Black Swan (2010) - full transcript

(SWAN LAKE PLAYING)

(WOMAN LAUGHS)

(RAGGED BREATHING)

(CAWS)

(WHIMPERS)

(TOE SHOES CLACKING)

(DOOR OPENS)

(FOOTSTEPS DEPARTING)

(SIGHS)

(BONES CRACKING)

NINA: I had the craziest dream last night.



I was dancing the White Swan.

It was different choreography, though.
It was more like the Bolshoi's.

It was the prologue,
when Rothbart casts his spell.

(CUTLERY RATTLING)

(GASPS) Look how pink! So pretty.

- BOTH: Pretty!
- (BOTH CHUCKLE)

- You're in a good mood.
- Mmm-hmm.

He promised to
feature me more this season.

Well, he certainly should.
You've been there long enough.

And you're the most dedicated dancer
in the company.

Up.

What's that?

- NINA: What?
- There.

Nothing.



Sure you don't want me to come with you?

You sweet girl.

MAN: (OVER PA)
This is a Downtown 1 train to South Ferry.

Next stop, 72nd Street.

Stand clear of the closing doors, please.

VERONICA: Did you see Beth today?
I can't believe she's back.

MADELINE: Of course she's back.

What, she can't take a hint?

Company is broke.
No one comes to see her anymore.

Nobody actually comes to see ballet,
full stop.

That's not true. I heard The Royal
had one of their best seasons yet.

He just needs to try something new,
that's all.

No, someone new.

VERONICA: (CHUCKLES) Like who?

Like someone
who's not approaching menopause.

It's sad.

What's sad?

Beth's such a beautiful dancer.

Yeah, so is my grandmother.

(DANCERS GIGGLE)

Well, Fonteyn danced into her 50s.

Yeah, we know.

Soloists?

Great! (CHUCKLES)

I fucking missed my stop.

Had to hoof it all the way from 79th.

VERONICA: (WHISPERING) Who's that?

GALINA: (WHISPERING)
It's that new girl from San Francisco.

Okay.

(PIANO MUSIC PLAYING)

BALLET MISTRESS:
And up, two, three, four.

Good, one...

Two, three, four, up...

Beautiful as always, Nina.

Relax.

And one, and two,
and three, and four, and...

Stop, John. One second.

(PIANO STOPS)

Okay, take position.

(PIANO RESUMES)

And one, and two, and three, and up.

One, and two, and three, and four...

- How are you, dear?
- Good, thanks.

We all know the story.

Virginal girl, pure and sweet,

trapped in the body of a swan.

She desires freedom,

but only true love can break the spell.

Her wish is nearly granted

in the form of a prince.

But before he can declare his love,

her lustful twin,

the Black Swan, tricks and seduces him.

Devastated,

the White Swan leaps off a cliff,

killing herself, and in death

finds freedom.

(PIANO STOPS)

- Good morning, company.
- ALL: Good morning.

We open our season with Swan Lake.

Done to death, I know.

But not like this.

We strip it down, make it visceral

and real.

A new production needs
a new Swan Queen.

A fresh face to present to the world.

But,

which of you can embody both swans?

The white and the black.

All the soloists I tapped, go to your
scheduled rehearsals this afternoon.

And the girls I didn't tap,

meet me in the principals' studio at 5:00.

Thank you.

BALLET MISTRESS:
All right, let's go. Did we do left side?

DANCER: Yes, mistress.

BALLET MISTRESS
: Let's repeat one more time.

(PIANO RESUMES PLAYING)

(HUMMING)

(BOTTLE CLINKS)

(WOMAN GRUNTS)

(WOMAN SCREAMS)

(GLASS SHATTERS)

Fuck! Fuck!

What?

(PIANO PLAYING SLOW CLASSICAL MUSIC)

(PIANO STOPS)

if I was only casting the White Swan,
she'd be yours.

But I'm not.

Maestro, Odile's coda, please.

Now show me your Black Swan, Nina.

(CLEARS THROAT)

(PIANO PLAYING
UP-TEMPO CLASSICAL MUSIC)

No, not so controlled.

Seduce us.

Not just the Prince, but the court,

the audience, the entire world. Come on!

Your fouett?es are like
a spider spinning a web.

Attack it! Attack it!

Come on!

(DOOR BANGING)

(GASPS)

(DOOR BANGS LOUDLY)

THOMAS: Well, good of you to join us.

Sorry.

THOMAS: Girls, this is Lily.

Straight off the plane from San Francisco.

- She's filling Rebecca's old spot.
- LILY: Hey.

- Get warmed up.
- LILY: No, it's okay.

I'm good.

Should I go again?

No, thanks, Nina. I've seen enough.

Veronica, the White Swan variation.

Come on, come on, please.

All right, maestro. Two, three...

(RETCHING)

(TOILET FLUSHES)

(CELL PHONE RINGING)

(CELL PHONE RINGING)

ERICA: So, how'd it go?

You were late,
so I called Susie in the office.

An audition. I can't believe
he just sprang that on you.

So?

It was fine.

Just fine?

- (SOBBING)
- Oh, sweetheart.

You tell me about it.

I know, Susie,
but he just can't expect these girls

to come back from break
and dance like Beth Macintyre.

It's completely unrealistic.

And they can do the work,
but they don't have Beth's magic...

Well, she's miserable...

(EXCLAIMS IN PAIN)

Ah!

ERICA: Nina, everything all right?

I'm fine.

(GASPS)

Oh!

- (GASPS)
- Oh! Shh!

Almost done.

You're working yourself too hard.

We all have off days.

If that girl hadn't barged in...

I'm sure she didn't mean to.

Remember when you first started?

If I hadn't taken you to each of your classes,
you would have been completely lost.

I'm going to talk to him tomorrow.
I'm going to tell him I finished it.

You don't need to lie.

It won't convince him one way or the other.

Oh, sweetheart.

I know it's disappointing.

And when you start getting older,
there's all this ridiculous pressure.

God knows I understand.

But it's all right.

No matter what.

You'll probably get to dance
the pas de quatre again.

That's such a wonderful part.

Or maybe he'll make you a Big Swan.

(DANCE OF THE SWANS PLAYING
ON MUSIC BOX)

Either way, you'll shine.

I know.

Everything will be better in the morning.

It always is.

Sweet girl.

(INDISTINCT CHATTER)

Yes, Nina?

Do you have a minute?

If now is not a good time...

Now is perfect.

So?

Uh...

I just wanted to tell you that

I practiced the coda last night
and I finished.

I thought you should know.

Okay, Nina, listen.

Honestly, I don't care about your technique.

You should know that by now.

- Yeah, but yesterday...
- No.

Anyway, I've already chosen Veronica.

Sorry.

Okay. Thank you.

That's it?

You're not going to try
and change my mind?

You must have thought it was possible.

Otherwise, what are you doing here,
all dolled up?

I came to ask for the part.

Well...

The truth is, when I look at you,

all I see is the White Swan.

Yes, you're beautiful, fearful, fragile.

Ideal casting.

But the Black Swan?
it's a hard fucking job to dance both.

I can dance the Black Swan, too.

Really?

In four years, every time you dance,

I see you obsess, getting each
and every move perfectly right,

but I never see you lose yourself.

Ever.

All that discipline, for what?

I just want to be perfect.

(SOFTLY) You what?

I want to be perfect.

(SCOFFS)

(LAUGHS)

Perfection is not just about control.

It's also about letting go.

Surprise yourself,
so you can surprise the audience.

Transcendence.

And very few have it in them.

I think I do have it in...

Ah!

You bit me?

I can't believe you bit me!

I'm sorry.

Now, that fucking hurt!

- You were great.
- Thanks.

(INDISTINCT CHATTER)

What? Why is she always staring at me?

GIRL: (GIGGLES)
She's obsessed with you.

Hey, it's been posted.

Hey, it's up.

Veronica?

Congratulations.

VERONICA: Hey!

Why would you say that? Hmm?

Your idea of some sick joke?

What?

Fuck you.

(GIRL SQUEALS IN DELIGHT)

GIRL: Oh, my goodness!

Hey, Nina! Congratulations!

Congratulations.

Oh, Nina, congratulations. You were
so beautiful in your audition.

I knew you were going to get it.

- Congratulations!
- Congratulations!

(PHONE RINGING)

- ERICA: Hello?
- Hi.

- What it is? What's wrong?
- I'm fine.

What is it?

He picked me, Mommy.

- Did you hear me?
- For Swan Lake?

- I'm gonna be the new Swan Queen.
- Oh, my God!

Well, um...

I'll be home soon.
I just wanted to let you know.

I love you.

I love you, too.

Hurry home!

(SNIFFLING)

Mom?

Mom, are you in your room?

(FAINT LAUGHTER)

ERICA: Nina, are you home?

(TAP RUNNING)

Nina, when you get out, I'm in the kitchen.

Come on, sweetie.

My daughter, the Swan Queen.

(BOTH LAUGH)

It's our favorite.
Vanilla with strawberry filling.

Mom, not too big.

Oh, that's way, way too much.

It's a celebration. It's just this once.

Mom. My stomach's still in knots.

Fine.

- Fine. Then it's garbage.
- No, Mom.

Don't. I'm sorry.

I'm just...

I'm just so proud of you.

It looks so yummy.

Mmm!

(BOTH GIGGLE)

(PIANO PLAYING SLOWLY)

(PLAYING PASSIONATELY)

(TEMPO SLOWS)

(TEMPO INCREASES)

- THOMAS: Okay, thank you. Thank you.
- (PIANO STOPS)

Thank you, Nina.

It's very nice. It's very nice.

But I knew the White Swan
wouldn't be a problem.

The real work will be your metamorphosis
into her evil twin.

And I know I saw a flash of her yesterday.

So get ready to give me more of that bite.

Up, and...

BALLET MISTRESS: Excellent.

That evil force is pulling you,

that you can't escape. That's just like...
Out of your control.

You sense it. You get aware of it more.

"It's taking. It's taking me."

A little bit more desperate. Right.

And you can maybe go up a little bit,
and then come down.

That's it.

(PIANO PLAYING CLASSICAL MUSIC)

BALLET MISTRESS: Long arms.
Feel the space. That's beautiful.

Step, and step, and...

?paulement, and again.

Watch the way she moves.

Imprecise, but

effortless.

She's not faking it.

BALLET MISTRESS: Long arms.

Gorgeous. Yes.

- Okay, that's beautiful.
- Sorry.

BALLET MISTRESS:
We'll start again from the beginning.

LILY: Okay. Sorry.

SUSIE: Welcome to the principals' room.

You room with Beth from now on,
so be considerate.

Thanks, Susie.

Those are for you from Mr. Leroy.

They're beautiful.

(DOOR SHUTS)

- (CLASSICAL MUSIC PLAYING)
- (INDISTINCT CHATTER)

I'll be back in a second.

Let me come back to you, please.

Okay, let's go.

Ready to be thrown to the wolves?

We need their cash.
So please, don't forget to smile.

Ladies and gentlemen,
please may I have your attention?

Good evening.

Let me make
this very important announcement.

You all have had the chance
and the privilege

to be enchanted, transported,

and even sometimes devastated,
by the performances

of this true artist of our company.

She's been
a crucial inspiration to my work,

a role model to all dancers,
and even more than that,

a deeply appreciated presence
on our stage.

You all know who I'm talking about.

Ladies and gentlemen, Beth Macintyre.

(ALL APPLAUD)

But as we all know, every great career

has to come to an end.

Beth is retiring at the end of the season.

She will be giving her farewell
performance as Melpomene,

the role she originated in my first ballet.

My little princess.

We honor you. You will be greatly missed

and never forgotten.

But as we bid adieu to one star,

we welcome another.

We're opening our season
with my new version of Swan Lake.

Taking the role of our new Swan Queen,

the exquisite Nina Sayers.

(ALL APPLAUDING)

(LILY LAUGHING)

THOMAS: You'll soon have the pleasure
of seeing her perform,

but right now, please let's raise a glass.

To all of us, to Beth,

to Nina,

to beauty.

(WATER RUNNING)

(KNOCKING AT DOOR)

Just a second.

(KNOCKING CONTINUES)

Just a second.

(INHALES SHARPLY)

(KNOCKING AT DOOR)

LILY: Come on! I'm about to burst.

Hey! It's you!

I don't think we ever officially met. I'm Lily.

Hi. I'm Nina.

Yes! Our new Swan Queen.

- Here. Hold this?
- Yeah, sure.

You must be so excited.

Oh! Are you freaking out?

- Yeah.
- Yeah? Oh!

It's okay. I'd be losing my mind.

I should get back.

No! No, no. Come on, stay.

Keep me company.

Excuse me.

There you are. Come on.

Hey.

They tried to eat you alive,
but here you are.

- You did well.
- Really?

Mmm-hmm.

Where are you going?

Upper West Side.

Stop at my place for a drink.
it's on the way.

WOMAN: Thomas.

You need to say hello to Karen Halloway.

A minute more of ass-kissing, I'll be back.
Wait for me here, all right?

Hello, Karen, my dear.

(GASPS)

Beth!

I'm so sorry to hear
you're leaving the company.

Aw!

What did you do to get this role?

He always said
you were such a frigid little girl.

What did you do
to make him change his mind?

Did you suck his cock?

Not all of us have to.

(LAUGHS)

You fucking whore!

You're a fucking little whore!

Whoa! What's going on here?

Hey. I need to talk to you.

I think you're drunk. You should go home.

No, don't you do that.
Don't you dismiss me like that.

Beth.

My little princess, please, hold it together.

- I'm coming by later.
- Come on.

I have something for you.
it's a token of my appreciation.

- Right.
- You make the most of it, Nina!

THOMAS: Don't worry. It's typical.

THOMAS: Don't worry. It's typical.

Please.

I thought it would be good
to talk about the role.

- Ground us a little.
- Yeah.

I don't want there to be
any boundaries between us.

- No, me neither.
- Good.

So...

You got a boyfriend?

No.

And you had many in the past?

A few, but no one serious.

You're not a virgin, are you?

No.

So there's nothing
to be embarrassed about.

(CLEARS THROAT)

And you enjoy making love?

Excuse me?

Come on. Sex.

Do you enjoy it?

We need to be able to talk about this.

I got a little homework assignment for you.

Go home and touch yourself.

Live a little.

It's late.

Lots of work tomorrow.
The doorman will find a cab for you.

Sounds like quite an evening.
I wish I could have been there.

You know I asked.

I know you did. Susie told me.

I guess he wanted you all to himself.

That's not why.

I don't blame him.

Hmm.

Where did you get these?

They're fake.

Fooled me.

I can do it.

He must have been by your side all night,

showing you off.

- Oh, Nina.
- it's just a rash.

Just a rash? What are you talking about?

It was worse a few days ago.
it's fine already.

You've been scratching yourself again.

No, I haven't. Mom!

I thought you'd outgrown
this disgusting habit.

Jesus Christ.
I thought you were done with this, Nina.

Shrugs. You keep wearing the shrugs.

- I have been.
- Sit down.

You have the white one and the pink one,
and that will hide it.

And then I'll dig out
that expensive cover-up.

We still have some.

No one will see it.

Mom, please.

It's the role, isn't it?

It's all this pressure.

I knew it'd be too much. I knew it.

Ow!

Are you all right? You all right?

It'll be all right.

(MOANING)

(GASPS)

- (PIANO AND VIOLIN PLAYING)
- (BALLET MISTRESS SPEAKING FRENCH)

(BANG)

(SOBBING)

GIRL 1: What happened?

GIRL 2: Beth is in the hospital.

- She had an accident.
- Oh, no.

GIRL 2: I don't know. She's really hurt.
Her legs are completely broken.

(ALL CHATTERING)

I don't know. She was crossing the street.

NINA: What happened?

THOMAS: She walked into the street
and got hit by a car.

And you know what?

I'm almost sure she did it on purpose.

How do you know?

Because everything Beth does comes
from within. From some dark impulse.

I guess that's what makes her
so thrilling to watch,

so dangerous.

Even perfect at times.

But also so damn destructive.

Was it right after we saw her?

No, wait, wait.
This has nothing to do with you.

It's not your problem,
so don't let yourself be distracted.

This is your moment, Nina. Don't let it go.

(INHALES SHARPLY)

(GASPING)

(GASPS)

What are you doing?

(SNIFFLING)

(SOBBING)

ERICA: Nina?

Sweetie, you were looking for me?

- And...
- (UPBEAT CLASSICAL MUSIC PLAYING)

Come on.

Forget about control, Nina.
I want to see passion!

Come on. Reach!

More! You're stiff!

Stiff like a dead corpse. Let it go.

Let it go. Let it go. And again.

PHYSICAL THERAPIST:
it feels like you have...

Your diaphragm is in a bit of a contraction.

Okay.

(EXHALES)

I want you to breathe into this hand.

Breathe into this hand.
Breathe in, breathe in, breathe in.

All the way. Good. And exhale.

Does it feel jammed in the front
every time you pli??

Sometimes, not always.

- One more pull, okay?
- Okay.

(INHALES SHARPLY)

ls that okay?

(PIANO PLAYING SOFT CLASSICAL MUSIC)

(PIANO STOPS)

David, can I ask you a question?

Honestly, would you fuck that girl?

No.

No one would.

Nina, your dancing is just as frigid...

Fuck.

(WHISTLES)

We're still working here, please! Lights!

The lights!

Thank you.

Okay. Guys, you can go.

Thanks for your patience.

You stay. You stay.

Have fun, you two.

(EXCLAIMS)

Okay.

Come here. Come, come, come.

I'll be the Prince.

(HUMMING SOFTLY)

Let it go, let it go.

Feel my touch. Respond to it. Come on.

Open your mouth.

Open your mouth. Open it. Open it. Open it.

That was me seducing you,

when it needs to be the other way around.

Please.

(SNIFFLING)

Who is that?

Hey.

You okay?

You can't smoke in here.

Well, I won't tell if you won't.

So...

Big day's getting closer and closer, huh?

Well, I can't wait.
I think you're going to be amazing.

Thanks.

Come on.

So...

Do you want to talk about it?

I just had a hard day.

Leroy playing a little too rough for you?

Come on, Nina. He's a prick.

He's brilliant.

Sure.

But it's not like he's all warm and fuzzy.

(SNIFFLES)

You don't know him.

Someone's hot for teacher.

Oh, come on, it's okay. I don't blame you.

I should go home.

Nina, come on. I'm just playing around.

Nina!

(DISTORTED LAUGHTER)

(DISTORTED LAUGHTER)

ERICA:
Sweetie? What are you doing in there?

(PIANO AND VIOLIN
PLAYING SLOW CLASSICAL MUSIC)

(MUSIC STOPS)

Again.

(SLOW CLASSICAL MUSIC PLAYING)

(MUSIC STOPS)

Again.

Do you have any corrections?

Lily told me that she saw you crying.

That you were very upset

and that I should take it easy on you.

I didn't tell her that.

Maybe you need a little break.

- Like a day or two.
- Thomas.

- Maybe a month. What do you think?
- She shouldn't have said anything.

No, you shouldn't be whining
in the first place.

I didn't!

You could be brilliant, but you're a coward.

I'm sorry.

Stop saying that!

That's exactly what I'm talking about.
Stop being so fucking weak!

Again!

(SLOW CLASSICAL MUSIC PLAYING)

Lily?

Look who's decided
to grace us with her presence.

I need to talk to you.

- Okay.
- Now!

Shut up. Come on.

What's up?

You told Thomas about last night?

Oh. Yeah, I ran into him in the morning

and he said you guys
were having some trouble.

Why would he talk to you?

Excuse me, Your Highness.

I told him that you were working your
ass off and that I think you'll be great.

Well, you shouldn't have.

(CHUCKLES)

Okay.

(KISSING)

(KISSING CONTINUES)

Has he tried anything with you?

He has a reputation.

I have a right to be concerned, Nina.

You've been staying late
so many nights, rehearsing.

I hope he isn't taking advantage, that's all.

He's not.

Good.

I just don't want you to
make the same mistake I did.

Thanks.

Not like that. I just mean
as far as my career was concerned.

What career?

The one I gave up to have you.

You were 28.

So?

And only in the...

Only what?

Nothing.

- What?
- Nothing.

How's your skin?

It's fine.

- Are we leaving it alone?
- Mmm-hmm.

Let me see.

- Take off your shirt.
- No!

(DOORBELL RINGS)

- Can I help you?
- LILY: ls Nina around?

ERICA: Sorry, she's not here.

Who was that?

It was no one.

It was no one!

Hello?

Hey!

- What are you doing here?
- I just came by to apologize.

You're right, I should've never
spoken to him about you.

- Sweetheart...
- Give me a second.

- Your dinner.
- Mom, please!

She's a trip.

How do you know where I live?

I have my ways.

(LAUGHS) Jesus! Relax, I got it
from Susie in the office.

I feel really shitty about what I did,
and I just really want to make it up to you.

So how about I take you out to dinner?

- I don't think...
- Okay, that's fine. What about drinks?

Sweetie, you need to rest.

- Jesus!
- Wait.

What are you doing?

- Going out.
- What?

Stairs.

ERICA: Nina! You're on the stage tomorrow.

I can't believe he calls her that.

It's so gross.

I think it's sweet.

"Little princess"?
He probably calls every girl that.

No way. That's just for Beth.

I bet he'll be calling you
"little princess" any day now.

I don't know about that.

Oh, sure he will.

You just got to let him lick your pussy.

WAITER: Cheeseburger, extra bloody.

(SPEAKS GERMAN)

Let me know if that's juicy enough for you.

Oh, I will.

You got enough cheese?

No, but you do.

Enjoy.

Okay.

Want to spruce up?

What? I carry a spare.

In case I wake up somewhere unexpected.

So, how is he?

Thomas.

I wouldn't know.

Come on.

I really don't want to talk about that.

Oh.

Okay.

You really need to relax.

One for you and one for me.

And don't worry, it's pure, I promise.

I brought it with me
straight from San Francisco.

What is it?

What, are you kidding?

You've never rolled?

It'll relax you,

it'll loosen you up.

Let you see the night sky.

How long does it last?

Couple of hours, tops.

It's okay.

Okay.

(CELL PHONE RINGING)

- I was...
- That's very sweet of you.

Hey! Hi!

Okay. I thought maybe
you and I could use a couple of drinks.

- I'm going to head out.
- So, this is Tom, and this is Jerry!

Actually, it's Andrew.

- Tom.
- Hi.

I have to go.

No, come on. You can't go,
I just got us some drinks.

I shouldn't. We're on the stage tomorrow.

So what are you going to do?
Go home to Mommy?

Hey.

Come on. Live a little.

It's just a couple of hours, right?

Tops.

- Here you go.
- Thank you.

- Cheers.
- Cheers.

ANDREW: You haven't told me who you are.

I'm a dancer.

No, I mean your name.

Oh. Uh, Nina.

So, are you two sisters?

- Yes.
- No.

Blood sisters.

We dance in the same company.

Oh, ballerinas.
No wonder you two look alike.

You know, Tom and Jerry here
are gay lovers.

TOM: Very funny.
LILY: I like to amuse myself.

- I've never been to the ballet.
- Oh, really?

Well, then you are definitely not gay.

I mean, it's kind of boring though, isn't it?

- Be honest.
- No, it's not.

No, you know what?
it's just not for everyone.

You guys should come sometime.
I can comp you tickets whenever you want.

Yeah.

Yeah, that would be neat. Thanks.

LILY:
Well, I think it is time for another round.

Bottoms up.

Four, please.

So, what are you guys working on now?

(CELL PHONE RINGING)

I'm sorry.

(RINGING STOPS)

- Swan Lake.
- Okay. Yeah?

You know it?

No, not really. Heard of it.

What's it about?

It's about a girl
who gets turned into a swan

and she needs love to break the spell.

ANDREW: Okay.

But her prince falls for the wrong girl, and...

(CLEARS THROAT) So she kills herself.

ANDREW: So, a happy ending, then?

It's beautiful, actually.

ANDREW: Like you.

Huh?

I said, you're beautiful.

(LAUGHS)

That's funny?

My hands are sweaty.

LILY: Hey!

Oh, hey.

It looks like someone might be rolling.

All right, come on.
Come on, it's time to go dance.

(TECHNO MUSIC PLAYING)

WOMAN: Sweet girl, sweet girl.

Hey! Nina!

MAN: Hey, what the fuck?
Where are you going?

(TECHNO MUSIC CONTINUES)

LILY: Nina!

Where are you going?

(BOTH LAUGHING)

(LAUGHING) Shh!

ERICA: Do you have any idea
what time it is?

Mmm-hmm.

Late?

Where have you been?

To the moon and back.

You've been drinking.

(MIMICKING BELL)

- What else?
- Mmm?

What else have you been doing?

Oh!

You want to know their names?

You need to sleep this off.

There were two.
There was Tom, there was Jerry.

Be quiet, Nina.

And I fucked them both.

Shut your mouth!

- Don't come in here!
- ERICA: What's this?

It's called privacy! I'm not 12 anymore.

- You're not my Nina right now.
- Leave me alone!

(GASPS)

Shh.

(MOANING)

(BREATHING HEAVILY)

Sweet girl.

NINA: Why didn't you wake me up?

I'm moving out.

(SWAN LAKE PLAYING)

My music.

Thomas, I'm so sorry.

Keep on going.

Go get warmed up.

(MUSIC STOPS)

(ALL APPLAUDING)

That was good.

Actually, really good.

Okay, let's take ten.

Hey!

Look, he just wanted to mark it,
and asked me to step in. Okay?

I overslept.

(LAUGHS) Oops!

Hey, at least you had a good time, right?

You put something in my drink.

Yeah.

And then you just took off in the morning?

In the morning?

Yeah, you slept over.

Um... No.

Unless your name is Tom
and you got a dick.

But we...

But we what, Nina?

Did you have some sort of
lezzy wet dream about me?

Stop.

Oh, my God. Oh, my God! You did!

- You fantasized about me!
- Shut up!

Was I good?

(ORCHESTRA PLAYING)

(RETCHING)

(DISTORTED LAUGHTER)

(DANCE OF THE SWANS PLAYING
ON MUSIC BOX)

THOMAS: The final act.

Your final dance.

You tasted your dream, touched it,

only to have it crushed.

Your heart is broken, wounded.

Your life force fading. The blood drips.

The Black Swan stole your love.

There's only one way to end the pain.

You're not fearful,
but filled with acceptance.

And you look down at Rothbart,

and then at the Prince,

and then, yes, at the audience.

And then you jump!

Come on, go ahead.
Jump, you'll be fine. Jump!

(CROWD APPLAUDS)

Okay, everybody gets a drink of water,
then it's notes. Hmm?

(PANTING)

You lost weight.

Take off your shrug, please.

Very good.

Face front. We're almost done.

And that's it.

Okay, you're done. Thank you very much.

LILY: Georgina?
GEORGINA: Yes.

I'm Lily. Thomas said I should come.

GEORGINA: Yes, we have to get you
measured for your Swan Queen costumes.

What's she doing here?

He made me your alternate.

Look, it's just in case.

Thomas. Thomas.

- Thomas!
- Yes?

It can't be her.

It can't be her.

Why don't you just go on, I'll catch up later.

- What's going on?
- Lily.

You made her my alternate?

Well, there's always an alternate.

- Lily's the best choice.
- No, but she wants my role.

Every dancer in the world wants your role.

No, this is different. She's after me.

- She's trying to replace me.
- Nobody's after you.

No, please believe me!

I know it's been a struggle.

But you just had a breakthrough
this morning.

Tomorrow is yours.
Just give a great performance

and you won't have to worry
about Lily or anybody else.

Now go home and rest.

From the vision again.

(PIANO PLAYING)

(PIANO STOPS)

What happened?

I've got a life.

Don't work too hard.

It's your big day tomorrow.

(DOOR OPENS)

(DOOR CLOSES)

(SNIFFLES)

(DISTORTED LAUGHTER)

Hey!

I'm still working in here...

Could you please turn the lights back on?

Hello?

(WOMAN LAUGHING)

(GASPS)

What are you doing here?

I'm so sorry.

I'm so sorry!

I know how it feels now.
She's trying to replace me.

What do I do?

You stole my things?

I was just trying to be perfect, like you.

Perfect?

I'm not perfect.

I'm nothing.

Nothing.

Nothing! Nothing!

No!

Nothing! Nothing! Nothing! Nothing!

WOMAN: (WHISPERS) Sweet girl.

Mommy?

VOICES: Sweet girl. Sweet girl.

My turn. My turn. My turn.

(SCREAMS) Stop!

What are you doing?

Sweetie?

(EXCLAIMS IN PAIN)

Nina?

- Nina!
- Go away!

Open the door!

Go away!

Open the door, Nina! Nina!

Nina!

Get out!

- What's wrong with you?
- Get out!

You're sick!

- Get out!
- You're sick!

- Get out!
- Nina!

(ERICA SCREAMS)

(DANCE OF THE SWANS PLAYING)

(NINA MOANS)

(SHUSHING)

It's okay.

I'm here.

You were scratching all night.

Where's my clock?

Don't worry about that.

- What time is it?
- (SHUSHING)

- My show is tonight, I have to...
- No, no.

No, don't worry.

I called the theater and I told them
you weren't feeling well.

- I have to go.
- No, lie down.

Let go of me!

You're staying in here until you feel better.

Where is it?

This role is destroying you.

Move.

- Nina...
- Move!

What happened to my sweet girl?

She's gone!

Nina!

No, please!

- You're not well.
- Let go of me!

You can't handle this!

I can't?

I'm the Swan Queen!
You're the one who never left the corps!

Nina!

DANCER: (WHISPERS) it's Nina.

THOMAS: I have complete
confidence in you. Okay?

Stay focused and you'll be fine.
This is your moment.

- What are you doing here?
- Nina?

You were supposed to...
She was supposed to be sick.

Wait, wait... Give us a minute.

Are you okay?

I'm fine.

Nina...

- Nina.
- What?

I've already asked Lily.

Have you announced it?

After Beth, do you really need
another controversy?

I'm here, Thomas. I'm doing it.

The only person standing in your way
is you.

It's time to let her go.

Lose yourself.

STAGE MANAGER: White Swan,
entrance in ten.

(ORCHESTRA PLAYING)

What are you doing?
You need to be upstage.

(AUDIENCE APPLAUDING)

(SWAN LAKE PLAYING)

(AUDIENCE APPLAUDING)

(CHUCKLING)

Hey.

We sucked!

Okay, Nina.

(DANCE OF THE SWANS PLAYING)

(DISTORTED LAUGHTER)

(DANCER GRUNTS)

(AUDIENCE GASPS)

What the fuck?

Are you okay?

Nina, are you okay?
What happened out there?

(SNIFFLING)

Can you tell me what the fuck happened?

(SPEAKING FRENCH)

It wasn't my fault.

- He dropped me!
- it's a fucking disaster!

(SPEAKING FRENCH)

LILY: Rough start, huh?

Must have been pretty humiliating.

Get out of my room.

See, I'm just worried about the next act.

I'm just not sure you're feeling up to it.

Stop. Please, stop!

How about I dance the Black Swan for you?

Leave me alone!

It's my turn!

My turn!

My turn!

It's my turn!

(SOBBING)

STAGE MANAGER:
Black Swan, places in five.

(GASPING)

Hmm.

(ORCHESTRA PLAYING)

(AUDIENCE APPLAUDING)

Wow!

(AUDIENCE CHEERING LOUDLY)

Get back out there. Come on! They want...

Great job. Fifteen to the last act.

(FAINT TAPPING)

Hey!

You were amazing.

Seriously, I know that things got
a little messed up between us, but...

I mean, holy shit,
you completely blew me away!

Okay, well, I guess that's it.
So, I'll let you finish.

(STIFLING SOBS)

(AUDIENCE CHEERING)

THOMAS: Can you hear them?

They love you! They love you!

My little princess.

I always knew you had it in you.

Come on, let's take your bow.

(GASPS)

Go get some help. Go get some help!

What did you do? What did you do?

I felt it.

What?

Perfect.

It was perfect.