Distant Justice (1992) - full transcript
After his daughter is kidnapped and his wife murdered by drug dealers, a man finds that the gang is protected by corrupt politicians, and sets out to wipe out the gang and expose the politicians.
[THEME PLAYING]
[ENGINE RUMBLING]
You know something?
You do it.
If you're so smart, you do it.
You want to go in?
You want to take the gun? No.
You do it.
DRIVER: I don't want to do it.
Have fun.
Give me the money.
Give me the fucking money!
[CHECKER GASPING]
Hurry up!
I don't have all goddamn day,
sweetheart.
Hurry up!
[GASPING]
[FABRIC TEARING]
DRIVER: Oh, shit.
Is that it?
Hey, you're a cutie, aren't you?
Yeah, you are.
You're cute.
Let me see that.
Let me see what you got.
[RIPPING]
[GRUNTING]
[HONKING]
DRIVER: Come on.
Oh.
Come on.
You want to come with me?
Sure you do.
Let's go.
[GUNSHOT]
[GIRL SCREAMING]
Oh, goddamn it!
Stupid!
Forget her.
Let's get the hell out of here.
[TIRES SQUEALING]
(CRYING) I'm sorry.
No.
DRIVER: How much did you get?
THIEF: I don't know-- $300,
$400.
$300? $300, $400?
You got to shoot somebody for
it?
THIEF: Ah damn it.
It-- it's a cop.
- Huh? - Son of a bitch.
What?
It's not my fucking fault, OK?
Why didn't you stop the guy from
coming in, huh?
That's what you're supposed to
do.
DRIVER: Dick, did you have to
fool around with her?
[SIRENS BLARING]
Look!
There's the cop.
Oh, Jesus Christ.
[TIRES SCREECHING]
THIEF: Back off.
Now!
I'm going!
Go!
[CRASHING]
[CHEERING AND LAUGHING]
[MUSIC PLAYING]
(SINGING) I know that I love
you.
[SPEAKING JAPANESE]
DRIVER: Hey, man, check the
tire.
I think something's pulling on
the tire.
THIEF: Pull over and let me take
a look at it.
[KILLING ENGINE]
It's flat.
There's about four tires in the
back you could choose from.
Sometimes I don't like you.
Thanks.
(SINGING) I know you understand.
How you doing over there,
sporto?
Hey!
Hey!
What?
Hijack time.
(SINGING) --show you.
RIO: Oi, Sakura.
[TIRES SCREECHING]
Sakura!
Sakura!
It is nice to meet you.
I hope you folks are having a
real nice trip.
What do you want?
Money?
No.
I think we want your nice, shiny
car.
[LAUGHING] - Yeah, don't worry.
There's a bus stop 20, 30 miles
down the road.
[LAUGHING]
[MUSIC PLAYING]
[BUS REVVING]
HIROKO: [SPEAKING JAPANESE]
Ah.
[SPEAKING JAPANESE]
[SPEAKING JAPANESE]
[CAMERA CLICKING]
[JAPANESE]
[JAPANESE]
[CAMERA CLICKING]
[SPEAKING JAPANESE]
WOMAN: First of all, we demand
you suspend the business
license of any establishment
where drug deals take place
and crack down on public
facilities.
Especially the park.
Excuse me?
Oh, you know that park is a
haven for drug dealers.
Please, lady, watch what you
say, huh?
You don't want to slur the
department's reputation,
do you? - Oh!
If you care so much about your
reputation,
why don't you do a better job of
controlling
the sale of drugs in this city?
Look, we know what needs to be
done, OK?
And we don't need a bunch of
busybodies--
- Oh! - --sticking their noses
in.
Did you hear what he said?
Uh, what Sergeant Largent
means,
ladies, is that we always
welcome input from the public,
at all times.
I'm Chief Tom Bradfield.
Oh.
How interesting.
Let's have this distributed
amongst the narco squad,
Sergeant.
Sure thing, Chief.
Now, may I join you for--
[PHONE RINGING]
Oh, excuse me just a moment.
Bradfield here.
RIO: That old tome?
It's me.
Remember me?
Rio?
Is that you?
Boston is great, except for one
big guy.
TOM (ON PHONE): You mean you are
here in Boston,
and you didn't even call me?
Well, you better get over here,
or I'll put out an APB
and have you busted.
[WOMEN CLEARING THROATS]
RIO (ON PHONE): I will see you
this afternoon.
Uh, I've got to go.
I've got three witches here, and
they're going to burn me alive.
[SPEAKING JAPANESE]
What did you say, you rotten
son of a bitch?
[WOMEN GASPING]
Thank you.
You better hope you're not in
the same cell with me, dude.
You're a dead man.
You're the one that's going to
be hurting, dude.
- I don't think so! - Yeah!
That's right! - Hey, hey, hey!
Listen, guys, guys.
Now, listen. I gotta take the
cuffs off--
- I'll kick your ass, man. -
--so I can print you.
Ha ha! I'll kill you.
- Now, listen. - Yeah?
Come on! - Listen.
When you were little-- - I hated
my mother, man.
Yeah?
I did your mother, man!
I don't think so!
I don't know what the hell
you're talking about, man.
- Come on! - Hey, how about it?
You guys can't-- you can't do
that.
[LAUGHING]
Hey, you can't do that!
[THUDDING]
What the hell do you think
you're doing?
Give it up!
Could you direct me to Tom's
office?
Tom?
Who's Tom?
Chief Tom Bradfield.
Yeah.
Chief's office is upstairs.
Hey.
Thank you.
You just kick him.
[GRUNTING]
[OFFICER PANTING]
RIO: Oh.
Hello, Tom.
Rio.
Rio, Rio, Rio, Rio.
[LAUGHING] - How are you?
I'm fine.
They telephoned me from
downstairs.
They said to watch out for a
Japanese Yakuza.
If I were a Yakuza, you'd be
mafia.
[LAUGHING] - Come in.
Come in. Come in, come in.
Go ahead.
Right that way. Come in.
Thank you.
In, in.
I've waited a long time for
this.
Over here.
Ha ha.
Uh-huh. Uh-huh.
- Me? - Uh-huh.
Here?
Right down there.
OK.
How do you like sitting in my
chair?
Great.
Good.
You can have it because I'm only
going to be sitting
at it for another six months.
What do you mean, Tom?
It means I'm pulling the pin.
I am going to get out of the
loop.
I see.
You are old soul reaching
retirement.
That's correct.
I want to show you something.
When I retire, I'm going to
motor around the tip of Florida
in one of those babies.
Wonderful.
I envy you.
Ha ha ha.
Just pray that I can reach
retirement
without some big case screwing
me up.
Say cheese.
Nice day for a ballgame, huh?
Well, looks like it's going to
rain.
Yeah, well, next time, I'm
taking a cab.
How you doing, Bartaby, my
friend?
How are you doing, pal?
Present for you, friend.
Have a good time.
[CAMERA CLICKING]
RIO: Tom.
The Whitlow case.
[CHUCKLING]
TOM: He was quite a big shot,
wasn't he?
I never expected to bag him in
Japan.
I owe this guy.
For what?
If it hadn't been for this
case,
I would never have met you.
(CHUCKLING) Oh.
Then we drink to him.
Kampai.
Kampai.
It's so damn good to see you,
Rio.
Good to see you, too.
Oh, how about dinner tonight?
Absolutely.
You bring Hiroko and Sakura to
my house,
and we'll have a big party.
[CAMERA CLICKING]
[CAMERA WHIRRING]
[FOREBODING MUSIC PLAYING]
[TIRES SQUEALING]
[SCREECHING]
Give me the camera.
Give me the fucking camera!
[SAKURA SHRIEKING]
Don't waste her, man.
Don't waste her!
Don't waste her!
[GUNSHOT]
[CLANGING]
Jesus Christ.
Let's get the hell out of here!
[TIRES SCREECHING]
Rio, stop!
OFFICER: When we got there, we
found the victim
lying on the pavement.
That's all.
TOM: Who reported it?
OFFICER: Anonymous tip.
Nobody wants to get involved.
Were there any witnesses?
No, sir.
That's impossible.
Sorry, sir.
What about my daughter?
They were together.
Like I said, sir, it was just
the victim at the scene.
- That's crazy! - All right.
All right.
Calm down, Rio.
We'll find Sakura.
Don't you worry.
We'll find her.
I'm sorry.
[FANS HUMMING]
[MELANCHOLY MUSIC PLAYING]
[FOOTSTEPS]
Rio, I'm so sorry.
[SEAGULLS CALLING]
We were married 30 years.
This our first trip outside
Japan.
I killed her.
Rio, don't.
Oh, god, Tom.
[CONVERSATIONS IN DISTANCE]
Is that Sakura's?
Yeah.
I'm afraid we have to assume
that she
was kidnapped by the suspects.
- Is that all you found? - Yes,
sir.
Is there something missing?
Yeah.
The camera.
What kind of a camera?
It's Konica-- pocket camera,
made in Japan.
Check the local pawn shops in
that area.
And give this to the lab.
I want it developed.
Yes, sir.
RIO: Oh, my daughter.
Thank you.
I heard what happened.
Yeah.
I don't know what to say except
I'm sorry it happened.
Any clues yet?
Well, we're doing everything
that we can.
I see.
Of course.
[MUSIC PLAYING]
[LIGHTER STRIKING]
Uh, Inspector Yuki?
Inspector Yuki?
The chief thought you might do--
I mean, thought you might need
something.
Hey, hey!
Inspector Yuki! Wait.
Where are you going?
Uh, Inspector Yuki?
Uh, Inspector Yuki!
Why?
Why what, sir?
Why was my wife killed?
Well, I hate to say it but
maybe for as little
as that camera.
Camera?
Who would shoot someone just for
camera?
Hey, in America these days, you
can get killed
for a pack of cigarettes.
Hey, Mr. Menza.
Yeah, what's up, Frank?
Oh, I sure hope Mr. Foley can
do
something to help our senior
citizens out, Mr. Menza.
It's tough on old people these
days.
Look, you just make sure that
you and your old friends
vote for him as mayor.
Then he'll do something.
I love it.
Beth.
Hey, Lenny, where's the old man?
Oh, Danny, boy!
Catch.
Larry.
Got a second?
What's up?
How are the kids?
- Good, good. - OK.
- You? - Fine, fine.
Listen, Danny, I want you to
watch out for those old bitches
from the women's organization.
They're distributing that drug
strategy booklet
to all the city officers.
Look, I got news for you.
They've already been here.
[GROANING]
Hey, hey, hey, hey, hey, don't
worry about it, all right?
The old man's keeping a low
profile until he retires.
He won't do a thing.
True?
Trust me.
Ah, Danny, I love you.
Hey, find a home for this, will
you?
Sure.
LARRY: (SINGING) Oh, Danny boy,
the pipes are playing.
All hail to the chief.
When you want to see me, you
make an appointment
with my receptionist.
Hey, I only talk to secretaries
when I need a little, uh, stress
reduction in my private office.
I got something for you.
What's this?
Well, an invitation to Foley's
campaign party next week.
Be there or be square.
Campaign for what?
You haven't heard?
Mr. Foley is going to be our
next mayor.
You would be wise not to
underestimate Mr. Foley.
I have something for you.
You give this to Mr. Foley, that
esteemed
member of our city council.
What's this all about,
Bradfield?
Oh, I suggest you read that
very carefully.
Yeah, well, I have a little
suggestion for you.
You have six long months before
you
can collect that ill-deserved
pension of yours.
Now, I suggest that you be a
little more courteous.
Remember, Thomas, courtesy pays.
[MURMURING]
CHARLIE: Cindy!
Jeez.
What, do you serve the good guys
last around here?
I'm going to get gray hair
before you serve us any coffee.
Any news in the investigation?
Yeah.
According to the lab, the gun
used was modified.
Modified?
Yeah.
That's a felony good for 20
years.
If the gun's used in a homicide,
it carries the death sentence.
So?
So our killer's probably a gun
nut.
How many gun nuts are there?
There were five homicides last
night alone.
You mean a foreigner death
comes last?
You've got Chief Bradfield on
your side.
All right.
Now, look.
Three of them turned gray
already.
Ow!
Special service.
Jeez.
[BEEPING]
Oh, I just got paged by
headquarters.
Hey something wrong?
You look like you're on your way
to a funeral or something.
Oh, I just came from one.
Oh.
Excuse me.
A guy just brought your wife's
Konica camera into a pawnshop.
He has it?
No.
He got scared and left the shop
with the camera.
That doesn't help us.
Well, maybe it does.
The owner of the pawnshop
recognized the guy.
He's an ex-con by the name of
Clyde Jones.
Where is he?
Well, he hangs out at a place
just down the street.
Hey, wait!
Cindy.
To the right!
To the right!
To the right!
Yeah!
OK.
In here.
Wait. Wait.
All right, look.
Maybe we should call for backup.
What for?
Well, you never know,
especially
in this neighborhood.
I will wait there.
[CLACKING]
Police officer.
You're wanted in connection with
a murder investigation.
What's that in your pocket, huh?
Is that a camera?
Where'd you get that camera?
[THUDDING]
Oh!
Goddamn it.
Look out!
[GRUNTING]
[MUSIC PLAYING]
That's our man!
Coming through!
[SHOUTING] Sorry!
MAN: Hey, watch out!
Police officer.
Watch it!
Police! Coming through!
Excuse me.
Police officer.
Oh.
Oh!
[GRUNTING]
Where is my daughter?
I don't know.
I swear I don't know.
Where's-- [GUNSHOT]
CHARLIE: Sorry.
Don't shoot me!
Hold it.
Hey, that's Sakura's camera.
Where did you get this camera?
I swear I don't know.
I just found it.
Answer.
I don't know.
You shot my wife.
No, no. I didn't.
I didn't.
I had nothing to do with it.
I-- I found the camera.
I just picked it up.
I swear.
I swear. - Where?
In-- in-- in the burned up
factory in Charlestown.
I'm telling the truth!
Inspector, give me the gun.
I can't let you interrogate the
suspect.
[GRUNTING] - Come on.
Don't move.
Let's go.
What?
Rio stole your gun?
He surprised me.
I-- I guess he just flipped out,
Chief.
TOM (ON PHONE): Do you have any
idea where he was headed?
Well, I think he went to the
abandoned
factory in Charlestown.
TOM (ON PHONE): Charlestown?
All right.
Charlestown.
Tom, is something wrong,
darling?
Yes, and I'd better find Rio
before he
really gets into trouble.
Sorry, dear.
[KISSING]
[MUSIC PLAYING]
[GRUNTING]
SUSPECT: I don't know.
It was somewhere around here. I
don't know.
[GRUNTING]
Jeez.
[GUNSHOT]
[SCREAMING]
Hey, let's go.
SUSPECT: (WHISPERING) Oh, shit.
Come on.
[SCREAMING]
WOMAN: No!
No!
[MEN GRUNTING]
Hey, man, this kind of stuff
happens all the time!
Shut up.
SUSPECT: I don't want any
problems
with the bad dudes around here!
RIO: Shut up.
Come on.
Come on.
WOMAN: No!
No!
[SCREAMING]
No!
Your buddies?
No.
I don't know them.
I just found the camera here.
- Come on. - Come on!
Come on.
Please, let me go.
[GRUNTING]
[YELLING]
RIO: Go.
[GRUNTING]
WOMAN: No!
No!
No!
No!
[GUNSHOTS]
[GUNSHOT]
[GRUNTING]
RIO: Don't move.
[GRUNTING]
[CRYING]
[BOTTLES CLANGING]
Take those cuffs off.
Well, they said the one guy's
going to be
in the hospital for a month.
And the guy you shot in the knee
is
going to be a cripple for life.
Do you understand what you did,
Rio?
You can be indicted for
attempted murder, for assault
with a deadly weapon.
Are you trying to get my pension
taken away from me?
Are you trying to ruin Hanna and
my retirement?
After all, Hanna waited 30 years
for this, just like Hiroko.
My wife is dead.
My daughter has been kidnapped.
I know, my friend.
And I deeply sympathize with
you.
But I can't let you take the law
into your own hands.
I don't need your sympathy.
I want my daughter back.
You have to stay out of it.
Now, the official word is that
Charlie
did it with his own gun.
All I want you to do is leave
this in my hands
and go back to the hotel,
please, my friend.
OK, Tom.
But wait.
They stole the camera and took
out the film.
Isn't it strange?
Check this, please.
Please, Tom.
All right, my friend.
All right, I will.
LAB TECHNICIAN: No prints could
be saved
from the roll of film he found.
TOM: Yeah.
All right.
Show him what you've got.
All right.
Here are the prints from the
belongings.
I enlarged this one because it
seems peculiar here.
Who are these men?
Some kind of exchange?
TOM: Yeah, it could be, I guess.
Any idea where this was taken?
LAB TECHNICIAN: Looks like a
park near Charles
River, maybe Boston Park.
Boston Park?
What is it?
Uh, it's nothing.
Rio, stop.
I will save my daughter myself.
Rio, I can't let you.
Don't worry.
I won't cause you any trouble.
And I won't mess up your
pension.
Stop Rio.
That's right.
If he resists, throw him in a
cell.
RIO: Tom!
OFFICER: Knock it off.
RIO: Come on.
Stop!
OFFICER: Come on. Come on.
RIO: Hey!
Tom!
OFFICER: Knock it off.
[GRUNTING]
RIO: Tom!
Come on, Tom!
Get the chief!
I want to see Tom Bradfield!
Hey!
Hey, come on, Tom!
(WHISPERING) Yes.
Yes.
[MUSIC PLAYING]
Yeah.
Yes!
[SEAGULLS CALLING]
MAN: Oh, goddamnit!
Oh!
Open this up.
Something wrong?
This is not Sakura.
[EXHALING]
Thank god she's still alive.
Yeah.
She's alive.
[ENGINE STARTING]
[SIRENS BLARING]
TOM: There's something I must
tell you.
The suspects are part of a major
drug operation in this city.
What?
Boston Park is overrun with
drug dealers.
When I saw that enlargement in
my office,
I realized that Hiroko had
accidentally
photographed a very influential
man involved
in a drug deal going down.
What are you telling me?
I think what I'm telling you is
that I'm not going to be
able to be much help to you.
That influential man that she
photographed
happens to be the right arm of
the most
powerful man in this city.
He is so powerful that some of
my own cops are in on it--
cops that were here before I
took over.
Now, if I start poking around, I
may be forced to retire.
I lose everything.
But I haven't helped you one
bit.
Let me do it.
Hm-mm.
I knew you would say that.
But I can't officially ask you
to do that.
I see.
Just tell me who they are.
All right.
His name is Joe Foley.
He's on the city council.
Everything that you need to know
about him and his organization
is in that envelope. - Joe
Foley.
All right.
I'll take it from here.
Thank you for telling me.
There's one thing more.
These men are very, very
dangerous.
I'm no longer afraid of
anything
except for my daughter.
Many thanks, Tom.
[MUSIC PLAYING]
[CLAPPING]
And I will.
All the promises I have made are
true.
I'll not go back on any of them.
Read my lips.
[CLAPPING CONTINUES]
Thank you very much--
very much.
[ENGINE STARTING]
[MUSIC PLAYING]
LARRY: Mr. Foley, welcome, sir.
JOE: Thank you.
The honorable Thomas Bradfield
is being an asshole, sir.
Well, we'll just have to
straighten him out, won't we?
Thank you.
You trying to pull something,
Tom?
I mean, if you got something you
want to say to me, speak up.
Go on.
Say it.
I don't know what you're
talking about, Foley.
Think hard before you try to
blackmail me.
After all, Chief, some members
of your narcotics
squad are, shall we say,
associated with us.
You wouldn't want that
publicized, would you?
I guess not.
LARRY: No, I guess not.
Then we can expect you at the
campaign party next week?
I might-- might sell you my own
yacht at a very low price.
Ow.
I don't want your fucking boat,
Foley.
You will pay for that, Tom.
It's not a threat.
It's a promise.
[DOOR SLAMMING]
[GRUNTING]
[MUSIC PLAYING]
[MUSIC INTENSIFYING]
[PHONE RINGING]
Hello?
TOM (ON PHONE): Hi.
It's me.
What's the matter, darling?
You sound strange.
Well, as a matter of fact--
HANNA (ON PHONE): You know, I
was just looking
at these brochures on Europe.
They really look good.
Wouldn't you rather go there
instead
of buying some silly old boat?
Hanna, we may have to forget
about the boat.
Uh, we may have to forget about
Europe, too.
I-- I just wanted you to be
prepared for that.
This has something to do with
Rio, doesn't it, Tom?
Honey, just be prepared.
HANNA (ON PHONE): Tom, please,
be careful.
Yeah.
[KNOCKING]
What did you do to Mr. Foley?
He's as mad as hell.
He says he's going to sue the
shit out of you.
You're through, Largent.
What was that, Chief?
Get me Internal Affairs.
This is Chief Bradfield.
I want the entire narcotics
squad suspended.
The charges?
Suspicion of drug trafficking.
Yes, that's right.
Yes!
I want a full-blown
investigation.
You're crazy, Chief.
You know what's going to happen
to you if you do that?
Get your ass out of here.
You're due to retire in six
months, Chief.
Don't blow it.
You make me sick!
You're through.
Yes, sir.
[ENGINE STARTING]
[ENGINE STARTING]
[MUSIC PLAYING]
[CRICKETS CHIRPING]
Thank you, John.
Dear.
I don't think we need you any
further, John.
[SUGGESTIVE MUSIC PLAYING]
Mama.
Well, what might we have here--
a late-night visitor?
I here to present, um,
insurance company.
[LAUGHING]
That's very original.
Come on.
You know, I hope you carry a lot
of insurance
because it's time for you to say
good night.
[GRUNTING]
(WHISPERING) Hi, Inspector.
Charlie, how?
Well, when I saw you hiding
from me in your car in front
of headquarters, I figured you
had a good reason,
so I didn't bother you.
But I did tail you.
OK.
Give it up.
[GRUNTING]
[CHUCKLING]
Surprise, surprise, huh?
Come here.
[SHRIEKING]
JOE: Hey, what-- what are you
doing?
[GRUNTING]
[SHRIEKING]
[THUMPING]
Who is your boss?
What are you talking about,
boss?
Head of your organization.
JOE: I--
Answer me.
JOE: I don't know.
I don't know.
Charlie, take a picture.
Hey-- hey, what are you doing?
Don't do that.
What are you doing?
Stop.
Stop.
Get away from me.
Get away.
My wife was killed, my daughter
kidnapped,
for only one picture.
Now, I have many pictures--
pictures to ruin your life.
What-- your wife, your
daughter, kidnapping?
What? What?
What?
I didn't do it.
I-- I-- what the heck?
I had nothing to do with it.
RIO: Come here.
No.
No.
[CRASHING]
No. No!
No!
I didn't know anything about it.
I don't know anything about it.
What do you mean you don't know
anything about it?
I just did what Foley told me
to do.
I just picked up some coke.
That's all.
- In the park, right? - Yeah.
Yeah.
And I got the stuff from the
dealer.
And two women were taking a
picture, you know?
[GROANING]
Where's the dealer?
(CRYING) I don't know.
I don't know.
Call up your dealer now.
Call.
One condition.
You give me that film.
RIO: I said call.
All right.
All right.
All right.
[BEEPING]
It-- it-- it-- it-- it's a
beeper.
[BEEPING]
He's got to call me back, OK?
[COUGHING]
[CHUCKLING]
You know why I got on the stuff?
Same reason I wanted to be
mayor.
Wasn't satisfied with being city
councilman.
(WHISPERING) I had to be mayor.
Same thing with alcohol.
It didn't satisfy me.
So I tried coke.
I liked it.
[LAUGHING]
I think I'm going to like to be
mayor, too, huh?
I'm gonna get it, you know?
You can't fucking stop me.
Yeah, this is Charlie.
Do you copy?
Yeah, I copy.
[MUSIC PLAYING]
CHARLIE (OVER RADIO): There's a
guy on a park bench.
What's he doing?
CHARLIE (OVER RADIO): He's
reading a newspaper.
I see.
So, uh, we getting rained out
today?
Sure does look like it.
Yeah.
By the way, you seen any more
broads with cameras there?
That's very funny, Bart-- great
sense of humor.
- Jesus Christ. - What?
What?
What the hell happened to your
face?
Nothing.
I had a little fender bender at
start--
nothing.
You snitched on me, didn't you,
you bastard?
No, man, I didn't.
No, Bart, look, it was Foley,
man!
You son of a bitch!
[GUNSHOT]
He's arriving towards the back
gate.
[ENGINE STARTING]
[TIRES SQUEALING]
[OMINOUS MUSIC PLAYING]
Jackie!
Jackie!
Jackie!
What the hell happened?
[SCREECHING]
[HONKING]
Get the fuck out of here, man.
They set us up!
Stop!
Police!
[YELLING]
[GUNSHOTS]
[GRUNTING]
Hey, you guys, help me.
Bye-bye, asshole!
[GUNSHOTS]
[GUNSHOT] [GRUNTING]
Get out of here!
Let's get going!
- Are you all right? - Yeah.
Saved by the vest.
We'd better call for backup.
No.
What, are you serious?
I don't need any help.
Oh, man.
Oh, great.
That's why I say don't do it.
Why do things always turn out
the way you want them to?
[SCREECHING]
[CLANGING]
I hope you know what you're
doing.
[MUSIC PLAYING]
[THUDDING]
[BANGING]
[THUDDING]
Jesus!
Fuck.
That fucking guy is nuts!
[BANGING]
[GUNSHOTS]
BART: Jackie, take a left right
here.
Make a left right here-- down
the pier.
JACKIE: That's a dock, man.
BART: Right here. JACKIE: We
can't go there.
It's a dock!
BART: Won't this bucket even go
any faster, Jackie?
JACKIE: Look, man!
Faster, Jackie, faster!
Jesus, look out, Jackie!
Look out!
[CRASHING]
[BOTH YELLING]
[GLASS SHATTERING]
BART: Oh, god.
Son of a bitch.
Oh!
Oh, my-- oh.
Kill that son of a bitch,
Jackie!
Kill that son of a bitch!
[GUNSHOT]
Kill that bastard, Jackie!
[GUNSHOTS]
Son of a bitch!
[GUNSHOT]
You son of a bitch!
[GUNSHOT]
[EXPLOSION]
[GUNSHOTS]
[SCREAMING]
It was you.
You killed my wife.
It wasn't me!
I didn't do it!
Where's my daughter?
I don't know!
Look, mister, don't kill me,
please.
It was Roy who ordered it.
I didn't kill nobody, I swear.
Where is my daughter?
Roy's got her.
Where is he?
Tell me.
JACKIE: Roy Panola.
He's the boss.
He handles all the dealing in
town.
We just work for him.
Where is he?
At the old sugar factory.
Let's go!
[JACKIE YELLING]
[MUSIC PLAYING]
[JACKIE YELLING]
What are we doing here?
You are out of this now,
Charlie.
What?
- Get out! - What?
Wait a second. No way.
We're a team.
This is my business--
nothing to do with you.
But I'm still a cop.
Sorry, Charlie.
I have to do this alone.
Hurry up.
[TRUCK ROARING]
[HONKING]
TRUCK DRIVER: You son of a--
Get out.
Open the door.
Hurry up!
[JACKIE HOWLING]
Quit crying.
Come on.
Get in there.
Let's go.
He's crazy, Roy.
Watch out.
He already wasted three guys.
Don't worry about it.
What's one Jap gonna do out
here?
[LAUGHING]
[MUSIC PLAYING]
Come on. What are you guys
doing?
We don't have all day. Let's go.
Move it. Move it.
Let's get these out of here.
Don't stop.
Keep moving.
This place is really heavily
guarded, man.
We gotta stop.
I said keep going.
Please!
They will kill us if we keep
going.
Move it.
[YELLING]
[CRASHING]
[SCREECHING]
Hold on.
He's here.
He came here!
He did?
[PHONE RINGING]
Sergeant Largent, put your gun
and your badge on the table.
This is Internal Affairs.
You don't get it, do you,
Chief?
Take him.
You're making a mistake, Chief.
You're way out your league on
this one!
You better think it over!
[CRASHING]
[SHOUTS]
[GRUNTING]
[GUNSHOT]
[GUNSHOT]
[GUNSHOTS]
[AUTOMATIC GUNFIRE]
Get out!
[YELLING]
[GRUNTING]
Hey, where is Roy?
There.
That's him.
[YELLING]
[GUNSHOTS]
Ah!
ROY: Son of a bitch!
[GUNSHOTS]
[EXPLOSIONS]
[LAUGHING]
[GROANING]
[YELLING]
So.
[MUSIC PLAYING]
[GUNSHOT]
[GRUNTING]
[GUNSHOT]
[GRUNTING]
[GUNSHOTS]
Oh!
[GUNSHOT]
[GRUNTING]
[GUNSHOTS]
[GUNSHOT]
[GRUNTING]
[GUNSHOTS]
[SUSPENSEFUL MUSIC PLAYING]
[CLICKING]
Shit!
[SMACKING]
[CLANGING]
[PUNCHING]
[GROANING]
[GRUNTING]
[CRASHING]
RIO: Hey!
[GRUNTING AND PUNCHING]
[GRUNTING]
[GRUNTING AND PUNCHING]
[MUSIC PLAYING]
[CLANGING]
[CLANGING]
[SPEAKING JAPANESE]
[SIRENS BLARING]
Charlie, check out that area
there.
I'm on it.
Wait for a backup!
No time, Chief.
[MUSIC PLAYING]
[YELLING]
[CRASHING]
[PUNCHING AND GRUNTING]
Police officer.
Freeze!
[GUNSHOT] - Oh!
[GUNSHOT]
[THUDDING]
Sakura!
Sakura!
Where are you?
Are you all right?
It's all right!
I'm a police officer!
I'm with your father!
[THUDDING]
[GRUNTING]
[GRUNTING]
[SIRENS BLARING]
Arrest everybody over there.
[GUNSHOT]
[GUNSHOT]
[YELLING]
[THUDDING]
[CRASHING]
Where is my daughter?
She's dead.
[LAUGHING]
[YELLING]
[GROANING]
[SHATTERING]
[YELLING]
[THUDDING]
Hiroko.
Sakura.
All right.
Get them out of here.
[TALK ON POLICE RADIO]
[MELANCHOLY MUSIC PLAYING]
Rio!
Are you OK?
Yeah.
OK.
It's over.
Oh, thank god.
CHARLIE: Rio!
TOM: Is that Sakura?
Yeah.
[MUSIC PLAYING]
Thank you, Charlie.
You are great hero.
I'm no hero, Rio.
The Chief's really the one who
laid it on the line.
He threw half the narc squad
into jail.
I should have done it a long
time ago.
You're a damn fool, Tom.
Then that makes two of us.
Charlie, please take care of
your boss.
No problem, Rio.
Thank you again.
Thank you, Tom.
[DRAMATIC MUSIC PLAYING]
[MUSIC - "I WAS NEVER STRONGER"]
(SINGING) I was never stronger
than the time I spent with you.
I've learned about myself things
I never knew in the time
I've spent with you.
You'll never know about the
pain,
the pain you helped me through,
waiting for a flame
to pull me to in the time I've
spent with you.
It's all right now.
Baby, it's all right now.
It's all right.
I can make it on my own.
It's all right, knowing that I'm
not alone.
I was never stronger than the
time I've spent with you.
I don't know what you gave me,
but you made me come alive.
You touched a chord I'd buried
deep inside.
You showed me how to see myself
and value what I do.
You taught me not to be afraid
to love in the time I've
spent with you.
It's all right now.
Baby, it's all right now.
It's all right.
I can make it on my own.
It's all right, knowing that I'm
not alone.
I was never stronger than the
time I've spent with you,
time I've spent with you.
[VOCALIZING]
[ENGINE RUMBLING]
You know something?
You do it.
If you're so smart, you do it.
You want to go in?
You want to take the gun? No.
You do it.
DRIVER: I don't want to do it.
Have fun.
Give me the money.
Give me the fucking money!
[CHECKER GASPING]
Hurry up!
I don't have all goddamn day,
sweetheart.
Hurry up!
[GASPING]
[FABRIC TEARING]
DRIVER: Oh, shit.
Is that it?
Hey, you're a cutie, aren't you?
Yeah, you are.
You're cute.
Let me see that.
Let me see what you got.
[RIPPING]
[GRUNTING]
[HONKING]
DRIVER: Come on.
Oh.
Come on.
You want to come with me?
Sure you do.
Let's go.
[GUNSHOT]
[GIRL SCREAMING]
Oh, goddamn it!
Stupid!
Forget her.
Let's get the hell out of here.
[TIRES SQUEALING]
(CRYING) I'm sorry.
No.
DRIVER: How much did you get?
THIEF: I don't know-- $300,
$400.
$300? $300, $400?
You got to shoot somebody for
it?
THIEF: Ah damn it.
It-- it's a cop.
- Huh? - Son of a bitch.
What?
It's not my fucking fault, OK?
Why didn't you stop the guy from
coming in, huh?
That's what you're supposed to
do.
DRIVER: Dick, did you have to
fool around with her?
[SIRENS BLARING]
Look!
There's the cop.
Oh, Jesus Christ.
[TIRES SCREECHING]
THIEF: Back off.
Now!
I'm going!
Go!
[CRASHING]
[CHEERING AND LAUGHING]
[MUSIC PLAYING]
(SINGING) I know that I love
you.
[SPEAKING JAPANESE]
DRIVER: Hey, man, check the
tire.
I think something's pulling on
the tire.
THIEF: Pull over and let me take
a look at it.
[KILLING ENGINE]
It's flat.
There's about four tires in the
back you could choose from.
Sometimes I don't like you.
Thanks.
(SINGING) I know you understand.
How you doing over there,
sporto?
Hey!
Hey!
What?
Hijack time.
(SINGING) --show you.
RIO: Oi, Sakura.
[TIRES SCREECHING]
Sakura!
Sakura!
It is nice to meet you.
I hope you folks are having a
real nice trip.
What do you want?
Money?
No.
I think we want your nice, shiny
car.
[LAUGHING] - Yeah, don't worry.
There's a bus stop 20, 30 miles
down the road.
[LAUGHING]
[MUSIC PLAYING]
[BUS REVVING]
HIROKO: [SPEAKING JAPANESE]
Ah.
[SPEAKING JAPANESE]
[SPEAKING JAPANESE]
[CAMERA CLICKING]
[JAPANESE]
[JAPANESE]
[CAMERA CLICKING]
[SPEAKING JAPANESE]
WOMAN: First of all, we demand
you suspend the business
license of any establishment
where drug deals take place
and crack down on public
facilities.
Especially the park.
Excuse me?
Oh, you know that park is a
haven for drug dealers.
Please, lady, watch what you
say, huh?
You don't want to slur the
department's reputation,
do you? - Oh!
If you care so much about your
reputation,
why don't you do a better job of
controlling
the sale of drugs in this city?
Look, we know what needs to be
done, OK?
And we don't need a bunch of
busybodies--
- Oh! - --sticking their noses
in.
Did you hear what he said?
Uh, what Sergeant Largent
means,
ladies, is that we always
welcome input from the public,
at all times.
I'm Chief Tom Bradfield.
Oh.
How interesting.
Let's have this distributed
amongst the narco squad,
Sergeant.
Sure thing, Chief.
Now, may I join you for--
[PHONE RINGING]
Oh, excuse me just a moment.
Bradfield here.
RIO: That old tome?
It's me.
Remember me?
Rio?
Is that you?
Boston is great, except for one
big guy.
TOM (ON PHONE): You mean you are
here in Boston,
and you didn't even call me?
Well, you better get over here,
or I'll put out an APB
and have you busted.
[WOMEN CLEARING THROATS]
RIO (ON PHONE): I will see you
this afternoon.
Uh, I've got to go.
I've got three witches here, and
they're going to burn me alive.
[SPEAKING JAPANESE]
What did you say, you rotten
son of a bitch?
[WOMEN GASPING]
Thank you.
You better hope you're not in
the same cell with me, dude.
You're a dead man.
You're the one that's going to
be hurting, dude.
- I don't think so! - Yeah!
That's right! - Hey, hey, hey!
Listen, guys, guys.
Now, listen. I gotta take the
cuffs off--
- I'll kick your ass, man. -
--so I can print you.
Ha ha! I'll kill you.
- Now, listen. - Yeah?
Come on! - Listen.
When you were little-- - I hated
my mother, man.
Yeah?
I did your mother, man!
I don't think so!
I don't know what the hell
you're talking about, man.
- Come on! - Hey, how about it?
You guys can't-- you can't do
that.
[LAUGHING]
Hey, you can't do that!
[THUDDING]
What the hell do you think
you're doing?
Give it up!
Could you direct me to Tom's
office?
Tom?
Who's Tom?
Chief Tom Bradfield.
Yeah.
Chief's office is upstairs.
Hey.
Thank you.
You just kick him.
[GRUNTING]
[OFFICER PANTING]
RIO: Oh.
Hello, Tom.
Rio.
Rio, Rio, Rio, Rio.
[LAUGHING] - How are you?
I'm fine.
They telephoned me from
downstairs.
They said to watch out for a
Japanese Yakuza.
If I were a Yakuza, you'd be
mafia.
[LAUGHING] - Come in.
Come in. Come in, come in.
Go ahead.
Right that way. Come in.
Thank you.
In, in.
I've waited a long time for
this.
Over here.
Ha ha.
Uh-huh. Uh-huh.
- Me? - Uh-huh.
Here?
Right down there.
OK.
How do you like sitting in my
chair?
Great.
Good.
You can have it because I'm only
going to be sitting
at it for another six months.
What do you mean, Tom?
It means I'm pulling the pin.
I am going to get out of the
loop.
I see.
You are old soul reaching
retirement.
That's correct.
I want to show you something.
When I retire, I'm going to
motor around the tip of Florida
in one of those babies.
Wonderful.
I envy you.
Ha ha ha.
Just pray that I can reach
retirement
without some big case screwing
me up.
Say cheese.
Nice day for a ballgame, huh?
Well, looks like it's going to
rain.
Yeah, well, next time, I'm
taking a cab.
How you doing, Bartaby, my
friend?
How are you doing, pal?
Present for you, friend.
Have a good time.
[CAMERA CLICKING]
RIO: Tom.
The Whitlow case.
[CHUCKLING]
TOM: He was quite a big shot,
wasn't he?
I never expected to bag him in
Japan.
I owe this guy.
For what?
If it hadn't been for this
case,
I would never have met you.
(CHUCKLING) Oh.
Then we drink to him.
Kampai.
Kampai.
It's so damn good to see you,
Rio.
Good to see you, too.
Oh, how about dinner tonight?
Absolutely.
You bring Hiroko and Sakura to
my house,
and we'll have a big party.
[CAMERA CLICKING]
[CAMERA WHIRRING]
[FOREBODING MUSIC PLAYING]
[TIRES SQUEALING]
[SCREECHING]
Give me the camera.
Give me the fucking camera!
[SAKURA SHRIEKING]
Don't waste her, man.
Don't waste her!
Don't waste her!
[GUNSHOT]
[CLANGING]
Jesus Christ.
Let's get the hell out of here!
[TIRES SCREECHING]
Rio, stop!
OFFICER: When we got there, we
found the victim
lying on the pavement.
That's all.
TOM: Who reported it?
OFFICER: Anonymous tip.
Nobody wants to get involved.
Were there any witnesses?
No, sir.
That's impossible.
Sorry, sir.
What about my daughter?
They were together.
Like I said, sir, it was just
the victim at the scene.
- That's crazy! - All right.
All right.
Calm down, Rio.
We'll find Sakura.
Don't you worry.
We'll find her.
I'm sorry.
[FANS HUMMING]
[MELANCHOLY MUSIC PLAYING]
[FOOTSTEPS]
Rio, I'm so sorry.
[SEAGULLS CALLING]
We were married 30 years.
This our first trip outside
Japan.
I killed her.
Rio, don't.
Oh, god, Tom.
[CONVERSATIONS IN DISTANCE]
Is that Sakura's?
Yeah.
I'm afraid we have to assume
that she
was kidnapped by the suspects.
- Is that all you found? - Yes,
sir.
Is there something missing?
Yeah.
The camera.
What kind of a camera?
It's Konica-- pocket camera,
made in Japan.
Check the local pawn shops in
that area.
And give this to the lab.
I want it developed.
Yes, sir.
RIO: Oh, my daughter.
Thank you.
I heard what happened.
Yeah.
I don't know what to say except
I'm sorry it happened.
Any clues yet?
Well, we're doing everything
that we can.
I see.
Of course.
[MUSIC PLAYING]
[LIGHTER STRIKING]
Uh, Inspector Yuki?
Inspector Yuki?
The chief thought you might do--
I mean, thought you might need
something.
Hey, hey!
Inspector Yuki! Wait.
Where are you going?
Uh, Inspector Yuki?
Uh, Inspector Yuki!
Why?
Why what, sir?
Why was my wife killed?
Well, I hate to say it but
maybe for as little
as that camera.
Camera?
Who would shoot someone just for
camera?
Hey, in America these days, you
can get killed
for a pack of cigarettes.
Hey, Mr. Menza.
Yeah, what's up, Frank?
Oh, I sure hope Mr. Foley can
do
something to help our senior
citizens out, Mr. Menza.
It's tough on old people these
days.
Look, you just make sure that
you and your old friends
vote for him as mayor.
Then he'll do something.
I love it.
Beth.
Hey, Lenny, where's the old man?
Oh, Danny, boy!
Catch.
Larry.
Got a second?
What's up?
How are the kids?
- Good, good. - OK.
- You? - Fine, fine.
Listen, Danny, I want you to
watch out for those old bitches
from the women's organization.
They're distributing that drug
strategy booklet
to all the city officers.
Look, I got news for you.
They've already been here.
[GROANING]
Hey, hey, hey, hey, hey, don't
worry about it, all right?
The old man's keeping a low
profile until he retires.
He won't do a thing.
True?
Trust me.
Ah, Danny, I love you.
Hey, find a home for this, will
you?
Sure.
LARRY: (SINGING) Oh, Danny boy,
the pipes are playing.
All hail to the chief.
When you want to see me, you
make an appointment
with my receptionist.
Hey, I only talk to secretaries
when I need a little, uh, stress
reduction in my private office.
I got something for you.
What's this?
Well, an invitation to Foley's
campaign party next week.
Be there or be square.
Campaign for what?
You haven't heard?
Mr. Foley is going to be our
next mayor.
You would be wise not to
underestimate Mr. Foley.
I have something for you.
You give this to Mr. Foley, that
esteemed
member of our city council.
What's this all about,
Bradfield?
Oh, I suggest you read that
very carefully.
Yeah, well, I have a little
suggestion for you.
You have six long months before
you
can collect that ill-deserved
pension of yours.
Now, I suggest that you be a
little more courteous.
Remember, Thomas, courtesy pays.
[MURMURING]
CHARLIE: Cindy!
Jeez.
What, do you serve the good guys
last around here?
I'm going to get gray hair
before you serve us any coffee.
Any news in the investigation?
Yeah.
According to the lab, the gun
used was modified.
Modified?
Yeah.
That's a felony good for 20
years.
If the gun's used in a homicide,
it carries the death sentence.
So?
So our killer's probably a gun
nut.
How many gun nuts are there?
There were five homicides last
night alone.
You mean a foreigner death
comes last?
You've got Chief Bradfield on
your side.
All right.
Now, look.
Three of them turned gray
already.
Ow!
Special service.
Jeez.
[BEEPING]
Oh, I just got paged by
headquarters.
Hey something wrong?
You look like you're on your way
to a funeral or something.
Oh, I just came from one.
Oh.
Excuse me.
A guy just brought your wife's
Konica camera into a pawnshop.
He has it?
No.
He got scared and left the shop
with the camera.
That doesn't help us.
Well, maybe it does.
The owner of the pawnshop
recognized the guy.
He's an ex-con by the name of
Clyde Jones.
Where is he?
Well, he hangs out at a place
just down the street.
Hey, wait!
Cindy.
To the right!
To the right!
To the right!
Yeah!
OK.
In here.
Wait. Wait.
All right, look.
Maybe we should call for backup.
What for?
Well, you never know,
especially
in this neighborhood.
I will wait there.
[CLACKING]
Police officer.
You're wanted in connection with
a murder investigation.
What's that in your pocket, huh?
Is that a camera?
Where'd you get that camera?
[THUDDING]
Oh!
Goddamn it.
Look out!
[GRUNTING]
[MUSIC PLAYING]
That's our man!
Coming through!
[SHOUTING] Sorry!
MAN: Hey, watch out!
Police officer.
Watch it!
Police! Coming through!
Excuse me.
Police officer.
Oh.
Oh!
[GRUNTING]
Where is my daughter?
I don't know.
I swear I don't know.
Where's-- [GUNSHOT]
CHARLIE: Sorry.
Don't shoot me!
Hold it.
Hey, that's Sakura's camera.
Where did you get this camera?
I swear I don't know.
I just found it.
Answer.
I don't know.
You shot my wife.
No, no. I didn't.
I didn't.
I had nothing to do with it.
I-- I found the camera.
I just picked it up.
I swear.
I swear. - Where?
In-- in-- in the burned up
factory in Charlestown.
I'm telling the truth!
Inspector, give me the gun.
I can't let you interrogate the
suspect.
[GRUNTING] - Come on.
Don't move.
Let's go.
What?
Rio stole your gun?
He surprised me.
I-- I guess he just flipped out,
Chief.
TOM (ON PHONE): Do you have any
idea where he was headed?
Well, I think he went to the
abandoned
factory in Charlestown.
TOM (ON PHONE): Charlestown?
All right.
Charlestown.
Tom, is something wrong,
darling?
Yes, and I'd better find Rio
before he
really gets into trouble.
Sorry, dear.
[KISSING]
[MUSIC PLAYING]
[GRUNTING]
SUSPECT: I don't know.
It was somewhere around here. I
don't know.
[GRUNTING]
Jeez.
[GUNSHOT]
[SCREAMING]
Hey, let's go.
SUSPECT: (WHISPERING) Oh, shit.
Come on.
[SCREAMING]
WOMAN: No!
No!
[MEN GRUNTING]
Hey, man, this kind of stuff
happens all the time!
Shut up.
SUSPECT: I don't want any
problems
with the bad dudes around here!
RIO: Shut up.
Come on.
Come on.
WOMAN: No!
No!
[SCREAMING]
No!
Your buddies?
No.
I don't know them.
I just found the camera here.
- Come on. - Come on!
Come on.
Please, let me go.
[GRUNTING]
[YELLING]
RIO: Go.
[GRUNTING]
WOMAN: No!
No!
No!
No!
[GUNSHOTS]
[GUNSHOT]
[GRUNTING]
RIO: Don't move.
[GRUNTING]
[CRYING]
[BOTTLES CLANGING]
Take those cuffs off.
Well, they said the one guy's
going to be
in the hospital for a month.
And the guy you shot in the knee
is
going to be a cripple for life.
Do you understand what you did,
Rio?
You can be indicted for
attempted murder, for assault
with a deadly weapon.
Are you trying to get my pension
taken away from me?
Are you trying to ruin Hanna and
my retirement?
After all, Hanna waited 30 years
for this, just like Hiroko.
My wife is dead.
My daughter has been kidnapped.
I know, my friend.
And I deeply sympathize with
you.
But I can't let you take the law
into your own hands.
I don't need your sympathy.
I want my daughter back.
You have to stay out of it.
Now, the official word is that
Charlie
did it with his own gun.
All I want you to do is leave
this in my hands
and go back to the hotel,
please, my friend.
OK, Tom.
But wait.
They stole the camera and took
out the film.
Isn't it strange?
Check this, please.
Please, Tom.
All right, my friend.
All right, I will.
LAB TECHNICIAN: No prints could
be saved
from the roll of film he found.
TOM: Yeah.
All right.
Show him what you've got.
All right.
Here are the prints from the
belongings.
I enlarged this one because it
seems peculiar here.
Who are these men?
Some kind of exchange?
TOM: Yeah, it could be, I guess.
Any idea where this was taken?
LAB TECHNICIAN: Looks like a
park near Charles
River, maybe Boston Park.
Boston Park?
What is it?
Uh, it's nothing.
Rio, stop.
I will save my daughter myself.
Rio, I can't let you.
Don't worry.
I won't cause you any trouble.
And I won't mess up your
pension.
Stop Rio.
That's right.
If he resists, throw him in a
cell.
RIO: Tom!
OFFICER: Knock it off.
RIO: Come on.
Stop!
OFFICER: Come on. Come on.
RIO: Hey!
Tom!
OFFICER: Knock it off.
[GRUNTING]
RIO: Tom!
Come on, Tom!
Get the chief!
I want to see Tom Bradfield!
Hey!
Hey, come on, Tom!
(WHISPERING) Yes.
Yes.
[MUSIC PLAYING]
Yeah.
Yes!
[SEAGULLS CALLING]
MAN: Oh, goddamnit!
Oh!
Open this up.
Something wrong?
This is not Sakura.
[EXHALING]
Thank god she's still alive.
Yeah.
She's alive.
[ENGINE STARTING]
[SIRENS BLARING]
TOM: There's something I must
tell you.
The suspects are part of a major
drug operation in this city.
What?
Boston Park is overrun with
drug dealers.
When I saw that enlargement in
my office,
I realized that Hiroko had
accidentally
photographed a very influential
man involved
in a drug deal going down.
What are you telling me?
I think what I'm telling you is
that I'm not going to be
able to be much help to you.
That influential man that she
photographed
happens to be the right arm of
the most
powerful man in this city.
He is so powerful that some of
my own cops are in on it--
cops that were here before I
took over.
Now, if I start poking around, I
may be forced to retire.
I lose everything.
But I haven't helped you one
bit.
Let me do it.
Hm-mm.
I knew you would say that.
But I can't officially ask you
to do that.
I see.
Just tell me who they are.
All right.
His name is Joe Foley.
He's on the city council.
Everything that you need to know
about him and his organization
is in that envelope. - Joe
Foley.
All right.
I'll take it from here.
Thank you for telling me.
There's one thing more.
These men are very, very
dangerous.
I'm no longer afraid of
anything
except for my daughter.
Many thanks, Tom.
[MUSIC PLAYING]
[CLAPPING]
And I will.
All the promises I have made are
true.
I'll not go back on any of them.
Read my lips.
[CLAPPING CONTINUES]
Thank you very much--
very much.
[ENGINE STARTING]
[MUSIC PLAYING]
LARRY: Mr. Foley, welcome, sir.
JOE: Thank you.
The honorable Thomas Bradfield
is being an asshole, sir.
Well, we'll just have to
straighten him out, won't we?
Thank you.
You trying to pull something,
Tom?
I mean, if you got something you
want to say to me, speak up.
Go on.
Say it.
I don't know what you're
talking about, Foley.
Think hard before you try to
blackmail me.
After all, Chief, some members
of your narcotics
squad are, shall we say,
associated with us.
You wouldn't want that
publicized, would you?
I guess not.
LARRY: No, I guess not.
Then we can expect you at the
campaign party next week?
I might-- might sell you my own
yacht at a very low price.
Ow.
I don't want your fucking boat,
Foley.
You will pay for that, Tom.
It's not a threat.
It's a promise.
[DOOR SLAMMING]
[GRUNTING]
[MUSIC PLAYING]
[MUSIC INTENSIFYING]
[PHONE RINGING]
Hello?
TOM (ON PHONE): Hi.
It's me.
What's the matter, darling?
You sound strange.
Well, as a matter of fact--
HANNA (ON PHONE): You know, I
was just looking
at these brochures on Europe.
They really look good.
Wouldn't you rather go there
instead
of buying some silly old boat?
Hanna, we may have to forget
about the boat.
Uh, we may have to forget about
Europe, too.
I-- I just wanted you to be
prepared for that.
This has something to do with
Rio, doesn't it, Tom?
Honey, just be prepared.
HANNA (ON PHONE): Tom, please,
be careful.
Yeah.
[KNOCKING]
What did you do to Mr. Foley?
He's as mad as hell.
He says he's going to sue the
shit out of you.
You're through, Largent.
What was that, Chief?
Get me Internal Affairs.
This is Chief Bradfield.
I want the entire narcotics
squad suspended.
The charges?
Suspicion of drug trafficking.
Yes, that's right.
Yes!
I want a full-blown
investigation.
You're crazy, Chief.
You know what's going to happen
to you if you do that?
Get your ass out of here.
You're due to retire in six
months, Chief.
Don't blow it.
You make me sick!
You're through.
Yes, sir.
[ENGINE STARTING]
[ENGINE STARTING]
[MUSIC PLAYING]
[CRICKETS CHIRPING]
Thank you, John.
Dear.
I don't think we need you any
further, John.
[SUGGESTIVE MUSIC PLAYING]
Mama.
Well, what might we have here--
a late-night visitor?
I here to present, um,
insurance company.
[LAUGHING]
That's very original.
Come on.
You know, I hope you carry a lot
of insurance
because it's time for you to say
good night.
[GRUNTING]
(WHISPERING) Hi, Inspector.
Charlie, how?
Well, when I saw you hiding
from me in your car in front
of headquarters, I figured you
had a good reason,
so I didn't bother you.
But I did tail you.
OK.
Give it up.
[GRUNTING]
[CHUCKLING]
Surprise, surprise, huh?
Come here.
[SHRIEKING]
JOE: Hey, what-- what are you
doing?
[GRUNTING]
[SHRIEKING]
[THUMPING]
Who is your boss?
What are you talking about,
boss?
Head of your organization.
JOE: I--
Answer me.
JOE: I don't know.
I don't know.
Charlie, take a picture.
Hey-- hey, what are you doing?
Don't do that.
What are you doing?
Stop.
Stop.
Get away from me.
Get away.
My wife was killed, my daughter
kidnapped,
for only one picture.
Now, I have many pictures--
pictures to ruin your life.
What-- your wife, your
daughter, kidnapping?
What? What?
What?
I didn't do it.
I-- I-- what the heck?
I had nothing to do with it.
RIO: Come here.
No.
No.
[CRASHING]
No. No!
No!
I didn't know anything about it.
I don't know anything about it.
What do you mean you don't know
anything about it?
I just did what Foley told me
to do.
I just picked up some coke.
That's all.
- In the park, right? - Yeah.
Yeah.
And I got the stuff from the
dealer.
And two women were taking a
picture, you know?
[GROANING]
Where's the dealer?
(CRYING) I don't know.
I don't know.
Call up your dealer now.
Call.
One condition.
You give me that film.
RIO: I said call.
All right.
All right.
All right.
[BEEPING]
It-- it-- it-- it-- it's a
beeper.
[BEEPING]
He's got to call me back, OK?
[COUGHING]
[CHUCKLING]
You know why I got on the stuff?
Same reason I wanted to be
mayor.
Wasn't satisfied with being city
councilman.
(WHISPERING) I had to be mayor.
Same thing with alcohol.
It didn't satisfy me.
So I tried coke.
I liked it.
[LAUGHING]
I think I'm going to like to be
mayor, too, huh?
I'm gonna get it, you know?
You can't fucking stop me.
Yeah, this is Charlie.
Do you copy?
Yeah, I copy.
[MUSIC PLAYING]
CHARLIE (OVER RADIO): There's a
guy on a park bench.
What's he doing?
CHARLIE (OVER RADIO): He's
reading a newspaper.
I see.
So, uh, we getting rained out
today?
Sure does look like it.
Yeah.
By the way, you seen any more
broads with cameras there?
That's very funny, Bart-- great
sense of humor.
- Jesus Christ. - What?
What?
What the hell happened to your
face?
Nothing.
I had a little fender bender at
start--
nothing.
You snitched on me, didn't you,
you bastard?
No, man, I didn't.
No, Bart, look, it was Foley,
man!
You son of a bitch!
[GUNSHOT]
He's arriving towards the back
gate.
[ENGINE STARTING]
[TIRES SQUEALING]
[OMINOUS MUSIC PLAYING]
Jackie!
Jackie!
Jackie!
What the hell happened?
[SCREECHING]
[HONKING]
Get the fuck out of here, man.
They set us up!
Stop!
Police!
[YELLING]
[GUNSHOTS]
[GRUNTING]
Hey, you guys, help me.
Bye-bye, asshole!
[GUNSHOTS]
[GUNSHOT] [GRUNTING]
Get out of here!
Let's get going!
- Are you all right? - Yeah.
Saved by the vest.
We'd better call for backup.
No.
What, are you serious?
I don't need any help.
Oh, man.
Oh, great.
That's why I say don't do it.
Why do things always turn out
the way you want them to?
[SCREECHING]
[CLANGING]
I hope you know what you're
doing.
[MUSIC PLAYING]
[THUDDING]
[BANGING]
[THUDDING]
Jesus!
Fuck.
That fucking guy is nuts!
[BANGING]
[GUNSHOTS]
BART: Jackie, take a left right
here.
Make a left right here-- down
the pier.
JACKIE: That's a dock, man.
BART: Right here. JACKIE: We
can't go there.
It's a dock!
BART: Won't this bucket even go
any faster, Jackie?
JACKIE: Look, man!
Faster, Jackie, faster!
Jesus, look out, Jackie!
Look out!
[CRASHING]
[BOTH YELLING]
[GLASS SHATTERING]
BART: Oh, god.
Son of a bitch.
Oh!
Oh, my-- oh.
Kill that son of a bitch,
Jackie!
Kill that son of a bitch!
[GUNSHOT]
Kill that bastard, Jackie!
[GUNSHOTS]
Son of a bitch!
[GUNSHOT]
You son of a bitch!
[GUNSHOT]
[EXPLOSION]
[GUNSHOTS]
[SCREAMING]
It was you.
You killed my wife.
It wasn't me!
I didn't do it!
Where's my daughter?
I don't know!
Look, mister, don't kill me,
please.
It was Roy who ordered it.
I didn't kill nobody, I swear.
Where is my daughter?
Roy's got her.
Where is he?
Tell me.
JACKIE: Roy Panola.
He's the boss.
He handles all the dealing in
town.
We just work for him.
Where is he?
At the old sugar factory.
Let's go!
[JACKIE YELLING]
[MUSIC PLAYING]
[JACKIE YELLING]
What are we doing here?
You are out of this now,
Charlie.
What?
- Get out! - What?
Wait a second. No way.
We're a team.
This is my business--
nothing to do with you.
But I'm still a cop.
Sorry, Charlie.
I have to do this alone.
Hurry up.
[TRUCK ROARING]
[HONKING]
TRUCK DRIVER: You son of a--
Get out.
Open the door.
Hurry up!
[JACKIE HOWLING]
Quit crying.
Come on.
Get in there.
Let's go.
He's crazy, Roy.
Watch out.
He already wasted three guys.
Don't worry about it.
What's one Jap gonna do out
here?
[LAUGHING]
[MUSIC PLAYING]
Come on. What are you guys
doing?
We don't have all day. Let's go.
Move it. Move it.
Let's get these out of here.
Don't stop.
Keep moving.
This place is really heavily
guarded, man.
We gotta stop.
I said keep going.
Please!
They will kill us if we keep
going.
Move it.
[YELLING]
[CRASHING]
[SCREECHING]
Hold on.
He's here.
He came here!
He did?
[PHONE RINGING]
Sergeant Largent, put your gun
and your badge on the table.
This is Internal Affairs.
You don't get it, do you,
Chief?
Take him.
You're making a mistake, Chief.
You're way out your league on
this one!
You better think it over!
[CRASHING]
[SHOUTS]
[GRUNTING]
[GUNSHOT]
[GUNSHOT]
[GUNSHOTS]
[AUTOMATIC GUNFIRE]
Get out!
[YELLING]
[GRUNTING]
Hey, where is Roy?
There.
That's him.
[YELLING]
[GUNSHOTS]
Ah!
ROY: Son of a bitch!
[GUNSHOTS]
[EXPLOSIONS]
[LAUGHING]
[GROANING]
[YELLING]
So.
[MUSIC PLAYING]
[GUNSHOT]
[GRUNTING]
[GUNSHOT]
[GRUNTING]
[GUNSHOTS]
Oh!
[GUNSHOT]
[GRUNTING]
[GUNSHOTS]
[GUNSHOT]
[GRUNTING]
[GUNSHOTS]
[SUSPENSEFUL MUSIC PLAYING]
[CLICKING]
Shit!
[SMACKING]
[CLANGING]
[PUNCHING]
[GROANING]
[GRUNTING]
[CRASHING]
RIO: Hey!
[GRUNTING AND PUNCHING]
[GRUNTING]
[GRUNTING AND PUNCHING]
[MUSIC PLAYING]
[CLANGING]
[CLANGING]
[SPEAKING JAPANESE]
[SIRENS BLARING]
Charlie, check out that area
there.
I'm on it.
Wait for a backup!
No time, Chief.
[MUSIC PLAYING]
[YELLING]
[CRASHING]
[PUNCHING AND GRUNTING]
Police officer.
Freeze!
[GUNSHOT] - Oh!
[GUNSHOT]
[THUDDING]
Sakura!
Sakura!
Where are you?
Are you all right?
It's all right!
I'm a police officer!
I'm with your father!
[THUDDING]
[GRUNTING]
[GRUNTING]
[SIRENS BLARING]
Arrest everybody over there.
[GUNSHOT]
[GUNSHOT]
[YELLING]
[THUDDING]
[CRASHING]
Where is my daughter?
She's dead.
[LAUGHING]
[YELLING]
[GROANING]
[SHATTERING]
[YELLING]
[THUDDING]
Hiroko.
Sakura.
All right.
Get them out of here.
[TALK ON POLICE RADIO]
[MELANCHOLY MUSIC PLAYING]
Rio!
Are you OK?
Yeah.
OK.
It's over.
Oh, thank god.
CHARLIE: Rio!
TOM: Is that Sakura?
Yeah.
[MUSIC PLAYING]
Thank you, Charlie.
You are great hero.
I'm no hero, Rio.
The Chief's really the one who
laid it on the line.
He threw half the narc squad
into jail.
I should have done it a long
time ago.
You're a damn fool, Tom.
Then that makes two of us.
Charlie, please take care of
your boss.
No problem, Rio.
Thank you again.
Thank you, Tom.
[DRAMATIC MUSIC PLAYING]
[MUSIC - "I WAS NEVER STRONGER"]
(SINGING) I was never stronger
than the time I spent with you.
I've learned about myself things
I never knew in the time
I've spent with you.
You'll never know about the
pain,
the pain you helped me through,
waiting for a flame
to pull me to in the time I've
spent with you.
It's all right now.
Baby, it's all right now.
It's all right.
I can make it on my own.
It's all right, knowing that I'm
not alone.
I was never stronger than the
time I've spent with you.
I don't know what you gave me,
but you made me come alive.
You touched a chord I'd buried
deep inside.
You showed me how to see myself
and value what I do.
You taught me not to be afraid
to love in the time I've
spent with you.
It's all right now.
Baby, it's all right now.
It's all right.
I can make it on my own.
It's all right, knowing that I'm
not alone.
I was never stronger than the
time I've spent with you,
time I've spent with you.
[VOCALIZING]