Cobra (1986) - full transcript
A gang of neo-fascist thugs, led by the self-proclaimed 'Night Slasher', are breaking into people's homes & cars, then killing them at random. When of of these thugs holds up a food store & takes hostages, Lt. Marian Cobretti - an intense, take-no-prisoners cop, is brought onto the scene to end the hostage-taking. Ranting bizarrely about a 'New World', the man levels a sawed-off shotgun at Cobretti, who hits him with a knife, then guns him down when the man refuses to put down his weapon. Later that night, another murder occurs, attributed to the Night Slasher - and the next day, another one. This one is witnessed by a young woman, Ingrid Knutsen. She drives away before the thugs can kill her, but it isn't long before some creepy-looking people start making attempts on her life - and Cobretti's. Cobretti plans to move the only witness to the blood spree upstate, but with inside information, the thugs follow them. And a battle for survival rages between Cobretti and the thugs...
[RUMBLING]
COBRA:
In America...
...there's a burglary
every 11 seconds...
...an armed robbery
every 65 seconds...
...a violent crime
every 25 seconds...
...a murder every 24 minutes...
...and 250 rapes a day.
[GUNSHOT]
♪♪
[WATER SLOSHING]
[METAL CLANKING]
[SEAGULL CAWING]
[MOTORCYCLE RUMBLING]
WOMAN: Jerry, don't
push it together like that.
MAN:
Will you just let me do it?
WOMAN:
You make me sick!
CUSTOMER:
Watch it!
- [CRASH]
- [GASPING]
Hey, pal!
Can I help you?
CLERK:
Hey, pal...
[SHOTGUN COCKING]
[GUNSHOT]
[CUSTOMERS SCREAMING]
[GUNSHOTS CONTINUE]
[HELICOPTER WHIRRING]
[POLICE SIREN BLARING]
MONTE: We are willing to talk.
No one wants to hurt you.
Do you understand?
We are willing to talk. There's
no more need for violence.
There's no way out except by
talking. Do you understand?
No one wants to hurt you.
[SHOTGUN COCKING]
MONTE:
We want to help.
Please, communicate with us.
- We don't want to hurt you.
KILLER: You can go.
MONTE:
We want to help.
You can go!
MONTE:
Communicate with us.
You're free!
MONTE: No one wants to hurt you.
Do you understand?
[SHOTGUN COCKING]
Enough of trying
to deal with this maniac!
Get down!
All we need is a little more time.
We can get control
of the situation.
What control?
Call the Cobra.
[GUNSHOTS]
[HOSTAGES SCREAM]
[SHOTGUN COCKING,
GUNSHOT]
[GLASS SHATTERING]
[TIRES SQUEALING,
ENGINE REVVING]
[BRAKES SQUEALING,
ENGINE REVVING]
[POLICE RADIO CHATTER]
COBRA: How bad is it?
GONZALES: It's bad.
Any I.D. on the guy?
Just another asshole who woke up
hating the world.
What's happening?
MONTE: I don't agree
with them bringing you here.
I just want you to know that.
COBRA:
Yeah
Come on.
Come on!
[HOSTAGES WHIMPERING]
Move!
[SHOTGUN COCKING]
KILLER:
Shut up, man!
Relax!
WOMAN:
I'm hungry.
Shh.
KILLER:
Bitch, come on!
I'll blow your
stupid head off. Get over there!
Get down, you.
Get down there, man.
Shut up!
You get away from her!
Shut up!
[FOOTSTEPS]
[GUNSHOTS]
I'll kill you, man.
I'll kill them all!
It's the way of the New World.
So where are those TV cameras?
Hey, man, I've got a bomb here.
I'll kill them all!
You bring in the TV,
or I'll kill them all.
You understand?
It's the way of the New World!
[BEER CAN THUDDING]
[GUNSHOT]
[GUNSHOT]
What are you waiting for?
Let's go!
Come on over here, I'll
kill them. You got that?
You're all trash, anyway.
You all deserve it.
You're gonna die right now,
you got that?
Watch this, I'm gonna kill her.
I'm gonna
incinerate the kitchen!
[OVER P.A.]
Hey, dirtbag!
You're a lousy shot.
I don't like lousy shots.
You wasted a kid for nothing.
Now I think it's time
to waste you.
KILLER:
Hold it!
Come on, man.
I got a bomb here.
I'll kill her.
I'll blow this whole place up.
Go ahead.
I don't shop here.
Just relax, amigo.
You want to talk?
We'll talk. I'm a sucker
for good conversation.
I don't want to talk to you.
You bring the television
cameras in here now.
Come on, bring it in!
I can't do that.
Why?
I don't deal with psychos.
I put them away.
I ain't no psycho, man.
I'm a hero!
You're looking at
a fucking hunter.
I'm a hero of the New World.
You're a disease,
and I'm the cure.
Die!
Hey!
[GROANING]
COBRA:
Drop it!
[GUNSHOTS]
Come on.
[CROWD CHATTERING]
GONZALES: You okay, man?
COBRA: Yeah.
MONTE:
Please, people, please.
REPORTER 1: You're the one
who killed the maniac?
REPORTER 2:
Did he say why he did it?
Is it related
to the Night Slasher?
MONTE: The Night Slasher is
an entirely different case.
Now, please, people, please!
GONZALES:
Let's have a little room!
REPORTER 2:
Was it necessary--?
That's right,
I asked a question.
Was it necessary for it
to end like this?
Did he have to die?
Come on,
don't listen to this asshole.
REPORTER 2:
The question is, Cobretti,
did you use
unnecessary deadly force?
I used everything I had.
Is this a public forum? Come on!
We have work to do out here!
REPORTER 2: Our viewers have the
right to know what makes a policeman
a judge and jury.
People have rights.
MAN: Rights?
You think a maniac who blew
a kid's heart out for nothing
should have rights?
REPORTER 2: That doesn't concern you
and no matter what you think,
people are entitled
to protection by the law.
You tell that to his family!
All right, the show's over.
Come on, clear this area!
♪♪
[COBRA HONKS HORN]
COBRA: Move it!
MAN 1: Fuck you!
[METALLIC THUDDING]
MAN 1:
What's your problem?
[MEN SPEAKING IN SPANISH]
What's your problema, ése?
You touched my car, man.
[MAN SPEAKING SPANISH]
That's bad for your health.
What is, pinche?
Me.
Clean up your act.
[IN SPANISH]
WOMAN:
Yeah! You're in trouble, man.
MAN 2:
You told him, ése.
Yeah, all right.
[CLEARS THROAT]
[CHRISTMAS COMMERCIAL
PLAYS ON TV]
FEMALE NEWSCASTER:
Tonight, the man known
as the Night Slasher...
...has struck for the 16th time
in just over a month's time.
The 22-year-old victim
was mutilated with
a sharp instrument...
...and seemed to be just as
unlikely a victim
as the other 15.
Not much else
is known other than
that the Night Slasher
preys upon anyone.
Victims have included
businessmen,
Asian immigrants...
...the elderly and, in one case,
a sexually assaulted child.
The serial killer has thrown
the city into a growing panic...
...and up until now, no one
has had a clue to his identity.
The killer has been known
to crawl through windows...
...and kill the victims
in their sleep.
The method of death has been
silent instruments...
...such as claw hammers,
knives and axes.
[WHIMPERING]
[SCREAMING]
CHO: There's no question
it's the same weapon.
EXAMINER: 90% sure
it's the same weapon.
EXAMINER: Cuts are
straight, long, deep,
just like the others.
CHO: That brings
the count to 16,
and still this bastard
shows no distinct pattern.
Maybe there's more than one.
Look, this is not
your specialty, okay?
This is pure
investigative work...
...not jumping out a window.
MONTE: We need
to beef up the task force.
CHO: We need
interagency cooperation.
Christ, every department wants
to be the hero in this case!
Captain, look,
I don't want to be a hero.
I just want to get involved.
MONTE:
If I may, captain...?
If we let Cobretti
use his tactics,
we're asking for trouble.
GONZALES:
What are you saying?
MONTE: He should stay
on the zombie squad.
COBRA: You're
telling me where to stay?
MONTE: It's nothing personal.
We're just different
kinds of cops.
CHO: Like Monte says,
you're a specialist
who does a job nobody wants.
But we can't shake people down.
Internal Affairs
will jump on us.
COBRA: Then we lost.
CHO: Lost?
As long as we play
by these bullshit rules
and the killer doesn't, we lose.
MAN: Yes, sir, we'll
send a squad car right out.
GONZALES:
What do you want to do?
COBRA: Nothing
we can do, except wait.
For what?
For it to happen again.
[GUNSHOTS]
♪♪
I'm, like, really sorry.
Do you think there's,
like, any damage?
How could you have hit me?
Have you been
drinking or something?
Yes.
[BANGING]
[WHIMPERING]
[SCREAMS]
[GARY WRIGHT'S "HOLD ON TO
YOUR VISION" PLAYS ON RADIO]
STALK:
Get the license plate!
STALK:
Come on, come on!
[VAN REVVING]
[TIRES SCREECH]
[POLICE RADIO CHATTER]
CHO:
He's daring us to catch him.
MONTE:
We dig in and find that lead.
CHO: Forget it.
MONTE: Forget it?
What options do we have?
CHO:
Call the bastard.
[PHONE RINGING]
[OFFICERS CHATTERING]
RECEPTIONIST:
Metro Police. Can I help you?
Yes, ma'am,
I need your location.
Ma'am, would you
just be calm...
[POLICE RADIO CHATTER]
CHO:
Gentlemen.
Captain.
I won't waste any time.
You know almost every sicko
in this city. Shake them down.
Do what you have to do
to get a lead on this maniac.
If I find him?
Do what you do best.
And try not to waste
the wrong guy.
But then again...
...what do you care, right?
GONZALES:
You know, when this is over...
...I'd like to celebrate
by punching a hole
in Monte's chest.
You know what the trouble
with you is?
You're too violent.
Me?
It's all that sugar you eat.
- This is the first sugar today.
- It's that junk food.
Bullshit!
Try prunes, something natural.
Raisins.
COBRA: Try fish.
Fish and rice. Very good.
Fish and rice!
♪♪
♪♪
DAN: I'll take it from here.
GUARD: Sure?
No problem.
Her car's right over there.
You're in good hands.
Good night.
Listen, I still think
if you wanted to,
you could be doing
a lot bigger layouts.
I mean it's up to you,
but I could help.
I don't want to have
to play these games.
DAN: Games? What games?
INGRID: You know what games!
Look, I'd be sick not to want
to sleep with you.
Then don't do it for me.
Do it for your career.
[CLATTERING]
Did you hear something?
It's not like I'm
asking you to marry me.
DAN: I see it will take time
to make you change your mind.
DAN: So where do you
want to eat?
INGRID: Please, Dan,
I'm not hungry!
Look-- I'm not doing
this for me, really.
Look, I'm just trying
to help you find happiness.
Damn. I forgot my bag.
You see?
You do need me.
Dan!
Oh, my God!
[SCREAMING]
[BANGING]
[YELLING]
Please! Come on!
My God!
Please, please!
Leave me alone!
They're trying to kill me!
Get back, get back!
SLASHER:
Kill her.
[TIRES SCREECHING]
[GUNSHOTS]
[POLICE SIRENS BLARING]
[ENGINE REVVING]
NURSE 1 OVER P.A.:
Doctor Dorson, please call
nurses' station four West.
GONZALES:
How long before that kicks in?
I don't want to sleep.
NURSE 2:
It won't make you sleep.
It will just calm you down.
Now, I'll be back
when you're finished.
Hi.
- Is it "Ka-nudsen"? Ka?
- Mm-hm.
That's what I thought.
I am Sergeant Gonzales...
...and that intense-looking
gentleman
behind you is
Lieutenant Cobretti.
We're a pair of
really nice guys...
...who are here to ask you
a lot of bad questions.
Is that all right?
You don't look like policemen.
No?
You're kidding?
She must mean you.
No, we are.
We're the real thing.
I don't understand
how this happened to me.
Why don't you take a minute?
Think about it.
Did you have a fight
with anyone?
No.
- You owe money to anybody?
- No.
You been around drugs,
people who deal drugs?
Never. No.
That's nice.
GONZALES: So in other words
in the last few weeks,
there hasn't been anything?
Like no threatening calls?
No threats of any kind?
INGRID:
No.
There was this guy who
scared me a little tonight.
Who?
I don't know who he was.
Some guy broke down
by the underpass.
I just drove away.
What time were you there?
Maybe 10:00.
He scared you. Why?
What was he doing?
It was just the way
he looked at me.
What else did you see?
Did you see anything else?
Yeah, there was another car
in front of them.
Them?
I think there was three of them.
You think you would
recognize him
if you saw him again?
The tall one?
Yeah, the one that
wants to kill you.
[SCRAPING]
She knows your face.
I know where she is.
Let me get her for you.
SLASHER:
She's mine.
- COBRA: You done, Fred?
- Yeah.
Cute guy.
So, what do you think?
It looks a little like him.
You can't describe
the other two, right?
No, it was too dark.
FRED: Want to run prints
at headquarters?
COBRA: No, no, I'll take
care of it. Thanks.
Tonight, you'll stay here.
Tomorrow, we'll move you
to a safe house, okay?
Why do I have to stay
around this? I want to go.
You're the one who can place him
at the crime scene.
Until we get him,
it's got to be that way.
Tony, you hungry?
What do you got?
I got something that
looks like cheese.
GONZALES: No, there's
some cake over there.
COBRA: Take the cheese.
GONZALES: I don't want
the cheese.
I saw some cake.
You're done with this,
aren't you?
Yes.
COBRA: All right, take the cake.
But save it, okay?
Let me have a
little bite of that.
- I'm not your butler, okay?
- GONZALES: Come on, don't pout.
She's going to wreck our
New World.
And the dream.
You have to stop her.
COBRA:
Great-looking guy, huh?
GONZALES:
Do you have that upside-down?
COBRA:
No, he's just a regular dirtbag.
I want to go to my place
and check this out
against my files.
I'll be back in a couple
of hours, okay?
Right.
GONZALES: There's a real
nice-looking lady, huh?
Wasn't she?
- The one upstairs?
- The one upstairs. You remember?
I didn't notice, Gonzales.
I was on the job.
I was paying attention
to business.
Me too. I didn't notice.
- COBRA: Good night, all right?
- Yeah.
GONZALES:
Fucking liar!
COBRA: Watch your mouth.
You're in public.
GONZALES: Of course.
♪♪
[CAR HORN HONKING]
[SPEAKING IN SPANISH]
[SPEAKING IN SPANISH]
COBRA:
You're a good citizen.
[INDISTINCT CHATTER]
ANNOUNCER ON RADIO:
Break back to Carter,
and he's stopped!
[SPEAKING IN SPANISH]
You can't buy a damn thing
that's worth a--
[GRUNTING]
NURSE: You men are supposed
to use the service elevator.
Next time, use the stairs.
Remember the health code.
Next time take the stairs.
NURSE:
A little late to be mopping up.
You want me to say something?
No, I've got to do my rounds.
I'll tell him.
OFFICER:
See you next break.
[POLICE SIREN BLARING]
[PHONE RINGING]
Yeah?
Hey, I'm in your office.
What do you need me for?
Why are you there?
Headquarters said
you wanted me here.
Get back to the hospital!
Presley!
[SHOUTING]
[GRUNTING]
[GRUNTING]
[GUNSHOTS]
COBRA:
Hey!
[THUD]
♪♪
♪♪
[GASPING]
[MUFFLED SCREAMING]
SLASHER:
Pretty hair!
[SCREAMS]
[THUDDING]
[CAR HORN HONKING,
TIRES SCREECHING]
[CURTAIN CLATTERING]
[SCREAMS]
[SLASHER GRUNTING]
Why are you doing this to me?
Stop this right now!
Stop doing this to me!
[SCREAMING]
Is anybody here?
[YELPS]
[FIRE ALARM RINGING]
[PANTING]
RECORDED VOICE:
Please remain calm.
All exits from the hospital
are clearly marked.
Please use the stairs and
proceed in an orderly manner.
Do not run.
Do not use the elevators.
Please remain calm.
All exits from the hospital
are clearly marked.
Please use the stairs and
proceed in an orderly manner.
Do not run.
Do not use the elevators.
Please remain calm.
CHO:
You almost got everyone killed.
- Now maybe you'll do it right.
- They've got somebody inside.
HALLIWELL.:
Smart accusation, Cobretti.
Can you prove it? Huh?
CHO:
Chief Halliwell wants an answer.
Not yet.
I understand what
we're dealing with.
Don't make things
harder than they are.
Monte says you've got
a sketch of the suspect.
Is this a game?
He didn't say the magic word.
What magic word?
Please.
All right,
enough of this bullshit.
Do you understand?
You bet.
That's it?
That's it.
[INDISTINCT CHATTER]
HALLIWELL: Cobretti, do you know
you have an attitude problem?
Yeah, but it's
just a little one.
[POLICE SIREN BLARING]
- He's going to get me, isn't he?
- No, he won't.
How can you say that?
You said I'll be safe here.
Who is he?
We don't know yet.
- Come on, it's moving time.
- All right.
GONZALES: This is Officer Stalk.
She's assigned to this case.
GONZALES: So let's go, guys.
- Where?
COBRA:
We're going to a safe house.
Want help with this?
- Want a bite?
- No.
Don't you like health food??
MONTE: Did you notice
anything out of the ordinary?
Did anybody challenge you?
If you remember anything,
let us know.
I appreciate your help.
You've got to tell me
what happened here.
I told you to let my team
handle this, understand?
Of course you don't.
Listen, hotshot.
MONTE: We want him
as much as you do.
COBRA: Do you?
There were three men
assigned to that room.
Headquarters called
to take two off. Why?
Headquarters didn't do anything.
No? Then who did?
MONTE: It's your show.
You find out.
WOMAN OVER P.A.:
Please call operator three.
♪♪
[CAR HORN HONKING]
[ENGINE REVVING]
[TIRES SCREECHING]
[TIRES SCREECHING]
[CRASHING]
Where's Gonzales?
[GUNSHOTS]
COBRA:
Buckle up!
[CLATTERING]
[SCREAMING]
[CLATTERING]
[TIRES SCREECHING]
[CAR HORN HONKING]
[GUNSHOT]
[GUNSHOTS]
[TIRES SCREECHING]
[CAR HORN HONKING]
[GUNSHOTS]
[GUNSHOTS]
Hold on!
[TIRES SCREECHING]
[GUNSHOTS]
DRIVER:
He's crazy! He's crazy!
[GUNSHOT]
[CAR HORN HONKING]
[GUNSHOT]
[CLATTERING]
[CAR HORN HONKING]
[CLATTERING]
Go!
[TRUCK HORN HONKING]
Watch out!
[EXPLOSION]
[WHIMPERS]
[TIRES SCREECHING]
[GUNSHOTS]
♪♪
Oh, my God!
Get down!
[CRASHING]
[TIRES SCREECHING]
[CREAKING]
♪♪
[POLICE SIREN BLARING]
HALLIWELL:
It's so out of control.
Where do I start?
AGENT:
With the legal problems.
HALLIWELL: Of course
we have legal problems.
The city's one big battlefield.
The public will be screaming
for federal assistance.
I don't want FBI in here!
HALLIWELL: We've got
the manpower to handle it,
so why can't we control this?
Because we're not up against one man
we're up against an army of killers.
I keep telling you guys that.
- MONTE: How do you know?
- COBRA: I know, all right?
MONTE: This army
theory sounds weak.
GONZALES: Does it really?
MONTE:
What have you got,
besides a scared woman,
to back up what you say?
And your idea of taking her
out of the city
for protection is ridiculous.
- Is it?
- The security is here.
CHO: Maybe she'll be safer here,
where we can keep an eye on her.
- COBRA: It won't work.
- HALLIWELL: Why not?
We're dealing with fanatics
who'll do anything to waste her!
Excuse me, but I've got
to say what I think.
And I think this whole
sorry ordeal is like some...
...damn sick joke,
if you ask me.
Nobody asked you, Monte.
That's just too bad, isn't it?
He doesn't give a
rat's ass for this girl.
She's just live bait...
...so King Cobretti here
can cut a new notch.
You've already caused
a lot of people to die.
How about letting her live?
[ALL SHOUTING]
Enough!
COBRA:
Next time.
He's the psycho!
HALLIWELL:
What do we want to do?
If he thinks those psychos
will follow her, let him go.
At least we got them
out of the city.
CHO: You all right?
MONTE: Yeah.
♪♪
Are your men out there?
Yeah, they're out there.
Are we just supposed
to drive around
until he tries to kill us again?
No, they won't get you.
You keep saying that.
How do you know that for sure?
You got to have faith.
♪♪
♪♪
Can I ask you something?
Sure, what's that?
Why were you fighting
with the other police?
Sometimes they don't
buy what I believe.
There's all these
crazy people everywhere.
Why can't the police
just put them away
and keep them away?
Hey, tell it to the judge.
What do you mean?
We put them away.
They let them out.
It makes me sick!
Like I said, you got to
tell it to the judge.
♪♪
Great day for junk food, babe.
Why don't you add
meat to your diet?
No, thanks. I hate frog legs.
GONZALES:
Hi.
INGRID:
Hey.
You want?
Thank you.
Fellow garbage-belly.
So how you doing?
All right. What about you?
Not bad.
Where are we going?
You're going to have
to ask Cobra.
He's the expert on this.
He doesn't look like an expert,
does he?
I know. He looks like
a fugitive from the '50s...
...but he sure is great
at catching psychos.
He's the pride of the
zombie squad.
What's the zombie squad?
The bottom line.
Want to have some fun?
It's kind of personal...
...but it might cheer him up.
Walk up to him...
...and call him...
He likes that.
Hot item.
Did you find out anything new?
Since you were in the bathroom?
No, not really.
I did.
Like what?
Marion Cobretti.
Is that really your name?
Gonzales talks too much,
doesn't he?
- It's not so bad.
- No?
It's kind of tough
growing up with.
- I like it. Yeah.
- Do you?
I always wanted to have
a tougher one myself.
You know, a little harder name.
Like what?
Alice.
We'd better get going.
COBRA:
Sorry, no sale.
♪♪
[METAL CLATTERING]
[INDISTINCT CHATTER]
[GLADYS KNIGHT'S "LOVING ON
BORROWED TIME" PLAYS ON JUKEBOX]
Your entrée is ready.
It's for the large family.
It sure is.
You have a life preserver?
Why?
Because your French fries
are drowning there.
♪♪
What is this place?
It's a foundry town.
[DOORBELL RINGING]
INGRID:
Tell me something:
Do you ever let go?
Sure.
Really?
So what do you do to relax?
Look for trouble.
No, I mean...
...do you ever get involved?
With a woman?
Yeah, a woman.
A real woman?
A real live woman?
I don't know.
Now and then. Nothing regular.
Why?
Let's just say that...
...not many people could
put up with the way I live.
What if you found one?
I'd say she'd have to be
a little crazy.
♪♪
♪♪
[ENGINES REVVING]
[INSECTS CHIRPING]
[CLICKING]
STALK:
I've got to go.
[GASPING]
You scared me.
Where's Tony?
Uh, he's asleep. I was just
checking on things at home.
Why not use the phone
in your room?
Uh, it's out of order.
It's getting cold out here, huh?
Yeah. Better get inside.
Maybe it doesn't mean much,
but I think you're doing
a great job.
You too.
[WIND BLOWING]
♪♪
[CLICKING]
♪♪
[CLICKING]
[CLICKING]
COBRA:
Can't you sleep?
Not really.
You should try.
- I can still hear.
- What?
That your eyes are open.
Who can sleep?
Would you come over here,
please?
I won't hurt you.
Sure, why not?
♪♪
COBRA: Yeah,
I guess I'll be pretty safe.
INGRID: Where will you go
when this is all done?
I don't know.
Maybe another case.
We'll see each other some more
when this is over, right?
You think that's a good idea?
I think it might be.
♪♪
I'll go check the window.
♪♪
I think it might be
a very good idea.
♪♪
♪♪
♪♪
♪♪
♪♪
Morning.
INGRID:
Hi.
[DOG BARKING]
Where we going today?
Further upstate.
We better check on Stalk,
see why she isn't out here.
Better get in the car.
What's wrong?
You look so mad.
I always look this way
before breakfast.
- GONZALES: She's gone, man.
- COBRA: What?
GONZALES:
Gone.
COBRA:
Get inside.
Get inside!
♪♪
Never liked that bitch.
Me either.
COBRA:
Get in the house.
♪♪
Get down over there.
♪♪
[GUNSHOTS]
[GLASS BREAKING]
[GRUNTING]
[GUNSHOTS]
[GRUNTING]
[GUNSHOTS]
[GUNSHOTS]
[SCREAMS]
[GUNSHOTS]
[THUD]
[GUNSHOTS]
[GUNSHOTS]
[GUNSHOTS]
COBRA:
Come on!
[EXPLOSION]
[GLASS BREAKING]
[GROANS]
[GUNSHOTS]
Tony! Tony!
Tony!
[CAR HORN HONKING]
[EXPLOSION]
[TIRES SCREECHING]
[GUNSHOTS]
[GROANS]
[GRUNTING]
[GUNSHOTS]
What do I do?
Go through it!
Keep going!
[TIRES SCREECHING]
[GUNSHOTS]
Come on, let's go!
♪♪
Down!
Go to the foundry.
♪♪
[GUNSHOTS]
[GUNSHOT]
♪♪
[MOUTHING WORDS]
- [GUNSHOT]
- [GRUNTING]
[ALARM BLARING]
[METAL SCREECHING]
♪♪
♪♪
[GUN COCKING]
[GUNSHOTS]
[GUN COCKING]
[MAN SCREAMS]
[GRUNTING]
♪♪
♪♪
[CLATTERING]
[SCREAMS]
You have the right
to remain silent.
[SCREAMING]
Die, bitch!
Stop!
[GUNSHOTS]
[SCREAMING]
No!
[GUNSHOTS]
Get out of there!
Let's bleed, pig!
Where are you?
[GUNSHOT]
I want your eyes, pig!
I want them!
You want to go to hell?
Huh? Huh, pig?
You want to go to hell with me?
It doesn't matter, does it?
We are the hunters.
We kill the weak...
...so the strong survive.
You can't stop the New World.
Your filthy society will never
get rid of people like us.
It's breeding them.
We are the future!
No!
You're history.
You won't do it, pig.
You won't shoot.
Murder is against the law.
You have to take me in.
If...
...you can.
Even I have rights...
...don't I...
...pig?
Take me in.
They'll say I'm insane.
Won't they?
The court is civilized...
...isn't it...
...pig?
But I'm not.
This is where the law stops...
...and I start...
...sucker!
[SCREAMS]
[GUNSHOTS]
[CHAINS RATTLING]
[GRUNTING]
SLASHER:
Come on, pig.
[GRUNTING]
[HISSING]
[GRUNTING]
[BLOWS LANDING]
[SCREAMING]
[SCREAMING]
- You okay?
- Yeah.
You sure?
Let's get out of here.
[HELICOPTER WHIRRING]
[POLICE RADIO CHATTER]
Yep. All right,
you guys, move out.
Come on, you did your best.
Don't feel guilty.
That's nice of you.
You going to be all right?
I'm going to miss the
dance finals.
Listen, can I get you anything?
Yeah.
I would kill for some...
What?
Gummy Bears.
Gummy Bears?
See you at the hospital.
GONZALES: Keep in touch.
COBRA: Don't drive too fast.
Easy.
All right, you guys,
clean it all up.
HALLIWELL:
Cobra.
You did a hell of a job here.
You ever want to get a transfer
from the zombie squad to
something easier...
...or you need anything...
...just say the word.
Well...
I would like to have
my car replaced.
We'd like to,
but it's not in the budget.
Well...
See you back at headquarters.
I'll take care of your
toy for you.
MONTE:
Cobretti...
No hard feelings.
You kind of overdid it
around here.
I personally would
have looked for...
...a more subtle solution,
but that's not your style.
No hard feelings.
[GRUNTS]
No hard feelings, pal.
CHO:
Cobra?
I'll give you a lift.
No, I've got my own
transportation, thanks.
You ready?
Ready, Marion.
Catchy name, isn't it?
[ENGINE REVVING]
♪♪
♪♪
♪♪
♪♪
♪♪
♪♪
♪♪
♪♪
♪♪
♪♪
COBRA:
In America...
...there's a burglary
every 11 seconds...
...an armed robbery
every 65 seconds...
...a violent crime
every 25 seconds...
...a murder every 24 minutes...
...and 250 rapes a day.
[GUNSHOT]
♪♪
[WATER SLOSHING]
[METAL CLANKING]
[SEAGULL CAWING]
[MOTORCYCLE RUMBLING]
WOMAN: Jerry, don't
push it together like that.
MAN:
Will you just let me do it?
WOMAN:
You make me sick!
CUSTOMER:
Watch it!
- [CRASH]
- [GASPING]
Hey, pal!
Can I help you?
CLERK:
Hey, pal...
[SHOTGUN COCKING]
[GUNSHOT]
[CUSTOMERS SCREAMING]
[GUNSHOTS CONTINUE]
[HELICOPTER WHIRRING]
[POLICE SIREN BLARING]
MONTE: We are willing to talk.
No one wants to hurt you.
Do you understand?
We are willing to talk. There's
no more need for violence.
There's no way out except by
talking. Do you understand?
No one wants to hurt you.
[SHOTGUN COCKING]
MONTE:
We want to help.
Please, communicate with us.
- We don't want to hurt you.
KILLER: You can go.
MONTE:
We want to help.
You can go!
MONTE:
Communicate with us.
You're free!
MONTE: No one wants to hurt you.
Do you understand?
[SHOTGUN COCKING]
Enough of trying
to deal with this maniac!
Get down!
All we need is a little more time.
We can get control
of the situation.
What control?
Call the Cobra.
[GUNSHOTS]
[HOSTAGES SCREAM]
[SHOTGUN COCKING,
GUNSHOT]
[GLASS SHATTERING]
[TIRES SQUEALING,
ENGINE REVVING]
[BRAKES SQUEALING,
ENGINE REVVING]
[POLICE RADIO CHATTER]
COBRA: How bad is it?
GONZALES: It's bad.
Any I.D. on the guy?
Just another asshole who woke up
hating the world.
What's happening?
MONTE: I don't agree
with them bringing you here.
I just want you to know that.
COBRA:
Yeah
Come on.
Come on!
[HOSTAGES WHIMPERING]
Move!
[SHOTGUN COCKING]
KILLER:
Shut up, man!
Relax!
WOMAN:
I'm hungry.
Shh.
KILLER:
Bitch, come on!
I'll blow your
stupid head off. Get over there!
Get down, you.
Get down there, man.
Shut up!
You get away from her!
Shut up!
[FOOTSTEPS]
[GUNSHOTS]
I'll kill you, man.
I'll kill them all!
It's the way of the New World.
So where are those TV cameras?
Hey, man, I've got a bomb here.
I'll kill them all!
You bring in the TV,
or I'll kill them all.
You understand?
It's the way of the New World!
[BEER CAN THUDDING]
[GUNSHOT]
[GUNSHOT]
What are you waiting for?
Let's go!
Come on over here, I'll
kill them. You got that?
You're all trash, anyway.
You all deserve it.
You're gonna die right now,
you got that?
Watch this, I'm gonna kill her.
I'm gonna
incinerate the kitchen!
[OVER P.A.]
Hey, dirtbag!
You're a lousy shot.
I don't like lousy shots.
You wasted a kid for nothing.
Now I think it's time
to waste you.
KILLER:
Hold it!
Come on, man.
I got a bomb here.
I'll kill her.
I'll blow this whole place up.
Go ahead.
I don't shop here.
Just relax, amigo.
You want to talk?
We'll talk. I'm a sucker
for good conversation.
I don't want to talk to you.
You bring the television
cameras in here now.
Come on, bring it in!
I can't do that.
Why?
I don't deal with psychos.
I put them away.
I ain't no psycho, man.
I'm a hero!
You're looking at
a fucking hunter.
I'm a hero of the New World.
You're a disease,
and I'm the cure.
Die!
Hey!
[GROANING]
COBRA:
Drop it!
[GUNSHOTS]
Come on.
[CROWD CHATTERING]
GONZALES: You okay, man?
COBRA: Yeah.
MONTE:
Please, people, please.
REPORTER 1: You're the one
who killed the maniac?
REPORTER 2:
Did he say why he did it?
Is it related
to the Night Slasher?
MONTE: The Night Slasher is
an entirely different case.
Now, please, people, please!
GONZALES:
Let's have a little room!
REPORTER 2:
Was it necessary--?
That's right,
I asked a question.
Was it necessary for it
to end like this?
Did he have to die?
Come on,
don't listen to this asshole.
REPORTER 2:
The question is, Cobretti,
did you use
unnecessary deadly force?
I used everything I had.
Is this a public forum? Come on!
We have work to do out here!
REPORTER 2: Our viewers have the
right to know what makes a policeman
a judge and jury.
People have rights.
MAN: Rights?
You think a maniac who blew
a kid's heart out for nothing
should have rights?
REPORTER 2: That doesn't concern you
and no matter what you think,
people are entitled
to protection by the law.
You tell that to his family!
All right, the show's over.
Come on, clear this area!
♪♪
[COBRA HONKS HORN]
COBRA: Move it!
MAN 1: Fuck you!
[METALLIC THUDDING]
MAN 1:
What's your problem?
[MEN SPEAKING IN SPANISH]
What's your problema, ése?
You touched my car, man.
[MAN SPEAKING SPANISH]
That's bad for your health.
What is, pinche?
Me.
Clean up your act.
[IN SPANISH]
WOMAN:
Yeah! You're in trouble, man.
MAN 2:
You told him, ése.
Yeah, all right.
[CLEARS THROAT]
[CHRISTMAS COMMERCIAL
PLAYS ON TV]
FEMALE NEWSCASTER:
Tonight, the man known
as the Night Slasher...
...has struck for the 16th time
in just over a month's time.
The 22-year-old victim
was mutilated with
a sharp instrument...
...and seemed to be just as
unlikely a victim
as the other 15.
Not much else
is known other than
that the Night Slasher
preys upon anyone.
Victims have included
businessmen,
Asian immigrants...
...the elderly and, in one case,
a sexually assaulted child.
The serial killer has thrown
the city into a growing panic...
...and up until now, no one
has had a clue to his identity.
The killer has been known
to crawl through windows...
...and kill the victims
in their sleep.
The method of death has been
silent instruments...
...such as claw hammers,
knives and axes.
[WHIMPERING]
[SCREAMING]
CHO: There's no question
it's the same weapon.
EXAMINER: 90% sure
it's the same weapon.
EXAMINER: Cuts are
straight, long, deep,
just like the others.
CHO: That brings
the count to 16,
and still this bastard
shows no distinct pattern.
Maybe there's more than one.
Look, this is not
your specialty, okay?
This is pure
investigative work...
...not jumping out a window.
MONTE: We need
to beef up the task force.
CHO: We need
interagency cooperation.
Christ, every department wants
to be the hero in this case!
Captain, look,
I don't want to be a hero.
I just want to get involved.
MONTE:
If I may, captain...?
If we let Cobretti
use his tactics,
we're asking for trouble.
GONZALES:
What are you saying?
MONTE: He should stay
on the zombie squad.
COBRA: You're
telling me where to stay?
MONTE: It's nothing personal.
We're just different
kinds of cops.
CHO: Like Monte says,
you're a specialist
who does a job nobody wants.
But we can't shake people down.
Internal Affairs
will jump on us.
COBRA: Then we lost.
CHO: Lost?
As long as we play
by these bullshit rules
and the killer doesn't, we lose.
MAN: Yes, sir, we'll
send a squad car right out.
GONZALES:
What do you want to do?
COBRA: Nothing
we can do, except wait.
For what?
For it to happen again.
[GUNSHOTS]
♪♪
I'm, like, really sorry.
Do you think there's,
like, any damage?
How could you have hit me?
Have you been
drinking or something?
Yes.
[BANGING]
[WHIMPERING]
[SCREAMS]
[GARY WRIGHT'S "HOLD ON TO
YOUR VISION" PLAYS ON RADIO]
STALK:
Get the license plate!
STALK:
Come on, come on!
[VAN REVVING]
[TIRES SCREECH]
[POLICE RADIO CHATTER]
CHO:
He's daring us to catch him.
MONTE:
We dig in and find that lead.
CHO: Forget it.
MONTE: Forget it?
What options do we have?
CHO:
Call the bastard.
[PHONE RINGING]
[OFFICERS CHATTERING]
RECEPTIONIST:
Metro Police. Can I help you?
Yes, ma'am,
I need your location.
Ma'am, would you
just be calm...
[POLICE RADIO CHATTER]
CHO:
Gentlemen.
Captain.
I won't waste any time.
You know almost every sicko
in this city. Shake them down.
Do what you have to do
to get a lead on this maniac.
If I find him?
Do what you do best.
And try not to waste
the wrong guy.
But then again...
...what do you care, right?
GONZALES:
You know, when this is over...
...I'd like to celebrate
by punching a hole
in Monte's chest.
You know what the trouble
with you is?
You're too violent.
Me?
It's all that sugar you eat.
- This is the first sugar today.
- It's that junk food.
Bullshit!
Try prunes, something natural.
Raisins.
COBRA: Try fish.
Fish and rice. Very good.
Fish and rice!
♪♪
♪♪
DAN: I'll take it from here.
GUARD: Sure?
No problem.
Her car's right over there.
You're in good hands.
Good night.
Listen, I still think
if you wanted to,
you could be doing
a lot bigger layouts.
I mean it's up to you,
but I could help.
I don't want to have
to play these games.
DAN: Games? What games?
INGRID: You know what games!
Look, I'd be sick not to want
to sleep with you.
Then don't do it for me.
Do it for your career.
[CLATTERING]
Did you hear something?
It's not like I'm
asking you to marry me.
DAN: I see it will take time
to make you change your mind.
DAN: So where do you
want to eat?
INGRID: Please, Dan,
I'm not hungry!
Look-- I'm not doing
this for me, really.
Look, I'm just trying
to help you find happiness.
Damn. I forgot my bag.
You see?
You do need me.
Dan!
Oh, my God!
[SCREAMING]
[BANGING]
[YELLING]
Please! Come on!
My God!
Please, please!
Leave me alone!
They're trying to kill me!
Get back, get back!
SLASHER:
Kill her.
[TIRES SCREECHING]
[GUNSHOTS]
[POLICE SIRENS BLARING]
[ENGINE REVVING]
NURSE 1 OVER P.A.:
Doctor Dorson, please call
nurses' station four West.
GONZALES:
How long before that kicks in?
I don't want to sleep.
NURSE 2:
It won't make you sleep.
It will just calm you down.
Now, I'll be back
when you're finished.
Hi.
- Is it "Ka-nudsen"? Ka?
- Mm-hm.
That's what I thought.
I am Sergeant Gonzales...
...and that intense-looking
gentleman
behind you is
Lieutenant Cobretti.
We're a pair of
really nice guys...
...who are here to ask you
a lot of bad questions.
Is that all right?
You don't look like policemen.
No?
You're kidding?
She must mean you.
No, we are.
We're the real thing.
I don't understand
how this happened to me.
Why don't you take a minute?
Think about it.
Did you have a fight
with anyone?
No.
- You owe money to anybody?
- No.
You been around drugs,
people who deal drugs?
Never. No.
That's nice.
GONZALES: So in other words
in the last few weeks,
there hasn't been anything?
Like no threatening calls?
No threats of any kind?
INGRID:
No.
There was this guy who
scared me a little tonight.
Who?
I don't know who he was.
Some guy broke down
by the underpass.
I just drove away.
What time were you there?
Maybe 10:00.
He scared you. Why?
What was he doing?
It was just the way
he looked at me.
What else did you see?
Did you see anything else?
Yeah, there was another car
in front of them.
Them?
I think there was three of them.
You think you would
recognize him
if you saw him again?
The tall one?
Yeah, the one that
wants to kill you.
[SCRAPING]
She knows your face.
I know where she is.
Let me get her for you.
SLASHER:
She's mine.
- COBRA: You done, Fred?
- Yeah.
Cute guy.
So, what do you think?
It looks a little like him.
You can't describe
the other two, right?
No, it was too dark.
FRED: Want to run prints
at headquarters?
COBRA: No, no, I'll take
care of it. Thanks.
Tonight, you'll stay here.
Tomorrow, we'll move you
to a safe house, okay?
Why do I have to stay
around this? I want to go.
You're the one who can place him
at the crime scene.
Until we get him,
it's got to be that way.
Tony, you hungry?
What do you got?
I got something that
looks like cheese.
GONZALES: No, there's
some cake over there.
COBRA: Take the cheese.
GONZALES: I don't want
the cheese.
I saw some cake.
You're done with this,
aren't you?
Yes.
COBRA: All right, take the cake.
But save it, okay?
Let me have a
little bite of that.
- I'm not your butler, okay?
- GONZALES: Come on, don't pout.
She's going to wreck our
New World.
And the dream.
You have to stop her.
COBRA:
Great-looking guy, huh?
GONZALES:
Do you have that upside-down?
COBRA:
No, he's just a regular dirtbag.
I want to go to my place
and check this out
against my files.
I'll be back in a couple
of hours, okay?
Right.
GONZALES: There's a real
nice-looking lady, huh?
Wasn't she?
- The one upstairs?
- The one upstairs. You remember?
I didn't notice, Gonzales.
I was on the job.
I was paying attention
to business.
Me too. I didn't notice.
- COBRA: Good night, all right?
- Yeah.
GONZALES:
Fucking liar!
COBRA: Watch your mouth.
You're in public.
GONZALES: Of course.
♪♪
[CAR HORN HONKING]
[SPEAKING IN SPANISH]
[SPEAKING IN SPANISH]
COBRA:
You're a good citizen.
[INDISTINCT CHATTER]
ANNOUNCER ON RADIO:
Break back to Carter,
and he's stopped!
[SPEAKING IN SPANISH]
You can't buy a damn thing
that's worth a--
[GRUNTING]
NURSE: You men are supposed
to use the service elevator.
Next time, use the stairs.
Remember the health code.
Next time take the stairs.
NURSE:
A little late to be mopping up.
You want me to say something?
No, I've got to do my rounds.
I'll tell him.
OFFICER:
See you next break.
[POLICE SIREN BLARING]
[PHONE RINGING]
Yeah?
Hey, I'm in your office.
What do you need me for?
Why are you there?
Headquarters said
you wanted me here.
Get back to the hospital!
Presley!
[SHOUTING]
[GRUNTING]
[GRUNTING]
[GUNSHOTS]
COBRA:
Hey!
[THUD]
♪♪
♪♪
[GASPING]
[MUFFLED SCREAMING]
SLASHER:
Pretty hair!
[SCREAMS]
[THUDDING]
[CAR HORN HONKING,
TIRES SCREECHING]
[CURTAIN CLATTERING]
[SCREAMS]
[SLASHER GRUNTING]
Why are you doing this to me?
Stop this right now!
Stop doing this to me!
[SCREAMING]
Is anybody here?
[YELPS]
[FIRE ALARM RINGING]
[PANTING]
RECORDED VOICE:
Please remain calm.
All exits from the hospital
are clearly marked.
Please use the stairs and
proceed in an orderly manner.
Do not run.
Do not use the elevators.
Please remain calm.
All exits from the hospital
are clearly marked.
Please use the stairs and
proceed in an orderly manner.
Do not run.
Do not use the elevators.
Please remain calm.
CHO:
You almost got everyone killed.
- Now maybe you'll do it right.
- They've got somebody inside.
HALLIWELL.:
Smart accusation, Cobretti.
Can you prove it? Huh?
CHO:
Chief Halliwell wants an answer.
Not yet.
I understand what
we're dealing with.
Don't make things
harder than they are.
Monte says you've got
a sketch of the suspect.
Is this a game?
He didn't say the magic word.
What magic word?
Please.
All right,
enough of this bullshit.
Do you understand?
You bet.
That's it?
That's it.
[INDISTINCT CHATTER]
HALLIWELL: Cobretti, do you know
you have an attitude problem?
Yeah, but it's
just a little one.
[POLICE SIREN BLARING]
- He's going to get me, isn't he?
- No, he won't.
How can you say that?
You said I'll be safe here.
Who is he?
We don't know yet.
- Come on, it's moving time.
- All right.
GONZALES: This is Officer Stalk.
She's assigned to this case.
GONZALES: So let's go, guys.
- Where?
COBRA:
We're going to a safe house.
Want help with this?
- Want a bite?
- No.
Don't you like health food??
MONTE: Did you notice
anything out of the ordinary?
Did anybody challenge you?
If you remember anything,
let us know.
I appreciate your help.
You've got to tell me
what happened here.
I told you to let my team
handle this, understand?
Of course you don't.
Listen, hotshot.
MONTE: We want him
as much as you do.
COBRA: Do you?
There were three men
assigned to that room.
Headquarters called
to take two off. Why?
Headquarters didn't do anything.
No? Then who did?
MONTE: It's your show.
You find out.
WOMAN OVER P.A.:
Please call operator three.
♪♪
[CAR HORN HONKING]
[ENGINE REVVING]
[TIRES SCREECHING]
[TIRES SCREECHING]
[CRASHING]
Where's Gonzales?
[GUNSHOTS]
COBRA:
Buckle up!
[CLATTERING]
[SCREAMING]
[CLATTERING]
[TIRES SCREECHING]
[CAR HORN HONKING]
[GUNSHOT]
[GUNSHOTS]
[TIRES SCREECHING]
[CAR HORN HONKING]
[GUNSHOTS]
[GUNSHOTS]
Hold on!
[TIRES SCREECHING]
[GUNSHOTS]
DRIVER:
He's crazy! He's crazy!
[GUNSHOT]
[CAR HORN HONKING]
[GUNSHOT]
[CLATTERING]
[CAR HORN HONKING]
[CLATTERING]
Go!
[TRUCK HORN HONKING]
Watch out!
[EXPLOSION]
[WHIMPERS]
[TIRES SCREECHING]
[GUNSHOTS]
♪♪
Oh, my God!
Get down!
[CRASHING]
[TIRES SCREECHING]
[CREAKING]
♪♪
[POLICE SIREN BLARING]
HALLIWELL:
It's so out of control.
Where do I start?
AGENT:
With the legal problems.
HALLIWELL: Of course
we have legal problems.
The city's one big battlefield.
The public will be screaming
for federal assistance.
I don't want FBI in here!
HALLIWELL: We've got
the manpower to handle it,
so why can't we control this?
Because we're not up against one man
we're up against an army of killers.
I keep telling you guys that.
- MONTE: How do you know?
- COBRA: I know, all right?
MONTE: This army
theory sounds weak.
GONZALES: Does it really?
MONTE:
What have you got,
besides a scared woman,
to back up what you say?
And your idea of taking her
out of the city
for protection is ridiculous.
- Is it?
- The security is here.
CHO: Maybe she'll be safer here,
where we can keep an eye on her.
- COBRA: It won't work.
- HALLIWELL: Why not?
We're dealing with fanatics
who'll do anything to waste her!
Excuse me, but I've got
to say what I think.
And I think this whole
sorry ordeal is like some...
...damn sick joke,
if you ask me.
Nobody asked you, Monte.
That's just too bad, isn't it?
He doesn't give a
rat's ass for this girl.
She's just live bait...
...so King Cobretti here
can cut a new notch.
You've already caused
a lot of people to die.
How about letting her live?
[ALL SHOUTING]
Enough!
COBRA:
Next time.
He's the psycho!
HALLIWELL:
What do we want to do?
If he thinks those psychos
will follow her, let him go.
At least we got them
out of the city.
CHO: You all right?
MONTE: Yeah.
♪♪
Are your men out there?
Yeah, they're out there.
Are we just supposed
to drive around
until he tries to kill us again?
No, they won't get you.
You keep saying that.
How do you know that for sure?
You got to have faith.
♪♪
♪♪
Can I ask you something?
Sure, what's that?
Why were you fighting
with the other police?
Sometimes they don't
buy what I believe.
There's all these
crazy people everywhere.
Why can't the police
just put them away
and keep them away?
Hey, tell it to the judge.
What do you mean?
We put them away.
They let them out.
It makes me sick!
Like I said, you got to
tell it to the judge.
♪♪
Great day for junk food, babe.
Why don't you add
meat to your diet?
No, thanks. I hate frog legs.
GONZALES:
Hi.
INGRID:
Hey.
You want?
Thank you.
Fellow garbage-belly.
So how you doing?
All right. What about you?
Not bad.
Where are we going?
You're going to have
to ask Cobra.
He's the expert on this.
He doesn't look like an expert,
does he?
I know. He looks like
a fugitive from the '50s...
...but he sure is great
at catching psychos.
He's the pride of the
zombie squad.
What's the zombie squad?
The bottom line.
Want to have some fun?
It's kind of personal...
...but it might cheer him up.
Walk up to him...
...and call him...
He likes that.
Hot item.
Did you find out anything new?
Since you were in the bathroom?
No, not really.
I did.
Like what?
Marion Cobretti.
Is that really your name?
Gonzales talks too much,
doesn't he?
- It's not so bad.
- No?
It's kind of tough
growing up with.
- I like it. Yeah.
- Do you?
I always wanted to have
a tougher one myself.
You know, a little harder name.
Like what?
Alice.
We'd better get going.
COBRA:
Sorry, no sale.
♪♪
[METAL CLATTERING]
[INDISTINCT CHATTER]
[GLADYS KNIGHT'S "LOVING ON
BORROWED TIME" PLAYS ON JUKEBOX]
Your entrée is ready.
It's for the large family.
It sure is.
You have a life preserver?
Why?
Because your French fries
are drowning there.
♪♪
What is this place?
It's a foundry town.
[DOORBELL RINGING]
INGRID:
Tell me something:
Do you ever let go?
Sure.
Really?
So what do you do to relax?
Look for trouble.
No, I mean...
...do you ever get involved?
With a woman?
Yeah, a woman.
A real woman?
A real live woman?
I don't know.
Now and then. Nothing regular.
Why?
Let's just say that...
...not many people could
put up with the way I live.
What if you found one?
I'd say she'd have to be
a little crazy.
♪♪
♪♪
[ENGINES REVVING]
[INSECTS CHIRPING]
[CLICKING]
STALK:
I've got to go.
[GASPING]
You scared me.
Where's Tony?
Uh, he's asleep. I was just
checking on things at home.
Why not use the phone
in your room?
Uh, it's out of order.
It's getting cold out here, huh?
Yeah. Better get inside.
Maybe it doesn't mean much,
but I think you're doing
a great job.
You too.
[WIND BLOWING]
♪♪
[CLICKING]
♪♪
[CLICKING]
[CLICKING]
COBRA:
Can't you sleep?
Not really.
You should try.
- I can still hear.
- What?
That your eyes are open.
Who can sleep?
Would you come over here,
please?
I won't hurt you.
Sure, why not?
♪♪
COBRA: Yeah,
I guess I'll be pretty safe.
INGRID: Where will you go
when this is all done?
I don't know.
Maybe another case.
We'll see each other some more
when this is over, right?
You think that's a good idea?
I think it might be.
♪♪
I'll go check the window.
♪♪
I think it might be
a very good idea.
♪♪
♪♪
♪♪
♪♪
♪♪
Morning.
INGRID:
Hi.
[DOG BARKING]
Where we going today?
Further upstate.
We better check on Stalk,
see why she isn't out here.
Better get in the car.
What's wrong?
You look so mad.
I always look this way
before breakfast.
- GONZALES: She's gone, man.
- COBRA: What?
GONZALES:
Gone.
COBRA:
Get inside.
Get inside!
♪♪
Never liked that bitch.
Me either.
COBRA:
Get in the house.
♪♪
Get down over there.
♪♪
[GUNSHOTS]
[GLASS BREAKING]
[GRUNTING]
[GUNSHOTS]
[GRUNTING]
[GUNSHOTS]
[GUNSHOTS]
[SCREAMS]
[GUNSHOTS]
[THUD]
[GUNSHOTS]
[GUNSHOTS]
[GUNSHOTS]
COBRA:
Come on!
[EXPLOSION]
[GLASS BREAKING]
[GROANS]
[GUNSHOTS]
Tony! Tony!
Tony!
[CAR HORN HONKING]
[EXPLOSION]
[TIRES SCREECHING]
[GUNSHOTS]
[GROANS]
[GRUNTING]
[GUNSHOTS]
What do I do?
Go through it!
Keep going!
[TIRES SCREECHING]
[GUNSHOTS]
Come on, let's go!
♪♪
Down!
Go to the foundry.
♪♪
[GUNSHOTS]
[GUNSHOT]
♪♪
[MOUTHING WORDS]
- [GUNSHOT]
- [GRUNTING]
[ALARM BLARING]
[METAL SCREECHING]
♪♪
♪♪
[GUN COCKING]
[GUNSHOTS]
[GUN COCKING]
[MAN SCREAMS]
[GRUNTING]
♪♪
♪♪
[CLATTERING]
[SCREAMS]
You have the right
to remain silent.
[SCREAMING]
Die, bitch!
Stop!
[GUNSHOTS]
[SCREAMING]
No!
[GUNSHOTS]
Get out of there!
Let's bleed, pig!
Where are you?
[GUNSHOT]
I want your eyes, pig!
I want them!
You want to go to hell?
Huh? Huh, pig?
You want to go to hell with me?
It doesn't matter, does it?
We are the hunters.
We kill the weak...
...so the strong survive.
You can't stop the New World.
Your filthy society will never
get rid of people like us.
It's breeding them.
We are the future!
No!
You're history.
You won't do it, pig.
You won't shoot.
Murder is against the law.
You have to take me in.
If...
...you can.
Even I have rights...
...don't I...
...pig?
Take me in.
They'll say I'm insane.
Won't they?
The court is civilized...
...isn't it...
...pig?
But I'm not.
This is where the law stops...
...and I start...
...sucker!
[SCREAMS]
[GUNSHOTS]
[CHAINS RATTLING]
[GRUNTING]
SLASHER:
Come on, pig.
[GRUNTING]
[HISSING]
[GRUNTING]
[BLOWS LANDING]
[SCREAMING]
[SCREAMING]
- You okay?
- Yeah.
You sure?
Let's get out of here.
[HELICOPTER WHIRRING]
[POLICE RADIO CHATTER]
Yep. All right,
you guys, move out.
Come on, you did your best.
Don't feel guilty.
That's nice of you.
You going to be all right?
I'm going to miss the
dance finals.
Listen, can I get you anything?
Yeah.
I would kill for some...
What?
Gummy Bears.
Gummy Bears?
See you at the hospital.
GONZALES: Keep in touch.
COBRA: Don't drive too fast.
Easy.
All right, you guys,
clean it all up.
HALLIWELL:
Cobra.
You did a hell of a job here.
You ever want to get a transfer
from the zombie squad to
something easier...
...or you need anything...
...just say the word.
Well...
I would like to have
my car replaced.
We'd like to,
but it's not in the budget.
Well...
See you back at headquarters.
I'll take care of your
toy for you.
MONTE:
Cobretti...
No hard feelings.
You kind of overdid it
around here.
I personally would
have looked for...
...a more subtle solution,
but that's not your style.
No hard feelings.
[GRUNTS]
No hard feelings, pal.
CHO:
Cobra?
I'll give you a lift.
No, I've got my own
transportation, thanks.
You ready?
Ready, Marion.
Catchy name, isn't it?
[ENGINE REVVING]
♪♪
♪♪
♪♪
♪♪
♪♪
♪♪
♪♪
♪♪
♪♪
♪♪