too.
Here they come.
- Wow.
- Mama Mia.
- Hey, that's nice.
- Perfection.
- Thank you very much.
- Harmond, would you
seat our guests please?
- Mrs. Ford.
- Don't believe.
Ah yes.
- So I simply decided
to please myself
and study those aspects of
psychology and human behavior
that interested me.
Oh it's been lonely at times,
but never never boring.
- Look I don't mean
to be pushy but--
- Oh of course, of course.
Harmon.
- Yes madame,
everything is in order.
- Wonderful, now if you
all would indulge me
for just a little while longer.
You see I know a great
deal more about you,
each of you, than I've let on.
And how should I put this?
Well, I'll put it decently,
you see for the past nine years,
I've been engaged
in an experiment.
Well a study actually
of human behavior.
- Ariel I don't see
how this is any--
- Let her finish.
- Thank you June.
Really there's nothing
mysterious about it.
Simply stated I need your
help for a short time,
that of a few hours
and in exchange
I think I'll be able
to help each of you.
That is, if you're willing.
(suspenseful music)
- I really don't understand
why Layla's getting so upset.
I think it's all
really exciting.
- I know and it's that
sense of trust you have.
It's going to make this a
very important night for you.
- How do you know
so much about us?
- Well a combination of
intuition and intelligence,
research and a great
deal of money to get
whatever I want with.
Now just enjoy yourself.
Relax, browse and I'll be
back in a little while.
- Listen Harmon, if Ariel
wants me to play games
I'd like to know why.
What the hell is going on here?
- I am sorry if
you're confused sir,
but I'm sure madame
will explain.
- Well she had better.
- In here sir.
- In here.
Yes but this is a dark room.
- That is the
master bedroom sir.
- Well you're lucky Harmon,
'cause the only darker room
I go into, is a bedroom.
(rapid knocking)
Shit.
All right Harmon, I get it.
It's a little joke huh?
You're actually count
Dracula in disguise.
Right?
Right?
Right?
- Wrong.
(seductive music)
(nervously laughing)
- I like your outfit.
Is this a part of the experiment
or just a pleasant distraction?
- A little bit Of both.
Per favore.
- Si, si.
Oh la la.
Oh this is nice,
this is very nice.
It's a very difficult to open
but yes,
oh it's very good.
Suck it.
Suck it.
Oh yes.
Very nice.
(moaning)
Wait wait wait what is this,
what is this?
- [Ariel] What's the matter?
Did I do something wrong?
- [Tony] Oh no no no
just I don't like,
I don't like being tied up,
I mean it's a bit awkward.
- [Ariel] Oh it's just a
game, it's just for fun.
You see I've never
tried it before.
- Well maybe, maybe
just a little bit.
- [Ariel] Just a little bit.
- [Tony] Oh yes, it's very nice.
Oh it's very nice, yes.
It's nice.
No, no, no wait no, wait
a second, wait, wait.
- [Ariel] Oh no no no no.
Try it.
- [Tony] Yes.
I try it.
- [Ariel] You like?
- [Tony] It's not bad.
Interesting.
That's very good.
- Ms. Lamb.
- Yes?
Where's Ariel?
- She Will be with
you very soon.
She asked that you
change clothes.
These are yours.
- But where is everybody?
- They're all having
a wonderful time,
and wish only the same for you.
Please Ms. Lamb, relax.
There's nothing here for you
but pleasure and enjoyment.
Here these are for you to wear.
- Thank you.
It's all so strange.
But you have made me
feel better Harmon.
- [Tony] Oh that's very good
Ariel, that's very good.
That's very good,
oh that's very good,
oh yes, yes, very good, I'm --
- [Ariel] No.
- [Tony] Damn it
woman, how many times
are you gonna do that huh?
Look all right, all right,
let's cut these God
damn scarves off,
let's get back on
the right track.
- [Ariel] The right track Tony?
Oh you mean where you're
in control all the time,
telling everybody else
what to do and when.
- [Tony] Look Ariel just cut
the fucking scarves off huh?
- [Ariel] Tony, please
don't make me mad,
because then I might decide
to just leave you here,
for Harmon, who has rather
bizarre tastes I'm afraid.
- [Tony] It's just that
this is not my thing,
I got carried away,
I didn't mean--
- [Ariel] Tony, I've got
a lot to teach you Tony,
but you've got to
shut up and listen.
You talk all the time so
you never hear anything.
- [Tony] Okay Ariel,
please I just want--
- [Ariel] One more
word and I'm leaving.
Understand?
Good because I
really like you Tony.
Now, for the first lesson,
we'll call it cunnilingus 101.
You see Tony, I want
you to make me come.
Starting to like not
being in control Tony?
Tony, I haven't come
in a very long time,
this is not going to be easy,
but the better you
make it for me,
the better I'll make it for you.
(heavy breathing)
Oh yes, that's not bad.
That's the way, lightly
lightly, yes, yes,
now you can take your
tongue down further
and then you can run
in deeper and deeper,
now you can go in there
where you want to go.
See now it's open
and wet and flowing,
now put your nose up there
against that spot on top.
That's the way, that's the way,
yes now you're
hitting them both.
Oh good Tony, oh
good, oh good Tony.
(moaning)
Oh Tony.
That was very good.
Now...
- [Tony] Don't
strangle me please?
- [Ariel] Now this is
just more of the game,
put your head up,
that's a good boy.
Can you see it,
tell me the truth?
- [Tony] Oh I can't see.
I can't see that.
- [Ariel] Now you just lie here
and I'll be right back.
- Where are you going?
Wait, wait, wait.
Wa--
Shit.
- Where the hell is everyone?
It's all damn crap,
this whole thing.
I just wanna get home.
You fucked her didn't you?
- Who?
- You know damn well who.
Chrissy.
You didn't think you'd
slip that one by me.
- Look, look I told
Tony not to tell you.
It wasn't my fault Layla.
- Tony didn't have
to say anything.
I heard you come in last night.
I've heard that kind of
locker room laughter before.
- And where did you
get so damn holy?
I mean if the truth makes
any difference to you,
Chrissy was a little Lolita
who bullshitted me like a pro.
- Oh did she force you
to fuck her at gunpoint?
- It doesn't make
any difference.
She was just like
all the others.
Selfish, pushy, conniving.
I mean I felt nothing
but used ever since
this whole trip started.
- Honey, you don't
know what used is.
- Pardon me but, well are you
two through pitying yourselves
or should I come back later?
- Listen your impression of
anti-maim is very entertaining.
But I'm getting tired of
your self-indulgent bullshit.
- Layla what are
you so afraid of?
- I'm not afraid.
I would just like to
know, Ariel sweetheart,
if we are going to
find out exactly
what is going on around here.
- I don't know, I
hope, I truly hope
that you will see
what is here for you,
but well your attitude
isn't helping I'm afraid.
- No more psychology games.
Now where are Tony and June?
What in the hell do
you want from me?
- I am just trying to help you.
(thwack)
- Layla for Christ's sake.
- Oh Layla, you are so
used to being hostile
and sarcastic that you
can't feel anymore.
- No.
- You've let your
impressions of Tony,
interfere with, come
between you and any man
that might want to love you.
I don't know, if ever feel again
anything except resentment.
(sobbing)
- Why the hell did you
do that to her huh?
- Why you simple
minded little worm.
- What?
- You insignificant
cock-minded piss head.
You run around everywhere
trying to find someone
to give you, what you
think you deserve.
Oh poor poor Teddy.
- I don't know what the
hell you're talking about.
- Oh yes you do.
You're afraid to reach out.
You want it all handed to you.
You haven't got the spine to
stand on your own two feet
and go after what you want.
Oh you simpering wimp,
hiding behind your romance--
- Leave him alone Arielanna.
- Huh? Enter the heroine,
you both disgust me with
your petty bullshit.
- What the hell
was all that about?
- She was right.
- What?
- Thank you for
defending me Ted.
- Hey thank you.
I thought she was gonna
tear my throat out.
(sobbing)
Hey, are you okay?
- God damn her.
She was right.
(sobbing)
- Perfect.
- Ariel.
- Hello June, my
you look beautiful.
- Thank you.
- Are you ready?
- I don't know what I
should be ready for.
- Why to be released June.
First put some of this on.
This is what I've
been wearing all day.
And we have a little
secret to keep from a man
with a very sensitive nose.
- Can't you tell me more
about what's going on here?
I mean, where's
Tony and the others?
- Well perhaps we should
have a little talk
before you spread your wings.
(smooth music)
- God, I'm sorry Ted.
I haven't cried like that
since I was a little girl.
Was Ariel right
about what she said?
That you were afraid to
go after what you wanted?
- Yeah, yeah.
Hell I expected some perfect
woman just to turn up
and offer herself
to me, it's true.
- Maybe it's time
you stop waiting
and did something about it.
Oh no you don't Teddy, you
have to go after what you want.
- What about you?
If I catch you, will
you be able to feel?
Will you be able to feel me,
or will you be
thinking about Tony?
- Tony who?
- I need a serious answer Layla.
- Well that's a chance
you'll just have to take.
- Ted, I don't want
you to fuck me,
I want you to make love to me.
I want you to make me
feel something Ted.
Yes.
- You ready June?
- I guess so.
- Now, I'll stay with you,
just trust your instincts
you'll be fine.
- [Tony] Who's there?
- [Ariel] Tony.
- [Tony] Oh there you are,
am I happy to see you.
- [Ariel] You're
beginning to enjoy it
not being in the drivers seat.
- [Tony] Oh you know
it baby, but listen
I'm gonna explode, I'm gonna
come now, I gotta come.
- [Ariel] Oh Tony, well perhaps
I should get you a new partner.
June for instance.
- [Tony] June?
(laughing)
Don't make me laugh,
hey look, I mean June.
June is a lot more
than I thought she was,
June really thinks that sex is
an act of mental retardation
at an early age.
Come on, now what about us?
(moaning)
Oh that's great.
Now do you think
June would do that?
Oh come on, oh that's
great, oh yes baby.
Oh yes, oh yes.
Oh yes, oh yes I needed that,
I'm coming, I'm coming,
I'm gonna come soon.
God damn it, you did it,
what you got four hands?
What goes on here?
- [June] Now, just relax Tony.
- [Tony] Oh come
on, what the hell.
- [June] Just relax,
now comes the hard part.
You see, you have
to fuck me Tony
and you have to make me come
before you do, understand?
Don't let yourself
come Tony or else.
- [Tony] Oh yes, all right.
Yes.
(moaning)
Oh that's so good, that's it.
- [Ariel] That's right
Tony, tell me how to move.
- [Tony] Yes.
- [Ariel] Now Tony you
tell me, what you want.
- [Tony] Oh yes,
not so fast, not so
fast, oh that's nice,
oh yeah that's great.
Oh yeah.
(moaning)
Oh yeah.
Oh that is--
yeah.
(heavy breathing)
Oh yeah.
- [June] Oh God.
Oh God.
(moaning)
Oh God.
(heavy breathing)
- [Tony] That was great.
Oh Ariel.
- [June] Surprise.
- [Tony] When did you?
You?
- [June] You'll
never know will you?
- [Tony] And I'll never care.
(smooth music)
(moaning and heavy breathing)
- [June] Oh yeah.
Oh yeah.
(moaning)
Look at me.
- [Tony] How's that?
Slip these off then.
(moaning)
- [June] I wanna taste you.
(heavy breathing)
(moaning)
(gentle sweeping music)
- [Tony] June.
I don't know how
to tell you this.
- [June] You just did.
(moaning)
Come on.
Oh that's so good
Ted, please come.
(heavy breathing)
- I can't find anybody, I
couldn't find him anywhere.
There's this note.
Thank you for helping
me with my studies.
Please all I ask is that
you share this experience
with no one beyond yourself.
My love to you all, Ariel.
- Well I for one think she
was some kind of witch.
- Not at all, she's
a psychologist,
who figured out how to get
past our fears that's all.
- That's all?
- That's all.
- That's all.
(laughing)
- That's all, simple.
- It's simple.
- Yes.
Well let's hit the
road, or should I say,
avanti, avanti.
- Avanti.
- The best yet, don't
you think so Harmon?
- 'Course madame,
I'm rather sorry
to see them leave actually.
- There will be others Harmon
but we did learn
so much from these.
- [Tony] I have a
suggestion, a quick trip home
and four plane tickets to
Greece for the weekend.
- [Ted] Oh I don't
know, I think perhaps
the Caribbean would
be more to my taste.
- [June] I'll settle for the
first motel with a waterbed,
I always wanted to try it out.
(laughing)
(upbeat music)
- Mama Mia, what is
wrong with you girls?
I want sweat, real sweat, you
know what I'm talking about?
Realism.
No, no, no, I don't want
any of this phony crap here.
- [Woman] Okay.
- Layla.
You, you're suppose to
be the actress here.
Tell me, how am I
suppose to get these
$100 an hour bitches to sweat?
Hey Ted baby, hey,
what's happening?
- Hi Tony.
- I didn't see you come in.
- Okay girls, now we want
you to look your best.
Mr Rossini is a bit
of a perfectionist,
but it's only because he
wants you to look very well
and this is a disco layout.
We want to see everything
in the costume,
we wanna see the front,
we wanna see the back.
We wanna see the sides.
So when I say "move",
please girls for me, move.
- Hey what's the matter?
You look like shit.
- I just dropped by
to cheer myself up.
I'll stick around till
you're through okay?
- Sure, sure, it's
good to see you.
I'll be right with you.
Hey Layla, Layla avanti avanti.
I need to see you.
June get the cameras
ready, we work all night.
Avanti.
(upbeat music)
(camera clicking repeatedly)
- [Tony] Ah yes, now
keep it going girls.
You come here with me.
Want you to see yourself, now.
Right here, I want
you to look at me.
Tell me what you
think of this hey?
Tell me, yes you tell me, tell
me what you think of this.
(moaning)
Tell me, tell me what you think.
- [Woman] What's on
your reputed mind?
- [Tony] I think we get the
creative juices flowing,
what do you think baby?
- [Layla] My, my come
on girls, come on,
I want you to dance
till you're wet.
Come on move it, faster.
Now.
(upbeat funky music)
That's it girls.
- [Tony] Yeah.
- [Layla] Come on.
- [Tony] Very good
glrls, keep it up, yes.
Ah you bitch.
(woman moaning and panting)
- [Woman] Come on, shove it up.
(upbeat funky music)
- [Tony] Keep it dancing
up there, keep it dancing.
Don't pull out, don't pull out.
Keep it dancing,
keep it up.
(upbeat funky music)
(man groaning)
- Here dear Teddy,
is to old friends
and to new adventures.
So you're job gives you nothing,
and neither does that
nice middle-class girl
you're shacked up with.
- Joan's been faithful
and supportive and
- And boring and truish,
et cetera, et cetera.
- Yeah that too.
- Reservations are all set,
I rented a van for morning
and I called and
confirmed all the girls
that are being interviewed.
Oh hello Mr. Perlis.
Gee you're not looking too well,
are you feeling all right?
- [Tony] Floyd here is
suffering from terminal boredom.
- Oh that's too bad, I
wish you could go along
with us on this trip.
It would be nice to have
someone intellectual
along for a change.
- Why don't you go wrap a set.
- It's nice to have seen
you Mr. Perlis, bye.
- Holy shit, holy
shit, that's it.
That is it, you,
you come with us.
- What the hell are
you talking about?
- Look man, look.
We've been friends
for years huh, right?
Look I've got lots of
bucks, I'll put you on,
at something, I
don't know, anything.
I'll put you on.
- Hold it, what are
you talking about?
- Let me explain, tomorrow,
we are leaving on a tour
of the state to photograph
girls, not professional models,
but girls that
Layla interviewed.
Model for a day,
it's an ad gimmick.
Look it doesn't matter,
you come with us, huh?
It would great Teddy,
just like the old days.
- Cut it Tony.
I mean in the old days, you
weren't Antonio Rossini,
renowned fashion photographer.
You were just Tony
Ross, stud, fuck off
and all around hell raiser.
For that matter, so was I.
Now I got, mortgage payments,
a job, a girlfriend, alimony.
- The entire catastrophe.
- Thanks anyway.
- Lots of fringe benefits man.
- Come on Tony, I
just can't take off.
- Why not?
Hey Teddy boy, come here.
Here.
This is my dear friend is to
adventure and your new job.
- Hey thank you.
- Excuse me.
One thing burger brain,
this is a very big account.
The first time your dead
weight friend there fucks up,
it's either him or me.
The whole thing is just
damn unprofessional.
- Hey look, maybe this
isn't such a good idea.
- No, no, no, don't worry.
She'll get over it.
She always does.
Listen, listen, on
this trip my friend,
you are gonna see
more untamed pussy
than you ever thought possible.
(laughing)
Listen, don't worry
about Layla huh?
I'll take care of her.
- Mr. Perlis, I'm glad you're
coming with us on this trip.
- Well whatever happens,
it's gotta be better
than what I'm leaving behind.
- [June] Let's
see, our first stop
is just a few hours from here.
At a health food store?
- Oh come peach pussy, you
can't be that pissed off
that Ted joined us.
- For the last three
years, I have busted my ass
for you and this business.
You didn't even have the
decency to consult me
about bringing him along.
Getting real tired of being
treated like baggage Tony.
- Well my five fingered friend,
it looks like we're
gonna be spending
a lot of time together.
Alone, we've been cut off.
- You got it.
(yelps)
- I can't take it.
- God I wish you
didn't pay so well.
- I usually have to
listen to the two of them
going at it all of the time.
I'm really glad you're along,
'cause I've someone
to talk with.
(bell ringing)
- There you are Karma, you look
absolutely wonderful today.
This is Antonio Rossini.
- Bonjourno.
- Antonio this is our earth
mother image, Karmaline.
- You might be a bitch
to work with love,
but you sure can pick them.
- Come stai miss lady,
it's a great great honor.
- Thank you.
I'm just glad that
my energy and vibes
are right for your
photos Mr. Rossini.
Are you a Scorpio?
- Why yes, yes I am.
- Scorpios are so intense.
It's a good sign.
- Karma, I'd like to introduce
you to my assistant Teddy.
- Hi, how do you do?
- Oh you're very sensitive.
You must be an Aquarius.
- No.
- Well yes, yes, Teddy
is an Aquarius right?
Very sensitive boy.
Teddy is our costume
consultant, yes.
He will help pick out
the costume for you
and assist you in dressing.
- How perfect.
I just know I can
trust you Teddy.
- Layla.
You select the settings,
and tell June which
lights to pick huh?
Now Karma tell me,
is there a place
that you can change quickly?
- Right back here
in my store room.
- Ah va bene, va bene.
- Tony look I can't do this.
- Oh sure you can, come on
look you wanted adventure.
- No, look, I don't
know the first
thing about wardrobe.
- This is an adventure,
it doesn't matter.
(clears throat)
(clears throat)
- I have your wardrobe.
- Can't you wait till
after working hours,
to get your friend laid?
- Hey look, what have
you got against Ted
having a good time?
The poor bastards been
tied down for years.
- It's amazing how you
make your own power trip
sound like concern.
Truth is you just like
manipulating people.
God Tony, you've changed.
You know I can
hardly remember why
I ever thought I loved you.
- Mama Mia.
- I'm so flattered
that I was chosen
to be in these ads.
I want to show what a healthy
diet can do for the body.
Do you think you could
help me with this?
- Yeah, sure.
Here we go.
- I'll get that.
Help me with these buttons here.
- You think you should
try on the breast--
vest?
- I'll try it on later.
Ted, if you find me attractive,
I mean I think that's wonderful.
Sex is a healthy part of nature
and did you know that sex can be
most enjoyable
meditation that there is.
And I think if we're going to be
really in tune with each other,
a sexual meditation is
very important, don't you?
- Oh yeah.
- Can you believe it?
Tony's back there
with that Karma woman.
I think it's disgusting.
All he ever thinks
about is sex, sex.
- Sex, someone call?
- But who's with...
Ted.
- Hey June, June come on.
What is with you huh?
- You wouldn't
understand dildo head.
- Dildo head.
(Ted moaning)
- [Ted] on what is it?
- [Karma] Just coconut milk.
Doesn't it feel wonderful?
- [Ted] Oh yeah, yeah it does.
Coconut milk huh?
(moaning)
(slow seductive music)
(moaning)
(heavy breathing)
- [Ted] How about a break?
Yeah.
Okay.
(squealing)
(heavy breathing and moaning)
(Ted moaning)
- All right, get this
down, let's get this down.
- Well I think she's ready now.
I did my best.
- I'm all set.
- Ah then let's hit it kids.
Va bene, now I want this
natural, just natural.
Very good.
Now you just action, action.
Karma you were magnificent.
- Can't you stay
for a little while?
You look like a man that
could use some meditation.
- No I catch you
on the way back.
I always wanted to
get into health foods.
Andiamo, come.
Well Karma was great hey?
You know if the rest of
these non-professionals
turn out as well,
it'll be a snap.
- Well what do you expect?
I mean after all, it was
my job to select the women.
- Yes and you are
the best aren't you?
- At some things.
- So what am I, chopped liver?
Where's my applause
for lugging and lifting
and lighting and
making it possible,
for Mr wonderful here,
to push his little button
and rake in all the money?
- How stupid, how
simply stupid of me
to forget your vital
contribution in this.
- You know, can you
put down the mask
for just once and say
something nice to me.
I do deserve it you know.
- I'm sorry.
- Hey June, you know how
good you are at your job,
don't expect him to get serious.
I think he's forgotten how.
- Well lover boy,
tomorrow ought to be
interesting don't you think?
Oh come off it,
for craps sake man.
You got a fun fuck out of it.
What do you care if it's
available to everybody?
- Maybe I do care,
so just lay off huh?
- Well you know,
maybe just some of us,
aren't cut out for meditation.
- Real good Tony, keep it
up and you'll turn Ted here
into the same kind of
person it's taken you
years to become.
- See that, there's
hope for you yet.
- That's what I'm afraid of.
- No, no, no, no, girls,
that is not the way we do it.
Now start again.
Oh Layla.
- Hello, Serena Zukov,
this is Antonio Rossini.
- Ah bonjourno, I can
see why Layla chose you.
You are indeed a tribute
to the art of dance
and the essence of
athletic femininity.
- Thank you Mr Rossini.
I'm certain that
what you see however
is best discovered
without this bullshit.
- Smart lady huh?
- A very dedicated artist,
so you can forget about
getting laid here, sorry.
- The class is done.
I'm ready.
- No problem Ms Zukof, I have
your costume ready for you.
- Girls.
I told you not to
observe this shooting.
- Oh pardon me Serena
but is it possible,
are these young
women your students?
- Yes, why you ask?
- Well I thought
that maybe they could
be in the shoot so
there is a background.
- Oh?
- That is of course if
you have no objections,
I just thought it might
set the mood more clearly.
- Oh please Ms Zukof.
- We just want to see what
a fashion shoot is like.
Please.
- We won't get in
the way, honestly.
- Well, it would be
good for you, yes.
Well all right.
- Oh wow, this is so much
better than we hoped for.
- Now just be subtle
and let's hope
Ms Zukof doesn't catch us.
- You think it Will work?
- Girls.
Come on with this time.
(gentle piano)
- He's very good.
- Oh God, I think
he's wonderful.
- My, my you are
smitten aren't you?
- So what?
You wouldn't understand anyway.
- Oh yes.
Va bene, va bene,
oh yes, yes, yes.
Scusi, Scusi.
Oh va bene, yes okay.
I got a great idea.
Tu, tu.
- Yes.
- Yes, give me a tuxedo
out of wardrobe for Ted.
- What?
- A tuxedo avanti,
tuxedo, you know?
- I can see it coming now.
- What like a butterfly.
Very good, very good.
Marvelous, marvelous.
(dramatic music)
Very good, very good.
- Dorina, Dorina, you were superb,
magnificent, magnificent.
- Well thank you Mr
Rossini and my students
they did well I hope.
- Very well, very
well, but of course
not as professional as you.
I need to keep them to
make a few more shots.
But you did not
stay, you go home.
I will lock up.
- Well that is very nice of you.
Because I do have a lecture
tonight at recital hall.
You are a gentleman so I see.
- Grazia.
- Thank you, goodbye.
- Ciao and bona note.
- Oh no, he's not gonna--
- Oh yes, what else?
Did you see the way they were
flashing during the shoot?
They deserve it.
- Hey I don't know how
you put up with it,
I mean the two of you
used to be lovers.
- I don't wanna talk about it.
So I'm going, you
wanna come along?
- Sure as hell don't
wanna stay here.
- Hey where the hell
are you two going?
- We didn't want to
intrude on your creativity.
- Don't worry, we'll be back
to break down the equipment.
Wouldn't want you
to strain yourself.
- Good, I didn't
like them anyway.
And besides, they wouldn't
appreciate our little surprise.
- Surprise?
- Yeah, didn't
you say you wanted
some more shots of just us?
- Well what did you
girls have in mind?
- Just a little dance
routine of our own.
- Ready?
- What did you say to them?
- Nothing, nothing man.
I think they just like us.
And who could blame them.
(funky music)
(gentle piano)
(heavy breathing)
(gentle moaning)
- I didn't know you were
that interested in Ted
or anyone for that matter.
- Look just because I
don't go around undressing
for every guy that walks by,
doesn't meant that I--
- June that's not what I meant.
Look I know we haven't
been the best of friends
but give me a chance all right?
- Sorry.
You know the truth is,
I've always been a
little jealous of you,
besides what chance
do I have with Ted,
with Tony leading
him around by his,
you know, his thing.
(laughing)
- June, let me tell
you a few things.
Number one, just because Ted
wants to get his yayas out
after all these
years of boredom,
doesn't make him a
terrible human being.
You might notice, he's isn't
doing all that well anyway.
(laughing)
If you need any
help, I'm a woman.
Underneath all those overalls
and jeans you are too.
We might wear different costumes
but we're all in the same play.
- Thanks.
- Sure.
(gentle music and women moaning)
- [Tony] This was
very good, bravissimo.
- [Ted] Will you
cut the accent Tony?
- Look man, I'm telling
you it was very good.
What do you want me to say?
So tell me, tell me,
is sex without romance
really so terrible?
- I think I could
learn to tolerate it.
- You could?
(laughing)
- You know I don't understand
what you ever saw in Tony.
I'm sorry, but I just don't.
- Well he was different
once, before the fame
and the money got to him.
I think it's gotten to me too.
If you two jail bait
suckers are ready,
maybe we can get going.
- You know what?
Somehow I don't
think they approve.
- Hey wait up.
Excuse me.
I'm coming with you.
- Listen I told you,
you must call me
when I get back to the city,
now not now, go away, go away.
- Look you said we
had what it took
to become professional
models didn't you?
I want out of this
hick town now.
Take me with you.
- You creeps.
- Listen honey face
it, you've been had.
Let it be a lesson to you huh?
These two guys just
aren't worth the effort.
- Come on let's go, everybody,
come on June, let's go.
Put that stuff in
there, what is this?
- What a waste.
We went to all the trouble
to fuck a couple of old men,
pretending it was
fun for nothing.
Shit.
- Come on let's go
everybody, in the truck,
in the truck, in
the truck Layla, in.
- Is Tony with you?
- No he decided to turn
in early, are you okay?
- A little smashed,
slightly depressed,
completely disillusioned,
almost suicidal.
Nothing serious.
Care to join me?
- Yeah for a drink I think.
Bartender, let me have a brandy.
- You know, after the
shoot's wrapped, I'm done.
I don't think I can
take it any longer.
You know, I keep thinking,
maybe Tony will change but...
- I'm part of that aren't I?
Part of the reason
that everybody's --
- Oh not anymore.
You know what?
Beginning to enjoy
having you around.
- Thanks Layla.
- Don't let anybody
hear about it,
might ruin my image.
(laughing)
Maybe June doesn't have
such bad taste after all.
Never mind.
- Look I know she likes
me, but I don't know.
- I like her too.
I guess she thinks
that sex is something
that only unintellectual
people engage in.
- Something like that.
- That's too bad.
Other than that, she's
a damn fine lady.
- So are you.
- Thanks Ted.
- I think I'll go to bed.
This life in the fast lane is,
a little too much for me.
You all right?
- Me?
Well I'm still in first gear.
We do have to work
tomorrow though don't we?
Little trick I learned.
- One for the road.
- You got it.
- Here's your coat.
- Oh thanks.
- Hi.
- Hi Einstein.
What cha working on?
Tomorrow's lighting plan?
- No, it's my diary.
I was just writing that,
never mind, you're drunk
you don't wanna hear it now.
- Oh I'm not as drunk
as I'd like to be.
I never am June.
Come on what are
you writing huh?
- Men can't please me.
I won't let them.
Even Ted has proven weak
and Layla is not the--
- Go on.
- Is the not the selfish
bitch I thought she was.
(laughing)
- That's good.
- My only fear...-
Listen June, if there's something
you don't want to tell me
listen I understand completely.
- No, no I wanna say it.
Layla I trust you.
I want to say it.
My only fear is I will never
be able to get out of my mind
and into my body.
I'm afraid to be passionate.
- Oh June, it's okay.
Honey it will come in time.
Honestly.
- Please, I trust you.
- June I,
are you sure?
I don't wanna do anything.
(gentle seductive music)
I love your body June.
I just want you to feel good.
Tell me if I do
anything you don't like.
- [June] Okay.
- [Layla] Okay.
(gentle piano)
- That was beautiful.
Do the men that
you've been with,
make you feel that good?
- Sure know the right
things to say don't you?
- Well do they?
- They used to.
Sometimes I feel like
it's even better.
- I was having the
most amazing fantasy.
- I know.
- Really?
- You were thinking about a man,
especially when you were coming.
- I was.
But how did you know?
- Oh I've been there,
quite a few times before.
Who were you thinking of?
- Well, just a man.
It's not important.
- No you're right.
You won't have any problems
when the right man comes along.
I can tell you that,
that's for sure.
You're a natural
born lover, lover.
(upbeat music)
- And after that I left home
and found the job with Tony.
- Gee, just one bad
turn after another.
(laughing)
- You two are in one hell
of a good mood this morning.
- Well we got a good
nights sleep last night.
(upbeat music)
- Well we sure are proud
of our little Chrissy,
being chosen to model for your
ads and all aren't we mother?
- We certainly are.
I only hope she'll do well.
She's so young you know, only
just graduated high school.
- [Man] Straight As.
- [Woman] Valedictorian.
- Oh that's wonderful.
- [Man] Yes.
- Yes, yes I'm sure
that she will do fine.
You see our Layla here has
a wonderful eye for talent
and I'm sure that Chrissy--
Oh Chrissy.
- Hello Chrissy.
Don't you look nice
today, you ready?
- Hi Miss Ford.
- Now don't you
worry about a thing,
we'll have Chrissy back in
about three or four hours.
- Oh that's fine, just fine.
- I'll find my glasses
and we'll catch the Jeanette
Mcdonald Nelson Eddy festival.
We're just in time
for the matinee.
- Don't worry Mr.
and Mrs. Hudson,
Chrissy here she
is a good hands.
Good.
- You lay one
finger on that girl,
and I'll have you by
your professional balls.
Got it?
- Ms Ford is right, she
said that Chrissy has
that certain innocent appeal
that I've been looking for.
Avanto.
Avanti ciao.
- Ciao.
Bye, bye bye dear.
(gentle piano)
- [Chrissy] God bless you.
- You did a splendidly Chrissy.
Your parents can be very proud.
- Thank you Mr. Rossini.
- [Layla] We have to get
you right home and into bed.
- Oh absolutely Layla.
We can't have our Chrissy here
getting sick on us can we?
And since our hotel
is right on the way
and we must pack anyway,
I'll drop you all off
and I take Chrissy home.
- How thoughtful of you Tony.
- Oh it is nothing.
- But I have a better idea.
- Damn it woman, now why
the hell did you do that?
You're starting to piss me off.
- We have work to do
Tony and you know it.
Besides Ted I trust, got it?
- You know what I got?
I got a good mind to go fire
you, that's what I got Layla.
- You don't have a good
mind to do anything.
- Tony-
- What?
- Are you really that
upset about losing a chance
to screw Chrissy?
- No, no I'm not but
I'm the boss here.
I'm in control and
I don't want anybody
telling me what to
do, especially her
and that includes you.
- I'm really sorry
you caught a cold.
I hope your parents
will understand.
- It's not your fault, really.
I was getting a cold
anyway before today.
- Well look here's your
bag, I'm sorry about this.
- You're nice thank you but
really I'll be all right.
- Yeah good.
Hey, let me take you inside.
I hope you feel better,
I'm really sorry.
- It's all right, honest.
Maybe some hot tea or something.
The kitchen's over there.
- Tea?
Yeah, yeah sure, I'll make
you some hot tea before I go.
But I have to leave very soon.
- Thank you.
- Very, very soon.
Chrissy, Chrissy.
Hello?
Chrissy.
- Oh gosh, I must
of fallen asleep,
I guess I don't feel so good.
- I have your tea here.
- Oh would you bring
it to me please?
- Bring it to you?
Certainly sure.
- Thanks.
I'm sure glad you're here
to help me Mr. Perlis.
Really.
- Yeah well I really
have to go now.
That is if you'll be okay?
- Of course, I'll be
okay once I put some
of that vapor rub on.
Would you get it for me please?
- Yeah, yeah sure.
- I'll hold this up if
you'll put some on me.
- Yeah just a little bit.
- Come on silly
bastard let's play.
(gentle seductive music)
That's fun.
- I shouldn't be doing
this you know that.
- [Chrissy] Oh yeah,
bite my nipples.
Bite them, bite them.
(moaning)
- [Ted] What if your
parents come home?
- [Chrissy] He's beautiful.
- [Ted] Take this off.
- [Chrissy] Get your pants off.
(heavy breathing and moaning)
I want it so bad from you.
So bad.
(heavy breathing and moaning)
- [Ted] Where did
you learn to do that?
- [Chrissy] I read a lot.
Come here, yeah.
Put your cock in my pussy.
Real deep.
- [Ted] Oh yeah.
- [Chrissy] Push it in, come on.
Oh I love it.
Oh yeah.
Oh it's so good,
your cock is so good.
(heavy breathing and panting)
Come on fuck me, come on.
Oh yeah.
(groaning)
Oh yeah.
With tongue, with tongue.
Oh yeah, yeah.
With tongue, lick
my clit, my clit.
(groaning)
Yeah.
Yeah.
Come on top of me,
let me see you come.
- [Ted] Oh yeah?
- [Chrissy] I wanna see you.
- [Ted] Okay.
- [Chrissy] I
wanna see you come.
(Ted groaning)
Ted, can we play a game?
Just one game.
You don't have to do anything
but just lie still okay?
- [Ted] Yeah sure,
whatever you want.
(upbeat playful music)
- [Chrissy] Hey Ted, Ted.
- [Mother] Chrissy.
- So until we actually
see this woman's house,
there's no way we can--
- It's a mansion, a mansion.
The lady lives in a mansion.
- Mansion or whatever,
until we actually get there,
I can't give you anything
more than a general idea
of a lighting plan.
- June, June so why the
hell do you work with me?
- What?
- Come on you heard me.
- Lots of reasons.
- Come on June, Layla and
I don't do anything more
than trade insults.
Ted wants to leave, right?
And you're the
only one left, why?
- Thanks.
- Come on you know what I mean.
Why are you here?
- At first I thought
you were a genius.
I still do, but you
are an asshole genius.
- Well that much we know.
- Well then I thought if
I could make any sense
out of what was going
on in that studio,
I could understand anything.
- And?
- No way, now I don't
know why I stay.
Sorry I just wish I could help.
- Yeah me too.
Fuck it, it doesn't matter,
it all stinks lately.
- I'm really sorry Tony.
- Yeah.
Don't worry.
Thanks.
- [Tony] How you
doing boy scout?
- Oh fine.
- [Tony] Hey listen Ted, I might
have to go away for a while
I don't know, I wanna go to
Spain for a couple of months
or Greece, wanna come along?
- No I can't.
I gotta find a new job.
A real job.
- [Tony] Yeah.
- By the way, Chrissy
wasn't so innocent.
- You're shitting me?
Oh you gotta tell me, this
has gotta be a classic.
Come on.
- Hey now look, don't
tell Layla all right?
I mean I feel really
shitty about that.
- I'm not gonna say anything.
Look this is the great Antonio
Rossini speaking to you.
So you gotta tell
me, what happened?
- You wanna know what happened?
- I want to know what happened
right from the beginning.
- You want to know
what happened?
- What happened?
- Tony Rossini wants
to know what happened.
- Yes.
- I'll tell you.
I was raped.
- You were raped?
- Raped.
- He was raped, he was raped.
(laughing)
- She raped me.
She raped me.
- You were raped?
- Yes.
- By this?
(laughing)
- Did you hear that?
I wonder what those two--
- I know what kind
of laughter that is.
Thank God tomorrow's
our last day.
- Oh Harmon our guests
are arriving a bit early,
I do hope we're prepared.
- Of course madame.
- Of course, after so
many adventures together,
how could I even ask.
Or of the mid once this
time, tall quite intelligent.
This should be a true test
of your theories Ariellanna.
(suspenseful music)
- Holy shit.
Hey Layla why
didn't you tell me?
- I hadn't seen it myself.
I met her in New York
at the ad agency,
she's a stockholder.
She offered herself and her
home for one of the layouts.
I had the impression
they couldn't say no.
- Who the hell is this woman?
- Arielanna Vanlearn Devain
Hieress of the Devain
publishing empire.
Degrees in psychology,
art and science.
Quite reclusive since the death
of her husband nine years ago.
Stockholder and--
- Thank you Ms Britannica.
Well troops lets get a going.
- Welcome, Mrs. Devain will
be joining you for cocktails
after you've freshened up.
- I do not think it's
necessary to freshen up.
- After you've freshened up sir.
- I think we're going to
have to freshen up hey?
Andiammo come on.
The women first.
- Well well my how handsome.
I hope you found
everything you needed.
- Yes, yes.
- Thank you very
much for the clothes.
- Oh yes, you seem to have
thought of everything.
- One of my little
quirks, perfection.
I provided some clothes
for the ladies too.
Here they come.
- Wow.
- Mama Mia.
- Hey, that's nice.
- Perfection.
- Thank you very much.
- Harmond, would you
seat our guests please?
- Mrs. Ford.
- Don't believe.
Ah yes.
- So I simply decided
to please myself
and study those aspects of
psychology and human behavior
that interested me.
Oh it's been lonely at times,
but never never boring.
- Look I don't mean
to be pushy but--
- Oh of course, of course.
Harmon.
- Yes madame,
everything is in order.
- Wonderful, now if you
all would indulge me
for just a little while longer.
You see I know a great
deal more about you,
each of you, than I've let on.
And how should I put this?
Well, I'll put it decently,
you see for the past nine years,
I've been engaged
in an experiment.
Well a study actually
of human behavior.
- Ariel I don't see
how this is any--
- Let her finish.
- Thank you June.
Really there's nothing
mysterious about it.
Simply stated I need your
help for a short time,
that of a few hours
and in exchange
I think I'll be able
to help each of you.
That is, if you're willing.
(suspenseful music)
- I really don't understand
why Layla's getting so upset.
I think it's all
really exciting.
- I know and it's that
sense of trust you have.
It's going to make this a
very important night for you.
- How do you know
so much about us?
- Well a combination of
intuition and intelligence,
research and a great
deal of money to get
whatever I want with.
Now just enjoy yourself.
Relax, browse and I'll be
back in a little while.
- Listen Harmon, if Ariel
wants me to play games
I'd like to know why.
What the hell is going on here?
- I am sorry if
you're confused sir,
but I'm sure madame
will explain.
- Well she had better.
- In here sir.
- In here.
Yes but this is a dark room.
- That is the
master bedroom sir.
- Well you're lucky Harmon,
'cause the only darker room
I go into, is a bedroom.
(rapid knocking)
Shit.
All right Harmon, I get it.
It's a little joke huh?
You're actually count
Dracula in disguise.
Right?
Right?
Right?
- Wrong.
(seductive music)
(nervously laughing)
- I like your outfit.
Is this a part of the experiment
or just a pleasant distraction?
- A little bit Of both.
Per favore.
- Si, si.
Oh la la.
Oh this is nice,
this is very nice.
It's a very difficult to open
but yes,
oh it's very good.
Suck it.
Suck it.
Oh yes.
Very nice.
(moaning)
Wait wait wait what is this,
what is this?
- [Ariel] What's the matter?
Did I do something wrong?
- [Tony] Oh no no no
just I don't like,
I don't like being tied up,
I mean it's a bit awkward.
- [Ariel] Oh it's just a
game, it's just for fun.
You see I've never
tried it before.
- Well maybe, maybe
just a little bit.
- [Ariel] Just a little bit.
- [Tony] Oh yes, it's very nice.
Oh it's very nice, yes.
It's nice.
No, no, no wait no, wait
a second, wait, wait.
- [Ariel] Oh no no no no.
Try it.
- [Tony] Yes.
I try it.
- [Ariel] You like?
- [Tony] It's not bad.
Interesting.
That's very good.
- Ms. Lamb.
- Yes?
Where's Ariel?
- She Will be with
you very soon.
She asked that you
change clothes.
These are yours.
- But where is everybody?
- They're all having
a wonderful time,
and wish only the same for you.
Please Ms. Lamb, relax.
There's nothing here for you
but pleasure and enjoyment.
Here these are for you to wear.
- Thank you.
It's all so strange.
But you have made me
feel better Harmon.
- [Tony] Oh that's very good
Ariel, that's very good.
That's very good,
oh that's very good,
oh yes, yes, very good, I'm --
- [Ariel] No.
- [Tony] Damn it
woman, how many times
are you gonna do that huh?
Look all right, all right,
let's cut these God
damn scarves off,
let's get back on
the right track.
- [Ariel] The right track Tony?
Oh you mean where you're
in control all the time,
telling everybody else
what to do and when.
- [Tony] Look Ariel just cut
the fucking scarves off huh?
- [Ariel] Tony, please
don't make me mad,
because then I might decide
to just leave you here,
for Harmon, who has rather
bizarre tastes I'm afraid.
- [Tony] It's just that
this is not my thing,
I got carried away,
I didn't mean--
- [Ariel] Tony, I've got
a lot to teach you Tony,
but you've got to
shut up and listen.
You talk all the time so
you never hear anything.
- [Tony] Okay Ariel,
please I just want--
- [Ariel] One more
word and I'm leaving.
Understand?
Good because I
really like you Tony.
Now, for the first lesson,
we'll call it cunnilingus 101.
You see Tony, I want
you to make me come.
Starting to like not
being in control Tony?
Tony, I haven't come
in a very long time,
this is not going to be easy,
but the better you
make it for me,
the better I'll make it for you.
(heavy breathing)
Oh yes, that's not bad.
That's the way, lightly
lightly, yes, yes,
now you can take your
tongue down further
and then you can run
in deeper and deeper,
now you can go in there
where you want to go.
See now it's open
and wet and flowing,
now put your nose up there
against that spot on top.
That's the way, that's the way,
yes now you're
hitting them both.
Oh good Tony, oh
good, oh good Tony.
(moaning)
Oh Tony.
That was very good.
Now...
- [Tony] Don't
strangle me please?
- [Ariel] Now this is
just more of the game,
put your head up,
that's a good boy.
Can you see it,
tell me the truth?
- [Tony] Oh I can't see.
I can't see that.
- [Ariel] Now you just lie here
and I'll be right back.
- Where are you going?
Wait, wait, wait.
Wa--
Shit.
- Where the hell is everyone?
It's all damn crap,
this whole thing.
I just wanna get home.
You fucked her didn't you?
- Who?
- You know damn well who.
Chrissy.
You didn't think you'd
slip that one by me.
- Look, look I told
Tony not to tell you.
It wasn't my fault Layla.
- Tony didn't have
to say anything.
I heard you come in last night.
I've heard that kind of
locker room laughter before.
- And where did you
get so damn holy?
I mean if the truth makes
any difference to you,
Chrissy was a little Lolita
who bullshitted me like a pro.
- Oh did she force you
to fuck her at gunpoint?
- It doesn't make
any difference.
She was just like
all the others.
Selfish, pushy, conniving.
I mean I felt nothing
but used ever since
this whole trip started.
- Honey, you don't
know what used is.
- Pardon me but, well are you
two through pitying yourselves
or should I come back later?
- Listen your impression of
anti-maim is very entertaining.
But I'm getting tired of
your self-indulgent bullshit.
- Layla what are
you so afraid of?
- I'm not afraid.
I would just like to
know, Ariel sweetheart,
if we are going to
find out exactly
what is going on around here.
- I don't know, I
hope, I truly hope
that you will see
what is here for you,
but well your attitude
isn't helping I'm afraid.
- No more psychology games.
Now where are Tony and June?
What in the hell do
you want from me?
- I am just trying to help you.
(thwack)
- Layla for Christ's sake.
- Oh Layla, you are so
used to being hostile
and sarcastic that you
can't feel anymore.
- No.
- You've let your
impressions of Tony,
interfere with, come
between you and any man
that might want to love you.
I don't know, if ever feel again
anything except resentment.
(sobbing)
- Why the hell did you
do that to her huh?
- Why you simple
minded little worm.
- What?
- You insignificant
cock-minded piss head.
You run around everywhere
trying to find someone
to give you, what you
think you deserve.
Oh poor poor Teddy.
- I don't know what the
hell you're talking about.
- Oh yes you do.
You're afraid to reach out.
You want it all handed to you.
You haven't got the spine to
stand on your own two feet
and go after what you want.
Oh you simpering wimp,
hiding behind your romance--
- Leave him alone Arielanna.
- Huh? Enter the heroine,
you both disgust me with
your petty bullshit.
- What the hell
was all that about?
- She was right.
- What?
- Thank you for
defending me Ted.
- Hey thank you.
I thought she was gonna
tear my throat out.
(sobbing)
Hey, are you okay?
- God damn her.
She was right.
(sobbing)
- Perfect.
- Ariel.
- Hello June, my
you look beautiful.
- Thank you.
- Are you ready?
- I don't know what I
should be ready for.
- Why to be released June.
First put some of this on.
This is what I've
been wearing all day.
And we have a little
secret to keep from a man
with a very sensitive nose.
- Can't you tell me more
about what's going on here?
I mean, where's
Tony and the others?
- Well perhaps we should
have a little talk
before you spread your wings.
(smooth music)
- God, I'm sorry Ted.
I haven't cried like that
since I was a little girl.
Was Ariel right
about what she said?
That you were afraid to
go after what you wanted?
- Yeah, yeah.
Hell I expected some perfect
woman just to turn up
and offer herself
to me, it's true.
- Maybe it's time
you stop waiting
and did something about it.
Oh no you don't Teddy, you
have to go after what you want.
- What about you?
If I catch you, will
you be able to feel?
Will you be able to feel me,
or will you be
thinking about Tony?
- Tony who?
- I need a serious answer Layla.
- Well that's a chance
you'll just have to take.
- Ted, I don't want
you to fuck me,
I want you to make love to me.
I want you to make me
feel something Ted.
Yes.
- You ready June?
- I guess so.
- Now, I'll stay with you,
just trust your instincts
you'll be fine.
- [Tony] Who's there?
- [Ariel] Tony.
- [Tony] Oh there you are,
am I happy to see you.
- [Ariel] You're
beginning to enjoy it
not being in the drivers seat.
- [Tony] Oh you know
it baby, but listen
I'm gonna explode, I'm gonna
come now, I gotta come.
- [Ariel] Oh Tony, well perhaps
I should get you a new partner.
June for instance.
- [Tony] June?
(laughing)
Don't make me laugh,
hey look, I mean June.
June is a lot more
than I thought she was,
June really thinks that sex is
an act of mental retardation
at an early age.
Come on, now what about us?
(moaning)
Oh that's great.
Now do you think
June would do that?
Oh come on, oh that's
great, oh yes baby.
Oh yes, oh yes.
Oh yes, oh yes I needed that,
I'm coming, I'm coming,
I'm gonna come soon.
God damn it, you did it,
what you got four hands?
What goes on here?
- [June] Now, just relax Tony.
- [Tony] Oh come
on, what the hell.
- [June] Just relax,
now comes the hard part.
You see, you have
to fuck me Tony
and you have to make me come
before you do, understand?
Don't let yourself
come Tony or else.
- [Tony] Oh yes, all right.
Yes.
(moaning)
Oh that's so good, that's it.
- [Ariel] That's right
Tony, tell me how to move.
- [Tony] Yes.
- [Ariel] Now Tony you
tell me, what you want.
- [Tony] Oh yes,
not so fast, not so
fast, oh that's nice,
oh yeah that's great.
Oh yeah.
(moaning)
Oh yeah.
Oh that is--
yeah.
(heavy breathing)
Oh yeah.
- [June] Oh God.
Oh God.
(moaning)
Oh God.
(heavy breathing)
- [Tony] That was great.
Oh Ariel.
- [June] Surprise.
- [Tony] When did you?
You?
- [June] You'll
never know will you?
- [Tony] And I'll never care.
(smooth music)
(moaning and heavy breathing)
- [June] Oh yeah.
Oh yeah.
(moaning)
Look at me.
- [Tony] How's that?
Slip these off then.
(moaning)
- [June] I wanna taste you.
(heavy breathing)
(moaning)
(gentle sweeping music)
- [Tony] June.
I don't know how
to tell you this.
- [June] You just did.
(moaning)
Come on.
Oh that's so good
Ted, please come.
(heavy breathing)
- I can't find anybody, I
couldn't find him anywhere.
There's this note.
Thank you for helping
me with my studies.
Please all I ask is that
you share this experience
with no one beyond yourself.
My love to you all, Ariel.
- Well I for one think she
was some kind of witch.
- Not at all, she's
a psychologist,
who figured out how to get
past our fears that's all.
- That's all?
- That's all.
- That's all.
(laughing)
- That's all, simple.
- It's simple.
- Yes.
Well let's hit the
road, or should I say,
avanti, avanti.
- Avanti.
- The best yet, don't
you think so Harmon?
- 'Course madame,
I'm rather sorry
to see them leave actually.
- There will be others Harmon
but we did learn
so much from these.
- [Tony] I have a
suggestion, a quick trip home
and four plane tickets to
Greece for the weekend.
- [Ted] Oh I don't
know, I think perhaps
the Caribbean would
be more to my taste.
- [June] I'll settle for the
first motel with a waterbed,
I always wanted to try it out.
(laughing)
(upbeat music)