Dawn of the Mummy (1981) - full transcript
A group of fashion models disturb the tomb of a mummy and revive an ancient curse. Along with the mummy rising, slaves who were buried in the desert thousands of years before, also rise, with a craving for human flesh.
[music playing]
-[gasps]
-[inaudible]
[moaning]
[somber music]
[chanting]
-Osiris!
Accept in Paradise this poor
Seferaman, who awaits entrance.
Don't listen, Osiris, to those
who say he was a cruel man.
The way of Seferaman is sacred.
Hear me, oh Egypt!
Should the riches
of Seferaman be
stolen, all Egypt with tremble.
And Seferaman will
rise and kill!
His armies will rise and kill!
It is done.
All who know of the burial
place of Seferaman must die.
You will rise when he rises.
You will kill when he kills!
He who will enter this
tomb after it is sealed
will die on the
dawn of the mummy!
-We did it!
-Hey!
Hold it!
Hold it!
Hold it!
We'll have to wait
until tomorrow to go in.
The air is poison.
It's part of the pharaoh's
booby trap to keep out robbers.
[laughs]
-[scream]
I've warned you!
You have defiled the
tomb of Seferaman!
You have ignored the curse!
[grunting]
-Now I'm warning you.
Move on, lady!
Beat it!
-Mustn't enter!
You cannot rob this tomb.
It is written.
He will rise and kill!
He will rise and kill!
-That's it, lady!
I warned you.
[screams]
[laughing]
-Perhaps what she says is true.
Rick, maybe there is a curse!
-Eddie!
There is no curse.
There is poison in the air.
It's perfectly scientific.
If we go in now, we will die.
But the air will be
clear by morning.
You guard the tomb tonight.
I'll be back in the morning.
[music playing]
-Look over there!
It's that crazy woman, Xena!
XENA: Please help me!
The tomb!
No one must enter!
The curse will be upon us all!
The treasure is sacred.
We must close the tomb!
-Which tomb, old woman?
-Where is it?
-The tomb of Seferaman!
He will rise and kill!
The curse!
He will rise and kill!
MAN 1: Just tell us where it is.
We will guard it for you.
-There, over those hills!
You'll see!
-OK, OK, Xena, we'll
take care of it.
-That crazy American!
You think he really
has done it this time?
-We'll soon find out.
-He's crazy to open
the tomb of Seferaman!
He must be mad!
[groaning]
MAN 2: Look! [inaudible] The
really have opened the tomb!
-That's why they've
been avoiding us,
those sneaky bastards!
-They thought they could cut
us out of this deal, huh?
-Come on!
OK.
-Wait for me!
-Be quiet!
-[SARCASTICALLY] Aha!
Those drunks are doing
a great job of guarding!
We take all the
treasure for ourselves!
-Wait!
Wait for me!
-Get-- take a lantern!
Come on!
Be quiet, now.
-[inaudible]
-Take a lantern!
-OK, OK!
Give me-- give me one.
Give me one!
-Come on!
-Go, go, go, go!
Go!
Go in!
Go in!
[coughing]
-What's this smell?
It burns!
-Don't worry!
It's the smell of gold!
-I like gold!
[coughing]
-You go this way.
-OK, OK.
[suspenseful music]
[shouting]
MAN 1: Help me!
-Kazim!
Your face!
It's melting!
[moaning]
-Hamid!
Where are you?
My skin is burning, Hamid!
[gagging sound] -Oh my God!
Your face!
You too? [inaudible]
[cars honking]
[music playing]
-Hello?
Hello, Hamid?
Listen.
The plane just took off, arrives
Cairo 10 o'clock your time.
I've sent the best
models in town.
Remember, this is a
top fashion magazine.
We need class photos, or we
can kiss this account goodbye.
OK?
So long!
[music playing]
-Perhaps you should wait
until we start to do that.
-I can't stand it when
my toenails are chipped.
-Oh, for heaven's sake, Melinda!
You're passing the great
Pyramids of Cheops!
It's a once in a
lifetime, and you're
worried about your
stupid toenails?
-So I'm compulsive Jenny!
It's my job to look good.
-Yeah, but nobody's looking
at your feet right now!
-You never can tell.
JUNE: It's incredible that they
built those things thousands
of years ago with
no modern machinery.
Doesn't just blow
your mind, Gary?
-Just try to keep the
jeep from bumping so much.
I'm trying to get
this joint rolled.
-Lisa, just turn slightly, so
your hair catches the light!
That's right.
That's right!
No no no, no no!
Wait!
Wait!
-Bill, give me a break!
We're not supposed
to start working
until we get to [inaudible].
So let me be a tourist
like everyone else
for a little while.
[music playing]
[tire pops]
LISA: Terrific driving!
I mean I would have had
us in the sand for sure!
-What a man!
-OK, everybody out.
-[SARCASTICALLY] Why don't
you sit down and rest, Gary?
-I want to see what's on the
other side of those dunes.
-I know what's on the
other side of those dunes.
Sand.
-Take a walk with me hm?
Come on, Gary.
-What's the matter, tough guy?
-I think I'm getting
too old for this stuff.
-You all right really?
Come on.
[coughing]
-You all right?
-I'm-- [gasps]
-Yeah?
All right. [laughs]
Well, but I'm
going to race you to the bottom!
-Hey!
[screams]
[music playing]
[screaming]
-Come on!
[music stops]
-Hello!
-Don't ever sneak
up like this, Karib!
-You scared my
friend, Tarik here.
-OK, OK, what about the gold?
-Be patient, Karib.
Be patient.
[foreboding music]
KARIB: Anyone here?
TARIK: How would
there be anyone here?
GARY: Shh!
Shh!
KARIB: OK, OK.
-Empty!
Only old pictures!
[screams]
-Be quiet!
-Shh!
-Oh, there's no gold here!
It's only old junk!
-No.
No, you are wrong!
There is a treasure room here.
And all we have
to do is find it.
-Where do we look?
The entrance could be anywhere.
-Yeah.
We look here!
Behind this door. [laughs]
-There is another door here!
Rick!
There is another door here!
-[inaudible] where do you hide?
-I am here, Rick old boy.
And these doors are fake.
-Zekee, you old sly devil, you!
And what are you doing here?
-I'm checking on my investments.
-Ah, with a partner like me,
you have nothing to worry about.
[laughs] Karib!
Some wine for Zekee and me!
-OK.
RICK: Come on, Karib.
-I can drink.
But I only eat cake.
[laughter]
-Come on, my friend.
Eat only cake.
[laughter]
[guitar music]
-I hope everything will be fine.
-We could ask for more.
-When will you be back?
-Well, um, I have some
business in several villages.
But I'll pass by on
my way back to Cairo.
Two or three days at most.
Good luck.
GARY: Bye!
[car driving away]
-You know?
Maybe everyone was right.
Maybe it would've been better
to shot at the Pyramids.
All this looks the same to me.
-Look!
Over there.
Those hills.
Not very interesting,
but at least
we've got some background.
[foreboding music]
[clanging]
-Karib!
Easy!
That's dynamite!
Easy!
Careful!
All right.
All right, come on now.
Give me a hand over here.
Come on!
Come on!
Let's go!
-OK, OK.
[music playing]
-I hate horses,
but he's so cute!
-How about me?
-[laughs] You're cute, too.
-Thank you.
RICK: [inaudible]
Karib, this is it!
TARIK: We have done it, Rick!
RICK: Yes.
Yes.
KARIB: Is the gold in here?
RICK: Sure it is.
Come on!
Sure it is!
[inaudible] Oh, yes.
KARIB: There is nothing
here The gold, Rick.
Where is it?
RICK: In here.
Yes.
It's in here! [laughs]
-It's a mummy.
-Never mind the mummy.
-Let's open this and
get the treasure!
[laughter]
[music playing]
-Still!
Still!
[muttering]
-Remain still, Gary!
-Come on!
-Ready?
RICK: Come on!
Easy!
Easy!
All right.
Seferaman!
So, at last we meet.
KARIB: But the gold!
Where is the gold?
-It's somewhere near here.
I know it is.
[laughs] There's got
to be a treasure room.
And we've got to find it!
-But where can we look?
The curse!
The curse!
Ugh!
The curse.
-Ah, it's just rats.
-[screams]
The curse!
Oh, the curse!
The curse!
-How did it come in?
-Same way we did.
Go out to the jeep and
put some whiskey on it.
-The alcohol will killing it.
-Seferaman, you bastard!
I want your gold!
I want it more than you do.
I can do more with it.
From now on, it's going to
be clear sailing all the way.
-[inaudible]
[screams]
-Get to ground!
[gunshot]
-What was that?
[screams]
-What are you doing?
-They are after the gold!
-No, you idiot!
They're probably just tourists.
Now they'll know we're here!
-But, uh-- But I was afraid!
We--we-- we worked so hard!
-No, you fool!
Shut up!
Hello, down there!
Are you all right?
BILL: What the hell's happening?
RICK: I'm sorry!
We're on an excavation.
I apologize!
There's been a mistake!
-I should say there's
been a mistake!
We're coming up!
-No, no!
Hold it!
Hold it!
I'll come down!
Karib, you idiot!
They're coming up.
-[inaudible] I'm really sorry!
One of my men though
you were bandits.
-What are you doing here?
-Just an excavation.
Nothing interesting.
JENNY: Oh, what's this?
-Don't go in there!
-Why?
Do you have buried treasure?
-There is no treasure.
No treasure!
-Everyone look!
It's terrific!
RICK: She can't-- she
can't go in there!
-Why are you so upset if
it's just an excavation?
Would you mind telling
us what's going on?
-Oh, my God!
This is incredible!
-Oh, Jenny it's wonderful.
But I don't think
we should be here.
-It's fabulous!
-It's so big!
-Wow!
-You can't come in here!
You need permits
to come in here!
-We have permits.
-You don't have permits!
-We have permits from the head
curator of Ancient Artifacts
in Cairo, to shoot anywhere
we want to in Barka.
What's in here?
-Wait!
Wait!
-It's a coffin room!
[music playing]
-A mummy!
In an undiscovered tomb!
[laughs]
This is too much!
Listen everybody, the
gods have been good to us!
This is going to be
in every newspaper
and magazine about the world!
We've found the
perfect place to shoot!
Let's get the gear!
We need makeup and clothing.
Jenny!
Jenny, lights!
Light-- we're going to
need all the lights.
I have to-- I have to
have them [inaudible]
-Where the hell are you going?
-What if they find the treasure?
It is not fair!
-How can they find the treasure?
They know nothing.
They're not interested
in treasure.
They're only interested in
a few stupid photographs.
-Come on, Jenny!
[muttering] A real mummy!
[interposing voices]
-Oh, a pad of dynamite!
-That's enough to
flatten half a city!
MELINDA: Jenny?
Do you have any needle and
thread maybe I can use?
-Yeah, over there in my bag.
-OK.
-Over on the, uh--
[interposing voices]
-I think the first
shot's over here,
up against the columns
and the lid, here.
-Right here?
-Yeah.
[interposing voices]
-All right!
OK, OK, let's just get
ready as soon as we can!
-[SINGING] If you knew
Mummy like I knew Mummy--
[interposing voices]
[foreboding music]
-Dearly beloved, we are
gathered here today--
-Take one!
-Gary!
-All right, all right.
[foreboding music]
BILL: Good!
Good!
OK, Jenny or-- Jenny!
JENNY: Hold it!
Hold it!
BILL: Good, good.
OK, now--
[foreboding music]
BILL: Good!
You look fine!
He looks fine!
-You're telling me!
-Here, I'm going to give you a--
[foreboding music]
BILL: June, look back at me!
June!
Hey!
Hieroglyphics in the other room!
-Do I need more
beads in my hair?
[music playing]
BILL: And look at me
just as if I'm appearing.
Who am I?
Who am I?
Why?
Who am I?
Now separate!
Right, that's--
[music playing]
BILL: That's right.
That's right.
Towards the center.
That's right, yeah!
Touch her, touch her, touch her!
That's right.
Towards the center.
That's right.
That's right, that's right.
But don't go too far apart.
Don't be too far--
[music playing]
[inaudible]
JUNE: Your hairdo, darling.
I'm fixing your--
-OK, OK, I'll get
a hairdo, darling.
BILL: OK, now look towards--
you look towards them,
and you look towards me.
[music playing]
[laughing]
BILL: Two more!
Two more!
Wet your lips.
Wet your lips!
[cheers]
In to the mummy!
[interposing voices]
-All right, all
right, all right.
-Won't it be fine anyway?
-No, no no no!
I got to get these final shots.
OK.
Move your head!
All right.
[music playing]
BILL: Linda, stay
out of the shot!
OK, now you can't bounce.
You can't bounce.
[inaudible] Whoa!
Right there!
Watch your face.
Watch your face.
Look at him.
Put your head over
just a little bit.
[screams]
[interposing voices]
BILL: It's just the battery!
Jenny, go out there
and get my, uh,
auxiliary out in
the, uh, other room.
Can't shoot in this light!
[music playing]
JENNY: Huh!
What?
[screams] Oh, my God!
[screams] My God, help me!
My hand is burning!
[inaudible]
[whimpering]
-OK, OK, OK, it's a wrap!
Let's get the gear.
Let's go home.
JENNY: It's burning!
Help me!
-[inaudible]
-[screams]
JUNE: Miss Jenny, what's wrong?
-My hand!
It's burning!
-Oh God!
-Help me!
[whimpering]
-Oh Jenny!
Jenny, don't worry.
[music playing]
-The gold must be here!
Must be here.
[grunting]
Ah, the gold!
I found it!
[foreboding music]
[laughing]
The gold!
Gold!
I found it!
I found it!
Found the gold!
[laughs] Bye, Rick.
Goodbye, Tarik.
Goodbye Armazekee!
Rick!
Tarik!
[music swells]
-Karib!
Karib!
He is not here, either, Rick.
-Somebody's been here.
The torches are lit.
-Gold!
-Gold?
-Gold!
[shouting]
-Gold!
[shouting] Oh, Gold!
[laughs] I knew it!
I knew it!
Your sneaky friend-- he has been
at work behind our backs, huh?
BILL: We're here!
-Those damned Americans!
-Shh!
-Oh!
Oh, oh.
[inaudible] Don't
worry about it.
They'll be out of here today.
BILL: Jenny?
Get the lights on.
Girls, get into makeup.
I want to start with the
facial masks and the cosmetics.
[music playing]
BILL: We're going to have to
get both lines exactly the same.
It's smudged down in here.
And this line, when
it comes down here--
-Bill, what do you want from me?
I'm right handed.
I'm doing the best I can!
-I just want it right.
That's all.
-Let me finish it for you.
I know your hand's hurting.
-So you know?
You're almost as
cute as the mummy.
-Boy, you crazy!
You're kind of cute yourself.
BILL: OK, come into
the frame Gary.
[foreboding music]
MELINDA: Christ,
it's hot in here.
I'm losing my makeup.
[inaudible]
LISA: It's boiling in here!
BILL: OK, we're out!
RICK: Beautiful!
BILL: I want to make you happy.
[loud music]
[horses whinnying]
[guitar music]
-All right, how's this one?
Ready?
[SINGING] With these
visions of the Nile
am I weighing out the smile.
I come far across the sea,
now to take a look at me.
There's that rainbow that
suits the color in your eyes.
And there's a--
-Something's riled the horses.
Please, let's go and see?
-Oh, wow.
-What now?
[music playing]
[screams]
-I think I'm going to get sick.
[whimpering]
[music swells]
[screams]
[scream]
-What are you doing here?
-What happened to that man?
-A wild beast must have got him.
I told you, you must leave!
It is dangerous for you here!
Where is her tent?
-It's over there.
I'll show you.
-Hey, maybe this guy's right.
We should get out of here.
-You keep poking out on this!
-Hey, get off my case, man!
This thing is getting
a little bit too heavy!
It's like shooting in
a graveyard every day!
Man, that mummy
gives me the creeps!
I'm scared!
LISA: Thanks for
carrying me to my tent.
I think I'll rest now.
-How is she?
-She's all right.
Now do you believe me?
You people must leave from here!
You have--
-Look, I don't want
to hear anymore.
I need one more
day in that tomb.
I still have a few
more key setups.
I don't care what
you have in there.
I'm not after anything
you have in that tomb.
Just give me one more day.
Don't hassle me.
After that we'll just
leave you the hell alone
LISA: Thanks, June.
I'll be all right.
-All right, you've got your day.
-Buy you a drink?
-Sounds good.
-Gary!
What are we going to do?
-I just told him I
think we should split.
-Well, what did he say?
-Nothing!
But we got more than enough
shots for this spread.
What does he want?
-Listen.
He wants to be famous
like we all do.
Only I am not willing
to die for it.
-Yeah, neither am I.
[music playing]
-[gasps]
-Are you all right?
[heavy breathing]
-Seferaman!
You are alive!
You have risen!
You are alive!
Seferaman!
You have returned to rule again!
Your kingdom awaits!
You're alive!
Seferaman!
Seferaman!
You're alive!
Seferaman!
I'm so happy, Seferaman.
You're alive!
No!
No, Seferaman!
It is [inaudible] Your
armies of the dead will rise!
They will ri--
[music swells]
-Good morning, Bill.
-Hi, Bill.
Listen, what do you
say we wrap it up?
We've got enough
shots for New York.
-Yeah, really Bill.
I think we've done enough.
Please?
-They'll be satisfied
in New York.
-They will not be
satisfied in New York.
We didn't do the-- we
didn't do the layout yet!
We've only shot one day.
We need three days of
shooting the complete it.
JUNE: But that's ridiculous.
-We need two more days.
We need 48 hours.
That's all--
JUNE: What does Lisa think?
-Lisa is going to
go along with it.
JENNY: Bill!
-She is upset.
-I want to go home!
BILL: I understand you
want to go home, Jenny.
I know your hand hurts.
JENNY: I can't work like this!
-I understand that!
But we need 48 hours
to complete the shoot!
JENNY: You don't understand it.
-I do understand!
Look, I need two more days.
I need one day in the tomb.
I need one day in the oasis.
That's all you got to
hang on for, is two days.
JENNY: No!
-There's going to be
bonuses for all of you!
JUNE: Did I hear bonuses?
JENNY: Bonuses?
-Yes!
-Is-- is this a double?
Is this show a double?
-Not a double!
It's not a double.
-Oh, excuse me.
Can I take ten?
-Yeah, take ten.
Take ten.
Take twenty.
Take a hundred.
Good, good, good, good.
[music playing]
-I'm lost!
[gasp]
[screaming]
-Lisa!
-Lisa.
-Don't worry about it.
Don't worry about it.
She's probably lost in the maze.
Don't worry I'll find her.
Tarik, you stay here.
-OK.
[screaming]
LISA: Oh no!
Oh no!
Oh no!
RICK: She's here!
LISA: Oh no!
Oh no!
-All right, take it easy.
Take it easy!
You want to get out of here?
-Yes!
-All right!
-Get me out of here!
-All right.
-Get me out of here!
Get me out!
Get me out!
JENNY: Hamid!
I'm so glad to see you!
-Hello!
Hey, what happened to your hand?
-Oh, it's a long story.
MELINDA: Hamid!
-Hi!
GARY: Hey man, what gives?
-How did everything go?
-Fantastic!
-Better than you could imagine.
We'll be starting back
in a couple of days.
-Oh, Hamid, I feel safer
already with you here.
-Well, don't feel too safe.
I have [inaudible] immediately.
I just stopped to see
if you needed anything.
-Yeah, I do.
Wait a minute.
-OK.
-Don't go.
-Hamid, can I speak
to you privately?
-Yeah, sure.
-Hamid, I'm running a
little low on smoke.
Do you know where I
can get some hookah?
You know, hubbly-bubbly?
-In the village.
I'll show you.
BILL: Lisa says hello.
Have these printed for me.
I'll pick them up in
Cairo when I get back.
-OK.
Gary's coming with
me to the village.
-I wonder why.
-Anyone else like to come?
-I would!
Melinda, want to come?
-Oh, no thanks.
I'll go In the morning.
I want to buy some
jewelry before we leave.
-OK, bye!
MELINDA: Bye!
See you!
BILL: A background
like this, Lisa.
Shooting in a-- in a
tomb, with a real mummy!
And it's not a museum!
This is going to make us, Lisa.
You and I.
-It's going to make you?
It's good for you!
But I can't do it!
I can't do it!
Do you understand that?
I can't do it!
Do you un--
-Please, please!
Look, look, I know it's hard.
I know it's hard!
There's nothing
strange going on here.
Nothing!
Nothing.
Just go with me.
Just go.
[market chatter]
[speaking arabic]
-This is my friend Omar.
-Hi, how are you?
-Welcome!
-Thank you.
-Welcome!
-Have a seat!
[speaking arabic]
-What's he saying?
[speaking arabic]
-Uh, I'll have to
leave now for Cairo.
Have a good hookah!
-OK, thank you.
-OK, buh-bye!
-Have a good trip!
-Thank you!
-Bye!
Oh, this is exciting!
-Sure is.
-[speaking arabic] The best!
What would you want?
-Um, I'll have a
Perrier, please.
[laughing] No, I'll
just have this.
-OK.
[inaudible]
[coughing]
[laughing]
-Oh, I can't take it.
It's too strong!
You keep it.
I'm going to take a look around.
-Take your time!
-[inaudible]
-It's good!
-OK!
-Good!
[laughing]
-How are you?
-Oh, very good.
Uh, how come it says
Made In Hong Kong?
-[inaudible]
[market chatter]
[car honking]
-Good stuff, Omar!
-Oh!
[speaking arabic]
Uh, are you married?
-Oh, no!
Not me.
-Oh.
-No, no.
-I will be married
tomorrow night.
Uh, please, eh, come
to my, um-- my wedding!
Eh?
Tomorrow night!
-You?
-Yes.
-Oh, sure, man!
[laughing]
[suspenseful music]
-Oh my God!
[whimpering]
[screams]
-What are you doing?
-Nothing!
-No, you are spying on us!
-Really, I'm not!
No!
Let me go!
Let me go!
Gary!
Gary!
Gary!
That guy from the--
from the tomb--
-What guy?
-You're going to
think I'm crazy,
but I saw the mummy alive.
-Mummy?
-A mummy from the tomb!
I saw him, I think.
He was alive!
Please, I want to
get out of here.
This place gives me the creeps.
-You wanted to come.
You asked!
-I wanted to come because I
wanted to be with you, dummy!
-OK, OK!
Come on, I'll take
you back to camp.
-Good.
-Come on.
[singing in arabic]
[gasps]
[music playing]
[music stops]
-Hey, you want to go for a swim?
-Sounds fun!
-How about you?
-No, I'll hang in here.
-I wonder why?
[laughing]
-See you later!
-See you later.
-Well I think Lisa's in
for a very big surprise.
-Oh, she can take
care of herself.
-Oh, come on June!
Doesn't she know that Bill's
been through every model
in New York?
-And how would you know?
-Well, they told me.
-Oh, come on.
Like hell they did.
-June, do you miss
your boyfriend?
-Uh-huh.
-What's he like?
-Well, he's tall, handsome
and dark-- very dark.
-Very dark?
-Yes.
[moaning]
[laughing]
-I think you still like Bill.
-He's a good photographer.
I think he's a real hustler.
-Oh, you're still
in love with him!
[laughing]
-I can't.
-What's the matter now?
Lisa.
-I can't get the Bedouin
face out of my mind.
-Just don't think about it.
Just don't think about it.
-[moaning]
-Listen, I'm getting cold.
I want to leave now.
You want to come?
-No, I'll stay awhile.
-Are you sure
you'll be all right?
-Yeah, I'd rather stay here than
have to listen to other people
make love.
-OK, I'll see you.
-Bye!
JUNE: Bye!
-Mel!
The horses are gone!
-Oh, they must have
gone to the camp!
-OK, I'm going to start walking.
-OK, I'll see you later!
[brief loud music]
[bird chirping]
[crickets]
-Gary, is that you?
Gary?
Is that you?
Where are you?
Gary?
[screaming]
MELINDA: Please help me!
Help me, please!
Somebody help me!
Oh God, please!
Please help me!
Somebody!
Oh God, help me!
[gasping]
Help me please!
Somebody help me!
Somebody help me!
Help me, please!
Help me, somebody!
[screaming]
No!
No, God!
Help me!
No!
No, help me!
Get away from me!
No, get away--
[screaming]
Help me, please!
Somebody help me!
[screaming]
Help me!
-We can't find Melinda.
Bill, I'm really worried.
-We've been waiting an hour.
She's with Rick.
-Well I checked the pond.
She's not there.
-Remember, she said
she wanted to go
to Barka to get some jewelry?
-Then why the hell don't we
go into Barka and finder?
-Oh, no you don't!
We have a full day
of shooting today.
And I need all of you.
-Well then we can't start
until Melinda comes back.
-We're going to finish
today as I said.
If she's not back by the
time we're ready to leave,
we're going.
-But that's ridiculous!
Something serious could
have happened to her, now!
-Nothing serious
has happened to her.
And I don't care, eh?
-Well you used to care.
-Goddamn it!
Look, nothing is
going to stop me
from finishing this shoot today.
Now look, go and get ready.
All of you.
Now!
-That bastard!
Come on.
[music playing]
-Come on!
Come on, Tarik!
Tarik, where the hell are you?
Tarik!
Tarik!
Where the--
[music playing]
[screaming]
-Seferaman!
Seferaman!
Seferaman!
Seferaman, god of the sun.
Seferaman.
Seferaman.
God of the sun.
Lies-- lies to the east!
Yes, god of the sun.
Then surely your treasure
must be buried to the west!
Seferaman!
Your treasure!
Your treasure shall be mine!
Seferaman!
Your treasure shall be mine!
-We should get to camp
and see if Melinda's back.
-Now, look everybody, you've
been harassing me all day.
Just a few more shots
and we've got it.
-Well I quit right
now, and that's that.
I'm going back to camp.
And he can take his
cameras and stuff them!
-Lisa, you took the words
right out of my mouth.
-Yeah, and he can stuff his
film and his bonuses too.
-Strike three, sport.
And by the way, you can stuff
that camel while you're at it.
-All right!
All right!
We've got it!
We've got it!
[moaning]
-I'm going to find you.
[laughing]
[gasps]
[music playing]
Take it easy, Rick.
Take it easy, Rick old boy.
[shouting]
RICK: Oh, Tarik!
Tarik, you stupid fool!
Get the bag!
Get the bag, Karib!
Oh!
Tarik!
Tarik!
Tarik, we found it!
We found it, Tarik!
Tarik, we found it!
No.
No!
I don't want your
gold, Seferaman!
No, Seferaman!
No!
-Listen, we waited long enough.
We've got to find her.
-We should've gone
into Bakra this morning
the way June suggested.
-All right, I'll go.
But I'll be she's still
tucked away in Rick's bed.
-Oh listen-- damn it, Bill!
She just wouldn't disappear
for the whole day!
--[inaudible] I'm going
to town to see Omar!
Anyone like to join?
-I will!
Want to come?
-No thanks.
-We're tired.
OMAR: Hello, American!
-Omar, hello!
Hello!
Omar, this is Bill.
-Ah, hello Bill.
-Hi.
-So you have come to my wedding.
-Sure!
But why are you working
on your wedding night?
-Oh, big problem!
Wedding, babies-- babies, eat.
Eat, money.
Money, work.
So I work!
-You know where Rick,
the American, lives?
-Oh sure, sure, sure.
Turn in there.
Left!
Go left.
-Uh.
-It is in front of you.
Uh, Bill, um, uh, you
come to my wedding?
-No thanks.
-Oh.
-You coming to find Mel?
-I can't!
I'm the best man!
[laughing]
[speaking arabic]
-I like your hat, cowboy.
-A gift for your wedding.
-Oh, thanks!
-I put it in my bed.
Make me feel like [inaudible]
[laughing]
Oh, take this.
Huh!
Look, look!
[music playing]
-My bride!
-Ah, you're a very
lucky man, Omar.
-Oh, thanks!
-Rick!
Linda!
Rick!
[music playing]
BILL: Rick!
Melinda!
You here?
Rick?
Melinda!
Rick!
Melinda!
[music playing]
[laughing]
Rick!
[sudden loud music]
[screaming]
No, no!
Help!
[music playing]
[grunting]
-Oh, darn!
My contact.
I need this like a
hole in the head.
Oh, shoot!
Oh!
[screaming]
JUNE: Jenny?
Jenny!
[screaming]
[music playing]
-Get away from us!
[gun clicking]
[heavy breathing]
[screaming]
[choking]
[screaming]
-No!
[moaning]
[screaming]
-Lisa!
Let's get to the village!
We'll and find Gary.
He can help us!
Let's go!
[music playing]
[music stops]
[cheering]
-And now, the marriage ceremony.
I [inaudible] and take my bride.
-OK, go for it!
[cheering]
[speaking arabic]
[music playing]
[screaming]
[eating noises]
-Bill?
Lisa!
Where are you?
Oh, my God!
-Hamid!
What's going on?
HAMID: Quick, the jeep!
Let's get out of here!
-Oh, there on me!
Save yourself, Hamid!
Save yourself!
[groaning]
[music playing]
[screaming]
-Gary!
Gary!
Gary!
Gary!
[grunting]
[screaming]
-OK, wrap it.
Go and wrap the dynamite.
MAN: Police!
Police!
Code red!
Police!
[gunshots]
[screaming]
-It's damp [inaudible]
that goddamn [inaudible]
dying outside right now!
-That's right, they're dying!
And Jenny is dead,
and Bill is dead.
And that leaves you and I.
MAN: The line is dead!
The line--
[sudden loud music]
-Go on!
June, now take this!
[inaudible] Just go!
[music playing]
[growling]
-Now!
-Get back!
[inaudible]
[screaming]
-Get back!
Get back!
[screaming]
-The mummy is here!
-So it's true!
-We tried to stop him
with the dynamite.
-You'll need much more dynamite.
-There's more
dynamite in the shack.
Help us!
-Wait!
Wait!
Let us go into shack.
-Take the right.
-Oh, he's gone!
[inaudible] crazy!
-He was right there!
He was there.
[music swells]
[screaming]
[cheering]
[screaming]
-Gary!
Oh!
HAMID: Let us go
back to Cairo, OK?
[music playing]
-[gasps]
-[inaudible]
[moaning]
[somber music]
[chanting]
-Osiris!
Accept in Paradise this poor
Seferaman, who awaits entrance.
Don't listen, Osiris, to those
who say he was a cruel man.
The way of Seferaman is sacred.
Hear me, oh Egypt!
Should the riches
of Seferaman be
stolen, all Egypt with tremble.
And Seferaman will
rise and kill!
His armies will rise and kill!
It is done.
All who know of the burial
place of Seferaman must die.
You will rise when he rises.
You will kill when he kills!
He who will enter this
tomb after it is sealed
will die on the
dawn of the mummy!
-We did it!
-Hey!
Hold it!
Hold it!
Hold it!
We'll have to wait
until tomorrow to go in.
The air is poison.
It's part of the pharaoh's
booby trap to keep out robbers.
[laughs]
-[scream]
I've warned you!
You have defiled the
tomb of Seferaman!
You have ignored the curse!
[grunting]
-Now I'm warning you.
Move on, lady!
Beat it!
-Mustn't enter!
You cannot rob this tomb.
It is written.
He will rise and kill!
He will rise and kill!
-That's it, lady!
I warned you.
[screams]
[laughing]
-Perhaps what she says is true.
Rick, maybe there is a curse!
-Eddie!
There is no curse.
There is poison in the air.
It's perfectly scientific.
If we go in now, we will die.
But the air will be
clear by morning.
You guard the tomb tonight.
I'll be back in the morning.
[music playing]
-Look over there!
It's that crazy woman, Xena!
XENA: Please help me!
The tomb!
No one must enter!
The curse will be upon us all!
The treasure is sacred.
We must close the tomb!
-Which tomb, old woman?
-Where is it?
-The tomb of Seferaman!
He will rise and kill!
The curse!
He will rise and kill!
MAN 1: Just tell us where it is.
We will guard it for you.
-There, over those hills!
You'll see!
-OK, OK, Xena, we'll
take care of it.
-That crazy American!
You think he really
has done it this time?
-We'll soon find out.
-He's crazy to open
the tomb of Seferaman!
He must be mad!
[groaning]
MAN 2: Look! [inaudible] The
really have opened the tomb!
-That's why they've
been avoiding us,
those sneaky bastards!
-They thought they could cut
us out of this deal, huh?
-Come on!
OK.
-Wait for me!
-Be quiet!
-[SARCASTICALLY] Aha!
Those drunks are doing
a great job of guarding!
We take all the
treasure for ourselves!
-Wait!
Wait for me!
-Get-- take a lantern!
Come on!
Be quiet, now.
-[inaudible]
-Take a lantern!
-OK, OK!
Give me-- give me one.
Give me one!
-Come on!
-Go, go, go, go!
Go!
Go in!
Go in!
[coughing]
-What's this smell?
It burns!
-Don't worry!
It's the smell of gold!
-I like gold!
[coughing]
-You go this way.
-OK, OK.
[suspenseful music]
[shouting]
MAN 1: Help me!
-Kazim!
Your face!
It's melting!
[moaning]
-Hamid!
Where are you?
My skin is burning, Hamid!
[gagging sound] -Oh my God!
Your face!
You too? [inaudible]
[cars honking]
[music playing]
-Hello?
Hello, Hamid?
Listen.
The plane just took off, arrives
Cairo 10 o'clock your time.
I've sent the best
models in town.
Remember, this is a
top fashion magazine.
We need class photos, or we
can kiss this account goodbye.
OK?
So long!
[music playing]
-Perhaps you should wait
until we start to do that.
-I can't stand it when
my toenails are chipped.
-Oh, for heaven's sake, Melinda!
You're passing the great
Pyramids of Cheops!
It's a once in a
lifetime, and you're
worried about your
stupid toenails?
-So I'm compulsive Jenny!
It's my job to look good.
-Yeah, but nobody's looking
at your feet right now!
-You never can tell.
JUNE: It's incredible that they
built those things thousands
of years ago with
no modern machinery.
Doesn't just blow
your mind, Gary?
-Just try to keep the
jeep from bumping so much.
I'm trying to get
this joint rolled.
-Lisa, just turn slightly, so
your hair catches the light!
That's right.
That's right!
No no no, no no!
Wait!
Wait!
-Bill, give me a break!
We're not supposed
to start working
until we get to [inaudible].
So let me be a tourist
like everyone else
for a little while.
[music playing]
[tire pops]
LISA: Terrific driving!
I mean I would have had
us in the sand for sure!
-What a man!
-OK, everybody out.
-[SARCASTICALLY] Why don't
you sit down and rest, Gary?
-I want to see what's on the
other side of those dunes.
-I know what's on the
other side of those dunes.
Sand.
-Take a walk with me hm?
Come on, Gary.
-What's the matter, tough guy?
-I think I'm getting
too old for this stuff.
-You all right really?
Come on.
[coughing]
-You all right?
-I'm-- [gasps]
-Yeah?
All right. [laughs]
Well, but I'm
going to race you to the bottom!
-Hey!
[screams]
[music playing]
[screaming]
-Come on!
[music stops]
-Hello!
-Don't ever sneak
up like this, Karib!
-You scared my
friend, Tarik here.
-OK, OK, what about the gold?
-Be patient, Karib.
Be patient.
[foreboding music]
KARIB: Anyone here?
TARIK: How would
there be anyone here?
GARY: Shh!
Shh!
KARIB: OK, OK.
-Empty!
Only old pictures!
[screams]
-Be quiet!
-Shh!
-Oh, there's no gold here!
It's only old junk!
-No.
No, you are wrong!
There is a treasure room here.
And all we have
to do is find it.
-Where do we look?
The entrance could be anywhere.
-Yeah.
We look here!
Behind this door. [laughs]
-There is another door here!
Rick!
There is another door here!
-[inaudible] where do you hide?
-I am here, Rick old boy.
And these doors are fake.
-Zekee, you old sly devil, you!
And what are you doing here?
-I'm checking on my investments.
-Ah, with a partner like me,
you have nothing to worry about.
[laughs] Karib!
Some wine for Zekee and me!
-OK.
RICK: Come on, Karib.
-I can drink.
But I only eat cake.
[laughter]
-Come on, my friend.
Eat only cake.
[laughter]
[guitar music]
-I hope everything will be fine.
-We could ask for more.
-When will you be back?
-Well, um, I have some
business in several villages.
But I'll pass by on
my way back to Cairo.
Two or three days at most.
Good luck.
GARY: Bye!
[car driving away]
-You know?
Maybe everyone was right.
Maybe it would've been better
to shot at the Pyramids.
All this looks the same to me.
-Look!
Over there.
Those hills.
Not very interesting,
but at least
we've got some background.
[foreboding music]
[clanging]
-Karib!
Easy!
That's dynamite!
Easy!
Careful!
All right.
All right, come on now.
Give me a hand over here.
Come on!
Come on!
Let's go!
-OK, OK.
[music playing]
-I hate horses,
but he's so cute!
-How about me?
-[laughs] You're cute, too.
-Thank you.
RICK: [inaudible]
Karib, this is it!
TARIK: We have done it, Rick!
RICK: Yes.
Yes.
KARIB: Is the gold in here?
RICK: Sure it is.
Come on!
Sure it is!
[inaudible] Oh, yes.
KARIB: There is nothing
here The gold, Rick.
Where is it?
RICK: In here.
Yes.
It's in here! [laughs]
-It's a mummy.
-Never mind the mummy.
-Let's open this and
get the treasure!
[laughter]
[music playing]
-Still!
Still!
[muttering]
-Remain still, Gary!
-Come on!
-Ready?
RICK: Come on!
Easy!
Easy!
All right.
Seferaman!
So, at last we meet.
KARIB: But the gold!
Where is the gold?
-It's somewhere near here.
I know it is.
[laughs] There's got
to be a treasure room.
And we've got to find it!
-But where can we look?
The curse!
The curse!
Ugh!
The curse.
-Ah, it's just rats.
-[screams]
The curse!
Oh, the curse!
The curse!
-How did it come in?
-Same way we did.
Go out to the jeep and
put some whiskey on it.
-The alcohol will killing it.
-Seferaman, you bastard!
I want your gold!
I want it more than you do.
I can do more with it.
From now on, it's going to
be clear sailing all the way.
-[inaudible]
[screams]
-Get to ground!
[gunshot]
-What was that?
[screams]
-What are you doing?
-They are after the gold!
-No, you idiot!
They're probably just tourists.
Now they'll know we're here!
-But, uh-- But I was afraid!
We--we-- we worked so hard!
-No, you fool!
Shut up!
Hello, down there!
Are you all right?
BILL: What the hell's happening?
RICK: I'm sorry!
We're on an excavation.
I apologize!
There's been a mistake!
-I should say there's
been a mistake!
We're coming up!
-No, no!
Hold it!
Hold it!
I'll come down!
Karib, you idiot!
They're coming up.
-[inaudible] I'm really sorry!
One of my men though
you were bandits.
-What are you doing here?
-Just an excavation.
Nothing interesting.
JENNY: Oh, what's this?
-Don't go in there!
-Why?
Do you have buried treasure?
-There is no treasure.
No treasure!
-Everyone look!
It's terrific!
RICK: She can't-- she
can't go in there!
-Why are you so upset if
it's just an excavation?
Would you mind telling
us what's going on?
-Oh, my God!
This is incredible!
-Oh, Jenny it's wonderful.
But I don't think
we should be here.
-It's fabulous!
-It's so big!
-Wow!
-You can't come in here!
You need permits
to come in here!
-We have permits.
-You don't have permits!
-We have permits from the head
curator of Ancient Artifacts
in Cairo, to shoot anywhere
we want to in Barka.
What's in here?
-Wait!
Wait!
-It's a coffin room!
[music playing]
-A mummy!
In an undiscovered tomb!
[laughs]
This is too much!
Listen everybody, the
gods have been good to us!
This is going to be
in every newspaper
and magazine about the world!
We've found the
perfect place to shoot!
Let's get the gear!
We need makeup and clothing.
Jenny!
Jenny, lights!
Light-- we're going to
need all the lights.
I have to-- I have to
have them [inaudible]
-Where the hell are you going?
-What if they find the treasure?
It is not fair!
-How can they find the treasure?
They know nothing.
They're not interested
in treasure.
They're only interested in
a few stupid photographs.
-Come on, Jenny!
[muttering] A real mummy!
[interposing voices]
-Oh, a pad of dynamite!
-That's enough to
flatten half a city!
MELINDA: Jenny?
Do you have any needle and
thread maybe I can use?
-Yeah, over there in my bag.
-OK.
-Over on the, uh--
[interposing voices]
-I think the first
shot's over here,
up against the columns
and the lid, here.
-Right here?
-Yeah.
[interposing voices]
-All right!
OK, OK, let's just get
ready as soon as we can!
-[SINGING] If you knew
Mummy like I knew Mummy--
[interposing voices]
[foreboding music]
-Dearly beloved, we are
gathered here today--
-Take one!
-Gary!
-All right, all right.
[foreboding music]
BILL: Good!
Good!
OK, Jenny or-- Jenny!
JENNY: Hold it!
Hold it!
BILL: Good, good.
OK, now--
[foreboding music]
BILL: Good!
You look fine!
He looks fine!
-You're telling me!
-Here, I'm going to give you a--
[foreboding music]
BILL: June, look back at me!
June!
Hey!
Hieroglyphics in the other room!
-Do I need more
beads in my hair?
[music playing]
BILL: And look at me
just as if I'm appearing.
Who am I?
Who am I?
Why?
Who am I?
Now separate!
Right, that's--
[music playing]
BILL: That's right.
That's right.
Towards the center.
That's right, yeah!
Touch her, touch her, touch her!
That's right.
Towards the center.
That's right.
That's right, that's right.
But don't go too far apart.
Don't be too far--
[music playing]
[inaudible]
JUNE: Your hairdo, darling.
I'm fixing your--
-OK, OK, I'll get
a hairdo, darling.
BILL: OK, now look towards--
you look towards them,
and you look towards me.
[music playing]
[laughing]
BILL: Two more!
Two more!
Wet your lips.
Wet your lips!
[cheers]
In to the mummy!
[interposing voices]
-All right, all
right, all right.
-Won't it be fine anyway?
-No, no no no!
I got to get these final shots.
OK.
Move your head!
All right.
[music playing]
BILL: Linda, stay
out of the shot!
OK, now you can't bounce.
You can't bounce.
[inaudible] Whoa!
Right there!
Watch your face.
Watch your face.
Look at him.
Put your head over
just a little bit.
[screams]
[interposing voices]
BILL: It's just the battery!
Jenny, go out there
and get my, uh,
auxiliary out in
the, uh, other room.
Can't shoot in this light!
[music playing]
JENNY: Huh!
What?
[screams] Oh, my God!
[screams] My God, help me!
My hand is burning!
[inaudible]
[whimpering]
-OK, OK, OK, it's a wrap!
Let's get the gear.
Let's go home.
JENNY: It's burning!
Help me!
-[inaudible]
-[screams]
JUNE: Miss Jenny, what's wrong?
-My hand!
It's burning!
-Oh God!
-Help me!
[whimpering]
-Oh Jenny!
Jenny, don't worry.
[music playing]
-The gold must be here!
Must be here.
[grunting]
Ah, the gold!
I found it!
[foreboding music]
[laughing]
The gold!
Gold!
I found it!
I found it!
Found the gold!
[laughs] Bye, Rick.
Goodbye, Tarik.
Goodbye Armazekee!
Rick!
Tarik!
[music swells]
-Karib!
Karib!
He is not here, either, Rick.
-Somebody's been here.
The torches are lit.
-Gold!
-Gold?
-Gold!
[shouting]
-Gold!
[shouting] Oh, Gold!
[laughs] I knew it!
I knew it!
Your sneaky friend-- he has been
at work behind our backs, huh?
BILL: We're here!
-Those damned Americans!
-Shh!
-Oh!
Oh, oh.
[inaudible] Don't
worry about it.
They'll be out of here today.
BILL: Jenny?
Get the lights on.
Girls, get into makeup.
I want to start with the
facial masks and the cosmetics.
[music playing]
BILL: We're going to have to
get both lines exactly the same.
It's smudged down in here.
And this line, when
it comes down here--
-Bill, what do you want from me?
I'm right handed.
I'm doing the best I can!
-I just want it right.
That's all.
-Let me finish it for you.
I know your hand's hurting.
-So you know?
You're almost as
cute as the mummy.
-Boy, you crazy!
You're kind of cute yourself.
BILL: OK, come into
the frame Gary.
[foreboding music]
MELINDA: Christ,
it's hot in here.
I'm losing my makeup.
[inaudible]
LISA: It's boiling in here!
BILL: OK, we're out!
RICK: Beautiful!
BILL: I want to make you happy.
[loud music]
[horses whinnying]
[guitar music]
-All right, how's this one?
Ready?
[SINGING] With these
visions of the Nile
am I weighing out the smile.
I come far across the sea,
now to take a look at me.
There's that rainbow that
suits the color in your eyes.
And there's a--
-Something's riled the horses.
Please, let's go and see?
-Oh, wow.
-What now?
[music playing]
[screams]
-I think I'm going to get sick.
[whimpering]
[music swells]
[screams]
[scream]
-What are you doing here?
-What happened to that man?
-A wild beast must have got him.
I told you, you must leave!
It is dangerous for you here!
Where is her tent?
-It's over there.
I'll show you.
-Hey, maybe this guy's right.
We should get out of here.
-You keep poking out on this!
-Hey, get off my case, man!
This thing is getting
a little bit too heavy!
It's like shooting in
a graveyard every day!
Man, that mummy
gives me the creeps!
I'm scared!
LISA: Thanks for
carrying me to my tent.
I think I'll rest now.
-How is she?
-She's all right.
Now do you believe me?
You people must leave from here!
You have--
-Look, I don't want
to hear anymore.
I need one more
day in that tomb.
I still have a few
more key setups.
I don't care what
you have in there.
I'm not after anything
you have in that tomb.
Just give me one more day.
Don't hassle me.
After that we'll just
leave you the hell alone
LISA: Thanks, June.
I'll be all right.
-All right, you've got your day.
-Buy you a drink?
-Sounds good.
-Gary!
What are we going to do?
-I just told him I
think we should split.
-Well, what did he say?
-Nothing!
But we got more than enough
shots for this spread.
What does he want?
-Listen.
He wants to be famous
like we all do.
Only I am not willing
to die for it.
-Yeah, neither am I.
[music playing]
-[gasps]
-Are you all right?
[heavy breathing]
-Seferaman!
You are alive!
You have risen!
You are alive!
Seferaman!
You have returned to rule again!
Your kingdom awaits!
You're alive!
Seferaman!
Seferaman!
You're alive!
Seferaman!
I'm so happy, Seferaman.
You're alive!
No!
No, Seferaman!
It is [inaudible] Your
armies of the dead will rise!
They will ri--
[music swells]
-Good morning, Bill.
-Hi, Bill.
Listen, what do you
say we wrap it up?
We've got enough
shots for New York.
-Yeah, really Bill.
I think we've done enough.
Please?
-They'll be satisfied
in New York.
-They will not be
satisfied in New York.
We didn't do the-- we
didn't do the layout yet!
We've only shot one day.
We need three days of
shooting the complete it.
JUNE: But that's ridiculous.
-We need two more days.
We need 48 hours.
That's all--
JUNE: What does Lisa think?
-Lisa is going to
go along with it.
JENNY: Bill!
-She is upset.
-I want to go home!
BILL: I understand you
want to go home, Jenny.
I know your hand hurts.
JENNY: I can't work like this!
-I understand that!
But we need 48 hours
to complete the shoot!
JENNY: You don't understand it.
-I do understand!
Look, I need two more days.
I need one day in the tomb.
I need one day in the oasis.
That's all you got to
hang on for, is two days.
JENNY: No!
-There's going to be
bonuses for all of you!
JUNE: Did I hear bonuses?
JENNY: Bonuses?
-Yes!
-Is-- is this a double?
Is this show a double?
-Not a double!
It's not a double.
-Oh, excuse me.
Can I take ten?
-Yeah, take ten.
Take ten.
Take twenty.
Take a hundred.
Good, good, good, good.
[music playing]
-I'm lost!
[gasp]
[screaming]
-Lisa!
-Lisa.
-Don't worry about it.
Don't worry about it.
She's probably lost in the maze.
Don't worry I'll find her.
Tarik, you stay here.
-OK.
[screaming]
LISA: Oh no!
Oh no!
Oh no!
RICK: She's here!
LISA: Oh no!
Oh no!
-All right, take it easy.
Take it easy!
You want to get out of here?
-Yes!
-All right!
-Get me out of here!
-All right.
-Get me out of here!
Get me out!
Get me out!
JENNY: Hamid!
I'm so glad to see you!
-Hello!
Hey, what happened to your hand?
-Oh, it's a long story.
MELINDA: Hamid!
-Hi!
GARY: Hey man, what gives?
-How did everything go?
-Fantastic!
-Better than you could imagine.
We'll be starting back
in a couple of days.
-Oh, Hamid, I feel safer
already with you here.
-Well, don't feel too safe.
I have [inaudible] immediately.
I just stopped to see
if you needed anything.
-Yeah, I do.
Wait a minute.
-OK.
-Don't go.
-Hamid, can I speak
to you privately?
-Yeah, sure.
-Hamid, I'm running a
little low on smoke.
Do you know where I
can get some hookah?
You know, hubbly-bubbly?
-In the village.
I'll show you.
BILL: Lisa says hello.
Have these printed for me.
I'll pick them up in
Cairo when I get back.
-OK.
Gary's coming with
me to the village.
-I wonder why.
-Anyone else like to come?
-I would!
Melinda, want to come?
-Oh, no thanks.
I'll go In the morning.
I want to buy some
jewelry before we leave.
-OK, bye!
MELINDA: Bye!
See you!
BILL: A background
like this, Lisa.
Shooting in a-- in a
tomb, with a real mummy!
And it's not a museum!
This is going to make us, Lisa.
You and I.
-It's going to make you?
It's good for you!
But I can't do it!
I can't do it!
Do you understand that?
I can't do it!
Do you un--
-Please, please!
Look, look, I know it's hard.
I know it's hard!
There's nothing
strange going on here.
Nothing!
Nothing.
Just go with me.
Just go.
[market chatter]
[speaking arabic]
-This is my friend Omar.
-Hi, how are you?
-Welcome!
-Thank you.
-Welcome!
-Have a seat!
[speaking arabic]
-What's he saying?
[speaking arabic]
-Uh, I'll have to
leave now for Cairo.
Have a good hookah!
-OK, thank you.
-OK, buh-bye!
-Have a good trip!
-Thank you!
-Bye!
Oh, this is exciting!
-Sure is.
-[speaking arabic] The best!
What would you want?
-Um, I'll have a
Perrier, please.
[laughing] No, I'll
just have this.
-OK.
[inaudible]
[coughing]
[laughing]
-Oh, I can't take it.
It's too strong!
You keep it.
I'm going to take a look around.
-Take your time!
-[inaudible]
-It's good!
-OK!
-Good!
[laughing]
-How are you?
-Oh, very good.
Uh, how come it says
Made In Hong Kong?
-[inaudible]
[market chatter]
[car honking]
-Good stuff, Omar!
-Oh!
[speaking arabic]
Uh, are you married?
-Oh, no!
Not me.
-Oh.
-No, no.
-I will be married
tomorrow night.
Uh, please, eh, come
to my, um-- my wedding!
Eh?
Tomorrow night!
-You?
-Yes.
-Oh, sure, man!
[laughing]
[suspenseful music]
-Oh my God!
[whimpering]
[screams]
-What are you doing?
-Nothing!
-No, you are spying on us!
-Really, I'm not!
No!
Let me go!
Let me go!
Gary!
Gary!
Gary!
That guy from the--
from the tomb--
-What guy?
-You're going to
think I'm crazy,
but I saw the mummy alive.
-Mummy?
-A mummy from the tomb!
I saw him, I think.
He was alive!
Please, I want to
get out of here.
This place gives me the creeps.
-You wanted to come.
You asked!
-I wanted to come because I
wanted to be with you, dummy!
-OK, OK!
Come on, I'll take
you back to camp.
-Good.
-Come on.
[singing in arabic]
[gasps]
[music playing]
[music stops]
-Hey, you want to go for a swim?
-Sounds fun!
-How about you?
-No, I'll hang in here.
-I wonder why?
[laughing]
-See you later!
-See you later.
-Well I think Lisa's in
for a very big surprise.
-Oh, she can take
care of herself.
-Oh, come on June!
Doesn't she know that Bill's
been through every model
in New York?
-And how would you know?
-Well, they told me.
-Oh, come on.
Like hell they did.
-June, do you miss
your boyfriend?
-Uh-huh.
-What's he like?
-Well, he's tall, handsome
and dark-- very dark.
-Very dark?
-Yes.
[moaning]
[laughing]
-I think you still like Bill.
-He's a good photographer.
I think he's a real hustler.
-Oh, you're still
in love with him!
[laughing]
-I can't.
-What's the matter now?
Lisa.
-I can't get the Bedouin
face out of my mind.
-Just don't think about it.
Just don't think about it.
-[moaning]
-Listen, I'm getting cold.
I want to leave now.
You want to come?
-No, I'll stay awhile.
-Are you sure
you'll be all right?
-Yeah, I'd rather stay here than
have to listen to other people
make love.
-OK, I'll see you.
-Bye!
JUNE: Bye!
-Mel!
The horses are gone!
-Oh, they must have
gone to the camp!
-OK, I'm going to start walking.
-OK, I'll see you later!
[brief loud music]
[bird chirping]
[crickets]
-Gary, is that you?
Gary?
Is that you?
Where are you?
Gary?
[screaming]
MELINDA: Please help me!
Help me, please!
Somebody help me!
Oh God, please!
Please help me!
Somebody!
Oh God, help me!
[gasping]
Help me please!
Somebody help me!
Somebody help me!
Help me, please!
Help me, somebody!
[screaming]
No!
No, God!
Help me!
No!
No, help me!
Get away from me!
No, get away--
[screaming]
Help me, please!
Somebody help me!
[screaming]
Help me!
-We can't find Melinda.
Bill, I'm really worried.
-We've been waiting an hour.
She's with Rick.
-Well I checked the pond.
She's not there.
-Remember, she said
she wanted to go
to Barka to get some jewelry?
-Then why the hell don't we
go into Barka and finder?
-Oh, no you don't!
We have a full day
of shooting today.
And I need all of you.
-Well then we can't start
until Melinda comes back.
-We're going to finish
today as I said.
If she's not back by the
time we're ready to leave,
we're going.
-But that's ridiculous!
Something serious could
have happened to her, now!
-Nothing serious
has happened to her.
And I don't care, eh?
-Well you used to care.
-Goddamn it!
Look, nothing is
going to stop me
from finishing this shoot today.
Now look, go and get ready.
All of you.
Now!
-That bastard!
Come on.
[music playing]
-Come on!
Come on, Tarik!
Tarik, where the hell are you?
Tarik!
Tarik!
Where the--
[music playing]
[screaming]
-Seferaman!
Seferaman!
Seferaman!
Seferaman, god of the sun.
Seferaman.
Seferaman.
God of the sun.
Lies-- lies to the east!
Yes, god of the sun.
Then surely your treasure
must be buried to the west!
Seferaman!
Your treasure!
Your treasure shall be mine!
Seferaman!
Your treasure shall be mine!
-We should get to camp
and see if Melinda's back.
-Now, look everybody, you've
been harassing me all day.
Just a few more shots
and we've got it.
-Well I quit right
now, and that's that.
I'm going back to camp.
And he can take his
cameras and stuff them!
-Lisa, you took the words
right out of my mouth.
-Yeah, and he can stuff his
film and his bonuses too.
-Strike three, sport.
And by the way, you can stuff
that camel while you're at it.
-All right!
All right!
We've got it!
We've got it!
[moaning]
-I'm going to find you.
[laughing]
[gasps]
[music playing]
Take it easy, Rick.
Take it easy, Rick old boy.
[shouting]
RICK: Oh, Tarik!
Tarik, you stupid fool!
Get the bag!
Get the bag, Karib!
Oh!
Tarik!
Tarik!
Tarik, we found it!
We found it, Tarik!
Tarik, we found it!
No.
No!
I don't want your
gold, Seferaman!
No, Seferaman!
No!
-Listen, we waited long enough.
We've got to find her.
-We should've gone
into Bakra this morning
the way June suggested.
-All right, I'll go.
But I'll be she's still
tucked away in Rick's bed.
-Oh listen-- damn it, Bill!
She just wouldn't disappear
for the whole day!
--[inaudible] I'm going
to town to see Omar!
Anyone like to join?
-I will!
Want to come?
-No thanks.
-We're tired.
OMAR: Hello, American!
-Omar, hello!
Hello!
Omar, this is Bill.
-Ah, hello Bill.
-Hi.
-So you have come to my wedding.
-Sure!
But why are you working
on your wedding night?
-Oh, big problem!
Wedding, babies-- babies, eat.
Eat, money.
Money, work.
So I work!
-You know where Rick,
the American, lives?
-Oh sure, sure, sure.
Turn in there.
Left!
Go left.
-Uh.
-It is in front of you.
Uh, Bill, um, uh, you
come to my wedding?
-No thanks.
-Oh.
-You coming to find Mel?
-I can't!
I'm the best man!
[laughing]
[speaking arabic]
-I like your hat, cowboy.
-A gift for your wedding.
-Oh, thanks!
-I put it in my bed.
Make me feel like [inaudible]
[laughing]
Oh, take this.
Huh!
Look, look!
[music playing]
-My bride!
-Ah, you're a very
lucky man, Omar.
-Oh, thanks!
-Rick!
Linda!
Rick!
[music playing]
BILL: Rick!
Melinda!
You here?
Rick?
Melinda!
Rick!
Melinda!
[music playing]
[laughing]
Rick!
[sudden loud music]
[screaming]
No, no!
Help!
[music playing]
[grunting]
-Oh, darn!
My contact.
I need this like a
hole in the head.
Oh, shoot!
Oh!
[screaming]
JUNE: Jenny?
Jenny!
[screaming]
[music playing]
-Get away from us!
[gun clicking]
[heavy breathing]
[screaming]
[choking]
[screaming]
-No!
[moaning]
[screaming]
-Lisa!
Let's get to the village!
We'll and find Gary.
He can help us!
Let's go!
[music playing]
[music stops]
[cheering]
-And now, the marriage ceremony.
I [inaudible] and take my bride.
-OK, go for it!
[cheering]
[speaking arabic]
[music playing]
[screaming]
[eating noises]
-Bill?
Lisa!
Where are you?
Oh, my God!
-Hamid!
What's going on?
HAMID: Quick, the jeep!
Let's get out of here!
-Oh, there on me!
Save yourself, Hamid!
Save yourself!
[groaning]
[music playing]
[screaming]
-Gary!
Gary!
Gary!
Gary!
[grunting]
[screaming]
-OK, wrap it.
Go and wrap the dynamite.
MAN: Police!
Police!
Code red!
Police!
[gunshots]
[screaming]
-It's damp [inaudible]
that goddamn [inaudible]
dying outside right now!
-That's right, they're dying!
And Jenny is dead,
and Bill is dead.
And that leaves you and I.
MAN: The line is dead!
The line--
[sudden loud music]
-Go on!
June, now take this!
[inaudible] Just go!
[music playing]
[growling]
-Now!
-Get back!
[inaudible]
[screaming]
-Get back!
Get back!
[screaming]
-The mummy is here!
-So it's true!
-We tried to stop him
with the dynamite.
-You'll need much more dynamite.
-There's more
dynamite in the shack.
Help us!
-Wait!
Wait!
Let us go into shack.
-Take the right.
-Oh, he's gone!
[inaudible] crazy!
-He was right there!
He was there.
[music swells]
[screaming]
[cheering]
[screaming]
-Gary!
Oh!
HAMID: Let us go
back to Cairo, OK?
[music playing]