Amongst Friends (1993) - full transcript

[LIGHTER FLICKS]

[WATER BOILING]

[EXHALES]

ADULT ANDY: When I was 12,
I screwed this 20-year-old.

I forget her name.

She told me it was great,
but it was too short,

didn't last long enough.

She was right, it didn't last,
but nothing ever does.

At least not long enough
to make any sense of it.

[UPBEAT MUSIC PLAYING]

ADULT ANDY: There were three
of us, me, Trevor and, Billy.



Best friends from what seemed
like birth.

Came kindergarten,
we were already working

the master plans,
Trevor and Billy'd

fake a fight, candy-store owner
would rush in

to break it up and before
he knew what hit him

I'd be down the block with two
cartons of baseball cards

and the
give-a-penny-take-a-penny jar.

We didn't need to steal.

We were experimenting.

[UPBEAT MUSIC PLAYING]

ADULT ANDY: We grew up
on the suburban south shore

of Long Island, the Five Towns.

Crunchied-out granola-heads
in Beemers and 944's.

You got judges living next
to gangsters



next to rabbis
living next to dentists.

Sixteen-year-old Jewish kids
thinking and acting

like they're Flavor Flay.

The only thing they all had
in common was money,

lots of money.
Our parents knew

what they wanted for us,
but we had everything already.

We saw things differently.

[DRAMATIC MUSIC PLAYING]

ADULT ANDY: My grandfather'd
sit around and tell us stories

about the old days,
stories about men

who knew how to live.
I guess that was the idea.

My grandfather was a bookie
to send my dad to law school.

And my dad made money so that
I could do whatever I wanted,

and although me, Trevor,
and Billy ever wanted to do

was be like my grandfather.

We were ashamed
at how easy we had it.

We felt spoiled.
We felt like pussies.

We were 13
and we wanted respect.

♪ I wish I could've
seen you ♪

♪ And you could run wild

ADULT ANDY:
I enjoyed a good fight,

but I was more of an idea man.

Besides,
fighting never solved anything.

♪ Innocent child

ADULT ANDY: We were normal kids,
we had hobbies.

Good, gimme a three-team teaser.

Give me Buffalo,
gimme the skins,

give me the G's.

ADULT ANDY:
Billy's betting pretty heavy.

When he won,
we smoked his winnings.

And if he lost,

he went to the bank.

♪ You don't have the way...

ADULT ANDY:
By the time we were 15,

we'd spend nights
just running around Manhattan.

Our town had lost its fervor.

♪ I wish I could've
seen you ♪

♪ And you could run wild

♪ I'd rather like to
know you ♪

♪ As an innocent child

ADULT ANDY: If we were broke
and forced to stick around,

it was okay.

Soon enough we'd be able
to go anywhere,

do anything.

[DRAMATIC MUSIC PLAYING]

[INDISTINCT CHATTER]

[UPBEAT MUSIC PLAYING]

What's up, man.
How you doing, huh?

MAN: Hey, how you doing, Bill?

BILLY: Good.
Where's your brother at?

I think he's in the back.

[UPBEAT MUSIC PLAYING]

[INDISTINCT CHATTER]

MAN: Hey.

ADULT ANDY: We were still
hitting high school parties

even after we graduated.

Everyone we knew left.
College.

I could've gone,
but I was comfortable.

Besides, Trevor and Billy
were sticking around.

We still had plans.

So we set up a business
with some friends in Far Rock

and just sort of lingered.

There had to be a boss,
Billy was it.

-He loved the business.
-BILLY: Okay,

so which one of you guys
going to do this thing, huh?

Look at the look on your face,
you look like

you're worried about it.
It's an easy drop,

you just go, you do it,
and you know, you know.

You've done it before,
it's no big deal.

Yeah, but why ain't
you doing it?

BILLY: 'Cause if I could do it,
I just told you, I would do it.

But I don't have the time,
I gotta be like

a thousand places.
I already told you this.

-If you don't want to do it--
-Yo, Bill, man, I'll do it.

-It's no big deal.
-BILLY: You wanna do it?

It's quick man.
It's an easy deal.

-Only one of you guys can go.
-ANDY: No, no, wait a second.

You asked me to do it,
I can do it.

Right?

I can do it, I can do it,
all right?

It's no problem.

I can't do this thing,
all right, man?

What do you mean
you can't do it?

I can't do it, all right?

Billy said
only one person could go.

I got the girl in there.

Where am I going to put her,
huh, under my car?

I mean, I can't do it.

Dude, forget about the girl.

-You're lying to me.
-Nah, I ain't lying to you.

-I told you I can't do--
-You're scared.

C'mon, do I look like
I'm scared, man?

-Yeah, you do.
-I look like I'm scared?

-Yes.
-No, I'm not scared.

It's just last time
I did this, man,

the guys from Queens,
they shoved a piece in my mouth

for 15 minutes.
I can't do this man.

I still remember.
You pissed all over yourself.

Yeah, I know I did.
I mean, you'd do

the same thing if you were
in my situation, man.

-I mean, I can't do it.
-It's cool, it's cool,

-it's cool, relax.
-I'm bugging out over this, man.

[UPBEAT MUSIC PLAYING]

I should hit you.

Yeah, well, if I could do it,
I'd do it but I can't.

I should hit you.

Gimme the keys,
I'll fucking do it.

It's all right?

Yeah. It's all right.

[KEYS JINGLING]

ANDY: I owe you, man.

TREVOR: Yeah, you do owe me one.

-Hi.
-How you doing?

-Good. How are you?
-Good.

-Where's your parents?
-They're not here.

C'mon, let's go inside.

Hmm, I'd love to, believe me,

-but I can't.
-What do you mean you can't?

You're supposed
to come over here.

I gotta go do something.
It's going to take me

about a half hour,
hour tops. I promise.

ADULT ANDY: Trevor wasn't that
big on the business.

He could've gone away
to school,

but he stayed to hang out
with Laura.

She was still in high school.

She was a good girl,
I liked her,

had a lot of heart.

But still, I didn't get it.

They were serious, too serious.

All right, I'm gonna go.

I'll be back in a little while,
all right?

All right, gimme a kiss.

Go inside.

I'll talk to you later,
all right?

I'll see you in half an hour.

Get that sad face off.

MAN: So, where's this kid Bill?

I thought he was coming.

You know Billy, he's busy,
he's got things to do.

You're dealing with me.

So you got something for us,
right?

Don't tell me we drove here
for nothing.

Hey guys, relax, all right?

You guys are with me.
Everything is cool.

You a cop?

-Huh?
-Who me?

Yeah, I am.
You wanna see my badge?

C'mon, stop fuckin' around.

What do you think?

Think he's all right?

Yeah, he's all right.

Yeah, I trust him.

Hey, you got smoke?

Yeah, I got the smoke.
You got the cash?

Yeah, I got cash.

Open it up.

All right.

It's in there. C'mon.

ADULT ANDY: It was an easy drop.

I really would've gone
and done it myself,

but I had to stay
with the girl.

Besides, Trevor was happy
to do me the favor.

And I'd owe him one.

It's cold, huh?

TREVOR: Very cold.

C'mon, don't fuck around.

[LOCK PICKING]

TREVOR: Fuck you.

There you go.

Yeah, that's it.

-Fuck!
-You're under arrest, scumbag!

[SIRENS BLARING]

Yeah, your life's over, faggot.

How's that feel?
You're gonna need your lawyer.

Detective, help me get
this bag of shit up.

Make sure somebody tosses
a gun on the fucking car.

[INDISTINCT RADIO CHATTER]

[DRAMATIC MUSIC PLAYING]

[SIREN BLARING]

ADULT ANDY: The trial was like
a popularity contest.

All of a sudden, Trevor had
a thousand best friends.

People were talking
about a set-up.

Billy felt bad,
it could've been him.

I knew it wasn't a set-up
'cause it should've been me.

Judge made an example of him.

Even his father's cash
didn't make a difference.

The kid was going away.

[DRAMATIC MUSIC PLAYING]

LAURA: Come with me.

TREVOR: No.

Please?

No. [CHUCKLES]

-C'mon.
-No,

this is your education, baby,
not mine, all right?

Oh, like you don't need
an education.

No, I don't.
You want to know why?

'Cause I get mine right here
on the streets, that's why.

Oh,, yeah! Right here
on the killer streets

of Hewlett Harbor.

Hey, relax, all right?

Beats fuckin' college.

[DRAMATIC MUSIC PLAYING]

ADULT ANDY: A couple weeks
after he was sentenced,

I went up with Laura
to see him

and he refused the visits.

[DRAMATIC MUSIC PLAYING]

ADULT ANDY: Two years went by
and Trevor should've been out.

Where was he?

Fuck it, it didn't make
any sense.

But hey, it's nobody's fault.

Just people start moving
in different directions.

Back home, me and Billy
were out of business.

He was working deals solo.

His choice, not mine.

He was changing,
got so he'd rather crack you

than argue with you

as kids in our town
were finding out.

Still, he was starting
to build a real nice bank.

I hadn't heard from Trevor

and I saw less and less
of Billy.

He'd still call me
to drive him around

in whatever car
he had that week.

I wish I had a calendar
so I would know the exact date

when I went
from being Billy's friend

to being his errand boy.

The kid was always busy.

Must've had a new girl
or something.

Whatever it was,
for the first time in his life,

he was laying low-key.

ANDY: I'm in.

ADULT ANDY: I got back
into the business.

I needed cash for this deal

with the Ferretti brothers,
Vic and Eddie.

Forty keys from 'Zona.

Finally, something Billy
couldn't say no to.

Yo, man, I'm sorry,
the guy had me on hold, man.

Bud, you got me sitting here
for 10 fuckin' minutes.

Look, get your phone fixed,
I won't have to--

Yeah, yeah, yeah, whatever.
What'd the kid say?

Nothing, I gotta give him
20 grand in two days

if I want in.

And what did you say?

I told him no problem.

What are you,
out of your fucking mind?

Yo, why don't you lend me
the money, man?

You lay it out,
I'll run everything.

You don't gotta do nothing.

Yeah, Bud,
I can't help you, man.

I'm broke.

Yeah, right.

You just bought
a fuckin' cigarette.

Stop playing me, man.
You make it in a week.

Borrow the 20 grand
from your old man.

He'd give it to you, all right?

Yo, I'm serious man.

Let it go, all right?
Forget about it.

And fuck Vic and Eddie.
You ain't gonna raise 20 grand.

Those guys
are full of shit anyways,

-they ain't got nothing.
-Lend me the cash.

Lay it out.
I'll run everything.

-I'll make us money.
-Get off my dick, all right.

You got me sitting here.
Would you move the fuckin' car?

Huh?

[DRAMATIC MUSIC PLAYING]

ADULT ANDY: Billy spent
the rest of the day

checking up
on his vending machines.

He had a route
with some wise guys kid.

He could've given me the money,
but it was okay, I understood.

Besides, there was another way.

My friend Sal ran this club
and he had a plan.

I wasn't worried.
I wasn't blowing this deal.

FRIEND: So, this is it, huh?

You got me riding down here
to see a house?

So Mr. I'm In Love With Somebody
I Haven't Seen In Four Years,

why don't you go on up and, uh,

see if she still remembers you?

Can't, man. I wouldn't even know
what to say to the girl.

FRIEND: Easy, Romeo.
Why don't you start off

by saying, "Baby, I love you

and get your ass
on the back of the bike,"

so we can get the hell
out of here, man.

C'mon, just do it.

You need some help?

Dude, I just don't fuckin' know.

You knew once.

I'm starving man.
You want to eat?

Eat?

You're serious.

You spend the last half hour
breaking my heart,

now you want me to eat.

I can't eat, how can I eat?

I can't.

[COINS JINGLING]

[RINGS]

ADULT ANDY: Billy was getting
beeped like a madman.

We had to stop
every 10 minutes.

Business must've been
really good.

Yeah. What's up? No?

ADULT ANDY:
He was holding me up,

I was supposed to meet Sal.

But that's it, you never know,

there's a direct line,
you have these plans,

but fate is busy dying
and, boom,

it moves you in another way.

Trevor was back.

If I ring the bell,
then I gotta deal

-with her family.
-Right.

I don't wanna deal
with her family.

Oh, man.

What's up, man?

You look good, bro.

Yeah, you were gonna call me?

TREVOR: I was just
gonna call you.

ANDY: You lying motherfucker.

What are you doing here, huh?

Where you been?

TREVOR: I've been all over
the place, man.

[INDISTINCT CHATTER]

-Hey.
-Oh, man.

Where you been hiding, huh?

TREVOR: Nowhere, really.

Yo, man, it's good to see you.

Yeah man, fucking you guys, too.

So, why you back?

What do you mean,
why is he back, man,

-this is home!
-He came back to get his--

To get one last look, man.

-We're heading out west.
-ANDY: Yeah, for what?

See some of your old buddies
from 'Zona?

TREVOR: Nah, man, fuck that.
We're going out to California.

ANDY: Hey, Cali, man.

Yeah, yeah, I might get in
on that journey, you know?

You know, I could use
a vacation.

BILLY: Bud, your whole life's
a fucking vacation.

Why you playing me so hard, man?

-So, how long you gonna be here?
-TREVOR: I don't know, man.

We just got here
a couple hours ago.

What do think, dude, how long?

You say the word, man, we gone.

TREVOR: Oh, shit man, I'm sorry.
Yo, guys, this is my friend,

Friend.

[TRAIN CHUGGING]

JACK: Beautiful.

Beautiful.

Michael!

Michael!

[TRAIN CHUGGING]

MICHAEL: Everything okay,
Mr. Trattner?

Yeah, yeah.

Everything is fine.

Here, Michael,

take these out to the car.

And be careful with them, okay?

-MICHAEL: No problem.
-JACK: Uh-hmm.

That Michael, he's a great kid.

He'll do anything.

You know one time,

must've been 'bout
four years ago,

he and this other kid,

they moved some furniture
into my house

and they dropped my desk.

Forty thousand dollars,
they dropped it.

So the kid Mikey,

he felt terrible.

But the other kid got no heart,

he didn't say anything,
no word, nothing.

He probably said,
"The fucking old Jew,

he probably deals in schmattas
or something like that."

So I call Michael
on the side, see,

and I tell him, "Listen kid,

I want you to forget
about the desk.

But first, I want you

to go over to this kid

and cut off one of his ears.

Don't make any difference
which one!

And bring it to me tomorrow,
you understand?"

So the fuckin' kid says,
"That's it?"

[LAUGHS] Like it ain't nothing!

So he comes back to me
the next day,

and he don't bring me one,

he brings me two of dose things.

-Holy shit.
-And I bet the other kid

didn't even hear him coming.

JACK: Yeah, yeah, yeah!

[LAUGHS]

I tell you, Louie,

they're a perfect match.

They're almost as good
as your stones!

That Michael, he's a great kid,

he's honorable.

He'll do anything I say.

He's a prince,

he really is.

TREVOR: No, it probably
doesn't seem like

a long time, man, but...

a bullet in Elmira's
like fuckin' 10 years

on the streets, man.

All I kept thinking about is,

how I'm gonna get passed by,

you know, everybody's out
in the world just...

fucking passing me by.

What happened to you
was fucked, man.

Nobody caught it coming'.

-We tried to help you out--
-Look,

what happened to me is done,
all right?

It's history.

We fucked up.

I took the fall, so it's dead,
it's over.

Fuck it.

-So what's going on in Cali?
-TREVOR: I don't know, man,

good fuckin' question, ask him.

-Pussy's what's going on.
-BILLY: Yeah?

I'll relocate for Cali pussy.

BILLY: Bud, you don't get
no pussy nowhere,

you don't even get laid here.

Oh, man, why you dissing on me?

Oh, please, Bud, please.

Relax with the diss, all right?

I don't need you playing
nigger now, all right,

you little walkin' fuckin'
identity crisis.

"Everybody wants to be a nigger

'til they are one," huh?
You wanna play nigger,

I'll take you up to 125th and X

and you can play the whole role,
all right?

This kid don't get laid.

Like you get pussy?

What are you,
out of your fucking mind?

ANDY: C'mon, who'd you fuck

that didn't cost you three grand
in drinks?

Bud, please.
Please, all right?

You fuckin' houseboy.

Hey, don't change the subject.
Who?

Okay.

How 'bout that girl Cindy
after China Club

Monday night, huh?

You went to China Club
Monday night?

Quite fuckin' naturally.

I might have forgotten
to throw you an invitation,

so shut the fuck up.

Did I get laid?
What do I look like,

a boy like you, huh?

I'm a fuckin' man!
I'm fuckin' international.

I'm getting crazy pussy
constantly.

Crazy pussy's in Hollywood.

Hey, fuck fuckin' Hollywood,
all right?

Those queer dick-smoking
motherfuckers.

So, when you guys leaving?

You guys seen Laura lately?

I don't know. I haven't seen her
in a couple years.

TREVOR: I wanna see her
before I leave.

ANDY: I gotta ask you, um,

why didn't you come back
when you got out?

I don't know, man.
I wish, you know--

I wish I could answer
that question.

I guess...

I just needed some time

and it kind of multiplied,
you know.

-I'm late.
-That's a nice watch, man.

BILLY: Yeah?
You wanna have a good time,

you gotta have
a good watch, huh?

-Where you going, man?
-BILLY: Hey, what are you,

writing a fucking novel, huh?

I gotta go back up town,
I gotta see somebody.

These guys will dump you off.

On what, their bikes?

Don't worry man,
we got you covered.

ANDY: If you guys want,
you can crash at my place.

My old man,
he's still doing that

whole Japan thing.

-Coolin'.
-So you guys still gonna be here

in the morning, huh?

Yeah, I think so.

BILLY: All right.

See you then, Bill.

Zee you.

Some things ain't never
gonna change, man.

JACK: Change, Mikey.

That's what the world
is all about.

It's the only constant action.

To know what people want
and can't get

is half the fight.

This is how we live.

You understand?

I understand.

Do you, Michael?

I think so.

JACK: I hope so.

I hope you never forget
what I tell you.

Incidentally, Michael,

those stones,

I want you to take 'em,

put 'em in the safe.

At the club?

Take care of them, Michael.

No problem.

Anything else you need?

That's it.

Goodnight, Mr. Trattner.

Oh, Michael.

There's another thing.

This, uh--

this manager
you got working at the club.

-Sal?
-JACK: Yeah.

His name is Sal.

He's been sneaking
around my office!

You seen him in your office?

JACK: This broad, Gina,
she saw him.

And you believe her?

JACK: I can't waste my time

whether I believe her or not.

I just don't want 'em
sneaking around my office!

So what's the answer?

JACK: Throw out the girl.

And keep an eye on that manager.

It's so easy, man.

It's so fuckin' easy.

We've been doing like 20 grand,

drops every Saturday night.

And they don't touch the cash
for at least two or three weeks.

There's some big fuckin' green

sitting right
in the fuckin' safe.

Sitting right there.

And guess who's got
the combination, huh?

The manager, man.

He lined the whole thing up,
it's a done deal.

All I gotta do is do it.

Are you outta
your fuckin' mind, man?

I can't believe how fuckin' sick
you actually became.

That place is a wise guy joint,
you wanna end up dead?

There ain't no wise guys
in this place.

Some old Jewish guy owns it.

He probably thinks it'd keep him
young or something'.

Look, I need this move, man.

-I want it bad.
-Hey, come on.

Look, this place
is gonna be jam-fuckin'-packed

with people everywhere,
bouncers all over the joint.

What, are you nuts?

[SCOFFS] Wrong, again.

SAL: The doors close at 4:00.

The fuckin' place is dead empty

except for the bouncers,
whatever we use that night,

could be four,
could be eight of them.

You come around the back.

They ain't gonna have
a fuckin' clue

what the fuck's going down.

Jimmy the door,
bust a few heads,

kick a little ass.

One of you forces me
to pop the safe, we're made.

Hey, what am I supposed
to do, huh?

I'm 23, man.

Twenty-three.

The kids we grew up with,

some of them
make a half a mil a year.

Half a mil pushing stocks,
you believe that shit?

Yo, they're running their old
man's business or something.

-It's something, though.
-Who gives a fuck

what everyone else is doing?

This place is not real!

This place
is science-fuckin'-fiction, man,

look around.

Don't make this about money,
man, 'cause it's not.

Look at Friend.

That guy's lived everywhere:

California, Florida, Vegas,

New York, Chicago, Cuba.

The guy's never had
a frigging dollar in his pocket,

but he's happy.

His main goal in life is to shit

and sleep indoors.

All the stuff
about the robbery, man,

that's just part of it.

I don't wanna jinx it
by telling you, but, uh...

[WATER BOILING]

...you remember my old guys
from the neighborhood?

Vic and Eddie?

[EXHALES]

They got one of the best fucking
deals in history, man.

Best fuckin' deals
in history, babe.

I'm hooking you so big
it scares me.

-Gives me the chills!
-I wouldn't hook my own mother

-so sweet!
-We's hooking you, babe,

this is sweeter than sugar.

The guy, Ray, out west in 'Zona.

You know the guy,
Dough, Ray, Me?

You know, that kid Ray,
with one foot?

He's getting pinched
in a couple of days.

He's getting pinched hard,
he's going away forever.

-He's outta there.
-Going away for a long time

-and he knows it.
-He needs cash fast

-and with distance.
-He's getting the pinch

-from the Feds.
-You know, the J. Edgar Hoovers?

-This kid needs cash and fast.
-Babe, they're all over him.

He got the tip
from a junkie Fed.

ANDY: This is the shit
I dream about!

My score.

Our score.

Oh, man, you used to beg
for a score like this!

-Yeah?
-Yeah.

This is a fuckin' dream.

He wants to get rid
of a hundred pounds

of hydroponic bud from, uh--

From Aravaka.

He's gonna let us take it
for 40 upfront

and 40 when we roll.

Forty grand and it's ours.

-We got 20 of it.
-We're half of the way there.

We need another 20.

We only got three days, though.

He's gotta have the wood
in three days, though.

Kindest bud you ever smoked,
babe.

A hundred elbows.
We's gonna make a fortune.

-And roll it over.
-And over.

-And over.
-Big money, babe.

This is the kindest herb
you ever smoked!

ANDY: So I got a great deal
going, but as usual,

it just keeps getting fucked up
with a problem.

EDDIE: What's the fuckin'
problem, huh?

Borrow the cash
from your old man.

You're always saying,
"Hook me, Vic. Hook me, Vic."

"Hook me, Eddie, hook me."

-Well, you're hooked!
-Well, you're hooked!

-So here's your chance.
-C'mon man,

run with it,
raise the bread, huh?

Borrow from the kid Bill,
he's got about a trillion or so

-just laying around.
-Just run with it baby,

c'mon, huh?

So, uh, when you gonna go
see Laura?

Why?

ANDY: I'm curious, man,
you know,

you came back to get her.

Yeah, say what you want,
I'm not that fuckin' dumb.

So, what are you gonna do, huh?

What do you mean?

You got no money,

no job, no home.

Your parents are hiding
from you in Florida

so you don't give your old man
another stroke.

You think you'd give her
a good life like that, huh?

Yeah, man, I think so,
you know, I hope.

Laura's high maintenance.

Plus, uh--

plus you haven't seen her
in four years.

That's going to cost you, man.

You gotta take care of her,
take care of her right.

Look, you think it's coincidence

that you came back here?

What are you trying to say?

ANDY: Fate, man, fate.

-Ah, shut up.
-ANDY: Hey, look,

I need you on this with me, man.

Even if you don't come along,
I'm gonna take care of you.

I owe you.

You took the heat off of me.

Me and Billy.

Yeah.

So where's Billy in this little
picture of yours, huh?

Fuck him, man.

Shit's different now.

How's that?

Hey, Billy's big-time, man.

You don't know him anymore.

I don't even think I know him.

Kid's crazy, man.

You can't talk to him.

He's into 10, 15 a week.

I don't even have an idea
how he's making it.

What, you don't work with him?

Treats me like a fucking gofer.

Once in a while, real rarely,
like he'll throw me something

-but shit, you know.
-Yeah.

ANDY: And that's why
I gotta line this up myself.

Or with you, man.

[SIGHS]

Apartment house
South Columbus Ave,

a Benz, boat,

house in the Hamptons,
place on Fire Island,

'copters to A.C.,
shitloads of cash, man.

[UPBEAT MUSIC PLAYING]

[INDISTINCT CHATTER]

ANDY: He's set, the kid's huge.

[UPBEAT MUSIC PLAYING]

[RINGING]

LAURA: Hello?

Hello?

Hello?

[ROCK MUSIC PLAYING]

♪ There must be something
in the way I feel ♪

♪ That she don't want me
to feel ♪

♪ The stare she bares
cut me ♪

♪ I don't care

♪ You see so what if
I bleed ♪

♪ I could never change
just what I feel ♪

♪ My face will never show
what is not real ♪

[ROCK MUSIC PLAYING]

♪ A mountain never seem to
have the need to speak ♪

♪ A look that shares
so many seek ♪

♪ The sweetest feeling
I got from you ♪

♪ The things I said to you
were true ♪

♪ I could never change
just what I feel ♪

♪ My face will never show
what is not real ♪

[ROCK MUSIC PLAYING]

♪ I could have lied,
I'm such a fool ♪

♪ My eyes could never, never,
never keep their cool ♪

♪ Showed her
and I told her how ♪

♪ She struck me
but I'm fucked up now ♪

♪ I could have lied,
I'm such a fool ♪

♪ My eyes could never, never,
never keep their cool ♪

♪ Showed her
and I told her how ♪

♪ She struck me
but I'm fucked up now ♪

[ROCK MUSIC PLAYING]

[UPBEAT MUSIC PLAYING]

WOMAN: ...father embezzled
about a hundred million

or something.

I heard he had to give back
the 911.

Quit the fucking cross talk,
huh?

You're pulling my lemon
over here.

Here, give it to Ernie.

Ooh, a blunt.
That's nice.

Yeah, they do this in Vegas,
Bobby.

That's a class.

-Ah, tell me about it, bubbula.
-Bubbula?

What do you outta your shorts
calling me bubbula?

Yo, man, lemme ask you
a question.

Where the fuck is Billy at?

That guy was supposed
to take care of some shit

for me yesterday,
he disappeared.

Yo, man, he's in A.C.

If you want him so bad,
beep him.

I gotta fuckin' beep him, man?

The fuck's up with you, man?

NICKY: Yo, yo.

B-O-Y-Z, you boyz down
for tonight or what?

Let me see that.

Andy was telling me about
this club thing tonight, man.

Let's do it,
it sounds like aces.

We need the cash, man.

I thought we had enough,
but I figured out

some additional expenses.

Yeah, additional expenses
like eating.

Yo, man, don't play preacher
on me now.

You're down for tonight.

[UPBEAT MUSIC PLAYING]

BOBBY: Can't believe
you didn't hear about it, man.

Can't believe
you didn't hear about it.

Nobody gone up there
and told you

shit up there, you know.

Crazy shit around here, man.

And fuckin' all three
of them went, boom,

one after the another,
like that.

Fuckin' gone.

You know, ain't fuckin' same.
Ain't like when we're kids now.

Anybody get whacked.

Anybody can get whacked.
Kids are getting whacked.

It ain't just fucking happening
over there,

it ain't just happening
over there,

it's happening here, man.

Shit's fuckin' happening
everywhere.

So what do we do, man, huh?

Tell you what we do.

Get fuckin' crazy,

just fuckin' live.

[ROCK MUSIC PLAYING]

MAN: Everyone,
get the fuck down!

MAN: On your fuckin' face now!

-[GUNSHOT]
-The fuck's going on?

-You know who's fuckin' place--
-MAN: I don't give a fuck!

-MAN: Hey, hey.
-MAN: Don't you move!

[ROCK MUSIC PLAYING]

MAN: Move it, motherfucker!
Get in there now!

MAN: Get the fuck down!

MAN: Nobody fucking move!

Nobody fucking move!

ANDY: Grab the fuckin' prick
and bring him over here.

MAN: Motherfucker,
open this fucking thing

or I'm leaving pieces
all over this fucking place.

You guys are gonna be so sorry.

-Have you--
-MAN: Shut the fuck up,

you two-dollar-a-week scumbag,

suck my dick!

ANDY: Get outta the way, man.

MICHAEL:
This is the big leagues, boys.

BOBBY:
I want to fuckin' kill some.

I'ma shoot somebody.

Somebody is getting
fucking shot here.

Yo, B, pop that one
right there, man.

I ought to fuck you up!

what're you fuckin'
whining about?

-What're you whining about?
-WOMAN: Please--

BOBBY: What? What?

Huh? Huh?

You fuckin' whore!

I'll blow
your fucking brains out!

Don't fuckin' look at me.

Don't fuckin' look at me.

I'll fuckin' take--
I will fuckin' blow

his fuckin' brains out.

Huh?

[CRICKETS CHIRPING]

[EXHALES]

Yo, man,
you ever ride the D-train?

Y'know what I'm saying?

Take a little hit at the D,

get you going right on,
man, yeah.

♪ 'Cause I'm gonna give it
to 'em ♪

♪ And give it good

♪ Something like a

[MOANS]

♪ Like I knew you should

♪ With the taste

[INHALES] Ooh.

-MAN: Shoot him!
-TREVOR: What is wrong with you?

-MAN: Shoot him!
-TREVOR: Shut the fuck up!

You wanna die, asshole?

-Use your fuckin' head.
-MAN: Shoot him!

MAN: Shoot the motherfucker!
Shoot him!

You're dead.

You're mine.

ANDY: Yo, boys, I got it.
Let's go, man, we outta here.

[ROCK MUSIC PLAYING]

MAN: Don't fucking move!

[ALL TALKING AT ONCE]

BOBBY: You don't remember me,
do you, man?

Now you don't fuckin' know me
when you fuckin' drag me out

of the fuckin' place,
it's a different fuckin' story.

MAN: You motherfucker,
beg me not to kill you.

Beg me not to kill you!

You pussy! Beg me to live!

MAN: C'mon, we gotta go.
We gotta go!

MAN: [GROANS]

BOBBY: Bud, you don't know
who the fuck we are.

-[GUNSHOT]
-MAN: [GRUNTS]

[SUSPENSEFUL MUSIC PLAYING]

MAN: Let's get out of here!

MAN: Go! Go! Go!

[SUSPENSEFUL MUSIC PLAYING]

[INDISTINCT CHATTER]

[SUSPENSEFUL MUSIC PLAYING]

MAN: Yo, man, we did it.
We did it!

FRIEND: Definitely sandstone.

[INDISTINCT CHATTER]

ANDY: Yo, yo, Bobby.
Yo, man,

why'd you gotta shoot that guy
in the ass like that?

BOBBY: Had to be done, man,
had to be done.

ANDY: Yeah, I'm like run, man.

BOBBY: Hey man,
what's up with this stuff?

-ANDY: Hey, man, there's more--
-BOBBY: This thing's

like a fuckin'--this thing's
like Richie Rich house, man.

ANDY: Yeah, well,
that don't concern you,

so just put it down, man.

Just a poor Jew
trying to earn a living',

-know what I'm saying?
-ANDY: Yeah, you stick with me,

man, you'll make some more.

-All right, shorty.
-Look, all I'm asking for

is five minutes, please.

No, no, I need to talk to you.

GUY: Hey, nick!

MAN: Go, Nick! Come on, come on!

GUY: Here you go, Nicky baby.

Drink up, drink up, man.

Drink up, Nicky.

[INDISTINCT CHATTER]

Where's my cut,
you fuckin' animals?

-Where's my fuckin' flow?
-MAN: Hey, I got your flow,

you thick, burger-eating fucks.

[LAUGHTER]

BOBBY: Why give 'em the money,
man?

-ANDY: Outside, man, outside.
-VIC: Is it all there,

-you got it all?
-FRIEND: Yeah, it's all there.

Hey, don't worry about it,
all right?

-Shut the fuck up.
-MAN: Oh, you asshole.

ANDY: What, did I say
I'd talk care of it?

Yeah, yeah, you said--
you said--

Twenty grand. Twenty grand.

-It's all there?
-Yeah.

All right, all right.
Beautiful.

-We'll see you.
-Take care, all right?

-Always. Always.
-Take it easy, my man.

We love America.

[UPBEAT MUSIC PLAYING]

VIC: You drive, you drive.

[CHEERING]

We did it, man, we did it.

MAN: If you call a guy a pussy,

you don't call him a pussy
from across the room--

-You gotta get in his mind!
-MAN: You get

-in his fuckin' mind!
-In his mind!

[LAUGHTER]

[CRICKETS CHIRPING]

TREVOR: Look, I'm sorry.

I'm really, really sorry.

I got all your letters.

It's just that place
fucked my head up.

Well, you could've written back.

I mean, you never even accepted
my visits.

TREVOR: I didn't write back
to anybody.

I didn't read the letters.

I didn't accept anyone's visits!

Come on,
you could never understand.

Try dying
'cause that's what it's like.

You know, I knew
that you would outgrow me.

And I knew
that you wouldn't wait for me.

Am I wrong?

No, I'm not.

I did wait for you,

and you didn't come back.

TREVOR: Look, the last thing
you wanted or needed

was a convicted felon.

'Cause that's what I am.

Look, it's late.

I really don't want to get
into this right now, please.

Please don't do this to me
right now, okay?

Okay, I'm sorry.

Um...

I'm leaving tomorrow.

You know, I'll be at Andy's
until then.

I'm sorry.

[CRICKETS CHIRPING]

[DRAMATIC MUSIC PLAYING]

By the way...

you're looking real good.

MAN: [SCREAMING]

MICHAEL: ♪ Good morning

♪ Good morning

♪ The best to you
each morning ♪

Rise and shine.

MAN: Real tough guys.

MAN: Bunch of fuckin' cuties.

I told you man,
you're making a big mistake--

-Shut up!
-We didn't do nothing, man.

I got something to show you guys
here, huh?

MAN: Say hello to Sal!

Take a good look.

Whoa, lookie, lookie.

Now, ya see 'em, now, ya don't.

Now, ya smell 'em,
now, ya don't.

Good partner
ya got yourselves here, boys.

Took him all of two seconds
before he ratted you out.

Hey, take a good
fuckin' look, huh?

Like I said,
this is just the beginning.

You're gonna be real sorry.

Look, I said.
Look at 'em!

You shoot
my regular security guy.

And they got 'em hangin'
from the ceiling,

ass up in South Nassau.

But that's not my problem.

My problem is,

you took my money!

It's not what you think...

JACK: Shut up!

You keep your
fuckin' mouth shut!

You're not that tough.

You're all a bunchy
fuckin' pansies.

I'll bet that
you've never missed a meal

in your fuckin' life.

When I was a kid,

we stole because
we had no money.

You understand?

We had no money!

But in those days,
we had respect,

and there was
a fuckin' code!

Sir, I had no idea.

This asshole I got high with,

he told me
it was nobody's place.

I'm not stupid,
I wouldn't hit anybody's place.

-I'm with people.
-You're not with anyone!

Yes, I understand that.
I'm not with anyone,

but I'd never disrespect you,
I swear.

I swear
I'd never disrespect you.

And my friends here,

they didn't have anything
to do with it.

I set the whole mess up
myself.

I'll take full
responsibility.

[LAUGHING]

-Spitting image!
-Yeah.

JACK:
Kid, you just don't get it.

Do you know who I am?

Yeah, You--you're the boss.

Ya ever hear of
Jackie Trattner?

Jackie Trattner?
Yeah, yeah I know him.

He was my grandfather's
best friend.

He's dead now, right?

JACK:
Kid, I might be tired,

but I ain't dead.

[ROCK MUSIC PLAYING]

Hey! Hey!

If it ain't spaghetti-Ferretti

and little dick slick Vic.

What you got, spot?

VIC: What I got?
I got the pay for the hay.

You got the what?

What, you fucking deaf?

We've got the wood
for raised goods.

Right here? Right now?

Hey, what the fuck
is in your head, huh?

Do you think
we're gonna come out here

to tell you we got
the cash at home?

You think we come
all the way out here

without the fucking green?

So you got it here, then?

Oh, come on. What the fuck?

Come on. What are you,
stupid or something?

VIC: Get going up there.
You know, you're slow.

-Something's wrong.
-Oh, really?

-Yeah, really, really.
-ANDY: So Vic and Eddie, right?

They take the cash,
they front it out.

Any profit that comes in,
we roll over into another move.

Ya don't gotta worry
about your money, all right?

I'll get it back to you
in a week.

Tops, a week.

Spittin' image, you are.

I wish he could see ya.

Jesus, Maxie Richter.

Your grandfather
was a great man.

We did a lot of work together.

We opened up the Regal club.

Fish also.

Maxie was some kid though.

He never watched his health.

He thought
he would live forever.

Your grandfather,
he was the greatest.

He was real tough.

I couldn't get him
to stop eating red meat.

Too bad he's not with us now.

Your grandfather
was ahead of his time.

A great man.

Great man.

Some kind of a guy.

JACK: We did everything.

I'm tellin' ya, Andy.

We were like that.

But there's nobody around
anymore.

Just me and Fish.

Everybody else died.

The rest went to Miami Beach.

Amen.

Now, look.

This is the way
I'm gonna work it.

The three a-you's
are gonna work for me,

until ya pay me off.

That's a deal, right?
Non-negotiable.

The others,
we'll forget about...

for the time being,

I'll forget about the others.

That's it.

[DRAMATIC MUSIC PLAYING]

[ROCK MUSIC PLAYING]

♪ Well, Billy rapped
all night about his suicide ♪

♪ How he'd kick it in the head
when he was twenty-five ♪

♪ Speed jive,
don't want to say alive ♪

This is fuckin' tuna.

I said chicken salad, dick.

FRIEND: No, no.
You said, you said tuna.

MICHAEL:
I said chicken salad.

Get the fuck outta here!

What do you need, Jack?

You know what to do
with these.

♪ Television man is crazy

Who's the kid?

♪ Oh, man, I need TV

♪ When I got T.REX

♪ Oh, brother, you guessed

MICHAEL: What you playin'
with the fuckin' thing for?

You said chicken, right?

I said what I said was tuna,
not chicken, ya dick.

And you forgot the soda.

♪ Where are you?

♪ Boogaloo dudes

♪ Stand up, come on

♪ All the young dudes

♪ I wanna hear you

♪ Carry the news

♪ I wanna see you

♪ Boogaloo dudes

♪ I wanna talk to you

♪ All of you

[BEEPING]

♪ Lucy looks sweet 'cause
he dresses like a queen ♪

♪ But he can kick like a mule,
it's a real mean team ♪

♪ But we can love

♪ Oh, yes

♪ We can love

♪ And my brother's back
at home ♪

♪ With his Beatles
and his Stones ♪

♪ We never got it off
on that revolution stuff ♪

♪ What a drag

♪ Too many snags

♪ Now, I've drunk a lot of
wine and I'm feeling fine ♪

♪ Got to race some cat
to bed ♪

♪ Oh, is that concentrate
all around ♪

♪ Or is it in my head?

♪ Yeah

♪ I'm a dude, dad

♪ All the young dudes

♪ Hey, dudes

♪ Carry the news

♪ Oh, yeah

♪ Boogaloo dudes

♪ Stand up

♪ Carry the news

♪ All the young dudes

♪ I want to hear you

♪ Carry the news

♪ I want to see you

♪ Boogaloo dudes

♪ I want to relate to you

♪ Carry the news

♪ All the young dudes

LAURA: Why do you wanna go
to L.A., huh?

I mean, c'mon,
what can you do out there?

TREVOR: I told you I stay here

and I think about
all the things I fucked up.

I just warm go away.
I wanna get away.

I just wanna be away.

It's like I can't stay here and
I can't live with my mistakes,

so I'm gonna leave,
and I'm gonna take you with me.

You're crazy.

-Yeah?
-Yeah.

As crazy as your boyfriend?

What boyfriend?

Hey, look, I'm not mad.

I mean, I was a little upset,

but I have no right to be.

I'm not--I'm not--
I'm not mad.

-Listen.
-What?

It's not what you think.

Okay?

Billy is my friend.

I needed a friend in a big way
after you left,

but there's nothing more to it
than that, really.

You still see him?

No.

When was the last time?

The second I saw you.

[AIRPLANE ZOOMING]

[BIRDS CHIRPING]

DAVE:
Andy? Is that you?

Hey, Dave.

How you doin' man?

Hey, how you doin', man?

Boy you look so different.
I'm almost didn't notice you.

Yeah. It's been awhile.

DAVE: Yeah.
What you doin' with yourself?

Whole lotta nothin'.

You know, same bullshit.

DAVE: Yeah.
I know what you mean.

I'm in a law school now
at Columbia.

This is my fiancee, Leslie.

Leslie, this is Andy.
We went to high school together.

-Really?
-Yeah.

Yeah. We're gonna get married
in three months.

Anyway,
talking about high school,

this guy was a mad man.
He--what he did is he devised

a, like, a point shaving system,

and he, like,
made tons of cash.

-Just on basketball teams.
-LESLIE: Really?

DAVE:
Yeah, high school basketball.

Yeah, so you know, I just popped
in to see the parents.

You know,
came to Long Island.

I mean,
nobody comes here anymore.

I don't know why.
I really don't know why.

I mean, like everybody we knew
is not here anymore.

They just leave,
you know, I mean--

Well, there's nothing to do.
I mean...

DAVE: True, this is true.

Anyway, I'm uptown now.

If you want, stop by.

-You could take the train.
-C'mon, let's go.

DAVE: You could take the train
or anything, really.

I mean that.
Be good, man.

Nice seeing you.

Dick.

[INDISTINCT CHATTER]

What's happenin', boys?

[INDISTINCT CHATTER]

Somebody knocked off
Montannas...

[INDISTINCT CHATTER]

Nice little fuckin'
banquet we got.

It's the whole crew, man.

You know, me, Bobby,
Nicky, Monte, Ricky.

The whole crew, man.

Who fuckin' beautiful, man,
and Bobby popped this...

-Who?
-...guy in his fuckin' ass.

Who, who else was there?

Fuckin' Trevor was there,
Andy was there...

-Who is Trevor was there?
-Yeah. Trevor was there, man.

Fuckin' Bobby popped
this fuckin' hole

in this guy's ass, man.
It was fuckin' hysterical.

Wai--wait.
Trevor was there?

-ERNIE: Yeah, Trevor showed up.
-BILLY: What's he up to?

[OMINOUS MUSIC PLAYING]

[JAZZ MUSIC PLAYING]

♪ Making at scene

♪ Making that love scene

♪ Got to be seen

♪ Making that love...

VIC: Hey, hey, Billy.

BILLY: Don't even say...

Don't even say nothin' to me,
all right?

Don't be coming in here
playin' like you're bad

or somethin'
cause I'll take both outside

and give you both fuckin'
beatin's right now.

What's going on?
What's the matter?

EDDIE: Can we get you a drink
or something, Bill?

BILLY: Shut up!

I got a drink.

And you guys are doing deals
with this kid Andy?

This kid's a fuckin' flunkie.

From now on,
I got half of this thing

you're doing with him.

And if you've got
a problem with that,

you go do whatcha gotta do
and go see who you gotta see,

and I'll go see
who I gotta see.

Huh?

VIC: Take it easy, Billy.
What are you excited about.

I don't understand.

Don't be comin' in here,

talkin' to me
like some fuckin'...

EDDIE: We don't want
any problem, Billy.

EDDIE:
Some fuckin' pimp, huh?

'Cause I'll bury both your ass
right where you're standin'.

-Hey, all right.
-I got no problem with it.

-Don't mean nothin' to me.
-VIC: Jesus!

And if this fuckin' kid Trevor's
got a problem with it,

I'll straighten him
the fuck out, too.

All right,
you know, whatever you say,

whatever you say Billy.
You're on top.

You're the boss, you know.

BILLY: This is motherfucker,
he's in and outta there

every day.

Yeah, so what do you wanna do
about it?

Known Billy a long time.

He's an earner.

He's good to have around.

Who is this guy?

Over where?

The jeweler around the block,
Arnie.

See what we could do for yous.

♪ Don't cry

♪ Don't think I don't know

♪ That we could use
a short vacation ♪

BILLY: So, uh,

who's the guy?

Jackie Trattner.
Why, you know him?

Yeah, some of my friends
know the guy.

Yeah, who's 'at?

BILLY: Ah, some kids in Queens,
you don't know.

So, what they tell ya
about 'em?

Nothin'.
He got some cash.

[LAUGHS]

Oh, you put a nice
little crew together, huh?

What's the matter with it?

Hey, Bud, for you,

nothin's wrong with,
all right?

But ya'lls a buncha
fuckin' nobodies

you know what I'm saying?

[CHUCKLES]

Hey, I got Jackie Trattner, man,
it doesn't matter.

BILLY:
Bud, let me tell you something.

The guy ain't fuckin' nothin'
all right?

He's got a few dollars,
it don't mean shit.

The guy loves me, man.

Guy don't even know
what fuckin' day it is.

He's so fuckin' senile,
he's got you workin' for him.

[LAUGHS]

My friends all buy and sell
his asshole, all right.

[CHUCKLES] So do me a favor.

Don't come around here

playin' like you got
some juice, all right?

Cause you all are so much
fuckin' boys.

You also bunch of fuckin'
nobodies, all right?

[LAUGHS]

ANDY: What's up, man?
What's botherin'?

Listen man, ya gotta do me
a favor, all right?

Get us outta this
fuckin' thing.

I don't wanna be
fuckin' stuck here

workin' for this fuckin' guy for
the rest of my life, all right?

I'm workin' on it, all right?
I'm tryin'.

I gotta give him back
25 grand, man.

It's not that easy to come up
with this fast.

Yeah. But it don't
fuckin' seem like

you're tryin' so hard,
you know?

Just take care of it, okay?

All right, trust me, man.

Look, I want outta here.

I got some money comin'
around soon, okay.

I'll set everything right.
I'll clean this mess up.

Just trust me on it.

What, you think
I wanna be around here

the rest of my life?

Just take care of it,
all right?

ANDY: All right, man.

BILLY: Philly told you
I was comin' by, right?

-ARNIE: Oh, you Billy?
-BILLY: Yeah.

Oh, yeah, sure kid, yeah.

Philly told me all about you.

Said to give the kid whatever
he wants.

So, uh, what do you need?

I got a little problem
with this kid

who picks up for Trattner.

Which one?
The one with the bike?

Yeah, yeah. Uh...

Trevor.

Yeah.
What do you want me do?

I want you to give this kid
fake stones

next time he comes in here,
all right?

You'll get your money,
we'll take care of ya,

I got friends,
you know what I'm saying?

ANDY: You're my friend,
right man?

-Yeah.
-So if I asked you somethin',

you know you, you wouldn't,
like, take offense to it, right?

-Not at all.
-Where you got that

funky style at for clothing?

It's like some mutated
fuckin' Madonna video.

-ANDY: Yeah, right.
-But you guys

know anything about reality.

Y'guys are stuck
in this Five Towns,

you get everything
you fuckin' want.

Yeah, but you wanna settle
with little shit,

and I want big time.

-When're you goin'?
-Fuck you.

Yo, man, look at the deal
I hooked up, right?

-What deal?
-Look, it thought like

it was gonna backfire on us,
right?

And we're set wit' Trattner,
man.

We make some cash
wit' this dude.

That's nice.

Look, this is all I know.

Trevor could make two,
three grand a week

workin' with Trattner.

Me and him, both of us,
all three of us.

-So how long does it...
-We can make a living doin' it.

-Yeah?
-And he wants

to throw it away, man.
I can't figure it out.

I mean,
life is about makin' money.

That's what life's
about makin' money.

No, bullshit.
Money comes and goes.

Money comes and goes.

And it will always come and go,

you will make it
and you will fuckin' lose it.

I guarantee it.

Yo, man, you got
the same problem as Trevor.

I'm tellin' you man,
you're clueless.

You ride around on the back
of some Harley somewhere

and you know,
you think you know the world.

BOBBY:
With your momma drivin' ya.

FRIEND: No. No, no, no.
It's what I'm learning.

You'll find out
one of these days.

See, Trevor learned
the hard way.

BOBBY: He could teach you, man,
he could teach you, seriously.

-You guys could make--
-He could teach you.

You guys could make
so much money with me, man.

[DRAMATIC MUSIC PLAYING]

MICHAEL:
I believe the kid Billy.

He's with some strong people.

Says he's doin' us a favor'
cause he's gonna want some help

with a few things
he wants to do.

I checked it out.

He's for real.

The kid,
he already made the pick up.

I had a lot of faith
in that kid.

I can't believe
he's so goddamned dumb.

I heard him talking about
this California trip.

I think he'd try to beat us
when he splits.

Billy says Trevor's a junkie.

I might believe that, too.

Here ya go, Jack.

What's the matter?

Nothin'.

You're sure?

You tell me.

Tell you what?

Jack, is everything okay?

Everything is all right.

All right, you're sure?

-Yeah.
-All right, cool.

I'm gonna go,
I'll see you tomorrow?

-All right.
-All right. Bye.

BILLY: Now, the way
that you can tell me

about what these men are doin'

is what I can tell you
about what these kids are doin'.

This kid's a rat.

He got busted
a couple years ago

and he opened up his mouth
about everybody.

Now don't take it personal,

this kid ain't got no respect
for nobody.

He's a--he's a junkie.

He don't care
who he steals from.

What is this thing
you want from me?

I got money tied
into a dozen things.

I got cash
all over the streets.

I got kids workin' for me
everywhere.

Sometimes, I get a problem.

You may be able to answer
some questions for me.

That's the favor
that I'm askin' of you.

I know that you're retired
and I respect that of you.

But I'm askin' for your help.

I can help you.

But ya gotta do
somethin' me.

Hmm?

[DRAMATIC MUSIC PLAYING]

FISH: Who are these kids?

They're us.

All over again.

[DRAMATIC MUSIC PLAYING]

Hey, it's easy.

No big thing.

You do it once,

you can do it every day.

It don't mean nothin'.

[DRAMATIC MUSIC PLAYING]

Who's place?

BILLY: Some fuckin' whore.

MICHAEL: Oh, yeah?
How's she lookin'?

Broke ya heart, huh?

I gotta go.

Come on, I gotta go.

I love you.

I love you, too.

[DRAMATIC MUSIC PLAYING]

[MOTORCYCLE ENGINE REVVING]

Where ya going?

What's up, man?

Tell me, bigshot, huh?

TREVOR: Yo, man, what the fuck
are you talkin' about?

BILLY: What do you mean
what the fuck

am I talkin' about, huh?

-TREVOR: Yeah.
-We gotta have

a little chat, bud,
we got a little problem.

Got a problem.

You got a fucking problem
with me, asshole?

Yeah, I got a fuckin' problem
with you.

Huh?

Billy, calm down, man.
Put the fucking gun away.

All right?
Fucking just relax all right.

Billy, relax. Don't fucking
point that thing at me,

-I'm with you, man.
-Ha!

You're not with me, huh?

You some big shot now, huh?.
You somebody, huh?

Hey man, what the fuck
are you talking about?

Huh? What is this?

What is this about?
It's about Laura?

This ain't about no girl.

Uh-uh. I don't give
a fuck about nobody.

You just turned into
a fucking punk, you know that?

What's with the fucking
rap session here, huh?

[TIRES SCREECH]

You're a fucking pussy?

You got to bring your girlfriend
here with you, huh?

Nice smack, skinny.

I didn't think
you had it in you.

I've know you all my life, man.

And this is where we're at?

All the time we spent together,
all the years!

We were brothers. And now,
you're going to fuck me up?

You're going to fuck me, Billy?

Huh?

Look at me, Billy!

Talk to me, tell me what's up!

Tell me!
Talk to me.

Is that fucking piece of shit,

mean something to you?

She's my girl, Billy.

She's my girl.

Do me a favor, all right.

Shut the fuck up!

Come on, fuck.

Let's do it?

You're a fucking tough guy?

Fight me, fuck.

Come on, motherfucker!

Get up!

Come on.

[PANTING]

[COUGHS]

Will you finish this,
I got to get home!

TREVOR: Billy...

Billy, put the fucking gun down,
come on.

Don't--

MICHAEL: Come on, already, huh?

TREVOR: Billy, it's me!

Put the fucking gun down!

Do 'em.

Do 'em!

Finish him already,
will you man?

Do 'em.

Hey, you ever kill anybody?

TREVOR: Billy, don't do it!

He's fucking your girl!

TREVOR: Billy!

[DRAMATIC MUSIC PLAYING]

You do it once,
you can do it every day.

MICHAEL: Do 'em.

[SCREAMS]

[GUNSHOT]

[GASPING]

Billy...

You should've never come back.

[GUNSHOTS]

[DRAMATIC MUSIC PLAYING]

[JAZZ MUSIC PLAYING]

What?

[TELEPHONE RINGING]

Hello?

Laura what's the matter?

I don't know,
I thought he stayed with you.

His bike was where?

Two hours of sleeping
at your age is good.

Just take care of yourself,
Mikey.

I need you breathin'.

You should take lots a vitamins.

You gonna stay out all night,

you need a good multivitamin.

Hey, two hours o' sleep
is all I need.

I love night work.

How did it go?

It was a real fuckin' pain
in the ass.

I gotta grab the kid
at his girl's,

to drag them to
the fuckin' alley,

to chop them in the weeds.

It was all over
the fuckin' place.

What is it, kid?
I'm in a meeting.

Has anybody seen Trevor?

[UPBEAT MUSIC PLAYING]

My god, I know
something happened to him.

I'm sure he's fine.

He probably just needs to
spend some time alone.

I don't think so.
I mean the bike is still there.

Listen, if he doesn't
come back here soon,

-we have to do something, okay?
-What can we do?

I'm sure there's a
logical reason

for why he's gone.

[TELEPHONE RINGING]

ANDY [OVER PHONE]:
Pick up the phone, Billy.

Hey, Billy,

yo, if you're there, pick up.

Yo, man, this is Andy,
we got a serious problem.

Pick up, Billy.

[PHONE CLICKS]

[DRAMATIC MUSIC PLAYING]

[INDISTINCT CHATTER
OVER TELEVISION]

[LAUGHTER]

ANDY:
Trevor would have called, man.

Somethin' is definitely up.

Man, I didn't wanna come here.

I knew this place was fucked.

BUDDHA: Yo, docta,
chill out man.

This place is paradise.

So if ya don't like it..

Ya best be departin'
in like Billy Martin!

Oh shit.

[LAUGHTER]

BUDDHA: Yo, what's up man,

what's you problem?
Chill out.

FRIEND:
You're my fuckin' problem, man.

MONTE: Yo, man, relax man.
Chill dude.

-Fuck, man.
-Chill, chill.

Damn.

Buggin'.

ANDY: Listen, Vic.

I need the cash.

Yeah, yeah,
I understand that,

but I got problems, too.

Will ya just listen to me
for a second?

Fuckin-A,
I got a severe problem.

give me twenty-five,
we're even.

Eddie.

Eddie, Vic,
get the fuck off the phone!

Eddie look, I don't give a fuck
about your frontin' procedures.

I need the cash.
I need it fast.

Just get me my money,
all right?

[UPBEAT MUSIC PLAYING]

Hey, hey, hey.

What's up my man?
How you doin'?

I'm all right.

Got a new set a talent here,
huh?

-She's fuckin' hot.
-Oh, she's beautiful.

-EDDIE: I love it.
-VIC: Nice, nice.

-EDDIE: Love it.
-VIC: Vivacious,

curvaceous, beautiful, bitch.

I need twenty-five.

Every time we spot you,
you're fuckin' late.

You got balls
even coming out here.

Oh, c'mon.
Uncle Arson, give up the green.

C'mon man, don't be lean,
give up the green.

We won't be late this time,
I promise.

Won't be late, scout's honor.

Scout's honors, all right?

If your late,
we're gonna have a conflict.

VIC: Heh, heh, hey, hey.
You're beautiful.

Who loves ya more than us, babe?

Who's better than you?

I was tellin' Eddie
the other day,

generosity is only exceeded
by your good looks.

Yeah, your good looks.

[LAUGHTER]

Hey, all right.

Beautiful, beautiful
Nice fuckin' broad ya got here.

VIC: Nice, new talent, really.

I love the way she moves,
you can tell she did ballet.

Art, this is art.

This is the finest form of art.

I just spoke to Webb over there.

That fuckin' town of yours

is gettin' a little whacked,
huh?

What? What?
What are you telling about?

Your kids,

know that kid from your town?

Who?

Who?

The kid
who got smoked last night.

Who's that?

Smoked?
Who got Smoked?

I don't know.

EDDIE: My man, get me a shot
o' that over there.

Set meself-set me up on fire.

-Beautiful.
-VIC: No problem, man.

EDDIE: Beautiful.

ANDY: The castaways.

-VIC: Hey-hey-hey.
-EDDIE: Hey look who it is.

-VIC: Look who's here.
-Hey ya both look like Skipper,

so where's Gilligan hiding?

VIC: In the outback
fuckin' Mrs. Howell.

C'mon on. C'mon, c'mon.

You like it?
What do you think of it?

Got it from Jackie Footsteps
from Brooklyn.

-[LAUGHS]
-What do you think?

We're going
in the fishin' business,

listen to this.
We're gonna do marlin.

We're gonna do swordfish.

Bluefin tuna.

Eighteen bucks a pound.

-You get one...
-W'goin' for thousand pounders,

-what are you kiddin' me?
-One thousand pounder,

you got eighteen grand.

We'll pay for the boat
in no time.

We'll pay the boat right off.

Hey, but never mind that.
Let me getcha what you--

-I got somethin' for ya.
-Take care o' him.

So what's new buddy?
What have you been doin'?

ANDY: Here's your twenty-five.

You just made what?
Five thousand?

That's not bad for a week
or so, right?

That's damn good!

-Ya gotta admit it.
-ANDY: Yeah, right.

You guys are gonna make
about twenty times this

-before you're done.
-Oh, come on.

Hey, I'm doin' ya a favor.

There ain't nobody forcing ya
outta here, y'know.

-Yeah, nobody's leanin' on ya.
-No.

EDDIE: No, you ain't gettin'
the arm or nothin'.

Pullin' out's your choice.

-That's right, man.
-It's your decision.

Yous make it, we take it.
Simple.

ANDY: All right,
all right, all right.

Look, all kiddin' aside,
ya know.

Ya guys are all right,
all right?

-VIC: Ah, don't thank us.
-You owe us one, that's all.

Yeah, ya owe me one, too,
so let's not forget.

That's too bad what happened
to your buddy, Trevor.

VIC: That fuckin' Billy's
outta fuckin' control.

He's tryin' to put points
on the fuckin' board.

-I wanna wring his fuckin' neck.
-Billy?

What?
Ya didn't know?

Tell me.

[SOBS]

[SIGHS]

[DRAMATIC MUSIC PLAYING]

♪ They say everything

♪ Can be replaced

♪ They say everything can--

Trevor said
he never trusted him

especially after the bust.

I think in a way he was happy
he went away and not you.

He worried about you, man.

He loved you.

And I let him down.

♪ ...of every man
who put me here ♪

Well, what are we gonna do?

What can we do?

Can't go to the cops, man.

They don't give a fuck.

Kid had a record, man.

He's the last thing
they care about.

Well what about Billy?

[DRAMATIC MUSIC PLAYING]

What's up, boy-yee.

What are you doin'?

Huh?

Why?

What are you talkin' about, huh?

Why you talkin' like
a dumb houseboy for, huh?

How could you do it?

We were like brothers?

BILLY: Whoa-whoa-whoa-whoa-whoa,

don't point that
fuckin' thing at me, huh?

You gonna shoot me?

You gonna kill me?

Huh?

Go to jail?

You pull that trigger,
you're dead.

You kill me, you kill yourself.

I'll take my chances.

[GUNSHOT]

[CAR ENGINE REVVING]

FISH: Plus, you smoke too much.

Take a thousand milligrams
of vitamin C.

You're late.

There's your 25.

Done, right?

JACK: Where are you going?

Stay here.

You're good here, Andy.

You're amongst friends.

I don't think so.

FISH: You know what else
is good?

Zinc.

[DRAMATIC MUSIC PLAYING]

So, you think you're changed,
do you?

[UPBEAT MUSIC PLAYING]

♪ Live for yourself

♪ Today or tomorrow

♪ Look after your health

♪ Forget all your sorrows

♪ Whoa, oh, oh

♪ I'd wish
I could've seen you ♪

♪ When you could run wild

♪ I would've liked
to know you ♪

♪ As an innocent child

♪ Innocent child

♪ When I went away

♪ You didn't hear a word

♪ Because I didn't write

♪ And I knew

♪ Lonely and cold
in my heart ♪

♪ That I lost it at night

♪ Five years without a word

♪ It's a long time

♪ Didn't think
she'd still be mine ♪

♪ Life drives on
Long Island ♪

♪ Every dream
could bring you to me ♪

♪ As the evening winds,
Long Island ♪

♪ The days fall
into the sea ♪

♪ When I go down

♪ To the ocean side

♪ Trying to make it
all right ♪

♪ And I knew

♪ Only now we're apart

♪ I better keep out
of sight ♪

♪ People change
but I'm the same ♪

♪ I think they're fine

♪ Even after all this time

♪ Life drives on
Long Island ♪

♪ Every dream
could bring you to me ♪

♪ As the evening winds,
Long Island ♪

♪ The days fall
into the sea ♪

♪ When this crazy world
was my side ♪

♪ Didn't have
to fuss and fight ♪

♪ And I knew

♪ At the end of my stream

♪ Where I could
see the light ♪

♪ Come true

♪ That something serious

♪ But I'll never be
that kind ♪

♪ Life drives on
Long Island ♪

♪ Every dream
could bring you to me ♪

♪ As the evening winds,
Long Island ♪

♪ The days fall
into the sea ♪

[UPBEAT MUSIC PLAYING]

[SIRENS BLARING]

[UPBEAT MUSIC PLAYING]